CallNumber	ImageLabel	ItemNo	Date (Narrative)	Date (range) Start	Date (range) end	Image width x height	Notes	Support Material	Language	Place of Origin	Script	Creator	CreatorRole	Provenance Details	FolioNumber	CallNumberOrder	CallNumberSort	CallNumberVariant	FolioNumber2	TIFFLocation	TIFFBitDepth	TIFFScanResolution	imgSeq	Manuscript Name
Lewis E M 1:2	Lewis E M 1.2 front	mcai010021		1400	1450	100 x 161 mm	Initials D, C, D, and F (from top to bottom) | The illumination has been attributed to the same hand that executed the decoration of the Piccolomini Gospels (New York Public Library Spencer Coll. MS 29), dated to c. 1420 or c. 1450. | These illuminated initials have been removed from the same manuscript. On the reverse are passages of text typically found in a breviary	Parchment	Latin	Italy					front	1	Lewis E M 1:02	a	front	cd 5091 2111 7988	48-bit color	600 ppi	1	Breviary
Lewis E M 1:2	Lewis E M 1.2 reverse	mcai010022		1400	1450	100 x 161 mm	The illumination has been attributed to the same hand that executed the decoration of the Piccolomini Gospels (New York Public Library Spencer Coll. MS 29), dated to c. 1420 or c. 1450. | These show the reverse of four cuttings with decorated intials from a breviary. A rubric in the uppermost cutting indicates that the text is part of the Office for the Vigil of St. Andrew.	Parchment	Latin	Italy	Gothic bookhand				reverse	2	Lewis E M 1:02	b	reverse	cd 5091 2111 7988	48-bit color	600 ppi	2	Breviary
Lewis E M 1:3	Lewis E M 1.3 front	mcai010031		1400	1450	52 x 141 mm	Initials S, D, and F | The illumination has been attributed to the same hand that executed the decoration of the Piccolomini Gospels (New York Public Library Spencer Coll. MS 29), dated to c. 1420 or c. 1450. | These illuminated initials have been removed from the same manuscript. On the reverse are passages of text typically found in a breviary.	Parchment	Latin	Italy					front	1	Lewis E M 1:03	a	front	cd 5091 2111 7988	48-bit color	600 ppi	1	Breviary
Lewis E M 1:3	Lewis E M 1.3 reverse	mcai010032		1400	1450	52 x 141 mm	The illumination has been attributed to the same hand that executed the decoration of the Piccolomini Gospels (New York Public Library Spencer Coll. MS 29), dated to c. 1420 or c. 1450. | These cuttings show the reverse of four illuminated initials cut from a breviary.	Parchment	Latin	Italy	Gothic bookhand				reverse	2	Lewis E M 1:03	b	reverse	cd 5091 2111 7989	48-bit color	600 ppi	2	Breviary
Lewis E M 1:4	Lewis E M 1.4 front	mcai010041		1450	1475	226 x 161 mm	Initial D | This cutting has been dated to ca. 1460. | This cutting originally belonged in an antiphonary. It begins the antiphon for the 1st Nocturn for the feast of St. Andrew.	Parchment	Latin	Austria (northern)	Gothic bookhand				front	1	Lewis E M 1:04	a	front	cd 5091 2111 7989	48-bit color	600 ppi	1	Antiphonary
Lewis E M 1:4	Lewis E M 1.4 reverse	mcai010042		1450	1475	226 x 161 mm	This cutting has been dated to ca. 1460. | This image shows the reverse of a cutting with a decorated initial taken from an antiphonary.	Parchment	Latin	Austria (northern)	Gothic bookhand				reverse	2	Lewis E M 1:04	b	reverse	cd 5091 2111 7989	48-bit color	600 ppi	2	Antiphonary
Lewis E M 1:5	Lewis E M 1.5 front	mcai010051		1400	1499	46 x 134 mm	Initials E, D, and D | Rubrics on the reverse of these cuttings indicate that they were originally part of a breviary.	Parchment	Latin	Italy	Gothic bookhand				front	1	Lewis E M 1:05		front	cd 5091 2111 7989	48-bit color	600 ppi	1	Breviary
Lewis E M 1:5	Lewis E M 1.5 reverse	mcai010052		1400	1499	46 x 134 mm	This image shows the reverse of two cuttings of decorated initials taken from a breviary.	Parchment	Latin	Italy	Gothic bookhand				reverse	2	Lewis E M 1:05		reverse	cd 5091 2111 7989	48-bit color	600 ppi	2	Breviary
Lewis E M 1:6	Lewis E M 1.6 front	mcai010061		1485	1499	122 x 167 mm	Initial C with Sts. Francis, Clare, and Mary Magdalene | The place in the liturgy from which this image derives is yet to be determined. On the revers, the text has been erased, but is still perceptible.	Parchment	Latin	Augsburg, Germany					front	1	Lewis E M 1:06		front	cd 5091 2111 7989	48-bit color	600 ppi	1	Choir book
Lewis E M 1:6	Lewis E M 1.6 reverse	mcai010062		1485	1499	122 x 167 mm	This image shows the reverse of a cutting from a choir book. The text has been erased, but is still perceptible.	Parchment	Latin	Augsburg, Germany					reverse	2	Lewis E M 1:06		reverse	cd 5091 2111 7991	48-bit color	600 ppi	2	Choir book
Lewis E M 1:7	Lewis E M 1.7 front	mcai010071		1400	1499	133 x 175 mm	Initial G | This cutting comes from a choir book, most likely an antiphonary or a gradual. The text has yet to be identified.	Parchment	Latin	Germany	Gothic bookhand				front	1	Lewis E M 1:07		front	cd 5091 2111 7991	48-bit color	600 ppi	1	Choir book
Lewis E M 1:7	Lewis E M 1.7 reverse	mcai010072		1400	1499	133 x 175 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Germany	Gothic bookhand				reverse	2	Lewis E M 1:07		reverse	cd 5091 2111 7991	48-bit color	600 ppi	2	Choir book
Lewis E M 1:8	Lewis E M 1.8 front	mcai010081		1400	1415	110 x 86 mm	Initial L | This illuminated initial comes from a manuscript containing St. Augustine of Hippo's Enarrationes in Psalmos, or Commentary on the Psalms.	Parchment	Latin	Italy	Cursiva formata	Augustine of Hippo	Author		front	1	Lewis E M 1:08		front	cd 5091 2111 7991	48-bit color	600 ppi	1	Enarrationes in psalmos (Expositions on the Psalms)
Lewis E M 1:8	Lewis E M 1.8 reverse	mcai010082		1400	1415	110 x 86 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Italy		Augustine of Hippo	Author		reverse	2	Lewis E M 1:08		reverse	cd 5091 2111 7991	48-bit color	600 ppi	2	Enarrationes in psalmos (Expositions on the Psalms)
Lewis E M 1:9	Lewis E M 1.9 front	mcai010091		1490	1510	130 x 170 mm	Initial D | This cutting can be dated to ca. 1500. | This illuminated initial begins the Introit for the first Sunday after Pentecost, 'Domine in tua misericordia speravi...' (Lord, I cast myself on thy mercy).	Parchment	Latin	Germany (southern)	Gothic bookhand				front	1	Lewis E M 1:09		front	cd 5091 2111 7991	48-bit color	600 ppi	1	Missal
Lewis E M 1:9	Lewis E M 1.9 reverse	mcai010092		1490	1510	130 x 170 mm	This cutting can be dated to ca. 1500. | This image shows the reverse of a cutting with an illuminated initial from a missal.	Parchment	Latin	Germany (southern)	Gothic bookhand				reverse	2	Lewis E M 1:09		reverse	cd 5091 2111 7992	48-bit color	600 ppi	2	Missal
Lewis E M 1:10	Lewis E M 1.10 front	mcai010101		1400	1499	122 x 112 mm	Initial F | This decorated initial originally belonged to a choir book, most likely an antiphonary or a gradual. The text has yet to be determined.	Parchment	Latin	Germany or Austria	Gothic bookhand				front	1	Lewis E M 1:10		front	cd 5091 2111 7992	48-bit color	600 ppi	1	Choir book
Lewis E M 1:10	Lewis E M 1.10 reverse	mcai010102		1400	1499	122 x 112 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Germany or Austria	Gothic bookhand				reverse	2	Lewis E M 1:10		reverse	cd 5091 2111 7992	48-bit color	600 ppi	2	Choir book
Lewis E M 1:11	Lewis E M 1.11 front	mcai010111		1440	1460	95 x 252 mm	Initial F with the Anna Selbdritt | This initial contains the image known as Anna Selbdritt. 'Selbdrit' is a German term roughly translated as 'three-selves' and meant to illustrate St. Anne's role in sacred history as the Mother of the Virgin Mary. The image is related to the theme of Christ's holy kinship. St. Anne was a popular saint in the late Middle Ages. The initial may have originally belonged in a hagiographical manuscript, perhaps containing a text like the Golden Legend of Jacobus de Voragine.	Parchment	German	Vienna, Austria	Cursive	Mosemaster	Artist		front	1	Lewis E M 1:11		front	cd 5091 2111 7992	48-bit color	600 ppi	1	Lives of the Saints
Lewis E M 1:11	Lewis E M 1.11 reverse	mcai010112		1440	1460	95 x 252 mm	This image shows the reverse of a cutting with an historiated initial from an unidentified hagiographic text, possible a Saint's Lives.	Parchment	German	Vienna, Austria	Cursive				reverse	2	Lewis E M 1:11		reverse	cd 5091 2111 7992	48-bit color	600 ppi	2	Lives of the Saints
Lewis E M 1:12	Lewis E M 1.12 front	mcai010121		1440	1460	73 x 157 mm	Initial D with a female saint, possibly St. Dorothy | This initial may have originally belonged in a hagiographical manuscript, perhaps containing a text like the Golden Legend of Jacobus de Voragine. St. Dorothy was a popular saint in the late Middle Ages.	Parchment	German	Vienna, Austria	Cursive	Augustinus Master	Artist		front	1	Lewis E M 1:12		front	cd 5091 2111 7992	48-bit color	600 ppi	1	Lives of the Saints
Lewis E M 1:12	Lewis E M 1.12 reverse	mcai010122		1440	1460	73 x 157 mm	This image shows the reverse of a cutting with an historiated initial from a hagiographic text, possibly a Saint's Lives.	Parchment	German	Vienna, Austria	Cursive				reverse	2	Lewis E M 1:12		reverse	cd 5091 2111 7993	48-bit color	600 ppi	2	Lives of the Saints
Lewis E M 1:13	Lewis E M 1.13 front	mcai010131		1440	1460	85 x 182 mm	Initial D with the Annunciation | This initial may have originally belonged in a hagiographical manuscript, perhaps containing a text like the Golden Legend of Jacobus de Voragine. This initial may have begun the legends associated with the feast of the Annunciation.	Parchment	German	Vienna, Austria		Maximilian Schoolbooks Master	Artist		front	1	Lewis E M 1:13		front	cd 5091 2111 7993	48-bit color	600 ppi	1	Lives of the Saints
Lewis E M 1:14	Lewis E M 1.14 reverse	mcai010141		1440	1460	75 x 165 mm	Initial D with St. Augustine of Hippo | This initial may have originally belonged in a hagiographical manuscript, perhaps containing a text like the Golden Legend of Jacobus de Voragine. This initial may have begun the account of the life of St. Augustine of Hippo.	Parchment		Vienna, Austria		Augustinus Master	Artist		recto	1	Lewis E M 1:14		recto	cd 5091 2111 7993	48-bit color	600 ppi	1	Lives of the Saints
Lewis E M 1:15	Lewis E M 1.15	mcai010151		1400	1499	76 x 115 mm	Initial D with St. Peter | This initial may have originally belonged in a hagiographical manuscript, perhaps containing a text like the Golden Legend of Jacobus de Voragine. This initial may have begun the account of the life of St. Peter the Apostle.	Parchment	Latin	Vienna?, Austria					front	1	Lewis E M 1:15		front	cd 5091 2111 7993	48-bit color	600 ppi	1	Lives of the Saints
Lewis E M 1:15A	Lewis E M 1.15A	mcai010153		1475	1499	124 x 217 mm	Initial P with the Nativity and Annunciation to the Shepherds and St. Helena holding the True Cross | The theme of the initial, the Nativity with the Annunciation to the Shepherds, and the letter P indicate that this initial may have originally belonged in a gradual where it began the Introit for the Third Mass for Christmas Day, 'Puer natus est nobis ...' (For our sake a child is born). | This cutting can be dated to ca. 1480.	Parchment	Latin	Middle Rhine, Germany					recto	1	Lewis E M 1:15A		recto	cd 5091 2111 7993	48-bit color	600 ppi	1	Gradual
Lewis E M 1:16	Lewis E M 1.16 front	mcai010161		1485	1499	72 x 85 mm	Initial O | This initial originally belonged in some type of choir book, probably a gradual or an antiphonary.	Parchment	Latin	Austria ?	Gothic bookhand				front	1	Lewis E M 1:16		front	cd 5091 2111 7993	48-bit color	600 ppi	1	Choir book
Lewis E M 1:16	Lewis E M 1.16 reverse	mcai010162		1485	1499	72 x 85 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Austria ?					reverse	2	Lewis E M 1:16		reverse	cd 5091 2111 7993	48-bit color	600 ppi	2	Choir book
Lewis E M 1:17	Lewis E M 1.17 front a	mcai010173		1500	1515	109 x 107 mm	Initial S | Textual evidence indicates that this initial originally belonged in a gradual. | This cutting can be dated to 1515.	Parchment	Latin	Augsburg, Germany	Gothic bookhand				front a	1	Lewis E M 1:17		front a	cd 5091 2111 7994	48-bit color	600 ppi	1	Missal
Lewis E M 1:17	Lewis E M 1.17 reverse a	mcai010174		1500	1515	109 x 107 mm	This cutting can be dated to 1515. | This image shows the reverse of a cutting with a decorated initial from a gradual.	Parchment	Latin	Augsburg, Germany	Gothic bookhand				reverse a	2	Lewis E M 1:17		reverse a	cd 5091 2111 7994	48-bit color	600 ppi	2	Missal
Lewis E M 1:17	Lewis E M 1.17 front b	mcai010175		1500	1515	102 x 96 mm	Initial G | Textual evidence indicates that this initial originally belonged in a gradual. | This cutting can be dated to 1515.	Parchment	Latin	Augsburg, Germany	Gothic bookhand				front b	3	Lewis E M 1:17		front b	cd 5091 2111 7994	48-bit color	600 ppi	3	Missal
Lewis E M 1:17	Lewis E M 1.17 reverse b	mcai010176		1500	1515	102 x 96 mm	This cutting can be dated to 1515. | This image shows the reverse of a cutting with a decorated initial from a gradual.	Parchment	Latin	Augsburg, Germany	Gothic bookhand				reverse b	4	Lewis E M 1:17		reverse b	cd 5091 2111 7994	48-bit color	600 ppi	4	Missal
Lewis E M 1:18	Lewis E M 1.18 front	mcai010181		1500	1525	63 x 101 mm	The Virgin and Child | This cutting can be dated to ca. 1520. | This miniature contains no text to identify a source if it indeed came from a manuscript book. Rather, it may have served as a type of devotional image known by the German term 'Andachtsbild'. These images were used by individuals in private devotional practice. The Christ Child has a rosary around his neck. The original owner may have looked at this image while praying the Rosary, a common practice in the late Middle Ages.	Parchment		Nuremberg, Germany					front	1	Lewis E M 1:18		front	cd 5091 2111 7994	48-bit color	600 ppi	1	Devotional Image (Andachtsbild)
Lewis E M 1:18	Lewis E M 1.18 reverse	mcai010182		1500	1525		Reverse of a cutting of The Virgin and Child 
 This cutting can be dated to ca. 1520.	Parchment		Nuremberg, Germany						2	Lewis E M 1:18			cd 5091 2111 7994				Devotional Image (Andachtsbild)
Lewis E M 1:19	Lewis E M 1.19 front	mcai010191		1525	1550	190 x 210 mm	Initial A with the Expulsion of Adam and Eve from Paradise | This cutting can be dated to ca. 1530. Paper was made in Nackel near Posen; identified by watermark of a crowned escutcheon containing a doubled cross. | This miniature and initial begin the Introit for the first Sunday of Advent: 'Ad te [levavi animam] meam' (All my heart goes out to thee). The Expulsion from Paradise is a fitting start to the Advent season as a reminder of why the Incarnation was needed.	Parchment	Latin	Poland	Liturgical bookhand				front	1	Lewis E M 1:19		front	cd 5091 2111 7996	48-bit color	600 ppi	1	Gradual
Lewis E M 1:19	Lewis E M 1.19 reverse	mcai010192		1525	1550	190 x 210 mm	This cutting can be dated to ca. 1530. Paper was made in Nackel near Posen; identified by watermark of a crowned escutcheon containing a doubled cross. | This image shows the reverse of an historiated initial from a gradual. The text is from a prayer said during Mass for the First Sunday in Advent.	Parchment	Latin	Poland	Liturgical bookhand				reverse	2	Lewis E M 1:19		reverse	cd 5091 2111 7996	48-bit color	600 ppi	2	Gradual
Lewis E M 1:20	Lewis E M 1.20 front	mcai010201		1525	1550	194 x 287 mm	Initial D with Angels Adoring the Christ Child | Paper was made in Nackel near Posen; identified by watermark of a crowned escutcheon containing a doubled cross. This cutting can be dated to ca. 1530. | This initial begins the Introit for the First Mass of Christmas Day, 'Domin[us] [di]xit ad me ...' (The Lord said to me).	Parchment	Latin	Poland	Liturgical bookhand				front	1	Lewis E M 1:20		front	cd 5091 2111 7996	48-bit color	600 ppi	1	Gradual
Lewis E M 1:20	Lewis E M 1.20 reverse	mcai010202		1525	1550	194 x 287 mm	Paper was made in Nackel near Posen; identified by watermark of a crowned escutcheon containing a doubled cross. This cutting can be dated to ca. 1530. | This image shows the reverse of an historiated initial from a gradual. The text is from a prayer said during the First Mass of Christmas Day.	Parchment	Latin	Poland	Liturgical bookhand				reverse	2	Lewis E M 1:20		reverse	cd 5091 2111 7937	48-bit color	600 ppi	2	Gradual
Lewis E M 1:21	Lewis E M 1.21 front	mcai010211		1500	1599	265 x 186 mm	Initial G with the Elect glorifying the Trinity | Paper was made in Nackel near Posen; identified by watermark of a crowned escutcheon containing a doubled cross. This cutting can be dated to ca. 1530. | This initial begins Introit for the feast of All Saints, 'Gaudeamus omnes in Domino ...' (Rejoice we all in the Lord).	Parchment	Latin	Poland	Liturgical bookhand				front	1	Lewis E M 1:21		front	cd 5091 2111 7937	48-bit color	600 ppi	1	Gradual
Lewis E M 1:21	Lewis E M 1.21 reverse	mcai010212		1500	1599	265 x 186 mm	Paper was made in Nackel near Posen; identified by watermark of a crowned escutcheon containing a doubled cross. This cutting can be dated to ca. 1530. | This image shows the reverse of an historiated initial from a gradual.	Parchment	Latin	Poland	Liturgical bookhand				reverse	2	Lewis E M 1:21		reverse	cd 5091 2111 7937	48-bit color	600 ppi	2	Gradual
Lewis E M 1:22	Lewis E M 1.22 front	mcai010221		1525	1550	279 x 279 mm	Initial S with kneeling figures receiving a vision of the Virgin and Child | Paper was made in Nackel near Posen; identified by watermark of a crowned escutcheon containing a doubled cross; Cutting can be dated to ca. 1530. | This initial begins the Introit for the Vigil of the feast of the Purification of the Virgin Mary (Feb. 2), 'Salve sancta parens enixa puerpera regem ...' (Hail, Holy Mother, in the womb there lay a king). Lewis E M 1:19-22 and E M 42:4-9 are from the same manuscript.	Parchment	Latin	Poland	Gothic bookhand				front	1	Lewis E M 1:22		front	cd 5091 2111 7938	48-bit color	600 ppi	1	Gradual
Lewis E M 1:22	Lewis E M 1.22 reverse	mcai010222		1525	1550	246 x 279 mm	Paper was made in Nackel near Posen; identified by watermark of a crowned escutcheon containing a doubled cross; Cutting can be dated to ca. 1530. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Poland	Gothic bookhand				reverse	2	Lewis E M 1:22		reverse	cd 5091 2111 7938	48-bit color	600 ppi	2	Gradual
Lewis E M 1:23	Lewis E M 1.23	mcai010231		1600	1750			Parchment	Latin	Unknown	Roman					1	Lewis E M 1:23			cd 5091 2111 7938				St. Notburga
Lewis E M 1:24	Lewis E M 1.24 front	mcai010241		1450	1499	163 x 236 mm	Initial V with the Ascension | This cutting has been dated to the 1470s. | This initial begins the Introit for the feast of the Ascension, 'Viri Galilei quid admiramini aspicientes in celum ...' (Ye men of Galilee, why wonder you, looking up to heaven).	Parchment	Latin	Nuremberg, Germany	Gothic bookhand				front	1	Lewis E M 1:24		front	cd 5091 2111 7939	48-bit color	600 ppi	1	Missal
Lewis E M 1:24	Lewis E M 1.24 reverse	mcai010242		1450	1499	163 x 236 mm	This cutting has been dated to the 1470s. | This image shows the reverse of an historiated initial from a missal.	Parchment	Latin	Nuremberg, Germany	Gothic bookhand				reverse	2	Lewis E M 1:24		reverse	cd 5091 2111 7939	48-bit color	600 ppi	2	Missal
Lewis E M 1:25	Lewis E M 1.25 front	mcai010251		1400	1499	160 x 234 mm	Initial S with the Resurrected Christ appearing to the Virgin | This initial begins the Introit for the Saturday Mass of the Virgin, 'Salve, sancta Parens, enixa puerpera Regem ...' (Hail, holy Parent, that didst bring forth the King). This leaf was cut from one manuscript and re-used as the binding for another book.	Parchment	Latin	Tyrol?, Austria	Hybrida				front	1	Lewis E M 1:25		front	cd 5091 2111 7939	48-bit color	600 ppi	1	Missal
Lewis E M 1:25	Lewis E M 1.25 reverse	mcai010252		1400	1499	160 x 234 mm	This image shows the reverse of a leaf from a missal that was re-used in the binding of another book.	Parchment	Latin	Tyrol?, Austria	Hybrida				reverse	2	Lewis E M 1:25		reverse	cd 5091 2111 7939	48-bit color	600 ppi	2	Missal
Lewis E M 1:26	Lewis E M 1.26 front	mcai010261		1450	1499	158 x 287 mm	Initial R with an angel holding a coat of arms | This initial is from an undetermined type of choir book. The coat of arms held by the angel and the initial's place within the liturgy have yet to be identified. | This leaf has been dated to the 1470s.	Parchment	Latin	Germany (southern)	Gothic bookhand				front	1	Lewis E M 1:26		front	cd 5091 2111 7942	48-bit color	600 ppi	1	Choir book
Lewis E M 1:26	Lewis E M 1.26 reverse	mcai010262		1450	1499	158 x 287 mm	This image shows the reverse of a leaf from a choir book. | This leaf has been dated to the 1470s.	Parchment	Latin	Germany (southern)	Gothic				reverse	2	Lewis E M 1:26		reverse	cd 5091 2111 7942	48-bit color	600 ppi	2	Choir book
Lewis E M 1:27	Lewis E M 1.27 front	mcai010271		1475	1499	187 x 266 mm	Initial L | This cutting has been dated to the 1480s. | This initial begins the first lesson of Matins for the feast of All Saints, 'Legimus in ecclesiasticis historiis ...' (We read in the histories of the church).	Parchment	Latin	Augsburg, Germany	Rotunda	Baemler, follower of	Artist		front	1	Lewis E M 1:27		front	cd 5091 2111 7942	48-bit color	600 ppi	1	Breviary
Lewis E M 1:27	Lewis E M 1.27 reverse	mcai010272		1475	1499	187 x 266 mm	This cutting has been dated to the 1480s. | This image shows the reverse of a leaf from a breviary.	Parchment	Latin	Augsburg, Germany	Rotunda				reverse	2	Lewis E M 1:27		reverse	cd 5091 2111 7943	48-bit color	600 ppi	2	Breviary
Lewis E M 1:28	Lewis E M 1.28 front	mcai010281		1475	1499	153 x 186 mm	Initial G | This cutting has been dated to the 1480s. | This initial begins the Introit for the feast of the Nativity of the Virgin, 'Gaudeamus omnes in Domino ...' (Let us all rejoice in the Lord).	Parchment	Latin	Augsburg, Germany	Gothic bookhand				front	1	Lewis E M 1:28		front	cd 5091 2111 7943	48-bit color	600 ppi	1	Missal
Lewis E M 1:28	Lewis E M 1.28 reverse	mcai010282		1475	1499	153 x 186 mm	This cutting has been dated to the 1480s. | This image shows the reverse of a cutting with a decorated initial from a missal.	Parchment	Latin	Augsburg, Germany	Gothic bookhand				reverse	2	Lewis E M 1:28		reverse	cd 5091 2111 7943	48-bit color	600 ppi	2	Missal
Lewis E M 1:29	Lewis E M 1.29 front	mcai010291		1485	1499	208 x 140 mm	In this initial, St. Andrew holds a book inscribed with both Latin and Greek verses. | Initial D with St. Andrew the Apostle	Parchment	Latin	Austria					front	1	Lewis E M 1:29		front	cd 5091 2111 7943	48-bit color	600 ppi	1	Choir book
Lewis E M 1:29	Lewis E M 1.29 reverse	mcai010292		1485	1499	208 x 140 mm	This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Austria					reverse	2	Lewis E M 1:29		reverse	cd 5091 2111 7945	48-bit color	600 ppi	2	Choir book
Lewis E M 2:1	Lewis E M 2.1 front	mcai020011		1400	1499	104 x 124 mm	Initial A | This initial begins the first response of the first nocturn of Matins for the First Sunday in Advent, 'Aspiciens a longe ...' (Long had I been watching).	Parchment	Latin	Germany?	Liturgical bookhand				front	1	Lewis E M 2:01		front	cd 5091 2111 7961	48-bit color	600 ppi	1	Antiphonary
Lewis E M 2:1	Lewis E M 2.1 reverse	mcai020012		1400	1499	104 x 124 mm	This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Germany?					reverse	2	Lewis E M 2:01		reverse	cd 5091 2111 7961	48-bit color	600 ppi	2	Antiphonary
Lewis E M 2:2	Lewis E M 2.2 front	mcai020021		1325	1350	95 x 250 mm	Initial I | This cutting has been dated to ca. 1340. | This initial is from the same antiphonary as Lewis E M 2:3, 4, and 6.	Parchment	Latin	Germany (southern)	Gothic bookhand				front	1	Lewis E M 2:02		front	cd 5091 2111 7961	48-bit color	600 ppi	1	Antiphonary
Lewis E M 2:2	Lewis E M 2.2 reverse	mcai020022		1325	1350	95 x 250 mm	This cutting has been dated to ca. 1340. | This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Germany (southern)	Gothic bookhand				reverse	2	Lewis E M 2:02		reverse	cd 5091 2111 7961	48-bit color	600 ppi	2	Antiphonary
Lewis E M 2:3	Lewis E M 2.3 front	mcai020031		1325	1350	106 x 217 mm	Initial P | This cutting has been dated to ca. 1340. | This initial is from the same antiphonary as Lewis E M 2:2,4, and 6. It is not clear what the two figures are doing. The female figure holds a ring, which can symbolize virginity.	Parchment	Latin	Germany (southern)	Liturgical bookhand				front	1	Lewis E M 2:03		front	cd 5091 2111 7961	48-bit color	600 ppi	1	Antiphonary
Lewis E M 2:3	Lewis E M 2.3 reverse	mcai020032		1325	1350	106 x 217 mm	This cutting has been dated to ca. 1340. | This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Germany (southern)					reverse	2	Lewis E M 2:03		reverse	cd 5091 2111 7962	48-bit color	600 ppi	2	Antiphonary
Lewis E M 2:4	Lewis E M 2.4 front	mcai020041		1325	1350	160 x 163 mm	Initial A | This cutting has been dated to ca. 1340. | This initial is from the same manuscript as Lewis E M 2:2, 3, and 6.	Parchment	Latin	Germany (southern)	Gothic bookhand				front	1	Lewis E M 2:04		front	cd 5091 2111 7962	48-bit color	600 ppi	1	Antiphonary
Lewis E M 2:4	Lewis E M 2.4 reverse	mcai020042		1325	1350	160 x 163 mm	This cutting has been dated to ca. 1340. | This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Germany (southern)	Gothic bookhand				reverse	2	Lewis E M 2:04		reverse	cd 5091 2111 7962	48-bit color	600 ppi	2	Antiphonary
Lewis E M 2:5	Lewis E M 2.5 front	mcai020051		1385	1399	113 x 196 mm	Initials D and O | These decorated initials are from a missal and an antiphonary. The reverse of each one contains text that identify their source.	Parchment	Latin	Bohemia?	Gothic bookhand				front	1	Lewis E M 2:05		front	cd 5091 2111 7962	48-bit color	600 ppi	1	Choir books
Lewis E M 2:5	Lewis E M 2.5 reverse	mcai020052		1385	1399	113 x 196 mm	This image shows the reverse of two decorated initials. The upper cutting contains the Introit for the Mass for Third Sunday in Lent. The lower cutting contains a rubric from an antiphonary. The text remains undetermined.	Parchment	Latin	Bohemia?					reverse	2	Lewis E M 2:05		reverse	cd 5091 2111 7962	48-bit color	600 ppi	2	Choir books
Lewis E M 2:6	Lewis E M 2.6 front	mcai020061		1325	1350	155 x 245 mm	Initial E | This cutting has been dated to ca. 1340. | This initial is from the same antiphonary as Lewis E M 2:2-4 and 2:6.	Parchment	Latin	Germany (southern)	Gothic bookhand				front	1	Lewis E M 2:06		front	cd 5091 2111 7963	48-bit color	600 ppi	1	Antiphonary
Lewis E M 2:6	Lewis E M 2.6 reverse	mcai020062		1325	1350	155 x 245 mm	This cutting has been dated to ca. 1340. | This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Germany (southern)	Gothic bookhand				reverse	2	Lewis E M 2:06		reverse	cd 5091 2111 7963	48-bit color	600 ppi	2	Antiphonary
Lewis E M 2:7	Lewis E M 2.7	mcai020071		1200	1215	175 x 263 mm	Border ornament | The current state of the cuttings prevents the identification of the type of manuscript from which these marginal decorations came. The crowned figure in the lower cutting is an unidentified female saint. The hybrids and grotesques featured in the decoration suggest a northern French influence on this artist. | The decoration could also have been executed in Austria.	Parchment	Latin	Germany (southern)					recto	1	Lewis E M 2:07		recto	cd 5091 2111 7963	48-bit color	600 ppi	1	Undetermined
Lewis E M 2:8	Lewis E M 2.8 reverse d	mcai020080		1400	1499	70 x 83 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Bohemia?					reverse	8	Lewis E M 2:08		reverse	cd 5091 2111 7963	48-bit color	600 ppi	2	Gradual
Lewis E M 2:8	Lewis E M 2.8 front a	mcai020083		1485	1499	84 x 97 mm	Initial S | Textual evidence indicates that this initial originally belonged in a gradual.	Parchment	Latin	Austria ?	Gothic bookhand				front	1	Lewis E M 2:08		front	cd 5091 2111 7963	48-bit color	600 ppi	1	Gradual
Lewis E M 2:8	Lewis E M 2.8 reverse a	mcai020084		1485	1499	84 x 97 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Austria ?					reverse	2	Lewis E M 2:08		reverse	cd 5091 2111 7964	48-bit color	600 ppi	2	Gradual
Lewis E M 2:8	Lewis E M 2.8 front b	mcai020085		1400	1499	98 x 91 mm	Initial E | The remaining text on the reverse is from the Proper of the Mass for the First Sunday of Lent,indicating that this initial came from a gradual. | This initial is from the same manuscript as Lewis E M 2:8d.	Parchment	Latin	Bohemia?	Gothic bookhand				front	3	Lewis E M 2:08		front	cd 5091 2111 7964	48-bit color	600 ppi	1	Gradual
Lewis E M 2:8	Lewis E M 2.8 reverse b	mcai020086		1400	1499	98 x 91 mm	This image shows the reverse of a cutting with a decorated initial. | This initial is from the same manuscript as Lewis E M 2:8d.	Parchment	Latin	Bohemia?					reverse	4	Lewis E M 2:08		reverse	cd 5091 2111 7964	48-bit color	600 ppi	2	Gradual
Lewis E M 2:8	Lewis E M 2.8 front c	mcai020087		1300	1350	99 x 105 mm	Initial D | Textual evidence indicates that this initial originally belonged in an antiphonary.	Parchment	Latin	Germany?	Gothic bookhand				front	5	Lewis E M 2:08		front	cd 5091 2111 7964	48-bit color	600 ppi	1	Antiphonary
Lewis E M 2:8	Lewis E M 2.8 reverse c	mcai020088		1300	1350	99 x 105 mm	This image shows the reverse of a cutting with a decorated initial. Textual evidence indicates that it originally belonged in an antiphonary.	Parchment	Latin	Germany?	Gothic bookhand				reverse	6	Lewis E M 2:08		reverse	cd 5091 2111 7964	48-bit color	600 ppi	2	Antiphonary
Lewis E M 2:8	Lewis E M 2.8 front d	mcai020089		1400	1499	70 x 83 mm	Initial E | This initial comes from the same manuscript as Lewis E M 2:8b, which has been identified as a gradual.	Parchment	Latin	Bohemia?					front	7	Lewis E M 2:08		front	cd 5091 2111 7964	48-bit color	600 ppi	1	Gradual
Lewis E M 2:9	Lewis E M 2.9 front	mcai020091		1400	1499	100 x 295 mm	Initial U | The place of this initial in the liturgy remains undetermined, but the reverse contains the second antiphon for the first nocturn of Matins for the feast of St. Andrew, 'Venite post me facium vos fiere piscatores hominum...' (Follow me, and I will make you fishers of men).	Parchment	Latin	Bohemia?	Gothic bookhand				front	1	Lewis E M 2:09		front	cd 5091 2111 7966	48-bit color	600 ppi	1	Antiphonary
Lewis E M 2:9	Lewis E M 2.9 reverse	mcai020092		1400	1499	100 x 295 mm	This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Bohemia?	Gothic bookhand				reverse	2	Lewis E M 2:09		reverse	cd 5091 2111 7966	48-bit color	600 ppi	2	Antiphonary
Lewis E M 2:10	Lewis E M 2.10 front	mcai020101		1400	1425	121 x 169 mm	Initial S | This cutting can be dated to ca. 1420. | This initial begins the Introit for Pentecost or Whit Sunday, 'Spiritus Domini replevit orbem terrarum ...' (The spirit of the Lord fills the whole world).	Parchment	Latin	Bohemia	Gothic bookhand				front	1	Lewis E M 2:10		front	cd 5091 2111 7966	48-bit color	600 ppi	1	Missal
Lewis E M 2:10	Lewis E M 2.10 reverse	mcai020102		1400	1425	121 x 169 mm	This cutting can be dated to ca. 1420. | This image shows the reverse of a cutting with a decorated initial from a missal.	Parchment	Latin	Bohemia	Gothic bookhand				reverse	2	Lewis E M 2:10		reverse	cd 5091 2111 7966	48-bit color	600 ppi	2	Missal
Lewis E M 2:11	Lewis E M 2.11 front	mcai020111		1400	1499	106 x 121 mm	Initial S | The exact place in the liturgy for this initial has yet to be determined.	Parchment	Latin	Bohemia?	Gothic bookhand				front	1	Lewis E M 2:11		front	cd 5091 2111 7966	48-bit color	600 ppi	1	Choir book
Lewis E M 2:11	Lewis E M 2.11 reverse	mcai020112		1400	1499	106 x 121 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Bohemia?	Gothic bookhand				reverse	2	Lewis E M 2:11		reverse	cd 5091 2111 7969	48-bit color	600 ppi	2	Choir book
Lewis E M 2:12	Lewis E M 2.12 front	mcai020121		1450	1475	135 x 151 mm	Initial Q | The iconography of this initial suggests that it once began the musical chant for a feast dedicated to the Virgin. | This cutting can be dated to ca. 1470.	Parchment	Latin	Bodensee?, Germany	Gothic bookhand				front	1	Lewis E M 2:12		front	cd 5091 2111 7969	48-bit color	600 ppi	1	Choir book
Lewis E M 2:12	Lewis E M 2.12 reverse	mcai020122		1450	1475	135 x 151 mm	This cutting can be dated to ca. 1470. | This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Bodensee?, Germany	Gothic bookhand				reverse	2	Lewis E M 2:12		reverse	cd 5091 2111 7969	48-bit color	600 ppi	2	Choir book
Lewis E M 2:13	Lewis E M 2.13 front	mcai020131		1400	1499	173 x 164 mm	Initial E | This initial begins the first response for the first nocturn of Matins for the Common of Apostles, 'Ecce ego mitto vos sicut oves in medio luporum...' (Behold I am sending you forth like sheep in the midst of wolves).	Parchment	Latin	Bohemia?	Gothic bookhand				front	1	Lewis E M 2:13		front	cd 5091 2111 7969	48-bit color	600 ppi	1	Antiphonary
Lewis E M 2:13	Lewis E M 2.13 reverse	mcai020132		1400	1499	173 x 164 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Bohemia?	Gothic bookhand				reverse	2	Lewis E M 2:13		reverse	cd 5091 2111 7969	48-bit color	600 ppi	2	Antiphonary
Lewis E M 2:14	Lewis E M 2.14 front	mcai020141		1450	1475	151 x 171 mm	Initial S with the Pentecost | This cutting has been dated to ca. 1470. | This initial probably begins the Introit for the feast of Pentecost, 'Spiritus Domini replevit orbam terrarum' (The Spirit of the Lord fills the whole world).	Parchment	Latin	Franconia?, Germany	Gothic bookhand				front	1	Lewis E M 2:14		front	cd 5091 2111 7970	48-bit color	600 ppi	1	Gradual
Lewis E M 2:14	Lewis E M 2.14 reverse	mcai020142		1450	1475	151 x 171 mm	This cutting has been dated to ca. 1470. | This image shows the reverse of a cutting with an historiated initial.	Parchment	Latin	Franconia?, Germany	Gothic bookhand				reverse	2	Lewis E M 2:14		reverse	cd 5091 2111 7970	48-bit color	600 ppi	2	Gradual
Lewis E M 3:1	Lewis E M 3.1 front	mcai030011		1250	1275	27 x 76 mm	Initial O | This cutting can be dated to ca. 1270. | This initial from a Psalter-Hours is typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:01		front	cd 5091 2111 7955	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:2	Lewis E M 3.2 reverse	mcai030021		1250	1275	34 x 52 mm	Initial D | This cutting can be dated to ca. 1270. | This initial from a Psalter-Hours is typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:02		front	cd 5091 2111 7955	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:3	Lewis E M 3.3	mcai030031		1250	1275	33 x 64 mm	Initial D | This cutting can be dated to ca. 1270. | This initial from a Psalter-Hours is typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:03		front	cd 5091 2111 7955	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:4	Lewis E M 3.4	mcai030041		1250	1275	35 x 152 mm	Initial A | This cutting can be dated to ca. 1270. | This initial from a Psalter-Hours is typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:04		front	cd 5091 2111 7955	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:5	Lewis E M 3.5	mcai030051		1250	1275	70 x 159 mm	Five initial Ms | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:05		front	cd 5091 2111 7955	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:6	Lewis E M 3.6	mcai030061		1250	1275	65 x 115 mm	Initials U, D, D, and X | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:06		front	cd 5091 2111 7955	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:7	Lewis E M 3.7	mcai030071		1250	1275	71 x 95 mm	Initials U, A, S, and T | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:07		front	cd 5091 2111 7955	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:8	Lewis E M 3.8	mcai030081		1250	1275	70 x 154 mm	Initials A, A, D, and P and D | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:08		front	cd 5091 2111 7955	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:9	Lewis E M 3.9	mcai030091		1250	1275	33 x 122 mm	Initials C, T, and A and D | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:09		front	cd 5091 2111 7955	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:10	Lewis E M 3.10	mcai030101		1250	1275	66 x 94 mm	Initials D, D, N, and P | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:10		front	cd 5091 2111 7955	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:11	Lewis E M 3.11	mcai030111		1250	1275	63 x 94 mm	Initials A and M, D, and B | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					3 cuttings	1	Lewis E M 3:11		3 cuttings	cd 5091 2111 7956	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:12	Lewis E M 3.12	mcai030121		1250	1275	34 x 108 mm	Initial E, O, and D | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					recto	1	Lewis E M 3:12		recto	cd 5091 2111 7956	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:13	Lewis E M 3.13	mcai030131		1250	1275	62 x 113 mm	These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270. | Three initial Ds and a U	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:13		front	cd 5091 2111 7956	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:14	Lewis E M 3.14	mcai030141		1250	1275	67 x 116 mm	Initials S, Q, and D | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:14		front	cd 5091 2111 7956	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:15	Lewis E M 3.15	mcai030151		1250	1275	65 x 108 mm	Initials S, I, and D | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:15		front	cd 5091 2111 7956	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:16	Lewis E M 3.16	mcai030161		1250	1275	30 x 103 mm	These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270. | Three initial Ds	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:16		front	cd 5091 2111 7956	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:17	Lewis E M 3.17	mcai030171		1250	1275	34 x 89 mm	Initials D, O, and D | This cutting can be dated to ca. 1270. | This initial from a Psalter-Hours is typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:17		front	cd 5091 2111 7956	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:18	Lewis E M 3.18	mcai030181		1250	1275	59 x 113 mm	Initials A and A, and T | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:18		front	cd 5091 2111 7956	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:19	Lewis E M 3.19	mcai030191		1250	1275	70 x 97 mm	Initials A, C, D, and D | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:19		front	cd 5091 2111 7956	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:20	Lewis E M 3.20	mcai030201		1250	1275	63 x 114 mm	These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270. | Three initial D's and a U	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:20		front	cd 5091 2111 7958	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:21	Lewis E M 3.21	mcai030211		1250	1275	71 x 103 mm	Initials D, A, B, three Es, D, and O | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:21		front	cd 5091 2111 7958	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:22	Lewis E M 3.22	mcai030221		1250	1275	70 x 96 mm	Initials A, D, C, U, D, and C | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:22		front	cd 5091 2111 7958	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:23	Lewis E M 3.23	mcai030231		1250	1275	31 x 86 mm	Initial P | This cutting can be dated to ca. 1270. | This initial from a Psalter-Hours is typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:23		front	cd 5091 2111 7958	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:24	Lewis E M 3.24	mcai030241		1250	1275	32 x 99 mm	Initial P | This cutting can be dated to ca. 1270. | This initial from a Psalter-Hours is typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:24		front	cd 5091 2111 7958	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:25	Lewis E M 3.25	mcai030251		1250	1275	66 x 93 mm	Initials H, P, S, C, and E (backwards) | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:25		front	cd 5091 2111 7958	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:26	Lewis E M 3.26	mcai030261		1250	1275	63 x 96 mm	Initials E, U, O, B | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:26		front	cd 5091 2111 7958	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:27	Lewis E M 3.27	mcai030271		1250	1275	66 x 98 mm	Initials A and L, D, and D | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:27		front	cd 5091 2111 7958	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 3:28	Lewis E M 3.28	mcai030281		1250	1275	65 x 90 mm	Initials C, D, Q, and Q | These initials from a Psalter-Hours are typical of the style of illumination from the Mosan region in Belgium in the third quarter of the thirteenth century. Sister cuttings from the same manuscript can be found in the Bodleian Library in Oxford, England. | This cutting can be dated to ca. 1270.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 3:28		front	cd 5091 2111 7960	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 4:1	Lewis E M 4.1 front	mcai040011		1240	1260	162 x 297 mm	Initial A with Judith beheading Holofernes, beginning the Book of Judith | The Book of Judith is one of the deutero-canonical books included in the Vulgate Bible. It tells the story of the Old Testament heroine Judith, a Jewish widow. This initial depicts the moment when Judith beheads Holofernes, the leader of the Assyrian army. While the Jewish city of Bethulia was under siege, Judith entered the Assyrian camp to seduce Holofernes, only to slay him in his sleep. Her bravery inspired the Jews to defend themselves and drive away the Assyrians.	Parchment	Latin	Paris, France	Gothic bookhand				front	1	Lewis E M 4:01		front	cd 5091 2111 7665	48-bit color	600 ppi	1	Bible
Lewis E M 4:1	Lewis E M 4.1 reverse	mcai040012		1240	1260	162 x 297 mm	This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Paris, France					reverse	2	Lewis E M 4:01		reverse	cd 5091 2111 7665	48-bit color	600 ppi	2	Bible
Lewis E M 4:2	Lewis E M 4.2 front	mcai040021		1250	1275	197 x 245 mm	Initial A, beginning Psalm 27 | The large initial begins Psalm 27, 'Ad te domine clamabo deus meus ne sileas a me...' (Unto thee will I cry, O Lord; O my God, be not thou silent to me). The significance of the owl and the swan in the initial is unclear. According to the medieval bestiary tradition, the swan sings most sweetly before it dies, and the owl can sometimes refer to Christ. | This leaf has been dated to ca. 1265.	Parchment	Latin	Cambrai, diocese of, France (northeastern)	Gothic bookhand				front	1	Lewis E M 4:02		front	cd 5091 2111 7665	48-bit color	600 ppi	1	Psalter
Lewis E M 4:2	Lewis E M 4.2 reverse	mcai040022		1250	1275	197 x 245 mm	This image shows the reverse of a leaf with an inhabited initial. | This leaf has been dated to ca. 1265.	Parchment	Latin	Cambrai, diocese of, France (northeastern)					reverse	2	Lewis E M 4:02		reverse	cd 5091 2111 7673	48-bit color	600 ppi	2	Psalter
Lewis E M 4:3	Lewis E M 4.3 front	mcai040031		1300	1350	97 x 106 mm	Initial Q with Sts. Peter and Paul | This cutting has been dated to ca. 1325. | This initial begins the first Matins antiphon for the feast of Saints Peter and Paul, 'Quem dicunt homines esse Filium hominis...' (Who do men say is the Son of Man). The illuminator of this initial is a follower of Johannes von Valkenburg, a Franciscan scribe and illuminator working in Cologne in the late thirteenth century.	Parchment	Latin	Cologne, Germany	Gothic bookhand	Johannes von Valkenburg, follower of	Artist		front	1	Lewis E M 4:03		front	cd 5091 2111 7673	48-bit color	600 ppi	1	Antiphonary
Lewis E M 4:3	Lewis E M 4.3 reverse	mcai040032		1300	1350	97 x 106 mm	This cutting has been dated to ca. 1325. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Cologne, Germany					reverse	2	Lewis E M 4:03		reverse	cd 5091 2111 7673	48-bit color	600 ppi	2	Antiphonary
Lewis E M 4:4	Lewis E M 4.4 front a	mcai040043		1400	1499	72 x 220 mm	Marginal sketches of a king (a Magus) | The text dates to the thirteenth century; the drawings were added later. | This image shows a fifteenth-century drawing of a king in what was once the lower margin of a manuscript leaf. The text on the reverse in an early-fourteenth century hand is from an unidentified legal treatise. The king may be one of the three Magi. He holds an urn and points to a star as he turns to look over his shoulder, possibly at his two companions.	Parchment	Latin	England	Gothic bookhand				front	1	Lewis E M 4:04		front	cd 5091 2111 7673	48-bit color	600 ppi	1	Legal treatise
Lewis E M 4:4	Lewis E M 4.4 reverse a	mcai040044		1400	1499	72 x 220 mm	The text dates to the thirteenth century; the drawings were added later. | This image shows the reverse of a cutting from a manuscript containing an unidentified legal text written in an early fourteenth-century hand with contemporary glosses.	Parchment	Latin	England	Gothic bookhand and cursive				reverse	2	Lewis E M 4:04		reverse	cd 5091 2111 7673	48-bit color	600 ppi	2	Legal treatise
Lewis E M 4:4	Lewis E M 4.4 front b	mcai040045		1400	1499	91 x 107 mm	Marginal sketch of a ship with a crow's nest | This image shows a fifteenth-century drawing of a ship with a crow's nest and rudder in what was once the lower margin of a manuscript leaf. The text, written above and on the reverse by an early-fourteenth century hand, is from an unidentified legal treatise.	Parchment	Latin	England	Gothic bookhand and cursive				front	3	Lewis E M 4:04		front	cd 5091 2111 7673	48-bit color	600 ppi	1	Legal treatise
Lewis E M 4:4	Lewis E M 4.4 reverse b	mcai040046		1400	1499	91 x 107 mm	This image shows the reverse of a cutting from a manuscript containing an unidentified legal text written in an early-fourteenth century hand with contemporary glosses.	Parchment	Latin	England	Gothic bookhand and cursive				reverse	4	Lewis E M 4:04		reverse	cd 5091 2111 7709	48-bit color	600 ppi	2	Legal treatise
Lewis E M 4:4	Lewis E M 4.4 front c	mcai040047		1400	1499	83 x 61 mm	Marginal sketch of cross pattee with two horses | This image shows a fifteenth-century drawing of a cross pattee with two horses. The cross and horse motif may have been a heraldic device or insignia of the fifteenth-century owner of this manuscript. The text above and on the reverse, written by an early fourteenth-century scribe, is from an unidentified legal treatise.	Parchment	Latin	England	Gothic bookhand				front	5	Lewis E M 4:04		front	cd 5091 2111 7709	48-bit color	600 ppi	1	Legal treatise
Lewis E M 4:4	Lewis E M 4.4 reverse c	mcai040048		1400	1499	83 x 61 mm	This image shows the reverse of a cutting from a manuscript containing an unidentified legal text written in an early-fourteenth century hand with contemporary glosses.	Parchment	Latin	England	Gothic bookhand				reverse	6	Lewis E M 4:04		reverse	cd 5091 2111 7709	48-bit color	600 ppi	2	Legal treatise
Lewis E M 4:5	Lewis E M 4.5	mcai040053					This is a cutting from a manuscript. One often finds the marginal spaces of medieval manuscripts filled with fanciful creatures or humorous scenes that often mocked or parodied everyday life. It is unclear what this figure is supposed to be doing.	Parchment		Unknown						1	Lewis E M 4:05			cd 5091 2111 7709				Undetermined
Lewis E M 4:5	Lewis E M 4.5	mcai040054		1300	1399	100 x 145 mm	This a cutting from an unknown manuscript. It is the reverse of a marginalia drawing.	Parchment		Unknown						2	Lewis E M 4:05			cd 5091 2111 7709				Undetermined
Lewis E M 4:5	Lewis E M 4.5	mcai040055		1300	1399	140 x 63 mm	This is a margin drawing at the base of a page of an unknown manuscript. One often finds the marginal spaces of medieval manuscripts filled with fanciful creatures or humorous scenes that often mocked or parodied everyday life.	Parchment		England?						3	Lewis E M 4:05			cd 5091 2111 7709				Undetermined
Lewis E M 4:5	Lewis E M 4.5	mcai040056				140 x 63 mm	This is a cutting from an unknown manuscript. It is the reverse of a marginalia drawing.	Parchment		Unknown						4	Lewis E M 4:05			cd 5091 2111 7709				Unknown
Lewis E M 4:5	Lewis E M 4.5	mcai040057		1300	1399	144 x 65 mm	This is a marginalia decoration at the base of a page of an unknown manuscript. One often finds the marginal spaces of medieval manuscripts filled with fanciful creatures or humorous scenes that often mocked or parodied everyday life. Here two men who appear to have horses in tow approach a man standing next to his castle.	Parchment		England?						5	Lewis E M 4:05			cd 5091 2111 7709				Unknown
Lewis E M 4:5	Lewis E M 4.5	mcai040058		1300	1399	144 x 65 mm	This is a cutting of an unknown manuscript. It is the reverse of a marginalia drawing.	Parchment		England?						6	Lewis E M 4:05			cd 5091 2111 7762				Unknown
Lewis E M 4:6	Lewis E M 4.6 front	mcai040061		1300	1399		These four cuttings from an unknown manuscript show marginalia drawings from the borders of the manuscript. One often finds the marginal spaces of medieval manuscripts filled with fanciful creatures or humorous scenes that often mocked or parodied everyday life.	Parchment		England?						1	Lewis E M 4:06			cd 5091 2111 7762				Unknown
Lewis E M 4:6	Lewis E M 4.6 reverse	mcai040062		1300	1399		These four cuttings are the reverse of marginalia drawings from a manuscript.	Parchment		England?						2	Lewis E M 4:06			cd 5091 2111 7762				Undetermined
Lewis E M 4:7	Lewis E M 4.7 front	mcai040071		1375	1399	132 x 175 mm	St. Michael Archangel slaying the dragon | The prayer below this miniature begins the Suffrage to St. Michael the Archangel. The miniature depicts St. Michael slaying the dragon, an event described in the Book of Revelation (Revelation 12:7).	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 4:07		front	cd 5091 2111 7762	48-bit color	600 ppi	1	Book of Hours
Lewis E M 4:7	Lewis E M 4.7 reverse	mcai040072		1375	1399	132 x 175 mm	This image shows the reverse of a leaf with a miniature from a book of hours. The text contains the end of the Suffrage to St. Michael the Archangel.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 4:07		reverse	cd 5091 2111 7781	48-bit color	600 ppi	2	Book of Hours
Lewis E M 4:8	Lewis E M 4.8 front	mcai040081		1375	1399	131 x 174 mm	St. Matthew | This leaf was once part of a book of hours. The prayer below the miniature begins the Suffrage of St. Matthew the Evangelist, who is portrayed in the miniature beside the opening of the prayer.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 4:08		front	cd 5091 2111 7781	48-bit color	600 ppi	1	Book of Hours
Lewis E M 4:8	Lewis E M 4.8 reverse	mcai040082		1375	1399	131 x 174 mm	St. Mark | This leaf was once part of a book of hours. The prayer below the miniature begins the Suffrage of St. Mark the Evangelist, who is portrayed in the miniature beside the opening of the prayer. The Evangelist's head has been abraded, making it difficult to see. The rubric 'De sancto Marco' allows us to identify the saint as Mark.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 4:08		reverse	cd 5091 2111 7781	48-bit color	600 ppi	2	Book of Hours
Lewis E M 4:9	Lewis E M 4.9 front	mcai040091		1375	1399	132 x 171 mm	St. Christopher carrying the Christ Child across the river | This leaf was once part of a book of hours. The prayer below the miniature begins the Suffrage to St. Christopher, once the patron saint of travelers.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 4:09		front	cd 5091 2111 7781	48-bit color	600 ppi	1	Book of Hours
Lewis E M 4:9	Lewis E M 4.9 reverse	mcai040092		1375	1399	132 x 171 mm	This image shows the reverse of a leaf from a book of hours.	Parchment	Latin	France					reverse	2	Lewis E M 4:09		reverse	cd 5091 2111 7781	48-bit color	600 ppi	2	Book of Hours
Lewis E M 4:10	Lewis E M 4.10 front	mcai040101		1325	1350	85 x 78 mm	Initial U with the Death of the Virgin | The subject of this initial suggests that it may have once belonged in a gradual where it began the Introit for the Vigil of the Assumption of the Virgin, 'Vultum tuum deprecabuntur omnes divites plebis...' (All that are rich among the citizens will be courting thy favor). | This initial has been dated to ca. 1340.	Parchment	Latin	Tournai or Ghent?, Flanders	Gothic bookhand				front	1	Lewis E M 4:10		front	cd 5091 2111 7781	48-bit color	600 ppi	1	Choir book
Lewis E M 4:10	Lewis E M 4.10 reverse	mcai040102		1325	1350	85 x 78 mm	This image shows the reverse of a cutting from a choir book. | This initial has been dated to ca. 1340.	Parchment	Latin	Tournai or Ghent?, Flanders					reverse	2	Lewis E M 4:10		reverse	cd 5091 2111 9304	48-bit color	600 ppi	2	Choir book
Lewis E M 4:11	Lewis E M 4.11 front	mcai040111		1300	1315	202 x 277 mm	Initial D with the Visitation | This leaf was once part of a book of hours. The initial begins Lauds of the Hours of the Virgin, which was typically illustrated with the Visitation.	Parchment	Latin	Franco-Flemish, Flanders?	Gothic bookhand				front	1	Lewis E M 4:11		front	cd 5091 2111 9304	48-bit color	600 ppi	1	Book of Hours
Lewis E M 4:11	Lewis E M 4.11 reverse	mcai040112		1300	1315	202 x 277 mm	This image shows the reverse of a leaf with an historiated initial from a book of hours.	Parchment	Latin	Franco-Flemish, Flanders?	Gothic bookhand				reverse	2	Lewis E M 4:11		reverse	cd 5091 2111 9304	48-bit color	600 ppi	2	Book of Hours
Lewis E M 4:12	Lewis E M 4.12 front	mcai040121		1300	1350	95 x 138 mm	Initial L | This leaf was once part of a psalter. This initial begins Psalm 148, 'Laudate dominum de celis...' (Praise ye the Lord from the heavens).	Parchment	Latin	England?	Gothic bookhand				front	1	Lewis E M 4:12		front	cd 5091 2111 9304	48-bit color	600 ppi	1	Psalter
Lewis E M 4:12	Lewis E M 4.12 reverse	mcai040122		1300	1350	95 x 138 mm	This image shows the reverse of a leaf with a decorated initial from a psalter.	Parchment	Latin	England?	Gothic bookhand				reverse	2	Lewis E M 4:12		reverse	cd 5091 2111 2365	48-bit color	600 ppi	2	Psalter
Lewis E M 4:13	Lewis E M 4.13 front	mcai040131		1325	1350	233 x 321 mm	Initial D with a Bishop blessing the incense | This leaf was once part of a pontifical, a liturgical book containing the services administered exclusively by popes or bishops. The blessing of the incense used during Mass was one of these services. This leaf is from the same manuscript as Lewis E M 42:18-19.	Parchment	Latin	France (southern)	Rotunda				front	1	Lewis E M 4:13		front	cd 5091 2111 2365	48-bit color	600 ppi	1	Pontifical
Lewis E M 4:13	Lewis E M 4.13 reverse	mcai040132		1325	1350	233 x 321 mm	This image shows the reverse of a leaf with an historiated initial. The text contains part of the service for the blessing of the incense.	Parchment	Latin	France (southern)	Rotunda				reverse	2	Lewis E M 4:13		reverse	cd 5091 2111 2365	48-bit color	600 ppi	2	Pontifical
Lewis E M 4:14	Lewis E M 4.14 front	mcai040141		1650	1750			Parchment	English	Unknown	Cursive				front	1	Lewis E M 4:14		front	cd 5091 2111 6505				Dominican friar
Lewis E M 4:14	Lewis E M 4.14 reverse	mcai040142						Parchment		Unknown					reverse	2	Lewis E M 4:14		reverse	cd 5091 2111 6505				Dominican friar
Lewis E M 5:1	Lewis E M 5.1 front	mcai050011		1140	1160	106 x 111 mm	Initial O | This cutting is from the same manuscript as Lewis E M 5:2. | This initial begins a commentary on the Book of Exodus by Rabanus Maurus, a Benedictine monk and an archbishop of Mainz who died in 856 A.D. He is considered one of the most important scholars and theologians of Carolingian era. The manuscript from which this cutting was taken was produced in the twelfth century. The vine-scroll decoration is typical of Romanesque illumination.	Parchment	Latin	France (eastern)	Transitional script (praegothica)	Rabanus Maurus	Author		front	1	Lewis E M 5:01		front	cd 5091 2111 4234	48-bit color	600 ppi	1	Biblical commentary
Lewis E M 5:1	Lewis E M 5.1 reverse	mcai050012		1140	1160	106 x 111 mm	This cutting is from the same manuscript as Lewis E M 5:2. | This image shows the reverse of a decorated initial from a manuscript containing a commentary on Exodus.	Parchment	Latin	France (eastern)	Transitional script (praegothica)	Rabanus Maurus	Author		reverse	2	Lewis E M 5:01		reverse	cd 5091 2111 4234	48-bit color	600 ppi	2	Biblical commentary
Lewis E M 5:2	Lewis E M 5.2 front	mcai050021		1140	1160	105 x 162 mm	Initial H | This cutting is from the same manuscript as Lewis E M 5:1. | This initial begins a commentary on the Book of Exodus by Rabanus Maurus, a Benedictine monk and an archbishop of Mainz who died in 856 A.D. He is considered one of the most important scholars and theologians of Carolingian era. The manuscript from which this cutting was taken was produced in the twelfth century. The vine-scroll decoration is typical of Romanesque illumination.	Parchment	Latin	France (eastern)	Transitional script (praegothica)	Rabanus Maurus	Author		front	1	Lewis E M 5:02		front	cd 5091 2111 4234	48-bit color	600 ppi	1	Biblical commentary
Lewis E M 5:2	Lewis E M 5.2 reverse	mcai050022		1140	1160	105 x 162 mm	This cutting is from the same manuscript as Lewis E M 5:1. | This image shows the reverse of a decorated initial from a manuscript containing a commentary on Exodus.	Parchment	Latin	France (eastern)	Transitional script (praegothica)	Rabanus Maurus	Author		reverse	2	Lewis E M 5:02		reverse	cd 5091 2111 4234	48-bit color	600 ppi	2	Biblical commentary
Lewis E M 5:3	Lewis E M 5.3 front	mcai050031		1325	1350	106 x 87 mm	Initial O with Christ enthroned | This initial comes from a psalter with musical notation. It begins Psalm 109, 'Dixit Dominus Domino meo sede a dextris meis...' (The Lord said to my Lord, sit thou at my right hand).	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 5:03		front	cd 5091 2111 4234	48-bit color	600 ppi	1	Psalter, noted
Lewis E M 5:3	Lewis E M 5.3 reverse	mcai050032		1325	1350	106 x 87 mm	This image shows the reverse of a cutting with an historiated initial from a psalter.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 5:03		reverse	cd 5091 2111 4234	48-bit color	600 ppi	2	Psalter, noted
Lewis E M 5:4	Lewis E M 5.4 front	mcai050041		1300	1399	97 x 142 mm	Initial E | The intricate penwork of this initial is typical of minor initial decoration in late medieval manuscripts.	Parchment	Latin	Flanders?	Gothic bookhand				front	1	Lewis E M 5:04		front	cd 5091 2111 4234	48-bit color	600 ppi	1	Choir book
Lewis E M 5:4	Lewis E M 5.4 reverse	mcai050042		1300	1399	97 x 142 mm	This is the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Flanders?	Gothic bookhand				reverse	2	Lewis E M 5:04		reverse	cd 5091 2111 3345	48-bit color	600 ppi	2	Choir book
Lewis E M 5:5	Lewis E M 5.5 front	mcai050051		1300	1399	148 x 206 mm	Initial A | The intricate penwork of this initial is typical of minor initial decoration in late medieval manuscripts.	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 5:05		front	cd 5091 2111 3345	48-bit color	600 ppi	1	Antiphonary
Lewis E M 5:5	Lewis E M 5.5 reverse	mcai050052		1300	1399	148 x 206 mm	This image shows the reverse of a cutting with a decorated initial from a gradual.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 5:05		reverse	cd 5091 2111 3345	48-bit color	600 ppi	2	Antiphonary
Lewis E M 5:6	Lewis E M 5.6 front	mcai050061		1400	1499	137 x 126 mm	Initial H | The intricate penwork of this initial is typical of minor decoration in late medieval manuscripts.	Parchment	Latin	Flanders?	Liturgical bookhand				front	1	Lewis E M 5:06		front	cd 5091 2111 3345	48-bit color	600 ppi	1	Antiphonary
Lewis E M 5:6	Lewis E M 5.6 reverse	mcai050062		1400	1499	137 x 126 mm	This image shows the reverse of a cutting with a decorated initial from an antiphonary. The signature of John Frederick Lewis is visible in the lower right corner.	Parchment	Latin	Flanders?	Liturgical bookhand				reverse	2	Lewis E M 5:06		reverse	cd 5091 2111 3345	48-bit color	600 ppi	2	Antiphonary
Lewis E M 5:7	Lewis E M 5.7	mcai050071		1385	1399	197 x 228 mm	In the central miniature, God sits between two altars. On the altar to his right is a chalice with the Host, representing the New Law. On the altar to his left are the tablets of the Ten Commandments, representing the Old Law. The two initials may have come from the same manuscript. The one in the upper right was pasted onto its present mat board upside down. | Two initial Is and a miniature with God seated between two altars representing the Old and New Testaments	Parchment	Latin	Avignon?, France					front	1	Lewis E M 5:07		front	cd 5091 2111 3293	48-bit color	600 ppi	1	Undetermined
Lewis E M 5:8	Lewis E M 5.8 front a	mcai050083		1400	1499	77 x 67 mm	Initial S | This decorated initial is one of three taken from a gradual.	Parchment	Latin	Flanders?	Gothic bookhand				front a	1	Lewis E M 5:08		front a	cd 5091 2111 3293	48-bit color	600 ppi	1	Gradual
Lewis E M 5:8	Lewis E M 5.8 reverse a	mcai050084		1400	1499	77 x 67 mm	This image shows the reverse of a decorated initial from a gradual.	Parchment	Latin	Flanders?	Gothic bookhand				reverse a	2	Lewis E M 5:08		reverse a	cd 5091 2111 3293	48-bit color	600 ppi	2	Gradual
Lewis E M 5:8	Lewis E M 5.8 front b	mcai050085		1400	1499	72 x 63 mm	Initial M | This decorated initial is one of three taken from a gradual.	Parchment	Latin	Flanders?	Gothic bookhand				front b	3	Lewis E M 5:08		front b	cd 5091 2111 3293	48-bit color	600 ppi	3	Gradual
Lewis E M 5:8	Lewis E M 5.8 reverse b	mcai050086		1400	1499	72 x 63 mm	This image shows the reverse of a decorated initial from a gradual.	Parchment	Latin	Flanders?	Gothic bookhand				reverse b	4	Lewis E M 5:08		reverse b	cd 5091 2111 3293	48-bit color	600 ppi	4	Gradual
Lewis E M 5:8	Lewis E M 5.8 front c	mcai050087		1400	1499	110 x 96 mm	Initial O | This decorated initial is one of three taken from a gradual.	Parchment	Latin	Flanders?	Gothic bookhand				front c	5	Lewis E M 5:08		front c	cd 5091 2111 3293	48-bit color	600 ppi	5	Gradual
Lewis E M 5:8	Lewis E M 5.8 reverse c	mcai050088		1400	1499	110 x 96 mm	This image shows the reverse of a decorated initial from a gradual.	Parchment	Latin	Flanders?	Gothic bookhand				reverse c	6	Lewis E M 5:08		reverse c	cd 5091 2111 3232	48-bit color	600 ppi	6	Gradual
Lewis E M 5:9	Lewis E M 5.9 front	mcai050091		1400	1499	92 x 99 mm	Initial A | The intricate penwork of this initial is typical of minor decoration in late medieval manuscripts. The type of choir book from which this initial comes cannot be identified. | This is from the same workshop as Lewis E M 5:10a-b.	Parchment	Latin	Flanders?					front	1	Lewis E M 5:09		front	cd 5091 2111 3232	48-bit color	600 ppi	1	Choir book
Lewis E M 5:9	Lewis E M 5.9 reverse	mcai050092		1400	1499	92 x 99 mm	This is from the same workshop as Lewis E M 5:10a-b. | this is the reverse of cutting with a decorated intial from a choir book.	Parchment	Latin	Flanders?					reverse	2	Lewis E M 5:09		reverse	cd 5091 2111 3232	48-bit color	600 ppi	2	Choir book
Lewis E M 5:10	Lewis E M 5.10 front a	mcai050103		1400	1499	86 x 115 mm	Initial A | The intricate penwork of this initial is typical of minor decoration in late medieval manuscripts. The type of service book from which this initial comes cannot be identified. | This is from the same workshop as Lewis E M 5:9.	Parchment	Latin	Flanders?					front a	1	Lewis E M 5:10		front a	cd 5091 2111 3232	48-bit color	600 ppi	1	Service book
Lewis E M 5:10	Lewis E M 5.10 reverse a	mcai050104		1400	1499	86 x 115 mm	This is from the same workshop as Lewis E M 5:9. | This is the reverse for a cutting with a decorated letter from a choir book.	Parchment	Latin	Flanders?					reverse a	2	Lewis E M 5:10		reverse a	cd 5091 2111 3232	48-bit color	600 ppi	2	Service book
Lewis E M 5:10	Lewis E M 5.10 front b	mcai050105		1400	1499	87 x 110 mm	Initial R | The intricate penwork of this initial is typical of minor decoration in late medieval manuscripts. The type of service book from which this initial comes cannot be identified. | This is from the same workshop as Lewis E M 5:9.	Parchment	Latin	Flanders?	Gothic bookhand				front b	3	Lewis E M 5:10		front b	cd 5091 2111 3232	48-bit color	600 ppi	3	Service book
Lewis E M 5:10	Lewis E M 5.10 reverse b	mcai050106		1400	1499	87 x 110 mm	This image shows the reverse of a cutting with a decorated initial. | This is from the same workshop as Lewis E M 5:9.	Parchment	Latin	Flanders?	Gothic bookhand				reverse b	4	Lewis E M 5:10		reverse b	cd 5091 2111 3232	48-bit color	600 ppi	4	Service book
Lewis E M 5:11	Lewis E M 5.11 front	mcai050111		1300	1399	45 x 39 mm	Initial D | The manuscript source of this initial remains a mystery. Its style though is typical of fourteenth-century minor initial decoration. | The style suggests production in the region of northwestern France or Flanders.	Parchment	Latin	Franco-Flemish, Flanders?					front	1	Lewis E M 5:11		front	cd 5091 2111 3232	48-bit color	600 ppi	1	Undetermined
Lewis E M 5:11	Lewis E M 5.11 reverse	mcai050112		1300	1399	45 x 39 mm	The style suggests production in the region of northwestern France or Flanders. | This image shows the reverse of a cutting with a decorated letter from a service book.	Parchment	Latin	Franco-Flemish, Flanders?	Gothic bookhand				reverse	2	Lewis E M 5:11		reverse	cd 5091 2111 3232	48-bit color	600 ppi	2	Undetermined
Lewis E M 5:12	Lewis E M 5.12 front	mcai050121		1300	1399	60 x 57 mm	Initial C () | The manuscript source of this initial remains a mystery. Its style though is typical of fourteenth-century minor initial decoration. | The style suggests production in the region of northwestern France or Flanders.	Parchment	Latin	Flanders?					front	1	Lewis E M 5:12		front	cd 5091 2111 3136	48-bit color	600 ppi	1	Undetermined
Lewis E M 5:12	Lewis E M 5.12 reverse	mcai050122		1300	1399	60 x 57 mm	The style suggests production in the region of northwestern France or Flanders. | This is the reverse for a cutting with a decorated letter from a choir book.	Parchment	Latin	Flanders?					reverse	2	Lewis E M 5:12		reverse	cd 5091 2111 3136	48-bit color	600 ppi	2	Undetermined
Lewis E M 5:13	Lewis E M 5.13	mcai050133		1475	1499	182 x 111 mm	On the left, an Initial O with St. Barbara, beginning her Suffrage, and on the right, an Initial B with St. Nicholas, beginning his Suffrage | Suffrages in books of hours were prayers dedicated to various saints. St. Barbara was a third-century saint martyred at the hands of her own father, a pagan. According to her legend, her father locked her away in a tower to keep her from her suitors. Her attribute is, therefore, a tower with three windows. The three windows commemorate the Trinity.St. Nicholas of Myra, a town in modern day Turkey, is a fourth century saint. His legend contains many accounts of gift-giving, a trait that made him the inspiration for the character of St. Nicholas who brings presents to children during Christmastime.	Parchment	Latin	Bruges, Belgium	Hybrida				ff. 2v-3r	3	Lewis E M 5:13		ff. 2v-3r	cd 5091 2111 3136	48-bit color	600 ppi	3	Book of Hours
Lewis E M 5:13	Lewis E M 5.13	mcai050135		1475	1499	150 x 111 mm	Initial U with St. Catherine of Alexandria, beginning her Suffrage | Suffrages in books of hours were prayers dedicated to various saints. St. Catherine of Alexandria is a fourth century saint who was martyred after trying to persuade the Roman emperor Maxentius to stop persecuting Christians. Maxentius condemned her to death by torture on the 'breaking wheel.' When she touched the wheel, however, it shattered into pieces, and Maxentius was forced to behead her. The wheel became her attribute. St. Catherine's wisdom was legendary. For this reason, she is sometimes considered the patron saint of libraries.	Parchment	Latin	Bruges, Belgium	Hybrida				ff. 1v-2r	2	Lewis E M 5:13		ff. 1v-2r	cd 5091 2111 3136	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:13	Lewis E M 5.13	mcai050137		1475	1499	77 x 111 mm	Text page | This image shows the reverse of a leaf with an historiated initial from a book of hours.	Parchment	Latin	Bruges, Belgium	Hybrida				f. 1r	1	Lewis E M 5:13		f. 1r	cd 5091 2111 3136	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:13	Lewis E M 5.13	mcai050139		1475	1499	78 x 108 mm	Initial M with Mary Magdalene, beginning her Suffrage | Suffrages in books of hours were prayers dedicated to various saints. Mary Magdalene, Christ's beloved follower, was revered in the Middle Ages as the model for penitential devotion. Her attribute, an ointment jar, refers to her act of anointing Christ's body in preparation for his burial.	Parchment	Latin	Bruges, Belgium	Hybrida				f. 3v	4	Lewis E M 5:13		f. 3v	cd 5091 2111 3136	48-bit color	600 ppi	4	Book of Hours
Lewis E M 5:14	Lewis E M 5.14 front	mcai050141		1440	1460	144 x 200 mm	The Hours of the Cross were typically illustrated with scenes from Christ's Passion. Here, two tormentors push the Crown of Thorns deeper into Christ's head with two sticks. In the late Middle Ages, Passion scenes could be very violent and gruesome in order to incite compassion in the viewer's heart for the suffering Christ. The prayers written below were added by a later, post-medieval scribe. | The Mocking of Christ (Crowning of Thorns), beginning Terce of the Hours of the Cross | The number '16' is written in upper right corner of recto, indicating that this leaf was once f. 16 of the original manuscript.	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 5:14		front	cd 5091 2111 3136	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:14	Lewis E M 5.14 reverse	mcai050142		1440	1460	144 x 200 mm	The number '16' is written in upper right corner of recto, indicating that this leaf was once f. 16 of the original manuscript. | This image shows the reverse of leaf with an historiated initial from a Book of Hours. The text contains the final prayers of Prime of the Hours of the Cross.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 5:14		reverse	cd 5091 2111 7920	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:15	Lewis E M 5.15 front	mcai050151		1440	1460	144 x 201 mm	St. Barbara, beginning her Suffrage | Suffrages in books of hours were prayers dedicated to various saints. St. Barbara was a third-century saint martyred at the hands of her own father, a pagan. According to her legend, her father had her locked away in a tower in order to keep away her suitors. Her attribute, therefore, is a tower with three windows, a design that commemorates the Trinity. | The number '92' is written in upper right corner of recto, indicating that this leaf was once f. 92 of the original manuscript.	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 5:15		front	cd 5091 2111 7920	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:15	Lewis E M 5.15 reverse	mcai050152		1440	1460	144 x 201 mm	St. Margaret, beginning her Suffrage | Suffrages in books of hours were prayers dedicated to various saints. St. Margaret of Antioch was a popular medieval virgin saint and martyr. According to her legend, she was swallowed by the Devil who appeared in the form of a dragon. Miraculously, she survived when after she made the sign of the cross, the beast's belly burst open, allowing her to climb out alive. | The number '92' is written in upper right corner of recto, indicating that this leaf was once f. 92 of the original manuscript.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 5:15		reverse	cd 5091 2111 7920	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:16	Lewis E M 5.16	mcai050163		1440	1460	148 x 200 mm	Suffrages in books of hours were prayers dedicated to various saints and holy figures. The figures of God the Father, Jesus Christ, and the Dove of the Holy Spirit represent the Christian doctrine of the Holy Trinity. | The Holy Trinity, beginning the Suffrage to the Holy Trinity | The numbers '81' and '86' are written in upper right corner of recto, indicating that this bifolium was once ff. 81 and 86 of the original manuscript.	Parchment	Latin	Flanders	Gothic bookhand				f. 2v	3	Lewis E M 5:16		f. 2v	cd 5091 2111 7920	48-bit color	600 ppi	3	Book of Hours
Lewis E M 5:16	Lewis E M 5.16	mcai050165		1440	1460	148 x 200 mm	Text page with additional prayers for the Hours of the Virgin | The numbers '81' and '86' are written in upper right corner of recto, indicating that this bifolium was once ff. 81 and 86 of the original manuscript. | This is the recto of the left page of a bifolium from a book of hours.	Parchment	Latin	Flanders	Gothic bookhand				f. 1	1	Lewis E M 5:16		f. 1	cd 5091 2111 7920	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:16	Lewis E M 5.16	mcai050167		1440	1460	288 x 200 mm	Text page with additional prayers for the Hours of the Virgin | The numbers '81' and '86' are written in upper right corner of recto, indicating that this bifolium was once ff. 81 and 86 of the original manuscript. | This opening was the 81st and 86th folio of the original manuscript. The text on this opening is not continuous and lacks four leaves that would have fit between the two pages.	Parchment	Latin	Flanders	Gothic bookhand				ff. 1v-2r	2	Lewis E M 5:16		ff. 1v-2r	cd 5091 2111 7974	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:17	Lewis E M 5.17 front	mcai050171		1400	1499	171 x 174 mm	The Resurrected Christ appearing to the Virgin Mary | The subject of this miniature in which Christ appears to his mother after his Resurrection is not from Scripture. Rather, late medieval devotional authors invented the episode so that Christ's first appearance would be to his mother, the Virgin Mary, rather than to Mary Magdalene, an episode recorded in the Gospel of John.	Parchment	Latin	Germany					front	1	Lewis E M 5:17		front	cd 5091 2111 7974	48-bit color	600 ppi	1	Undetermined
Lewis E M 5:17	Lewis E M 5.17 reverse	mcai050172		1400	1499	171 x 174 mm	This is the reverse of a cutting with a miniature from a manuscript.	Parchment	Latin	Germany					reverse	2	Lewis E M 5:17		reverse	cd 5091 2111 7974	48-bit color	600 ppi	2	Undetermined
Lewis E M 5:18	Lewis E M 5.18 front	mcai050181		1450	1499	250 x 220 mm	This is a miniature of a priest offering a lamb in sacrifice. It is from a text of commentary on the altar of the temple.	Parchment		Flanders?						1	Lewis E M 5:18			cd 5091 2111 3593				Commentary on the altar at the temple
Lewis E M 5:18	Lewis E M 5.18 reverse	mcai050182				250 x 220 mm	This is a cutting from a text of commentary on the altar of the temple. The reverse is a miniature of a priest sacrificing a lamb.	Parchment		Flanders?						2	Lewis E M 5:18			cd 5091 2111 3593				Commentary on the altar of the temple
Lewis E M 5:19	Lewis E M 5.19 front	mcai050191		1425	1450	126 x 180 mm	The Martyrdom of St. Ursula | The text on reverse was added later. | This miniature probably prefaced the Suffrage to St. Ursula in a book of hours. According to her legend, St. Ursula and her 11,000 virgin companions were all martyred at the hands of the Huns in the port of Cologne after Ursula refused to marry their king. Her cult achieved popularity in the later Middle Ages. The miniature was painted by an artist who has been associated with the Flemish scribe Guillebert de Metz.	Parchment	Latin	Flanders		Master of Guillebert of Metz	Artist		front	1	Lewis E M 5:19		front	cd 5091 2111 3593	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:19	Lewis E M 5.19 reverse	mcai050192		1425	1450	126 x 180 mm	The text on reverse was added later. | This image shows the reverse of a fragment with a full-page miniature from a book of hours. The Latin text is an excerpt of a prayer.	Parchment	Latin	Flanders	Hybrida				reverse	2	Lewis E M 5:19		reverse	cd 5091 2111 3593	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:20	Lewis E M 5.20 front	mcai050201		1400	1450	124 x 180 mm	St. Christopher Carrying the Christ Child | This miniature probably prefaced the Suffrage to St. Christopher in a book of hours. According to his legend, a small child asked St. Christopher, a man of fearsome size, to carry him across a river. The weight of the child was much greater than any weight the giant had carried before. When the giant inquired, the child revealed that he was Christ and that he was so heavy because he bore the sins of the world. The miniature was painted by an artist who has been associated with the Flemish scribe Guillebert de Metz.	Parchment	Latin	Flanders		Master of Guillebert of Metz	Artist		front (true verso)	1	Lewis E M 5:20		front (true verso)	cd 5091 2111 3515	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:20	Lewis E M 5.20 reverse	mcai050202		1400	1450	124 x 180 mm	This image shows the reverse of a fragment with a full-page miniature from a book of hours. The Latin text is an excerpt of a prayer.	Parchment	Latin	Flanders	Hybrida				reverse	2	Lewis E M 5:20		reverse	cd 5091 2111 3515	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:21	Lewis E M 5.21 front	mcai050211		1400	1499	147 x 176 mm	Initial S | The part of the liturgy from which this letter S comes remains to be determined.	Parchment	Latin	Germany	Liturgical bookhand				front	1	Lewis E M 5:21		front	cd 5091 2111 3515	48-bit color	600 ppi	1	Choir book
Lewis E M 5:21	Lewis E M 5.21 reverse	mcai050212		1400	1499	147 x 176 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Germany	Liturgical bookhand				reverse	2	Lewis E M 5:21		reverse	cd 5091 2111 3515	48-bit color	600 ppi	2	Choir book
Lewis E M 5:21A	Lewis E M 5.21A front	mcai050213		1440	1460	73 x 118 mm	This miniature may once have prefaced the Hours of the Virgin in a book of hours. | Virgin and Child enthroned with Angels	Parchment	Latin	Flanders					front	1	Lewis E M 5:21A		front	cd 5091 2111 3515	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:21A	Lewis E M 5.21A reverse	mcai050214		1440	1460	73 x 118 mm	This is the reverse of a cutting with a miniature which probably comes from a book of hours.	Parchment	Latin	Flanders					reverse	2	Lewis E M 5:21A		reverse	cd 5091 2111 3515	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:22	Lewis E M 5.22 front	mcai050221		1425	1450	160 x 230 mm	The Massacre of the Innocents | This leaf comes from the same manuscript as Lewis E M 5:23-26. It can be dated to ca. 1430-1440. | This miniature was most likely taken from a book of hours. The Massacre of the Innocents usually appears at the beginning of the prayers recited at Vespers. The miniature was painted by a member of the Gold Scrolls Group, the name given to a circle of artists working in Bruges, ca. 1415-1455. The name derives from the group's frequent use of gold foliate ornament painted on backgrounds of flat color.	Parchment	Latin	Bruges, Belgium		Gold Scrolls Group	Artist		front	1	Lewis E M 5:22		front	cd 5091 2111 3462	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:22	Lewis E M 5.22 reverse	mcai050222		1425	1450	159 x 227 mm	This image shows the reverse of a leaf with a miniature that may have come from a book of hours. | This leaf comes from the same manuscript as Lewis E M 5:23-26. It can be dated to ca. 1430-1440.	Parchment	Latin	Bruges, Belgium					reverse	2	Lewis E M 5:22		reverse	cd 5091 2111 3462	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:23	Lewis E M 5.23 front	mcai050231		1425	1450	160 x 227 mm	Annunciation to the Shepherds | This leaf comes from the same manuscript as Lewis E M 5:22, 24-26. It can be dated from ca. 1430-1440. | This miniature was most likely taken from a book of hours. The Annunciation to the Shepherds usually appears at the beginning of the prayers recited at Terce. The miniature was painted by a member of the Gold Scrolls Group, the name given to a circle of artists working in Bruges, ca. 1415-1455. The name derives from the group's frequent use of gold foliate ornament painted on backgrounds of flat color.	Parchment		Bruges, Belgium		Gold Scrolls Group	Artist		front	1	Lewis E M 5:23		front	cd 5091 2111 3462	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:23	Lewis E M 5.23 reverse	mcai050232		1425	1450	160 x 227 mm	This image shows the reverse of a leaf with a miniature that may have come from a book of hours. | This leaf comes from the same manuscript as Lewis E M 5:22, 24-26. It can be dated from ca. 1430-1440.	Parchment		Bruges, Belgium					reverse	2	Lewis E M 5:23		reverse	cd 5091 2111 3462	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:24	Lewis E M 5.24 front	mcai050241		1425	1450	162 x 227 mm	Presentation in the Temple | This leaf comes from the same manuscript as Lewis E M 5:22, 23, 25, 26. It can be dated from ca. 1430-1440. | This miniature was most likely taken from a book of hours. The Presentation in the Temple usually appears at the beginning of the prayers recited at None. The miniature was painted by a member of the Gold Scrolls Group, the name given to a circle of artists working in Bruges, ca. 1415-1455. The name derives from the group's frequent use of gold foliate ornament painted on backgrounds of flat color.	Parchment		Bruges, Belgium		Gold Scrolls Group	Artist		front	1	Lewis E M 5:24		front	cd 5091 2111 6633	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:24	Lewis E M 5.24 reverse	mcai050242		1425	1450	162 x 227 mm	This image shows the reverse of a leaf with a miniature that may have come from a book of hours. | This leaf comes from the same manuscript as Lewis E M 5:22, 23, 25, 26. It can be dated from ca. 1430-1440.	Parchment		Bruges, Belgium					reverse	2	Lewis E M 5:24		reverse	cd 5091 2111 6633	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:25	Lewis E M 5.25 front	mcai050251		1425	1450	159 x 229 mm	Flight into Egypt | This leaf comes from the same manuscript as Lewis E M 5:22-24, 26. It can be dated from ca. 1430-1440. | This miniature was most likely taken from a book of hours. The Flight into Egypt usually appears at the beginning of the prayers recited at Compline. The miniature was painted by a member of the Gold Scrolls Group, the name given to a circle of artists working in Bruges, ca. 1415-1455. The name derives from the group's frequent use of gold foliate ornament painted on backgrounds of flat color.	Parchment	Latin	Bruges, Belgium		Gold Scrolls Group	Artist		front	1	Lewis E M 5:25		front	cd 5091 2111 6633	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:25	Lewis E M 5.25 reverse	mcai050252		1425	1450	159 x 229 mm	This image shows the reverse of a leaf with a miniature that may have come from a book of hours. | This leaf comes from the same manuscript as Lewis E M 5:22-24, 26. It can be dated from ca. 1430-1440.	Parchment	Latin	Bruges, Belgium					reverse	2	Lewis E M 5:25		reverse	cd 5091 2111 6633	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:26	Lewis E M 5.26 front	mcai050261		1425	1450	158 x 229 mm	Death of the Virgin | This leaf comes from the same manuscript as Lewis E M 5:22-25. It can be dated from ca. 1430-1440. | This miniature was most likely taken from a book of hours. The Death of the Virgin often appears at the beginning of the prayers recited at Compline. The miniature was painted by a member of the Gold Scrolls Group, the name given to a circle of artists working in Bruges, ca. 1415-1455. The name derives from the group's frequent use of gold foliate ornament painted on backgrounds of flat color.	Parchment	Latin	Bruges, Belgium		Gold Scrolls Group	Artist		front	1	Lewis E M 5:26		front	cd 5091 2111 6676	48-bit color	600 ppi	1	Book of Hours
Lewis E M 5:26	Lewis E M 5.26 reverse	mcai050262		1425	1450	158 x 229 mm	This image shows the reverse of a leaf with a minaiture that may have come from a book of hours. | This leaf comes from the same manuscript as Lewis E M 5:22-25. It can be dated from ca. 1430-1440.	Parchment	Latin	Bruges, Belgium					reverse	2	Lewis E M 5:26		reverse	cd 5091 2111 6676	48-bit color	600 ppi	2	Book of Hours
Lewis E M 5:27	Lewis E M 5.27 front	mcai050271		1485	1499	45 x 134 mm	Initials C, D, and O | The text on the verso of these initials indicates that they may have come from a breviary.	Parchment	Latin	Flanders					front	1	Lewis E M 5:27		front	cd 5091 2111 6676	48-bit color	600 ppi	1	Breviary
Lewis E M 5:27	Lewis E M 5.27 reverse	mcai050272		1485	1499	45 x 134 mm	This image shows the reverse of three cuttings with decorated initials.	Parchment	Latin	Flanders	Hybrida				reverse	2	Lewis E M 5:27		reverse	cd 5091 2111 6676	48-bit color	600 ppi	2	Breviary
Lewis E M 6:1	Lewis E M 6.1 front	mcai060011		1500	1525	132 x 181 mm	Simon Bening, the Flemish artist who painted these miniatures, was one of the most celebrated illuminators of his time. Based in the city of Bruges in what is today Belgium, Bening's reputation was international and drew the attention of royal and aristocratic patrons all over Europe. These miniatures, for example, come from a now lost manuscript that may have been made for Fadrique Enriquez de Ribera (d. 1538), a Spanish nobleman who had commercial ties with Flanders. The coat of arms in the lower margin represents the families of Enriquez and Ribera. | The Instruments of the Passion, the Last Judgment, the Resurrection of the Elect, and the Parable of the Fig Tree	Parchment	Spanish	Bruges, Flanders		Simon Bening	Artist		front	1	Lewis E M 6:01		front	cd 5091 2111 7903	48-bit color	600 ppi	1	Prayer book
Lewis E M 6:1	Lewis E M 6.1 reverse	mcai060012		1500	1525	132 x 181 mm	This image shows the reverse of a leaf with miniatures by the Flemish illuminator Simon Bening. The text comes from an unknown series of prayers.	Parchment	Spanish	Bruges, Flanders	Rotunda				reverse	2	Lewis E M 6:01		reverse	cd 5091 2111 7903	48-bit color	600 ppi	2	Prayer book
Lewis E M 6:2	Lewis E M 6.2 front	mcai060021		1500	1525	133 x 186 mm	Simon Bening, the Flemish artist who painted these miniatures, was one of the most celebrated illuminators of his time. Based in the city of Bruges in what is today Belgium, Bening's reputation was international and drew the attention of royal and aristocratic patrons all over Europe. These miniatures, for example, come from a now lost manuscript that may have been made for Fadrique Enriquez de Ribera (d. 1538), a Spanish nobleman who had commercial ties with Flanders. The coat of arms in the lower margin represent the families of Enriquez and Ribera. | The Pentecost, the Mocking of the Apostles, and St. Peter preaching	Parchment	Latin	Bruges, Flanders		Simon Bening	Artist		front	1	Lewis E M 6:02		front	cd 5091 2111 7903	48-bit color	600 ppi	1	Prayer book
Lewis E M 6:2	Lewis E M 6.2 reverse	mcai060022		1500	1525	133 x 186 mm	This is the reverse of a cutting from a prayer book.	Parchment	Latin	Bruges, Flanders					reverse	2	Lewis E M 6:02		reverse	cd 5091 2111 7903	48-bit color	600 ppi	2	Prayer book
Lewis E M 6:3	Lewis E M 6.3 front	mcai060031		1485	1499	120 x 105 mm	Initial E from a choir book | The reverse of this initial contains part of the text: 'Tolle puerum, et matrem eius, et vade in terram Iuda defuncti sunt...' (Take with thee the child and his mother and return to the land of Judah). This passage can occur within the Office celebrating the feast of the Purification of the Virgin or in the Mass for Sunday after Christmas Day. The exact liturgical identification of this cutting remains to be determined.	Parchment	Latin	Flanders	Liturgical bookhand				front	1	Lewis E M 6:03		front	cd 5091 2111 7903	48-bit color	600 ppi	1	Choir book
Lewis E M 6:3	Lewis E M 6.3 reverse	mcai060032		1485	1499	120 x 105 mm	This image shows the reverse of a decorated initial. It contains part of the text: 'Tolle puerum, et matrem eius, et vade in terram Iuda defuncti sunt...' (Take with thee the child and his mother and return to the land of Judah). This passage can occur within the Office celebrating the Purification of the Virgin or in the Mass for Sunday after Christmas Day. The exact liturgical identification of this cutting remains to be determined.	Parchment	Latin	Flanders	Liturgical bookhand				reverse	2	Lewis E M 6:03		reverse	cd 5091 2111 7904	48-bit color	600 ppi	2	Choir book
Lewis E M 6:4	Lewis E M 6.4 front	mcai060041		1500	1525	133 x 137 mm	Initial B with the Penitent David | The initial B and the text from Psalm 2 on the reverse of this cutting indicate that this initial comes from a psalter. David kneeling with a hat beside him on the ground as he prays to God suggests the penitent David, a subject that usually illustrates the beginning of the Penitential Psalms. Here, however, David is also wearing a crown and playing his harp, iconography that is more consistent with this initial's place at the beginning of the Psalms, which in the Latin Vulgate begins 'Beatus vir...' (Blessed is the man).	Parchment	Latin	Rouen?, France		Morgan 85 Master	Artist		front	1	Lewis E M 6:04		front	cd 5091 2111 7904	48-bit color	600 ppi	1	Psalter
Lewis E M 6:4	Lewis E M 6.4 reverse	mcai060042		1500	1525	133 x 137 mm	This image shows the reverse of a cutting from a psalter. The text is from Psalm 2.	Parchment	Latin	Rouen?, France	Gothic bookhand				reverse	2	Lewis E M 6:04		reverse	cd 5091 2111 7904	48-bit color	600 ppi	2	Psalter
Lewis E M 6:5	Lewis E M 6.5 front	mcai060051		1500	1599	143 x 143 mm	In this initial, St. Andrew is identified by his attribute, the saltire, or X-shaped, cross he carries underneath his left arm. According to his legend, St. Andrew was martyred by crucifixion on such a cross. He points to a scroll inscribed with the words 'Invenimus Messiam' (We have found Christ) from John 1:41. These are the words that he says to his brother Simon Peter in John after meeting Christ for the first time. The initial begins the first antiphon for this feast (Nov. 3). | Initial V with St. Andrew	Parchment	Latin	Flanders					front	1	Lewis E M 6:05		front	cd 5091 2111 7904	48-bit color	600 ppi	1	Antiphonary
Lewis E M 6:5	Lewis E M 6.5 reverse	mcai060052		1500	1599	143 x 143 mm	This image shows the reverse of a cutting from an antiphonary.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 6:05		reverse	cd 5091 2111 7904	48-bit color	600 ppi	2	Antiphonary
Lewis E M 6:6	Lewis E M 6.6 front	mcai060061		1500	1599	99 x 92 mm	Initial T with the Dream of Jacob | This initial begins the Introit for the Dedication of a Church, 'Terribilis est locus iste hic domus dei...' (This is a fearsome place; it is the house of God). Fragments of text from the liturgy continue on the reverse.	Parchment	Latin	Flanders					front	1	Lewis E M 6:06		front	cd 5091 2111 7654	48-bit color	600 ppi	1	Gradual
Lewis E M 6:6	Lewis E M 6.6 reverse	mcai060062		1500	1599	99 x 92 mm	This image shows the reverse of a cutting of an historiated initial from a gradual. The text is from the liturgy celebrating the dedication of a Church.	Parchment	Latin	Flanders	Liturgical bookhand				reverse	2	Lewis E M 6:06		reverse	cd 5091 2111 7654	48-bit color	600 ppi	2	Gradual
Lewis E M 6:7	Lewis E M 6.7 front	mcai060071		1800	1850			Parchment		Unknown						1	Lewis E M 6:07			cd 5091 2111 7654				St. Martha
Lewis E M 6:7	Lewis E M 6.7 reverse	mcai060072						Parchment		Unknown					reverse	2	Lewis E M 6:07		reverse	cd 5091 2111 7654				St. Martha
Lewis E M 7:1	Lewis E M 7.1 front	mcai070011		1250	1299	180 x 284 mm	Initials | These cuttings are taken from a copy of the Decretals of Pope Gregory IX (ca.1145-1241). Decretals are collections of papal statements regarding canon law, or the ecclesiastical law of the Catholic Church. In 1230, Pope Gregory commissioned the Dominican friar Raymond of Pennafort to compile a new collection that would gather together and streamline earlier decretals. Gregory's Decretals supplanted the earlier ones and became the basis for all subsequent canon law.	Parchment	Latin	France (southern)	Rotunda	Gregory IX	Author		front	1	Lewis E M 7:01		front	cd 5091 2111 7972	48-bit color	600 ppi	1	Decretals
Lewis E M 7:1	Lewis E M 7.1 reverse	mcai070012		1250	1299	180 x 284 mm	This image shows the reverse of several cuttings with decorated initials from a copy of the Decretals of Pope Gregory IX.	Parchment	Latin	France (southern)	Rotunda	Gregory IX	Author		reverse	2	Lewis E M 7:01		reverse	cd 5091 2111 7972	48-bit color	600 ppi	2	Decretals
Lewis E M 7:2	Lewis E M 7.2 front	mcai070021		1400	1499	123 x 164 mm	Leaf with the hymn, antiphon, and Psalm 125 from None of the Hours of the Virgin | This leaf comes from same manuscript as Lewis E M 7:3.	Parchment	Latin	France	Gothic bookhand				one leaf	1	Lewis E M 7:02		one leaf	cd 5091 2111 7972	48-bit color	600 ppi	1	Book of Hours
Lewis E M 7:2	Lewis E M 7.2 reverse	mcai070022		1400	1499	123 x 164 mm	This leaf comes from same manuscript as Lewis E M 7:3.	Parchment	Latin	France					reverse	2	Lewis E M 7:02		reverse	cd 5091 2111 7973	48-bit color	600 ppi	2	Book of Hours
Lewis E M 7:3	Lewis E M 7.3 front	mcai070031		1400	1499	123 x 164 mm	Leaf with Psalm 126 from None of the Hours of the Virgin | This leaf comes from same manuscript as Lewis E M 7:2.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 7:03		front	cd 5091 2111 7973	48-bit color	600 ppi	1	Book of Hours
Lewis E M 7:3	Lewis E M 7.3 reverse	mcai070032		1400	1499	123 x 164 mm	Leaf with Psalm 126 from None of the Hours of the Virgin | This leaf comes from same manuscript as Lewis E M 7:2.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 7:03		reverse	cd 5091 2111 7973	48-bit color	600 ppi	2	Book of Hours
Lewis E M 7:4	Lewis E M 7.4	mcai070041		1400	1499	257 x 172 mm	Initials | These initials display various types of initial decoration that can be found in medieval manuscripts.	Parchment	Latin	France?	Gothic bookhand				front	1	Lewis E M 7:04		front	cd 5091 2111 7973	48-bit color	600 ppi	1	Undetermined
Lewis E M 7:5	Lewis E M 7.5	mcai070051		1400	1499	33 x 62 mm	Anthropomorphic motifs such as these shown here were frequently used to decorate initials in medieval manuscripts. | Initial D	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 7:05		front	cd 5091 2111 7973	48-bit color	600 ppi	1	Undetermined
Lewis E M 7:6a-l	Lewis E M 7.6a-l	mcai070061		1400	1499	268 x 178 mm	Initials | These initials display various methods of decorating initials in medieval manuscripts, using abstract or anthropomorphic pen flourishing.	Parchment	Latin	France					front	1	Lewis E M 7:06		front	cd 5091 2111 7975	48-bit color	600 ppi	1	Undetermined
Lewis E M 7:7a-j	Lewis E M 7.7a-j front	mcai070071		1400	1499	169 x 155 mm	Initials | These initials from a manuscript of unknown type are based on antique Roman letters, reflecting the taste for Classical forms during the Renaissance.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 7:07		front	cd 5091 2111 7975	48-bit color	600 ppi	1	Service book
Lewis E M 7:7a-j	Lewis E M 7.7a-j reverse	mcai070072		1400	1499	169 x 155 mm	This image shows the reverses of a cuttings with decorated letters from a service book.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 7:07		reverse	cd 5091 2111 7975	48-bit color	600 ppi	2	Service book
Lewis E M 7:8	Lewis E M 7.8 front	mcai070081		1400	1499	161 x 229 mm	Leaf beginning Matins of the Hours of the Virgin for Rome use | This leaf is from the same manuscript as Lewis E M 7:9-11.	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 7:08		front	cd 5091 2111 7977	48-bit color	600 ppi	1	Book of Hours
Lewis E M 7:8	Lewis E M 7.8 reverse	mcai070082		1400	1499	161 x 229 mm	This leaf is from the same manuscript as Lewis E M 7:9-11.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 7:08		reverse	cd 5091 2111 7977	48-bit color	600 ppi	2	Book of Hours
Lewis E M 7:9	Lewis E M 7.9 front	mcai070091		1400	1499	164 x 229 mm	Leaf beginning Matins of the Hours of the Holy Spirit | This leaf is from the same manuscript as Lewis E M 7:8, 10, and 11.	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 7:09		front	cd 5091 2111 7977	48-bit color	600 ppi	1	Book of Hours
Lewis E M 7:9	Lewis E M 7.9 reverse	mcai070092		1400	1499	164 x 229 mm	Leaf beginning Matins of the Hours of the Holy Spirit | This leaf is from the same manuscript as Lewis E M 7:8, 10, and 11.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 7:09		reverse	cd 5091 2111 7898	48-bit color	600 ppi	2	Book of Hours
Lewis E M 7:10	Lewis E M 7.10 front	mcai070101		1400	1499	161 x 229 mm	Leaf beginning the Penitential Psalms | This leaf is from the same manuscript as Lewis E M 7: 7:8, 9, and 11.	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 7:10		front	cd 5091 2111 7898	48-bit color	600 ppi	1	Book of Hours
Lewis E M 7:10	Lewis E M 7.10 reverse	mcai070102		1400	1499	161 x 229 mm	Leaf beginning the Penitential Psalms | This leaf is from the same manuscript as Lewis E M 7: 7:8, 9, and 11.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 7:10		reverse	cd 5091 2111 7898	48-bit color	600 ppi	2	Book of Hours
Lewis E M 7:11	Lewis E M 7.11 front	mcai070111		1400	1499	160 x 229 mm	Leaf beginning Matins of the Hours of the Cross | This leaf is from the same manuscript as E M 7:8-10.	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 7:11		front	cd 5091 2111 7902	48-bit color	600 ppi	1	Book of Hours
Lewis E M 7:11	Lewis E M 7.11 reverse	mcai070112		1400	1499	160 x 229 mm	Leaf beginning Matins of the Hours of the Cross | This leaf is from the same manuscript as E M 7:8-10.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 7:11		reverse	cd 5091 2111 7902	48-bit color	600 ppi	2	Book of Hours
Lewis E M 8:1	Lewis E M 8.1 front	mcai080011		1250	1275	55 x 47 mm	Initial C with St. Catherine of Alexandria and suppliants | This initial belongs to a group of cuttings from the same manuscript now divided between the Free Library and the Bodleian Library at Oxford University. It originally marked the beginning of the Canticles. Other initials from the manuscript contain scenes from the life of St. Catherine of Alexandria, indicating that the original owner had a special devotion to the saint. Here, St. Catherine appears to a group of devotees. The women hold coiled ropes to be used in oil lamps, a reference to a legend that oil with miraculous healing powers flowed from the saint's bones in her tomb on Mt. Sinai.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 8:01		front	cd 5091 2111 7946	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 8:1	Lewis E M 8.1 reverse	mcai080012		1250	1275	55 x 47 mm	This image shows the reverse of a cutting with an historiated initial from a psalter-hours.	Parchment	Latin	Mosan, Belgium	Gothic bookhand				reverse	2	Lewis E M 8:01		reverse	cd 5091 2111 7946	48-bit color	600 ppi	2	Psalter-Hours
Lewis E M 8:2	Lewis E M 8.2 front	mcai080021		1250	1275	56 x 55 mm	Initial C with the Torture of the Empress Faustina | This initial originally marked the beginning of Psalm 80, one of the ten major divisions of the Psalms. It belongs to a group of cuttings from the same manuscript now divided between the Free Library and the Bodleian Library at Oxford University. Other initials from the manuscript contain scenes from the life of St. Catherine of Alexandria, indicating that the original owner had a special devotion to the saint. Here, the Empress Faustina, who was converted by the saint, is tortured for her faith.	Parchment	Latin	Mosan, Belgium					front	1	Lewis E M 8:02		front	cd 5091 2111 7946	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 8:2	Lewis E M 8.2 reverse	mcai080022		1250	1275	56 x 55 mm	This image shows the reverse of a cutting with an historiated initial from a psalter-hours.	Parchment	Latin	Mosan, Belgium	Gothic bookhand				reverse	2	Lewis E M 8:02		reverse	cd 5091 2111 7946	48-bit color	600 ppi	2	Psalter-Hours
Lewis E M 8:3	Lewis E M 8.3 front	mcai080031		1250	1275	40 x 38 mm	Initial D with Christ before Pilate | This cutting has been dated to ca. 1270. | This initial belongs to a group of cuttings from the same manuscript now divided between the Free Library and the Bodleian Library at Oxford University. It originally marked the beginning of Lauds of the Hours of the Virgin.	Parchment	Latin	Mosan, France					front	1	Lewis E M 8:03		front	cd 5091 2111 7946	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 8:3	Lewis E M 8.3 reverse	mcai080032		1250	1275	40 x 38 mm	This cutting has been dated to ca. 1270. | This image shows the reverse of a cutting with an historiated initial from a psalter-hours.	Parchment	Latin	Mosan, France	Gothic bookhand				reverse	2	Lewis E M 8:03		reverse	cd 5091 2111 7946	48-bit color	600 ppi	2	Psalter-Hours
Lewis E M 8:4	Lewis E M 8.4 front	mcai080041		1250	1275	37 x 37 mm	Initial C with the Harrowing of Hell | This cutting has been dated to ca. 1270. | This initial belongs to a group of cuttings from the same manuscript now divided between the Free Library and the Bodleian Library at Oxford University. It originally marked the beginning of Compline of the Hours of the Virgin.	Parchment	Latin	Mosan, Belgium	Gothic bookhand				front	1	Lewis E M 8:04		front	cd 5091 2111 7946	48-bit color	600 ppi	1	Psalter-Hours
Lewis E M 8:4	Lewis E M 8.4 reverse	mcai080042		1250	1275	37 x 37 mm	This cutting has been dated to ca. 1270. | This image shows the reverse of a cutting with an historiated initial from a psalter-hours.	Parchment	Latin	Mosan, Belgium	Gothic bookhand				reverse	2	Lewis E M 8:04		reverse	cd 5091 2111 7946	48-bit color	600 ppi	2	Psalter-Hours
Lewis E M 8:5	Lewis E M 8.5 front	mcai080051		1325	1350	82 x 76 mm	Initial A with the Resurrection | This initial probably begins the first response of the first nocturn of Matins for Easter Sunday, 'Angelus Domini descendit de coelo ...' (An angel of the Lord descended from heaven). This leaf is from the same manuscript as Lewis E M 8:6.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 8:05		front	cd 5091 2111 7946	48-bit color	600 ppi	1	Antiphonary
Lewis E M 8:5	Lewis E M 8.5 reverse	mcai080052		1325	1350	82 x 76 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 8:05		reverse	cd 5091 2111 7946	48-bit color	600 ppi	2	Antiphonary
Lewis E M 8:6	Lewis E M 8.6 front	mcai080061		1325	1350	80 x 89 mm	Initial O with an unidentified saint | This leaf is from the same manuscript as Lewis E M 8:5.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 8:06		front	cd 5091 2111 7946	48-bit color	600 ppi	1	Antiphonary
Lewis E M 8:6	Lewis E M 8.6 reverse	mcai080062		1325	1350	80 x 89 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 8:06		reverse	cd 5091 2111 7946	48-bit color	600 ppi	2	Antiphonary
Lewis E M 8:7	Lewis E M 8.7 front	mcai080071		1250	1275	137 x 203 mm	Initial F with the Anointing of David and David and Goliath, beginning I Kings (1 Samuel) | This leaf has been dated to ca. 1260-1270. | This leaf is from the same manuscript as Lewis E M 8:8.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 8:07		front	cd 5091 2111 7946	48-bit color	600 ppi	1	Bible
Lewis E M 8:7	Lewis E M 8.7 reverse	mcai080072		1250	1275	137 x 203 mm	This image shows the reverse of a leaf from a Bible. | This leaf has been dated to ca. 1260-1270.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 8:07		reverse	cd 5091 2111 7947	48-bit color	600 ppi	2	Bible
Lewis E M 8:8	Lewis E M 8.8 front	mcai080081		1250	1275	138 x 202 mm	Initial I depicting Queen Esther before Ahasuerus and the Death of Haman, beginning the Book of Esther | This leaf has been dated to ca. 1260-1270. | This leaf is from the same manuscript as Lewis E M 8:7.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 8:08		front	cd 5091 2111 7947	48-bit color	600 ppi	1	Bible
Lewis E M 8:8	Lewis E M 8.8 reverse	mcai080082		1250	1275	138 x 202 mm	This images shows the reverse of a leaf from a Bible. | This leaf has been dated to ca. 1260-1270.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 8:08		reverse	cd 5091 2111 7947	48-bit color	600 ppi	2	Bible
Lewis E M 8:9	Lewis E M 8.9 front	mcai080091		1250	1299	160 x 224 mm	Leaf with an excised initial | This leaf has fallen victim to an earlier collector who prized only the historiated initial and cut it out of the leaf. The missing initial marked the beginning of the deutero-canonical Book of Judith and most likely contained the scene of Judith cutting off the head of Holofernes.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 8:09		front	cd 5091 2111 7947	48-bit color	600 ppi	1	Bible
Lewis E M 8:9	Lewis E M 8.9 reverse	mcai080092		1250	1299	160 x 224 mm	This image shows the reverse of a leaf with an excised initial from a Bible.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 8:09		reverse	cd 5091 2111 7948	48-bit color	600 ppi	2	Bible
Lewis E M 8:10	Lewis E M 8.10 front	mcai080101		1300	1350	95 x 146 mm	Solomon teaching | This leaf has been dated to ca. 1325. | This miniature once marked the beginning of the Book of Ecclesiastes in a deluxe illustrated Bible historiale. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons.	Parchment	French	France	Gothic bookhand	Guiart des Moulins	Author		front	1	Lewis E M 8:10		front	cd 5091 2111 7948	48-bit color	600 ppi	1	Bible historiale
Lewis E M 8:10	Lewis E M 8.10 reverse	mcai080102		1300	1350	95 x 146 mm	This image shows the reverse of a cutting from a Bible historiale. | This leaf has been dated to ca. 1325.	Parchment	French	France	Gothic bookhand	Guiart des Moulins	Author		reverse	2	Lewis E M 8:10		reverse	cd 5091 2111 7948	48-bit color	600 ppi	2	Bible historiale
Lewis E M 8:11	Lewis E M 8.11 front	mcai080111		1285	1299	119 x 264 mm	Initial F with Paul preaching to a group of followers | This initial once marked the beginning of the Lesson for the first Sunday in Advent, 'Fratres scientes, quia hora est iam nos de somno surgere ...' (Brothers, already it is now the hour for us to rise from sleep).	Parchment	Latin	Hainault, Belgium	Gothic bookhand				front	1	Lewis E M 8:11		front	cd 5091 2111 7948	48-bit color	600 ppi	1	Lectionary
Lewis E M 8:11	Lewis E M 8.11 reverse	mcai080112		1285	1299	119 x 264 mm	This image shows the reverse of a cutting from a lectionary.	Parchment	Latin	Hainault, Belgium	Gothic bookhand				reverse	2	Lewis E M 8:11		reverse	cd 5091 2111 7949	48-bit color	600 ppi	2	Lectionary
Lewis E M 8:12	Lewis E M 8.12 front	mcai080121		1290	1310	178 x 237 mm	Initial I | The roman numeral 'cxli' indicates this leaf was f. 141 in its original manuscript. | This leaf comes from a pontifical, a book containing the liturgy for those sacraments administered exclusively by popes or bishops. The initial begins the order of the service for Holy Thursday, describing first how the clergy are to enter the sacristy and then the preparation of the holy oil to be used in the service.	Parchment	Latin	France (southern)	Gothic bookhand				front	1	Lewis E M 8:12		front	cd 5091 2111 7949	48-bit color	600 ppi	1	Pontifical
Lewis E M 8:12	Lewis E M 8.12 reverse	mcai080122		1290	1310	178 x 237 mm	The roman numeral 'cxli' indicates this leaf was f. 141 in its original manuscript. | This image is the reverse of a leaf that begins the order of service for Holy Thursday.	Parchment	Latin	France (southern)					reverse	2	Lewis E M 8:12		reverse	cd 5091 2111 7949	48-bit color	600 ppi	2	Pontifical
Lewis E M 8:13a-d	Lewis E M 8.13a-d front d	mcai080131		1400	1415	80 x 85 mm	These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of the Gospel of Matthew in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy. | Tree of Jesse	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front d	7	Lewis E M 8:13 a-d		front d	cd 5091 2111 7949	48-bit color	600 ppi	7	Bible historiale
Lewis E M 8:13a-d	Lewis E M 8.13a-d reverse d	mcai080132		1400	1415	80 x 85 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse d	8	Lewis E M 8:13 a-d		reverse d	cd 5091 2111 7949	48-bit color	600 ppi	8	Bible historiale
Lewis E M 8:13a-d	Lewis E M 8.13a-d front a	mcai080133		1400	1415	81 x 70 mm	These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of the Book of Zechariah in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy. | Zechariah prophesying the coming of Christ	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front a	1	Lewis E M 8:13 a-d		front a	cd 5091 2111 7950	48-bit color	600 ppi	1	Bible historiale
Lewis E M 8:13a-d	Lewis E M 8.13a-d reverse a	mcai080134		1400	1415	81 x 70 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse a	2	Lewis E M 8:13 a-d		reverse a	cd 5091 2111 7950	48-bit color	600 ppi	2	Bible historiale
Lewis E M 8:13a-d	Lewis E M 8.13a-d front b	mcai080135		1400	1415	80 x 90 mm	St. John on Patmos writing down his visions of the Apocalypse | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of Book of Revelation in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front b	3	Lewis E M 8:13 a-d		front b	cd 5091 2111 7950	48-bit color	600 ppi	3	Bible historiale
Lewis E M 8:13a-d	Lewis E M 8.13a-d reverse b	mcai080136		1400	1415	80 x 90 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse b	4	Lewis E M 8:13 a-d		reverse b	cd 5091 2111 7950	48-bit color	600 ppi	4	Bible historiale
Lewis E M 8:13a-d	Lewis E M 8.13a-d front c	mcai080137		1400	1415	80 x 63 mm	The Birth of Jezreel | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of the Book of Hosea in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front c	5	Lewis E M 8:13 a-d		front c	cd 5091 2111 7950	48-bit color	600 ppi	5	Bible historiale
Lewis E M 8:13a-d	Lewis E M 8.13a-d reverse c	mcai080138		1400	1415	80 x 63 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse c	6	Lewis E M 8:13 a-d		reverse c	cd 5091 2111 7950	48-bit color	600 ppi	6	Bible historiale
Lewis E M 8:14a-d	Lewis E M 8.14a-d front d	mcai080141		1400	1415	80 x 84 mm	St. Peter preaching to a group of followers | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of one of Peters Epistles in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front d	7	Lewis E M 8:14 a-d		front d	cd 5091 2111 7950	48-bit color	600 ppi	7	Bible historiale
Lewis E M 8:14a-d	Lewis E M 8.14a-d reverse d	mcai080142		1400	1415	80 x 84 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse d	8	Lewis E M 8:14 a-d		reverse d	cd 5091 2111 7950	48-bit color	600 ppi	8	Bible historiale
Lewis E M 8:14a-d	Lewis E M 8.14a-d front a	mcai080143		1400	1415	80 x 72 mm	Solomon and the Queen of Sheba | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of one of the Solomonic books in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front a	1	Lewis E M 8:14 a-d		front a	cd 5091 2111 7950	48-bit color	600 ppi	1	Bible historiale
Lewis E M 8:14a-d	Lewis E M 8.14a-d reverse a	mcai080144		1400	1415	80 x 72 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse a	2	Lewis E M 8:14 a-d		reverse a	cd 5091 2111 7950	48-bit color	600 ppi	2	Bible historiale
Lewis E M 8:14a-d	Lewis E M 8.14a-d front b	mcai080145		1400	1415	82 x 84 mm	St. John the Evangelist preaching to a group of followers | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of one of Epistles of John in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front b	3	Lewis E M 8:14 a-d		front b	cd 5091 2111 7950	48-bit color	600 ppi	3	Bible historiale
Lewis E M 8:14a-d	Lewis E M 8.14a-d reverse b	mcai080146		1400	1415	82 x 84 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse b	4	Lewis E M 8:14 a-d		reverse b	cd 5091 2111 7950	48-bit color	600 ppi	4	Bible historiale
Lewis E M 8:14a-d	Lewis E M 8.14a-d front c	mcai080147		1400	1415	82 x 79 mm	Baruch reading his book to the Babylonians | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of the deutero-canonical Book of Baruch in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front c	5	Lewis E M 8:14 a-d		front c	cd 5091 2111 7950	48-bit color	600 ppi	5	Bible historiale
Lewis E M 8:14a-d	Lewis E M 8.14a-d reverse c	mcai080148		1400	1415	82 x 79 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse c	6	Lewis E M 8:14 a-d		reverse c	cd 5091 2111 7950	48-bit color	600 ppi	6	Bible historiale
Lewis E M 8:15a-d	Lewis E M 8.15a-d front d	mcai080151		1400	1415	81 x 84 mm	Ezekiel's vision of the Tetramorph | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of the Book of Ezekiel in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front d	7	Lewis E M 8:15 a-d		front d	cd 5091 2111 7950	48-bit color	600 ppi	7	Bible historiale
Lewis E M 8:15a-d	Lewis E M 8.15a-d reverse d	mcai080152		1400	1415	81 x 84 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse d	8	Lewis E M 8:15 a-d		reverse d	cd 5091 2111 7951	48-bit color	600 ppi	8	Bible historiale
Lewis E M 8:15a-d	Lewis E M 8.15a-d front a	mcai080153		1400	1415	78 x 84 mm	Daniel receiving his prophecies from God | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of the Book of Daniel in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front a	1	Lewis E M 8:15 a-d		front a	cd 5091 2111 7951	48-bit color	600 ppi	1	Bible historiale
Lewis E M 8:15a-d	Lewis E M 8.15a-d reverse a	mcai080154		1400	1415	78 x 84 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse a	2	Lewis E M 8:15 a-d		reverse a	cd 5091 2111 7951	48-bit color	600 ppi	2	Bible historiale
Lewis E M 8:15a-d	Lewis E M 8.15a-d front b	mcai080155		1400	1415	81 x 82 mm	Isaiah holding the saw with which he was martyred | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of the Book of Isaiah in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front b	3	Lewis E M 8:15 a-d		front b	cd 5091 2111 7951	48-bit color	600 ppi	3	Bible historiale
Lewis E M 8:15a-d	Lewis E M 8.15a-d reverse b	mcai080156		1400	1415	81 x 82 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse b	4	Lewis E M 8:15 a-d		reverse b	cd 5091 2111 7951	48-bit color	600 ppi	4	Bible historiale
Lewis E M 8:15a-d	Lewis E M 8.15a-d front c	mcai080157		1400	1415	80 x 74 mm	Amos threatening one of the cities of Damascus, Gaza, Tyre, Edom, and Ammon | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of the Book of Amos in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front c	5	Lewis E M 8:15 a-d		front c	cd 5091 2111 7951	48-bit color	600 ppi	5	Bible historiale
Lewis E M 8:15a-d	Lewis E M 8.15a-d reverse c	mcai080158		1400	1415	80 x 74 mm	These cuttings have been dated to ca. 1400-1405. | This image shows the reverse of a cutting with an historiated letter from a bible.	Parchment	French	Paris, France	Gothic bookhand	Guiart des Moulins	Author		reverse c	6	Lewis E M 8:15 a-d		reverse c	cd 5091 2111 7951	48-bit color	600 ppi	6	Bible historiale
Lewis E M 8:16a-c	Lewis E M 8.16a-c front a	mcai080163		1400	1415	81 x 81 mm	St. Paul preaching to a group of followers | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of one of Paul's Epistles in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front a	1	Lewis E M 8:16 a-c		front a	cd 5091 2111 7951	48-bit color	600 ppi	1	Bible historiale
Lewis E M 8:16a-c	Lewis E M 8.16a-c reverse a	mcai080164		1400	1415	81 x 81 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse a	2	Lewis E M 8:16 a-c		reverse a	cd 5091 2111 7951	48-bit color	600 ppi	2	Bible historiale
Lewis E M 8:16a-c	Lewis E M 8.16a-c front b	mcai080165		1400	1415	81 x 80 mm	St. Paul preaching to a group of followers | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of one of Paul's Epistles in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front b	3	Lewis E M 8:16 a-c		front b	cd 5091 2111 7951	48-bit color	600 ppi	3	Bible historiale
Lewis E M 8:16a-c	Lewis E M 8.16a-c reverse b	mcai080166		1400	1415	81 x 80 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse b	4	Lewis E M 8:16 a-c		reverse b	cd 5091 2111 7951	48-bit color	600 ppi	4	Bible historiale
Lewis E M 8:16a-c	Lewis E M 8.16a-c front c	mcai080167		1400	1415	82 x 69 mm	St. Paul sends a letter | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of one of Paul's Epistles in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front c	5	Lewis E M 8:16 a-c		front c	cd 5091 2111 7951	48-bit color	600 ppi	5	Bible historiale
Lewis E M 8:16a-c	Lewis E M 8.16a-c reverse c	mcai080168		1400	1415	82 x 69 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse c	6	Lewis E M 8:16 a-c		reverse c	cd 5091 2111 7951	48-bit color	600 ppi	6	Bible historiale
Lewis E M 8:17a-c	Lewis E M 8.17a-c front a	mcai080173		1400	1415	80 x 85 mm	St. Paul speaks to Timothy about Bishops | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of one of Paul's Epistles, possibly his letter to the Philippians, in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front a	1	Lewis E M 8:17 a-c		front a	cd 5091 2111 7951	48-bit color	600 ppi	1	Bible historiale
Lewis E M 8:17a-c	Lewis E M 8.17a-c reverse a	mcai080174		1400	1415	80 x 85 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse a	2	Lewis E M 8:17 a-c		reverse a	cd 5091 2111 7951	48-bit color	600 ppi	2	Bible historiale
Lewis E M 8:17a-c	Lewis E M 8.17a-c front b	mcai080175		1400	1415	80 x 85 mm	St. Paul preaching to a group of followers | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of one of Paul's Epistles in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front b	3	Lewis E M 8:17 a-c		front b	cd 5091 2111 7954	48-bit color	600 ppi	3	Bible historiale
Lewis E M 8:17a-c	Lewis E M 8.17a-c reverse b	mcai080176		1400	1415	80 x 85 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse b	4	Lewis E M 8:17 a-c		reverse b	cd 5091 2111 7954	48-bit color	600 ppi	4	Bible historiale
Lewis E M 8:17a-c	Lewis E M 8.17a-c front c	mcai080177		1400	1415	82 x 96 mm	St. Paul preaching to a group of followers | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of one of Paul's Epistles in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front c	5	Lewis E M 8:17 a-c		front c	cd 5091 2111 7954	48-bit color	600 ppi	5	Bible historiale
Lewis E M 8:17a-c	Lewis E M 8.17a-c reverse c	mcai080178		1400	1415	82 x 96 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse c	6	Lewis E M 8:17 a-c		reverse c	cd 5091 2111 7954	48-bit color	600 ppi	6	Bible historiale
Lewis E M 8:18a-c	Lewis E M 8.18a-c front a	mcai080183		1400	1415	81 x 83 mm	St. Paul preaching | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of one of Paul's Epistles in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front a	1	Lewis E M 8:18 a-c		front a	cd 5091 2111 7954	48-bit color	600 ppi	1	Bible historiale
Lewis E M 8:18a-c	Lewis E M 8.18a-c reverse a	mcai080184		1400	1415	81 x 83 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse a	2	Lewis E M 8:18 a-c		reverse a	cd 5091 2111 7954	48-bit color	600 ppi	2	Bible historiale
Lewis E M 8:18a-c	Lewis E M 8.18a-c front b	mcai080185		1400	1415	80 x 85 mm	St. Paul instructs Titus to appoint the Elders | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of one of Paul's Epistles in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front b	3	Lewis E M 8:18 a-c		front b	cd 5091 2111 7954	48-bit color	600 ppi	3	Bible historiale
Lewis E M 8:18a-c	Lewis E M 8.18a-c reverse b	mcai080186		1400	1415	80 x 85 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse b	4	Lewis E M 8:18 a-c		reverse b	cd 5091 2111 7954	48-bit color	600 ppi	4	Bible historiale
Lewis E M 8:18a-c	Lewis E M 8.18a-c front c	mcai080187		1400	1415	82 x 73 mm	St. Paul bequeaths his mission to Timothy | These cuttings have been dated to ca. 1400-1405. | This miniature once marked the beginning of Paul's First Epistle to Timothy in the deluxe illustrated Bible from which it was taken. The Bible historiale was a popular French translation of biblical history, especially among royal and aristocratic patrons. This miniature is one of several cuttings in the Free Library from the same manuscript illuminated by an artist in the workshop of the Virgil Master, a prominent illuminator known for his work in a copy of Virgil's Aeneid and Bucolics now in the Biblioteca Laurenziana in Florence, Italy.	Parchment	French	Paris, France		Guiart des Moulins | Virgil Master, workshop of	Artist | Author		front c	5	Lewis E M 8:18 a-c		front c	cd 5091 2111 7954	48-bit color	600 ppi	5	Bible historiale
Lewis E M 8:18a-c	Lewis E M 8.18a-c reverse c	mcai080188		1400	1415	82 x 73 mm	These cuttings have been dated to ca. 1400-1405. | This is the reverse of a cutting with a miniature from a Bible.	Parchment	French	Paris, France		Guiart des Moulins	Author		reverse c	6	Lewis E M 8:18 a-c		reverse c	cd 5091 2111 7954	48-bit color	600 ppi	6	Bible historiale
Lewis E M 8:19	Lewis E M 8.19 front	mcai080191		1400	1450	110 x 150 mm	This is a cutting from a Book of Hours, showing a miniature of John the Baptist.	Parchment		France (northern?)						1	Lewis E M 8:19			cd 5091 2111 9984				Book of Hours
Lewis E M 8:19	Lewis E M 8.19 reverse	mcai080192				110 x 150 mm	This is a cutting from a Book of Hours. It is the reverse of a miniature of John the Baptist. Shown are coats of arms. Some of the arms appear to be English, which indicates probable provenance of the book. It is cut from the same manuscript as Lewis E M 8:20.	Parchment		France (northern?)						2	Lewis E M 8:19			cd 5091 2111 9984				Book of Hours
Lewis E M 8:20	Lewis E M 8.20 front	mcai080201		1400	1450	103 x 150 mm	This is a cutting of a miniature from a Book of Hours, depicting St. Anthony Abbot. It is from the same manuscript as Lewis E M 8:19.	Parchment		France (northern?)						1	Lewis E M 8:20			cd 5091 2111 9984				Book of Hours
Lewis E M 8:20	Lewis E M 8.20 reverse	mcai080202				103 x 150 mm	This is a cutting from a Book of Hours. It is the reverse of a miniature of St. Anthony Abbot. Shown are coats of arms. Some of the arms appear to be English, which indicates probable provenance of the book. It is cut from the same manuscript as Lewis E M 8:19.	Parchment		France (northern?)						2	Lewis E M 8:20			cd 5091 2111 9984				Book of Hours
Lewis E M 8:21	Lewis E M 8.21 front	mcai080211		1400	1415	119 x 162 mm	Christ in Majesty displaying his wounds | This leaf was once a part of a book of hours. The miniature marks the beginning of the Penitential Psalms.	Parchment	Latin	Paris, France	Gothic bookhand				front	1	Lewis E M 8:21		front	cd 5091 2111 9984	48-bit color	600 ppi	1	Book of Hours
Lewis E M 8:21	Lewis E M 8.21 reverse	mcai080212		1400	1415	119 x 162 mm	This image shows the reverse of a cutting with a miniature from a book of hours.	Parchment	Latin	Paris, France	Gothic bookhand				reverse	2	Lewis E M 8:21		reverse	cd 5091 2111 9987	48-bit color	600 ppi	2	Book of Hours
Lewis E M 8:22	Lewis E M 8.22 front	mcai080221		1490	1510	96 x 85 mm	Initial R with the Annunciation | This initial probably began the chant 'Rorate caeli de super...' (Drop down dew, ye heavens, from above). This chant was commonly used as the Introit for the feast of the Annunciation, indicating that this cutting may have come from a gradual.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 8:22		front	cd 5091 2111 9987	48-bit color	600 ppi	1	Gradual
Lewis E M 8:22	Lewis E M 8.22 reverse	mcai080222		1490	1510	96 x 85 mm	This image shows the reverse of an initial from a choir book, possibly a gradual.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 8:22		reverse	cd 5091 2111 9987	48-bit color	600 ppi	2	Gradual
Lewis E M 8:23	Lewis E M 8.23 front	mcai080231		1440	1460	112 x 166 mm	Nativity | This miniature marks the beginning of Prime of the Hours of the Virgin. This leaf and two other leaves in the collection, Lewis E M 8:24 and E M 9:13, were originally part of the same book of hours.	Parchment	Latin	Paris, France					front	1	Lewis E M 8:23		front	cd 5091 2111 9987	48-bit color	600 ppi	1	Book of Hours
Lewis E M 8:23	Lewis E M 8.23 reverse	mcai080232		1440	1460	112 x 166 mm	This image shows the reverse of a leaf with a miniature from a book of hours.	Parchment	Latin	Paris, France	Gothic bookhand				reverse	2	Lewis E M 8:23		reverse	cd 5091 2111 9987	48-bit color	600 ppi	2	Book of Hours
Lewis E M 8:24	Lewis E M 8.24 front	mcai080241		1440	1460	115 x 166 mm	Adoration of the Magi | This miniature marks the beginning of Sext of the Hours of the Virgin. The leaf and two other leaves in the collection, Lewis E M 8:23 and E M 9:13 were originally part of the same book of hours.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 8:24		front	cd 5091 2111 9987	48-bit color	600 ppi	1	Book of Hours
Lewis E M 8:24	Lewis E M 8.24 reverse	mcai080242		1440	1460	115 x 166 mm	This image shows the reverse of a leaf with a miniature from a book of hours.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 8:24		reverse	cd 5091 2111 9989	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:1	Lewis E M 9.1 front	mcai090011		1400	1499	125 x 130 mm	Initial M | This flourished initial probably begins the first response of the first nocturn of Matins for the feast of St. Andrew (Nov. 30), 'Mox ut vocem domini praedicantes audivit beatus Andreas ...' (As soon as blessed Andrew heard the Lord preaching). The reverse (or true recto) contains text from the invitatory of Matins for the same feast.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 9:01		front	cd 5091 2111 9993	48-bit color	600 ppi	1	Antiphonary
Lewis E M 9:1	Lewis E M 9.1 reverse	mcai090012		1400	1499	125 x 130 mm	This image shows the reverse of a cutting with flourished initial containing parts of the liturgy for the feast of St. Andrew.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 9:01		reverse	cd 5091 2111 9993	48-bit color	600 ppi	2	Antiphonary
Lewis E M 9:2	Lewis E M 9.2 front	mcai090021		1400	1499	92 x 153 mm	Crucifixion | This miniature marks the beginning of Matins of the Hours of the Cross.	Parchment	Latin	France					front	1	Lewis E M 9:02		front	cd 5091 2111 9993	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:2	Lewis E M 9.2 reverse	mcai090022		1400	1499	92 x 153 mm	This image shows the reverse of a leaf from a book of hours with a miniature.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 9:02		reverse	cd 5091 2111 9993	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:3	Lewis E M 9.3 front	mcai090031		1490	1510	85 x 80 mm	In the Middle Ages, relics were often processed in public on special feast days. This initial depicts the procession of the Sacred Host performed on the feast of Corpus Christi. The initial comes from the same manuscript as two others in the collection, Lewis E M 9:4 and 5. | Initial C with the Procession of the Sacred Host	Parchment	Latin	France (northwestern)					front	1	Lewis E M 9:03		front	cd 5091 2111 9993	48-bit color	600 ppi	1	Choir book
Lewis E M 9:3	Lewis E M 9.3 reverse	mcai090032		1490	1510	85 x 80 mm	This image shows the reverse of a cutting with an historiated initial.	Parchment	Latin	France (northwestern)	Gothic bookhand				reverse	2	Lewis E M 9:03		reverse	cd 5091 2111 9993	48-bit color	600 ppi	2	Choir book
Lewis E M 9:4	Lewis E M 9.4 front	mcai090041		1490	1510	84 x 81 mm	Initial C with the Procession of the Sacred Host | Relics were often processed in public on special feast days. This initial depicts the procession of the Sacred Host which was performed on the feast of Corpus Christi. The initial comes from the same manuscript as two others in the collection, Lewis E M 9:3 and 9:5.	Parchment	Latin	France (northwestern)					front	1	Lewis E M 9:04		front	cd 5091 2111 9993	48-bit color	600 ppi	1	Choir book
Lewis E M 9:4	Lewis E M 9.4 reverse	mcai090042		1490	1510	84 x 81 mm	This image shows the reverse of a cutting with an historiated initial.	Parchment	Latin	France (northwestern)	Gothic bookhand				reverse	2	Lewis E M 9:04		reverse	cd 5091 2111 9993	48-bit color	600 ppi	2	Choir book
Lewis E M 9:5	Lewis E M 9.5 front	mcai090051		1490	1510	83 x 80 mm	Initial S with the Pentecost | This initial comes from the same manuscript as two others in the collection, Lewis E M 9:3 and 9:4. It would originally have begun one of the sung parts of the Mass or Daily Office for Pentecost Sunday.	Parchment	Latin	France (northwestern)					front	1	Lewis E M 9:05		front	cd 5091 2111 9939	48-bit color	600 ppi	1	Choir book
Lewis E M 9:5	Lewis E M 9.5 reverse	mcai090052		1490	1510	83 x 80 mm	This image shows the reverse of a cutting with an historiated initial.	Parchment	Latin	France (northwestern)	Gothic bookhand				reverse	2	Lewis E M 9:05		reverse	cd 5091 2111 9939	48-bit color	600 ppi	2	Choir book
Lewis E M 9:6	Lewis E M 9.6 front	mcai090061		1475	1499	95 x 91 mm	In the late fifteenth and early sixteenth centuries, the cult of St. Anne, the mother of the Virgin Mary, became especially popular, giving rise to a number of iconographic interpretations of her role in sacred history. In this image, the Virgin appears as an 'embryo' within her mother's womb, a reference to the belief in the Immaculate Conception. | Initial G with St. Anne with the embryo of the Virgin in her womb	Parchment	Latin	Loire, France					front	1	Lewis E M 9:06		front	cd 5091 2111 9939	48-bit color	600 ppi	1	Choir book
Lewis E M 9:6	Lewis E M 9.6 reverse	mcai090062		1475	1499	95 x 91 mm	This image shows the reverse of a cutting from a choir book with an historiated initial.	Parchment	Latin	Loire, France	Gothic bookhand				reverse	2	Lewis E M 9:06		reverse	cd 5091 2111 9939	48-bit color	600 ppi	2	Choir book
Lewis E M 9:6A	Lewis E M 9.6A front	mcai090063		1425	1450	135 x 186 mm	Nativity | This miniature marks the beginning of Prime of the Hours of the Virgin. Another leaf in the Free Library's collections, Lewis E M 9:16B, is from the same manuscript.	Parchment	Latin	Rouen, France	Bastarda				front	1	Lewis E M 9:06A		front	cd 5091 2111 9939	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:6A	Lewis E M 9.6A reverse	mcai090064		1425	1450	135 x 186 mm	This image shows the reverse of a leaf with a miniature taken from a book of hours. The initial O begins the final prayer for Prime of the Hours of the Holy Spirit.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 9:06A		reverse	cd 5091 2111 9939	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:7	Lewis E M 9.7 front	mcai090071		1450	1475	105 x 146 mm	St. John on Patmos | This leaf has been dated to ca. 1465. | This miniature marks the beginning of the Gospel Lessons. In the lower and right borders, the initials G and Y are intertwined in a love knot set against a white ground (now dark from oxidation). The initials probably belong to the couple for whom the manuscript was made. The white ground is decorated with ermine tails, a heraldic device associated with the Breton ducal family of Montfort. Other leaves in the Free Library's collection, Lewis E M 9:8, 8a, and 10, are from the same manuscript.	Parchment	Latin	Langres, France	Gothic bookhand	Guillaume Hugueniot	Artist		front	1	Lewis E M 9:07		front	cd 5091 2111 9939	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:7	Lewis E M 9.7 reverse	mcai090072		1450	1475	105 x 146 mm	This image shows the reverse of a leaf with a miniature from a book of hours. | This leaf has been dated to ca. 1465.	Parchment	Latin	Langres, France	Gothic bookhand				reverse	2	Lewis E M 9:07		reverse	cd 5091 2111 9939	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:8	Lewis E M 9.8 front	mcai090081		1450	1475	103 x 147 mm	This leaf has been dated to ca. 1465. | This miniature marks the beginning of Lauds of the Hours of the Virgin. The illuminator Guillaume Hugueniot, active in Langres from 1460-1475, was only recently identified by art historians. Other leaves in the collection, Lewis E M 9:7, 8a, and 10, are from the same manuscript. | Visitation	Parchment	Latin	Langres, France	Bastarda	Guillaume Hugueniot	Artist		front	1	Lewis E M 9:08		front	cd 5091 2111 9940	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:8	Lewis E M 9.8 reverse	mcai090082		1450	1475	103 x 147 mm	This image shows the reverse of a leaf with a miniature from a book of hours. | This leaf has been dated to ca. 1465.	Parchment	Latin	Langres, France	Bastarda				reverse	2	Lewis E M 9:08		reverse	cd 5091 2111 9940	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:8A	Lewis E M 9.8A front	mcai090083		1450	1475	105 x 146 mm	Flight into Egypt | This leaf has been dated to ca. 1465. | This miniature marks the beginning of Vespers of the Hours of the Virgin. The illuminator Guillaume Hugueniot, active in Langres from 1460-1475, was only recently identified by art historians. Other leaves in the collection, Lewis E M 9:7, 8, and 10, are from the same manuscript.	Parchment	Latin	Langres, France	Bastarda	Guillaume Hugueniot	Artist		front	1	Lewis E M 9:08A		front	cd 5091 2111 9940	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:8A	Lewis E M 9.8A reverse	mcai090084		1450	1475	105 x 146 mm	This image shows the reverse of a leaf with a miniature from a book of hours. | This leaf has been dated to ca. 1465.	Parchment	Latin	Langres, France	Bastarda				reverse	2	Lewis E M 9:08A		reverse	cd 5091 2111 9940	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:8B	Lewis E M 9.8B front	mcai090085		1475	1499	85 x 136 mm	Adoration of the Magi | This leaf has been dated to ca. 1470-1480. | This miniature once marked the beginning of Sext of the Hours of the Virgin. It has been attributed to the Bourges illuminator Jean Colombe (fl. ca. 1463 - 1498). One of the most prolific illuminators of his time, Colombe enjoyed the patronage of the French royal court, especially Charlotte of Savoy (1443 - 1483), wife of Louis XI.	Parchment	Latin	Bourges, France	Bastarda	Jean Colombe	Artist		front	1	Lewis E M 9:08B		front	cd 5091 2111 9940	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:8B	Lewis E M 9.8B reverse	mcai090086		1475	1499	85 x 136 mm	This image shows the reverse of a miniature by Jean Colombe taken from a book of hours. | This leaf has been dated to ca. 1470-1480.	Parchment	Latin	Bourges, France	Bastarda				reverse	2	Lewis E M 9:08B		reverse	cd 5091 2111 9940	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:8C	Lewis E M 9.8C front	mcai090087		1450	1499	85 x 120 mm	Nativity | This miniature marks the beginning of Prime of the Hours of the Virgin. It is from the same manuscript as Lewis E 9:14A.	Parchment	Latin	France (northern)	Bastarda				front	1	Lewis E M 9:08C		front	cd 5091 2111 9942	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:8C	Lewis E M 9.8C reverse	mcai090088		1450	1499	85 x 120 mm	This image shows the reverse of a leaf with a miniature from a book of hours.	Parchment	Latin	France (northern)	Bastarda				reverse	2	Lewis E M 9:08C		reverse	cd 5091 2111 9942	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:9	Lewis E M 9.9 front	mcai090091		1400	1450	153 x 206 mm	Resurrection | This miniature marks the beginning of the Hours of the Cross.	Parchment	Latin	France (northern)	Gothic bookhand				front	1	Lewis E M 9:09		front	cd 5091 2111 9942	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:9	Lewis E M 9.9 reverse	mcai090092		1400	1450	153 x 206 mm	This image shows the reverse of a leaf with a miniature from a book of hours. The rubric marks the beginning of the Hours of the Cross, which begins on the front or true verso.	Parchment	Latin	France (northern)	Gothic bookhand				reverse	2	Lewis E M 9:09		reverse	cd 5091 2111 9942	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:10	Lewis E M 9.10 front	mcai090101		1450	1475	107 x 147 mm	St. Matthew writing | This leaf has been dated to ca. 1465. | This miniature marks the beginning of the Gospel Lesson of Matthew. The illuminator Guillaume Hugueniot, active in Langres from ca. 1460-1475, was only recently identified by art historians. Other leaves in the collection, Lewis E M 9:7, 8, and 8A, are from the same manuscript.	Parchment	Latin	Langres, France	Bastarda	Guillaume Hugueniot	Artist		front	1	Lewis E M 9:10		front	cd 5091 2111 9942	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:10	Lewis E M 9.10 reverse	mcai090102		1450	1475	107 x 147 mm	This image shows the reverse of a leaf with a miniature from a book of hours. | This leaf has been dated to ca. 1465.	Parchment	Latin	Langres, France	Bastarda				reverse	2	Lewis E M 9:10		reverse	cd 5091 2111 9942	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:11	Lewis E M 9.11 front	mcai090111		1475	1499	97 x 136 mm	Crucifixion | This miniature marks the beginning of Sext of the Hours of the Cross.	Parchment	Latin	Bourges?, France	Bastarda				front	1	Lewis E M 9:11		front	cd 5091 2111 9944	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:11	Lewis E M 9.11 reverse	mcai090112		1475	1499	97 x 136 mm	This image shows the reverse of a leaf with a miniature from a book of hours.	Parchment	Latin	Bourges?, France	Bastarda				reverse	2	Lewis E M 9:11		reverse	cd 5091 2111 9944	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:12	Lewis E M 9.12 front	mcai090121		1450	1499	88 x 122 mm	Allegory of Death | This miniature marks the beginning of the Office of the Dead. Though these prayers were to be said for the dead to speed their way to heaven, it was also a reminder for the devotee of his or her own mortality. This scene depicts Death, represented as a corpse, about to strike an emperor and a pope, a reminder that no one, no matter how powerful he or she is, escapes death.	Parchment	Latin	France	Bastarda				front	1	Lewis E M 9:12		front	cd 5091 2111 9944	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:12	Lewis E M 9.12 reverse	mcai090122		1450	1499	88 x 122 mm	This image shows the reverse of a leaf with a miniature from a book of hours.	Parchment	Latin	France	Bastarda				reverse	2	Lewis E M 9:12		reverse	cd 5091 2111 9944	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:13	Lewis E M 9.13 front	mcai090131		1440	1460	115 x 166 mm	Coronation of the Virgin | This miniature marks the beginning of Compline of the Hours of the Virgin. This leaf and two other leaves in the collection, Lewis E M 8:23-24, were originally part of the same book of hours.	Parchment	Latin	Paris, France	Gothic bookhand				front	1	Lewis E M 9:13		front	cd 5091 2111 9944	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:13	Lewis E M 9.13 reverse	mcai090132		1440	1460	115 x 166 mm	This image shows the reverse of a leaf with a miniature from a book of hours.	Parchment	Latin	Paris, France	Gothic bookhand				reverse	2	Lewis E M 9:13		reverse	cd 5091 2111 9944	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:14	Lewis E M 9.14 front	mcai090141		1400	1499	122 x 169 mm	Four Evangelists | This leaf marks the beginning of the Gospel Lessons. Following tradition, each Evangelist is depicted as a medieval scribe engaged in the act of writing. Each one writes on a lectern using a quill pen. St. Mark, in the lower left corner, sharpens his worn pen with a knife.	Parchment	Latin	France (northern)					front	1	Lewis E M 9:14		front	cd 5091 2111 9944	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:14	Lewis E M 9.14 reverse	mcai090142		1400	1499	122 x 169 mm	This image shows the reverse of a leaf with a miniature from a book of hours	Parchment	Latin	France (northern)					reverse	2	Lewis E M 9:14		reverse	cd 5091 2111 9946	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:14A	Lewis E M 9.14A front	mcai090143		1450	1499	84 x 117 mm	Flight into Egypt | This miniature marks the beginning of Vespers of the Hours of the Virgin. It is from the same manuscript as Lewis E 9:8C.	Parchment	Latin	France (northern)	Gothic bookhand				front	1	Lewis E M 9:14A		front	cd 5091 2111 9946	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:14A	Lewis E M 9.14A reverse	mcai090144		1450	1499	84 x 117 mm	This image shows the reverse of a leaf with a miniature from a book of hours.	Parchment	Latin	France (northern)	Gothic bookhand				reverse	2	Lewis E M 9:14A		reverse	cd 5091 2111 9946	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:15	Lewis E M 9.15 reverse d	mcai090150		1490	1510	57 x 57 mm	This image shows the reverse of a cutting with a miniature from a Gospel lectionary.	Parchment	Latin	Flanders	Gothic bookhand				reverse d	8	Lewis E M 9:15		reverse d	cd 5091 2111 9946	48-bit color	600 ppi	8	Gospel Lectionary
Lewis E M 9:15	Lewis E M 9.15 front a	mcai090153		1490	1510	54 x 58 mm	Return of the Prodigal Son | This miniature is from a Gospel lectionary, a service book that contains the Gospel readings arranged according to the liturgical year.	Parchment	Latin	Flanders					front a	1	Lewis E M 9:15		front a	cd 5091 2111 9946	48-bit color	600 ppi	1	Gospel Lectionary
Lewis E M 9:15	Lewis E M 9.15 reverse a	mcai090154		1490	1510	54 x 58 mm	This image shows the reverse of a cutting with a miniature from a Gospel lectionary.	Parchment	Latin	Flanders	Gothic bookhand				reverse a	2	Lewis E M 9:15		reverse a	cd 5091 2111 9946	48-bit color	600 ppi	2	Gospel Lectionary
Lewis E M 9:15	Lewis E M 9.15 front b	mcai090155		1490	1510	56 x 56 mm	Assumption of the Virgin Mary | This miniature is from a Gospel lectionary, a service book that contains the Gospel readings arranged according to the liturgical year.	Parchment	Latin	Flanders					front b	3	Lewis E M 9:15		front b	cd 5091 2111 9946	48-bit color	600 ppi	3	Gospel Lectionary
Lewis E M 9:15	Lewis E M 9.15 reverse b	mcai090156		1490	1510	56 x 56 mm	This image shows the reverse of a cutting with a miniature from a Gospel lectionary.	Parchment	Latin	Flanders	Gothic bookhand				reverse b	4	Lewis E M 9:15		reverse b	cd 5091 2111 9946	48-bit color	600 ppi	4	Gospel Lectionary
Lewis E M 9:15	Lewis E M 9.15 front c	mcai090157		1490	1510	58 x 58 mm	Jesus blessing the persecuted | This miniature is from a Gospel lectionary, a service book that contains the Gospel readings arranged according to the liturgical year.	Parchment	Latin	Flanders					front c	5	Lewis E M 9:15		front c	cd 5091 2111 9946	48-bit color	600 ppi	5	Gospel Lectionary
Lewis E M 9:15	Lewis E M 9.15 reverse c	mcai090158		1490	1510	58 x 58 mm	This image shows the reverse of a cutting with a miniature from a Gospel lectionary.	Parchment	Latin	Flanders	Gothic bookhand				reverse c	6	Lewis E M 9:15		reverse c	cd 5091 2111 9946	48-bit color	600 ppi	6	Gospel Lectionary
Lewis E M 9:15	Lewis E M 9.15 front d	mcai090159		1490	1510	57 x 57 mm	Jesus rebuking the Sadducees | This miniature is from a Gospel lectionary, a service book that contains the Gospel readings arranged according to the liturgical year.	Parchment	Latin	Flanders					front d	7	Lewis E M 9:15		front d	cd 5091 2111 9946	48-bit color	600 ppi	7	Gospel Lectionary
Lewis E M 9:16a-d	Lewis E M 9.16a-d front	mcai090161		1490	1510	117 x 118 mm	Four cuttings with scenes from the New Testament: (clockwise from top left) the Parable of the Good Man and the Thief, the Calling of Peter, Jesus rebuking the Scribes and the Pharisees, and Jesus healing a blind man | These miniatures are from a Gospel lectionary, a service book that contains the Gospel readings arranged according to the liturgical year.	Parchment	Latin	Flanders					front	1	Lewis E M 9:16a-d		front	cd 5091 2111 9946	48-bit color	600 ppi	1	Gospel Lectionary
Lewis E M 9:16a-d	Lewis E M 9.16a-d reverse	mcai090162		1490	1510	117 x 118 mm	This image shows the reverse of four cuttings from a Gospel lectionary. Moving clockwise from the top left, the texts are fragments of John 14:29-30, John 21:15-16, Luke 19:1-2, and Luke 19:16-17.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 9:16a-d		reverse	cd 5091 2111 9946	48-bit color	600 ppi	2	Gospel Lectionary
Lewis E M 9:16A	Lewis E M 9.16A reverse	mcai090163		1490	1510	68 x 92 mm	This image shows the reverse of a cutting with a miniature from a book of hours.	Parchment	Latin	Burgundy?, France	Gothic bookhand				reverse	2	Lewis E M 9:16A		reverse	cd 5091 2111 9946	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:16A	Lewis E M 9.16A front	mcai090164		1490	1510	68 x 92 mm	Adoration of the Magi | This miniature once marked the beginning of Sext of the Hours of the Virgin. The Adoration of the Magi was commonly used to illustrate this hour. The hymn and psalm text on the reverse confirms this identification.	Parchment	Latin	Burgundy?, France					front	1	Lewis E M 9:16A		front	cd 5091 2111 9946	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:16B	Lewis E M 9.16B front	mcai090165		1425	1450	135 x 183 mm	Annunciation to the Shepherds | The manuscript can be dated to ca. 1425-30. | The miniature marks the beginning of Terce of the Hours of the Virgin. Another miniature in the collection, Lewis E M 9:6A, is from the same manuscript.	Parchment	Latin	Rouen, France	Bastarda				front	1	Lewis E M 9:16B		front	cd 5091 2111 6270	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:16B	Lewis E M 9.16B reverse	mcai090166		1425	1450	135 x 183 mm	The manuscript can be dated to ca. 1425-30. | This image shows the reverse of a leaf with a miniature taken from a book of hours.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 9:16B		reverse	cd 5091 2111 6270	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:17	Lewis E M 9.17 front	mcai090171		1490	1510	75 x 95 mm	This miniature marks the beginning of Lauds of the Hours of the Virgin. This leaf is from the same manuscript as Lewis E M 9:17A. | Visitation	Parchment	Latin	Loire, France	Bastarda				front	1	Lewis E M 9:17		front	cd 5091 2111 6270	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:17	Lewis E M 9.17 reverse	mcai090172		1490	1510	75 x 95 mm	This image shows the reverse of a leaf with a miniature from a book of hours.	Parchment	Latin	Loire, France	Bastarda				reverse	2	Lewis E M 9:17		reverse	cd 5091 2111 6270	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:17A	Lewis E M 9.17A front	mcai090173		1490	1510	77 x 96 mm	Presentation in the Temple | This miniature marks the beginning of Sext of the Hours of the Virgin. This leaf is from the same manuscript as Lewis E M 9:17.	Parchment	Latin	Loire, France	Bastarda				front	1	Lewis E M 9:17A		front	cd 5091 2111 6270	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:17A	Lewis E M 9.17A reverse	mcai090174		1490	1510	77 x 96 mm	This image shows the reverse of a leaf with a miniature from a book of hours.	Parchment	Latin	Loire, France	Bastarda				reverse	2	Lewis E M 9:17A		reverse	cd 5091 2111 6270	48-bit color	600 ppi	2	Book of Hours
Lewis E M 9:18	Lewis E M 9.18 front	mcai090181		1450	1499	53 x 95 mm	David in the Watery Deep | This miniature from a breviary begins Psalm 68, 'Salvum me fac Deus quoniam intraverunt aquae usque ad animam meam' (Save me O Lord, for the waters are come in even unto my soul), which was read during Matins of every Thursday. David, who was believed in the Middle Ages to have composed the Psalms, typically appears as the subject in psalter illustration as he does here, enacting the literal meaning the first line of the psalm. This miniature comes from the same manuscript as Lewis E M 9:19-26.	Parchment	Latin	France (northern)	Bastarda				front	1	Lewis E M 9:18		front	cd 5091 2111 6270	48-bit color	600 ppi	1	Breviary
Lewis E M 9:18	Lewis E M 9.18 reverse	mcai090182		1450	1499	53 x 95 mm	This image shows the reverse of a cutting with a miniature from a breviary.	Parchment	Latin	France (northern)	Bastarda				reverse	2	Lewis E M 9:18		reverse	cd 5091 2111 6270	48-bit color	600 ppi	2	Breviary
Lewis E M 9:19	Lewis E M 9.19 front	mcai090191		1450	1499	64 x 100 mm	Massacre of the Innocents | This miniature once marked the beginning of the first lesson to be read during Matins for the feast of the Holy Innocents (Dec. 28). It is followed by a reading from Revelation 6:9: 'Et cum aperuisset quintum sigillum vidi sub[tus altare]' (And when he had opened the fifth seal, I saw under the altar). The miniature comes from the same manuscript as Lewis E M 9:18 and 20-26	Parchment	Latin	France (northern)	Bastarda				front	1	Lewis E M 9:19		front	cd 5091 2111 6270	48-bit color	600 ppi	1	Breviary
Lewis E M 9:19	Lewis E M 9.19 reverse	mcai090192		1450	1499	64 x 100 mm	This image shows the reverse of a cutting with a miniature from a breviary.	Parchment	Latin	France (northern)	Bastarda				reverse	2	Lewis E M 9:19		reverse	cd 5091 2111 6270	48-bit color	600 ppi	2	Breviary
Lewis E M 9:20	Lewis E M 9.20 front	mcai090201		1450	1499	58 x 83 mm	David as Musician | This miniature from a breviary begins Psalm 80, 'Exultate Deo adiutori nostro' (Sing joyfully to the Lord, our strength), which was read during Matins of every Friday. David, who was believed in the Middle Ages to have composed the Psalms, typically appears as the subject of psalter illustration as he does here, enacting the literal meaning of the first line of the psalm. This miniature comes from the same manuscript as Lewis E M 9:18, 19, and 21-26.	Parchment	Latin	France (northern)	Bastarda				front	1	Lewis E M 9:20		front	cd 5091 2111 6270	48-bit color	600 ppi	1	Breviary
Lewis E M 9:20	Lewis E M 9.20 reverse	mcai090202		1450	1499	58 x 83 mm	This image shows the reverse of a cutting with a miniature from a breviary.	Parchment	Latin	France (northern)	Bastarda				reverse	2	Lewis E M 9:20		reverse	cd 5091 2111 6270	48-bit color	600 ppi	2	Breviary
Lewis E M 9:21	Lewis E M 9.21 front	mcai090211		1450	1499	52 x 79 mm	According to the rubric and the iconography, this miniature may have once marked the beginning of the first lesson to be read during Matins of the feast of St. Cecilia (Nov. 22). The text has yet to be identified. The miniature comes from the same manuscript as Lewis E M 9:18-20 and 22-26. | St. Cecilia	Parchment	Latin	France (northern)	Bastarda				front	1	Lewis E M 9:21		front	cd 5091 2111 6270	48-bit color	600 ppi	1	Breviary
Lewis E M 9:21	Lewis E M 9.21 reverse	mcai090212		1450	1499	52 x 79 mm	This image shows the reverse of a cutting with a miniature from a breviary.	Parchment	Latin	France (northern)	Bastarda				reverse	2	Lewis E M 9:21		reverse	cd 5091 2111 6270	48-bit color	600 ppi	2	Breviary
Lewis E M 9:22	Lewis E M 9.22 front	mcai090221		1450	1499	55 x 99 mm	Christ addressing the Apostles | This miniature once marked the beginning of the first lesson to be read during Matins of the Common of the Apostles. The reading is from John 15:14, 'Vos amici mei estis ...' (You are my friends). The miniature comes from the same manuscript as Lewis E M 9:18-21 and 23-26.	Parchment	Latin	France (northern)	Bastarda				front	1	Lewis E M 9:22		front	cd 5091 2111 6270	48-bit color	600 ppi	1	Breviary
Lewis E M 9:22	Lewis E M 9.22 reverse	mcai090222		1450	1499	55 x 99 mm	This image shows the reverse of a cutting with a miniature from a breviary.	Parchment	Latin	France (northern)	Bastarda				reverse	2	Lewis E M 9:22		reverse	cd 5091 2111 6270	48-bit color	600 ppi	2	Breviary
Lewis E M 9:23	Lewis E M 9.23 front	mcai090231		1450	1499	54 x 74 mm	This miniature once marked the beginning of a lesson to be read during the feast of an undetermined saint. The text also remains to be identified. The miniature comes from the same manuscript as Lewis E M 9:18-22, 24-26. | Unknown male saint	Parchment	Latin	France (northern)	Bastarda				front	1	Lewis E M 9:23		front	cd 5091 2111 6271	48-bit color	600 ppi	1	Breviary
Lewis E M 9:23	Lewis E M 9.23 reverse	mcai090232		1450	1499	54 x 74 mm	This image shows the reverse of a cutting with a miniature from a breviary.	Parchment	Latin	France (northern)	Bastarda				reverse	2	Lewis E M 9:23		reverse	cd 5091 2111 6271	48-bit color	600 ppi	2	Breviary
Lewis E M 9:24	Lewis E M 9.24 front	mcai090241		1450	1499	54 x 62 mm	St. Andrew | This miniature probably once marked the beginning of the first lesson for Matins of the feast of St. Andrew (Nov. 30), although no text remains to confirm this identification. The miniature comes from the same manuscript as Lewis E M 9:18-23, 25, and 26.	Parchment	Latin	France (northern)	Bastarda				front	1	Lewis E M 9:24		front	cd 5091 2111 6271	48-bit color	600 ppi	1	Breviary
Lewis E M 9:24	Lewis E M 9.24 reverse	mcai090242		1450	1499	54 x 62 mm	This image shows the reverse of a cutting with a miniature from a breviary.	Parchment	Latin	France (northern)	Bastarda				reverse	2	Lewis E M 9:24		reverse	cd 5091 2111 6271	48-bit color	600 ppi	2	Breviary
Lewis E M 9:25	Lewis E M 9.25 front	mcai090251		1450	1499	55 x 79 mm	Calling of Jeremiah | This miniature once marked the beginning of the first lesson for Matins of Passion Sunday. It is a reading from Jeremiah 1:1, 'Verba Hieremiae filii Helcie...' (The words of Jeremiah the son of Helcias). The miniature comes from the same manuscript as Lewis E M 9:18-24, and 26.	Parchment	Latin	France	Bastarda				front	1	Lewis E M 9:25		front	cd 5091 2111 6271	48-bit color	600 ppi	1	Breviary
Lewis E M 9:25	Lewis E M 9.25 reverse	mcai090252		1450	1499	55 x 79 mm	This image shows the reverse of a cutting with a miniature from a breviary.	Parchment	Latin	France	Bastarda				reverse	2	Lewis E M 9:25		reverse	cd 5091 2111 6271	48-bit color	600 ppi	2	Breviary
Lewis E M 9:26	Lewis E M 9.26 front	mcai090261		1450	1499	57 x 101 mm	Ezekiel | This miniature once marked the beginning of the first lesson for Matins of the Common of the Evangelists. It is a reading from Ezekiel 1:1, 'Et factu[m] e[st] in trigesimo anno i[n] quarto mense ...' (Now it came to pass in the thirtieth year in the fourth month). The miniature comes from the same manuscript as Lewis E M 9:18-24, 26.	Parchment	Latin	France (northern)	Bastarda				front	1	Lewis E M 9:26		front	cd 5091 2111 6271	48-bit color	600 ppi	1	Breviary
Lewis E M 9:26	Lewis E M 9.26 reverse	mcai090262		1450	1499	57 x 101 mm	This image shows the reverse of a cutting with a miniature from a breviary.	Parchment	Latin	France (northern)	Bastarda				reverse	2	Lewis E M 9:26		reverse	cd 5091 2111 6271	48-bit color	600 ppi	2	Breviary
Lewis E M 9:27	Lewis E M 9.27 front	mcai090271		1400	1450	113 x 166 mm	Adoration of the Magi | This miniature marks the beginning of Sext of the Hours of the Virgin.	Parchment	Latin	France	Gothic bookhand (southern textualis)				front	1	Lewis E M 9:27		front	cd 5091 2111 6271	48-bit color	600 ppi	1	Book of Hours
Lewis E M 9:27	Lewis E M 9.27 reverse	mcai090272		1400	1450	113 x 166 mm	This image shows the reverse of leaf with a miniature from a book of hours.	Parchment	Latin	France	Gothic bookhand (southern textualis)				reverse	2	Lewis E M 9:27		reverse	cd 5091 2111 6271	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:1	Lewis E M 10.1 front	mcai100011		1500	1515	135 x 199 mm	Identification of text and language based on sister leaf, Lewis E M 10:2. | This miniature may have once marked a prayer for the Virgin in a book of hours, perhaps either the prayer 'O Intemerata' (O immaculate [virgin]) or 'Obsecro te' (I beseech you), two prayers commonly found in books of hours. This leaf is from the same manuscript as Lewis E M 10:2. | Virgin and Child enthroned	Parchment	Latin	France (central)					front	1	Lewis E M 10:01		front	cd 5091 2111 7466	48-bit color	600 ppi	1	Book of Hours
Lewis E M 10:1	Lewis E M 10.1 reverse	mcai100012		1500	1515	135 x 199 mm	Identification of text and language based on sister leaf, Lewis E M 10:2. | This is the reverse of a cutting with a miniature from a book of hours.	Parchment	Latin	France (central)					reverse	2	Lewis E M 10:01		reverse	cd 5091 2111 7466	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:2	Lewis E M 10.2 front	mcai100021		1500	1515	98 x 146 mm	St. Elizabeth of Hungary | This miniature once marked the Suffrage to St. Elizabeth of Hungary (d. 1231). St. Elizabeth was revered for her piety and charitable acts. After the death of her husband, the German landgrave Ludwig IV of Thuringia (d. 1227), St. Elizabeth renounced her worldly wealth and devoted herself to the care of the poor and sick. She is shown here holding a purse from which she has taken several coins to give away. The three crowns together at her feet are her attributes.	Parchment	Latin	France (central)					front	1	Lewis E M 10:02		front	cd 5091 2111 7466	48-bit color	600 ppi	1	Book of Hours
Lewis E M 10:2	Lewis E M 10.2 reverse	mcai100022		1500	1515	98 x 146 mm	This image shows the reverse of a cutting with a miniature from a book of hours. The rubric at the bottom of the leaf refers to the prayer to St. Elizabeth that would have begun on the next leaf in the original manuscript.	Parchment	Latin	France (central)	Bastarda				reverse	2	Lewis E M 10:02		reverse	cd 5091 2111 7466	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:3	Lewis E M 10.3 front	mcai100031		1500	1515	93 x 131 mm	Books of hours | This miniature begins the Passion Sequence from the Gospel of John. Christ's Agony in the Garden marks the start of his Passion, which encompasses the events immediately leading up to his death. During his moment of anguish in the garden of Gethsemane, Christ prays to God to 'take this cup' from him before finally accepting his fate. In this miniature, the cup, the symbol of his imminent sacrifice, appears on the rocky outcrop before the kneeling figure of Christ. In the foreground, the disciples Peter, James, and John sleep throughout Christ's ordeal.	Parchment	Latin	France (central)	Bastarda				front	1	Lewis E M 10:03		front	cd 5091 2111 7466	48-bit color	600 ppi	1	Book of Hours
Lewis E M 10:3	Lewis E M 10.3 reverse	mcai100032		1500	1515	93 x 131 mm	This image shows the reverse of a cutting with a miniature. The text is from the Passion Sequence of John (John 18:1ff).	Parchment	Latin	France (central)	Bastarda				reverse	2	Lewis E M 10:03		reverse	cd 5091 2111 7466	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:4	Lewis E M 10.4 front	mcai100041		1475	1499	134 x 124 mm	Initial B with the Trinity | This cutting can be dated to ca. 1480. | This initial once marked the beginning of the chant 'Benedicta sit sancta Trinitas ...' (Blessed be the Holy Trinity), which was sung during the celebrations for Trinity Sunday. Here, the Trinity is represented by the figures of God the Father, the Dove of the Holy Spirit, and Christ with the wounds he suffered at death visible on his body.	Parchment	Latin	Flanders					front	1	Lewis E M 10:04		front	cd 5091 2111 7467	48-bit color	600 ppi	1	Choir book
Lewis E M 10:4	Lewis E M 10.4 reverse	mcai100042		1475	1499	134 x 124 mm	This cutting can be dated to ca. 1480. | This image shows the reverse of a cutting from a choir book with an illuminated initial.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 10:04		reverse	cd 5091 2111 7467	48-bit color	600 ppi	2	Choir book
Lewis E M 10:4A	Lewis E M 10.4A front	mcai100043		1550	1599	123 x 171 mm	Nativity | This miniature probably came from a book of hours, although no text survives to confirm this identification. The iconography suggests that it may have prefaced Prime of the Hours of the Virgin.This leaf is from the same manuscript as Lewis E M 10:4B	Parchment	Latin	France (northern)					front	1	Lewis E M 10:04A		front	cd 5091 2111 7467	48-bit color	600 ppi	1	Book of Hours
Lewis E M 10:4A	Lewis E M 10.4A reverse	mcai100044		1550	1599	123 x 171 mm	This is the reverse of a cutting with a miniature from a book of hours.	Parchment	Latin	France (northern)					reverse	2	Lewis E M 10:04A		reverse	cd 5091 2111 7467	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:4B	Lewis E M 10.4B front	mcai100045		1475	1499	126 x 167 mm	Flight into Egypt | This miniature probably came from a book of hours, although no text survives to confirm this identification. The iconography suggests that it may have prefaced Vespers of the Hours of the Virgin.This leaf is from the same manuscript as Lewis E M 10:4A.	Parchment	Latin	France (northern)					front	1	Lewis E M 10:04B		front	cd 5091 2111 7467	48-bit color	600 ppi	1	Book of Hours
Lewis E M 10:4B	Lewis E M 10.4B reverse	mcai100046		1475	1499	126 x 167 mm	This is the reverse of a cutting with a miniature from a book of hours.	Parchment	Latin	France (northern)					reverse	2	Lewis E M 10:04B		reverse	cd 5091 2111 7467	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:5	Lewis E M 10.5 front	mcai100051		1485	1499			Parchment		Unknown						1	Lewis E M 10:05			cd 5091 2111 7468				Leaf with miniature of Christ blessing a kneeling couple
Lewis E M 10:5	Lewis E M 10.5 reverse	mcai100052		1485	1499		Prayer written in a later hand in French.	Parchment		Unknown	16th-century cursive				reverse	2	Lewis E M 10:05		reverse	cd 5091 2111 7468				Leaf with miniature of Christ blessing a kneeling couple
Lewis E M 10:6	Lewis E M 10.6 front	mcai100061		1485	1499	77 x 112 mm	St. Mark the Evangelist | This manuscript can be dated to ca. 1480. | This miniature once marked the beginning of the Gospel Lesson of Mark in a book of hours. Here, as in other examples of Evangelists 'portraits' in the Middle Ages, Mark is portrayed as a contemporary scribe seated at a writing desk. He is accompanied by his symbol, the lion.	Parchment	Latin	France					front	1	Lewis E M 10:06		front	cd 5091 2111 7468	48-bit color	600 ppi	1	Book of Hours
Lewis E M 10:6	Lewis E M 10.6 reverse	mcai100062		1485	1499	77 x 112 mm	This image shows the reverse of a cutting with a miniature from the Gospel Lessons from a book of hours. The text is from the second chapter of the Gospel of Mark. | This manuscript can be dated to ca. 1480.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 10:06		reverse	cd 5091 2111 7468	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:7	Lewis E M 10.7 front	mcai100071		1490	1510	33 x 35 mm	Initial D with the bust of a man | The glance of this curious fellow turns toward a prayer or a psalm text, now cut away, in a book of hours. The artist has playfully composed the man's headgear out of the same foliate motifs that form the letter D, blurring the distinction between art and design. The reverse contains a passage of text from the last prayer said during Vespers of the Hours of the Holy Spirit. It is not clear whether this initial came before or followed that prayer.	Parchment	Latin	France or Flanders					front	1	Lewis E M 10:07		front	cd 5091 2111 7468	48-bit color	600 ppi	1	Book of Hours
Lewis E M 10:7	Lewis E M 10.7 reverse	mcai100072		1490	1510	33 x 35 mm	This image shows the reverse of a cutting with an initial from a book of hours. The text is from the last prayer of Vespers of the Hours of the Holy Spirit. The word 'pletorium' in red is a fragment of the rubric 'ad completorium' or 'at Compline,' the last canonical hour of the day.	Parchment	Latin	France or Flanders	Bastarda				reverse	2	Lewis E M 10:07		reverse	cd 5091 2111 7468	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:8	Lewis E M 10.8 front a	mcai100083		1400	1499	77 x 119 mm	Text page | The large initial D on this leaf begins Prime of the Hours of the Holy Spirit. The text continues on the reverse.	Parchment	Latin	France	Cursive				front a	1	Lewis E M 10:08		front a	cd 5091 2111 7468	48-bit color	600 ppi	1	Book of Hours
Lewis E M 10:8	Lewis E M 10.8 reverse a	mcai100084		1400	1499	77 x 119 mm	This leaf continues the prayers said during Sext of the Hours of the Holy Spirit begun on the front (or true recto) of this leaf.	Parchment	Latin	France	Cursive				reverse a	2	Lewis E M 10:08		reverse a	cd 5091 2111 7468	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:8	Lewis E M 10.8 front b	mcai100085		1400	1499	80 x 119 mm	Text page | The large initial D on this leaf begins Sext of the Hours of the Holy Spirit. The text continues on the reverse.	Parchment	Latin	France	Cursive				front b	3	Lewis E M 10:08		front b	cd 5091 2111 7468	48-bit color	600 ppi	3	Book of Hours
Lewis E M 10:8	Lewis E M 10.8 reverse b	mcai100086		1400	1499	80 x 119 mm	This leaf continues the prayers said during Sext of the Hours of the Holy Spirit begun on the front (or true recto) of this leaf.	Parchment	Latin	France	Cursive				reverse b	4	Lewis E M 10:08		reverse b	cd 5091 2111 7468	48-bit color	600 ppi	4	Book of Hours
Lewis E M 10:9	Lewis E M 10.9 front	mcai100091		1475	1499	84 x 112 mm	Initial A with the Resurrection | This cutting can be dated to ca. 1380. | This initial begins the first response of the first nocturn of Matins for Easter Sunday, 'Angelus domini descendit de caelo ...' (The Angel of the Lord came down from heaven). Christ rises from a tomb surrounded by soldiers. The Gospel accounts do not describe the moment of Christ's Resurrection; it was a miracle not witnessed by human eyes. Medieval theologians and artists were left, therefore, to deal with the problem of the presence of the guards who are mentioned in the Gospel of Matthew. The solution was to depict them asleep during the miracle, as the soldiers are shown here.	Parchment	Latin	Flanders					front	1	Lewis E M 10:09		front	cd 5091 2111 7468	48-bit color	600 ppi	1	Antiphonary
Lewis E M 10:9	Lewis E M 10.9 reverse	mcai100092		1475	1499	84 x 112 mm	This cutting can be dated to ca. 1380. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 10:09		reverse	cd 5091 2111 7468	48-bit color	600 ppi	2	Antiphonary
Lewis E M 10:10	Lewis E M 10.10 front	mcai100101		1475	1499	58 x 84 mm	Pentecost | This cutting can be dated to ca. 1480. | This miniature once marked the beginning of the Hours of the Holy Spirit, a fact confirmed by the text from the beginning of Matins of this office on the reverse.	Parchment	Latin	France					front	1	Lewis E M 10:10		front	cd 5091 2111 7468	48-bit color	600 ppi	1	Book of Hours
Lewis E M 10:10	Lewis E M 10.10 reverse	mcai100102		1475	1499	58 x 84 mm	This cutting can be dated to ca. 1480. | This image shows the reverse of a cutting from a book of hours. The text is from Matins of the Hours of the Holy Spirit.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 10:10		reverse	cd 5091 2111 7468	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:11	Lewis E M 10.11 front	mcai100111		1475	1499	71 x 120 mm	Christ carrying the cross | The iconography of this miniature suggests that it may have once marked the beginning of Sext of the Hours of the Cross in a book of hours. The image of Christ carrying the Cross on the way to Calvary typically begins this hour of the office. The miniature was painted in the style of Willem Vrelant, one of the most influential illuminators working in Bruges during the third quarter of the fifteenth century. It is by the same hand and of the same dimensions as Lewis E M 10:12, indicating that these two cuttings once belonged to the same manuscript. | This cutting can be dated to ca. 1480.	Parchment	Latin	Bruges, Flanders					front	1	Lewis E M 10:11		front	cd 5091 2111 7469	48-bit color	600 ppi	1	Book of Hours
Lewis E M 10:11	Lewis E M 10.11 reverse	mcai100112		1475	1499	71 x 120 mm	This cutting can be dated to ca. 1480. | This is the reverse of a cutting with a miniature from a book of hours.	Parchment	Latin	Bruges, Flanders					reverse	2	Lewis E M 10:11		reverse	cd 5091 2111 7469	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:12	Lewis E M 10.12 front	mcai100121		1475	1499	71 x 119 mm	Crucifixion | The iconography of this miniature suggests that it may have once marked the beginning of None of the Hours of the Cross in a book of hours. The image of the Crucifixion typically begins this hour of the office when it is fully illustrated. The miniature was painted in the style of Willem Vrelant, one of the most influential illuminators working in Bruges during the third quarter of the fifteenth century. It is by the same hand and of the same dimensions as Lewis E M 10:11, indicating that these two cuttings once belonged to the same manuscript. | This cutting can be dated to ca. 1480s	Parchment	Latin	Bruges, Flanders					front	1	Lewis E M 10:12		front	cd 5091 2111 7469	48-bit color	600 ppi	1	Book of Hours
Lewis E M 10:12	Lewis E M 10.12 reverse	mcai100122		1475	1499	71 x 119 mm	This cutting can be dated to ca. 1480s | This is the reverse of a cutting with a miniature from a book of hours.	Parchment	Latin	Bruges, Flanders					reverse	2	Lewis E M 10:12		reverse	cd 5091 2111 7469	48-bit color	600 ppi	2	Book of Hours
Lewis E M 10:13	Lewis E M 10.13 front	mcai100131		ca. 1510		115 x 176 mm	This miniature of the Coronation of Mary is from a printed book of hours.	Parchment	Latin	Unknown	Gothic bookhand					1	Lewis E M 10:13			cd 5091 2111 7469				Book of Hours
Lewis E M 10:13	Lewis E M 10.13 reverse	mcai100132						Parchment	Latin	Paris, France	Gothic bookhand	Pigouchet, Philippe				2	Lewis E M 10:13			cd 5091 2111 7469				Book of Hours
Lewis E M 11:1	Lewis E M 11.1 front	mcai110011		1525	1550	49 x 83 mm	St. Stephen was the first Christian martyr. His martyrdom is recorded in Acts 7:56-59, but the story of the wild beasts guarding his body was a later medieval addition to his legend. The miniature was painted by an artist whose style is similar to a group of artists known as the 1520s Hours Workshop, believed to have been located in Tours, France. | Stephen Protomartyr guarded by wild beasts	Parchment		Tours?, France		1520s Hours Workshop	Artist		front	1	Lewis E M 11:01		front	cd 5091 2111 7470	48-bit color	600 ppi	1	Undetermined
Lewis E M 11:1	Lewis E M 11.1 reverse	mcai110012		1525	1550	49 x 83 mm	This is the reverse of a cutting with a miniature from a manuscript.	Parchment		Tours?, France					reverse	2	Lewis E M 11:01		reverse	cd 5091 2111 7470	48-bit color	600 ppi	2	Undetermined
Lewis E M 11:1A	Lewis E M 11.1A front	mcai110013		1485	1499	56 x 98 mm	Adoration of the Magi | This miniature originally preceded Sext of the Hours of the Virgin. The Adoration of the Magi was frequently used to illustrate this hour, and the prayers on the reverse, which belong to this part of the Office, confirm this identification.	Parchment	Latin	Bourges?, France					front	1	Lewis E M 11:01A		front	cd 5091 2111 7470	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:1A	Lewis E M 11.1A reverse	mcai110014		1485	1499	56 x 98 mm	This image shows the reverse of a cutting with a miniature from a book of hours.	Parchment	Latin	Bourges?, France	Bastarda				reverse	2	Lewis E M 11:01A		reverse	cd 5091 2111 7470	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:2	Lewis E M 11.2 front	mcai110021		1475	1499	116 x 180 mm	Annunciation to the Shepherds | This cutting can be dated to ca. 1485. | This miniature introduces Sext of the Hours of the Virgin, which begins on the reverse. The Annunciation to the Shepherds usually precedes Terce, but here the artist has departed from tradition. The miniature, from the same manuscript as Lewis E M 1:3, was painted by the Master of Guillaume Lambert, an illuminator active in Lyons from 1475 to 1485. He is named after the scribe Guillaume Lambert, who signed his name in another manuscript illuminated by our artist.	Parchment	Latin	Lyons, France		Master of Guillaume Lambert	Artist		front	1	Lewis E M 11:02		front	cd 5091 2111 7470	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:2	Lewis E M 11.2 reverse	mcai110022		1475	1499	116 x 180 mm	This cutting can be dated to ca. 1485. | This image shows the reverse of a leaf with a miniature from a book of hours.	Parchment	Latin	Lyons, France	Bastarda				reverse	2	Lewis E M 11:02		reverse	cd 5091 2111 7470	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:3	Lewis E M 11.3 front	mcai110031		1475	1499	116 x 181 mm	This cutting has been dated to ca. 1485. | This miniature introduces the Hours of the Holy Spirit, which begins on the reverse. The Hours of the Holy Spirit is usually illustrated with the Pentecost, but here the artist has chosen instead to highlight the position of the Holy Spirit within the Trinity. The miniature, from the same manuscript as Lewis E M 1:2, was painted by the Master of Guillaume Lambert, an illuminator active in Lyons from 1475 to 1485. He is named after the scribe Guillaume Lambert, who signed his name in another manuscript illuminated by our artist. | Trinity	Parchment	Latin	Lyons, France		Master of Guillaume Lambert	Artist		front	1	Lewis E M 11:03		front	cd 5091 2111 7470	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:3	Lewis E M 11.3 reverse	mcai110032		1475	1499	116 x 181 mm	This cutting has been dated to ca. 1485. | This image shows the reverse of a leaf from a book of hours with a miniature depicting the Trinity.	Parchment	Latin	Lyons, France	Bastarda				reverse	2	Lewis E M 11:03		reverse	cd 5091 2111 7470	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:4	Lewis E M 11.4 front	mcai110041		1490	1510	125 x 170 mm	Although the text on the reverse, the true recto, has been erased, the iconography of this miniature suggests that this leaf originally came from a book of hours, where it preceded Lauds of the Hours of the Virgin. This leaf and other leaves from this manuscript, also in the Free Library (Lewis E M 11:5-10b) belonged to the same manuscript. | This leaf has been dated to ca. 1500. | Visitation	Parchment	Latin	Rouen, France					front	1	Lewis E M 11:04		front	cd 5091 2111 7471	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:4	Lewis E M 11.4 reverse	mcai110042		1490	1510	125 x 170 mm	This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 11:04		reverse	cd 5091 2111 7471	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:5	Lewis E M 11.5 front	mcai110051		1490	1510	125 x 168 mm	Adoration of the Magi | Although the text on the reverse, the true recto, has been erased, the iconography of this miniature suggests that this leaf originally came from a book of hours, where it preceded Sext of the Hours of the Virgin. This leaf and other leaves from this manuscript, also in the Free Library (Lewis E M 11: 4 and 6-10b) belonged to the same manuscript. | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France					front	1	Lewis E M 11:05		front	cd 5091 2111 7471	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:5	Lewis E M 11.5 reverse	mcai110052		1490	1510	125 x 168 mm	This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 11:05		reverse	cd 5091 2111 7471	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:6	Lewis E M 11.6 front	mcai110061		1490	1510	127 x 170 mm	Although the text on the reverse, the true recto, has been erased, the iconography of this miniature suggests that this leaf originally came from a book of hours, where it preceded Compline of the Hours of the Virgin. This leaf and other leaves from this manuscript, also in the Free Library (Lewis E M 11: 4,5, and 7-10b) belonged to the same manuscript. | Coronation of the Virgin | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France					front	1	Lewis E M 11:06		front	cd 5091 2111 7471	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:6	Lewis E M 11.6 reverse	mcai110062		1490	1510	127 x 170 mm	This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 11:06		reverse	cd 5091 2111 7471	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:7	Lewis E M 11.7 front	mcai110071		1490	1510	126 x 170 mm	Although the text on the reverse, the true recto, has been erased, the iconography of this miniature suggests that this leaf originally came from a book of hours, where it preceded the Hours of the Holy Spirit. This leaf and other leaves from this manuscript, also in the Free Library (Lewis E M 11:4-6 and 8-10b) belonged to the same manuscript. | Pentecost | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France					front	1	Lewis E M 11:07		front	cd 5091 2111 7202	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:7	Lewis E M 11.7 reverse	mcai110072		1490	1510	126 x 170 mm	This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 11:07		reverse	cd 5091 2111 7202	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:8	Lewis E M 11.8 front	mcai110081		1490	1510	123 x 167 mm	Although the text on the reverse, the true recto, has been erased, the iconography of this miniature suggests that this leaf originally came from a book of hours, where it preceded the Gospel Lessons. This leaf and other leaves from this manuscript, also in the Free Library (Lewis E M 11:4-7 and 9-10b) belonged to the same manuscript. | The Four Evangelists as scribes | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France					front	1	Lewis E M 11:08		front	cd 5091 2111 7202	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:8	Lewis E M 11.8 reverse	mcai110082		1490	1510	123 x 167 mm	This image shows the reverse of a leaf from a book of hours. The text has been erased, but some of it is still visible. | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 11:08		reverse	cd 5091 2111 7202	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:9	Lewis E M 11.9 front	mcai110091		1490	1510	126 x 169 mm	Although the text on the reverse, the true recto, has been erased, the iconography of this miniature suggests that this leaf originally came from a book of hours, where it preceded Matins of the Hours of the Virgin. This leaf and other leaves from this manuscript, also in the Free Library (Lewis E M 11:4-8,10, and 10a-b) belonged to the same manuscript. | Annunciation | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France					front	1	Lewis E M 11:09		front	cd 5091 2111 7202	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:9	Lewis E M 11.9 reverse	mcai110092		1490	1510	126 x 169 mm	This image shows the reverse of a leaf from a book of hours. The text has been mostly erased. | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 11:09		reverse	cd 5091 2111 7202	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:10	Lewis E M 11.10 front	mcai110101		1490	1510	125 x 168 mm	Although the text on the reverse, the true recto, has been erased, the iconography of this miniature suggests that this leaf originally came from a book of hours, where it may have preceded a prayer to the Virgin. This leaf and other leaves from this manuscript, also in the Free Library (Lewis E M 11:4-9 and 10a-b) belonged to the same manuscript. | Lamentation with the owner of the manuscript present | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France					front	1	Lewis E M 11:10		front	cd 5091 2111 7203	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:10	Lewis E M 11.10 reverse	mcai110102		1490	1510	125 x 168 mm	This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 11:10		reverse	cd 5091 2111 7203	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:10A	Lewis E M 11.10A front	mcai110103		1490	1510	126 x 169 mm	Although the text on the reverse, the true recto, has been erased, the iconography of this miniature suggests that this leaf originally came from a book of hours, where it preceded the Penitential Psalms. This leaf and other leaves from this manuscript, also in the Free Library (Lewis E M 11:5-10 and 10b), belonged to the same manuscript. | David watching Bathsheba at bath | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France					front	1	Lewis E M 11:10A		front	cd 5091 2111 7203	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:10A	Lewis E M 11.10A reverse	mcai110104		1490	1510	126 x 169 mm	This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 11:10A		reverse	cd 5091 2111 7203	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:10B	Lewis E M 11.10B front	mcai110105		1490	1510	129 x 169 mm	Although the text on the reverse, the true recto, has been erased, the iconography of this miniature suggests that this leaf originally came from a book of hours, where it preceded the Office of the Dead. This leaf and other leaves from this manuscript, also in the Free Library (Lewis E M 11:5-10a), belonged to the same manuscript. | Raising of Lazarus | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France					front	1	Lewis E M 11:10B		front	cd 5091 2111 7203	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:10B	Lewis E M 11.10B reverse	mcai110106		1490	1510	129 x 169 mm	This image shows the reverse of leaf from a book of hours. The text has been erased, but some of it is still visible. | This leaf has been dated to ca. 1500.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 11:10B		reverse	cd 5091 2111 7203	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:11	Lewis E M 11.11 front	mcai110111		1485	1499	94 x 85 mm	Initial B with the Trinity | This initial most likely begins the Introit for Mass on Trinity Sunday, Benedicta sit sancta Trinitas . . . (Blessed be the Holy Trinity).	Parchment	Latin	France					front	1	Lewis E M 11:11		front	cd 5091 2111 7204	48-bit color	600 ppi	1	Gradual
Lewis E M 11:11	Lewis E M 11.11 reverse	mcai110112		1485	1499	94 x 85 mm	This image shows the reverse of an initial from a gradual.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 11:11		reverse	cd 5091 2111 7204	48-bit color	600 ppi	2	Gradual
Lewis E M 11:12	Lewis E M 11.12 front	mcai110121		1490	1510	95 x 131 mm	Job on the Dung Heap | This cutting has been dated to ca. 1500. | This miniature, which was originally from a book of hours and began the Office of the Dead, was painted by a follower of Jean Bourdichon, a French illuminator active in Tours at the end of the fifteenth century. Bourdichon, who was the court painter to a succession of several kings of France, led one of the most prolific workshops in France at this time. The artist who painted this leaf and two others in the Free Library from the same manuscript (Lewis E M 11:13 and 14) may have been one of his assistants or students.	Parchment	Latin	Tours, France	Bastarda	Jean Bourdichon, follower of	Artist		front	1	Lewis E M 11:12		front	cd 5091 2111 7204	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:12	Lewis E M 11.12 reverse	mcai110122		1490	1510	95 x 131 mm	This cutting has been dated to ca. 1500. | This image shows the reverse of a miniature beginning the Office of the Dead in a book of hours.	Parchment	Latin	Tours, France	Bastarda				reverse	2	Lewis E M 11:12		reverse	cd 5091 2111 7204	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:13	Lewis E M 11.13 front	mcai110131		1490	1510	97 x 130 mm	St. Matthew writing | This cutting has been dated to ca. 1500. | This miniature, which was originally from a book of hours and began the Gospel Lesson of Matthew, was painted by a follower of Jean Bourdichon, a French illuminator active in Tours at the end of the fifteenth century. Bourdichon, who was the court painter to a succession of several kings of France, led one of the most prolific workshops in France at this time. The artist who painted this leaf and two others in the Free Library from the same manuscript (Lewis E M 11:12 and 14) may have been one of his assistants or students.	Parchment	Latin	Tours, France	Bastarda	Jean Bourdichon, follower of	Artist		front	1	Lewis E M 11:13		front	cd 5091 2111 7204	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:13	Lewis E M 11.13 reverse	mcai110132		1490	1510	97 x 130 mm	This cutting has been dated to ca. 1500. | This image shows the reverse of a miniature beginning the Gospel Lesson for Matthew in a book of hours.	Parchment	Latin	Tours, France	Bastarda				reverse	2	Lewis E M 11:13		reverse	cd 5091 2111 7204	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:14	Lewis E M 11.14 front	mcai110141		1490	1510	82 x 31.5 mm	St. Luke writing | This cutting has been dated to ca. 1500. | This cutting, which was originally from a book of hours and began the Gospel Lesson of Luke, was painted by a follower of Jean Bourdichon, a French illuminator active in Tours at the end of the fifteenth century. Bourdichon, who was the court painter to a succession of several kings of France, led one of the most prolific workshops in France at this time. The artist who painted this leaf and two others in the Free Library from the same manuscript (Lewis E M 11:12 and 13) may have been one of his assistants or students.	Parchment	Latin	France		Jean Bourdichon, follower of	Artist		front	1	Lewis E M 11:14		front	cd 5091 2111 7204	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:14	Lewis E M 11.14 reverse	mcai110142		1490	1510	62 x 82 mm	This cutting has been dated to ca. 1500. | This image shows the reverse of a cutting beginning the Gospel Lesson for Luke in a book of hours.	Parchment	Latin	France	Bastarda				reverse	2	Lewis E M 11:14		reverse	cd 5091 2111 7204	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:15A	Lewis E M 11.15A front	mcai110153		1485	1499	54 x 84 mm	Lamentation | The leaf has been dated to the mid 1490s. | This miniature was painted by the French illuminator Jean Poyer, active in Tours, ca. 1483-1503. Some scholars believe that the miniature is from a now lost book of hours mentioned in an entry in the accounts of Anne of Brittany (d. 1514), queen of Charles VIII of France (r. 1483-1498) and patron of Jean Poyer. The document records a payment made to the artist in 1497 for 23 miniatures, 271 borders, and 1,500 line endings. An inscription on the reverse, believed to be by the hand of Anne of Brittany, tells us that a woman gave this manuscript as a gift to an unknown recipient.	Parchment	Latin	Tours, France	Bastarda	Jean Poyer	Artist		cutting a (front)	1	Lewis E M 11:15A		cutting a (front)	cd 5091 2111 7204	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:15A	Lewis E M 11.15A reverse	mcai110154		1485	1499	54 x 84 mm	The leaf has been dated to the mid 1490s. | This is the reverse of a cutting from a book of hours.	Parchment	Latin	Tours, France	Bastarda and cursive	Anne of Brittany (cursive)	Scribe		cutting a (reverse)	2	Lewis E M 11:15A		cutting a (reverse)	cd 5091 2111 7204	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:15B	Lewis E M 11.15B front	mcai110155		1490	1510	49 x 49 mm	A Deer | The source of this cutting is unknown, but the naturalistic representation of the deer in a landscape reflects the increasing interest in the observation of the natural world in the Renaissance. | This cutting has been dated to ca. 1500	Parchment	Latin	France (northern)					front	1	Lewis E M 11:15B		front	cd 5091 2111 7204	48-bit color	600 ppi	1	Undetermined
Lewis E M 11:15B	Lewis E M 11.15B reverse	mcai110156		1490	1510	49 x 49 mm	This cutting has been dated to ca. 1500 | This is the reverse of a cutting from a manuscript.	Parchment	Latin	France (northern)					reverse	2	Lewis E M 11:15B		reverse	cd 5091 2111 7204	48-bit color	600 ppi	2	Undetermined
Lewis E M 11:16	Lewis E M 11.16 front	mcai110161		1500	1550	102 x 145 mm	Jacobs Dream | This miniature precedes Terce of the Hours of the Virgin, the beginning of which can be found on the reverse. The choice of the Old Testament story of Jacob's Dream is unusual. In the Middle Ages, though, the steps of the ladder stood for the virtues. The original manuscript was made for a member of the aristocratic Dinteville family from Burgundy whose coat of arms appears on the reverse in an initial.	Parchment	Latin	Paris, France					front	1	Lewis E M 11:16		front	cd 5091 2111 7205	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:16	Lewis E M 11.16 reverse	mcai110162		1500	1550	102 x 145 mm	This image shows the reverse of a full-page miniature. The text begins Terce of the Hours of the Virgin. The arms of the Burgundian Dinteville family appear in the first initial.	Parchment	Latin	Paris, France	Humanistic				reverse	2	Lewis E M 11:16		reverse	cd 5091 2111 7205	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:17	Lewis E M 11.17 front	mcai110171		1500	1515	126 x 197 mm	St. John the Baptist | This leaf was originally part of a book of hours. The rubric for the Suffrage to St. John the Baptist appears at the bottom of the reverse (true recto). This leaf is from the same manuscript as E M 11:18.	Parchment	Latin	Rouen, France					front	1	Lewis E M 11:17		front	cd 5091 2111 7205	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:17	Lewis E M 11.17 reverse	mcai110172		1500	1515	126 x 197 mm	This image shows the reverse of a leaf with a miniature illustrating the Suffrage of St. John the Baptist in a book of hours.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 11:17		reverse	cd 5091 2111 7205	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:18	Lewis E M 11.18 front	mcai110181		1500	1515	126 x 198 mm	St. Barbara | This leaf was originally part of a book of hours. The prayer on the reverse (true verso) begins the Suffrage to St. Barbara, a virgin martyr who was kept shut in a tower by her pagan father. The three windows of the tower held by the figure in the miniature refer to the saints insistence on three windows as a way to symbolize the Trinity. This leaf is from the same manuscript as E M 11:17.	Parchment	Latin	Rouen, France					front	1	Lewis E M 11:18		front	cd 5091 2111 7205	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:18	Lewis E M 11.18 reverse	mcai110182		1500	1515	126 x 198 mm	This image shows the reverse of a leaf with a miniature illustrating the Suffrage of St. Barbara in a book of hours.	Parchment	Latin	Rouen, France	Bastarda				reverse	2	Lewis E M 11:18		reverse	cd 5091 2111 7205	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:19	Lewis E M 11.19 front	mcai110191		1490	1510	145 x 236 mm	Calendar leaf for the month of February | This leaf comes from a calendar for the feast days celebrated in the month of February. Calendar pages are often illustrated with the labors of the month and the zodiac sign associated with each month. Warming oneself beside by a fire and preparing to feast were typical labors for the month of February. | This leaf has been dated to ca. 1500.	Parchment	Latin	Tours, France	Bastarda	Jean Bourdichon	Artist		front	1	Lewis E M 11:19		front	cd 5091 2111 7134	48-bit color	600 ppi	1	Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:19	Lewis E M 11.19 reverse	mcai110192		1490	1510	145 x 236 mm	Calendar leaf for the month of February, continued from recto | The feast days for the month of February are continued here on the verso of the leaf. | This leaf has been dated to ca. 1500.	Parchment	Latin	Tours, France	Bastarda				reverse	2	Lewis E M 11:19		reverse	cd 5091 2111 7134	48-bit color	600 ppi	2	Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:20	Lewis E M 11.20 front	mcai110201		1490	1510	149 x 235 mm	Calendar leaf for the month of June | This leaf comes from a calendar for the feast days celebrated in the month of June. Calendar pages are often illustrated with the labors of the month and the zodiac sign associated with each month. Mowing hay was a typical labor for the month of June. | This leaf has been dated to ca. 1500.	Parchment	Latin	Tours, France	Bastarda	Jean Bourdichon	Artist		front	1	Lewis E M 11:20		front	cd 5091 2111 7134	48-bit color	600 ppi	1	Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:20	Lewis E M 11.20 reverse	mcai110202		1490	1510	149 x 235 mm	Calendar leaf for the month of June | The feast days for the month of June are continued here on the verso of the leaf. | This leaf has been dated to ca. 1500.	Parchment	Latin	Tours, France	Bastarda				reverse	2	Lewis E M 11:20		reverse	cd 5091 2111 7134	48-bit color	600 ppi	2	Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:21	Lewis E M 11.21 front	mcai110211		1490	1510	152 x 241 mm	Calendar leaf for the month of August | This leaf comes from a calendar for the feast days celebrated in the month of August. Calendar pages are often illustrated with the labors of the month and the zodiac sign associated with each month. Winnowing grain was a typical labor for the month of August | This leaf has been dated to ca. 1500.	Parchment	Latin	France	Bastarda	Jean Bourdichon	Artist		front	1	Lewis E M 11:21		front	cd 5091 2111 7136	48-bit color	600 ppi	1	Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:21	Lewis E M 11.21 reverse	mcai110212		1490	1510	152 x 241 mm	Calendar leaf for the month of August | The feast days for the month of August are continued here on the verso of the leaf. | This leaf has been dated to ca. 1500.	Parchment	Latin	France	Bastarda	Jean Bourdichon	Artist		reverse	2	Lewis E M 11:21		reverse	cd 5091 2111 7136	48-bit color	600 ppi	2	Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:22	Lewis E M 11.22 front	mcai110221		1490	1510	149 x 236 mm	Calendar leaf for the month of September | This leaf comes from a calendar for the feasts days celebrated in the month of September. Calendar pages are often illustrated with the labors of the month and the zodiac sign associated with each month. Making wine was a typical labor for the month of September. | This leaf has been dated to ca. 1500.	Parchment	Latin	Tours, France	Bastarda	Jean Bourdichon	Artist		front	1	Lewis E M 11:22		front	cd 5091 2111 7136	48-bit color	600 ppi	1	Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:22	Lewis E M 11.22 reverse	mcai110222		1490	1510	149 x 236 mm	Calendar leaf for the month of September | The feast days for the month of September are continued here on the verso of the leaf. | This leaf has been dated to ca. 1500.	Parchment	Latin	Tours, France					reverse	2	Lewis E M 11:22		reverse	cd 5091 2111 7136	48-bit color	600 ppi	2	Hours of Louis XII (formerly Hours of Henry VII)
Lewis E M 11:23	Lewis E M 11.23 front	mcai110231		1500	1599	107 x 159 mm	St. Jerome or St. Mark the Evangelist | This miniature is from an undetermined part of a book of hours and was painted by a follower of Jean Bourdichon, an illuminator who worked mainly in Tours. Since both Sts. Mark and Jerome have the attributes of a book and a lion, and there is no text visible on the reverse, it is difficult to determine who the saint is with certainty. Mark is usually not shown with two books, as if copying one from another, since the Gospels were divinely inspired. The two books would make sense if it were Jerome, who translated in theory from one book to another. The inscription above Jerome is RECE DICTE VU..., could allude to the Vulgate if 'rec'' is read as 'recte'. Jerome, however, is usually shown in cardinal's dress.	Parchment	Latin	France		Jean Bourdichon, follower of	Artist		front	1	Lewis E M 11:23		front	cd 5091 2111 7207	48-bit color	600 ppi	1	Book of Hours
Lewis E M 11:23	Lewis E M 11.23 reverse	mcai110232		1500	1599	107 x 159 mm	This image shows the reverse of a leaf from a book of hours.	Parchment	Latin	France					reverse	2	Lewis E M 11:23		reverse	cd 5091 2111 7207	48-bit color	600 ppi	2	Book of Hours
Lewis E M 11:24	Lewis E M 11.24 front	mcai110241		1485	1499	159 x 212 mm	Elevation of the Chalice in which Christ's side-wound appears | This leaf may have once been part of a book of hours where it would possibly have prefaced a prayer to Christ wounds, which were popular object of devotion in the late Middle Ages. The image of a chalice holding Christ's wound represents the wine consecrated at the Eucharist that becomes Christ's blood.	Parchment	Latin	France (northern)					front	1	Lewis E M 11:24		front	cd 5091 2111 7207	48-bit color	600 ppi	1	Prayer book
Lewis E M 11:24	Lewis E M 11.24 reverse	mcai110242		1485	1499	159 x 212 mm	This image shows the reverse of a cutting with a miniature from a prayer book.	Parchment	Latin	France (northern)					reverse	2	Lewis E M 11:24		reverse	cd 5091 2111 7207	48-bit color	600 ppi	2	Prayer book
Lewis E M 11:25	Lewis E M 11.25 front	mcai110251		1500	1550	61 x 92 mm	Jesus addressing his Disciples, possibly ordering the feeding of the multitudes | This cutting is from the same manuscript as E M 11:26 and 27. Musical notation on the reverse of 11:27 suggests that the cuttings are from a choir book. | This leaf may also have been illuminated in Flanders.	Parchment	Latin	France					front	1	Lewis E M 11:25		front	cd 5091 2111 7207	48-bit color	600 ppi	1	Choir book
Lewis E M 11:25	Lewis E M 11.25 reverse	mcai110252		1500	1550	61 x 92 mm	This image shows the reverse of a cutting with a miniature illustrating Jesus addressing his Disciples. | This leaf may also have been illuminated in Flanders.	Parchment	Latin	France					reverse	2	Lewis E M 11:25		reverse	cd 5091 2111 7207	48-bit color	600 ppi	2	Choir book
Lewis E M 11:26	Lewis E M 11.26 front	mcai110261		1500	1550	62 x 80 mm	Miracle of the loaves and the fishes | This cutting is from the same manuscript as E M 11:25 and 27. Musical notation on the reverse of 11:27 suggests that the cuttings are from a choir book. | This leaf leaf may also have been illuminated in Flanders.	Parchment	Latin	France					front	1	Lewis E M 11:26		front	cd 5091 2111 7207	48-bit color	600 ppi	1	Choir book
Lewis E M 11:26	Lewis E M 11.26 reverse	mcai110262		1500	1550	62 x 80 mm	This image shows the reverse of a cutting with a miniature illustrating the Christs miracle of the loaves and the fishes. | This leaf leaf may also have been illuminated in Flanders.	Parchment	Latin	France					reverse	2	Lewis E M 11:26		reverse	cd 5091 2111 7207	48-bit color	600 ppi	2	Choir book
Lewis E M 11:27	Lewis E M 11.27 front	mcai110271		1500	1550	172 x 163 mm	Initial L with the Miracle of the loaves and the fishes | This cutting is from the same manuscript as E M 11:22 and 26. Musical notation on the reverse suggests that it comes from a choir book. | This leaf may also have been illuminated in Flanders.	Parchment	Latin	France					front	1	Lewis E M 11:27		front	cd 5091 2111 7208	48-bit color	600 ppi	1	Choir book
Lewis E M 11:27	Lewis E M 11.27 reverse	mcai110272		1500	1550	172 x 163 mm	This image shows the reverse of a cutting of an historiated initial from a choir book. | This leaf may also have been illuminated in Flanders.	Parchment	Latin	France					reverse	2	Lewis E M 11:27		reverse	cd 5091 2111 7208	48-bit color	600 ppi	2	Choir book
Lewis E M 11:28	Lewis E M 11.28 front	mcai110281		1500	1599	72 x 112 mm	An Initial, possibly a C, with the Pentecost | The musical notation on the reverse of this cutting suggests that this leaf originally came from a choir book where it would have introduced the feast of Pentecost.	Parchment	Latin	France					front	1	Lewis E M 11:28		front	cd 5091 2111 7208	48-bit color	600 ppi	1	Choir book
Lewis E M 11:28	Lewis E M 11.28 reverse	mcai110282		1500	1599	72 x 112 mm	This image shows the reverse of a cutting with an historiated initial.	Parchment	Latin	France	Gothic				reverse	2	Lewis E M 11:28		reverse	cd 5091 2111 7208	48-bit color	600 ppi	2	Choir book
Lewis E M 11:29	Lewis E M 11.29 front	mcai110291		1800	1850			Parchment		Unknown					front	1	Lewis E M 11:29		front	cd 5091 2111 7208				St. Dominic
Lewis E M 11:29	Lewis E M 11.29 reverse	mcai110292						Parchment		Unknown					reverse	2	Lewis E M 11:29		reverse	cd 5091 2111 7208				St. Dominic
Lewis E M 12:1	Lewis E M 12.1 front	mcai120011					Earlier attributed to Charles Fournel, an artist who worked in 16th-century France, this is most likely a forgery. (11/26/88, Roger Wieck)	Parchment	French	France	Rotunda (imitation)				front	1	Lewis E M 12:01		front	cd 5091 2111 7209				Forgery
Lewis E M 12:1	Lewis E M 12.1 reverse	mcai120012						Parchment		France					reverse	2	Lewis E M 12:01		reverse	cd 5091 2111 7209				Forgery
Lewis E M 12:2	Lewis E M 12.2 front a	mcai120023		1400	1499			Parchment		Unknown						1	Lewis E M 12:02			cd 5091 2111 7209				Decorated initial I
Lewis E M 12:2	Lewis E M 12.2 reverse a	mcai120024						Parchment		Unknown					reverse	2	Lewis E M 12:02		reverse	cd 5091 2111 7209				Decorated initial I
Lewis E M 12:2	Lewis E M 12.2 front b	mcai120025		1400	1499			Parchment	Latin	Unknown	Gothic bookhand					3	Lewis E M 12:02			cd 5091 2111 7209				Book of Hours
Lewis E M 12:2	Lewis E M 12.2 reverse b	mcai120026		1400	1499			Parchment	Latin	Unknown	Gothic bookhand					4	Lewis E M 12:02			cd 5091 2111 7209				Book of Hours
Lewis E M 12:3	Lewis E M 12.3 front	mcai120031		1300	1399			Parchment		Unknown						1	Lewis E M 12:03			cd 5091 2111 7209				Inhabited initial S
Lewis E M 12:3	Lewis E M 12.3 reverse	mcai120032		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:03		reverse	cd 5091 2111 7209				Inhabited initial S
Lewis E M 12:4	Lewis E M 12.4 front	mcai120041		1400	1499			Parchment		Unknown	Gothic bookhand					1	Lewis E M 12:04			cd 5091 2111 7210				Decorated initial Q
Lewis E M 12:4	Lewis E M 12.4 reverse	mcai120042		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:04		reverse	cd 5091 2111 7210				Decorated initial Q
Lewis E M 12:5	Lewis E M 12.5 front	mcai120051		1400	1499			Parchment		Unknown	Gothic bookhand					1	Lewis E M 12:05			cd 5091 2111 7210				Decorated initial D
Lewis E M 12:5	Lewis E M 12.5 reverse	mcai120052		1400	1499			Parchment		Unknown	Gothic bookhand					2	Lewis E M 12:05			cd 5091 2111 7210				Decorated initial D (reverse)
Lewis E M 12:6	Lewis E M 12.6 front	mcai120061		1400	1499			Parchment	Latin	Unknown	Gothic bookhand				front	1	Lewis E M 12:06		front	cd 5091 2111 7210				Decorated initial T
Lewis E M 12:6	Lewis E M 12.6 reverse	mcai120062		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:06		reverse	cd 5091 2111 7210				Decorated initial T
Lewis E M 12:7	Lewis E M 12.7 front	mcai120071		1400	1499			Parchment		Unknown					front	1	Lewis E M 12:07		front	cd 5091 2111 7210				Decorated initial P
Lewis E M 12:7	Lewis E M 12.7 reverse	mcai120072						Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:07		reverse	cd 5091 2111 7210				Decorated initial P
Lewis E M 12:8	Lewis E M 12.8 front	mcai120081		1400	1499			Parchment		Unknown	Gothic bookhand					1	Lewis E M 12:08			cd 5091 2111 7210				Decorated initial Q
Lewis E M 12:8	Lewis E M 12.8 reverse	mcai120082						Parchment		Unknown					reverse	2	Lewis E M 12:08		reverse	cd 5091 2111 7210				Decorated initial Q
Lewis E M 12:9	Lewis E M 12.9 front	mcai120091		1400	1499			Parchment		Unknown						1	Lewis E M 12:09			cd 5091 2111 7210				Decorated initial P
Lewis E M 12:9	Lewis E M 12.9 reverse	mcai120092		1400	1499			Parchment		Unknown					reverse	2	Lewis E M 12:09		reverse	cd 5091 2111 7210				Decorated initial P
Lewis E M 12:10	Lewis E M 12.10 front	mcai120101		1400	1499			Parchment		Unknown						1	Lewis E M 12:10			cd 5091 2111 7210				Decorated initial S
Lewis E M 12:10	Lewis E M 12.10 reverse	mcai120102						Parchment		Unknown					reverse	2	Lewis E M 12:10		reverse	cd 5091 2111 7210				Decorated initial S
Lewis E M 12:11	Lewis E M 12.11 front	mcai120111						Parchment		Unknown						1	Lewis E M 12:11			cd 5091 2111 7211				Music Fragment
Lewis E M 12:11	Lewis E M 12.11 reverse	mcai120112						Parchment		Unknown						2	Lewis E M 12:11			cd 5091 2111 7211				Music Fragment
Lewis E M 12:12	Lewis E M 12.12 front	mcai120121		1400	1499			Parchment		Unknown						1	Lewis E M 12:12			cd 5091 2111 7211				Decorated initial T
Lewis E M 12:12	Lewis E M 12.12 reverse	mcai120122						Parchment		Unknown					reverse	2	Lewis E M 12:12		reverse	cd 5091 2111 7211				Decorated initial T
Lewis E M 12:13	Lewis E M 12.13 front	mcai120131		1400	1499			Parchment		Unknown						1	Lewis E M 12:13			cd 5091 2111 7211				Decorated initial T
Lewis E M 12:13	Lewis E M 12.13 reverse	mcai120132		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:13		reverse	cd 5091 2111 7211				Decorated initial T
Lewis E M 12:14	Lewis E M 12.14 front	mcai120141		1400	1499			Parchment		Unknown						1	Lewis E M 12:14			cd 5091 2111 7211				Decorated initial Q
Lewis E M 12:14	Lewis E M 12.14 reverse	mcai120142		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:14		reverse	cd 5091 2111 7211				Decorated initial Q
Lewis E M 12:15	Lewis E M 12.15 front	mcai120151						Parchment		Unknown	Gothic bookhand					1	Lewis E M 12:15			cd 5091 2111 7211				Decorated initial P
Lewis E M 12:15	Lewis E M 12.15 reverse	mcai120152		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:15		reverse	cd 5091 2111 7211				Decorated initial P
Lewis E M 12:16	Lewis E M 12.16	mcai120161		1400	1499			Parchment		Unknown						1	Lewis E M 12:16			cd 5091 2111 7211				Decorated initial L
Lewis E M 12:17	Lewis E M 12.17 front	mcai120171		1400	1499			Parchment		Unknown						1	Lewis E M 12:17			cd 5091 2111 7211				Decorated initial L
Lewis E M 12:17	Lewis E M 12.17 reverse	mcai120172		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:17		reverse	cd 5091 2111 7211				Decorated initial L
Lewis E M 12:18	Lewis E M 12.18 front	mcai120181		1400	1499			Parchment		Unknown						1	Lewis E M 12:18			cd 5091 2111 7211				Decorated initial M
Lewis E M 12:18	Lewis E M 12.18 reverse	mcai120182		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:18		reverse	cd 5091 2111 7211				Decorated initial M
Lewis E M 12:19	Lewis E M 12.19 front	mcai120191		1400	1499			Parchment		Unknown						1	Lewis E M 12:19			cd 5091 2111 7211				Inhabited initial U
Lewis E M 12:19	Lewis E M 12.19 reverse	mcai120192		1400	1499			Parchment		Unknown	Gothic bookhand					2	Lewis E M 12:19			cd 5091 2111 7211				Inhabited initial U
Lewis E M 12:20	Lewis E M 12.20 front	mcai120201		1400	1499			Parchment		Unknown						1	Lewis E M 12:20			cd 5091 2111 7213				Decorated border detail
Lewis E M 12:20	Lewis E M 12.20 reverse	mcai120202		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:20		reverse	cd 5091 2111 7213				Decorated border detail
Lewis E M 12:21	Lewis E M 12.21 front	mcai120211		1400	1499			Parchment		Unknown						1	Lewis E M 12:21			cd 5091 2111 7213				Decorated initial C
Lewis E M 12:21	Lewis E M 12.21 reverse	mcai120212		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:21		reverse	cd 5091 2111 7213				Decorated initial C
Lewis E M 12:22	Lewis E M 12.22 front	mcai120221		1400	1499			Parchment		Unknown						1	Lewis E M 12:22			cd 5091 2111 7213				Decorated initial B
Lewis E M 12:22	Lewis E M 12.22 reverse	mcai120222		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:22		reverse	cd 5091 2111 7213				Decorated initial B
Lewis E M 12:23	Lewis E M 12.23	mcai120231		1400	1499			Parchment		Unknown						1	Lewis E M 12:23			cd 5091 2111 7213				Decorated initial D
Lewis E M 12:24	Lewis E M 12.24 front	mcai120241		1400	1499			Parchment		Unknown						1	Lewis E M 12:24			cd 5091 2111 7213				Decorated initial H
Lewis E M 12:24	Lewis E M 12.24 reverse	mcai120242		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:24		reverse	cd 5091 2111 7213				Decorated initial H
Lewis E M 12:25	Lewis E M 12.25 front	mcai120251		1400	1499			Parchment		Unknown						1	Lewis E M 12:25			cd 5091 2111 7213				Decorated initial G
Lewis E M 12:25	Lewis E M 12.25 reverse	mcai120252		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 12:25		reverse	cd 5091 2111 7213				Decorated initial G
Lewis E M 13:1	Lewis E M 13.1 front	mcai130011						Parchment		France		Fournel, Charles	Artist			1	Lewis E M 13:01			cd 5091 2111 7183				Decorated initial G
Lewis E M 13:1	Lewis E M 13.1 reverse	mcai130012		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 13:01		reverse	cd 5091 2111 7183				Decorated initial G
Lewis E M 13:2	Lewis E M 13.2 front	mcai130021		1400	1499			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 13:02			cd 5091 2111 7183				Decorated initial G
Lewis E M 13:2	Lewis E M 13.2 reverse	mcai130022		1400	1499			Parchment		France	Gothic bookhand				reverse	2	Lewis E M 13:02		reverse	cd 5091 2111 7183				Decorated initial G
Lewis E M 13:3	Lewis E M 13.3 front	mcai130031		1400	1499			Parchment		Unknown						1	Lewis E M 13:03			cd 5091 2111 7183				Decorated initial G
Lewis E M 13:3	Lewis E M 13.3 reverse	mcai130032		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 13:03		reverse	cd 5091 2111 7183				Decorated initial G
Lewis E M 13:4	Lewis E M 13.4 front	mcai130041		1400	1499			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 13:04			cd 5091 2111 7183				Decorated initial A
Lewis E M 13:4	Lewis E M 13.4 reverse	mcai130042						Parchment		France					reverse	2	Lewis E M 13:04		reverse	cd 5091 2111 7183				Decorated initial A
Lewis E M 13:5	Lewis E M 13.5 front	mcai130051		1400	1499			Parchment		Unknown						1	Lewis E M 13:05			cd 5091 2111 7183				Border detail fragment
Lewis E M 13:5	Lewis E M 13.5 reverse	mcai130052		1400	1499			Parchment	Latin	Unknown	Gothic bookhand				reverse	2	Lewis E M 13:05		reverse	cd 5091 2111 7183				Border detail fragment
Lewis E M 13:6	Lewis E M 13.6 front	mcai130061		1400	1499			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 13:06			cd 5091 2111 7183				Decorated initial A
Lewis E M 13:6	Lewis E M 13.6 reverse	mcai130062		1400	1499			Parchment		France	Gothic bookhand				reverse	2	Lewis E M 13:06		reverse	cd 5091 2111 7183				Decorated initial A
Lewis E M 13:7	Lewis E M 13.7 front	mcai130071		1400	1499			Parchment		France		Fournel, Charles				1	Lewis E M 13:07			cd 5091 2111 7183				Decorated initial A
Lewis E M 13:7	Lewis E M 13.7 reverse	mcai130072		1400	1499			Parchment		France	Gothic bookhand				reverse	2	Lewis E M 13:07		reverse	cd 5091 2111 7183				Decorated initial A
Lewis E M 13:8	Lewis E M 13.8 front	mcai130081		1400	1499			Parchment		France	Gothic bookhand	Fournel, Charles	Artist			1	Lewis E M 13:08			cd 5091 2111 7183				Decorated initial A
Lewis E M 13:8	Lewis E M 13.8 reverse	mcai130082		1400	1499			Parchment		France	Gothic bookhand				reverse	2	Lewis E M 13:08		reverse	cd 5091 2111 7183				Decorated initial A
Lewis E M 13:9	Lewis E M 13.9 front	mcai130091		1400	1499			Parchment		France	Gothic bookhand	Fournel, Charles	Artist		front	1	Lewis E M 13:09		front	cd 5091 2111 7183				Decorated initial A
Lewis E M 13:9	Lewis E M 13.9 reverse	mcai130092		1400	1499			Parchment		France	Gothic bookhand				reverse	2	Lewis E M 13:09		reverse	cd 5091 2111 7183				Decorated initial A
Lewis E M 13:10	Lewis E M 13.10 front	mcai130101		1400	1499			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 13:10			cd 5091 2111 7184				Decorated initial A
Lewis E M 13:10	Lewis E M 13.10 reverse	mcai130102		1400	1499			Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 13:10		reverse	cd 5091 2111 7184				Decorated initial A
Lewis E M 13:11	Lewis E M 13.11 front	mcai130111		1400	1499			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 13:11			cd 5091 2111 7184				Decorated initial N
Lewis E M 13:11	Lewis E M 13.11 reverse	mcai130112		1400	1499			Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 13:11		reverse	cd 5091 2111 7184				Decorated initial N
Lewis E M 13:12	Lewis E M 13.12 front	mcai130121		1400	1499			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 13:12			cd 5091 2111 7184				Decorated initial N
Lewis E M 13:12	Lewis E M 13.12 reverse	mcai130122		1400	1499			Parchment		France					reverse	2	Lewis E M 13:12		reverse	cd 5091 2111 7184				Decorated initial N
Lewis E M 13:13	Lewis E M 13.13 front	mcai130131		1400	1499			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 13:13			cd 5091 2111 7184				Decorated initial O
Lewis E M 13:13	Lewis E M 13.13 reverse	mcai130132		1400	1499			Parchment		France					reverse	2	Lewis E M 13:13		reverse	cd 5091 2111 7184				Decorated initial O
Lewis E M 13:14	Lewis E M 13.14 front	mcai130141		1400	1499			Parchment		Unknown						1	Lewis E M 13:14			cd 5091 2111 7184				Decorated initial I
Lewis E M 13:14	Lewis E M 13.14 reverse	mcai130142		1400	1499			Parchment		Unknown					reverse	2	Lewis E M 13:14		reverse	cd 5091 2111 7184				Decorated initial I
Lewis E M 13:15	Lewis E M 13.15 front	mcai130151		1400	1499			Parchment		Italy						1	Lewis E M 13:15			cd 5091 2111 7184				Decorated initial I
Lewis E M 13:15	Lewis E M 13.15 reverse	mcai130152		1400	1499			Parchment		Italy	Gothic bookhand				reverse	2	Lewis E M 13:15		reverse	cd 5091 2111 7184				Decorated initial I
Lewis E M 13:16	Lewis E M 13.16 front	mcai130161		1400	1499			Parchment		Italy						1	Lewis E M 13:16			cd 5091 2111 7184				Decorated initial I
Lewis E M 13:16	Lewis E M 13.16 reverse	mcai130162		1400	1499			Parchment		Italy	Gothic bookhand				reverse	2	Lewis E M 13:16		reverse	cd 5091 2111 7184				Decorated initial I
Lewis E M 13:17	Lewis E M 13.17 front	mcai130171		1400	1499			Parchment		Unknown						1	Lewis E M 13:17			cd 5091 2111 7807				Decorated initial B
Lewis E M 13:17	Lewis E M 13.17 reverse	mcai130172		1400	1499			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 13:17		reverse	cd 5091 2111 7807				Decorated initial B
Lewis E M 13:18	Lewis E M 13.18 front	mcai130181		1400	1499			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 13:18			cd 5091 2111 7807				Decorated initial G
Lewis E M 13:18	Lewis E M 13.18 reverse	mcai130182		1400	1499			Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 13:18		reverse	cd 5091 2111 7807				Decorated initial G
Lewis E M 13:19	Lewis E M 13.19 front	mcai130191		1400	1499			Parchment		Unknown						1	Lewis E M 13:19			cd 5091 2111 7807				Decorated initial B
Lewis E M 13:19	Lewis E M 13.19 reverse	mcai130192		1400	1499			Parchment	Latin	Unknown	Gothic bookhand				reverse	2	Lewis E M 13:19		reverse	cd 5091 2111 7807				Decorated initial B
Lewis E M 14:1	Lewis E M 14.1 front	mcai140011		1500	1525			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 14:01			cd 5091 2111 7758				Historiated initial U depicting the Resurrected Christ blessing Mary Magdalene
Lewis E M 14:1	Lewis E M 14.1 reverse	mcai140012		1500	1525			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 14:01		reverse	cd 5091 2111 7758				Historiated initial U depicting the Resurrected Christ blessing Mary Magdalene
Lewis E M 14:2	Lewis E M 14.2 front	mcai140021		1500	1525			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 14:02			cd 5091 2111 7758				Historiated initial I depicting a pope, cardinal, and bishops
Lewis E M 14:2	Lewis E M 14.2 reverse	mcai140022		1500	1525			Parchment	Latin	Unknown	Gothic bookhand				reverse	2	Lewis E M 14:02		reverse	cd 5091 2111 7758				Historiated initial I depicting a pope, cardinal, and bishops
Lewis E M 14:3	Lewis E M 14.3 front	mcai140031		1500	1525			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 14:03			cd 5091 2111 7758				Historiated initial M depicting Saint Margaret of Antioch
Lewis E M 14:3	Lewis E M 14.3 reverse	mcai140032		1500	1525			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 14:03		reverse	cd 5091 2111 7758				Historiated initial M depicting Saint Margaret of Antioch
Lewis E M 14:4	Lewis E M 14.4 front	mcai140041		1500	1525	124 x 127 mm		Parchment		France		Fournel, Charles	Artist			1	Lewis E M 14:04			cd 5091 2111 7758				Historiated initial G depicting All Saints
Lewis E M 14:4	Lewis E M 14.4 reverse	mcai140042		1500	1525			Parchment		Unknown					reverse	2	Lewis E M 14:04		reverse	cd 5091 2111 7758				Historiated initial G depicting All Saints
Lewis E M 14:5	Lewis E M 14.5 front	mcai140051		1500	1525			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 14:05			cd 5091 2111 7758				Historiated initial A depicting Christ as the Good Shepherd
Lewis E M 14:5	Lewis E M 14.5 reverse	mcai140052						Parchment	Latin	Unknown	Gothic bookhand				reverse	2	Lewis E M 14:05		reverse	cd 5091 2111 7758				Historiated initial A depicting Christ as the Good Shepherd
Lewis E M 14:6	Lewis E M 14.6 front	mcai140061		1500	1525			Parchment		Unknown						1	Lewis E M 14:06			cd 5091 2111 7758				Historiated initial G depicting John and Peter discovering the empty tomb
Lewis E M 14:6	Lewis E M 14.6 reverse	mcai140062		1500	1525			Parchment		Unknown					reverse	2	Lewis E M 14:06		reverse	cd 5091 2111 7758				Historiated initial G depicting John and Peter discovering the empty tomb
Lewis E M 14:7	Lewis E M 14.7 front	mcai140071		1500	1525			Parchment		France		Fournel, Charles	Artist		front	1	Lewis E M 14:07		front	cd 5091 2111 7759				Historiated initial B depicted Saints Nicholas and Julian
Lewis E M 14:7	Lewis E M 14.7 reverse	mcai140072						Parchment	Latin	Unknown	Gothic bookhand				reverse	2	Lewis E M 14:07		reverse	cd 5091 2111 7759				Decorated initial L
Lewis E M 14:8	Lewis E M 14.8 front	mcai140081		1500	1525			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 14:08			cd 5091 2111 7759				Historiated initial O depicting the Resurrected Christ, St. Thomas, and the Apostles
Lewis E M 14:8	Lewis E M 14.8 reverse	mcai140082		1500	1525			Parchment		France						2	Lewis E M 14:08			cd 5091 2111 7759				Historiated initial O depicting the Resurrected Christ, St. Thomas, and the Apostles
Lewis E M 14:9	Lewis E M 14.9 front	mcai140091						Parchment		Unknown						1	Lewis E M 14:09			cd 5091 2111 7759				Miniature depicting the Transfiguration of Christ
Lewis E M 14:9	Lewis E M 14.9 reverse	mcai140092						Parchment		Unknown					reverse	2	Lewis E M 14:09		reverse	cd 5091 2111 7759				Miniature depicting the Transfiguration of Christ
Lewis E M 14:10	Lewis E M 14.10 front	mcai140101		1500	1525			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 14:10			cd 5091 2111 7759				Historiated initial I depicting Joshua's messengers returning from the Promised Land
Lewis E M 14:10	Lewis E M 14.10 reverse	mcai140102		1500	1525			Parchment		Unknown					reverse	2	Lewis E M 14:10		reverse	cd 5091 2111 7759				Historiated initial I depicting Joshua's messengers returning from the Promised Land
Lewis E M 14:11	Lewis E M 14.11 front	mcai140111						Parchment		France		Fournel, Charles	Artist			1	Lewis E M 14:11			cd 5091 2111 7759				Historiated initial M depicting the parable of the Good Shepherd
Lewis E M 14:11	Lewis E M 14.11 reverse	mcai140112		1500	1525			Parchment		France						2	Lewis E M 14:11			cd 5091 2111 7759				Historiated initial M depicting the parable of the Good Shepherd
Lewis E M 14:12	Lewis E M 14.12 front	mcai140121		1500	1525			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 14:12			cd 5091 2111 7759				Historiated initial U depicting the second miraculous catch of fish
Lewis E M 14:12	Lewis E M 14.12 reverse	mcai140122		1500	1525			Parchment		France					reverse	2	Lewis E M 14:12		reverse	cd 5091 2111 7759				Historiated initial U depicting the second miraculous catch of fish
Lewis E M 14:13	Lewis E M 14.13 front	mcai140131		1500	1525			Parchment		Unknown		Fournel, Charles	Artist			1	Lewis E M 14:13			cd 5091 2111 7761				Historiated initial N depicting St. Helena finding the True Cross
Lewis E M 14:13	Lewis E M 14.13 reverse	mcai140132		1500	1525			Parchment		France					reverse	2	Lewis E M 14:13		reverse	cd 5091 2111 7761				Historiated initial N depicting St. Helena finding the True Cross
Lewis E M 14:14	Lewis E M 14.14 front	mcai140141		1500	1525			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 14:14			cd 5091 2111 7761				Historiated initial U depicting Samson removing the Gates of Gaza
Lewis E M 14:14	Lewis E M 14.14 reverse	mcai140142		1500	1525			Parchment		France	Gothic bookhand				reverse	2	Lewis E M 14:14		reverse	cd 5091 2111 7761				Historiated initial U depicting Samson removing the Gates of Gaza
Lewis E M 14:15	Lewis E M 14.15 front	mcai140151		1500	1525			Parchment		France		Fournel, Charles	Artist			1	Lewis E M 14:15			cd 5091 2111 7761				Historiated initial A depicting Christ as the Good Shepherd
Lewis E M 14:15	Lewis E M 14.15 reverse	mcai140152		1500	1525			Parchment		France					reverse	2	Lewis E M 14:15		reverse	cd 5091 2111 7761				Historiated initial A depicting Christ as the Good Shepherd
Lewis E M 14:16	Lewis E M 14.16 front	mcai140161		1500	1525			Parchment		France						1	Lewis E M 14:16			cd 5091 2111 7761				Historiated initial E depicting the destruction of the Egyptians in the Red Sea
Lewis E M 14:16	Lewis E M 14.16 reverse	mcai140162						Parchment		France					reverse	2	Lewis E M 14:16		reverse	cd 5091 2111 7761				Historiated initial E depicting the destruction of the Egyptians in the Red Sea
Lewis E M 14:17	Lewis E M 14.17 front	mcai140171		1400	1499			Parchment		France						1	Lewis E M 14:17			cd 5091 2111 7761				Historiated initial C depicting the Last Supper
Lewis E M 14:17	Lewis E M 14.17 reverse	mcai140172		1400	1499			Parchment		France	Gothic bookhand				reverse	2	Lewis E M 14:17		reverse	cd 5091 2111 7761				Historiated initial C depicting the Last Supper
Lewis E M 15:1	Lewis E M 15.1 front	mcai150011		1500	1525			Parchment		France		Master of Morgan 85	Artist			1	Lewis E M 15:01			cd 5091 2111 7764				Historiated initial R depicting Christ sitting in judgment
Lewis E M 15:1	Lewis E M 15.1 reverse	mcai150012						Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 15:01		reverse	cd 5091 2111 7764				Historiated initial R depicting Christ sitting in judgment
Lewis E M 15:2	Lewis E M 15.2 front	mcai150021		1500	1525			Parchment		France						1	Lewis E M 15:02			cd 5091 2111 7764				Historiated initial S depicting the Assumption
Lewis E M 15:2	Lewis E M 15.2 reverse	mcai150022						Parchment		Unknown					reverse	2	Lewis E M 15:02		reverse	cd 5091 2111 7764				Historiated initial S depicting the Assumption
Lewis E M 15:3	Lewis E M 15.3 front	mcai150031		1500	1525			Parchment		France						1	Lewis E M 15:03			cd 5091 2111 7764				Historiated initial L depicting the supper at Emmaus
Lewis E M 15:3	Lewis E M 15.3 reverse	mcai150032		1500	1525			Parchment	Latin	Unknown	Gothic bookhand				reverse	2	Lewis E M 15:03		reverse	cd 5091 2111 7764				Historiated initial L depicting the supper at Emmaus
Lewis E M 15:4	Lewis E M 15.4 front	mcai150041		1500	1525			Parchment		Unknown						1	Lewis E M 15:04			cd 5091 2111 7764				Historiated initial M depicting God the Father surrounded by the four Gospels
Lewis E M 15:4	Lewis E M 15.4 reverse	mcai150042		1500	1525			Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 15:04		reverse	cd 5091 2111 7764				Historiated initial M depicting God the Father surrounded by the four Gospels
Lewis E M 15:5	Lewis E M 15.5 front	mcai150051		1500	1525			Parchment		France						1	Lewis E M 15:05			cd 5091 2111 7765				Historiated initial O depicting the Ascension
Lewis E M 15:5	Lewis E M 15.5 reverse	mcai150052		1500	1525			Parchment		France	Gothic bookhand				reverse	2	Lewis E M 15:05		reverse	cd 5091 2111 7765				Historiated initial O depicting the Ascension
Lewis E M 15:6	Lewis E M 15.6 front	mcai150061		1500	1525			Parchment		France		Master of Morgan 85	Artist			1	Lewis E M 15:06			cd 5091 2111 7765				Historiated initial G depicting the Assumption
Lewis E M 15:6	Lewis E M 15.6 reverse	mcai150062		1500	1525			Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 15:06		reverse	cd 5091 2111 7765				Historiated initial G depicting the Assumption
Lewis E M 15:7	Lewis E M 15.7 front	mcai150071		1500	1525			Parchment		France						1	Lewis E M 15:07			cd 5091 2111 7765				Historiated initial G depicting the Trinity with saints below, including Mary and John the Baptist
Lewis E M 15:7	Lewis E M 15.7 reverse	mcai150072		1500	1525			Parchment		France					reverse	2	Lewis E M 15:07		reverse	cd 5091 2111 7766				Historiated initial G depicting the Trinity with saints below, including Mary and John the Baptist
Lewis E M 15:8	Lewis E M 15.8 front	mcai150081		1400	1499		Miniature depicting All Saints.
 Lawrence of Rome, tonsured as deacon, with right hand holding instrument of martyrdom, gridiron. Stephen Protomartyr, tonsured as deacon, stone in head, with right hand holding martyr's palm and with left hand holding book on which are three stones. Denis of Paris, as bishop, with gloved hand holding mitered head. Tonsured deacon or monk. Christopher of Lycia, carrying Christ Child on shoulder, with staff. All nimbed, except the Christopher, and accompanied by group of nimbed saints, most with only nimbi visible and tops of four martyr's palms visible.
 Many thanks to Jessica Savage of the Index of Christian Art for her contribution on this image.	Parchment		France					front	1	Lewis E M 15:08		front	cd 5091 2111 7766				Miniature depicting All Saints
Lewis E M 15:9	Lewis E M 15.9 reverse	mcai150091		1500	1525			Parchment		France		Master of Morgan 85	Artist		front	1	Lewis E M 15:09		front	cd 5091 2111 7766				Miniature depicting Disciples
Lewis E M 15:10	Lewis E M 15.10	mcai150101		1500	1525			Parchment		France		Master of Morgan 85	Artist			1	Lewis E M 15:10			cd 5091 2111 7766				Miniature depicting sainted clergy
Lewis E M 15:11	Lewis E M 15.11	mcai150111		1500	1525			Parchment		France		Master of Morgan 85	Artist		front	1	Lewis E M 15:11		front	cd 5091 2111 7766				Miniature depicting Michael Archangel
Lewis E M 15:12	Lewis E M 15.12	mcai150121		1500	1525			Parchment		France		Master of Morgan 85	Artist			1	Lewis E M 15:12			cd 5091 2111 7766				Miniature depicting the Archangel Gabriel and Joseph
Lewis E M 15:13	Lewis E M 15.13	mcai150131		1500	1525			Parchment		France		Master of Morgan 85	Artist		front	1	Lewis E M 15:13		front	cd 5091 2111 7767				Miniature depicting Vincent of Saragossa being thrown into the water
Lewis E M 15:14	Lewis E M 15.14	mcai150141		1500	1525			Parchment		France		Master of Morgan 85	Artist		front	1	Lewis E M 15:14		front	cd 5091 2111 7767				Miniature depicting Michael the Archangel fighting the dragon with his angels
Lewis E M 16:1	Lewis E M 16.1 front	mcai160011		1100	1199	71 x 112 mm	The fragment is from Moralia in Job, end of lib.17-beginning of lib. 18.
 Re: Migne, PL 76, col. 37-38.
 Its style is typical of Romanesque minor initial decoration. | Initial P	Parchment	Latin	England?	Transitional script (praegothica)	Gregory the Great	Author		front	1	Lewis E M 16:01		front	cd 5091 2111 7686	48-bit color	600 ppi	1	Moralia in Job
Lewis E M 16:1	Lewis E M 16.1 reverse	mcai160012		1100	1199	71 x 112 mm	This image shows the reverse of a cutting from Moralia in Job.	Parchment	Latin	England?	Transitional script (praegothica)	Gregory the Great	Author		reverse	2	Lewis E M 16:01		reverse	cd 5091 2111 7686	48-bit color	600 ppi	2	Moralia in Job
Lewis E M 16:2	Lewis E M 16.2 front	mcai160021		1100	1199	137 x 212 mm	Initial A | This leaf from a Bible contains the beginning of I Chronicles. The initial A that begins the book is a fine example of a fanciful Romanesque initial. Here the artist has made the left leg of the letter a dragon that bites the foliage that forms the right leg.	Parchment	Latin	Germany?	Transitional script (praegothica)				front	1	Lewis E M 16:02		front	cd 5091 2111 7686	48-bit color	600 ppi	1	Bible
Lewis E M 16:2	Lewis E M 16.2 reverse	mcai160022		1100	1199	137 x 212 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Germany?	Transitional script (praegothica)				reverse	2	Lewis E M 16:02		reverse	cd 5091 2111 7686	48-bit color	600 ppi	2	Bible
Lewis E M 16:3	Lewis E M 16.3 front	mcai160031		1100	1199	201 x 232 mm	Initial Q | This leaf was taken from a Gregory the Great's commentary on the book of Job. The Letter Q, which begins the 22nd book, is a typical example of a fanciful Romanesque initial, in which a dragon wraps around the circle of the letter Q in order to form the cross stoke.	Parchment	Latin	Germany?	Transitional script (praegothica)	Gregory the Great	Author		front	1	Lewis E M 16:03		front	cd 5091 2111 7686	48-bit color	600 ppi	1	Moralia in Job
Lewis E M 16:3	Lewis E M 16.3 reverse	mcai160032		1100	1199	201 x 232 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Germany?	Transitional script (praegothica)	Gregory the Great	Author		reverse	2	Lewis E M 16:03		reverse	cd 5091 2111 7688	48-bit color	600 ppi	2	Moralia in Job
Lewis E M 16:4	Lewis E M 16.4 front	mcai160041		1100	1199	71 x 85 mm	Initial V | The manuscript source of this initial remains a mystery. Its style is typical of a fanciful Romanesque initial, in which abstract decorative motifs change into zoological motifs. Here, a bird, snakes, and a lion biting the tendrils of interlace foliage bring the initial to life.	Parchment	Latin	Germany?	Transitional script (praegothica)				front	1	Lewis E M 16:04		front	cd 5091 2111 7688	48-bit color	600 ppi	1	Undetermined
Lewis E M 16:4	Lewis E M 16.4 reverse	mcai160042		1100	1199	71 x 85 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Germany?	Transitional script (praegothica)				reverse	2	Lewis E M 16:04		reverse	cd 5091 2111 7688	48-bit color	600 ppi	2	Undetermined
Lewis E M 16:5	Lewis E M 16.5 front	mcai160051		1100	1199	79 x 90 mm	Initial H | The style of this initial, which begins a homily by Bede, is typical of Romanesque minor initial decoration.	Parchment	Latin	England?	Transitional script (praegothica)	Bede	Author		front	1	Lewis E M 16:05		front	cd 5091 2111 7688	48-bit color	600 ppi	1	Homilia XI, In vigilia Pentecostes
Lewis E M 16:5	Lewis E M 16.5 reverse	mcai160052		1100	1199	79 x 90 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	England?	Transitional script (praegothica)	Bede	Author		reverse	2	Lewis E M 16:05		reverse	cd 5091 2111 7688	48-bit color	600 ppi	2	Homilia XI, In vigilia Pentecostes
Lewis E M 16:6	Lewis E M 16.6 front	mcai160061		1100	1199	120 x 115 mm	Initial D | The manuscript source of this initial remains a mystery. Its use of interlace, foliage decoration and alternating colors is typical of Romanesque initial decoration.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)				front	1	Lewis E M 16:06		front	cd 5091 2111 7688	48-bit color	600 ppi	1	Undetermined
Lewis E M 16:6	Lewis E M 16.6 reverse	mcai160062		1100	1199	120 x 115 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)				reverse	2	Lewis E M 16:06		reverse	cd 5091 2111 7688	48-bit color	600 ppi	2	Undetermined
Lewis E M 16:7	Lewis E M 16.7 front	mcai160071		1100	1199	77 x 78 mm	Initial D | The use of interlace, foliage decoration, and alternating colors in this initial from a commentary on the Psalms by Cassiodorus is typical of Romanesque initial decoration. | This cutting may have come from the same manuscript as Lewis E M 16: 12, 16, and 18.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Cassiodorus	Author		front	1	Lewis E M 16:07		front	cd 5091 2111 7688	48-bit color	600 ppi	1	Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:7	Lewis E M 16.7 reverse	mcai160072		1100	1199	77 x 78 mm	This cutting may have come from the same manuscript as Lewis E M 16: 12, 16, and 18. | This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Cassiodorus	Author		reverse	2	Lewis E M 16:07		reverse	cd 5091 2111 7688	48-bit color	600 ppi	2	Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:8-9	Lewis E M 16.8 front	mcai160081		1150	1199	91 x 97 mm	Initial Q | The type of interlace and foliage decoration in this initial from the Decretum by Gratian is typical of Romanesque initial decoration.	Parchment	Latin	Pontigny, France	Transitional script (praegothica)	Gratian	Author		16:8 front	1	Lewis E M 16:08-09		16:8 front	cd 5091 2111 7689	48-bit color	600 ppi	1	Decretum
Lewis E M 16:8-9	Lewis E M 16.8 reverse	mcai160082		1150	1199	77 x 77 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Pontigny, France	Transitional script (praegothica)	Gratian	Author		16:8 reverse	2	Lewis E M 16:08-09		16:8 reverse	cd 5091 2111 7689	48-bit color	600 ppi	2	Decretum
Lewis E M 16:8-9	Lewis E M 16.9 front	mcai160091		1150	1199	177 x 187 mm	Initial Q | The type of interlace and foliage decoration in this initial from the Decretum by Gratian is typical of Romanesque initial decoration.	Parchment	Latin	Pontigny, France	Transitional script (praegothica)	Gratian	Author		16:9 front	3	Lewis E M 16:08-09		16:9 front	cd 5091 2111 7689	48-bit color	600 ppi	3	Decretum
Lewis E M 16:8-9	Lewis E M 16.9 reverse	mcai160092		1150	1199	177 x 187 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Pontigny, France	Transitional script (praegothica)	Gratian	Author		16:9 reverse	4	Lewis E M 16:08-09		16:9 reverse	cd 5091 2111 7689	48-bit color	600 ppi	4	Decretum
Lewis E M 16:10	Lewis E M 16.10 front	mcai160101		1025	1050	109 x 148 mm	Initial A | This cutting has been dated to ca. 1130. | This initial is a fine example of Romanesque initial decoration. The intricate interlaced pattern of the white vine-scroll harbors a male figure in the lower compartment climbing up the tendrils of the stylized vines toward a lion in the upper compartment grazing, as it were, on the stylized foliage. The head of a beast at the top of the letter threatens to swallow the whole composition. Such play within the decorative spaces of a manuscript and the blending of abstract design and natural forms are holdovers from pre-Christian ornamental traditions, such as those practiced by the Celts.	Parchment	Latin	France (northern)	Transitional script (praegothica)				front	1	Lewis E M 16:10		front	cd 5091 2111 7690	48-bit color	600 ppi	1	Undetermined
Lewis E M 16:10	Lewis E M 16.10 reverse	mcai160102		1025	1050	149 x 148 mm	This cutting has been dated to ca. 1130. | This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	France (northern)	Transitional script (praegothica)				reverse	2	Lewis E M 16:10		reverse	cd 5091 2111 7690	48-bit color	600 ppi	2	Undetermined
Lewis E M 16:11	Lewis E M 16.11 front	mcai160111		1100	1199	93 x 153 mm	Initial B | The manuscript source of this cutting remains a mystery. Its use of interlace, foliage decoration and alternating colors is typical of Romanesque initial decoration.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)				front	1	Lewis E M 16:11		front	cd 5091 2111 7690	48-bit color	600 ppi	1	Undetermined
Lewis E M 16:11	Lewis E M 16.11 reverse	mcai160112		1100	1199	93 x 153 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)				reverse	2	Lewis E M 16:11		reverse	cd 5091 2111 7690	48-bit color	600 ppi	2	Undetermined
Lewis E M 16:12	Lewis E M 16.12 front	mcai160121		1100	1199	78 x 68 mm	Initial D | The type of interlace, foliage decoration, and alternating colors in this initial from a commentary on the Psalms by Cassiodorus is typical of Romanesque initial decoration. | This cutting may have come from the same manuscript as Lewis E M 16: 7, 16, and 18.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Cassiodorus	Author		front	1	Lewis E M 16:12		front	cd 5091 2111 7690	48-bit color	600 ppi	1	Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:12	Lewis E M 16.12 reverse	mcai160122		1100	1199	78 x 68 mm	This cutting may have come from the same manuscript as Lewis E M 16: 7, 16, and 18. | This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Cassiodorus	Author		reverse	2	Lewis E M 16:12		reverse	cd 5091 2111 7690	48-bit color	600 ppi	2	Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:13	Lewis E M 16.13 front	mcai160131		1100	1199	113 x 162 mm	Initial A | This initial from a treatise on the story of Noah and the Ark by the Church Father Ambrose is a fine example of Romanesque initial decoration. The intricate interlaced pattern of the white vine scroll harbors beast heads that swallow the foliage tendrils decorating the inside of the letter. The head of a beast at the top of the letter threatens to swallow the whole composition. The blending of abstract design and natural forms are holdovers from pre-Christian ornamental traditions, such as those practiced by the Celts.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Ambrose of Milan	Author		front	1	Lewis E M 16:13		front	cd 5091 2111 7690	48-bit color	600 ppi	1	De Noe et Arca
Lewis E M 16:13	Lewis E M 16.13 reverse	mcai160132		1100	1199	113 x 162 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Ambrose of Milan	Author		reverse	2	Lewis E M 16:13		reverse	cd 5091 2111 7690	48-bit color	600 ppi	2	De Noe et Arca
Lewis E M 16:14	Lewis E M 16.14 front	mcai160141		1100	1199	90 x 136 mm	Initial V | The manuscript source of this cutting remains a mystery. Its style is typical of fanciful Romanesque decorated initials, in which animal forms intertwine with interlace foliage to create the form of the letter.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)				front	1	Lewis E M 16:14		front	cd 5091 2111 7691	48-bit color	600 ppi	1	Undetermined
Lewis E M 16:14	Lewis E M 16.14 reverse	mcai160142		1100	1199	90 x 136 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)				reverse	2	Lewis E M 16:14		reverse	cd 5091 2111 7691	48-bit color	600 ppi	2	Undetermined
Lewis E M 16:15	Lewis E M 16.15 front	mcai160151		1100	1199	98 x 132 mm	Initial S | The manuscript source of this cutting remains a mystery. Its style is typical of fanciful Romanesque decorated initials, in which animal forms intertwine with interlace foliage to create the form of the letter. Here the body of a winged dragon forms the shape of the S.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)				front	1	Lewis E M 16:15		front	cd 5091 2111 7691	48-bit color	600 ppi	1	Undetermined
Lewis E M 16:15	Lewis E M 16.15 reverse	mcai160152		1100	1199	98 x 132 mm	This is the reverse of a cutting with a decorated initial.	Parchment	Latin	Rhineland?, Germany					reverse	2	Lewis E M 16:15		reverse	cd 5091 2111 7691	48-bit color	600 ppi	2	Undetermined
Lewis E M 16:16	Lewis E M 16.16 front	mcai160161		1100	1199	70 x 78 mm	Initial V | The use of interlace, foliage decoration, and alternating colors in this initial from a commentary on the Psalms by Cassiodorus is typical of Romanesque initial decoration. | This cutting may have come from the same manuscript as Lewis E M 16: 7, 12, and 18.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Cassiodorus	Author		front	1	Lewis E M 16:16		front	cd 5091 2111 7691	48-bit color	600 ppi	1	Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:16	Lewis E M 16.16 reverse	mcai160162		1100	1199	70 x 78 mm	This cutting may have come from the same manuscript as Lewis E M 16: 7, 12, and 18. | This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Cassiodorus	Author		reverse	2	Lewis E M 16:16		reverse	cd 5091 2111 7691	48-bit color	600 ppi	2	Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:17	Lewis E M 16.17 front	mcai160171		1100	1199	88 x 90 mm	Initial C | The use of interlace, foliage decoration, and alternating colors in this initial from a collection of letters of Gregory the Great is typical of Romanesque initial decoration.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Gregory the Great	Author		front	1	Lewis E M 16:17		front	cd 5091 2111 7691	48-bit color	600 ppi	1	Registrum epistolarum (Register of Letters)
Lewis E M 16:17	Lewis E M 16.17 reverse	mcai160172		1100	1199	88 x 90 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Gregory the Great	Author		reverse	2	Lewis E M 16:17		reverse	cd 5091 2111 7691	48-bit color	600 ppi	2	Registrum epistolarum (Register of Letters)
Lewis E M 16:18	Lewis E M 16.18 front	mcai160181		1100	1199	83 x 86 mm	Initial E | The use of interlace, foliage decoration, and alternating colors in this initial from a commentary on the Psalms by Cassiodorus is typical of Romanesque initial decoration. | This cutting was probably taken from the same manuscript as Lewis E M 16:7, 12, and 16.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Cassiodorus	Author		front	1	Lewis E M 16:18		front	cd 5091 2111 7691	48-bit color	600 ppi	1	Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:18	Lewis E M 16.18 reverse	mcai160182		1100	1199	83 x 86 mm	This cutting was probably taken from the same manuscript as Lewis E M 16:7, 12, and 16. | This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Cassiodorus	Author		reverse	2	Lewis E M 16:18		reverse	cd 5091 2111 7691	48-bit color	600 ppi	2	Expositio psalmorum (Commentary on the Psalms)
Lewis E M 16:19	Lewis E M 16.19 front	mcai160191		1100	1199	106 x 147 mm	Initial S | The use of interlace, foliage decoration, and alternating colors in this initial from a commentary on Ezekiel by Jerome is typical of Romanesque initial decoration.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Jerome	Author		front	1	Lewis E M 16:19		front	cd 5091 2111 7691	48-bit color	600 ppi	1	Biblical commentary
Lewis E M 16:19	Lewis E M 16.19 reverse	mcai160192		1100	1199	106 x 147 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Rhineland?, Germany	Transitional script (praegothica)	Jerome	Author		reverse	2	Lewis E M 16:19		reverse	cd 5091 2111 7691	48-bit color	600 ppi	2	Biblical commentary
Lewis E M 16:20	Lewis E M 16.20 front	mcai160201		1100	1199	34 x 141 mm	Initial I | The manuscript source of this initial remains a mystery. Its style is typical of Romanesque minor initial decoration.	Parchment	Latin	England?	Transitional script (praegothica)				front	1	Lewis E M 16:20		front	cd 5091 2111 7693	48-bit color	600 ppi	1	Undetermined
Lewis E M 16:20	Lewis E M 16.20 reverse	mcai160202		1100	1199	34 x 141 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	England?	Transitional script (praegothica)				reverse	2	Lewis E M 16:20		reverse	cd 5091 2111 7693	48-bit color	600 ppi	2	Undetermined
Lewis E M 16:21	Lewis E M 16.21 front	mcai160211		1100	1199	73 x 118 mm	Initial M | The manuscript source of this cutting remains a mystery. Its style is typical of Romanesque minor initial decoration.	Parchment	Latin	England?	Transitional script (praegothica)				front	1	Lewis E M 16:21		front	cd 5091 2111 7693	48-bit color	600 ppi	1	Undetermined
Lewis E M 16:21	Lewis E M 16.21 reverse	mcai160212		1100	1199	73 x 118 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	England?	Transitional script (praegothica)				reverse	2	Lewis E M 16:21		reverse	cd 5091 2111 7693	48-bit color	600 ppi	2	Undetermined
Lewis E M 16:22	Lewis E M 16.22 front	mcai160221		1300	1399	83 x 89 mm	Initial S | This cutting can be dated to the 14th or 15th centuries. | This decorated initial is typical of minor initial decoration in many late medieval manuscripts. The rubric to the left of the initial is an abbreviation of 'Ad matutina antiphona,' indicating that the initial once began an antiphon sung at matins during an unidentified feast or regular office.	Parchment	Latin	Germany	Gothic bookhand				front	1	Lewis E M 16:22		front	cd 5091 2111 7693	48-bit color	600 ppi	1	Antiphonary
Lewis E M 16:22	Lewis E M 16.22 reverse	mcai160222		1300	1399	83 x 89 mm	This cutting can be dated to the 14th or 15th centuries. | This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Germany	Gothic bookhand				reverse	2	Lewis E M 16:22		reverse	cd 5091 2111 7693	48-bit color	600 ppi	2	Antiphonary
Lewis E M 16:23	Lewis E M 16.23 front	mcai160231		1300	1399	96 x 125 mm	Initial H | This cutting can be dated to the 14th or 15th centuries. | This decorated initial is typical of minor initial decoration in many late medieval manuscripts produced in Italy.	Parchment	Latin	Italy					front	1	Lewis E M 16:23		front	cd 5091 2111 7693	48-bit color	600 ppi	1	Choir book
Lewis E M 16:23	Lewis E M 16.23 reverse	mcai160232		1300	1399	96 x 125 mm	This cutting can be dated to the 14th or 15th centuries. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 16:23		reverse	cd 5091 2111 7693	48-bit color	600 ppi	2	Choir book
Lewis E M 16:24-25	Lewis E M 16.24 front	mcai160241		1400	1499	105 x 105 mm	Initial S | This decorated initial is typical of minor initial decoration in many late medieval manuscripts produced in Germany.	Parchment	Latin	Germany	Gothic bookhand				front 16:24	1	Lewis E M 16:24-25		front 16:24	cd 5091 2111 7693	48-bit color	600 ppi	1	Choir book
Lewis E M 16:24-25	Lewis E M 16.24 reverse	mcai160242		1400	1499	105 x 105 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Germany	Gothic bookhand				reverse 16:24	2	Lewis E M 16:24-25		reverse 16:24	cd 5091 2111 7693	48-bit color	600 ppi	2	Choir book
Lewis E M 16:24-25	Lewis E M 16.25 front	mcai160251		1400	1499	94 x 98 mm	Initial G | This decorated initial is typical of minor initial decoration in many late medieval manuscripts produced in Germany.	Parchment	Latin	Germany	Gothic bookhand				front 16:25	3	Lewis E M 16:24-25		front 16:25	cd 5091 2111 7693	48-bit color	600 ppi	3	Choir book
Lewis E M 16:24-25	Lewis E M 16.25 reverse	mcai160252		1400	1499	94 x 98 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Germany	Gothic bookhand				reverse 16:25	4	Lewis E M 16:24-25		reverse 16:25	cd 5091 2111 7693	48-bit color	600 ppi	4	Choir book
Lewis E M 16:26-27	Lewis E M 16.26 front a	mcai160263		1475	1499	63 x 254 mm	Border decoration | This border decoration is commonly found in manuscripts produced in southern Germany, especially in the city of Augsburg. Another leaf in the Free Library's collections localized to Augsburg contains similar border decoration (Lewis E M 67:7)	Parchment	Latin	Germany (southern)					front 16:26a	1	Lewis E M 16:26-27		front 16:26a	cd 5091 2111 7694	48-bit color	600 ppi	1	Undetermined
Lewis E M 16:26-27	Lewis E M 16.26 reverse a	mcai160264		1475	1499	63 x 254 mm	This is the reverse of a cutting with border decoration.	Parchment	Latin	Germany (southern)					reverse 16:26a	2	Lewis E M 16:26-27		reverse 16:26a	cd 5091 2111 7694	48-bit color	600 ppi	2	Undetermined
Lewis E M 16:26-27	Lewis E M 16.26 front b	mcai160265		1475	1499	64 x 248 mm	Border decoration | This border decoration is commonly found in manuscripts produced in southern Germany, especially in the city of Augsburg. Another leaf in the Free Library's collections localized to Augsburg contains similar border decoration (Lewis E M 67:7)	Parchment	Latin	Germany (southern)					front 16:26b	3	Lewis E M 16:26-27		front 16:26b	cd 5091 2111 7694	48-bit color	600 ppi	3	Undetermined
Lewis E M 16:26-27	Lewis E M 16.26 reverse b	mcai160266					This is the reverse of a border decoration.	Parchment		Unknown						4	Lewis E M 16:26-27			cd 5091 2111 7694				Undetermined
Lewis E M 16:26-27	Lewis E M 16.27 front a	mcai160273		1475	1499	55 x 207 mm	Border decoration | This border decoration is commonly found in manuscripts produced in southern Germany, especially in the city of Augsburg. Another leaf in the Free Library's collections localized to Augsburg contains similar border decoration (Lewis E M 67:7)	Parchment	Latin	Germany (southern)					front 16:27a	5	Lewis E M 16:26-27		front 16:27a	cd 5091 2111 7694	48-bit color	600 ppi	5	Undetermined
Lewis E M 16:26-27	Lewis E M 16.27 reverse a	mcai160274		1475	1499	55 x 207 mm	This is the reverse of a cutting with border decoration.	Parchment	Latin	Germany (southern)					reverse 16:27a	6	Lewis E M 16:26-27		reverse 16:27a	cd 5091 2111 7694	48-bit color	600 ppi	6	Undetermined
Lewis E M 16:26-27	Lewis E M 16.27 front b	mcai160275		1475	1499	53 x 221 mm	Border decoration | This border decoration is commonly found in manuscripts produced in southern Germany, especially in the city of Augsburg. Another leaf in the Free Library's collections localized to Augsburg contains similar border decoration (Lewis E M 67:7)	Parchment	Latin	Germany (southern)					front 16:27b	7	Lewis E M 16:26-27		front 16:27b	cd 5091 2111 7694	48-bit color	600 ppi	7	Undetermined
Lewis E M 16:26-27	Lewis E M 16.27 reverse b	mcai160276		1475	1499	53 x 221 mm	This is the reverse of a cutting with border decoration.	Parchment	Latin	Germany (southern)					reverse 16:27b	8	Lewis E M 16:26-27		reverse 16:27b	cd 5091 2111 7694	48-bit color	600 ppi	8	Undetermined
Lewis E M 16:28-29	Lewis E M 16.28 front	mcai160281		1400	1499	96 x 93 mm	Initial I with an enshrined figure | The iconography of this initial is unclear, but text on the reverse suggests that this initial probably begins the first response for the first nocturn of Matins for Septuagesima Sunday, 'In principio fecit Deus caelum et terram ...' (In the beginning, God created the heavens and the earth).	Parchment	Latin	Germany (southern)					front 16:28	1	Lewis E M 16:28-29		front 16:28	cd 5091 2111 7695	48-bit color	600 ppi	1	Antiphonary
Lewis E M 16:28-29	Lewis E M 16.28 reverse	mcai160282		1400	1499	96 x 93 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Germany (southern)	Gothic bookhand				reverse 16:28	2	Lewis E M 16:28-29		reverse 16:28	cd 5091 2111 7695	48-bit color	600 ppi	2	Antiphonary
Lewis E M 16:28-29	Lewis E M 16.29 front	mcai160291		1400	1499	95 x 94 mm	Initial I | The precise moment in the liturgy that this initial begins remains to be determined. similarities in the style of illumination and script, however, indicate that Lewis E M 16:28 and 29 are from the same manuscript.	Parchment	Latin	Germany (southern)					front 16:29	3	Lewis E M 16:28-29		front 16:29	cd 5091 2111 7695	48-bit color	600 ppi	3	Antiphonary
Lewis E M 16:28-29	Lewis E M 16.29 reverse	mcai160292		1400	1499	95 x 94 mm	This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Germany (southern)	Gothic bookhand				reverse 16:29	4	Lewis E M 16:28-29		reverse 16:29	cd 5091 2111 7695	48-bit color	600 ppi	4	Antiphonary
Lewis E M 16:30	Lewis E M 16.30 front	mcai160301		1500	1599	170 x 265 mm	Initial I | The style of this initial is reminiscent of Flemish initial decoration. Certain elements in the execution of the initial suggest, however, that the artist was not Flemish but perhaps Spanish or Portuguese. Spain and Flanders had close political and economic ties in the fifteenth and sixteenth centuries. These ties also extended to the arts. Iberian illuminators were heavily influenced by Flemish artists, many of whom worked under the commission of members of the Spanish and Portuguese aristocracy.	Parchment	Latin	Spain or Portugal	Rotunda				front	1	Lewis E M 16:30		front	cd 5091 2111 7695	48-bit color	600 ppi	1	Antiphonary
Lewis E M 16:30	Lewis E M 16.30 reverse	mcai160302		1500	1599	170 x 265 mm	This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Spain or Portugal	Rotunda				reverse	2	Lewis E M 16:30		reverse	cd 5091 2111 7695	48-bit color	600 ppi	2	Antiphonary
Lewis E M 16:31	Lewis E M 16.31 front	mcai160311		1400	1499	226 x 250 mm	Initial E | This initial was probably illuminated in an eastern European center, perhaps in Bohemia. Although the Rotunda script might suggest an Italian origin, the style of the decoration indicates that it was made in Eastern Europe. The use of the Italian script in this context can be explained by the region's political and economic ties with Italy under the rule of the Habsburgs that led to artistic and cultural exchanges between the two regions.	Parchment	Latin	Bohemia?	Rotunda				front	1	Lewis E M 16:31		front	cd 5091 2111 7696	48-bit color	600 ppi	1	Choir book
Lewis E M 16:31	Lewis E M 16.31 reverse	mcai160312		1400	1499	226 x 250 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Bohemia?	Rotunda				reverse	2	Lewis E M 16:31		reverse	cd 5091 2111 7696	48-bit color	600 ppi	2	Choir book
Lewis E M 16:32	Lewis E M 16.32 front	mcai160321		1400	1499	98 x 74 mm	Initial D | This cutting is from a printed book. Many early printed books such as this one were often decorated by hand to resemble more luxurious illuminated manuscripts.	Parchment	Latin	Germany					front	1	Lewis E M 16:32		front	cd 5091 2111 7696	48-bit color	600 ppi	1	Undetermined
Lewis E M 16:32	Lewis E M 16.32 reverse	mcai160322		1400	1499	98 x 74 mm	This image shows the reverse of a cutting with a decorated initial from an undetermined printed book. The text is a passage from the Gospel of John (1:48-50).	Parchment	Latin	Germany	Gothic print				reverse	2	Lewis E M 16:32		reverse	cd 5091 2111 7696	48-bit color	600 ppi	2	Undetermined
Lewis E M 16:33	Lewis E M 16.33 front	mcai160331		1275	1350			Parchment		England?					front	1	Lewis E M 16:33		front	cd 5091 2111 7696				Historiated initial D depicting Christ's entry into Jerusalem
Lewis E M 16:33	Lewis E M 16.33 reverse	mcai160332		1275	1350			Parchment		England?	Gothic bookhand				reverse	2	Lewis E M 16:33		reverse	cd 5091 2111 7696				Historiated initial D depicting Christ's entry into Jerusalem
Lewis E M 17:1	Lewis E M 17.1 front	mcai170011		1200	1250	151 x 198 mm	Initial C with the Temptation of Adam and Eve | This initial begins Psalm 97, 'Cantate domino canticum novum' (Sing to the Lord a new song), which praises God for his mercy and for the salvation of the world. Psalm 97, the beginning of one of the ten major divisions of the Psalms, is typically illustrated with a scene of a choir of monks. Here, however, the illuminator has chosen to emphasize the reason why the world needed to be saved. According to Christian belief, Adam and Eve committed the 'original sin' by consuming the forbidden fruit of the Tree of Knowledge. For this, they were expelled from Paradise, leaving their descendents to find the way back through the mercy of the Lord praised in Psalm 97.	Parchment	Latin	Germany (southern)	Gothic bookhand				front	1	Lewis E M 17:01		front	cd 5091 2111 7701	48-bit color	600 ppi	1	Psalter
Lewis E M 17:1	Lewis E M 17.1 reverse	mcai170012		1200	1250	151 x 198 mm	This image shows the reverse of a leaf taken from a psalter. The text is from Psalm 97, which begins on the front (or true recto) of the leaf.	Parchment	Latin	Germany (southern)	Gothic bookhand				reverse	2	Lewis E M 17:01		reverse	cd 5091 2111 7701	48-bit color	600 ppi	2	Psalter
Lewis E M 17:2	Lewis E M 17.2 front	mcai170021		1240	1260	74 x 105 mm	Initial L with Moses before the burning bush | This initial begins the first response for Matins of the first Sunday in Lent, 'Locutus est Dominus ad Moysen dicens descende in Egyptum ...' (The Lord spoke to Moses, saying, 'Go down to Egypt').	Parchment	Latin	Germany (southern)					front	1	Lewis E M 17:02		front	cd 5091 2111 7701	48-bit color	600 ppi	1	Antiphonary
Lewis E M 17:2	Lewis E M 17.2 reverse	mcai170022		1240	1260	74 x 105 mm	This image shows the reverse of a cutting with a decorated initial from an antiphonary. The musical notation is an early form of a style of notation called 'Hufnagelschrift' that is found mostly in late medieval Germanic chant manuscripts. It is so called because of the resemblance of the neumes to a horseshoe-nail, which in German is called 'hufnagel.'	Parchment	Latin	Germany (southern)	Gothic bookhand				reverse	2	Lewis E M 17:02		reverse	cd 5091 2111 7701	48-bit color	600 ppi	2	Antiphonary
Lewis E M 17:2A	Lewis E M 17.2A front	mcai170023		1450	1499	131 x 120 mm	Initial H with the Birth of the Virgin | This initial begins the first response for the first nocturn of Matins of the Nativity of the Virgin Mary, 'Hodie nata est beata Virgo Maria...' (Today is born the blessed Virgin Mary). It presents a domestic rendering of the Virgin's birth in which St. Anne, the mother of the Virgin, is assisted by a midwife.	Parchment	Latin	Germany (southern)					front	1	Lewis E M 17:02A		front	cd 5091 2111 7701	48-bit color	600 ppi	1	Antiphonary
Lewis E M 17:2A	Lewis E M 17.2A reverse	mcai170024		1450	1499	131 x 120 mm	This image shows the reverse of cutting with an historiated initial from an antiphonary.	Parchment	Latin	Germany (southern)	Liturgical bookhand				reverse	2	Lewis E M 17:02A		reverse	cd 5091 2111 7701	48-bit color	600 ppi	2	Antiphonary
Lewis E M 17:3	Lewis E M 17.3 front	mcai170031		1400	1499	95 x 115 mm	Initial O with the Conversion of St. Paul | This initial begins the antiphon for the feast of the Conversion of St. Paul, 'O gloriosum lumen omnium ecclesiarum ...' (O glorious light of all the churches ...). The scene depicted is the moment when, on the way to Damascus, Christ appears in a vision to Saul, who falls from his horse and is blinded by a heavenly light. Saul, whose name became Paul after his conversion, then continued to Damascus and became a disciple of Christ.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 17:03		front	cd 5091 2111 7701	48-bit color	600 ppi	1	Antiphonary
Lewis E M 17:3	Lewis E M 17.3 reverse	mcai170032		1400	1499	95 x 115 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 17:03		reverse	cd 5091 2111 7701	48-bit color	600 ppi	2	Antiphonary
Lewis E M 17:3A	Lewis E M 17.3A front	mcai170033		1450	1499	153 x 123 mm	Initial E () with the Annunciation | This initial begins the Magnificat antiphon at first Vespers for the first Sunday in Advent, 'Ecce nomen Domini venit longinquo ...' (Behold the name of the Lord is coming from afar).	Parchment	Latin	Swabia?, Germany					front	1	Lewis E M 17:03A		front	cd 5091 2111 7702	48-bit color	600 ppi	1	Antiphonary
Lewis E M 17:3A	Lewis E M 17.3A reverse	mcai170034		1450	1499	153 x 123 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Swabia?, Germany	Liturgical bookhand				reverse	2	Lewis E M 17:03A		reverse	cd 5091 2111 7702	48-bit color	600 ppi	2	Antiphonary
Lewis E M 17:4	Lewis E M 17.4 front	mcai170041		1400	1499			Parchment	Latin	Saxony, Germany	Gothic bookhand				front	1	Lewis E M 17:04		front	cd 5091 2111 7702				Miniature depicting St. Bridget of Sweden
Lewis E M 17:4	Lewis E M 17.4 reverse	mcai170042						Parchment		Unknown					reverse	2	Lewis E M 17:04		reverse	cd 5091 2111 7702				Miniature depicting St. Bridget of Sweden
Lewis E M 17:5	Lewis E M 17.5 front	mcai170051		1490	1510	146 x 212 mm	Christ as the Man of Sorrows | The Man of Sorrows is an image associated with popular pious practice in late medieval devotion. Christ is shown living but with the wounds of his crucifixion, seen here in the holes of his hands and feet, and sometimes with instruments of his Passion. In this miniature, he wears the Crown of Thorns and holds the scourge and switches used against him during the beating he received under Pilate's orders, also known as the Flagellation. These devices and the blood covering his body were intended to evoke a sense of penitent compassion in the viewer. The inscription, written above the miniature and probably added later, reads 'O qui amara erat passio tua Deus. Laus sit tibi pro morte tua. Amen' (Oh Lord, how bitter was your Passion. Praise be to you for your death).	Parchment	Latin	Nuremburg ?, Germany	Hybrida				front	1	Lewis E M 17:05		front	cd 5091 2111 7702	48-bit color	600 ppi	1	Devotional Image (Andachtsbild)
Lewis E M 17:5	Lewis E M 17.5 reverse	mcai170052		1490	1510	146 x 212 mm	This is the reverse of a parchment sheet with a devotional image.	Parchment	Latin	Nuremburg ?, Germany					reverse	2	Lewis E M 17:05		reverse	cd 5091 2111 7703	48-bit color	600 ppi	2	Devotional Image (Andachtsbild)
Lewis E M 17:6	Lewis E M 17.6 front	mcai170061	May 5, 1626					Parchment	German	Germany (southern)	Cursive	Von Pingerhoff, Daniel Lansperger	Artist		front	1	Lewis E M 17:06		front	cd 5091 2111 7703				Miniature of Daniel interpreting the dream of Nebuchadnezzar
Lewis E M 17:6	Lewis E M 17.6 reverse	mcai170062						Parchment		Germany (southern)					reverse	2	Lewis E M 17:06		reverse	cd 5091 2111 7703				Miniature of Daniel interpreting the dream of Nebuchadnezzar
Lewis E M 17:7	Lewis E M 17.7 front	mcai170071		1500	1599			Parchment		Germany					front	1	Lewis E M 17:07		front	cd 5091 2111 7703				Historiated initial A from an antiphonary depicting the Agnus Dei
Lewis E M 17:7	Lewis E M 17.7 reverse	mcai170072						Parchment		Unknown	Gothic bookhand				reverse	2	Lewis E M 17:07		reverse	cd 5091 2111 7704				Historiated initial A depicting the Agnus Dei
Lewis E M 17:8	Lewis E M 17.8 front	mcai170081		1600	1699			Parchment		Germany					front	1	Lewis E M 17:08		front	cd 5091 2111 7704				Miniature of the Holy Family
Lewis E M 17:8	Lewis E M 17.8 reverse	mcai170082		1600	1699			Parchment		Germany						2	Lewis E M 17:08			cd 5091 2111 7704				Partial sketch (reverse of miniature of Holy Family)
Lewis E M 17:9	Lewis E M 17.9 front a	mcai170093		1700	1775		Probably arms for Johann Daniel Schmied.	Parchment		Constance, Germany					front	1	Lewis E M 17:09		front	cd 5091 2111 7704				Coat of arms
Lewis E M 17:9	Lewis E M 17.9 reverse a	mcai170094						Parchment		Unknown					reverse	2	Lewis E M 17:09		reverse	cd 5091 2111 7704				Coat of arms
Lewis E M 17:9	Lewis E M 17.9 front b	mcai170095	1747				Poem dedicated by a scribe and illuminator, Johann Daniel Schmied, in 1747, to his brother-in-law.	Parchment		Constance, Germany	Cursive	Schmied, Johann Daniel	Author			3	Lewis E M 17:09			cd 5091 2111 7704				Poem dedicated by a scribe and illuminator
Lewis E M 17:9	Lewis E M 17.9 reverse b	mcai170096	1747					Parchment		Unknown					reverse	4	Lewis E M 17:09		reverse	cd 5091 2111 7704				Poem dedicated by a scribe and illuminator
Lewis E M 17:10	Lewis E M 17.10 front	mcai170101	1747	1725	1750			Parchment		Constance, Germany		Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:10		front	cd 5091 2111 7704				Miniature of Kaiser Konrad receiving the Smith, Konrad Stich
Lewis E M 17:10	Lewis E M 17.10 reverse	mcai170102	1747					Parchment		Unknown	Cursive				reverse	2	Lewis E M 17:10		reverse	cd 5091 2111 7707				Miniature of Kaiser Konrad receiving the Smith, Konrad Stich
Lewis E M 17:11	Lewis E M 17.11 front	mcai170111	1747	1725	1750			Parchment		Constance, Germany		Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:11		front	cd 5091 2111 7707				Miniature depicting battle between Abner and Joab
Lewis E M 17:11	Lewis E M 17.11 reverse	mcai170112						Parchment		Constance, Germany					reverse	2	Lewis E M 17:11		reverse	cd 5091 2111 7707				Miniature depicting battle between Abner and Joab
Lewis E M 17:12	Lewis E M 17.12 front	mcai170121		1725	1775			Parchment		Constance, Germany		Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:12		front	cd 5091 2111 7707				Scenes from story of Joseph and his brethren
Lewis E M 17:12	Lewis E M 17.12 reverse	mcai170122						Parchment		Constance, Germany					reverse	2	Lewis E M 17:12		reverse	cd 5091 2111 7707				Scenes from story of Joseph and his brethren
Lewis E M 17:13	Lewis E M 17.13 front a	mcai170133		1725	1775			Parchment	German	Constance, Germany	Cursive	Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:13		front	cd 5091 2111 7707				Death with armful of symbols of rank, in a churchyard
Lewis E M 17:13	Lewis E M 17.13 reverse a	mcai170134		1725	1775			Parchment		Unknown					reverse	2	Lewis E M 17:13		reverse	cd 5091 2111 7707				Death with armful of symbols of rank, in a churchyard
Lewis E M 17:13	Lewis E M 17.13 front b	mcai170135						Parchment		Unknown		Schmied, Johann Daniel	Artist			3	Lewis E M 17:13			cd 5091 2111 7707				Miniature depicting the sacrifice of Isaac
Lewis E M 17:13	Lewis E M 17.13 reverse b	mcai170136						Parchment		Unknown					reverse	4	Lewis E M 17:13		reverse	cd 5091 2111 7711				Miniature depicting the sacrifice of Isaac
Lewis E M 17:14	Lewis E M 17.14 front	mcai170141		1725	1775			Parchment		Constance, Germany		Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:14		front	cd 5091 2111 7711				Lady in ship escorted by fame and fortune, Jupiter and Juno above
Lewis E M 17:14	Lewis E M 17.14 reverse	mcai170142						Parchment		Unknown					reverse	2	Lewis E M 17:14		reverse	cd 5091 2111 7711				Lady in ship escorted by fame and fortune, Jupiter and Juno above
Lewis E M 17:15	Lewis E M 17.15 front	mcai170151	1747	1725	1775			Parchment		Constance, Germany		Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:15		front	cd 5091 2111 7711				Miniature of a children's game: children dancing around the cock
Lewis E M 17:15	Lewis E M 17.15 reverse	mcai170152						Parchment		Unknown					reverse	2	Lewis E M 17:15		reverse	cd 5091 2111 7711				Miniature of a children's game: children dancing around the cock
Lewis E M 17:16	Lewis E M 17.16 front	mcai170161	1747	1725	1775			Parchment		Constance, Germany		Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:16		front	cd 5091 2111 7711				Miniature of a pair of lovers
Lewis E M 17:16	Lewis E M 17.16 reverse	mcai170162						Parchment		Unknown					reverse	2	Lewis E M 17:16		reverse	cd 5091 2111 7711				Miniature of a pair of lovers
Lewis E M 17:17	Lewis E M 17.17 front	mcai170171	1747	1725	1775			Parchment		Constance, Germany		Schmied, Johann Daniel	Artist			1	Lewis E M 17:17			cd 5091 2111 7711				Miniature of a dispute over the housekeeper's keys, with feasting couple in background
Lewis E M 17:17	Lewis E M 17.17 reverse	mcai170172					reverse of a miniature	Parchment		Unknown						2	Lewis E M 17:17			cd 5091 2111 7711				Coat of arms
Lewis E M 17:18	Lewis E M 17.18 front	mcai170181	1747	1725	1775			Parchment		Constance, Germany		Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:18		front	cd 5091 2111 7711				Miniature of the sly fox
Lewis E M 17:18	Lewis E M 17.18 reverse	mcai170182						Parchment		Unknown					reverse	2	Lewis E M 17:18		reverse	cd 5091 2111 7712				Miniature of the sly fox
Lewis E M 17:19	Lewis E M 17.19 front	mcai170191	1747	1725	1775			Parchment	German	Constance, Germany	Cursive	Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:19		front	cd 5091 2111 7712				Miniature of the devil rejoicing over a brew made of monks, nuns, and priests
Lewis E M 17:19	Lewis E M 17.19 reverse	mcai170192						Parchment		Unknown						2	Lewis E M 17:19			cd 5091 2111 7712				Coat of arms
Lewis E M 17:20	Lewis E M 17.20 front	mcai170201	1747	1725	1775			Parchment		Constance, Germany		Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:20		front	cd 5091 2111 7712				Miniature of the alchemist's thieving apprentice
Lewis E M 17:20	Lewis E M 17.20 reverse	mcai170202		1725	1775		reverse of a miniature of the alchemist's thieving apprentice by Schmeidt.	Parchment		Unknown						2	Lewis E M 17:20			cd 5091 2111 7712				Coat of arms
Lewis E M 17:21	Lewis E M 17.21 front	mcai170211	1747	1725	1775			Parchment		Constance, Germany		Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:21		front	cd 5091 2111 7712				Miniature of St. Anthony resisting temptation
Lewis E M 17:21	Lewis E M 17.21 reverse	mcai170212						Parchment		Constance, Germany						2	Lewis E M 17:21			cd 5091 2111 7712				Coat of arms
Lewis E M 17:22	Lewis E M 17.22 front	mcai170221	1747	1725	1775			Parchment		Constance, Germany		Schmied, Johann Daniel	Artist		front	1	Lewis E M 17:22		front	cd 5091 2111 7712				Miniature of Hercules' choice
Lewis E M 17:22	Lewis E M 17.22 reverse	mcai170222						Parchment		Unknown					reverse	2	Lewis E M 17:22		reverse	cd 5091 2111 7712				Miniature of Hercules' choice
Lewis E M 17:23	Lewis E M 17.23 front	mcai170231	1740	1700	1750			Parchment		Augsburg, Germany					front	1	Lewis E M 17:23		front	cd 5091 2111 7714				Drawing of a young flute player
Lewis E M 17:23	Lewis E M 17.23 reverse	mcai170232						Parchment		Unknown					reverse	2	Lewis E M 17:23		reverse	cd 5091 2111 7714				Drawing of a young flute player
Lewis E M 18:1-3	Lewis E M 18.1 front	mcai180011		1400	1425	129 x 181 mm	Last Judgment with the Virgin Mary and St. John the Evangelist | This leaf and four others in the Free Library's collections (Lewis E M 18:2-3b) were likely intended for insertion in the same book of hours. Although there is no text on these leaves to confirm this destination, Netherlandish illuminators often painted full-page miniatures on blank parchment that would then be inserted into these popular devotional books. The Last Judgment with the Virgin Mary and John the Baptist kneeling in adoration below Christ as judge, for example, commonly prefaced the Penitential Psalms in Netherlandish books of hours. The miniature has suffered some damage and several areas have been repainted at a later date.	Parchment	Latin	Utrecht?, Netherlands					front 18:1	1	Lewis E M 18:01-03		front 18:1	cd 5091 2111 9079	48-bit color	600 ppi	1	Book of Hours
Lewis E M 18:1-3	Lewis E M 18.1 reverse	mcai180012		1400	1425	129 x 181 mm	This is the reverse of leaf with a miniature propably intended for a book of hours.	Parchment	Latin	Utrecht?, Netherlands					reverse 18:1	2	Lewis E M 18:01-03		reverse 18:1	cd 5091 2111 9079	48-bit color	600 ppi	2	Book of Hours
Lewis E M 18:1-3	Lewis E M 18.2a front	mcai180023		1400	1425	128 x 181 mm	Christ before a Judge | This leaf and four others in the Free Library's collections (Lewis E M 18:1 and 2b-3b) were likely intended for insertion in the same book of hours. Although there is no text on these leaves to confirm this destination, illuminators often painted full-page miniatures on blank parchment that would then be inserted into these popular devotional books. The scene of Christ before one of his judges, for example, commonly prefaced Prime of the Hours of the Virgin or the Hours of the Cross. The miniature has suffered some damage and several areas have been repainted at a later date.	Parchment	Latin	Utrecht?, Netherlands					front 18:2a	3	Lewis E M 18:01-03		front 18:2a	cd 5091 2111 9079	48-bit color	600 ppi	3	Book of Hours
Lewis E M 18:1-3	Lewis E M 18.2a reverse	mcai180024		1400	1425	128 x 181 mm	This is the reverse of leaf with a miniature propably intended for a book of hours.	Parchment	Latin	Utrecht?, Netherlands					reverse 18:2a	4	Lewis E M 18:01-03		reverse 18:2a	cd 5091 2111 9079	48-bit color	600 ppi	4	Book of Hours
Lewis E M 18:1-3	Lewis E M 18.2b front	mcai180025		1400	1425	126 x 180 mm	Arrest of Christ, with Peter cutting off the ear of Malchus | This leaf and four others in the Free Library's collections (Lewis E M 18:1-2a and3a-b) were likely intended for insertion in the same book of hours. Although there is no text on these leaves to confirm this destination, illuminators often painted full-page miniatures on blank parchment that would then be inserted into these popular devotional books. The Arrest of Christ, for example, commonly prefaced Matins of the Hours of the Cross. The miniature has suffered some damage and several areas have been repainted at a later date.	Parchment	Latin	Utrecht?, Netherlands					front 18:2b	5	Lewis E M 18:01-03		front 18:2b	cd 5091 2111 9079	48-bit color	600 ppi	5	Book of Hours
Lewis E M 18:1-3	Lewis E M 18.2b reverse	mcai180026		1400	1425	126 x 180 mm	This is the reverse of leaf with a miniature propably intended for a book of hours.	Parchment	Latin	Utrecht?, Netherlands					reverse 18:2b	6	Lewis E M 18:01-03		reverse 18:2b	cd 5091 2111 9079	48-bit color	600 ppi	6	Book of Hours
Lewis E M 18:1-3	Lewis E M 18.3a front	mcai180033		1400	1425	128 x 180 mm	Last Judgment with the Blessed being taken to heaven | This leaf and four others in the Free Library's collections (Lewis E M 18:1-2b and 3b) were likely intended for insertion in the same book of hours. Although there is no text on these leaves to confirm this destination, illuminators often painted full-page miniatures on blank parchment that would then be inserted into these popular devotional books. The Blessed being taken to heaven is an unusual miniature to stand alone in a book of hours, but it may have been part of a longer sequence related to the Last Judgment.The miniature has suffered some damage and several areas have been repainted at a later date.	Parchment	Latin	Utrecht?, Netherlands					front 18:3a	7	Lewis E M 18:01-03		front 18:3a	cd 5091 2111 9070	48-bit color	600 ppi	7	Book of Hours
Lewis E M 18:1-3	Lewis E M 18.3a reverse	mcai180034		1400	1425	128 x 180 mm	This is the reverse of leaf with a miniature propably intended for a book of hours.	Parchment	Latin	Utrecht?, Netherlands					reverse 18:3a	8	Lewis E M 18:01-03		reverse 18:3a	cd 5091 2111 9070	48-bit color	600 ppi	8	Book of Hours
Lewis E M 18:1-3	Lewis E M 18.3b front	mcai180035		1400	1425	128 x 180 mm	Christ carrying the Cross, helped by Simon of Cyrene | This leaf and four others in the Free Library's collections (Lewis E M 18:1-3a) were likely intended for insertion in the same book of hours. Although there is no text on these leaves to confirm this destination, illuminators often painted full-page miniatures on blank parchment that would then be inserted into these popular devotional books. Christ carrying the Cross, for example, commonly prefaced Sext of the Hours of the Virgin or the Hours of the Cross.	Parchment	Latin	Utrecht?, Netherlands					front 18:3b	9	Lewis E M 18:01-03		front 18:3b	cd 5091 2111 9070	48-bit color	600 ppi	9	Book of Hours
Lewis E M 18:1-3	Lewis E M 18.3b reverse	mcai180036		1400	1425	128 x 180 mm	This is the reverse of leaf with a miniature propably intended for a book of hours.	Parchment	Latin	Utrecht?, Netherlands					reverse 18:3b	10	Lewis E M 18:01-03		reverse 18:3b	cd 5091 2111 9070	48-bit color	600 ppi	10	Book of Hours
Lewis E M 18:4	Lewis E M 18.4 front	mcai180041		1425	1450	108 x 150 mm	Ecce Homo | The decoration on this leaf was left unfinished with only the gold applied to the underdrawing of the miniature and the decorated initial and border. Yet, its incomplete state allows us to see the steps of illumination midway through the process. After a leaf was ruled to determine the number of lines of text and decoration, the scribe wrote in the text leaving the areas of decoration blank. The leaf was then handed over to an illuminator who would first draw in the outlines of the decoration with a stylus or a lead stick, similar to a pencil. Then, the gold leaf was added before the decoration was painted in with various colors. For an unknown reason, our illuminator abandoned his work after adding the gold leaf, leaving the underdrawing exposed.This miniature marks the beginning of Terce of the Hours of the Cross. | This cutting has been dated to ca. 1440.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 18:04		front	cd 5091 2111 9070	48-bit color	600 ppi	1	Book of Hours
Lewis E M 18:4	Lewis E M 18.4 reverse	mcai180042		1425	1450	108 x 150 mm	This cutting has been dated to ca. 1440. | This image shows the reverse of a leaf with unfinished decoration from a book of hours.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 18:04		reverse	cd 5091 2111 9070	48-bit color	600 ppi	2	Book of Hours
Lewis E M 18:5-8	Lewis E M 18.5 front	mcai180051		1475	1499	145 x 185 mm	Initial G | The initial on this leaf marks the beginning of Prime of the Hours of Eternal Wisdom, a cycle of devotions popular in the Netherlands in the late Middle Ages. This leaf belongs to a group of leaves in the Free Library's collections that were removed from the same Dutch book of hours (Lewis E M 18:5-8).	Parchment	Dutch	Holland, Netherlands	Hybrida				front 18:5	1	Lewis E M 18:05-08		front 18:5	cd 5091 2111 9053	48-bit color	600 ppi	1	Book of Hours
Lewis E M 18:5-8	Lewis E M 18.5 reverse	mcai180052		1475	1499	145 x 185 mm	This image shows the reverse of a leaf with a decorated initial from a Dutch book of hours.	Parchment	Dutch	Holland, Netherlands	Hybrida				reverse 18:5	2	Lewis E M 18:05-08		reverse 18:5	cd 5091 2111 9053	48-bit color	600 ppi	2	Book of Hours
Lewis E M 18:5-8	Lewis E M 18.6 front	mcai180061		1475	1499	146 x 186 mm	Initial G | The initial on this leaf marks the beginning of Sext of Hours of the Holy Spirit. This leaf belongs to a group of leaves in the Free Library's collections that were removed from the same Dutch book of hours (Lewis E M 18:5-8).	Parchment	Dutch	Holland, Netherlands	Hybrida				front 18:6	3	Lewis E M 18:05-08		front 18:6	cd 5091 2111 9053	48-bit color	600 ppi	3	Book of Hours
Lewis E M 18:5-8	Lewis E M 18.6 reverse	mcai180062		1475	1499	146 x 186 mm	This image shows the reverse of a leaf with a decorated initial from a Dutch book of hours.	Parchment	Dutch	Holland, Netherlands	Hybrida				reverse 18:6	4	Lewis E M 18:05-08		reverse 18:6	cd 5091 2111 9053	48-bit color	600 ppi	4	Book of Hours
Lewis E M 18:5-8	Lewis E M 18.7 front	mcai180071		1475	1499	146 x 185 mm	Entombment of Christ | The miniature marks the beginning of Compline of the Hours of the Cross. This leaf belongs to a group of leaves in the Free Library's collections that were removed from the same Dutch book of hours (Lewis E M 18:5-8).	Parchment	Dutch	Holland, Netherlands	Hybrida				front 18:7	5	Lewis E M 18:05-08		front 18:7	cd 5091 2111 9053	48-bit color	600 ppi	5	Book of Hours
Lewis E M 18:5-8	Lewis E M 18.7 reverse	mcai180072		1475	1499	146 x 185 mm	This image shows the reverse of a leaf with a miniature from a Dutch book of hours.	Parchment	Dutch	Holland, Netherlands	Hybrida				reverse 18:7	6	Lewis E M 18:05-08		reverse 18:7	cd 5091 2111 9052	48-bit color	600 ppi	6	Book of Hours
Lewis E M 18:5-8	Lewis E M 18.8 front b	mcai180080		1475	1499	288 x 185 mm	This image is of an opening of a bifolium with from a Dutch book of hours. The text is not continuous. The verso contains part of the Prayers of St. Gregory. The text on the recto includes the beginning of 'Nunc dimittis suum tuum' (Now send your servant), a Canticle recited during Compline of the Hours of the Virgin	Parchment	Dutch	Holland, Netherlands	Hybrida				opening 18:8	9	Lewis E M 18:05-08		opening 18:8	cd 5091 2111 9052	48-bit color	600 ppi	9	Book of Hours
Lewis E M 18:5-8	Lewis E M 18.8 front a	mcai180081		1475	1499	144 x 185 mm	Initial O | The rubrics and initial mark the beginning of Prayers by St. Gregory to the Passion of Our Lord. This leaf is the first folio of a bifolium (or two conjoined leaves) that belongs to a group of leaves in the Free Library's collections that were removed from the same Dutch book of hours (Lewis E M 18:5-8).	Parchment	Dutch	Holland, Netherlands	Hybrida				front 18:8	7	Lewis E M 18:05-08		front 18:8	cd 5091 2111 9052	48-bit color	600 ppi	7	Book of Hours
Lewis E M 18:5-8	Lewis E M 18.8 reverse a	mcai180082		1475	1499	144 x 185 mm	This image shows the last folio of a bifolium from a book of hours.	Parchment	Dutch	Holland, Netherlands	Hybrida				reverse 18:8	8	Lewis E M 18:05-08		reverse 18:8	cd 5091 2111 9052	48-bit color	600 ppi	8	Book of Hours
Lewis E M 18:9	Lewis E M 18.9 front	mcai180091		1450	1499	175 x 248 mm	Initial D with an Angel, symbolizing the Evangelist Matthew | This leaf contains a Dutch translation of the first chapters of the Gospel of Matthew. Although the medieval Catholic Church did not look favorably on vernacular translations of Scripture, such translations were occasionally made in order to make Scripture more easily available to a wider audience. The Dutch translation that appears on this leaf is the work of Johannes Scutken (d. 1423), a follower of a popular religious movement in the Netherlands known as the Devotio Moderna, or 'Modern Devotion.' The movement emphasized devotion to the life and humanity of Christ and aimed to enhance the spiritual lives of common people, partly through making religious texts written in Latin available to readers who did not have knowledge of Latin.	Parchment	Dutch	Netherlands	Hybrida				front	1	Lewis E M 18:09		front	cd 5091 2111 9051	48-bit color	600 ppi	1	Bible, Matthew
Lewis E M 18:9	Lewis E M 18.9 reverse	mcai180092		1450	1499	175 x 248 mm	This image shows the reverse of a leaf from a Dutch translation of the Gospel of Matthew.	Parchment	Dutch	Netherlands	Hybrida				reverse	2	Lewis E M 18:09		reverse	cd 5091 2111 9051	48-bit color	600 ppi	2	Bible, Matthew
Lewis E M 18:10	Lewis E M 18.10 front	mcai180101		1475	1499	133 x 128 mm	Initial H with the Baptism of Christ | This initial begins the first response for the first nocturn of Matins for the Epiphany, 'Hodie in Iordane baptizato Domino ...' (Today, when the Lord was baptized in the Jordan).	Parchment	Latin	Netherlands					front	1	Lewis E M 18:10		front	cd 5091 2111 9051	48-bit color	600 ppi	1	Antiphonary
Lewis E M 18:10	Lewis E M 18.10 reverse	mcai180102		1475	1499	133 x 128 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Netherlands	Liturgical bookhand				reverse	2	Lewis E M 18:10		reverse	cd 5091 2111 9051	48-bit color	600 ppi	2	Antiphonary
Lewis E M 18:11	Lewis E M 18.11 front	mcai180111		1490	1510	160 x 154 mm	Initial U with St. Cecilia playing the organ and being crowned by an angel | This initial begins a chant likely sung during the celebrations of the feast of St. Cecilia, a second-century virgin martyr who in the late Middle Ages became the patron saint of church music. According to her legend, Cecilia was forced to marry. At her wedding, she heard in her heart a hymn of love for Christ, her true spouse, instead of the profane music of the ceremony. This account led to her association with music. She is often shown playing the organ, as she is in this initial.	Parchment	Latin	Netherlands					front	1	Lewis E M 18:11		front	cd 5091 2111 9051	48-bit color	600 ppi	1	Antiphonary
Lewis E M 18:11	Lewis E M 18.11 reverse	mcai180112		1490	1510	160 x 154 mm	This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Netherlands	Liturgical bookhand				reverse	2	Lewis E M 18:11		reverse	cd 5091 2111 9050	48-bit color	600 ppi	2	Antiphonary
Lewis E M 19:1	Lewis E M 19.1 front	mcai190011		1300	1399	87 x 175 mm	Initial I | The style and palette of this initial is typical of Bolognese illumination of the fourteenth century.	Parchment	Latin	Bologna, Italy	Rotunda				front	1	Lewis E M 19:01		front	cd 5091 2111 9046	48-bit color	600 ppi	1	Choir book
Lewis E M 19:1	Lewis E M 19.1 reverse	mcai190012		1300	1399	87 x 175 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 19:01		reverse	cd 5091 2111 9046	48-bit color	600 ppi	2	Choir book
Lewis E M 19:2	Lewis E M 19.2 front	mcai190021		1400	1499	68 x 107 mm	Initial B | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy					front	1	Lewis E M 19:02		front	cd 5091 2111 9046	48-bit color	600 ppi	1	Service book
Lewis E M 19:2	Lewis E M 19.2 reverse	mcai190022		1400	1499	68 x 107 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 19:02		reverse	cd 5091 2111 9046	48-bit color	600 ppi	2	Service book
Lewis E M 19:3	Lewis E M 19.3 front	mcai190031		1400	1499	76 x 73 mm	Initial R | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy					front	1	Lewis E M 19:03		front	cd 5091 2111 9046	48-bit color	600 ppi	1	Choir book
Lewis E M 19:3	Lewis E M 19.3 reverse	mcai190032		1400	1499	76 x 73 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 19:03		reverse	cd 5091 2111 9046	48-bit color	600 ppi	2	Choir book
Lewis E M 19:4	Lewis E M 19.4 front	mcai190041		1400	1499	104 x 115 mm	Initial A | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (northern)	Rotunda				front	1	Lewis E M 19:04		front	cd 5091 2111 9046	48-bit color	600 ppi	1	Choir book
Lewis E M 19:4	Lewis E M 19.4 reverse	mcai190042		1400	1499	104 x 115 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:04		reverse	cd 5091 2111 9046	48-bit color	600 ppi	2	Choir book
Lewis E M 19:5	Lewis E M 19.5 front	mcai190051		1400	1499	92 x 101 mm	Initial A | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:05		front	cd 5091 2111 9046	48-bit color	600 ppi	1	Choir book
Lewis E M 19:5	Lewis E M 19.5 reverse	mcai190052		1400	1499	92 x 101 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:05		reverse	cd 5091 2111 9046	48-bit color	600 ppi	2	Choir book
Lewis E M 19:6	Lewis E M 19.6 front	mcai190061		1400	1499	67 x 71 mm	Initial A | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:06		front	cd 5091 2111 9046	48-bit color	600 ppi	1	Choir book
Lewis E M 19:6	Lewis E M 19.6 reverse	mcai190062		1400	1499	67 x 71 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:06		reverse	cd 5091 2111 9046	48-bit color	600 ppi	2	Choir book
Lewis E M 19:7	Lewis E M 19.7 front	mcai190071		1400	1499	68 x 78 mm	Initial U | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:07		front	cd 5091 2111 9046	48-bit color	600 ppi	1	Choir book
Lewis E M 19:7	Lewis E M 19.7 reverse	mcai190072		1400	1499	68 x 78 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:07		reverse	cd 5091 2111 9046	48-bit color	600 ppi	2	Choir book
Lewis E M 19:8	Lewis E M 19.8 front	mcai190081		1400	1499	91 x 85 mm	Initial E | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:08		front	cd 5091 2111 9045	48-bit color	600 ppi	1	Choir book
Lewis E M 19:8	Lewis E M 19.8 reverse	mcai190082		1400	1499	91 x 85 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:08		reverse	cd 5091 2111 9045	48-bit color	600 ppi	2	Choir book
Lewis E M 19:9	Lewis E M 19.9 front	mcai190091		1400	1499	92 x 93 mm	Initial E | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:09		front	cd 5091 2111 9045	48-bit color	600 ppi	1	Service book
Lewis E M 19:9	Lewis E M 19.9 reverse	mcai190092		1400	1499	92 x 93 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:09		reverse	cd 5091 2111 9045	48-bit color	600 ppi	2	Service book
Lewis E M 19:10	Lewis E M 19.10 front	mcai190101		1400	1499	72 x 62 mm	Initial N | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy					front	1	Lewis E M 19:10		front	cd 5091 2111 9045	48-bit color	600 ppi	1	Service book
Lewis E M 19:10	Lewis E M 19.10 reverse	mcai190102		1400	1499	72 x 62 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 19:10		reverse	cd 5091 2111 9045	48-bit color	600 ppi	2	Service book
Lewis E M 19:11	Lewis E M 19.11 front	mcai190111		1400	1499	112 x 103 mm	Initial N | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:11		front	cd 5091 2111 9045	48-bit color	600 ppi	1	Choir book
Lewis E M 19:11	Lewis E M 19.11 reverse	mcai190112		1400	1499	112 x 103 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:11		reverse	cd 5091 2111 9045	48-bit color	600 ppi	2	Choir book
Lewis E M 19:12	Lewis E M 19.12 front	mcai190121		1400	1499	59 x 62 mm	Initial G | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:12		front	cd 5091 2111 9045	48-bit color	600 ppi	1	Choir book
Lewis E M 19:12	Lewis E M 19.12 reverse	mcai190122		1400	1499	59 x 62 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:12		reverse	cd 5091 2111 9045	48-bit color	600 ppi	2	Choir book
Lewis E M 19:13	Lewis E M 19.13 front	mcai190131		1400	1499	70 x 73 mm	Initial Q | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:13		front	cd 5091 2111 9045	48-bit color	600 ppi	1	Choir book
Lewis E M 19:13	Lewis E M 19.13 reverse	mcai190132		1400	1499	70 x 73 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:13		reverse	cd 5091 2111 9045	48-bit color	600 ppi	2	Choir book
Lewis E M 19:14	Lewis E M 19.14 front	mcai190141		1400	1499	73 x 86 mm	Initial P | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:14		front	cd 5091 2111 9045	48-bit color	600 ppi	1	Choir book
Lewis E M 19:14	Lewis E M 19.14 reverse	mcai190142		1400	1499	73 x 86 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:14		reverse	cd 5091 2111 9045	48-bit color	600 ppi	2	Choir book
Lewis E M 19:15	Lewis E M 19.15 front	mcai190151		1400	1499	55 x 74 mm	Initial I | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:15		front	cd 5091 2111 9045	48-bit color	600 ppi	1	Choir book
Lewis E M 19:15	Lewis E M 19.15 reverse	mcai190152		1400	1499	55 x 74 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:15		reverse	cd 5091 2111 9045	48-bit color	600 ppi	2	Choir book
Lewis E M 19:16	Lewis E M 19.16 front	mcai190161		1400	1499	110 x 89 mm	Initial O | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:16		front	cd 5091 2111 9045	48-bit color	600 ppi	1	Choir book
Lewis E M 19:16	Lewis E M 19.16 reverse	mcai190162		1400	1499	110 x 89 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:16		reverse	cd 5091 2111 9955	48-bit color	600 ppi	2	Choir book
Lewis E M 19:17	Lewis E M 19.17 front	mcai190171		1400	1499	63 x 62 mm	Initial G | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:17		front	cd 5091 2111 9955	48-bit color	600 ppi	1	Choir book
Lewis E M 19:17	Lewis E M 19.17 reverse	mcai190172		1400	1499	63 x 62 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:17		reverse	cd 5091 2111 9955	48-bit color	600 ppi	2	Choir book
Lewis E M 19:18	Lewis E M 19.18 front	mcai190181		1400	1499	64 x 64 mm	Initial C | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same choir book or set of choir books.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:18		front	cd 5091 2111 9955	48-bit color	600 ppi	1	Choir book
Lewis E M 19:18	Lewis E M 19.18 reverse	mcai190182		1400	1499	64 x 64 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:18		reverse	cd 5091 2111 9955	48-bit color	600 ppi	2	Choir book
Lewis E M 19:19	Lewis E M 19.19 front	mcai190191		1400	1499	101 x 107 mm	Initial D | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century. Similar dimensions in line and staff height, as well as stylistic similarities, indicate that Lewis E M 19:7, 12-15 and 17-18 were taken from the same service book or set of choir books.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:19		front	cd 5091 2111 9955	48-bit color	600 ppi	1	Service book
Lewis E M 19:19	Lewis E M 19.19 reverse	mcai190192		1400	1499	101 x 107 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:19		reverse	cd 5091 2111 9955	48-bit color	600 ppi	2	Service book
Lewis E M 19:20	Lewis E M 19.20 front	mcai190201		1400	1499	180 x 260 mm	Initial C | This initial is typical of minor initial decoration found in service books made in Ferrara during the fifteenth century.	Parchment	Latin	Ferrara, Italy	Rotunda				front	1	Lewis E M 19:20		front	cd 5091 2111 9955	48-bit color	600 ppi	1	Service book
Lewis E M 19:20	Lewis E M 19.20 reverse	mcai190202		1400	1499	180 x 260 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse	2	Lewis E M 19:20		reverse	cd 5091 2111 9955	48-bit color	600 ppi	2	Service book
Lewis E M 19:21	Lewis E M 19.21 front	mcai190211		1400	1499	87 x 87 mm	Decorated initial D | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:21		front	cd 5091 2111 9956	48-bit color	600 ppi	1	Choir book
Lewis E M 19:21	Lewis E M 19.21 reverse	mcai190212		1400	1499	87 x 87 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:21		reverse	cd 5091 2111 9956	48-bit color	600 ppi	2	Choir book
Lewis E M 19:22	Lewis E M 19.22 front	mcai190221		1400	1499	118 x 101 mm	Initial C | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (northern)	Rotunda				front	1	Lewis E M 19:22		front	cd 5091 2111 9956	48-bit color	600 ppi	1	Missal
Lewis E M 19:22	Lewis E M 19.22 reverse	mcai190222		1400	1499	118 x 101 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:22		reverse	cd 5091 2111 9956	48-bit color	600 ppi	2	Missal
Lewis E M 19:23	Lewis E M 19.23 front	mcai190231		1400	1499	137 x 137 mm	Initial C | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:23		front	cd 5091 2111 9956	48-bit color	600 ppi	1	Missal
Lewis E M 19:23	Lewis E M 19.23 reverse	mcai190232		1400	1499	137 x 137 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:23		reverse	cd 5091 2111 9956	48-bit color	600 ppi	2	Missal
Lewis E M 19:24	Lewis E M 19.24 front	mcai190241		1400	1499	72 x 75 mm	Initial O | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:24		front	cd 5091 2111 9956	48-bit color	600 ppi	1	Choir book
Lewis E M 19:24	Lewis E M 19.24 reverse	mcai190242		1400	1499	72 x 75 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:24		reverse	cd 5091 2111 9956	48-bit color	600 ppi	2	Choir book
Lewis E M 19:25	Lewis E M 19.25 front	mcai190251		1400	1499	78 x 72 mm	Initial R | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 19:25		front	cd 5091 2111 9956	48-bit color	600 ppi	1	Choir book
Lewis E M 19:25	Lewis E M 19.25 reverse	mcai190252		1400	1499	78 x 72 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 19:25		reverse	cd 5091 2111 9956	48-bit color	600 ppi	2	Choir book
Lewis E M 20:1	Lewis E M 20.1 front	mcai200011		1400	1499	80 x 88 mm	Initial O with the Cross | The precise moment in the liturgy that this initial begins remains to be determined. Its iconography suggests that it began a chant in honor of the Holy Cross.	Parchment	Latin	Italy					front	1	Lewis E M 20:01		front	cd 5091 2111 9957	48-bit color	600 ppi	1	Choir book
Lewis E M 20:1	Lewis E M 20.1 reverse	mcai200012		1400	1499	80 x 88 mm	This image shows the reverse of a cutting with a decorated initial.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 20:01		reverse	cd 5091 2111 9957	48-bit color	600 ppi	2	Choir book
Lewis E M 20:2-3	Lewis E M 20.2-3 front	mcai200021		1490	1510	80 x 79 mm	Initial M | Stylistic similarities between this initial and Lewis E M 20:2 suggest that they were taken from the same large illuminated choir book or set of choir books of the type found in Italy from this period (see, for example, Lewis E 10). The cuttings have been pasted onto decorative cardboard, however, making it impossible to determine if they are indeed from a choir book. Lewis E M 20:2-3 were illuminated by Master B.F, an anonymous Lombard illuminator named after a pair of initials found in one of his illuminations. Some art historians have identifed him as Francesco Binasco, an illuminator documented at the court of Francesco Maria Sforza, Duke of Milan (r. 1521-35).	Parchment	Latin	Lombardy, Italy		Master B.F. (Francesco Binasco)	Artist		front	2	Lewis E M 20:02-03		front	cd 5091 2111 9957	48-bit color	600 ppi	2	Choir book
Lewis E M 20:2-3	Lewis E M 20.2-3 reverse	mcai200031		1490	1510	83 x 79 mm	Initial C | Stylistic similarities between this initial and Lewis E M 20:3 suggest that they were taken from the same large illuminated choir book or set of choir books of the type found in Italy from this period (see, for example, Lewis E 10). The cuttings have been pasted onto decorative cardboard, however, making it impossible to determine if they are indeed from a choir book. Lewis E M 20:2-3 were illuminated by Master B.F, an anonymous Lombard illuminator named after a pair of initials found in one of his illuminations. Some art historians have identifed him as Francesco Binasco, an illuminator documented at the court of Francesco Maria Sforza, Duke of Milan (r. 1521-35).	Parchment	Latin	Lombardy, Italy		Master B.F. (Francesco Binasco)	Artist		front	1	Lewis E M 20:02-03		front	cd 5091 2111 9957	48-bit color	600 ppi	1	Choir book
Lewis E M 20:4	Lewis E M 20.4 front	mcai200041		1450	1499	113 x 110 mm	Initial C | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century. Fragments of text on the reverse indicate that it was taken from an antiphonary.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:04		front	cd 5091 2111 9957	48-bit color	600 ppi	1	Antiphonary
Lewis E M 20:4	Lewis E M 20.4 reverse	mcai200042		1450	1499	113 x 110 mm	This image shows the reverse of a cutting from an antiphonary.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:04		reverse	cd 5091 2111 9957	48-bit color	600 ppi	2	Antiphonary
Lewis E M 20:5	Lewis E M 20.5 front	mcai200051		1450	1499	111 x 100 mm	Initial L | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:05		front	cd 5091 2111 9957	48-bit color	600 ppi	1	Choir book
Lewis E M 20:5	Lewis E M 20.5 reverse	mcai200052		1450	1499	111 x 100 mm	This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:05		reverse	cd 5091 2111 9957	48-bit color	600 ppi	2	Choir book
Lewis E M 20:6	Lewis E M 20.6 front	mcai200061		1450	1499	106 x 98 mm	Initial E | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:06		front	cd 5091 2111 9957	48-bit color	600 ppi	1	Choir book
Lewis E M 20:6	Lewis E M 20.6 reverse	mcai200062		1450	1499	106 x 98 mm	This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:06		reverse	cd 5091 2111 9957	48-bit color	600 ppi	2	Choir book
Lewis E M 20:7	Lewis E M 20.7 front	mcai200071		1450	1499	132 x 122 mm	Initial C | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:07		front	cd 5091 2111 9957	48-bit color	600 ppi	1	Choir book
Lewis E M 20:7	Lewis E M 20.7 reverse	mcai200072		1450	1499	132 x 122 mm	This image shows the reverse of a cutting from a service book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:07		reverse	cd 5091 2111 9957	48-bit color	600 ppi	2	Choir book
Lewis E M 20:8	Lewis E M 20.8 front	mcai200081		1450	1499	147 x 141 mm	Initial R | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:08		front	cd 5091 2111 9959	48-bit color	600 ppi	1	Choir book
Lewis E M 20:8	Lewis E M 20.8 reverse	mcai200082		1450	1499	147 x 141 mm	This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:08		reverse	cd 5091 2111 9959	48-bit color	600 ppi	2	Choir book
Lewis E M 20:9	Lewis E M 20.9 front	mcai200091		1450	1499	79 x 79 mm	Initial S | Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:09		front	cd 5091 2111 9959	48-bit color	600 ppi	1	Choir book
Lewis E M 20:9	Lewis E M 20.9 reverse	mcai200092		1450	1499	79 x 79 mm	Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:09		reverse	cd 5091 2111 9959	48-bit color	600 ppi	2	Choir book
Lewis E M 20:10	Lewis E M 20.10 front	mcai200101		1450	1499	103 x 91 mm	Initial S | Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:10		front	cd 5091 2111 9959	48-bit color	600 ppi	1	Choir book
Lewis E M 20:10	Lewis E M 20.10 reverse	mcai200102		1450	1499	103 x 91 mm	Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:10		reverse	cd 5091 2111 9959	48-bit color	600 ppi	2	Choir book
Lewis E M 20:11	Lewis E M 20.11 front	mcai200111		1450	1499	77 x 77 mm	Initial O | Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:11		front	cd 5091 2111 9959	48-bit color	600 ppi	1	Choir book
Lewis E M 20:11	Lewis E M 20.11 reverse	mcai200112		1450	1499	77 x 77 mm	Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:11		reverse	cd 5091 2111 9959	48-bit color	600 ppi	2	Choir book
Lewis E M 20:12	Lewis E M 20.12 front	mcai200121		1450	1499	86 x 91 mm	Initial S | Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to be certain that they come from the same manuscript. | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:12		front	cd 5091 2111 9959	48-bit color	600 ppi	1	Choir book
Lewis E M 20:12	Lewis E M 20.12 reverse	mcai200122		1450	1499	86 x 91 mm	Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to be certain that they come from the same manuscript. | This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:12		reverse	cd 5091 2111 9959	48-bit color	600 ppi	2	Choir book
Lewis E M 20:13	Lewis E M 20.13 front	mcai200131		1450	1499	96 x 85 mm	Initial S | Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:13		front	cd 5091 2111 9959	48-bit color	600 ppi	1	Choir book
Lewis E M 20:13	Lewis E M 20.13 reverse	mcai200132		1450	1499	96 x 85 mm	Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:13		reverse	cd 5091 2111 9959	48-bit color	600 ppi	2	Choir book
Lewis E M 20:14	Lewis E M 20.14 front	mcai200141		1450	1499	75 x 74 mm	Initial E | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:14		front	cd 5091 2111 9960	48-bit color	600 ppi	1	Choir book
Lewis E M 20:14	Lewis E M 20.14 reverse	mcai200142		1450	1499	75 x 74 mm	This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:14		reverse	cd 5091 2111 9960	48-bit color	600 ppi	2	Choir book
Lewis E M 20:15	Lewis E M 20.15 front	mcai200151		1450	1499	107 x 91 mm	Initial E | Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:15		front	cd 5091 2111 9960	48-bit color	600 ppi	1	Choir book
Lewis E M 20:15	Lewis E M 20.15 reverse	mcai200152		1450	1499	107 x 91 mm	Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:15		reverse	cd 5091 2111 9960	48-bit color	600 ppi	2	Choir book
Lewis E M 20:16	Lewis E M 20.16 front	mcai200161		1450	1499	100 x 85 mm	Initial B | Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:16		front	cd 5091 2111 9960	48-bit color	600 ppi	1	Antiphonary
Lewis E M 20:16	Lewis E M 20.16 reverse	mcai200162		1450	1499	100 x 85 mm	Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This image shows the reverse of a cutting from an antiphonary.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:16		reverse	cd 5091 2111 9960	48-bit color	600 ppi	2	Antiphonary
Lewis E M 20:17	Lewis E M 20.17 front	mcai200171		1450	1499	102 x 82 mm	Initial A | Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:17		front	cd 5091 2111 9960	48-bit color	600 ppi	1	Choir book
Lewis E M 20:17	Lewis E M 20.17 reverse	mcai200172		1450	1499	102 x 82 mm	Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:17		reverse	cd 5091 2111 9960	48-bit color	600 ppi	2	Choir book
Lewis E M 20:18	Lewis E M 20.18 front	mcai200181		1450	1499	115 x 96 mm	Initial A | Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:18		front	cd 5091 2111 9960	48-bit color	600 ppi	1	Choir book
Lewis E M 20:18	Lewis E M 20.18 reverse	mcai200182		1450	1499	115 x 96 mm	Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:18		reverse	cd 5091 2111 9960	48-bit color	600 ppi	2	Choir book
Lewis E M 20:19	Lewis E M 20.19 front	mcai200191		1450	1499	90 x 76 mm	Initial C | Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:19		front	cd 5091 2111 9960	48-bit color	600 ppi	1	Choir book
Lewis E M 20:19	Lewis E M 20.19 reverse	mcai200192		1450	1499	90 x 76 mm	Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:19		reverse	cd 5091 2111 9960	48-bit color	600 ppi	2	Choir book
Lewis E M 20:20	Lewis E M 20.20 front	mcai200201		1450	1499	109 x 92 mm	Initial M | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:20		front	cd 5091 2111 9960	48-bit color	600 ppi	1	Choir book
Lewis E M 20:20	Lewis E M 20.20 reverse	mcai200202		1450	1499	109 x 92 mm	This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:20		reverse	cd 5091 2111 9960	48-bit color	600 ppi	2	Choir book
Lewis E M 20:21	Lewis E M 20.21 front	mcai200211		1450	1499	95 x 80 mm	Initial P | Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:21		front	cd 5091 2111 9961	48-bit color	600 ppi	1	Choir book
Lewis E M 20:21	Lewis E M 20.21 reverse	mcai200212		1450	1499	95 x 80 mm	Lewis E M 20:9-13, 15-19, and 21 share the same line dimensions, but there is not enough evidence to confirm that they come from the same manuscript. | This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:21		reverse	cd 5091 2111 9961	48-bit color	600 ppi	2	Choir book
Lewis E M 20:22	Lewis E M 20.22 front	mcai200221		1450	1499	93 x 90 mm	Initial A | This initial is typical of the kind of decorated initial found in choir books produced in northern Italy around the middle of the second half of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 20:22		front	cd 5091 2111 9961	48-bit color	600 ppi	1	Choir book
Lewis E M 20:22	Lewis E M 20.22 reverse	mcai200222		1450	1499	93 x 90 mm	This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 20:22		reverse	cd 5091 2111 9961	48-bit color	600 ppi	2	Choir book
Lewis E M 21:1	Lewis E M 21.1 front	mcai210011		1400	1499	71 x 107 mm	Initial P with the Cross | This initial begins the hymn 'Patris sapientia, veritas divina ...' (The wisdom of the Father, and truth divine) recited during Matins of the Hours of the Holy Cross, which begins at the top of this leaf. | This leaf is numbered 'ccxxiii' (223) on recto in upper right corner from the original foliation.	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 21:01		front	cd 5091 2111 9962	48-bit color	600 ppi	1	Book of Hours
Lewis E M 21:1	Lewis E M 21.1 reverse	mcai210012		1400	1499	71 x 107 mm	This image shows the reverse of a leaf removed from a book of hours. It contains text from Matins of the Hours of the Holy Cross. The initials 'FH' around a cross design in the lower left corner are probably those of a previous owner. | This leaf is numbered 'ccxxiii' (223) on recto in upper right corner from the original foliation.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 21:01		reverse	cd 5091 2111 9962	48-bit color	600 ppi	2	Book of Hours
Lewis E M 21:2-3	Lewis E M 21.2 front	mcai210021		1400	1499	188 x 272 mm	Initial I | This initial begins the ninth prophecy of the twelve that were read during the Easter Vigil on the evening of Holy Saturday. Each prophecy was taken from the Old Testament and foretold a truth of Christian doctrine. The ninth prophecy, from Exodus 12:1-11, concerns the sacrifice of the lamb at Passover, a reference to the sacrifice of Christ, the Lamb of God.	Parchment	Latin	Ferrara?, Italy	Rotunda				front 21:2	1	Lewis E M 21:02-03		front 21:2	cd 5091 2111 9962	48-bit color	600 ppi	1	Missal
Lewis E M 21:2-3	Lewis E M 21.2 reverse	mcai210022		1400	1499	188 x 272 mm	This image shows the reverse of a leaf with a decorated initial from a missal. The text is a portion of the eighth prophecy of the twelve that were read during the Easter Vigil on the night of Holy Saturday. Each prophecy was taken from the Old Testament and foretold a truth of Christian doctrine. The eighth prophecy, from Isaiah 4:1-6, foretells the coming of Christ.	Parchment	Latin	Ferrara?, Italy					reverse 21:2	2	Lewis E M 21:02-03		reverse 21:2	cd 5091 2111 9962	48-bit color	600 ppi	2	Missal
Lewis E M 21:2-3	Lewis E M 21.3 front	mcai210031		1400	1499	195 x 271 mm	Initial I | This initial begins the eleventh prophecy of the twelve that were read during the Easter Vigil on the evening of Holy Saturday. Each prophecy was taken from the Old Testament and foretold a truth of Christian doctrine. The eleventh prophecy, from Deuteronomy 31:22-30, concerns man's sinful nature and the need for penance.	Parchment	Latin	Ferrara?, Italy	Rotunda				front 21:3	3	Lewis E M 21:02-03		front 21:3	cd 5091 2111 9963	48-bit color	600 ppi	3	Missal
Lewis E M 21:2-3	Lewis E M 21.3 reverse	mcai210032		1400	1499	195 x 271 mm	This image shows the reverse of a leaf with a decorated initial from a missal. The text is a portion of the tenth prophecy of the twelve that were read during the Easter Vigil on the evening of Holy Saturday. Each prophecy was taken from the Old Testament and foretold a truth of Christian doctrine. The tenth prophecy, from Jonah 3:1-10, concerns man's sinful nature and the need for penance.	Parchment	Latin	Ferrara?, Italy	Rotunda				reverse 21:3	4	Lewis E M 21:02-03		reverse 21:3	cd 5091 2111 9963	48-bit color	600 ppi	4	Missal
Lewis E M 21:4-28	Lewis E M 21.4 front	mcai210041		1500	1599	161 x 171 mm	Initial T | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:4	1	Lewis E M 21:04-28		front 21:4	cd 5091 2111 9963	48-bit color	600 ppi	1	Choir book
Lewis E M 21:4-28	Lewis E M 21.4 reverse	mcai210042		1500	1599	161 x 171 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:4	2	Lewis E M 21:04-28		reverse 21:4	cd 5091 2111 9965	48-bit color	600 ppi	2	Choir book
Lewis E M 21:4-28	Lewis E M 21.5 front	mcai210051		1500	1599	152 x 138 mm	Initial S | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:5	3	Lewis E M 21:04-28		front 21:5	cd 5091 2111 9965	48-bit color	600 ppi	3	Choir book
Lewis E M 21:4-28	Lewis E M 21.5 reverse	mcai210052		1500	1599	152 x 138 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:5	4	Lewis E M 21:04-28		reverse 21:5	cd 5091 2111 9965	48-bit color	600 ppi	4	Choir book
Lewis E M 21:4-28	Lewis E M 21.6 front	mcai210061		1500	1599	189 x 195 mm	Initial S | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:6	5	Lewis E M 21:04-28		front 21:6	cd 5091 2111 9965	48-bit color	600 ppi	5	Choir book
Lewis E M 21:4-28	Lewis E M 21.6 reverse	mcai210062		1500	1599	189 x 195 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:6	6	Lewis E M 21:04-28		reverse 21:6	cd 5091 2111 9965	48-bit color	600 ppi	6	Choir book
Lewis E M 21:4-28	Lewis E M 21.7 front	mcai210071		1500	1599	161 x 178 mm	Initial G | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:7	7	Lewis E M 21:04-28		front 21:7	cd 5091 2111 9966	48-bit color	600 ppi	7	Choir book
Lewis E M 21:4-28	Lewis E M 21.7 reverse	mcai210072		1500	1599	161 x 178 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:7	8	Lewis E M 21:04-28		reverse 21:7	cd 5091 2111 9966	48-bit color	600 ppi	8	Choir book
Lewis E M 21:4-28	Lewis E M 21.8 front	mcai210081		1500	1599	147 x 171 mm	Initial G | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:8	9	Lewis E M 21:04-28		front 21:8	cd 5091 2111 9966	48-bit color	600 ppi	9	Choir book
Lewis E M 21:4-28	Lewis E M 21.8 reverse	mcai210082		1500	1599	147 x 171 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:8	10	Lewis E M 21:04-28		reverse 21:8	cd 5091 2111 9966	48-bit color	600 ppi	10	Choir book
Lewis E M 21:4-28	Lewis E M 21.9 front	mcai210091		1500	1599	128 x 170 mm	Initial S | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:9	11	Lewis E M 21:04-28		front 21:9	cd 5091 2111 9966	48-bit color	600 ppi	11	Choir book
Lewis E M 21:4-28	Lewis E M 21.9 reverse	mcai210092		1500	1599	128 x 170 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:9	12	Lewis E M 21:04-28		reverse 21:9	cd 5091 2111 9967	48-bit color	600 ppi	12	Choir book
Lewis E M 21:4-28	Lewis E M 21.10 front	mcai210101		1500	1599	161 x 182 mm	Initial S | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:10	13	Lewis E M 21:04-28		front 21:10	cd 5091 2111 9967	48-bit color	600 ppi	13	Choir book
Lewis E M 21:4-28	Lewis E M 21.10 reverse	mcai210102		1500	1599	161 x 182 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:10	14	Lewis E M 21:04-28		reverse 21:10	cd 5091 2111 9967	48-bit color	600 ppi	14	Choir book
Lewis E M 21:4-28	Lewis E M 21.11 front	mcai210111		1500	1599	143 x 145 mm	Initial S | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:11	15	Lewis E M 21:04-28		front 21:11	cd 5091 2111 9967	48-bit color	600 ppi	15	Choir book
Lewis E M 21:4-28	Lewis E M 21.11 reverse	mcai210112		1500	1599	143 x 145 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:11	16	Lewis E M 21:04-28		reverse 21:11	cd 5091 2111 9967	48-bit color	600 ppi	16	Choir book
Lewis E M 21:4-28	Lewis E M 21.12 front	mcai210121		1500	1599	154 x 140 mm	Initial S | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:12	17	Lewis E M 21:04-28		front 21:12	cd 5091 2111 9967	48-bit color	600 ppi	17	Choir book
Lewis E M 21:4-28	Lewis E M 21.12 reverse	mcai210122		1500	1599	154 x 140 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:12	18	Lewis E M 21:04-28		reverse 21:12	cd 5091 2111 9997	48-bit color	600 ppi	18	Choir book
Lewis E M 21:4-28	Lewis E M 21.13 front	mcai210131		1500	1599	130 x 150 mm	Initial S | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:13	19	Lewis E M 21:04-28		front 21:13	cd 5091 2111 9997	48-bit color	600 ppi	19	Choir book
Lewis E M 21:4-28	Lewis E M 21.13 reverse	mcai210132		1500	1599	130 x 150 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:13	20	Lewis E M 21:04-28		reverse 21:13	cd 5091 2111 9997	48-bit color	600 ppi	20	Choir book
Lewis E M 21:4-28	Lewis E M 21.14 front	mcai210141		1500	1599	123 x 136 mm	Initial K | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:14	21	Lewis E M 21:04-28		front 21:14	cd 5091 2111 9997	48-bit color	600 ppi	21	Choir book
Lewis E M 21:4-28	Lewis E M 21.14 reverse	mcai210142		1500	1599	123 x 136 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:14	22	Lewis E M 21:04-28		reverse 21:14	cd 5091 2111 9997	48-bit color	600 ppi	22	Choir book
Lewis E M 21:4-28	Lewis E M 21.15 front	mcai210151		1500	1599	162 x 160 mm	Initial S | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:15	23	Lewis E M 21:04-28		front 21:15	cd 5091 2111 9997	48-bit color	600 ppi	23	Choir book
Lewis E M 21:4-28	Lewis E M 21.15 reverse	mcai210152		1500	1599	162 x 160 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:15	24	Lewis E M 21:04-28		reverse 21:15	cd 5091 2111 9998	48-bit color	600 ppi	24	Choir book
Lewis E M 21:4-28	Lewis E M 21.16 front	mcai210161		1500	1599	122 x 172 mm	Initial P | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:16	25	Lewis E M 21:04-28		front 21:16	cd 5091 2111 9998	48-bit color	600 ppi	25	Choir book
Lewis E M 21:4-28	Lewis E M 21.16 reverse	mcai210162		1500	1599	122 x 172 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:16	26	Lewis E M 21:04-28		reverse 21:16	cd 5091 2111 9998	48-bit color	600 ppi	26	Choir book
Lewis E M 21:4-28	Lewis E M 21.17 front	mcai210171		1500	1599	126 x 124 mm	Initial G | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:17	27	Lewis E M 21:04-28		front 21:17	cd 5091 2111 9998	48-bit color	600 ppi	27	Choir book
Lewis E M 21:4-28	Lewis E M 21.17 reverse	mcai210172		1500	1599	126 x 124 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:17	28	Lewis E M 21:04-28		reverse 21:17	cd 5091 2111 9998	48-bit color	600 ppi	28	Choir book
Lewis E M 21:4-28	Lewis E M 21.18 front	mcai210181		1500	1599	189 x 186 mm	Initial G | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:18	29	Lewis E M 21:04-28		front 21:18	cd 5091 2111 9998	48-bit color	600 ppi	29	Choir book
Lewis E M 21:4-28	Lewis E M 21.18 reverse	mcai210182		1500	1599	189 x 186 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:18	30	Lewis E M 21:04-28		reverse 21:18	cd 5091 2111 9999	48-bit color	600 ppi	30	Choir book
Lewis E M 21:4-28	Lewis E M 21.19 front	mcai210191		1500	1599	157 x 155 mm	Initial K | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:19	31	Lewis E M 21:04-28		front 21:19	cd 5091 2111 9999	48-bit color	600 ppi	31	Choir book
Lewis E M 21:4-28	Lewis E M 21.19 reverse	mcai210192		1500	1599	157 x 155 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:19	32	Lewis E M 21:04-28		reverse 21:19	cd 5091 2111 9999	48-bit color	600 ppi	32	Choir book
Lewis E M 21:4-28	Lewis E M 21.20 front	mcai210201		1500	1599	156 x 197 mm	Initial K | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:20	33	Lewis E M 21:04-28		front 21:20	cd 5091 2111 9999	48-bit color	600 ppi	33	Choir book
Lewis E M 21:4-28	Lewis E M 21.20 reverse	mcai210202		1500	1599	156 x 197 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:20	34	Lewis E M 21:04-28		reverse 21:20	cd 5091 2111 9346	48-bit color	600 ppi	34	Choir book
Lewis E M 21:4-28	Lewis E M 21.21 front	mcai210211		1500	1599	141 x 155 mm	Initial A | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:21	35	Lewis E M 21:04-28		front 21:21	cd 5091 2111 9346	48-bit color	600 ppi	35	Choir book
Lewis E M 21:4-28	Lewis E M 21.21 reverse	mcai210212		1500	1599	141 x 155 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:21	36	Lewis E M 21:04-28		reverse 21:21	cd 5091 2111 9346	48-bit color	600 ppi	36	Choir book
Lewis E M 21:4-28	Lewis E M 21.22 front	mcai210221		1500	1599	141 x 150 mm	Initial A | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:22	37	Lewis E M 21:04-28		front 21:22	cd 5091 2111 9346	48-bit color	600 ppi	37	Choir book
Lewis E M 21:4-28	Lewis E M 21.22 reverse	mcai210222		1500	1599	141 x 150 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:22	38	Lewis E M 21:04-28		reverse 21:22	cd 5091 2111 9346	48-bit color	600 ppi	38	Choir book
Lewis E M 21:4-28	Lewis E M 21.23 front	mcai210231		1500	1599	155 x 200 mm	Initial A | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:23	39	Lewis E M 21:04-28		front 21:23	cd 5091 2111 9346	48-bit color	600 ppi	39	Choir book
Lewis E M 21:4-28	Lewis E M 21.23 reverse	mcai210232		1500	1599	155 x 200 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:23	40	Lewis E M 21:04-28		reverse 21:23	cd 5091 2111 9344	48-bit color	600 ppi	40	Choir book
Lewis E M 21:4-28	Lewis E M 21.24 front	mcai210241		1500	1599	126 x 137 mm	Initial A | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:24	41	Lewis E M 21:04-28		front 21:24	cd 5091 2111 9344	48-bit color	600 ppi	41	Choir book
Lewis E M 21:4-28	Lewis E M 21.24 reverse	mcai210242		1500	1599	126 x 137 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:24	42	Lewis E M 21:04-28		reverse 21:24	cd 5091 2111 9344	48-bit color	600 ppi	42	Choir book
Lewis E M 21:4-28	Lewis E M 21.25 front	mcai210251		1500	1599	151 x 143 mm	Initial I | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group. In this cutting, a large, red 'I' was painted over the initial 'E' that the illuminator originally intended. The red pigment is close to the ink used in the rubrics of the reverses of initials in this group. The 'I' may have been added to correct a mistake made by the illuminator.	Parchment	Latin	Lombardy, Italy					front 21:25	43	Lewis E M 21:04-28		front 21:25	cd 5091 2111 9344	48-bit color	600 ppi	43	Choir book
Lewis E M 21:4-28	Lewis E M 21.25 reverse	mcai210252		1500	1599	151 x 143 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:25	44	Lewis E M 21:04-28		reverse 21:25	cd 5091 2111 9344	48-bit color	600 ppi	44	Choir book
Lewis E M 21:4-28	Lewis E M 21.26 front	mcai210261		1500	1599	142 x 228 mm	Initial A | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:26	45	Lewis E M 21:04-28		front 21:26	cd 5091 2111 9344	48-bit color	600 ppi	45	Choir book
Lewis E M 21:4-28	Lewis E M 21.26 reverse	mcai210262		1500	1599	142 x 228 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:26	46	Lewis E M 21:04-28		reverse 21:26	cd 5091 2111 9338	48-bit color	600 ppi	46	Choir book
Lewis E M 21:4-28	Lewis E M 21.27 front	mcai210271		1500	1599	203 x 186 mm	Initial C | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:27	47	Lewis E M 21:04-28		front 21:27	cd 5091 2111 9338	48-bit color	600 ppi	47	Choir book
Lewis E M 21:4-28	Lewis E M 21.27 reverse	mcai210272		1500	1599	203 x 186 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:27	48	Lewis E M 21:04-28		reverse 21:27	cd 5091 2111 9338	48-bit color	600 ppi	48	Choir book
Lewis E M 21:4-28	Lewis E M 21.28 front	mcai210281		1500	1599	137 x 169 mm	Initial B | This initial is one of twenty-five taken from a large illuminated choir book or set of choir books typical of the type found in Italy during this time (see, for example, Lewis E 10). Consistencies in certain physical features, such as the same vertical dimensions used in the musical staves on the reverses, similar decorative motifs, and the same script, allow these cuttings to be identified as a group.	Parchment	Latin	Lombardy, Italy					front 21:28	49	Lewis E M 21:04-28		front 21:28	cd 5091 2111 9338	48-bit color	600 ppi	49	Choir book
Lewis E M 21:4-28	Lewis E M 21.28 reverse	mcai210282		1500	1599	137 x 169 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 21:28	50	Lewis E M 21:04-28		reverse 21:28	cd 5091 2111 9334	48-bit color	600 ppi	50	Choir book
Lewis E M 21:29	Lewis E M 21.29 front	mcai210291		1490	1510	163 x 202 mm	Initial O | The part of the liturgy that this initial marks has yet to be determined.	Parchment	Latin	Ferrara, Italy					front	1	Lewis E M 21:29		front	cd 5091 2111 9334	48-bit color	600 ppi	1	Choir book
Lewis E M 21:29	Lewis E M 21.29 reverse	mcai210292		1490	1510	163 x 202 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse	2	Lewis E M 21:29		reverse	cd 5091 2111 9334	48-bit color	600 ppi	2	Choir book
Lewis E M 22:1	Lewis E M 22.1 front	mcai220011		1250	1299	39 x 172 mm	Initial I | This initial is a fine example of the type of ornament that characterizes Italian illumination of the Romanesque period. The refined interlace pattern at the top of the initial and the subtle foliate motifs within the stem are typical of illuminated initials produced in Tuscany in the last half of the twelfth century.	Parchment	Latin	Tuscany, Italy					front	1	Lewis E M 22:01		front	cd 5091 2111 7531	48-bit color	600 ppi	1	Choir book
Lewis E M 22:1	Lewis E M 22.1 reverse	mcai220012		1250	1299	39 x 172 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Tuscany, Italy	Romanesque miniscule				reverse	2	Lewis E M 22:01		reverse	cd 5091 2111 7531	48-bit color	600 ppi	2	Choir book
Lewis E M 22:2-4	Lewis E M 22.2-4	mcai220021		1450	1475	32 x 118 mm	Border ornament | The delicate illumination on this cutting has been attributed to Sano di Pietro (1405-1481), one of the most prolific artists working in Siena during the 1460s and 1470s. Many of Sano's commissions came from religious communities, for whom he produced not only illuminated manuscripts but also a number of altarpieces. This cuttings belongs to a group of other cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. | These cuttings can be dated to ca. 1470.	Parchment	Latin	Siena, Italy		Sano di Pietro	Artist		-1	1	Lewis E M 22:02-04		-1	cd 5091 2111 7531	48-bit color	600 ppi	1	Choir book
Lewis E M 22:2-4	Lewis E M 22.2-4	mcai220022						Parchment		Unknown					reverse	2	Lewis E M 22:02-04		reverse	cd 5091 2111 7531				Choir book
Lewis E M 22:2-4	Lewis E M 22.2-4	mcai220033		1450	1475	99 x 109 mm	Border ornament | The delicate illumination on this cutting has been attributed to Sano di Pietro (1405-1481), one of the most prolific artists working in Siena during the 1460s and 1470s. Many of Sano's commissions came from religious communities, for whom he produced not only illuminated manuscripts but also a number of altarpieces. This cuttings belongs to a group of other cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. | These cuttings can be dated to ca. 1470.	Parchment	Latin	Siena, Italy		Sano di Pietro	Artist		22:3a	3	Lewis E M 22:02-04		22:3a	cd 5091 2111 7531	48-bit color	600 ppi	2	Choir book
Lewis E M 22:2-4	Lewis E M 22.2-4	mcai220034						Parchment		Unknown					reverse	4	Lewis E M 22:02-04		reverse	cd 5091 2111 7531				Choir book
Lewis E M 22:2-4	Lewis E M 22.2-4	mcai220035		1450	1475	92 x 41 mm	Border ornament | The delicate illumination on this cutting has been attributed to Sano di Pietro (1405-1481), one of the most prolific artists working in Siena during the 1460s and 1470s. Many of Sano's commissions came from religious communities, for whom he produced not only illuminated manuscripts but also a number of altarpieces. This cuttings belongs to a group of other cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. | These cuttings can be dated to ca. 1470.	Parchment	Latin	Siena, Italy		Sano di Pietro	Artist		22:3b	5	Lewis E M 22:02-04		22:3b	cd 5091 2111 7531	48-bit color	600 ppi	3	Choir book
Lewis E M 22:2-4	Lewis E M 22.2-4	mcai220036						Parchment		Unknown					reverse	6	Lewis E M 22:02-04		reverse	cd 5091 2111 7531				Choir book
Lewis E M 22:2-4	Lewis E M 22.2-4	mcai220041		1450	1475	62 x 96 mm	Border ornament | The delicate illumination on this cutting has been attributed to Sano di Pietro (1405-1481), one of the most prolific artists working in Siena during the 1460s and 1470s. Many of Sano's commissions came from religious communities, for whom he produced not only illuminated manuscripts but also a number of altarpieces. This cuttings belongs to a group of other cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. | These cuttings can be dated to ca. 1470.	Parchment	Latin	Siena, Italy		Sano di Pietro	Artist		-1	7	Lewis E M 22:02-04		-1	cd 5091 2111 7531	48-bit color	600 ppi	4	Choir book
Lewis E M 22:2-4	Lewis E M 22.2-4	mcai220042						Parchment		Unknown					reverse	8	Lewis E M 22:02-04		reverse	cd 5091 2111 7531				Choir book
Lewis E M 22:5	Lewis E M 22.5 front a	mcai220053		1450	1475	113 x 49 mm	Although of inferior quality, this ornament is similar to other cuttings in the Free Library from choir books illuminated by the Sienese illuminator Sano di Pietro (1405-1481). Sano was one of the most influential artists working in Siena during the fifteenth century. This artist appears to be emulating his style. | Border ornament | These cuttings can be dated to ca. 1470.	Parchment		Siena, Italy		Sano di Pietro, follower of	Artist		front a	1	Lewis E M 22:05		front a	cd 5091 2111 7531	48-bit color	600 ppi	1	Choir book
Lewis E M 22:5	Lewis E M 22.5 reverse a	mcai220054		1450	1475	113 x 49 mm	These cuttings can be dated to ca. 1470. | This is the reverse of a cutting with border ornament from a service book.	Parchment		Siena, Italy					reverse a	2	Lewis E M 22:05		reverse a	cd 5091 2111 7531	48-bit color	600 ppi	2	Choir book
Lewis E M 22:5	Lewis E M 22.5 front b	mcai220055		1450	1475	62 x 53 mm	Although of inferior quality, this ornament is similar to other cuttings in the Free Library from choir books illuminated by the Sienese illuminator Sano di Pietro (1405-1481). Sano was one of the most influential artists working in Siena during the fifteenth century. This artist appears to be emulating his style. | Border ornament | These cuttings can be dated to ca. 1470.	Parchment		Siena, Italy		Sano di Pietro, follower of	Artist		front b	3	Lewis E M 22:05		front b	cd 5091 2111 7531	48-bit color	600 ppi	3	Choir book
Lewis E M 22:5	Lewis E M 22.5 reverse b	mcai220056		1450	1475	62 x 53 mm	These cuttings can be dated to ca. 1470. | This image shows the reverse of a cutting of the border ornament from a service book.	Parchment		Siena, Italy					reverse b	4	Lewis E M 22:05		reverse b	cd 5091 2111 7531	48-bit color	600 ppi	4	Choir book
Lewis E M 22:5	Lewis E M 22.5 front c	mcai220057		1450	1475	148 x 33 mm	Although of inferior quality, this ornament is similar to other cuttings in the Free Library from choir books illuminated by the Sienese illuminator Sano di Pietro (1405-1481). Sano was one of the most influential artists working in Siena during the fifteenth century. This artist appears to be emulating his style. | Border ornament | These cuttings can be dated to ca. 1470.	Parchment		Siena, Italy		Sano di Pietro, follower of	Artist		front c	5	Lewis E M 22:05		front c	cd 5091 2111 7531	48-bit color	600 ppi	5	Choir book
Lewis E M 22:5	Lewis E M 22.5 reverse c	mcai220058		1450	1475	148 x 33 mm	These cuttings can be dated to ca. 1470. | This is the reverse of a cutting with border ornament from a service book.	Parchment		Siena, Italy					reverse c	6	Lewis E M 22:05		reverse c	cd 5091 2111 7531	48-bit color	600 ppi	6	Choir book
Lewis E M 22:6	Lewis E M 22.6 front	mcai220061		1490	1510	110 x 105 mm	Initial G | The style of this initial and the paletteof deep reds, blues, greens, and a soft rose, are characteristic of Lombard illumination. Only a trace of text remains on the reverse, making it impossible to identify the liturgy of this initial.	Parchment	Latin	Lombardy?, Italy	Rotunda				front	1	Lewis E M 22:06		front	cd 5091 2111 7532	48-bit color	600 ppi	1	Choir book
Lewis E M 22:6	Lewis E M 22.6 reverse	mcai220062		1490	1510	110 x 105 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Lombardy?, Italy	Rotunda				reverse	2	Lewis E M 22:06		reverse	cd 5091 2111 7532	48-bit color	600 ppi	2	Choir book
Lewis E M 22:7-16	Lewis E M 22.7 front	mcai220071		1400	1499	73 x 94 mm	Initial A | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:7	1	Lewis E M 22:07-16		front 22:7	cd 5091 2111 7532	48-bit color	600 ppi	1	Choir book
Lewis E M 22:7-16	Lewis E M 22.7 reverse	mcai220072		1400	1499	73 x 94 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:7	2	Lewis E M 22:07-16		reverse 22:7	cd 5091 2111 7532	48-bit color	600 ppi	2	Choir book
Lewis E M 22:7-16	Lewis E M 22.8 front	mcai220081		1400	1499	82 x 161 mm	Initial P | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:8	3	Lewis E M 22:07-16		front 22:8	cd 5091 2111 7532	48-bit color	600 ppi	3	Choir book
Lewis E M 22:7-16	Lewis E M 22.8 reverse	mcai220082		1400	1499	82 x 161 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:8	4	Lewis E M 22:07-16		reverse 22:8	cd 5091 2111 7532	48-bit color	600 ppi	4	Choir book
Lewis E M 22:7-16	Lewis E M 22.9 front	mcai220091		1400	1499	90 x 101 mm	Initial S | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:9	5	Lewis E M 22:07-16		front 22:9	cd 5091 2111 7532	48-bit color	600 ppi	5	Choir book
Lewis E M 22:7-16	Lewis E M 22.9 reverse	mcai220092		1400	1499	90 x 101 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:9	6	Lewis E M 22:07-16		reverse 22:9	cd 5091 2111 7532	48-bit color	600 ppi	6	Choir book
Lewis E M 22:7-16	Lewis E M 22.10 front	mcai220101		1400	1499	62 x 86 mm	Initial D | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:10	7	Lewis E M 22:07-16		front 22:10	cd 5091 2111 7532	48-bit color	600 ppi	7	Choir book
Lewis E M 22:7-16	Lewis E M 22.10 reverse	mcai220102		1400	1499	62 x 86 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:10	8	Lewis E M 22:07-16		reverse 22:10	cd 5091 2111 7532	48-bit color	600 ppi	8	Choir book
Lewis E M 22:7-16	Lewis E M 22.11 front	mcai220111		1400	1499	87 x 70 mm	Initial R | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:11	9	Lewis E M 22:07-16		front 22:11	cd 5091 2111 7532	48-bit color	600 ppi	9	Choir book
Lewis E M 22:7-16	Lewis E M 22.11 reverse	mcai220112		1400	1499	87 x 70 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:11	10	Lewis E M 22:07-16		reverse 22:11	cd 5091 2111 7532	48-bit color	600 ppi	10	Choir book
Lewis E M 22:7-16	Lewis E M 22.12 front	mcai220121		1400	1499	66 x 110 mm	Initial C | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:12	11	Lewis E M 22:07-16		front 22:12	cd 5091 2111 7532	48-bit color	600 ppi	11	Choir book
Lewis E M 22:7-16	Lewis E M 22.12 reverse	mcai220122		1400	1499	66 x 110 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:12	12	Lewis E M 22:07-16		reverse 22:12	cd 5091 2111 7532	48-bit color	600 ppi	12	Choir book
Lewis E M 22:7-16	Lewis E M 22.13 front	mcai220131		1400	1499	78 x 132 mm	Initial O | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:13	13	Lewis E M 22:07-16		front 22:13	cd 5091 2111 7533	48-bit color	600 ppi	13	Choir book
Lewis E M 22:7-16	Lewis E M 22.13 reverse	mcai220132		1400	1499	78 x 132 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:13	14	Lewis E M 22:07-16		reverse 22:13	cd 5091 2111 7533	48-bit color	600 ppi	14	Choir book
Lewis E M 22:7-16	Lewis E M 22.14 front	mcai220141		1400	1499	50 x 91 mm	Initial I | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:14	15	Lewis E M 22:07-16		front 22:14	cd 5091 2111 7533	48-bit color	600 ppi	15	Choir book
Lewis E M 22:7-16	Lewis E M 22.14 reverse	mcai220142		1400	1499	50 x 91 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:14	16	Lewis E M 22:07-16		reverse 22:14	cd 5091 2111 7533	48-bit color	600 ppi	16	Choir book
Lewis E M 22:7-16	Lewis E M 22.15 front	mcai220151		1400	1499	80 x 90 mm	Initial M | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:15	17	Lewis E M 22:07-16		front 22:15	cd 5091 2111 7533	48-bit color	600 ppi	17	Choir book
Lewis E M 22:7-16	Lewis E M 22.15 reverse	mcai220152		1400	1499	80 x 90 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:15	18	Lewis E M 22:07-16		reverse 22:15	cd 5091 2111 7533	48-bit color	600 ppi	18	Choir book
Lewis E M 22:7-16	Lewis E M 22.16 front	mcai220161		1400	1499	72 x 77 mm	Initial M | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:16	19	Lewis E M 22:07-16		front 22:16	cd 5091 2111 7533	48-bit color	600 ppi	19	Choir book
Lewis E M 22:7-16	Lewis E M 22.16 reverse	mcai220162		1400	1499	72 x 77 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:16	20	Lewis E M 22:07-16		reverse 22:16	cd 5091 2111 7533	48-bit color	600 ppi	20	Choir book
Lewis E M 22:17	Lewis E M 22.17 front	mcai220171		1475	1499	130 x 204 mm	Initial U | The place in the liturgy that this initial marks has yet to be determined. | This cutting can be dated to ca. 1475.	Parchment	Latin	Italy (central)					front	1	Lewis E M 22:17		front	cd 5091 2111 7533	48-bit color	600 ppi	1	Choir book
Lewis E M 22:17	Lewis E M 22.17 reverse	mcai220172		1475	1499	130 x 204 mm	This cutting can be dated to ca. 1475. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (central)	Rotunda				reverse	2	Lewis E M 22:17		reverse	cd 5091 2111 7533	48-bit color	600 ppi	2	Choir book
Lewis E M 22:18-21	Lewis E M 22.18 front	mcai220181		1450	1475	124 x 164 mm	Initial M | These cuttings can be dated to ca. 1470. | This initial belongs to a group of cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:18	1	Lewis E M 22:18-21		front 22:18	cd 5091 2111 7534	48-bit color	600 ppi	1	Choir book
Lewis E M 22:18-21	Lewis E M 22.18 reverse	mcai220182		1450	1475	124 x 164 mm	These cuttings can be dated to ca. 1470. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:18	2	Lewis E M 22:18-21		reverse 22:18	cd 5091 2111 7534	48-bit color	600 ppi	2	Choir book
Lewis E M 22:18-21	Lewis E M 22.19 front	mcai220191		1450	1475	69 x 90 mm	Initial N | These cuttings can be dated to ca. 1470. | This initial belongs to a group of cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:19	3	Lewis E M 22:18-21		front 22:19	cd 5091 2111 7534	48-bit color	600 ppi	3	Choir book
Lewis E M 22:18-21	Lewis E M 22.19 reverse	mcai220192		1450	1475	69 x 90 mm	These cuttings can be dated to ca. 1470. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:19	4	Lewis E M 22:18-21		reverse 22:19	cd 5091 2111 7534	48-bit color	600 ppi	4	Choir book
Lewis E M 22:18-21	Lewis E M 22.20 front	mcai220201		1450	1475	72 x 145 mm	Initial O | These cuttings can be dated to ca. 1470. | This initial belongs to a group of cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:20	5	Lewis E M 22:18-21		front 22:20	cd 5091 2111 7534	48-bit color	600 ppi	5	Choir book
Lewis E M 22:18-21	Lewis E M 22.20 reverse	mcai220202		1450	1475	172 x 145 mm	These cuttings can be dated to ca. 1470. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:20	6	Lewis E M 22:18-21		reverse 22:20	cd 5091 2111 7534	48-bit color	600 ppi	6	Choir book
Lewis E M 22:18-21	Lewis E M 22.21 front	mcai220211		1450	1475	50 x 49 mm	Initial H | These cuttings can be dated to ca. 1470. | This initial belongs to a group of cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Several of these cuttings have been attributed to the Sienese illuminator Sano di Pietro, who was active in Siena in the 1460s and 1470s. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 22:21	7	Lewis E M 22:18-21		front 22:21	cd 5091 2111 7534	48-bit color	600 ppi	7	Choir book
Lewis E M 22:18-21	Lewis E M 22.21 reverse	mcai220212		1450	1475	50 x 49 mm	These cuttings can be dated to ca. 1470. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 22:21	8	Lewis E M 22:18-21		reverse 22:21	cd 5091 2111 7534	48-bit color	600 ppi	8	Choir book
Lewis E M 23:1-6	Lewis E M 23.1 front	mcai230011		1450	1499	67 x 120 mm	Initial O | These cuttings can be dated to ca. 1470. | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 23:1	1	Lewis E M 23:01-06		front 23:1	cd 5091 2111 7780	48-bit color	600 ppi	1	Choir book
Lewis E M 23:1-6	Lewis E M 23.1 reverse	mcai230012		1450	1499	67 x 120 mm	These cuttings can be dated to ca. 1470. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 23:1	2	Lewis E M 23:01-06		reverse 23:1	cd 5091 2111 7780	48-bit color	600 ppi	2	Choir book
Lewis E M 23:1-6	Lewis E M 23.2 front	mcai230021		1450	1499	63 x 50 mm	Initial N | These cuttings can be dated to ca. 1470. | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 23:2	3	Lewis E M 23:01-06		front 23:2	cd 5091 2111 7780	48-bit color	600 ppi	3	Choir book
Lewis E M 23:1-6	Lewis E M 23.2 reverse	mcai230022		1450	1499	63 x 50 mm	These cuttings can be dated to ca. 1470. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy					reverse 23:2	4	Lewis E M 23:01-06		reverse 23:2	cd 5091 2111 7780	48-bit color	600 ppi	4	Choir book
Lewis E M 23:1-6	Lewis E M 23.3 front	mcai230031		1450	1499	76 x 121 mm	Initial U | These cuttings can be dated to ca. 1470. | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 23:3	5	Lewis E M 23:01-06		front 23:3	cd 5091 2111 7780	48-bit color	600 ppi	5	Choir book
Lewis E M 23:1-6	Lewis E M 23.3 reverse	mcai230032		1450	1499	76 x 121 mm	These cuttings can be dated to ca. 1470. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 23:3	6	Lewis E M 23:01-06		reverse 23:3	cd 5091 2111 7780	48-bit color	600 ppi	6	Choir book
Lewis E M 23:1-6	Lewis E M 23.4 front	mcai230041		1450	1499	65 x 65 mm	Initial U | These cuttings can be dated to ca. 1470. | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 23:4	7	Lewis E M 23:01-06		front 23:4	cd 5091 2111 7780	48-bit color	600 ppi	7	Choir book
Lewis E M 23:1-6	Lewis E M 23.4 reverse	mcai230042		1450	1499	65 x 65 mm	This cutting is the reverse of an initial U.	Parchment		Siena, Italy						8	Lewis E M 23:01-06			cd 5091 2111 7780				Choir book
Lewis E M 23:1-6	Lewis E M 23.5 front	mcai230051		1450	1499	85 x 122 mm	Initial C | These cuttings can be dated to ca. 1470. | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 23:5	9	Lewis E M 23:01-06		front 23:5	cd 5091 2111 7780	48-bit color	600 ppi	9	Choir book
Lewis E M 23:1-6	Lewis E M 23.5 reverse	mcai230052		1450	1499	85 x 122 mm	These cuttings can be dated to ca. 1470. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 23:5	10	Lewis E M 23:01-06		reverse 23:5	cd 5091 2111 7780	48-bit color	600 ppi	10	Choir book
Lewis E M 23:1-6	Lewis E M 23.6 front	mcai230061		1450	1499	72 x 104 mm	Initial E | These cuttings can be dated to ca. 1470. | This initial belongs to a group of cuttings in the Free Library from the same choir book or the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together.	Parchment	Latin	Siena, Italy					front 23:6	11	Lewis E M 23:01-06		front 23:6	cd 5091 2111 7780	48-bit color	600 ppi	11	Choir book
Lewis E M 23:1-6	Lewis E M 23.6 reverse	mcai230062		1450	1499	72 x 104 mm	These cuttings can be dated to ca. 1470. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse 23:6	12	Lewis E M 23:01-06		reverse 23:6	cd 5091 2111 7780	48-bit color	600 ppi	12	Choir book
Lewis E M 23:7a-d	Lewis E M 23.7d reverse	mcai230070		1400	1499	60 x 58 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse d	8	Lewis E M 23:07		reverse d	cd 5091 2111 7780	48-bit color	600 ppi	8	Choir book
Lewis E M 23:7a-d	Lewis E M 23.7a front	mcai230073		1400	1499	70 x 62 mm	Initial R | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy (northern)					front a	1	Lewis E M 23:07		front a	cd 5091 2111 7780	48-bit color	600 ppi	1	Choir book
Lewis E M 23:7a-d	Lewis E M 23.7a reverse	mcai230074		1400	1499	70 x 62 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse b	2	Lewis E M 23:07		reverse b	cd 5091 2111 7780	48-bit color	600 ppi	2	Choir book
Lewis E M 23:7a-d	Lewis E M 23.7b front	mcai230075		1400	1499	78 x 59 mm	Initial C | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy (northern)					front b	3	Lewis E M 23:07		front b	cd 5091 2111 7780	48-bit color	600 ppi	3	Choir book
Lewis E M 23:7a-d	Lewis E M 23.7b reverse	mcai230076		1400	1499	78 x 59 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse b	4	Lewis E M 23:07		reverse b	cd 5091 2111 7780	48-bit color	600 ppi	4	Choir book
Lewis E M 23:7a-d	Lewis E M 23.7c front	mcai230077		1400	1499	73 x 70 mm	Initial Q | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy (northern)					front c	5	Lewis E M 23:07		front c	cd 5091 2111 7782	48-bit color	600 ppi	5	Choir book
Lewis E M 23:7a-d	Lewis E M 23.7c reverse	mcai230078		1400	1499	73 x 70 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse c	6	Lewis E M 23:07		reverse c	cd 5091 2111 7782	48-bit color	600 ppi	6	Choir book
Lewis E M 23:7a-d	Lewis E M 23.7d front	mcai230079		1400	1499	60 x 58 mm	Initial T | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy (northern)					front d	7	Lewis E M 23:07		front d	cd 5091 2111 7782	48-bit color	600 ppi	7	Choir book
Lewis E M 23:8	Lewis E M 23.8 front	mcai230081		1400	1499	103 x 93 mm	Initial K | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy (central)					front	1	Lewis E M 23:08		front	cd 5091 2111 7782	48-bit color	600 ppi	1	Choir book
Lewis E M 23:8	Lewis E M 23.8 reverse	mcai230082		1400	1499	103 x 93 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (central)	Rotunda				reverse	2	Lewis E M 23:08		reverse	cd 5091 2111 7782	48-bit color	600 ppi	2	Choir book
Lewis E M 23:9	Lewis E M 23.9 front	mcai230091		1400	1499	129 x 157 mm	Initial S | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. It is from the same manuscript as Lewis E M 23:12.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 23:09		front	cd 5091 2111 7782	48-bit color	600 ppi	1	Choir book
Lewis E M 23:9	Lewis E M 23.9 reverse	mcai230092		1400	1499	129 x 157 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 23:09		reverse	cd 5091 2111 7782	48-bit color	600 ppi	2	Choir book
Lewis E M 23:10	Lewis E M 23.10 front	mcai230101		1400	1499	83 x 76 mm	Initial T | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 23:10		front	cd 5091 2111 7782	48-bit color	600 ppi	1	Choir book
Lewis E M 23:10	Lewis E M 23.10 reverse	mcai230102		1400	1499	83 x 76 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 23:10		reverse	cd 5091 2111 7782	48-bit color	600 ppi	2	Choir book
Lewis E M 23:11	Lewis E M 23.11	mcai230111		1400	1499	97 x 99 mm	Initial A | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 23:11		front	cd 5091 2111 7782	48-bit color	600 ppi	1	Choir book
Lewis E M 23:12	Lewis E M 23.12 front	mcai230121		1400	1499	120 x 140 mm	Initial R | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. It is from the same manuscript as Lewis E M 23:9.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 23:12		front	cd 5091 2111 7782	48-bit color	600 ppi	1	Choir book
Lewis E M 23:12	Lewis E M 23.12 reverse	mcai230122		1400	1499	120 x 140 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 23:12		reverse	cd 5091 2111 7782	48-bit color	600 ppi	2	Choir book
Lewis E M 23:13	Lewis E M 23.13 front	mcai230131		1400	1499	96 x 85 mm	Initial U | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Verona, Italy					front	1	Lewis E M 23:13		front	cd 5091 2111 7783	48-bit color	600 ppi	1	Choir book
Lewis E M 23:13	Lewis E M 23.13 reverse	mcai230132		1400	1499		This cutting is the reverse of an initial U.	Parchment		Verona, Italy						2	Lewis E M 23:13			cd 5091 2111 7783				Choir book
Lewis E M 23:14	Lewis E M 23.14 front	mcai230141		1300	1399	145 x 157 mm	Initial L | This initial is typical of minor initial decoration found in Italian choir books of the fourteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 23:14		front	cd 5091 2111 7783	48-bit color	600 ppi	1	Choir book
Lewis E M 23:14	Lewis E M 23.14 reverse	mcai230142		1300	1399	145 x 157 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 23:14		reverse	cd 5091 2111 7783	48-bit color	600 ppi	2	Choir book
Lewis E M 23:15	Lewis E M 23.15 front	mcai230151		1300	1399	118 x 150 mm	Initial L | This initial is typical of minor initial decoration found in Italian choir books of the fourteenth century.	Parchment	Latin	Italy (northern)	Rotunda				front	1	Lewis E M 23:15		front	cd 5091 2111 7783	48-bit color	600 ppi	1	Choir book
Lewis E M 23:15	Lewis E M 23.15 reverse	mcai230152		1300	1399	118 x 150 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 23:15		reverse	cd 5091 2111 7783	48-bit color	600 ppi	2	Choir book
Lewis E M 23:16	Lewis E M 23.16 front	mcai230161		1300	1399	119 x 201 mm	Initial L | This initial is typical of minor initial decoration found in Italian choir books of the fourteenth century.	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 23:16		front	cd 5091 2111 7783	48-bit color	600 ppi	1	Choir book
Lewis E M 23:16	Lewis E M 23.16 reverse	mcai230162		1300	1399	119 x 201 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 23:16		reverse	cd 5091 2111 7784	48-bit color	600 ppi	2	Choir book
Lewis E M 23:17	Lewis E M 23.17 front	mcai230171		1300	1399	101 x 98 mm	Initial C | The design of this initial is remarkable for its intricacy. The interlaced vine-scroll motif that fills the bowl of the letter reflects the influence of illumination associated with Humanist manuscripts.	Parchment	Latin	Italy (central)					front	1	Lewis E M 23:17		front	cd 5091 2111 7784	48-bit color	600 ppi	1	Choir book
Lewis E M 23:17	Lewis E M 23.17 reverse	mcai230172		1300	1399	101 x 98 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (central)	Rotunda				reverse	2	Lewis E M 23:17		reverse	cd 5091 2111 7784	48-bit color	600 ppi	2	Choir book
Lewis E M 23:18	Lewis E M 23.18 front a	mcai230180						Parchment	Latin	Unknown	Gothic bookhand	Gregory IX	Author			1	Lewis E M 23:18			cd 5091 2111 7784				Decretals
Lewis E M 23:18	Lewis E M 23.18 reverse a	mcai230183						Parchment		Italy	Rotunda					2	Lewis E M 23:18			cd 5091 2111 7784				Missal
Lewis E M 23:18	Lewis E M 23.18 front b	mcai230184						Parchment		Italy					reverse	3	Lewis E M 23:18		reverse	cd 5091 2111 7784				Missal
Lewis E M 23:18	Lewis E M 23.18 reverse b	mcai230185						Parchment	Latin	Italy	Rotunda					4	Lewis E M 23:18			cd 5091 2111 7784				Missal
Lewis E M 23:18	Lewis E M 23.18 front c	mcai230186						Parchment	Latin	Italy	Rotunda					5	Lewis E M 23:18			cd 5091 2111 7784				Missal
Lewis E M 23:18	Lewis E M 23.18 reverse c	mcai230187						Parchment	Latin	Italy	Rotunda					6	Lewis E M 23:18			cd 5091 2111 7784				Missal
Lewis E M 23:18	Lewis E M 23.18 front d	mcai230188						Parchment	Latin	Italy	Rotunda	Gregory IX	Author			7	Lewis E M 23:18			cd 5091 2111 7784				Decretals
Lewis E M 23:18	Lewis E M 23.18 reverse d	mcai230189						Parchment		Italy	Rotunda					8	Lewis E M 23:18			cd 5091 2111 7784				Fragment
Lewis E M 23:19	Lewis E M 23.19 front	mcai230191		1400	1499	135 x 125 mm	Initial D | This initial is typical of minor initial decoration found in Italian choir books of the fourteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 23:19		front	cd 5091 2111 7784	48-bit color	600 ppi	1	Decorated initial D
Lewis E M 23:19	Lewis E M 23.19 reverse	mcai230192		1400	1499	135 x 125 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 23:19		reverse	cd 5091 2111 7785	48-bit color	600 ppi	2	Decorated initial D
Lewis E M 23:20	Lewis E M 23.20 front	mcai230201		1490	1510	109 x 128 mm	Initial E | This initial is typical of minor initial decoration found in Italian choir books of the fourteenth century. The illusionistic ornament of the delicate flowers floating above the gold ground reflects the influence of Flemish illumination on Italian artists at the turn of the sixteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 23:20		front	cd 5091 2111 7785	48-bit color	600 ppi	1	Choir book
Lewis E M 23:20	Lewis E M 23.20 reverse	mcai230202		1490	1510	109 x 128 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 23:20		reverse	cd 5091 2111 7785	48-bit color	600 ppi	2	Choir book
Lewis E M 23:21	Lewis E M 23.21 front a	mcai230213		1400	1499	87 x 85 mm	Initial D (or P) | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Lombardy, Italy					front a	1	Lewis E M 23:21		front a	cd 5091 2111 7785	48-bit color	600 ppi	1	Choir book
Lewis E M 23:21	Lewis E M 23.21 reverse a	mcai230214		1400	1499	87 x 85 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse a	2	Lewis E M 23:21		reverse a	cd 5091 2111 7785	48-bit color	600 ppi	2	Choir book
Lewis E M 23:21	Lewis E M 23.21 front b	mcai230215		1400	1499	88 x 94 mm	Initial D | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Lombardy, Italy					front b	3	Lewis E M 23:21		front b	cd 5091 2111 7785	48-bit color	600 ppi	3	Choir book
Lewis E M 23:21	Lewis E M 23.21 reverse b	mcai230216		1400	1499	88 x 94 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse b	4	Lewis E M 23:21		reverse b	cd 5091 2111 7785	48-bit color	600 ppi	4	Choir book
Lewis E M 23:22	Lewis E M 23.22 front	mcai230221		1400	1499	111 x 148 mm	Initial E | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. The style and palette suggest an illuminator working in Siena.	Parchment	Latin	Siena, Italy					front	1	Lewis E M 23:22		front	cd 5091 2111 7785	48-bit color	600 ppi	1	Choir book
Lewis E M 23:22	Lewis E M 23.22 reverse	mcai230222		1400	1499	111 x 148 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 23:22		reverse	cd 5091 2111 7785	48-bit color	600 ppi	2	Choir book
Lewis E M 23:23	Lewis E M 23.23 front	mcai230231		1400	1499	102 x 173 mm	Initial R | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 23:23		front	cd 5091 2111 7788	48-bit color	600 ppi	1	Choir book
Lewis E M 23:23	Lewis E M 23.23 reverse	mcai230232		1400	1499	102 x 173 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 23:23		reverse	cd 5091 2111 7788	48-bit color	600 ppi	2	Choir book
Lewis E M 23:24	Lewis E M 23.24 front	mcai230241		1400	1499	60 x 91 mm	Initial S | This initial is typical of minor initial decoration found in Italian service books of the fifteenth century.	Parchment	Latin	Italy (central)					front	1	Lewis E M 23:24		front	cd 5091 2111 7788	48-bit color	600 ppi	1	Choir book
Lewis E M 23:24	Lewis E M 23.24 reverse	mcai230242		1400	1499	60 x 91 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Italy (central)	Rotunda				reverse	2	Lewis E M 23:24		reverse	cd 5091 2111 7788	48-bit color	600 ppi	2	Choir book
Lewis E M 24:1-4	Lewis E M 24.1 front	mcai240011		1185	1199	200 x 280 mm	Initial P with St. Paul | This initial begins Paul's letter to Titus. Glossed books of the Bible, such as the manuscript from which this leaf and three others (Lewis E M 24:2- 4) were taken, contained explanatory texts compiled from centuries of Biblical exegesis written alongside the Scripture. The complex layout of the page of a glossed Bible helped readers to distinguish between the main text and the gloss. The main text is written in large script in one column down the center of the page. The gloss is the smaller script written between the lines and in the two columns flanking the main text.	Parchment	Latin	Italy (central)	Transitional script (praegothica)				front 24:1	1	Lewis E M 24:01-04		front 24:1	cd 5091 2111 7792	48-bit color	600 ppi	1	Bible, glossed Epistles of Paul
Lewis E M 24:1-4	Lewis E M 24.1 reverse	mcai240012		1185	1199	200 x 280 mm	This image shows the reverse of a leaf with a decorated initial from a glossed Bible.	Parchment	Latin	Italy (central)	Transitional script (praegothica)				reverse 24:1	2	Lewis E M 24:01-04		reverse 24:1	cd 5091 2111 7792	48-bit color	600 ppi	2	Bible, glossed Epistles of Paul
Lewis E M 24:1-4	Lewis E M 24.2 front	mcai240021		1185	1199	195 x 286 mm	Initial P | This initial begins Paul's first letter to the Thessalonians. Glossed books of the Bible, such as the manuscript from which this leaf and three others (Lewis E M 24:1, 3, and 4) were taken, contained explanatory texts compiled from centuries of Biblical exegesis written alongside the Scripture. The complex layout of the page of a glossed Bible helped readers to distinguish between the main text and the gloss. The main text is written in large script in one column down the center of the page. The gloss is the smaller script written between the lines and in the two columns flanking the main text.	Parchment	Latin	Italy (central)	Transitional script (praegothica)				front 24:2	3	Lewis E M 24:01-04		front 24:2	cd 5091 2111 7793	48-bit color	600 ppi	3	Bible, glossed Epistles of Paul
Lewis E M 24:1-4	Lewis E M 24.2 reverse	mcai240022		1185	1199	195 x 286 mm	This image shows the reverse of a leaf with a decorated initial from a glossed Bible.	Parchment	Latin	Italy (central)	Transitional script (praegothica)				reverse 24:2	4	Lewis E M 24:01-04		reverse 24:2	cd 5091 2111 7793	48-bit color	600 ppi	4	Bible, glossed Epistles of Paul
Lewis E M 24:1-4	Lewis E M 24.3 front	mcai240031		1185	1199	195 x 287 mm	Initial P | This initial begins Paul's letter to the Philippians. Glossed books of the Bible, such as the manuscript from which this leaf and three others (Lewis E M 24:1, 2, and 4) were taken, contained explanatory texts compiled from centuries of Biblical exegesis written alongside the Scripture. The complex layout of the page of a glossed Bible helped readers to distinguish between the main text and the gloss. The main text is written in large script in one column down the center of the page. The gloss is the smaller script written between the lines and in the two columns flanking the main text.	Parchment	Latin	Italy (central)	Transitional script (praegothica)				front 24:3	5	Lewis E M 24:01-04		front 24:3	cd 5091 2111 7794	48-bit color	600 ppi	5	Bible, glossed Epistles of Paul
Lewis E M 24:1-4	Lewis E M 24.3 reverse	mcai240032		1185	1199	195 x 287 mm	This image shows the reverse of a leaf with a decorated initial from a glossed Bible.	Parchment	Latin	Italy (central)	Transitional script (praegothica)				reverse 24:3	6	Lewis E M 24:01-04		reverse 24:3	cd 5091 2111 7794	48-bit color	600 ppi	6	Bible, glossed Epistles of Paul
Lewis E M 24:1-4	Lewis E M 24.4 front	mcai240041		1185	1199	197 x 285 mm	Initial P | This initial begins Paul's letter to Timothy. Glossed books of the Bible, such as the manuscript from which this leaf and three others (Lewis E M 24:1-3) were taken, contained explanatory texts compiled from centuries of Biblical exegesis written alongside the Scripture. The complex layout of the page of a glossed Bible helped readers to distinguish between the main text and the gloss. The main text is written in large script in one column down the center of the page. The gloss is the smaller script written between the lines and in the two columns flanking the main text.	Parchment	Latin	Italy (central)	Transitional script (praegothica)				front 24:4	7	Lewis E M 24:01-04		front 24:4	cd 5091 2111 7795	48-bit color	600 ppi	7	Bible, glossed Epistles of Paul
Lewis E M 24:1-4	Lewis E M 24.4 reverse	mcai240042		1185	1199	197 x 285 mm	This image shows the reverse of a leaf with a decorated initial from a glossed Bible.	Parchment	Latin	Italy (central)	Transitional script (praegothica)				reverse 24:4	8	Lewis E M 24:01-04		reverse 24:4	cd 5091 2111 7795	48-bit color	600 ppi	8	Bible, glossed Epistles of Paul
Lewis E M 24:5	Lewis E M 24.5 front	mcai240051		1300	1350	154 x 163 mm	Initial S | The style of this initial is typical of Bolognese illumination in the fourteenth century, but the palette suggests a Riminese illuminator, possibly working within the circle of Neri da Rimini. Neri was active in both cities in the first quarter of the fourteenth century.	Parchment	Latin	Emilia-Romagna, Rimini?, Italy	Rotunda				front	1	Lewis E M 24:05		front	cd 5091 2111 7796	48-bit color	600 ppi	1	Choir book
Lewis E M 24:5	Lewis E M 24.5 reverse	mcai240052		1300	1350	154 x 163 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Emilia-Romagna, Rimini?, Italy	Rotunda				reverse	2	Lewis E M 24:05		reverse	cd 5091 2111 7796	48-bit color	600 ppi	2	Choir book
Lewis E M 24:6	Lewis E M 24.6 front	mcai240061		1300	1350	110 x 120 mm	In this zoomorphic initial, the body of a winged dragon turns back on itself to bite its own wings to form the letter 's.' The twisting forms of the initial recall early Celtic interlace patterns. Although ultimately of non-Christian origin, Celtic design traditions were spread by Irish monks who, as early as the sixth century, traveled throughout the continent as missionaries. The monks established monasteries and provided them with manuscripts from which to copy the necessary texts for carrying out the spiritual work of religious life. In this way, the style of Celtic illumination was spread throughout Europe, creating a lasting impact on European medieval aesthetics. | Initial S	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:06		front	cd 5091 2111 7796	48-bit color	600 ppi	1	Choir book
Lewis E M 24:6	Lewis E M 24.6 reverse	mcai240062		1300	1350	110 x 120 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:06		reverse	cd 5091 2111 7796	48-bit color	600 ppi	2	Choir book
Lewis E M 24:7	Lewis E M 24.7 front	mcai240071		1400	1499	99 x 126 mm	Initial L | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:07		front	cd 5091 2111 7796	48-bit color	600 ppi	1	Choir book
Lewis E M 24:7	Lewis E M 24.7 reverse	mcai240072		1400	1499	99 x 126 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:07		reverse	cd 5091 2111 7796	48-bit color	600 ppi	2	Choir book
Lewis E M 24:8	Lewis E M 24.8 front	mcai240081		1400	1499	95 x 95 mm	Initial K | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century. The illumination has been attributed to the Florentine painter Filippo di Matteo Torelli, who was active in the middle of the century.	Parchment	Latin	Florence?, Italy	Rotunda	Filippo di Matteo Torelli, attributed to	Artist		front	1	Lewis E M 24:08		front	cd 5091 2111 7796	48-bit color	600 ppi	1	Choir book
Lewis E M 24:8	Lewis E M 24.8 reverse	mcai240082		1400	1499	95 x 95 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Florence?, Italy	Rotunda				reverse	2	Lewis E M 24:08		reverse	cd 5091 2111 7796	48-bit color	600 ppi	2	Choir book
Lewis E M 24:9	Lewis E M 24.9 front	mcai240091		1490	1510	103 x 93 mm	Initial A | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth and sixteenth centuries.	Parchment	Latin	Italy (northern)	Rotunda				front	1	Lewis E M 24:09		front	cd 5091 2111 7796	48-bit color	600 ppi	1	Choir book
Lewis E M 24:9	Lewis E M 24.9 reverse	mcai240092		1490	1510	103 x 93 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 24:09		reverse	cd 5091 2111 7797	48-bit color	600 ppi	2	Choir book
Lewis E M 24:10	Lewis E M 24.10	mcai240101		1490	1510	111 x 107 mm	Initial O | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth and sixteenth centuries.	Parchment	Latin	Italy					front	1	Lewis E M 24:10		front	cd 5091 2111 7797	48-bit color	600 ppi	1	Choir book
Lewis E M 24:11	Lewis E M 24.11	mcai240111		1490	1510	84 x 75 mm	Initial C | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth and sixteenth centuries.	Parchment	Latin	Italy					front	1	Lewis E M 24:11		front	cd 5091 2111 7797	48-bit color	600 ppi	1	Choir book
Lewis E M 24:12	Lewis E M 24.12 front	mcai240121		1490	1510	105 x 113 mm	Initial N | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth and sixteenth centuries.	Parchment	Latin	Italy (northern)	Rotunda				front	1	Lewis E M 24:12		front	cd 5091 2111 7797	48-bit color	600 ppi	1	Missal
Lewis E M 24:12	Lewis E M 24.12 reverse	mcai240122		1490	1510	105 x 113 mm	This image shows the reverse of a cutting with a decorated initial from a missal.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 24:12		reverse	cd 5091 2111 7797	48-bit color	600 ppi	2	Missal
Lewis E M 24:13	Lewis E M 24.13 front	mcai240131		1400	1499	178 x 215 mm	Initial S | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy (northern)	Rotunda				front	1	Lewis E M 24:13		front	cd 5091 2111 7797	48-bit color	600 ppi	1	Choir book
Lewis E M 24:13	Lewis E M 24.13 reverse	mcai240132		1400	1499	178 x 215 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 24:13		reverse	cd 5091 2111 7797	48-bit color	600 ppi	2	Choir book
Lewis E M 24:14	Lewis E M 24.14 front	mcai240141		1400	1499	116 x 93 mm	Initial H | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:14		front	cd 5091 2111 7797	48-bit color	600 ppi	1	Choir book
Lewis E M 24:14	Lewis E M 24.14 reverse	mcai240142		1400	1499	116 x 93 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:14		reverse	cd 5091 2111 7799	48-bit color	600 ppi	2	Choir book
Lewis E M 24:15	Lewis E M 24.15 front	mcai240151		1400	1499	89 x 90 mm	Initial S | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:15		front	cd 5091 2111 7799	48-bit color	600 ppi	1	Choir book
Lewis E M 24:15	Lewis E M 24.15 reverse	mcai240152		1400	1499	89 x 90 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:15		reverse	cd 5091 2111 7799	48-bit color	600 ppi	2	Choir book
Lewis E M 24:16	Lewis E M 24.16 front	mcai240161		1400	1499	109 x 111 mm	Initial K | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:16		front	cd 5091 2111 7799	48-bit color	600 ppi	1	Choir book
Lewis E M 24:16	Lewis E M 24.16 reverse	mcai240162		1400	1499	109 x 111 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:16		reverse	cd 5091 2111 7799	48-bit color	600 ppi	2	Choir book
Lewis E M 24:17	Lewis E M 24.17 front	mcai240171		1400	1499	132 x 173 mm	Initial A | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:17		front	cd 5091 2111 7799	48-bit color	600 ppi	1	Choir book
Lewis E M 24:17	Lewis E M 24.17 reverse	mcai240172		1400	1499	132 x 173 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:17		reverse	cd 5091 2111 7799	48-bit color	600 ppi	2	Choir book
Lewis E M 24:18	Lewis E M 24.18 front	mcai240181		1490	1510	85 x 90 mm	Initial E | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:18		front	cd 5091 2111 7799	48-bit color	600 ppi	1	Choir book
Lewis E M 24:18	Lewis E M 24.18 reverse	mcai240182		1490	1510	85 x 90 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:18		reverse	cd 5091 2111 7799	48-bit color	600 ppi	2	Choir book
Lewis E M 24:19	Lewis E M 24.19 front	mcai240191		1500	1599	106 x 193 mm	Initial P | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:19		front	cd 5091 2111 7799	48-bit color	600 ppi	1	Choir book
Lewis E M 24:19	Lewis E M 24.19 reverse	mcai240192		1500	1599	106 x 193 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:19		reverse	cd 5091 2111 7800	48-bit color	600 ppi	2	Choir book
Lewis E M 24:20	Lewis E M 24.20 front	mcai240201		1500	1599	133 x 150 mm	Initial A | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:20		front	cd 5091 2111 7800	48-bit color	600 ppi	1	Choir book
Lewis E M 24:20	Lewis E M 24.20 reverse	mcai240202		1500	1599	133 x 150 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:20		reverse	cd 5091 2111 7800	48-bit color	600 ppi	2	Choir book
Lewis E M 24:21	Lewis E M 24.21 front	mcai240211		1500	1599	136 x 135 mm	Initial C | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:21		front	cd 5091 2111 7800	48-bit color	600 ppi	1	Choir book
Lewis E M 24:21	Lewis E M 24.21 reverse	mcai240212		1500	1599	136 x 135 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:21		reverse	cd 5091 2111 7800	48-bit color	600 ppi	2	Choir book
Lewis E M 24:22	Lewis E M 24.22 front	mcai240221		1300	1399	165 x 196 mm	Initials | These initials are typical of minor initial decoration found in Italian choir books of the fourteenth century. The first six of these initials begin the Gloria in Excelsis and the last three begin the Nicene Creed, both of which are sung during Mass.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:22		front	cd 5091 2111 7800	48-bit color	600 ppi	1	Gradual
Lewis E M 24:22	Lewis E M 24.22 reverse	mcai240222		1300	1399	165 x 196 mm	This image shows the reverses of several cuttings with decorated initials from a gradual.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:22		reverse	cd 5091 2111 7801	48-bit color	600 ppi	2	Gradual
Lewis E M 24:23	Lewis E M 24.23 front	mcai240231		1300	1399	134 x 205 mm	Initial N | This initial is typical of minor initial decoration found in Italian choir books of the fourteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:23		front	cd 5091 2111 7801	48-bit color	600 ppi	1	Choir book
Lewis E M 24:23	Lewis E M 24.23 reverse	mcai240232		1300	1399	134 x 205 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:23		reverse	cd 5091 2111 7801	48-bit color	600 ppi	2	Choir book
Lewis E M 24:24	Lewis E M 24.24 front	mcai240241		1300	1399	54 x 55 mm	Initial A | This initial is typical of minor initial decoration found in Italian choir books of the fourteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:24		front	cd 5091 2111 7801	48-bit color	600 ppi	1	Choir book
Lewis E M 24:24	Lewis E M 24.24 reverse	mcai240242		1300	1399	54 x 55 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:24		reverse	cd 5091 2111 7801	48-bit color	600 ppi	2	Choir book
Lewis E M 24:25	Lewis E M 24.25 front	mcai240251		1300	1399	109 x 126 mm	Initial E | This initial is typical of minor initial decoration found in Italian choir books of the fourteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:25		front	cd 5091 2111 7801	48-bit color	600 ppi	1	Choir book
Lewis E M 24:25	Lewis E M 24.25 reverse	mcai240252		1300	1399	109 x 126 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:25		reverse	cd 5091 2111 7801	48-bit color	600 ppi	2	Choir book
Lewis E M 24:26	Lewis E M 24.26 front	mcai240261		1300	1399	86 x 122 mm	Initial O | This initial is typical of minor initial decoration found in Italian choir books of the fourteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:26		front	cd 5091 2111 7801	48-bit color	600 ppi	1	Choir book
Lewis E M 24:26	Lewis E M 24.26 reverse	mcai240262		1300	1399	86 x 122 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:26		reverse	cd 5091 2111 7803	48-bit color	600 ppi	2	Choir book
Lewis E M 24:27	Lewis E M 24.27 front	mcai240271		1300	1399	131 x 215 mm	Initial E | This initial is typical of minor initial decoration found in Italian choir books of the fourteenth century. Lewis E M 24:27-28 share similar staff dimensions and are likely from the same manuscript.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:27		front	cd 5091 2111 7803	48-bit color	600 ppi	1	Gradual
Lewis E M 24:27	Lewis E M 24.27 reverse	mcai240272		1300	1399	131 x 215 mm	This image shows the reverse of a cutting with a decorated initial from a gradual.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:27		reverse	cd 5091 2111 7803	48-bit color	600 ppi	2	Gradual
Lewis E M 24:28	Lewis E M 24.28 front	mcai240281		1300	1399	117 x 228 mm	Initial B | This initial is typical of minor initial decoration found in Italian choir books of the fourteenth century. Lewis E M 24:27-28 share similar staff dimensions and are likely from the same manuscript.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:28		front	cd 5091 2111 7803	48-bit color	600 ppi	1	Gradual
Lewis E M 24:28	Lewis E M 24.28 reverse	mcai240282		1300	1399	117 x 228 mm	This image shows the reverse of a cutting with a decorated initial from a gradual.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:28		reverse	cd 5091 2111 7803	48-bit color	600 ppi	2	Gradual
Lewis E M 24:29	Lewis E M 24.29 front	mcai240291		1385	1399	132 x 214 mm	Border ornament | This fragment of border decoration has been attributed to the Florentine illuminator Don Simone Camaldolese, a monk at the Camaldolese monastery of Santa Maria degli Angeli in Florence. Documents record that he was active there between 1378 and 1389. He signed his name 'Simon de Senis', or Simon of Siena, in an antiphonary completed in 1381 (now in the Laurentian Library in Florence, Cod. Cor. 39), indicating that he was originally from Siena.	Parchment	Latin	Florence, Italy		Don Simone Camaldolese	Artist		front	1	Lewis E M 24:29		front	cd 5091 2111 7732	48-bit color	600 ppi	1	Undetermined
Lewis E M 24:29	Lewis E M 24.29 reverse	mcai240292		1385	1399	132 x 214 mm	This is the reverse of a cutting with border ornament.	Parchment	Latin	Florence, Italy					reverse	2	Lewis E M 24:29		reverse	cd 5091 2111 7732	48-bit color	600 ppi	2	Undetermined
Lewis E M 24:30	Lewis E M 24.30 front	mcai240301		1400	1499	51 x 46 mm	Initial M | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:30		front	cd 5091 2111 7732	48-bit color	600 ppi	1	Choir book
Lewis E M 24:30	Lewis E M 24.30 reverse	mcai240302		1400	1499	51 x 46 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:30		reverse	cd 5091 2111 7732	48-bit color	600 ppi	2	Choir book
Lewis E M 24:31	Lewis E M 24.31 front	mcai240311		1400	1499	67 x 54 mm	Initial N | This initial is typical of minor initial decoration found in Italian choir books of the fifteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 24:31		front	cd 5091 2111 7732	48-bit color	600 ppi	1	Choir book
Lewis E M 24:31	Lewis E M 24.31 reverse	mcai240312		1400	1499	67 x 54 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 24:31		reverse	cd 5091 2111 7732	48-bit color	600 ppi	2	Choir book
Lewis E M 25:1	Lewis E M 25.1 front	mcai250011		1450	1475	75 x 259 mm	Initial I with a saint, possibly St. John the Evangelist | Sano di Pietro (1405-1481), the illuminator of this initial, was one of the most prolific artists working in Siena during the fifteenth century. Many of Sano's commissions came from religious communities, for whom he produced not only illuminated manuscripts but also a number of altarpieces. The youthful features of this saint suggest that this is St. John the Evangelist, who, like other the other apostles, is normally depicted in bare feet. Closer inspection of saint's feet bears out this identification: the orange stockings covering the saint's feet are a later addition. His feet can be seen through the thinly applied orange paint. This cutting belongs to a group of other cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. | This cutting has been dated to ca. 1470.	Parchment	Latin	Siena, Italy		Sano di Pietro	Artist		front	1	Lewis E M 25:01		front	cd 5091 2111 6742	48-bit color	600 ppi	1	Choir book
Lewis E M 25:1	Lewis E M 25.1 reverse	mcai250012		1450	1475	75 x 259 mm	This cutting has been dated to ca. 1470. | This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 25:01		reverse	cd 5091 2111 6742	48-bit color	600 ppi	2	Choir book
Lewis E M 25:2	Lewis E M 25.2 front	mcai250021		1450	1475	113 x 176 mm	Initial E with St. Gregory the Great | Sano di Pietro (1405-1481), the illuminator of this initial, was one of the most prolific artists working in Siena during the fifteenth century. Many of Sano's commissions came from religious communities, for whom he produced not only illuminated manuscripts but also a number of altarpieces. This cuttings belongs to a group of other cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. | This cutting has been dated to ca. 1470.	Parchment	Latin	Siena, Italy		Sano di Pietro	Artist		front	1	Lewis E M 25:02		front	cd 5091 2111 6742	48-bit color	600 ppi	1	Choir book
Lewis E M 25:2	Lewis E M 25.2 reverse	mcai250022		1450	1475	113 x 176 mm	This cutting has been dated to ca. 1470. | This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Siena, Italy					reverse	2	Lewis E M 25:02		reverse	cd 5091 2111 6742	48-bit color	600 ppi	2	Choir book
Lewis E M 25:3	Lewis E M 25.3	mcai250031		1400	1415	120 x 150 mm	Initial B with an Old Testament king, possibly King David | Sano di Pietro (1405-1481), the illuminator of this initial, was one of the most prolific artists working in Siena during the fifteenth century. Many of Sano's commissions came from religious communities, for whom he produced not only illuminated manuscripts but also a number of altarpieces. This cutting belongs to a group of other cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. | This cutting has been dated to ca. 1470.	Parchment	Latin	Siena, Italy		Sano di Pietro	Artist		front	1	Lewis E M 25:03		front	cd 5091 2111 6742	48-bit color	600 ppi	1	Choir book
Lewis E M 25:4	Lewis E M 25.4 front	mcai250041		1350	1375	66 x 160 mm	Cutting with a supplicant praying to Christ | The place in the liturgy that this initial marks has yet to be determined. | This leaf can be dated to 1360-1370.	Parchment	Latin	Venice, Italy					front	1	Lewis E M 25:04		front	cd 5091 2111 6742	48-bit color	600 ppi	1	Choir book
Lewis E M 25:4	Lewis E M 25.4 reverse	mcai250042		1350	1375	66 x 160 mm	This image shows the reverse of a cutting with illumination. | This leaf can be dated to 1360-1370.	Parchment	Latin	Venice, Italy	Rotunda				reverse	2	Lewis E M 25:04		reverse	cd 5091 2111 6742	48-bit color	600 ppi	2	Choir book
Lewis E M 25:5	Lewis E M 25.5 front	mcai250051		1340	1360	197 x 244 mm	Initial B with the Holy Trinity | This cutting can be dated to ca. 1345-1350. | This initial begins the Introit for the Mass of the Holy Trinity, 'Benedicta sit sancta Trinitas atque indivisa unitas...' (Blessed by the Holy Trinity and indivisible unity). Representations of the Trinity could vary from those that present God as the father, the Holy Spirit as a dove, and Christ as the man Jesus, to images such as this one that present a more nuanced interpretation of this difficult concept. Here, the artist presents the Trinity as a man with three identical faces merged into one head, an image that emphasizes the unity glorified in this Introit. Niccolò di ser Sozzo Tegliacci is a Sienese painter and an illuminator. Little is known about his life: in 1348 he was in debt to the city of Siena, and in 1363 he was mentioned in Siena's Libro delle Arti (Book of the Arts).	Parchment	Latin	Siena, Italy	Rotunda	Niccolò di Ser Sozzo	Artist		front	1	Lewis E M 25:05		front	cd 5091 2111 6743	48-bit color	600 ppi	1	Gradual
Lewis E M 25:5	Lewis E M 25.5 reverse	mcai250052		1340	1360	197 x 244 mm	This cutting can be dated to ca. 1345-1350. | This shows this reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 25:05		reverse	cd 5091 2111 6743	48-bit color	600 ppi	2	Gradual
Lewis E M 25:6	Lewis E M 25.6 front	mcai250061		1375	1399	108 x 138 mm	Initial S with the Stoning of St. Stephen Protomartyr | This cutting can be dated to ca. 1280. | This initial begins the first response for the first nocturn of Matins for the feast of St. Stephen (Dec. 26), 'Stephanus autem plenis gratia et fortitudine' (And Stephen, full of grace and fortitude). St. Stephen is given the title 'Protomartyr' because he was the first martyr of the faith. The Acts of the Apostles record that he was stoned to death while preaching the Word of God (Acts 7:58).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 25:06		front	cd 5091 2111 6743	48-bit color	600 ppi	1	Antiphonary
Lewis E M 25:6	Lewis E M 25.6 reverse	mcai250062		1375	1399	108 x 138 mm	This cutting can be dated to ca. 1280. | This image shows the reverse of a cutting from an antiphonary.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 25:06		reverse	cd 5091 2111 6743	48-bit color	600 ppi	2	Antiphonary
Lewis E M 25:7	Lewis E M 25.7 front	mcai250071		1450	1475	135 x 113 mm	Initial D with King David praying to God | This cutting can be dated to ca. 1470. | This initial probably begins Psalm 38, 'Dixi custodiam vias meas ut non delinquam in lingua mea posui ori meo ....' (I said I will take heed to my ways, that I sin not with my tongue). This psalm marks the second major liturgical division of the psalms according to the canonical hours. Psalm 38 was read every day at Matins on Tuesdays. As is typical for the illustration of this psalm, King David points to his mouth as he prays to God, literally acting out, by pointing to his mouth, the first words of the psalm.	Parchment	Latin	Ferrara, Italy	Rotunda				front	1	Lewis E M 25:07		front	cd 5091 2111 6743	48-bit color	600 ppi	1	Psalter
Lewis E M 25:7	Lewis E M 25.7 reverse	mcai250072		1450	1475	135 x 113 mm	This cutting can be dated to ca. 1470. | This image shows the reverse of a cutting with an historiated initial from a psalter.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse	2	Lewis E M 25:07		reverse	cd 5091 2111 6744	48-bit color	600 ppi	2	Psalter
Lewis E M 25:7A	Lewis E M 25.7A front	mcai250073		1325	1350	106 x 80 mm	Reburial of the relics of St. Stephen Protomartyr in the grave of St. Lawrence of Rome | The leaf has been dated to ca. 1340. | This cutting, which would have been part of the border decoration of a large folio, commemorates the reburial of the relics of St. Stephen, the first Christian martyr, in the grave of St. Laurence, the third-century deacon and celebrated victim of the persecutions of the Roman emperor Valerian. St. Stephen's relics were brought from Constantinople to Rome by Pope Pelagius II (578-590) during the construction of the church of San Lorenzo fuori le Mura (St. Laurence outside the Walls) , which still stands today in Rome. On his orders, the relics of the first Christian martyr were interred with the remains of St. Lawrence, whose grave is enshrined within the church. This cutting and Lewis E M 25:8 are from a codex known as the Laudario of the Compagnia di Sant'Agnese. The codex survives only in fragments now dispersed among European and American libraries and museums. A laudario contains hymns in the vernacular language to be sung by members of a lay religious community, in this case the community known as the Compagnia di Sant'Agnese of Santa Maria del Carmine in Florence. The original codex was illuminated by two Florentine artists: Pacino di Bonaguida, the artist of the Free Library's cuttings, and the Master of the Dominican Effigies, an anonymous artist and contemporary of Pacino.	Parchment	Latin	Florence, Italy		Pacino di Bonaguida	Artist		front	1	Lewis E M 25:07A		front	cd 5091 2111 6744	48-bit color	600 ppi	1	Laudario (Hymnal)
Lewis E M 25:7A	Lewis E M 25.7A reverse	mcai250074		1325	1350	106 x 80 mm	The leaf has been dated to ca. 1340. | This is the reverse of a cutting from a hymnal.	Parchment	Latin	Florence, Italy					reverse	2	Lewis E M 25:07A		reverse	cd 5091 2111 6744	48-bit color	600 ppi	2	Laudario (Hymnal)
Lewis E M 25:8	Lewis E M 25.8 front	mcai250081		1325	1350	107 x 103 mm	Initial G with St. John on Patmos | This cutting and Lewis E M 25:7a are from a codex known as the Laudario of the Compagnia di Sant'Agnese. The codex survives only in fragments now dispersed among European and American libraries and museums. A laudario contains hymns in the vernacular language to be sung by members of a lay religious community, in this case the community known as the Compagnia di Sant'Agnese of Santa Maria del Carmine in Florence. The original codex was illuminated by two Florentine artists: Pacino di Bonaguida, the artist of the Free Library's cuttings, and the Master of the Dominican Effigies, an anonymous artist and contemporary of Pacino. | This cutting can be dated to ca. 1340.	Parchment	Italian	Florence, Italy	Rotunda	Pacino di Bonaguida	Artist		front	1	Lewis E M 25:08		front	cd 5091 2111 6744	48-bit color	600 ppi	1	Laudario (Hymnal)
Lewis E M 25:8	Lewis E M 25.8 reverse	mcai250082		1325	1350	107 x 103 mm	This cutting can be dated to ca. 1340. | This image shows the reverse of a cutting with an historiated initial from the Laudario of the Compagnia di SantAgnese.	Parchment	Italian	Florence, Italy	Rotunda				reverse	2	Lewis E M 25:08		reverse	cd 5091 2111 6744	48-bit color	600 ppi	2	Laudario (Hymnal)
Lewis E M 25:9	Lewis E M 25.9 front	mcai250091		1500	1525	126 x 137 mm	Initial T with the Lamentation of Christ | This cutting can be dated to ca. 1520. | This initial begins the first words of the Canon of the Roman Mass, 'Te igitur, clementissme Pater, per Iesum Christum Filium tuum Dominum nostrum, supplices rogamus ac petimus' (We therefore, humbly pray and beseech thee, most merciful Father, through Jesus Christ, thy son, our lord). In the narrative of Christ's Passion, the lamentation over Christ's dead body follows his deposition from the Cross. The Virgin is joined in her sorrow by other witnesses to the Crucifixion; in this initial John the Evangelist, Mary Magdalene, Joseph of Arimathea, and Nicodemus accompany her. Lamentation scenes such as this one formed the basis for the popular late medieval devotional image known as the Pietà, in which the Virgin mourns alone as she cradles Christ's body. Attavante degli Attavanti (b. 1452-1520/25) was one of Florence's most sought after illuminators of the late fifteenth and early sixteenth centuries. Among his many patrons, were Federigo da Montefeltro, the Duke of Urbino (14778), and Matthias Corvinus, King of Hungary (1458-1490).	Parchment	Latin	Florence, Italy	Rotunda	Attavante degli Attavanti	Artist		front	1	Lewis E M 25:09		front	cd 5091 2111 6744	48-bit color	600 ppi	1	Missal
Lewis E M 25:9	Lewis E M 25.9 reverse	mcai250092		1500	1525	126 x 137 mm	This cutting can be dated to ca. 1520. | This image shows the reverse of a cutting with a decorated initial from a missal.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 25:09		reverse	cd 5091 2111 6744	48-bit color	600 ppi	2	Missal
Lewis E M 25:10	Lewis E M 25.10 front	mcai250101		1400	1499	34 x 40 mm	Initial L with St. Lucy of Syracuse | This initial from an undetermined source most likely began a prayer or some type of devotion to St. Lucy of Syracuse. Her feast day is December 13th. According to legend, she plucked out her own eyes in order to remain chaste; thus, she became the patron saint of blindness. As in this initial, one of her attributes is a platter with two eyes on it.	Parchment	Latin	Florence?, Italy	Rotunda				front	1	Lewis E M 25:10		front	cd 5091 2111 6744	48-bit color	600 ppi	1	Service book
Lewis E M 25:10	Lewis E M 25.10 reverse	mcai250102		1400	1499	34 x 40 mm	This image shows the reverse of a cutting with an historiated initial from an undetermined source.	Parchment	Latin	Florence?, Italy	Rotunda				reverse	2	Lewis E M 25:10		reverse	cd 5091 2111 6744	48-bit color	600 ppi	2	Service book
Lewis E M 25:11	Lewis E M 25.11 front	mcai250111		1500	1599	125 x 127 mm	Initial L | This initial is filled with design motifs that appealed to the Renaissance imagination. Along the exterior shaft of initial L is the face of the 'Green Man,' a symbolic figure characterized by a face surrounded by vegetal forms, such as leaves or branches. Having its origins in pagan symbolism, the Green Man suggested rebirth and renewal. The hybrid figure in the center of the initial suggests the mythical figure Chimera, a fire-breathing female monster with a lion's head and a goat's body and a serpent's tail.	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 25:11		front	cd 5091 2111 6744	48-bit color	600 ppi	1	Service book
Lewis E M 25:11	Lewis E M 25.11 reverse	mcai250112		1500	1599	125 x 127 mm	This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 25:11		reverse	cd 5091 2111 6744	48-bit color	600 ppi	2	Service book
Lewis E M 25:12	Lewis E M 25.12 front	mcai250121		1575	1599	132 x 158 mm	Initial G with the Birth of the Virgin | This initial begins an undetermined chant sung during the celebrations for the feast of the Nativity of the Virgin (Sept. 8).	Parchment	Latin	Italy (central)	Rotunda	In the style of Giovanni Bocardi	Artist		front	1	Lewis E M 25:12		front	cd 5091 2111 6745	48-bit color	600 ppi	1	Antiphonary
Lewis E M 25:12	Lewis E M 25.12 reverse	mcai250122		1575	1599	132 x 158 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Italy (central)	Rotunda				reverse	2	Lewis E M 25:12		reverse	cd 5091 2111 6745	48-bit color	600 ppi	2	Antiphonary
Lewis E M 25:13	Lewis E M 25.13 front	mcai250131		1400	1450	77 x 89 mm	This cutting has been dated to before 1445. | This delicately painted roundel has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. This cutting is from the same manuscript as Lewis E M 25:14. Several other leaves in the Free Library have also been attributed to Cortese. | Unidentified saint, holding a martyr's palm	Parchment	Latin	Venice, Italy		Cristoforo Cortese	Artist		front	1	Lewis E M 25:13		front	cd 5091 2111 6745	48-bit color	600 ppi	1	Choir book
Lewis E M 25:13	Lewis E M 25.13 reverse	mcai250132		1400	1450	77 x 89 mm	This cutting has been dated to before 1445. | This image shows the reverse of a cutting with a miniature.	Parchment	Latin	Venice, Italy	Rotunda				reverse	2	Lewis E M 25:13		reverse	cd 5091 2111 6745	48-bit color	600 ppi	2	Choir book
Lewis E M 25:14	Lewis E M 25.14 front	mcai250141		1400	1450	80 x 93 mm	This cutting has been dated to before 1445. | This delicately painted roundel has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. This cutting is from the same manuscript as Lewis E M 25:13. Several other leaves in the Free Library have also been attributed to Cortese. | Unidentified saint, holding a martyr's palm	Parchment	Latin	Venice, Italy		Cristoforo Cortese	Artist		front	1	Lewis E M 25:14		front	cd 5091 2111 6745	48-bit color	600 ppi	1	Choir book
Lewis E M 25:14	Lewis E M 25.14 reverse	mcai250142		1400	1450	80 x 93 mm	This cutting has been dated to before 1445. 
 This cutting is the reverse of a roundel painted by Venetian illuminator Cristoforo Cortese.	Parchment		Venice, Italy						2	Lewis E M 25:14			cd 5091 2111 6745				Choir book
Lewis E M 25:15	Lewis E M 25.15 front	mcai250151		1400	1499	88 x 83 mm	Although the precise moment in the liturgy that this initial begins remains to be determined, the chant was probably used in a feast celebrating St. Paul. St. Paul was traditionally depicted as a balding, bearded man. His attribute of the sword also helps to identify this saint. | Initial Q with St. Paul the Apostle	Parchment	Latin	Siena?, Italy	Rotunda				front	1	Lewis E M 25:15		front	cd 5091 2111 6745	48-bit color	600 ppi	1	Choir book
Lewis E M 25:15	Lewis E M 25.15 reverse	mcai250152		1400	1499	88 x 83 mm	This image shows the reverses of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Siena?, Italy	Rotunda				reverse	2	Lewis E M 25:15		reverse	cd 5091 2111 6745	48-bit color	600 ppi	2	Choir book
Lewis E M 25:16	Lewis E M 25.16 front	mcai250161		1200	1225	142 x 225 mm	Initial A with the Resurrection | The subject of this initial indicates that it most likely began the first response of the first nocturn of Matins for Easter Sunday, 'Angelus Domini descendit de celo...' (An angel of the Lord descended from heaven), in the liturgical manuscript from which it was removed.	Parchment	Latin	Siena, Italy		Maestro dei Corali di Massa Marittima	Artist		front	1	Lewis E M 25:16		front	cd 5091 2111 6745	48-bit color	600 ppi	1	Antiphonary
Lewis E M 25:16	Lewis E M 25.16 reverse	mcai250162		1200	1225	142 x 225 mm	This is the reverse of a cutting from an antiphonary.	Parchment	Latin	Siena, Italy					reverse	2	Lewis E M 25:16		reverse	cd 5091 2111 6746	48-bit color	600 ppi	2	Antiphonary
Lewis E M 25:17	Lewis E M 25.17 front	mcai250171		1325	1350	149 x 140 mm	Initial O with St. Anthony Abbot and St. Paul the Hermit | This initial probably began the Introit for the Common of Abbots, 'Os justi meditabitur sapientiam ...' (Right reason is on the good man's lips) in a gradual. The iconography supports this identification. St. Anthony Abbot and St. Paul the Hermit belong to a group of third- and fourth-century saints known as the Desert Fathers. The Desert Fathers were men who fled to the Egyptian desert to escape persecution and to lead a life of solitude and contemplation. In the medieval west, Sts. Anthony and Paul were considered to be the founders of Christian monasticism. The illumination of this initial has been attributed to the Master of the Dominican Effigies, an anonymous artist active in Florence in the second quarter of the fourteenth century.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 25:17		front	cd 5091 2111 6746	48-bit color	600 ppi	1	Gradual
Lewis E M 25:17	Lewis E M 25.17 reverse	mcai250172		1325	1350	149 x 140 mm	This is the reverse of a cutting of an historiated initial from a Gradual.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 25:17		reverse	cd 5091 2111 6746	48-bit color	600 ppi	2	Gradual
Lewis E M 25:18	Lewis E M 25.18 front	mcai250181		1400	1450	75 x 115 mm	Initial S with St. Stephen Protomartyr | St. Stephen is known as St. Stephen Protomartyr because he was the first martyr of the Christian faith. The stones on his forehead and shoulders refer to his martyrdom. The Acts of the Apostles relate that he was stoned to death while preaching the Word of Christ (Acts 7:58). This initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese.	Parchment	Latin	Venice, Italy	Rotunda	Cristoforo Cortese, attributed to	Artist		front	1	Lewis E M 25:18		front	cd 5091 2111 6746	48-bit color	600 ppi	1	Choir book
Lewis E M 25:18	Lewis E M 25.18 reverse	mcai250182		1400	1450	75 x 115 mm	This is the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Venice, Italy	Rotunda				reverse	2	Lewis E M 25:18		reverse	cd 5091 2111 6746	48-bit color	600 ppi	2	Choir book
Lewis E M 25:19	Lewis E M 25.19 front	mcai250191		1290	1310	75 x 80 mm	Initial S with the Ordination of a priest | This cutting can be dated to ca. 1300. | This initial probably begins the Introit for the Common of One Confessor, 'Sacerdotes tui domine in duant justitiam ...' (Let thy priests go clad in the vesture of innocence), although there is not enough textual evidence to confirm this. The scene represented in the initial is the investiture of a new priest with the stole and chasuble (the vestments a priest wears during Mass), an event that occurs during the ordination of new priests. Although the execution of the scene in the initial is somewhat awkward, it shows the new priest bowing before the bishop in order to receive the vestments. The third figure, a priest, assists the bishop in pulling the vestments over the head of the new priest.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 25:19		front	cd 5091 2111 6746	48-bit color	600 ppi	1	Gradual
Lewis E M 25:19	Lewis E M 25.19 reverse	mcai250192		1290	1310	75 x 80 mm	This cutting can be dated to ca. 1300. | This image shows the reverse of a cutting with an initial from a gradual.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 25:19		reverse	cd 5091 2111 6746	48-bit color	600 ppi	2	Gradual
Lewis E M 25:20	Lewis E M 25.20 front	mcai250201		1300	1325	57 x 137 mm	Initial I with the Raising of Lazarus | This initial, perhaps from an antiphonary, has been severely trimmed. It appears to be an 'I' beginning the first response of the first nocturn of Matins for the Friday after the Fourth Sunday of Lent, 'In mari viae tuae, et semitae tuae in aquis multis...' (Your ways in the sea, and your paths in many waters). This response is sometimes illustrated by the Raising of Lazarus in other antiphonaries.	Parchment		Massa Marittima?, Italy		Maestro dei Corali di Massa Marittima	Artist		front	1	Lewis E M 25:20		front	cd 5091 2111 6746	48-bit color	600 ppi	1	Choir book
Lewis E M 25:20	Lewis E M 25.20 reverse	mcai250202		1300	1325	57 x 137 mm	Inscribed magical incantation | The inscription on the reverse of this cutting, written in Italian and added at a later date, appears to be a magical chant associated with Psalm 10 printed on a piece of paper attached to the cutting.	Parchment		Massa Marittima?, Italy					reverse	2	Lewis E M 25:20		reverse	cd 5091 2111 6746	48-bit color	600 ppi	2	Choir book
Lewis E M 25:21	Lewis E M 25.21 front	mcai250211		1400	1450	190 x 504 mm	Initial G with an unidentified saint | This initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese.	Parchment	Latin	Venice, Italy	Rotunda	Cristoforo Cortese, attributed to	Artist		front	1	Lewis E M 25:21		front	cd 5091 2111 6747	48-bit color	600 ppi	1	Gradual
Lewis E M 25:21	Lewis E M 25.21 reverse	mcai250212		1400	1450	190 x 504 mm	This is the reverse of a cutting with a historiated initial from a Gradual.	Parchment	Latin	Venice, Italy	Rotunda				reverse	2	Lewis E M 25:21		reverse	cd 5091 2111 6747	48-bit color	600 ppi	2	Gradual
Lewis E M 25:22	Lewis E M 25.22 front	mcai250221		1300	1399	89 x 91 mm	Initial S with the Pentecost | This cutting can be dated to ca. 1300. | This initial probably begins the Introit for Mass of the feast of Pentecost, 'Spiritus Domini replevit orbem terrarum' (The spirit of the Lord fills the whole world).	Parchment	Latin	Siena?, Italy					front	1	Lewis E M 25:22		front	cd 5091 2111 6747	48-bit color	600 ppi	1	Gradual
Lewis E M 25:22	Lewis E M 25.22 reverse	mcai250222		1300	1399	89 x 91 mm	This cutting can be dated to ca. 1300. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Siena?, Italy	Rotunda				reverse	2	Lewis E M 25:22		reverse	cd 5091 2111 6747	48-bit color	600 ppi	2	Gradual
Lewis E M 25:22A	Lewis E M 25.22A front	mcai250223		1325	1350	137 x 147 mm	Initial R with the Annunciation | This initial possibly began the first Matins antiphon for the feast of the Annunciation to the Virgin, 'Respondens angelus dixit ad Mariam ...' (The angel answering, said to Mary) in an antiphonary, a conclusion supported by the iconography of the initial. The illumination has been attributed to the Master of the Dominican Effigies, an anonymous artist active in Florence in the second quarter of the fourteenth century.	Parchment	Latin	Florence, Italy	Rotunda	Master of the Dominican Effigies	Artist		front	1	Lewis E M 25:22A		front	cd 5091 2111 6747	48-bit color	600 ppi	1	Antiphonary
Lewis E M 25:22A	Lewis E M 25.22A reverse	mcai250224		1325	1350	137 x 147 mm	This is the reverse of a cutting with an historiated initial from an Antiphonary.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 25:22A		reverse	cd 5091 2111 6748	48-bit color	600 ppi	2	Antiphonary
Lewis E M 25:22B	Lewis E M 25.22B front	mcai250225		1300	1325	136 x 129 mm	Initial M with the Annunciation | This initial begins the first response for the first nocturn of Matins for the feast of the Annunciation (March 25), 'Missus est Gabriel Angelus,' (The Angel Gabriel was sent).	Parchment	Latin	Siena, Italy					front	1	Lewis E M 25:22B		front	cd 5091 2111 6748	48-bit color	600 ppi	1	Antiphonary
Lewis E M 25:22B	Lewis E M 25.22B reverse	mcai250226		1300	1325	136 x 129 mm	This image shows the reverse of a cutting with an historiated intial from an antiphonary.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 25:22B		reverse	cd 5091 2111 6748	48-bit color	600 ppi	2	Antiphonary
Lewis E M 25:23	Lewis E M 25.23 front	mcai250231		1290	1310	73 x 214 mm	Cutting with three medallions depicting St. Peter as an Apostle, in prison, and as the first bishop of Rome | This cutting can be dated to ca. 1300. | This cutting was once part of a larger illuminated leaf from a choir book that served to introduce the liturgy for the feast of St. Peter. The style of illumination recalls the work of the Florentine illuminator Lippo di Benivieni, who was active from 1296 to 1320.	Parchment	Latin	Florence, Italy	Rotunda	Lippo di Benivieni, follower of	Artist		front	1	Lewis E M 25:23		front	cd 5091 2111 6748	48-bit color	600 ppi	1	Choir book
Lewis E M 25:23	Lewis E M 25.23 reverse	mcai250232		1290	1310	73 x 214 mm	This cutting can be dated to ca. 1300. | This is the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 25:23		reverse	cd 5091 2111 6748	48-bit color	600 ppi	2	Choir book
Lewis E M 25:24	Lewis E M 25.24 front	mcai250241		1385	1399	159 x 200 mm	Initial B with St. Michael Archangel | This initial begins the Introit for the feast of St. Michael Archangel (Sept. 29), 'Benedicite Domino omnes angeli ejus...' (Bless the Lord, all you angels of his).	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 25:24		front	cd 5091 2111 6748	48-bit color	600 ppi	1	Gradual
Lewis E M 25:24	Lewis E M 25.24 reverse	mcai250242				159 x 200 mm	This cutting is the reverse of an initial B.	Parchment		Florence, Italy						2	Lewis E M 25:24			cd 5091 2111 6749				Gradual
Lewis E M 25:25	Lewis E M 25.25 front	mcai250251		1425	1475			Parchment		Siena, Italy		Pietro di Giovanni d'Ambrogio, follower of	Artist		front	1	Lewis E M 25:25		front	cd 5091 2111 6749				Historiated initial N depicting the Virgin enthroned
Lewis E M 25:25	Lewis E M 25.25 reverse	mcai250252						Parchment	Latin	Unknown	Rotunda				reverse	2	Lewis E M 25:25		reverse	cd 5091 2111 6749				Historiated initial N depicting the Virgin enthroned
Lewis E M 25:26	Lewis E M 25.26 front	mcai250261		1300	1399	86 x 85 mm	Initial S with a Bishop saint | Very little evidence remains to identify the liturgy that this initial begins. There are no specific attributes to identify the saint except. The book he holds in his left hand provides no hint since books were common attributes for saints.	Parchment	Latin	Italy (central)	Rotunda				front	1	Lewis E M 25:26		front	cd 5091 2111 6749	48-bit color	600 ppi	1	Choir book
Lewis E M 25:26	Lewis E M 25.26 reverse	mcai250262		1300	1399	86 x 85 mm	This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Italy (central)	Rotunda				reverse	2	Lewis E M 25:26		reverse	cd 5091 2111 6749	48-bit color	600 ppi	2	Choir book
Lewis E M 25:26A	Lewis E M 25.26A front	mcai250263		1275	1299	134 x 153 mm	Initial H with the Nativity | This initial begins the first response of the first nocturn of Matins for Christmas Day (Dec. 25), 'Hodie nobis caelorum rex de virgine nasci dignatus est ...' (On this day the King of heaven deigned to be born for us of a Virgin). The illumination has been attributed to the anonymous Master of Missal A 47 of Perugia, so-called after a missal illuminated by him. This master was active in Siena, Rome, and in Umbria in the 1280s and 1290s. The cutting was taken from the same manuscript as Lewis E M 25:26b.	Parchment	Latin	Siena, Italy	Rotunda	Maestro del Messale A-47 di Perugia	Artist		front	1	Lewis E M 25:26A		front	cd 5091 2111 6749	48-bit color	600 ppi	1	Antiphonary
Lewis E M 25:26A	Lewis E M 25.26A reverse	mcai250264		1275	1299	134 x 153 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 25:26A		reverse	cd 5091 2111 6749	48-bit color	600 ppi	2	Antiphonary
Lewis E M 25:26B	Lewis E M 25.26B front	mcai250265		1275	1299	101 x 129 mm	Initial H with the Adoration of the Magi | This initial begins the first response of the first nocturn of Matins for the feast of the Epiphany (Jan. 6), 'Hodie in Jordane baptizato Domino ...' (Today when the Lord had been baptized in the Jordan). The illumination has been attributed to the anonymous Master of Missal A 47 of Perugia, so-called after a missal illuminated by him. This master was active in Siena, Rome, and in Umbria in the 1280s and 1290s. The cutting was taken from the same manuscript as Lewis E M 25:26a.	Parchment	Latin	Siena, Italy	Rotunda	Maestro del Messale A-47 di Perugia	Artist		front	1	Lewis E M 25:26B		front	cd 5091 2111 6732	48-bit color	600 ppi	1	Antiphonary
Lewis E M 25:26B	Lewis E M 25.26B reverse	mcai250266		1275	1299	101 x 129 mm	This image is the reverse of a cutting with a historiated initial from an antiphonary.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 25:26B		reverse	cd 5091 2111 6732	48-bit color	600 ppi	2	Antiphonary
Lewis E M 25:27	Lewis E M 25.27 front	mcai250271		1400	1450	71 x 88 mm	Initial I with St. Agnes of Rome delivered to the brothel and receiving the white robe | This initial once began a chant used in the celebration of the feast of the third-century virgin martyr St. Agnes of Rome (Jan. 21). According to her legend, St. Agnes refused to marry the son of the prefect of Rome. To punish her, the prefect had her taken to a brothel. When she entered the brothel, she began praying and an angel came down to clothe her in a white robe. This initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. The cutting is from the same manuscript as Lewis E M 25:28. Several other leaves in the Free Library have also been attributed to Cortese.	Parchment	Latin	Venice, Italy		Cristoforo Cortese, attributed to	Artist		front	1	Lewis E M 25:27		front	cd 5091 2111 6732	48-bit color	600 ppi	1	Choir book
Lewis E M 25:27	Lewis E M 25.27 reverse	mcai250272		1400	1450	71 x 88 mm	This is the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Venice, Italy					reverse	2	Lewis E M 25:27		reverse	cd 5091 2111 6732	48-bit color	600 ppi	2	Choir book
Lewis E M 25:28	Lewis E M 25.28 front	mcai250281		1400	1425	112 x 94 mm	Initial D with St. Helena observing the erection of the True Cross, from the Legend of the True Cross | This initial once began a chant used in the celebration of the feast of the Invention of the True Cross (May 3). The True Cross is the name for the cross upon which, according to Christian tradition, Jesus was crucified. According to medieval legend, the True Cross was found by St. Helena, the mother of the first Christian emperor of Rome, Constantine the Great (272 AD - 337 A.D.). The True Cross was believed to have been made from the wood of the Tree of Life in the Garden of Eden. This initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. The cutting is from the same manuscript as Lewis E M 25:27. Several other leaves in the Free Library have also been attributed to Cortese.	Parchment	Latin	Venice, Italy		Cristoforo Cortese, attributed to	Artist		front	1	Lewis E M 25:28		front	cd 5091 2111 6732	48-bit color	600 ppi	1	Choir book
Lewis E M 25:28	Lewis E M 25.28 reverse	mcai250282		1400	1425	112 x 94 mm	This is the reverse of a cutting with an historiated intial from a choir book.	Parchment	Latin	Venice, Italy	Rotunda				reverse	2	Lewis E M 25:28		reverse	cd 5091 2111 6732	48-bit color	600 ppi	2	Choir book
Lewis E M 25:29	Lewis E M 25.29 front	mcai250291		1285	1299	96 x 168 mm	Initial L with a Prophet communicating with Christ | The bold colors and intricate design motifs locate this initial to Umbria, a region of central Italy. The figure kneeling below God is an unidentified Old Testament prophet. Although it may seem odd that an Old Testament prophet is praying to Christ (identified by his cruciform halo), the theological meaning is clear: Christ exists eternally and beyond human time. The precise moment in the liturgy that the initial begins remains to be determined	Parchment	Latin	Umbria, Italy	Rotunda				front	1	Lewis E M 25:29		front	cd 5091 2111 6732	48-bit color	600 ppi	1	Antiphonary
Lewis E M 25:29	Lewis E M 25.29 reverse	mcai250292		1285	1299	96 x 168 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Umbria, Italy	Rotunda				reverse	2	Lewis E M 25:29		reverse	cd 5091 2111 6732	48-bit color	600 ppi	2	Antiphonary
Lewis E M 25:30	Lewis E M 25.30 front	mcai250301		1285	1299	43 x 252 mm	Initial I with King David communicating with God | This initial is from the same manuscript as Lewis E M 25:30.	Parchment	Latin	Tuscany, Italy					front	1	Lewis E M 25:30		front	cd 5091 2111 6732	48-bit color	600 ppi	1	Choir psalter
Lewis E M 25:30	Lewis E M 25.30 reverse	mcai250302		1285	1299	43 x 252 mm	This image shows the reverse of a cutting with an historiated initial from a choir psalter.	Parchment	Latin	Tuscany, Italy	Rotunda				reverse	2	Lewis E M 25:30		reverse	cd 5091 2111 6732	48-bit color	600 ppi	2	Choir psalter
Lewis E M 25:31	Lewis E M 25.31 front	mcai250311		1285	1299	125 x 130 mm	Initial E depicting David communicating with God | This initial probably begins Psalm 80, 'Exultate Deo adiutori nostro...' (Rejoice in the Lord our helper), which read at Matins on Fridays. This initial is from the same manuscript as Lewis E M 25:30.	Parchment	Latin	Tuscany, Italy					front	1	Lewis E M 25:31		front	cd 5091 2111 6733	48-bit color	600 ppi	1	Choir psalter
Lewis E M 25:31	Lewis E M 25.31 reverse	mcai250312		1285	1299	125 x 130 mm	This image shows the reverse of a cutting with an historiated initial from a choir psalter.	Parchment	Latin	Tuscany, Italy	Rotunda				reverse	2	Lewis E M 25:31		reverse	cd 5091 2111 6733	48-bit color	600 ppi	2	Choir psalter
Lewis E M 25:32	Lewis E M 25.32 front	mcai250321		1450	1499	75 x 87 mm	Initial Q with St. Blaise of Sedaste with his curry comb | St. Blaise, bishop of Sedaste in Armenia, was martyred in 316. His feast day is February 3rd. According to his legend, he was beaten by his persecutors who tore his flesh apart with wool combs and then beheaded him. In this initial, he is shown holding the instrument of his torture: the wool comb.	Parchment	Latin	Florence, Italy					front	1	Lewis E M 25:32		front	cd 5091 2111 6733	48-bit color	600 ppi	1	Undetermined
Lewis E M 25:32	Lewis E M 25.32 reverse	mcai250322		1450	1499	75 x 87 mm	This image shows the reverse of a cutting with an historiated intial.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 25:32		reverse	cd 5091 2111 6733	48-bit color	600 ppi	2	Undetermined
Lewis E M 25:33	Lewis E M 25.33 front	mcai250331		1325	1350	104 x 251 mm	Initial D with St. Andrew the Apostle | This initial begins the Introit for the vigil of the feast of St. Andrew the Apostle (Nov. 30), 'Dominus secus mare galilee vidit duos fratres Petrum et Andream ...' (The Lord, passing by the sea of Galilee, saw the two brothers Peter and Andrew). It was executed by an illuminator known as the Master of the Dominican Effigies after his eponymous manuscript in the Florentine church Santa Maria Novella. Active in Florence throughout the second quarter of the fourteenth century, the Master of the Dominican Effigies collaborated with and appears to have inherited commissions from Pacino da Buonaguida, who illuminated two cuttings in the Free Library's collection (Lewis E M 25:7a and 8). This cutting is from the same manuscript as Lewis E M 48:14.	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 25:33		front	cd 5091 2111 6733	48-bit color	600 ppi	1	Gradual
Lewis E M 25:33	Lewis E M 25.33 reverse	mcai250332		1325	1350	104 x 251 mm	This image shows the reverse of a cutting with an initial from a gradual.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 25:33		reverse	cd 5091 2111 6733	48-bit color	600 ppi	2	Gradual
Lewis E M 26:1	Lewis E M 26.1 front	mcai260011		1250	1299	82 x 113 mm	Court scene | This cutting can be dated between 1270 and 1280. | This miniature prefaces Book 37 of a fifty-book collection of Roman laws known as the Digest, the first of three parts of the Corpus iuris civilis (Corpus of Civil Law) compiled by the legal scholar Tiborian under the orders of the Byzantine Emperor Justinian (r. 527-565 A.D). Tiborian collected and organized the existing body of classical and current law into a coherent collection of legal doctrine. Book 37 of the Digest discusses legal rights concerning inherited property. Although the Roman Empire had failed in the West, its customs and laws were maintained to a certain degree in Constantinople, the capital of the Byzantine Empire. In the twelfth century, Justinian's Corpus passed into the Christian West where it became the foundation for European civil law.	Parchment	Latin	Bologna, Italy	Littera bononiensis	Justinian (Emperor, r. 527-565 A.D.)	Author		front	1	Lewis E M 26:01		front	cd 5091 2111 7224	48-bit color	600 ppi	1	Corpus iuris civilis (Corpus of Civil Law)
Lewis E M 26:1	Lewis E M 26.1 reverse	mcai260012		1250	1299	82 x 113 mm	This cutting can be dated between 1270 and 1280. | This image shows the reverse of a cutting with a miniature from a manuscript copy of the Digest of the Corpus iuris civilis (Corpus of Civil Law).	Parchment	Latin	Bologna, Italy	Littera bononiensis	Justinian (Emperor, r. 527-565 A.D.)	Author		reverse	2	Lewis E M 26:01		reverse	cd 5091 2111 7224	48-bit color	600 ppi	2	Corpus iuris civilis (Corpus of Civil Law)
Lewis E M 26:2	Lewis E M 26.2 front	mcai260021		1350	1399	150 x 171 mm	Initial M with an unidentified male saint | The precise moment in the liturgy that this initial begins remains to be determined. Similarities in the notation and height of the staves indicate, however, that it comes from the same manuscript as Lewis E M 26:14, which has been determined to be from an antiphonary. An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial. Niccolò headed a large workshop that produced many choir books for churches and convents in and around Bologna. | This cutting can be dated to ca. 1360-80.	Parchment	Latin	Bologna, Italy	Rotunda	Niccolò di Giacomo da Bologna, circle of	Artist		front	1	Lewis E M 26:02		front	cd 5091 2111 7224	48-bit color	600 ppi	1	Antiphonary
Lewis E M 26:2	Lewis E M 26.2 reverse	mcai260022		1350	1399	150 x 171 mm	This cutting can be dated to ca. 1360-80. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 26:02		reverse	cd 5091 2111 7224	48-bit color	600 ppi	2	Antiphonary
Lewis E M 26:3	Lewis E M 26.3 front	mcai260031		1340	1360	153 x 158 mm	Initial S with St. Peter of Rome with a monk | This initial begins the response for the first nocturn of Matins for the feast of St. Peter (June 29), 'Simon Petre antequam de navi vocarem te novi te ...' (Simon Peter, before I called you from the ship, I knew you). St. Peter, the first bishop of Rome, is identified here by his bishop's miter and the symbolic keys to the Church, held in his left hand, that were given to him by Christ. The unidentified monk behind him may represent a member of the religious community that owned the original manuscript from which this cutting was taken.	Parchment	Latin	Italy (northern)	Rotunda				front	1	Lewis E M 26:03		front	cd 5091 2111 7224	48-bit color	600 ppi	1	Antiphonary
Lewis E M 26:3	Lewis E M 26.3 reverse	mcai260032		1340	1360	153 x 158 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 26:03		reverse	cd 5091 2111 7224	48-bit color	600 ppi	2	Antiphonary
Lewis E M 26:4-5	Lewis E M 26.4 front	mcai260041		1300	1325	22 x 51 mm	Initials P and L | These initials, here filled with busts of a saint and another male figure, would have marked secondary textual divisions in a glossed copy of a legal text such as Gratian's Decretum or the Decretals of Gregory IX. This type of initial decoration is commonly found in legal manuscripts produced in Bologna in the first decades of the fourteenth century. Founded in the thirteenth century, the university in Bologna became an important center for the study of law in the Middle Ages. As a consequence, the city also became one of the great centers for the production of legal manuscripts, many of which, as these initials attest, were beautifully illuminated. These cuttings belong to the same manuscript as Lewis E M 26:5 and 26:7.	Parchment	Latin	Bologna, Italy					front 26:4	1	Lewis E M 26:04-05		front 26:4	cd 5091 2111 7224	48-bit color	600 ppi	1	Legal treatise
Lewis E M 26:4-5	Lewis E M 26.5 front	mcai260051		1300	1325	39 x 88 mm	Initials D and G | These initials, here filled with busts of two male figures, would have marked secondary textual divisions in a glossed copy of a legal text such as Gratian's Decretum or the Decretals of Gregory IX. This type of initial decoration is commonly found in legal manuscripts produced in Bologna in the first decades of the fourteenth century. Founded in the thirteenth century, the university in Bologna became an important center for the study of law in the Middle Ages. As a consequence, the city also became one of the great centers for the production of legal manuscripts, many of which, as these initials attest, were beautifully illuminated. These cuttings belong to the same manuscript as Lewis E M 26:4 and 26:7.	Parchment	Latin	Bologna, Italy	Littera bononiensis				front 26:5	2	Lewis E M 26:04-05		front 26:5	cd 5091 2111 7224	48-bit color	600 ppi	2	Legal treatise
Lewis E M 26:4-5	Lewis E M 26.5 reverse	mcai260052		1300	1325	39 x 88 mm	This image shows the reverse of two cuttings with illuminated initials from an unidentified legal treatise.	Parchment	Latin	Bologna, Italy					reverse 26:5	3	Lewis E M 26:04-05		reverse 26:5	cd 5091 2111 7225	48-bit color	600 ppi	3	Legal treatise
Lewis E M 26:7	Lewis E M 26.7 front	mcai260071		1300	1325	45 x 135 mm	These initials, the first filled with the bust of a cardinal and the third with the bust of a bearded man, would have marked secondary textual divisions in a glossed copy of a legal text such as Gratian's Decretum or the Decretals of Gregory IX. This type of initial decoration is commonly found in legal manuscripts produced in Bologna in the first decades of the fourteenth century. Founded in the thirteenth century, the university in Bologna became an important center for the study of law in the Middle Ages. As a consequence, the city also became one of the great centers for the production of legal manuscripts, many of which, as these initials attest, were beautifully illuminated. These cuttings belong to the same manuscript as Lewis E M 26:4 and 26:5. | Three initial Qs	Parchment	Latin	Bologna, Italy	Littera bononiensis				front	1	Lewis E M 26:07		front	cd 5091 2111 7225	48-bit color	600 ppi	1	Legal treatise
Lewis E M 26:7	Lewis E M 26.7 reverse	mcai260072		1300	1325	45 x 135 mm	This image shows the reverse of three cuttings with illuminated initials from an unidentified legal treatise.	Parchment	Latin	Bologna, Italy	Littera bononiensis				reverse	2	Lewis E M 26:07		reverse	cd 5091 2111 7225	48-bit color	600 ppi	2	Legal treatise
Lewis E M 26:8-9	Lewis E M 26.8 front	mcai260081		1350	1399	122 x 134 mm	Initial E with a monk praying to God | These cuttings can be dated to ca. 1360-80. | This initial begins the response for the first nocturn of Matins for the Common of One Confessor, 'Euge serve bone et fidelis ...' (Well done, good and faithful servant). This identification is confirmed by the fragmentary text on the reverse that comes from the preceding second antiphon for the first nocturn of Matins and psalm reading from Psalm 2, 'Quare fremuerunt ...' (Why do [the heathen] rage). An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial and Lewis E M 26:9, which was taken from the same antiphonary. Niccolò headed a large workshop that produced many choir books for churches and convents in and around Bologna. These cuttings may have come from the same volume or set of choir books as Lewis E M 26:10, but there is not enough evidence to confirm this.	Parchment	Latin	Bologna, Italy		Niccolò di Giacomo da Bologna, circle of	Artist		front 26:8	1	Lewis E M 26:08-09		front 26:8	cd 5091 2111 7225	48-bit color	600 ppi	1	Antiphonary
Lewis E M 26:8-9	Lewis E M 26.8 reverse	mcai260082		1350	1399	122 x 134 mm	These cuttings can be dated to ca. 1360-80. | This image shows the reverse of a cutting with an illuminated initial from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 26:8	2	Lewis E M 26:08-09		reverse 26:8	cd 5091 2111 7225	48-bit color	600 ppi	2	Antiphonary
Lewis E M 26:8-9	Lewis E M 26.9 front	mcai260091		1350	1399	128 x 133 mm	Initial E with a bishop praying to God | These cuttings can be dated to ca. 1360-80. | This initial begins the response for the first nocturn of Matins for the Common of One Confessor Bishop, 'Euge serve bone et fidelis ...' (Well done, good and faithful servant). This identification is confirmed by the fragmentary text on the reverse that contains part of the text from the versicle following the response, 'Domine, quinque talenta tradidisti mihi ...' (Lord, you delivered to me five talents). An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial and Lewis E M 26:8, which was taken from the same antiphonary. Niccolò headed a large workshop that produced many choir books for churches and convents in and around Bologna. These cuttings may have come from the same volume or set of choir books as Lewis E M 26:10, but there is not enough evidence to confirm this.	Parchment	Latin	Bologna, Italy		Niccolò di Giacomo da Bologna, circle of	Artist		front 26:9	3	Lewis E M 26:08-09		front 26:9	cd 5091 2111 7225	48-bit color	600 ppi	3	Antiphonary
Lewis E M 26:8-9	Lewis E M 26.9 reverse	mcai260092		1350	1399	128 x 133 mm	These cuttings can be dated to ca. 1360-80. | This image shows the reverse of a cutting with an illuminated initial from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 26:9	4	Lewis E M 26:08-09		reverse 26:9	cd 5091 2111 7225	48-bit color	600 ppi	4	Antiphonary
Lewis E M 26:10	Lewis E M 26.10 front	mcai260101		1350	1399	92 x 161 mm	Initial E with Christ surrounded by his Apostles with an unidentified saint | This cutting can be dated to ca. 1360-80. | This initial probably begins the response for the first nocturn of Matins of the Common of the Apostles, 'Ecce ego mitto vos sicut oves in medio luporum ...' (Behold, I am sending you forth like sheep in the midst of wolves). An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial. Niccolò headed a large workshop that produced large numbers of choir books for churches and convents in and around Bologna. The cutting may have come from the same volume or set of choir books as Lewis E M 26:8-9, but there is not enough evidence to confirm this.	Parchment	Latin	Bologna, Italy		Niccolò di Giacomo da Bologna, circle of	Artist		front	1	Lewis E M 26:10		front	cd 5091 2111 7225	48-bit color	600 ppi	1	Antiphonary
Lewis E M 26:10	Lewis E M 26.10 reverse	mcai260102		1350	1399	92 x 161 mm	This cutting can be dated to ca. 1360-80. | This image shows the reverse of a cutting with an illuminated initial from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 26:10		reverse	cd 5091 2111 7225	48-bit color	600 ppi	2	Antiphonary
Lewis E M 26:11	Lewis E M 26.11 front	mcai260111		1340	1360	87 x 84 mm	Initial with the Raising of Lazarus | This initial may begin the first antiphon for Friday of the fourth week in Lent, 'Ad monumentum Lazari clamabat Dominus ...' (At the tomb, the Lord cried out to Lazarus), but there is not enough textual evidence to confirm this identification.	Parchment	Latin	Bologna, Italy					front	1	Lewis E M 26:11		front	cd 5091 2111 7225	48-bit color	600 ppi	1	Antiphonary
Lewis E M 26:11	Lewis E M 26.11 reverse	mcai260112		1340	1360	87 x 84 mm	This image shows the reverse of a cutting with a decorated initial from an Antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 26:11		reverse	cd 5091 2111 7225	48-bit color	600 ppi	2	Antiphonary
Lewis E M 26:12	Lewis E M 26.12 front	mcai260121		1300	1325			Parchment		Bologna, Italy					front	1	Lewis E M 26:12		front	cd 5091 2111 7226				Historiated initial O depicting St. Dominic preaching on the Ascension; above, Christ in a mandorla
Lewis E M 26:12	Lewis E M 26.12 reverse	mcai260122						Parchment	Latin	Unknown	Rotunda				reverse	2	Lewis E M 26:12		reverse	cd 5091 2111 7226				Historiated initial O depicting St. Dominic preaching on the Ascension; above, Christ in a mandorla
Lewis E M 26:13	Lewis E M 26.13 front	mcai260131		1350	1399	183 x 232 mm	Initial I with Christ and several martyrs | This cutting can be dated to ca. 1360-1380. | This initial begins the first response for the first nocturn of Matins of the Common of Several Martyrs, 'Absterget Deus omnem lacrimam ab oculis sanctorum ...' (God will wipe away every tear from the eyes of the saints).	Parchment	Latin	Bologna, Italy					front	1	Lewis E M 26:13		front	cd 5091 2111 7226	48-bit color	600 ppi	1	Antiphonary
Lewis E M 26:13	Lewis E M 26.13 reverse	mcai260132		1350	1399	183 x 232 mm	This cutting can be dated to ca. 1360-1380. | This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 26:13		reverse	cd 5091 2111 7226	48-bit color	600 ppi	2	Antiphonary
Lewis E M 26:14	Lewis E M 26.14 front	mcai260141		1350	1399	149 x 187 mm	Initial U with a Virgin Martyr | This cutting can be dated to ca. 1360-80. | This initial probably begins the first response for the first nocturn of Matins of the Common of Virgins, 'Veni, Sponsa Christi, accipe coronam ...' (Come, Spouse of Christ, receive the crown), although there is not enough textual evidence to confirm this identification. An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial. Niccolò headed a large workshop that produced many choir books for churches and convents in and around Bologna. This cutting is from the same choir book or set of choir books as Lewis E M 26:2.	Parchment	Latin	Bologna, Italy		Niccolò di Giacomo da Bologna, workshop	Artist		front	1	Lewis E M 26:14		front	cd 5091 2111 7226	48-bit color	600 ppi	1	Antiphonary
Lewis E M 26:14	Lewis E M 26.14 reverse	mcai260142		1350	1399	149 x 187 mm	This cutting can be dated to ca. 1360-80. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 26:14		reverse	cd 5091 2111 7227	48-bit color	600 ppi	2	Antiphonary
Lewis E M 26:15	Lewis E M 26.15 front	mcai260151		1375	1399			Parchment		Bologna, Italy					front	1	Lewis E M 26:15		front	cd 5091 2111 7227				Historiated initial O from an antiphonal depicting a prophet (Ezekiel )
Lewis E M 26:15	Lewis E M 26.15 reverse	mcai260152						Parchment		Unknown	Rotunda				reverse	2	Lewis E M 26:15		reverse	cd 5091 2111 7227				Historiated initial O from a missal depicting a prophet (Ezekiel )
Lewis E M 26:16	Lewis E M 26.16 front	mcai260161		1450	1475	165 x 188 mm	Initial M with a Dominican friar, possibly St. Dominic | This cutting can be dated to ca. 1470. | This initial may begin the first response for the first nocturn of Matins for the feast of St. Dominic (Aug. 4), 'Mundum vocans ad Agni nuptias ...,' (Calling the world to the marriage of the Lamb) although neither the text on the reverse nor the iconography can confirm this identification. The identity of this Domincan friar is unclear as well. He does not have a halo, nor does he have any attributes that might help to identify him as the founder of the Dominican Order.	Parchment	Latin	Ferrara, Italy					front	1	Lewis E M 26:16		front	cd 5091 2111 7227	48-bit color	600 ppi	1	Antiphonary
Lewis E M 26:16	Lewis E M 26.16 reverse	mcai260162		1450	1475	165 x 188 mm	This cutting can be dated to ca. 1470. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse	2	Lewis E M 26:16		reverse	cd 5091 2111 7227	48-bit color	600 ppi	2	Antiphonary
Lewis E M 26:17-18	Lewis E M 26.17 front	mcai260171		1400	1415	173 x 171 mm	Initial C with the celebration of the Eucharist | This initial begins the Introit for Mass on the feast of Corpus Christi, 'Cibavit eos ex adipe frumenti ...' (Full ears of wheat are the nourishment he gives them). It is from the same manuscript as Lewis E M 26:18.	Parchment	Latin	Bologna, Italy					front 26:17	1	Lewis E M 26:17-18		front 26:17	cd 5091 2111 7228	48-bit color	600 ppi	1	Gradual
Lewis E M 26:17-18	Lewis E M 26.17 reverse	mcai260172		1400	1415	173 x 171 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 26:17	2	Lewis E M 26:17-18		reverse 26:17	cd 5091 2111 7228	48-bit color	600 ppi	2	Gradual
Lewis E M 26:17-18	Lewis E M 26.18 front	mcai260181		1400	1415	170 x 191 mm	Initial U with the Ascension of Christ | This initial begins the Introit for Mass on the feast of the Ascension, 'Viri Galilei quid admiramini aspicientes in caelum' (Men of Galilee, what are you wondering at, looking heavenwards). It is from the same manuscript as Lewis E M 26:17.	Parchment	Latin	Bologna, Italy					front 26:18	3	Lewis E M 26:17-18		front 26:18	cd 5091 2111 7228	48-bit color	600 ppi	3	Gradual
Lewis E M 26:17-18	Lewis E M 26.18 reverse	mcai260182		1400	1415	170 x 191 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 26:18	4	Lewis E M 26:17-18		reverse 26:18	cd 5091 2111 7228	48-bit color	600 ppi	4	Gradual
Lewis E M 26:19	Lewis E M 26.19 front	mcai260191		1285	1299	44 x 63 mm	After the fall of Constantinople in 1204, Byzantine artists came to Italy where they soon began to assert an influence over Italian illumination, introducing stylistic idioms drawn from contemporary Byzantine painting (such as that seen in icon painting) that were themselves grounded in the traditions of Classical art. The expressive gestures, the intensity of the figure's gaze extending beyond the confines of the initial, and the schematic rendering of three-dimensional form are characteristic features of the influence of Byzantine artists on Italian illuminators. | Initial L with an unidentified male saint	Parchment	Latin	Italy (northern)					front	1	Lewis E M 26:19		front	cd 5091 2111 7228	48-bit color	600 ppi	1	Choir book
Lewis E M 26:19	Lewis E M 26.19 reverse	mcai260192		1285	1299	44 x 63 mm	This image shows the reverse of a cutting with an historiated initial from an choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 26:19		reverse	cd 5091 2111 7228	48-bit color	600 ppi	2	Choir book
Lewis E M 26:20-29	Lewis E M 26.20 front	mcai260201		1250	1299	77 x 84 mm	Initial E with Christ preaching | This cuttings can be dated to ca. 1260-1270. | This initial begins the first response for the first nocturn of Matins for the Common of the Apostles, 'Ecce ego mitto vos sicut oves in medio luporum...' (Behold, I send you out like sheep in the midst of wolves). This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art.	Parchment	Latin	Padua or Venice, Italy					front 26:20	1	Lewis E M 26:20-29		front 26:20	cd 5091 2111 7228	48-bit color	600 ppi	1	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.20 reverse	mcai260202		1250	1299	77 x 84 mm	This cuttings can be dated to ca. 1260-1270. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				reverse 26:20	2	Lewis E M 26:20-29		reverse 26:20	cd 5091 2111 7229	48-bit color	600 ppi	2	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.21 front	mcai260211		1250	1299	69 x 80 mm	Initial O with the Flagellation | This cuttings can be dated to ca. 1260-1270. | This initial begins the first response for the first nocturn of Matins for Good Friday, ' Omnes amici mei dereliquerunt me ...' (All my friends have forsaken me). This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art.	Parchment	Latin	Padua or Venice, Italy					front 26:21	3	Lewis E M 26:20-29		front 26:21	cd 5091 2111 7229	48-bit color	600 ppi	3	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.21 reverse	mcai260212		1250	1299	69 x 80 mm	This cuttings can be dated to ca. 1260-1270. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				reverse 26:21	4	Lewis E M 26:20-29		reverse 26:21	cd 5091 2111 7229	48-bit color	600 ppi	4	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.22 front	mcai260221		1250	1299	60 x 71 mm	Initial U with Joseph's dream of the sun, moon, and eleven stars | This cuttings can be dated to ca. 1260-1270. | This initial begins the first response for the first nocturn of Matins for the third Sunday in Lent, 'Videntes Ioseph a longe loquebantur mutuo fratres ...' (Seeing Joseph in the distance, the brothers said to one another). This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art.	Parchment	Latin	Padua or Venice, Italy					front 26:22	5	Lewis E M 26:20-29		front 26:22	cd 5091 2111 7229	48-bit color	600 ppi	5	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.22 reverse	mcai260222		1250	1299	60 x 71 mm	This cuttings can be dated to ca. 1260-1270. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				reverse 26:22	6	Lewis E M 26:20-29		reverse 26:22	cd 5091 2111 7229	48-bit color	600 ppi	6	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.23 front	mcai260231		1250	1299	51 x 66 mm	Initial D with an unidentified male saint | This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art.The identity of this saint portrayed here and the precise moment in the liturgy that this initial begins remain to be determined. | This cuttings can be dated to ca. 1260-1270.	Parchment	Latin	Padua or Venice, Italy					front 26:23	7	Lewis E M 26:20-29		front 26:23	cd 5091 2111 7229	48-bit color	600 ppi	7	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.23 reverse	mcai260232		1250	1299	51 x 66 mm	This cuttings can be dated to ca. 1260-1270. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				reverse 26:23	8	Lewis E M 26:20-29		reverse 26:23	cd 5091 2111 7229	48-bit color	600 ppi	8	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.24 front	mcai260241		1250	1299	45 x 58 mm	Initial S with St. Paul | This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art. The precise moment in the liturgy that this initial begins remains to be determined. | This cuttings can be dated to ca. 1260-1270.	Parchment	Latin	Padua or Venice, Italy					front 26:24	9	Lewis E M 26:20-29		front 26:24	cd 5091 2111 7229	48-bit color	600 ppi	9	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.24 reverse	mcai260242		1250	1299	45 x 58 mm	This cuttings can be dated to ca. 1260-1270. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				reverse 26:24	10	Lewis E M 26:20-29		reverse 26:24	cd 5091 2111 7229	48-bit color	600 ppi	10	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.25 front	mcai260251		1250	1299	68 x 67 mm	Initial D with an unidentified male saint | This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art.The identity of this saint portrayed here and the precise moment in the liturgy that this initial begins remain to be determined. | This cuttings can be dated to ca. 1260-1270.	Parchment	Latin	Padua or Venice, Italy					front 26:25	11	Lewis E M 26:20-29		front 26:25	cd 5091 2111 7229	48-bit color	600 ppi	11	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.25 reverse	mcai260252		1250	1299	68 x 67 mm	This cuttings can be dated to ca. 1260-1270. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				reverse 26:25	12	Lewis E M 26:20-29		reverse 26:25	cd 5091 2111 7229	48-bit color	600 ppi	12	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.26 front	mcai260261		1250	1299	80 x 110 mm	Initial E with St. Paul() preaching | This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract and somewhat decorative quality of medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art. The precise moment in the liturgy that this initial begins remains to be determined. | This cuttings can be dated to ca. 1260-1270.	Parchment	Latin	Padua or Venice, Italy					front 26:26	13	Lewis E M 26:20-29		front 26:26	cd 5091 2111 7229	48-bit color	600 ppi	13	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.26 reverse	mcai260262		1250	1299	80 x 110 mm	This cuttings can be dated to ca. 1260-1270. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				reverse 26:26	14	Lewis E M 26:20-29		reverse 26:26	cd 5091 2111 7229	48-bit color	600 ppi	14	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.27 front	mcai260271		1250	1299	60 x 140 mm	Initial L with Christ healing the sick | This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract and somewhat decorative quality of medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art. The precise moment in the liturgy that this initial begins remains to be determined. | This cuttings can be dated to ca. 1260-1270.	Parchment	Latin	Padua or Venice, Italy					front 26:27	15	Lewis E M 26:20-29		front 26:27	cd 5091 2111 7229	48-bit color	600 ppi	15	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.27 reverse	mcai260272		1250	1299	60 x 140 mm	This cuttings can be dated to ca. 1260-1270. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				reverse 26:27	16	Lewis E M 26:20-29		reverse 26:27	cd 5091 2111 7229	48-bit color	600 ppi	16	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.28 front	mcai260281		1250	1299	62 x 63 mm	Initial H with the Baptism of Christ | This cuttings can be dated to ca. 1260-1270. | This initial begins the first response of the first nocturn of Matins of Epiphany, 'Hodie in Iordane baptizato Domino ...' (Today, when the Lord was baptized in the Jordan). This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract and somewhat decorative quality of medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art.	Parchment	Latin	Padua or Venice, Italy					front 26:28	17	Lewis E M 26:20-29		front 26:28	cd 5091 2111 7229	48-bit color	600 ppi	17	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.28 reverse	mcai260282		1250	1299	62 x 63 mm	This cuttings can be dated to ca. 1260-1270. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				reverse 26:28	18	Lewis E M 26:20-29		reverse 26:28	cd 5091 2111 7229	48-bit color	600 ppi	18	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.29 front	mcai260291		1250	1299	56 x 59 mm	Initial C with an unidentified bishop saint | This cutting and its sister cuttings (Lewis E M 26:20-29), all from the same antiphonary, are some of the earliest examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract and somewhat decorative quality of medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art. The precise moment in the liturgy that this initial begins remains to be determined. | This cuttings can be dated to ca. 1260-1270.	Parchment	Latin	Padua or Venice, Italy					front 26:29	19	Lewis E M 26:20-29		front 26:29	cd 5091 2111 7229	48-bit color	600 ppi	19	Antiphonary
Lewis E M 26:20-29	Lewis E M 26.29 reverse	mcai260292		1250	1299	56 x 59 mm	This cuttings can be dated to ca. 1260-1270. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				reverse 26:29	20	Lewis E M 26:20-29		reverse 26:29	cd 5091 2111 7229	48-bit color	600 ppi	20	Antiphonary
Lewis E M 26:30	Lewis E M 26.30 front	mcai260301		1300	1399			Parchment		Emilia?, Italy					front	1	Lewis E M 26:30		front	cd 5091 2111 7235				St. Francis exalts the spring and the tree
Lewis E M 26:30	Lewis E M 26.30 reverse	mcai260302		1300	1399			Parchment		Emilia?, Italy					reverse	2	Lewis E M 26:30		reverse	cd 5091 2111 7235				St. Francis donates clothing to church of S. Damiano
Lewis E M 26:31	Lewis E M 26.31 front	mcai260311		1300	1399			Parchment		Emilia?, Italy					front	1	Lewis E M 26:31		front	cd 5091 2111 7235				St. Francis meets Chastity, Poverty, and Obedience
Lewis E M 26:31	Lewis E M 26.31 reverse	mcai260312		1300	1399			Parchment		Emilia?, Italy					reverse	2	Lewis E M 26:31		reverse	cd 5091 2111 7235				St. Francis rejects a purse
Lewis E M 26:32-33	Lewis E M 26.32 front	mcai260321		1450	1499	94 x 91 mm	Initial P with St. Peter of Verona | This cutting can be dated to before 1445. | This initial begins an unusual chant sung at the first response for the first nocturn of Matins of the feast of St. Peter of Verona (Apr. 29), 'Petre sydus aureum summinas honorem candoris ....' St. Peter (b. 1206 - April 6, 1252), was a thirteenth-century Dominican preacher and inquisitor. According to his legend, he was attacked by members of the heretical sect known as the Cathars, whom St. Peter had preached vehemently against. His attackers struck him in the head with an axe. When the saint rose up to proclaim 'Credo in Deum' (I believe in God), the first article of faith, his attackers then fatally stabbed him in the heart. In this initial, both wounds are represented. This initial has been attributed to an artist working within the circle of the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445 when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese and his circle.	Parchment	Latin	Venice, Italy	Rotunda	Cristoforo Cortese, or follower of	Artist		front 26:32	1	Lewis E M 26:32-33		front 26:32	cd 5091 2111 7235	48-bit color	600 ppi	1	Historiated initial P from an antiphonary, depicting St. Peter of Verona
Lewis E M 26:32-33	Lewis E M 26.32 reverse	mcai260322		1450	1499	94 x 91 mm	This cutting can be dated to before 1445. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Venice, Italy	Rotunda				reverse 26:32	3	Lewis E M 26:32-33		reverse 26:32	cd 5091 2111 7235	48-bit color	600 ppi	2	Historiated initial P from an antiphonary, depicting St. Peter of Verona
Lewis E M 26:32-33	Lewis E M 26.33 front	mcai260331		1450	1499	136 x 153 mm	Initial M with St. Dominic adored by a group of Dominican nuns | This cutting can be dated to before 1445. | This initial may begin the first response for the first nocturn of Matins of the feast of St. Dominic (Aug. 4), 'Mundum vocans ad Agni nuptias ...,' (Calling the world to the marriage of the Lamb), although the text on the reverse does not confirm this identification. This initial has been attributed to an artist working within the circle of the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese and his circle.	Parchment	Latin	Venice, Italy		Cristoforo Cortese, or follower of	Artist		front 26:33	2	Lewis E M 26:32-33		front 26:33	cd 5091 2111 7235	48-bit color	600 ppi	3	Historiated initial A from an antiphonary depicting St. Dominic venerated by Dominican nuns
Lewis E M 26:32-33	Lewis E M 26.33 reverse	mcai260332		1450	1499	136 x 153 mm	This cutting can be dated to before 1445. | This image shows the reverse of a cutting with an historiated initial from a antiphonary.	Parchment	Latin	Venice, Italy	Rotunda				reverse 26:13	4	Lewis E M 26:32-33		reverse 26:13	cd 5091 2111 7235	48-bit color	600 ppi	4	Historiated initial A from an antiphonary depicting St. Dominic venerated by Dominican nuns
Lewis E M 27:1	Lewis E M 27.1 front	mcai270011		1250	1299	142 x 213 mm	Initial L with Christ | This initial begins the Introit for the Common Mass of One Martyr, 'Laetabitur justus in Domino ...' (The good man will rejoice [and put his trust] in the Lord).	Parchment	Latin	Padua, Italy	Rotunda				front	1	Lewis E M 27:01		front	cd 5091 2111 7185	48-bit color	600 ppi	1	Historiated initial L from a gradual, depicting Christ
Lewis E M 27:1	Lewis E M 27.1 reverse	mcai270012		1250	1299	142 x 213 mm	This image shows the reverse of a cutting with an illuminated initial from a gradual.	Parchment	Latin	Padua, Italy	Rotunda				reverse	2	Lewis E M 27:01		reverse	cd 5091 2111 7185	48-bit color	600 ppi	2	Historiated initial L from a gradual, depicting Christ
Lewis E M 27:2	Lewis E M 27.2 front	mcai270021		1300	1325	107 x 128 mm	Initial C with the funeral of a bishop | The precise moment in the liturgy that this initial begins remains to be determined, although it most likely belongs to a chant sung during ceremonies honoring the death of a bishop.	Parchment	Latin	Italy (northern)	Rotunda				front	1	Lewis E M 27:02		front	cd 5091 2111 7185	48-bit color	600 ppi	1	Choir book
Lewis E M 27:2	Lewis E M 27.2 reverse	mcai270022		1300	1325	107 x 128 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 27:02		reverse	cd 5091 2111 7185	48-bit color	600 ppi	2	Choir book
Lewis E M 27:3	Lewis E M 27.3 front	mcai270031		1300	1325	146 x 125 mm	Initial U with the Coronation of the Virgin | The iconography of this initial suggest that it probably begins the Introit for the Common of the Blessed Virgin (recited from the Octave of the Epiphany to the Purification), 'Vultum tuum deprecabuntur omnes divites plebis ...' (All that are rich among the citizens will be courting thy favor).	Parchment	Latin	Italy (northern)					front	1	Lewis E M 27:03		front	cd 5091 2111 7185	48-bit color	600 ppi	1	Gradual
Lewis E M 27:3	Lewis E M 27.3 reverse	mcai270032		1300	1325	146 x 125 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 27:03		reverse	cd 5091 2111 7185	48-bit color	600 ppi	2	Gradual
Lewis E M 27:4	Lewis E M 27.4 front	mcai270041		1300	1325	168 x 247 mm	In this initial, a group of Dominican friars, identified by their white and black robes, stand in adoration below the figure of God. Although the precise moment in liturgy that the initial begins remains to be identified, one can surmise from the iconography that the original choir book belonged to a Dominican convent. This initial was illuminated by an artist working in the circle of the Italian painter Neri da Rimini, whom documents show to have been active in the early fourteenth century. | Initial A with Dominican friars adoring God	Parchment	Latin	Rimini, Italy		Neri da Rimini, follower of	Artist		front	1	Lewis E M 27:04		front	cd 5091 2111 7186	48-bit color	600 ppi	1	Choir book
Lewis E M 27:4	Lewis E M 27.4 reverse	mcai270042		1300	1325	168 x 247 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Rimini, Italy					reverse	2	Lewis E M 27:04		reverse	cd 5091 2111 7186	48-bit color	600 ppi	2	Choir book
Lewis E M 27:5	Lewis E M 27.5 front	mcai270051		1275	1299	111 x 141 mm	Initial P with the Ascension | This initial begins the first response for Matins of the feast of the Ascension, 'Post passionem suam per dies quadriginta ...' (After his Passion, for forty days).	Parchment	Latin	Italy (northeastern)	Rotunda				front	1	Lewis E M 27:05		front	cd 5091 2111 7186	48-bit color	600 ppi	1	Antiphonary
Lewis E M 27:5	Lewis E M 27.5 reverse	mcai270052		1275	1299	111 x 141 mm	This image shows the reverse of a cutting with an illuminated initial from an antiphonary.	Parchment	Latin	Italy (northeastern)	Rotunda				reverse	2	Lewis E M 27:05		reverse	cd 5091 2111 7186	48-bit color	600 ppi	2	Antiphonary
Lewis E M 27:6	Lewis E M 27.6 front	mcai270061		1400	1450	43 x 41 mm	Intial B with St. Mary Magdelene praying | This cutting has been dated to ca. 1420-1430. | This initial begins the prayer, 'Beata Mariae Magdalenae, quaesumus Domine suffragiis adjuvemur ...' (Lord, we pray that we may find help in the intercession of blessed Mary Magdalene), recited during the Mass held in celebration of her feast (July 22).	Parchment	Latin	Venice, Italy	Rotunda				front	1	Lewis E M 27:06		front	cd 5091 2111 7186	48-bit color	600 ppi	1	Missal
Lewis E M 27:6	Lewis E M 27.6 reverse	mcai270062		1400	1450	43 x 41 mm	This cutting has been dated to ca. 1420-1430. | This image shows the reverse of a cutting with an illuminated initial from a missal.	Parchment	Latin	Venice, Italy	Rotunda				reverse	2	Lewis E M 27:06		reverse	cd 5091 2111 7186	48-bit color	600 ppi	2	Missal
Lewis E M 27:7	Lewis E M 27.7 front	mcai270071		1550	1575	85 x 83 mm	Portrait of St. Luke | This cutting has been attributed to Giulio Clovio, or perhaps a follower who worked in a nearly identical manner. Born in Croatia in 1498, Giulio moved to Italy to become one of the most important illuminators of the sixteenth century. Giorgio Vasari, the great sixteenth-century biographer of Renaissance artists, described him as a 'Michelangelo of small works.' Perhaps it is no coincidence then that the very codex that scholars believe this cutting to have come from was housed in the Sistine Chapel in the Apostolic Palace, the official residence of the pope, and the site of Michelangelo's famous ceiling painted sixty years earlier. The codex, which survives only in fragments, was made for Pope Gregory XIII shortly after his papacy began in 1572. | This cutting has been dated to ca. 1572.	Parchment	Latin	Rome, Italy		Giulio Clovio, or close follower of	Artist		front	1	Lewis E M 27:07		front	cd 5091 2111 7186	48-bit color	600 ppi	1	Gospel Lectionary
Lewis E M 27:7	Lewis E M 27.7 reverse	mcai270072		1550	1575	85 x 83 mm	This cutting has been dated to ca. 1572. | This image shows the reverse of a cutting with a miniature from a gospel lectionary.	Parchment	Latin	Rome, Italy					reverse	2	Lewis E M 27:07		reverse	cd 5091 2111 7186	48-bit color	600 ppi	2	Gospel Lectionary
Lewis E M 27:8	Lewis E M 27.8 front	mcai270081		1300	1350	171 x 183 mm	Initial B with Christ blessing a Dominican nun | The Dominican nun, identified by her black and white robes, may represent the abbess of the convent in which the original choir book was used. The precise moment in the liturgy that this initial begins remains to be determined. | This cutting has been dated to ca. 1325.	Parchment	Latin	Tuscany, Siena?, Italy	Rotunda				front	1	Lewis E M 27:08		front	cd 5091 2111 7187	48-bit color	600 ppi	1	Choir book
Lewis E M 27:8	Lewis E M 27.8 reverse	mcai270082		1300	1350	171 x 183 mm	This cutting has been dated to ca. 1325. | This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Tuscany, Siena?, Italy	Rotunda				reverse	2	Lewis E M 27:08		reverse	cd 5091 2111 7187	48-bit color	600 ppi	2	Choir book
Lewis E M 27:9-10	Lewis E M 27.9 front	mcai270091		1400	1450	83 x 94 mm	Initial A with an unidentified saint | This initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese.	Parchment	Latin	Venice, Italy		Christoforo Cortese, attributed to	Artist		front 27:9	1	Lewis E M 27:09-10		front 27:9	cd 5091 2111 7187	48-bit color	600 ppi	1	Choir book
Lewis E M 27:9-10	Lewis E M 27.9 reverse	mcai270092		1400	1450	83 x 94 mm	Christoforo Cortese, attributed to	Parchment	Latin	Venice, Italy	Rotunda				reverse 27:9	2	Lewis E M 27:09-10		reverse 27:9	cd 5091 2111 7187	48-bit color	600 ppi	2	Choir book
Lewis E M 27:9-10	Lewis E M 27.10 front	mcai270101		1400	1450	123 x 97 mm	In this initial, which begins an unidentified chant, Christ appears as the mocked King of the Jews. Among the many torments he suffered during his Passion, Christ was given a crown of thorns and a reed as a scepter. Here, Christ holds the reed in his bound hands, and a green crown of thorns causes blood to flow down his face, which can be seen through the diaphanous veil covering his head. This image was meant to inspire compassion for Christ's suffering in the heart of the viewer. The initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese. | Initial S with Christ crowned with thorns	Parchment	Latin	Venice, Italy	Rotunda	Christoforo Cortese, attributed to	Artist		front 27:10	3	Lewis E M 27:09-10		front 27:10	cd 5091 2111 7187	48-bit color	600 ppi	3	Choir book
Lewis E M 27:9-10	Lewis E M 27.10 reverse	mcai270102		1400	1450	123 x 97 mm	This image shows the reverse of a cutting with an illuminated initial from a choir book.	Parchment	Latin	Venice, Italy	Rotunda				reverse 27:10	4	Lewis E M 27:09-10		reverse 27:10	cd 5091 2111 7187	48-bit color	600 ppi	4	Choir book
Lewis E M 27:11	Lewis E M 27.11 front	mcai270111		1500	1599		A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. 
 The arms of the Contarini family are displayed on this leaf--eight Doges of Venice came from this family.	Parchment		Venice, Italy					front	1	Lewis E M 27:11		front	cd 5091 2111 7187				Frontispiece from a Dogale, with Contarini arms
Lewis E M 27:11	Lewis E M 27.11 reverse	mcai270112		1500	1599			Parchment		Venice, Italy					reverse	2	Lewis E M 27:11		reverse	cd 5091 2111 7188				Frontispiece from a Dogale, with Contarini arms
Lewis E M 27:12	Lewis E M 27.12 front	mcai270121		1450	1499	146 x 145 mm	Initial A with King David in prayer | This initial begins the Introit for the First Sunday in Advent, 'Ad te levavi animam meam ...' (All my heart goes out to thee). The words of the Introit are from Psalm 24:1-3. In the Middle Ages, David was believed to have composed the psalms, and he was thus often found in psalm illustration.	Parchment	Latin	Veneto?, Italy	Rotunda				front	1	Lewis E M 27:12		front	cd 5091 2111 7188	48-bit color	600 ppi	1	Gradual
Lewis E M 27:12	Lewis E M 27.12 reverse	mcai270122		1450	1499	146 x 145 mm	This is the reverse of a cutting from a gradual.	Parchment	Latin	Veneto?, Italy					reverse	2	Lewis E M 27:12		reverse	cd 5091 2111 7188	48-bit color	600 ppi	2	Gradual
Lewis E M 27:13	Lewis E M 27.13 front	mcai270131		1500	1599		A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. This miniature depicts the Transfiguration of Christ, with Moses and Elijah the Prophet in the heavens with Jesus, and the apostles John, Peter, and James on the ground. This references the version of the story told in Matthew 17:1-9; Matthew 17:5 is quoted at the top of the cutting.	Parchment		Venice, Italy					front	1	Lewis E M 27:13		front	cd 5091 2111 7188				Frontispiece from a Dogale, depicting the Transfiguration
Lewis E M 27:13	Lewis E M 27.13 reverse	mcai270132		1500	1599			Parchment		Venice, Italy					reverse	2	Lewis E M 27:13		reverse	cd 5091 2111 7188				Frontispiece from a Dogale, depicting the Transfiguration
Lewis E M 27:14	Lewis E M 27.14 front	mcai270141		1450	1475	93 x 90 mm	Although the text on the reverse of the cutting is obscured, the rare iconography in the historiated initial suggests that it was removed from a manuscript containing Eusebius's 'Chronici canones.' Eusebius (ca. 275 - 339), bishop of Caesarea, is most well known for writing the early history of the Christian Church. Another of his great works is his 'Chronicle,' which claimed to give the whole of universal history to the year 325. The original Greek text did not survive antiquity, but the second part of the Chronicle, entitled the 'Chronological Canons,' was translated into Latin by St. Jerome. This initial E begins the first lines of Jerome's preface to the Chronological Canons, or the 'Chronici canones' as it is known in Latin, 'Eusebius Hieronymus Vicentio et Gallieno suis salutem ...' (May I, Eusebius Jerome, send greetings to Vicentius and Gallianus). | Initial E () with the Penitent St. Jerome | This cutting can be dated to ca. 1475.	Parchment	Latin	Verona, Italy	Rotunda	Eusebius of Caesarea	Author		front	1	Lewis E M 27:14		front	cd 5091 2111 7189	48-bit color	600 ppi	1	Chronici canones
Lewis E M 27:14	Lewis E M 27.14 reverse	mcai270142		1450	1475	93 x 90 mm	This cutting can be dated to ca. 1475. | This image shows the reverse of a cutting with an historiated initial from a manuscript copy of St. Jerome's Latin translation of the Chronicles of Eusebius.	Parchment	Latin	Verona, Italy	Rotunda	Eusebius of Caesarea	Author		reverse	2	Lewis E M 27:14		reverse	cd 5091 2111 7189	48-bit color	600 ppi	2	Chronici canones
Lewis E M 27:15	Lewis E M 27.15 front	mcai270151		1540	1560	146 x 192 mm	Initial D with St. Michael Archangel slaying the dragon | This initial begins the Magnificat antiphon for first Vespers of the feast of St. Michael (Sept. 29), 'Dum sacrum mysterium cerneret Iohannes ...' (While John was beholding the sacred mystery).	Parchment	Latin	Ferrara?, Italy	Rotunda				front	1	Lewis E M 27:15		front	cd 5091 2111 7189	48-bit color	600 ppi	1	Antiphonary
Lewis E M 27:15	Lewis E M 27.15 reverse	mcai270152		1540	1560	146 x 192 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Ferrara?, Italy	Rotunda				reverse	2	Lewis E M 27:15		reverse	cd 5091 2111 7189	48-bit color	600 ppi	2	Antiphonary
Lewis E M 27:16	Lewis E M 27.16 front	mcai270161		1550	1599	118 x 150 mm	Initial A with Two Benedictine monks beside King David in prayer | This initial begins the Introit for the First Sunday in Advent, 'Ad te levavi animam meam ...' (All my heart goes out to thee). The words of the Introit are from Psalm 24:1-3. In the Middle Ages, David was believed to have composed the psalms, and he was thus often found in psalm illustration. In this initial, he is joined by two Benedictine monks in prayer.	Parchment	Latin	Veneto, Italy					front	1	Lewis E M 27:16		front	cd 5091 2111 7189	48-bit color	600 ppi	1	Gradual
Lewis E M 27:16	Lewis E M 27.16 reverse	mcai270162		1550	1599	118 x 150 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Veneto, Italy	Rotunda				reverse	2	Lewis E M 27:16		reverse	cd 5091 2111 7189	48-bit color	600 ppi	2	Gradual
Lewis E M 27:17	Lewis E M 27.17	mcai270171		1400	1499	96 x 98 mm	Initial G with Bernardo Tolomei and a group of Olivetan monks | Since no text is visible on this cutting (it has been pasted to decorative board), it is difficult to determine its original manuscript context. Its size suggests that it is from a large choir book. The cutting may have come from the same manuscript as Lewis E M 27:18. The iconography of this initial suggests that the original manuscript was intended for use in an Olivetan monastery. The Olivetan order was founded by the Blessed Bernardo Tolomei, shown in this initial holding an olive branch. The order took its name from its motherhouse, which was named Monte Oliveto after the biblical Mount of Olives. The illuminator of this initial is known as the Olivetan Master, called by this name because of a signature found in an illuminated initial from Milan, dated 1439 (now in The Cini Foundation in Venice) that describes him as a brother of the Order of Monteoliveto. | This cutting has been dated to ca. 1430s - 1440s.	Parchment	Latin	Milan, Italy		Olivetan Master	Artist		front	1	Lewis E M 27:17		front	cd 5091 2111 7189	48-bit color	600 ppi	1	Choir book
Lewis E M 27:18	Lewis E M 27.18	mcai270181		1400	1450	102 x 106 mm	Initial A with St. Gregory the Great receiving divine inspiration from the Holy Spirit, represented as a dove | Since no text is visible on this cutting (which has been pasted to decorative board), it is difficult to determine its original manuscript context. Its size suggests that it is from a large choir book. The cutting may have come from the same manuscript as Lewis E M 27:17. The illuminator of this initial is known as the Olivetan Master, called by this name because of a signature found in an illuminated initial from Milan, dated 1439 (now in The Cini Foundation in Venice) that describes him as a brother of the Order of Monteoliveto. | This cutting has been dated to ca. 1430s to 1440s.	Parchment	Latin	Milan, Italy		Olivetan Master	Artist		front	1	Lewis E M 27:18		front	cd 5091 2111 7189	48-bit color	600 ppi	1	Choir book
Lewis E M 27:19	Lewis E M 27.19 front	mcai270191		1425	1450	106 x 112 mm	Initial H with St. Ambrose of Milan | St. Ambrose, bishop of Milan from 374 -397, is counted as one of the Doctors of the western Church with Augustine, Jerome, and Pope Gregory I. The fragmentary inscription in the margin to the right of the saint makes reference to the act of genuflecting before images of saints as a means of worship.The illuminator of this initial is known as the Olivetan Master, called by this name because of a signature found in an illuminated initial from Milan, dated 1439 (now in The Cini Foundation in Venice) that describes him as a brother of the Order of Monteoliveto. | This cutting can be dated to ca. 1430s-1440s.	Parchment	Latin	Lombardy, Italy		Olivetan Master	Artist		front	1	Lewis E M 27:19		front	cd 5091 2111 7190	48-bit color	600 ppi	1	Choir book
Lewis E M 27:19	Lewis E M 27.19 reverse	mcai270192		1425	1450	106 x 112 mm	This cutting can be dated to ca. 1430s-1440s. | This is the reverse of a cutting from a choir book.	Parchment	Latin	Lombardy, Italy					reverse	2	Lewis E M 27:19		reverse	cd 5091 2111 7190	48-bit color	600 ppi	2	Choir book
Lewis E M 27:20	Lewis E M 27.20 front	mcai270201		1440	1460	198 x 121 mm	Marginal decoration showing the Parable of the Lost Sheep | This cutting of an area of marginal decoration contains a scene from Christ's Parable of the Lost Sheep that is told in the Gospels of Matthew (18:12-14) and Luke (15:4-7). Christ speaks of a shepherd who leaves his flock to find one lost lamb. When he finds his lost charge, he puts the lamb on his shoulder and returns home to call together his friends and family, saying 'Rejoice with me, because I have found my sheep that was lost!' His proclamation is written in Latin on the scroll held by the shepherd depicted in the cutting, 'Congratulamini mihi quia inveni ovem quam perdideram.'	Parchment	Latin	Lombardy, Italy	Rotunda (libraria)				front	1	Lewis E M 27:20		front	cd 5091 2111 7190	48-bit color	600 ppi	1	Undetermined
Lewis E M 27:20	Lewis E M 27.20 reverse	mcai270202		1440	1460			Parchment		Lombardy, Italy					reverse	2	Lewis E M 27:20		reverse	cd 5091 2111 7190				Undetermined
Lewis E M 27:21	Lewis E M 27.21 front	mcai270211		1440	1460	134 x 188 mm	Initial I with Christ's Entry into Jerusalem | The stylized tree-like structure on the right edge of this cutting forms the stem of an Initial I that begins the first response of the first nocturn of Matins for Palm Sunday 'In die qua invocavi te ...' (When I called to you).	Parchment	Latin	Lombardy, Italy					front	1	Lewis E M 27:21		front	cd 5091 2111 7190	48-bit color	600 ppi	1	Antiphonary
Lewis E M 27:21	Lewis E M 27.21 reverse	mcai270212		1440	1460	134 x 188 mm	This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 27:21		reverse	cd 5091 2111 7190	48-bit color	600 ppi	2	Antiphonary
Lewis E M 27:22-23	Lewis E M 27.22 front	mcai270221		1385	1399	123 x 207 mm	As the iconography suggests, this initial most likely begins the first response for Vespers of the feast of St. Laurence (Aug. 10), 'Levita Laurentius bonum opus operatus est ...' (The Levite Laurence has wrought good work), although little text survives to confirm this identification. St. Laurence was martyred in 258 during the persecutions of the Roman Emperor Valerian. According to his legend he was tied to a gridiron and placed over a fire to slowly burn to death. Until his identity was determined by documentary evidence, the illuminator Tomasino da Vimercate was previously known as the anonymous Master of the Modena Hours, after his most characteristic work in a book of hours now in the Biblioteca Estense in Modena, Italy. Tomasino was active in Milan, where he worked for ecclesiastical and lay patrons from ca. 1390 to 1415. He illuminated eight other leaves in the Free Library's collection (Lewis E M 27:23 and 72:4-10). This group of leaves and cuttings undoubtedly comes from the same series of choir books. | Initial L with the Martyrdom of St. Laurence of Rome | These cuttings have been dated to ca. 1395.	Parchment	Latin	Milan, Italy		Tomasino da Vimercate	Artist		front	1	Lewis E M 27:22-23		front	cd 5091 2111 7191	48-bit color	600 ppi	1	Antiphonary
Lewis E M 27:22-23	Lewis E M 27.22 reverse	mcai270222		1385	1399	123 x 207 mm	These cuttings have been dated to ca. 1395. | This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Milan, Italy	Rotunda				reverse	2	Lewis E M 27:22-23		reverse	cd 5091 2111 7191	48-bit color	600 ppi	2	Antiphonary
Lewis E M 27:22-23	Lewis E M 27.23 front	mcai270231		1385	1399	135 x 142 mm	Initial O with St. Clement praying | These cuttings have been dated to ca. 1395. | This initial begins the Response for first Vespers of the feast of St. Clement of Rome (Nov. 23), 'Orante sancto Clemente apparavit ei Agnus Dei, de sub cuius pede fons vivus emanat ...' (While St. Clement was praying, the Lamb of God appeared to him, from under whose foot a living fountain sprang). The text of the chant explains the iconography of the flowing spring water just under Clement's foot. The Lamb of God mentioned in the chant, however, has been replaced by rays of heavenly light. Until his identity was determined by documentary evidence, the illuminator Tomasino da Vimercate was previously known as the anonymous Master of the Modena Hours, after his most characteristic work in a book of hours now in the Biblioteca Estense in Modena, Italy. Tomasino was active in Milan, where he worked for ecclesiastical and lay patrons from ca. 1390 to 1415. He illuminated eight other leaves in the Free Library's collections, Lewis E M 27:22 and 72:4-10. This group of leaves and cuttings undoubtedly comes from the same series of choir books.	Parchment	Latin	Milan, Italy		Tomasino da Vimercate	Artist		front (27:23)	3	Lewis E M 27:22-23		front (27:23)	cd 5091 2111 7191	48-bit color	600 ppi	1	Antiphonary
Lewis E M 27:22-23	Lewis E M 27.23 reverse	mcai270232		1385	1399	135 x 142 mm	These cuttings have been dated to ca. 1395. | This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Milan, Italy	Rotunda				reverse (27:23)	4	Lewis E M 27:22-23		reverse (27:23)	cd 5091 2111 7191	48-bit color	600 ppi	2	Antiphonary
Lewis E M 27:24	Lewis E M 27.24	mcai270241		1425	1450	118 x 116 mm	Initial C with God enthroned | No text survives on this cutting to permit the identification of the text of this initial, which has been pasted to decorative cardboard. Its size suggests that it belonged in a large choir book. The cutting may have come from the same manuscript as Lewis E M 27:25, which is similar in size and illuminated at least in part by the same hand. The illuminator worked under the influence of an anonymous master known today as the Olivetan Master, who is called by this name because of a signature found in an illuminated initial from Milan, dated to 1439 (now belonging to The Cini Foundation, Venice). He describes himself as a brother of the Order of Monteoliveto, a monastic order formally recognized in 1344.	Parchment	Latin	Milan, Italy		Olivetan Master, collaborator	Artist		front	1	Lewis E M 27:24		front	cd 5091 2111 7191	48-bit color	600 ppi	1	Choir book
Lewis E M 27:25	Lewis E M 27.25	mcai270251		1425	1450	127 x 141 mm	Initial D with the Conversion of St. Paul | No text survives on this cutting to permit the identification of the text of this initial, which has been pasted to decorative cardboard. Its size suggests that it belonged in a large choir book, and the iconography indicates that the chant was sung during the celebrations of the feast of the Conversion of St. Paul. The cutting may have come from the same manuscript as Lewis E M 27:24, which is similar in size and illuminated at least in part by the same hand. The illuminator worked under the influence of an anonymous master known today as the Olivetan Master, who is called by this name because of a signature found in an illuminated initial from Milan, dated to 1439 (now belonging to the Cini Foundation in Venice). He describes himself as a brother of the Order of Monteoliveto, a monastic order formally recognized in 1344.	Parchment	Latin	Milan, Italy		Olivetan Master, collaborator	Artist		front	1	Lewis E M 27:25		front	cd 5091 2111 7191	48-bit color	600 ppi	1	Choir book
Lewis E M 27:26	Lewis E M 27.26 front	mcai270261		1475	1525	40 x 50 mm	From same ms. as M 27:27-29.
 Mr. Huter says Venetian, 1420-30. (Written on back of mat)	Parchment		Milan, Italy					front	1	Lewis E M 27:26		front	cd 5091 2111 7191				Historiated initial I from a missal depicting St. Luke writing
Lewis E M 27:26	Lewis E M 27.26 reverse	mcai270262		1475	1525	40 x 50 mm		Parchment		Milan, Italy	Rotunda				reverse	2	Lewis E M 27:26		reverse	cd 5091 2111 7191				Historiated initial I from a missal depicting St. Luke writing
Lewis E M 27:27-29	Lewis E M 27.27 front	mcai270271		1450	1499	172 x 65 mm	Border decoration with deer | These cuttings have been dated to ca. 1475. | This cutting may have come from a now lost missal that documents show was illuminated by Girolamo da Cremona (fl. 1451-1483) for Lucrezia de'Medici, a member of the powerful Medici family of Florence. The carefully observed treatments of space and naturalistic detail as well as the illusionistic vine-scroll border decoration dotted with small pearls are hallmarks of this important Renaissance artist.	Parchment	Latin	Venice, Italy		Girolamo da Cremona [Girolamo di Giovanni dei Corradi]	Artist		front 27:27	1	Lewis E M 27:27-29		front 27:27	cd 5091 2111 7192	48-bit color	600 ppi	1	Missal
Lewis E M 27:27-29	Lewis E M 27.27 reverse	mcai270272		1450	1499	172 x 65 mm	These cuttings have been dated to ca. 1475. | This is the reverse of a cutting with border decoration from a missal.	Parchment	Latin	Venice, Italy					reverse 27:27	2	Lewis E M 27:27-29		reverse 27:27	cd 5091 2111 7192	48-bit color	600 ppi	2	Missal
Lewis E M 27:27-29	Lewis E M 27.28 front	mcai270281		1450	1499	86 x 49 mm	Border decoration with deer | These cuttings have been dated to ca. 1475. | This cutting may have come from a now lost missal that documents show was illuminated by Girolamo da Cremona (fl. 1451-1483) for Lucrezia de'Medici, a member of the powerful Medici family of Florence. The carefully observed treatments of space and naturalistic detail as well as the illusionistic vine-scroll border decoration dotted with small pearls are hallmarks of this important Renaissance artist.	Parchment	Latin	Venice, Italy		Girolamo da Cremona [Girolamo di Giovanni dei Corradi]	Artist		front 27:28	3	Lewis E M 27:27-29		front 27:28	cd 5091 2111 7192	48-bit color	600 ppi	3	Missal
Lewis E M 27:27-29	Lewis E M 27.28 reverse	mcai270282		1450	1499	86 x 49 mm	These cuttings have been dated to ca. 1475. | This image shows the reverse of a cutting containing border decoration from a missal.	Parchment	Latin	Venice, Italy	Rotunda				reverse 27:28	4	Lewis E M 27:27-29		reverse 27:28	cd 5091 2111 7192	48-bit color	600 ppi	4	Missal
Lewis E M 27:27-29	Lewis E M 27.29 front	mcai270291		1450	1499	71 x 64 mm	In this initial, which once marked the beginning of the instructions for consecrating the host, a priest kneels before an altar and elevates the Host, the culminating moment of the Mass. This cutting may have come from a now lost missal that documents show was illuminated by Girolamo da Cremona (fl. 1451-1483) for Lucrezia de'Medici, a member of the powerful Medici family of Florence. The carefully observed treatments of space and naturalistic detail as well as the illusionistic vine-scroll border decoration dotted with small pearls are hallmarks of this important Renaissance artist. | Initial G with a priest celebrating Mass | These cuttings have been dated to ca. 1475.	Parchment	Latin	Venice, Italy	Rotunda	Girolamo da Cremona [Girolamo di Giovanni dei Corradi]	Artist		front 27:29	5	Lewis E M 27:27-29		front 27:29	cd 5091 2111 7192	48-bit color	600 ppi	5	Missal
Lewis E M 27:27-29	Lewis E M 27.29 reverse	mcai270292		1450	1499	71 x 64 mm	These cuttings have been dated to ca. 1475. | This image shows the reverse of a cutting with an illuminated initial from a missal.	Parchment	Latin	Venice, Italy	Rotunda				reverse 27:29	6	Lewis E M 27:27-29		reverse 27:29	cd 5091 2111 7192	48-bit color	600 ppi	6	Missal
Lewis E M 28:1	Lewis E M 28.1 front	mcai280011		1440	1460	168 x 153 mm	Initial D with the Holy Trinity | This initial begins Psalm 109, 'Dixit Dominus Domino meo sede a dextris meis ...' (The Lord said to my Lord sit at my right hand) and marks the last major division of the Psalter according to the schedule of the Divine Office. The opening words of the psalm were generally interpreted as referring to the persons of the Trinity, which explains part of the iconography of this initial. The landscape below includes further references to the rest of the psalm. The architecture of the city below extends into a landscape that continues almost infinitely into the background, giving a bird's-eye view of a world that extends beyond the sea. The placement of the Trinity above such a landscape may refer to the last verses of the psalm: 'He shall judge among nations, he shall fill ruins; he shall crush the heads in the land of the many.'	Parchment	Latin	Lombardy, Italy	Rotunda				front	1	Lewis E M 28:01		front	cd 5091 2111 7193	48-bit color	600 ppi	1	Breviary (or Psalter)
Lewis E M 28:1	Lewis E M 28.1 reverse	mcai280012		1440	1460	168 x 153 mm	This image shows the reverse of a cutting with an historiated initial from a psalter.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 28:01		reverse	cd 5091 2111 7193	48-bit color	600 ppi	2	Breviary (or Psalter)
Lewis E M 28:2	Lewis E M 28.2 front	mcai280021		1485	1499	193 x 130 mm	Initial B with two Benedictine monks adoring the Trinity | This initial begins the first response for the first nocturn of Matins for Trinity Sunday, 'Benedicat nos Deus, Deus noster, benedicat nos Deus ...' (May God, our God, bless us).	Parchment	Latin	Ferrara?, Italy	Rotunda				front	1	Lewis E M 28:02		front	cd 5091 2111 7193	48-bit color	600 ppi	1	Antiphonary
Lewis E M 28:2	Lewis E M 28.2 reverse	mcai280022		1485	1499	193 x 130 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Ferrara?, Italy	Rotunda				reverse	2	Lewis E M 28:02		reverse	cd 5091 2111 7193	48-bit color	600 ppi	2	Antiphonary
Lewis E M 28:3-5	Lewis E M 28.3 front	mcai280031		1390	1410	115 x 118 mm	Initial C with St. Stephen Protomartyr | These cuttings can be dated to ca. 1400. | This initial begins the Introit of the Mass for the feast of St. Stephen (Dec. 26), 'Et enim sederunt principes, et adversum me loquebantur ...' (Closeted together, princes have plotted against me). St. Stephen was the first martyr of the Christian faith. As recorded in the Acts of the Apostles, he was stoned to death (Acts 7:56-59). He is shown here dressed in deacon's vestments with the stones that struck his head and his martyr's palms. Lewis E M 28:3-5 and E M 28:7 were illuminated by a follower of Tomasino da Vimercate, an illuminator active in Milan from ca. 1390 to 1415. Until his identity was determined by documentary evidence, Tomasino was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours, now in the Biblioteca Estense in Modena, Italy.	Parchment	Latin	Milan, Italy	Rotunda	Tomasino da Vimercate, follower of	Artist		front 28:3	1	Lewis E M 28:03-05		front 28:3	cd 5091 2111 7193	48-bit color	600 ppi	1	Gradual
Lewis E M 28:3-5	Lewis E M 28.3 reverse	mcai280032		1390	1410	115 x 118 mm	These cuttings can be dated to ca. 1400. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Milan, Italy	Rotunda				reverse 28:3	2	Lewis E M 28:03-05		reverse 28:3	cd 5091 2111 7193	48-bit color	600 ppi	2	Gradual
Lewis E M 28:3-5	Lewis E M 28.4 front	mcai280041		1390	1410	134 x 141 mm	Initial B with St. Michael Archangel slaying the Devil | These cuttings can be dated to ca. 1400. | This initial begins the Introit for the feast of St. Michael Archangel (Sept. 29), 'Benedicite Domino omnes angeli ejus ...' (Bless the Lord, all you angels of his). Lewis E M 28:3-5 and E M 28:7 were illuminated by a follower of Tomasino da Vimercate, an illuminator active in Milan from ca. 1390 to 1415. Until his identity was determined by documentary evidence, Tomasino was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours, now in the Biblioteca Estense in Modena, Italy.	Parchment	Latin	Milan, Italy	Rotunda	Tomasino da Vimercate, follower of	Artist		front 28:4	3	Lewis E M 28:03-05		front 28:4	cd 5091 2111 7195	48-bit color	600 ppi	3	Gradual
Lewis E M 28:3-5	Lewis E M 28.4 reverse	mcai280042		1390	1410	134 x 141 mm	These cuttings can be dated to ca. 1400. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Milan, Italy	Rotunda				reverse 28:4	4	Lewis E M 28:03-05		reverse 28:4	cd 5091 2111 7195	48-bit color	600 ppi	4	Gradual
Lewis E M 28:3-5	Lewis E M 28.5 front	mcai280051		1390	1410	142 x 146 mm	Initial N with St. Peter in prison | These cuttings can be dated to ca. 1400. | This initial begins the Introit for the feast of St. Peter in Chains (Aug. 1), 'Nunc scio vere quia misit Dominus angelum suum...' (Now I can tell for certain that the Lord has sent his angel). According to the Acts of the Apostles, Peter was persecuted by Herod Agrippa and thrown into prison for preaching the Christian faith (Acts 12:1-23). Lewis E M 28:3-5 and E M 28:7 were illuminated by a follower of Tomasino da Vimercate, an illuminator active in Milan from ca. 1390 to 1415. Until his identity was determined by documentary evidence, Tomasino was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours, now in the Biblioteca Estense in Modena, Italy.	Parchment	Latin	Milan, Italy	Rotunda	Tomasino da Vimercate, follower of	Artist		front 28:5	5	Lewis E M 28:03-05		front 28:5	cd 5091 2111 7195	48-bit color	600 ppi	5	Gradual
Lewis E M 28:3-5	Lewis E M 28.5 reverse	mcai280052		1390	1410	142 x 146 mm	These cuttings can be dated to ca. 1400. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Milan, Italy	Rotunda				reverse 28:5	6	Lewis E M 28:03-05		reverse 28:5	cd 5091 2111 7195	48-bit color	600 ppi	6	Gradual
Lewis E M 28:6	Lewis E M 28.6 front	mcai280061		1390	1410	70 x 75 mm	Initial N with St. Peter in prison | This cutting can be dated to ca. 1400. | This initial begins the Introit of the Mass for the feast of St. Peter in Chains, 'Nunc scio vere quia misit Dominus angelum suum...' (Now I can tell for certain that the Lord has sent his angel). According to the Acts of the Apostles, Peter was persecuted by Herod Agrippa and thrown into prison for preaching the Christian faith (Acts 12:1-23).	Parchment	Latin	Lombardy, Milan?, Italy	Rotunda				front	1	Lewis E M 28:06		front	cd 5091 2111 7195	48-bit color	600 ppi	1	Gradual
Lewis E M 28:6	Lewis E M 28.6 reverse	mcai280062		1390	1410	70 x 75 mm	image shows the reverse of a cutting with an historiated initial from a gradual. | This cutting can be dated to ca. 1400.	Parchment	Latin	Lombardy, Milan?, Italy	Rotunda				reverse	2	Lewis E M 28:06		reverse	cd 5091 2111 7195	48-bit color	600 ppi	2	Gradual
Lewis E M 28:7	Lewis E M 28.7 front	mcai280071		1390	1410	95 x 149 mm	Initial L with St. Paul | This cutting can be dated to ca. 1400. | This initial begins the Introit for the feast of St. Paul, 'Laetemur omnes in Domino ...' (Rejoice in the Lord). Lewis E M 28:3-5 and E M 28:7 were illuminated by a follower of Tomasino da Vimercate, an illuminator active in Milan from ca. 1390 to 1415. Until his identity was determined by documentary evidence, Tomasino was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours, now in the Biblioteca Estense in Modena, Italy.	Parchment	Latin	Milan, Italy	Rotunda	Tomasino da Vimercate, follower of	Artist		front	1	Lewis E M 28:07		front	cd 5091 2111 7195	48-bit color	600 ppi	1	Gradual
Lewis E M 28:7	Lewis E M 28.7 reverse	mcai280072		1390	1410	95 x 149 mm	This cutting can be dated to ca. 1400. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Milan, Italy	Rotunda				reverse	2	Lewis E M 28:07		reverse	cd 5091 2111 7195	48-bit color	600 ppi	2	Gradual
Lewis E M 28:8	Lewis E M 28.8 front	mcai280081		1390	1410	79 x 81 mm	Initial N with St. Peter in prison | This cutting can be dated to ca. 1400. | This initial begins the Introit of the Mass for the feast of St. Peter in Chains (Aug. 1), 'Nunc scio vere quia misit Dominus angelum suum...' (Now I can tell for certain that the Lord has sent his angel). According to the Acts of the Apostles, Peter was persecuted by Herod Agrippa and thrown into prison for preaching the Christian faith (Acts 12:1-23). The keys that St. Peter is holding in this initial are his attribute, referring to Christ's gift to him of the keys of heaven.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 28:08		front	cd 5091 2111 7196	48-bit color	600 ppi	1	Gradual
Lewis E M 28:8	Lewis E M 28.8 reverse	mcai280082		1390	1410	79 x 81 mm	This cutting can be dated to ca. 1400. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 28:08		reverse	cd 5091 2111 7196	48-bit color	600 ppi	2	Gradual
Lewis E M 28:9	Lewis E M 28.9 front	mcai280091		1400	1499	186 x 178 mm		Parchment		Lombardy, Italy	Rotunda				front	1	Lewis E M 28:09		front	cd 5091 2111 7196				Historiated initial O from an antiphonary depicting clergy communing with God
Lewis E M 28:9	Lewis E M 28.9 reverse	mcai280092		1400	1499	186 x 178 mm		Parchment		Lombardy, Italy	Rotunda				reverse	2	Lewis E M 28:09		reverse	cd 5091 2111 7196				Historiated initial O from an antiphonary depicting clergy communing with God
Lewis E M 28:10	Lewis E M 28.10 front	mcai280101		1440	1460	150 x 152 mm	Initial C with Christ displaying his wounds | The text that this initial begins has not yet been identified. The reverse contains text from the Communion for the fifth Sunday after Easter, 'Petite et dabitur quaerite et invenetis...' (Ask and it will be given to you, seek and you shall find), indicating that the initial may begin a chant used in the liturgy of the vigil of the feast of the Ascension.	Parchment	Latin	Lombardy, Italy	Rotunda				front	1	Lewis E M 28:10		front	cd 5091 2111 7196	48-bit color	600 ppi	1	Gradual
Lewis E M 28:10	Lewis E M 28.10 reverse	mcai280102		1440	1460	150 x 152 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 28:10		reverse	cd 5091 2111 7196	48-bit color	600 ppi	2	Gradual
Lewis E M 28:11	Lewis E M 28.11 front	mcai280111		1440	1460	136 x 110 mm	Although the exact moment in the liturgy when this initial occurs has not been determined, the iconography suggests that it begins a chant used in the Mass celebrating the feast of St. Philip the Apostle (May 11), identified here by the cross-staff that he carries. | Initial D with the St. Philip the Apostle	Parchment	Latin	Lombardy, Italy	Rotunda				front	1	Lewis E M 28:11		front	cd 5091 2111 7198	48-bit color	600 ppi	1	Gradual
Lewis E M 28:11	Lewis E M 28.11 reverse	mcai280112		1440	1460	136 x 110 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 28:11		reverse	cd 5091 2111 7198	48-bit color	600 ppi	2	Gradual
Lewis E M 28:12	Lewis E M 28.12 front	mcai280121		1440	1460	118 x 129 mm	Initial F with St. Thomas Aquinas | The text of this initial has not been identified. The iconography, however, suggests that it begins a chant sung during the celebrations of the feast of St. Thomas Aquinas (March 7).	Parchment	Latin	Lombardy, Italy					front	1	Lewis E M 28:12		front	cd 5091 2111 7198	48-bit color	600 ppi	1	Choir book
Lewis E M 28:12	Lewis E M 28.12 reverse	mcai280122		1440	1460	118 x 129 mm	This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 28:12		reverse	cd 5091 2111 7198	48-bit color	600 ppi	2	Choir book
Lewis E M 28:13	Lewis E M 28.13 front	mcai280131		1440	1460	108 x 99 mm	Initial C with a choir of Franciscan friars | This initial begins Psalm 97, 'Cantate Domino canticum novum ...' (Sing to the Lord a new song), marking one of the eight liturgical divisions for the weekly recitation of the Psalms. This psalm is typically illustrated by a group of monks singing. Here, the monks are Franciscan friars, identified by the color of their robes and the visible first of three knots that symbolize the Order's vows of poverty, chastity, and obedience. The words inscribed on the open book are the same words that originally followed the initial. The illumination has been attributed to the anonymous Master of the Franciscan Breviary, so-called after a breviary dated to 1446 in the Biblioteca Universitaria in Bologna, Italy.	Parchment	Latin	Lombardy, Italy	Rotunda	Maestro dei Breviari Francescano	Artist		front	1	Lewis E M 28:13		front	cd 5091 2111 7198	48-bit color	600 ppi	1	Breviary
Lewis E M 28:13	Lewis E M 28.13	mcai280131		1440	1460	108 x 99 mm	Initial C with a choir of Franciscan friars | This initial begins Psalm 97, 'Cantate Domino canticum novum ...' (Sing to the Lord a new song), marking one of the eight liturgical divisions for the weekly recitation of the Psalms. This psalm is typically illustrated by a group of monks singing. Here, the monks are Franciscan friars, identified by the color of their robes and the visible first of three knots that symbolize the Order's vows of poverty, chastity, and obedience. The words inscribed on the open book are the same words that originally followed the initial. The illumination has been attributed to the anonymous Master of the Franciscan Breviary, so-called after a breviary dated to 1446 in the Biblioteca Universitaria in Bologna, Italy.	Parchment	Latin	Lombardy, Italy	Rotunda	Maestro dei Breviari Francescano	Artist		front	1	Lewis E M 28:13		front	cd 5091 2111 7198	48-bit color	600 ppi	1	Breviary
Lewis E M 28:13	Lewis E M 28.13 reverse	mcai280132		1440	1460	108 x 99 mm	This image shows the reverse of a cutting with an historiated initial from a service book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 28:13		reverse	cd 5091 2111 7198	48-bit color	600 ppi	2	Breviary
Lewis E M 28:14	Lewis E M 28.14 front	mcai280141		1440	1460	114 x 112 mm	Initial L with St. Laurence of Rome | This initial begins the first response for the first nocturn of Matins of the feast of St. Laurence (Aug. 10), 'Levita Laurentius bonum opus operatus est ...' (The Deacon Lawrence performed a pious act). The iconography of the initial makes reference to the events surrounding the martyrdom of the saint. According to his legend, Pope Sixtus II entrusted Laurence with the material wealth of the Church when it was still outlawed. Shortly thereafter, Sixtus was executed, and Laurence distributed the wealth among the poor. When the Emperor Valerian commanded Laurence to appear for his execution, the saint was told to bring along the treasure with which the pope had entrusted him. When he arrived, a multitude of Rome's crippled, blind, sick, and indigent came with him. St. Laurence announced that these were the true treasures of the Church. Laurence was executed by being grilled over hot coals; the gridiron is his attribute.	Parchment	Latin	Lombardy, Italy	Rotunda				front	1	Lewis E M 28:14		front	cd 5091 2111 7198	48-bit color	600 ppi	1	Antiphonary
Lewis E M 28:14	Lewis E M 28.14 reverse	mcai280142		1440	1460	114 x 112 mm	This image shows the reverse of a cutting with an historiated initial from a service book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 28:14		reverse	cd 5091 2111 7198	48-bit color	600 ppi	2	Antiphonary
Lewis E M 28:15	Lewis E M 28.15 front	mcai280151		1400	1499	147 x 152 mm	Signed on gold at lower left, in blind: Heinricus.
 De Ricci II, 2068, no. 261	Parchment		Lombardy, Italy					front	1	Lewis E M 28:15		front	cd 5091 2111 7198				Historiated initial S from an antiphonary, depicting King David communing with God
Lewis E M 28:15	Lewis E M 28.15 reverse	mcai280152				147 x 152 mm		Parchment		Lombardy, Italy					reverse	2	Lewis E M 28:15		reverse	cd 5091 2111 6717				Historiated initial S from an antiphonary, depicting King David communing with God
Lewis E M 28:16	Lewis E M 28.16 front	mcai280161		1450	1499	84 x 77 mm	Initial D with St. Paul | This cutting can be dated to ca. 1470-1480. | This initial may begin the hymn for Matins of the Commemoration of St. Paul the Apostle (June 30), 'Doctor egregie Paule mores instrue ...' (Paul, Teacher without equal, fashion our lives aright), although there is not enough textual evidence to confirm this identification. Paleographic evidence indicates that Lewis E M 28:16 and 17 may have come from the same volume or series of choir books. Both cuttings were illuminated by Venturino Mercati, a Lombard illuminator who was active ca. 1473 -1480.	Parchment	Latin	Lombardy, Italy	Rotunda	Venturino Mercati	Artist		front	1	Lewis E M 28:16		front	cd 5091 2111 6717	48-bit color	600 ppi	1	Historiated initial D from an antiphonary, depicting St. Paul
Lewis E M 28:16	Lewis E M 28.16 reverse	mcai280162		1450	1499	84 x 77 mm	This cutting can be dated to ca. 1470-1480. | This image shows the reverse of a cutting with an historiated initial from a service book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 28:16		reverse	cd 5091 2111 6717	48-bit color	600 ppi	2	Historiated initial D from an antiphonary, depicting St. Paul
Lewis E M 28:17	Lewis E M 28.17 front	mcai280171		1450	1499	94 x 92 mm	Initial C with a Saint, possibly St. Ambrose, praying to God | The exact moment in the liturgy that this initial begins remains to be determined. Iconographic evidence points to the identification of this saint as St. Ambrose, bishop of Milan (c. 340 - April 4, 397) and one of the Doctors of the Church. The saint is often depicted with the thrice-knotted scourge, which is visible over the kneeling figure's left shoulder in this initial. Paleographic evidence indicates that Lewis E M 28:16 and 17 may have come from the same volume or series of choir books. Both cuttings were illuminated by Venturino Mercati, a Lombard illuminator who was active ca. 1473 -1480. | This cutting can be dated to ca. 1470-1480.	Parchment	Latin	Italy	Rotunda	Venturino Mercati	Artist		front	1	Lewis E M 28:17		front	cd 5091 2111 6717	48-bit color	600 ppi	1	Historiated initial C from an antiphonary, with a Saint, possibly St. Ambrose, praying to God
Lewis E M 28:17	Lewis E M 28.17 reverse	mcai280172		1450	1499	94 x 92 mm	This cutting can be dated to ca. 1470-1480. | This image shows the reverse of a cutting with an historiated initial from a service book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 28:17		reverse	cd 5091 2111 6717	48-bit color	600 ppi	2	Historiated initial C from an antiphonary, with a Saint, possibly St. Ambrose, praying to God
Lewis E M 28:18	Lewis E M 28.18 front	mcai280181		1500	1599	167 x 179 mm		Parchment		Lombardy, Italy						1	Lewis E M 28:18			cd 5091 2111 6717				Historiated initial G from an antiphonary depicting the Invention of the Cross
Lewis E M 28:18	Lewis E M 28.18 reverse	mcai280182		1500	1599	167 x 179 mm		Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 28:18		reverse	cd 5091 2111 6717				Historiated initial G from an antiphonary depicting the Invention of the Cross
Lewis E M 28:19	Lewis E M 28.19 front	mcai280191		1500	1515	148 x 150 mm	Initial D with the Baptism of Christ | This initial begins the collect for the feast of the Birth of John the Baptist (June 24), 'Deus qui praesentem diem honorabilem nobis in beati Johannis ...' (God, who hast made this day illustrious in our eyes by the birth of the Blessed John). This cutting and several others in the Free Library's collections were illuminated by the so-called Master B. F., after the initials inscribed in another cutting by the same artist now in the Museo Diocesano in Lodi, Italy. Some scholars have argued that the initials stand for Francesco Binasco (also known as Francesco da Lonate), an illuminator who worked at the court of the Sforza, the ruling family of Milan in the fifteenth and sixteenth centuries.	Parchment	Latin	Milan, Italy	Rotunda	Master B.F. (Francesco Binasco)	Artist		front	1	Lewis E M 28:19		front	cd 5091 2111 7506	48-bit color	600 ppi	1	Historiated initial D from a gradual, depicting the baptism of Christ
Lewis E M 28:19	Lewis E M 28.19 reverse	mcai280192		1500	1515	148 x 150 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Milan, Italy	Rotunda				reverse	2	Lewis E M 28:19		reverse	cd 5091 2111 7506	48-bit color	600 ppi	2	Historiated initial D from a gradual, depicting the baptism of Christ
Lewis E M 28:20	Lewis E M 28.20 front	mcai280201		1490	1510	105 x 128 mm	Holy Trinity | This cutting may have once formed the center of an initial O beginning the antiphon for first Vespers of Trinity Sunday, ' O beata et benedicta et gloriosa Trinitas, Pater et Filius et Spiritus Sanctus ...' (O blessed and glorious Trinity, Father, Son, and Holy Ghost). This image of the Trinity in which God the Father presents his Son crucified under the wings of the dove of the Holy Spirit, is also known as the Mercy-Seat Trinity. It emphasizes in sentimental terms the paternal nature of God and the human suffering of the Son, following certain tendencies in late medieval devotion to focus on the human nature of Christ.	Parchment	Latin	Lombardy, Italy	Rotunda				front	1	Lewis E M 28:20		front	cd 5091 2111 7506	48-bit color	600 ppi	1	Miniature from a choir book, depicting the Trinity
Lewis E M 28:20	Lewis E M 28.20 reverse	mcai280202		1490	1510	105 x 128 mm	image shows the reverse of a cutting with a miniature from a choir book.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 28:20		reverse	cd 5091 2111 7506	48-bit color	600 ppi	2	Miniature from a choir book, depicting the Trinity
Lewis E M 28:21-23	Lewis E M 28.21a front	mcai280213		1450	1499	104 x 140 mm	Initial D with St. Nicholas of Myra (or Bari) | This initial begins the prayer for Matins of the feast of the Translation of St. Nicholas of Myra (or Bari, May 9), 'Deus qui tuorum pro salute fidelium beatissimi Nycolay corpus Barrum de Mitrea transferri ...' (God, who for the salvation of your faithful, had willed the body of the Blessed Nicholas to be transferred to Bari from Myra). St. Nicholas, whose legendary acts of charity led to his association with the gift-giving Santa Claus, lived in Myra, a town in modern-day Turkey, and died there in 346. His relics remained there until May 9, 1087, when several citizens of the Italian city of Bari took his bodily remains from Myra and brought them to Bari, where they can be found today. For various reasons that legends always purport to arise from divine providence, the bodies and relics of saints could be moved or 'translated' from one site to another. The day of a saint's translation is often celebrated as a feast day in the medieval calendar. The fact that St. Nicholas' translation is given special attention in this fragment may indicate that the original manuscript was intended for use in or around the town of Bari.This leaf and Lewis E M 28:21b are from the same manuscript as Lewis E M 28:22-23.	Parchment	Latin	France or Flanders	Gothic bookhand (textualis libraria under cursive influence)				front 28:21 a	1	Lewis E M 28:21-23		front 28:21 a	cd 5091 2111 7506	48-bit color	600 ppi	1	Historiated initial D from a breviary depicting St. Nicholas, Bishop of Myra
Lewis E M 28:21-23	Lewis E M 28.21a reverse	mcai280214		1450	1499	104 x 140 mm	This image shows the reverse of a cutting with an historiated initial that begins the prayer for the celebration of the feast of the Translation of St. Nicholas of Myra (or Bari). The liturgy of this feast begins in the second column.	Parchment	Latin	France or Flanders	Gothic bookhand (textualis libraria under cursive influence)				reverse 28:21 a	2	Lewis E M 28:21-23		reverse 28:21 a	cd 5091 2111 7506	48-bit color	600 ppi	2	Historiated initial D from a breviary depicting St. Nicholas, Bishop of Myra
Lewis E M 28:21-23	Lewis E M 28.21b front	mcai280215		1450	1499	105 x 139 mm	Saint Peter | The decorated initial marks the prayer for Matins for the feast of Sts. Peter and Paul the Apostles (June 29), 'Deus qui apostolo petro coliatis clauibus reg[ni] celestis ...' (O God, who committing to the apostle Peter the keys of the heavenly kingdom). This leaf and Lewis E M 28:21b are from the same manuscript as Lewis E M 28:22-23.	Parchment	Latin	France or Flanders	Gothic bookhand (textualis libraria under cursive influence)				front 28:21 b	3	Lewis E M 28:21-23		front 28:21 b	cd 5091 2111 7506	48-bit color	600 ppi	3	Cutting from a breviary with a miniature depicting St. Peter
Lewis E M 28:21-23	Lewis E M 28.21b reverse	mcai280216		1450	1499	105 x 139 mm	This image shows the reverse of a cutting with an historiated initial that begins the prayer for the celebration of the feast of Sts. Peter and Paul the Apostles. The liturgy continues on this page.	Parchment	Latin	France or Flanders	Gothic bookhand (textualis libraria under cursive influence)				reverse 28:21 b	4	Lewis E M 28:21-23		reverse 28:21 b	cd 5091 2111 7506	48-bit color	600 ppi	4	Cutting from a breviary with a miniature depicting St. Peter
Lewis E M 28:21-23	Lewis E M 28.22 front	mcai280221		1450	1499	108 x 142 mm	The Raising of the Cross | This leaf contains part of the recited during the ferial Office at Sext on Sundays, beginning with Psalm 118:81-128, 'Defecit in salutare in tuo anima mea ...' (My soul pines for your salvation). The text begins with a miniature depicting the raising of the Cross witnessed by Pilate and another figure. The two men raising the cross grasp ropes that were never painted in by the illuminator. This scene and others in an illustrated leaf in the Free Library's collection from the same manuscript (Lewis E M 28:23) were once part of a larger cycle of Passion scenes from the psalter section of a breviary. Two other leaves in the collection (Lewis E M 28:21a-b) are also from the same manuscript but from another section.	Parchment	Latin	France or Flanders	Gothic bookhand (textualis libraria under cursive influence)				front 28:22	5	Lewis E M 28:21-23		front 28:22	cd 5091 2111 7507	48-bit color	600 ppi	5	Cutting from a breviary with a miniature depicting the Raising of the Cross
Lewis E M 28:21-23	Lewis E M 28.22 reverse	mcai280222		1450	1499	108 x 142 mm	This image shows the reverse of an illustrated leaf from a breviary, containing parts of the liturgy for read during during the ferial Office at Terce on Saturdays.	Parchment	Latin	France or Flanders	Gothic bookhand (textualis libraria under cursive influence)				reverse 28:22	6	Lewis E M 28:21-23		reverse 28:22	cd 5091 2111 7507	48-bit color	600 ppi	6	Cutting from a breviary
Lewis E M 28:21-23	Lewis E M 28.23 front	mcai280231		1450	1499	105 x 140 mm	Initial D with a monk chanting and scenes from Christ's Passion | This leaf contains part of the liturgy recited during the ferial Office at Lauds on Friday, beginning in the middle of the Canticle of Habakkuk. The scenes in the lower margin are from Christ's Passion. In the lower left, Caiaphas, the high priest of the court of the Sanhedrin, rends his vestments at what he believes are Christ's blasphemies, an act recorded in the Gospels of Matthew, Mark, and Luke. In the next scene, Christ is blindfolded and mocked by tormentors. In the far right, Pilate's wife, as told in the Gospel of Matthew, warns Pilate not to condemn the innocent man because she had a dream in which she suffered on account of his death. 
 These scenes and another in an illustrated leaf in the Free Library's collection from the same manuscript (Lewis E M 28:22) were once part of a larger cycle of Passion from the psalter section of a breviary. Two other leaves in the collection (Lewis E M 28:21a-b) are also from the same manuscript but are from another section.	Parchment	Latin	France or Flanders	Gothic bookhand (textualis libraria under cursive influence)				front 28:23	7	Lewis E M 28:21-23		front 28:23	cd 5091 2111 7507	48-bit color	600 ppi	7	Cutting from a breviary with historiated initial D depicting a monk chanting and scenes from Christ's Passion
Lewis E M 28:21-23	Lewis E M 28.23 reverse	mcai280232		1450	1499	105 x 140 mm	This image shows the reverse of an illustrated leaf from a breviary, containing parts of the liturgy for read during during the ferial Office at Lauds on Fridays.	Parchment	Latin	France or Flanders	Gothic bookhand (textualis libraria under cursive influence)				reverse 28:23	8	Lewis E M 28:21-23		reverse 28:23	cd 5091 2111 7507	48-bit color	600 ppi	8	Cutting from a breviary
Lewis E M 28:24	Lewis E M 28.24 front	mcai280241		1350	1399	97 x 142 mm	This initial begins the prayer in the Ambrosian Rite for Matins of the Vigil of the Assumption of the Virgin (August 14) , Famulorum tuorum, quaesumus, Domine, delictis ignosce ... (Pardon, we beseech thee, O Lord, the offences of thy servants). | Initial F with the Assumption of the Virgin	Parchment	Latin	Lombardy, Italy	Rotunda				front	1	Lewis E M 28:24		front	cd 5091 2111 7507	48-bit color	600 ppi	1	Leaf from a breviary with an initial F depicting the Assumption of the Virgin
Lewis E M 28:24	Lewis E M 28.24 reverse	mcai280242		1350	1399	97 x 147 mm	This image shows the reverse ofa leaf from a breviary.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 28:24		reverse	cd 5091 2111 7507	48-bit color	600 ppi	2	Leaf from a breviary
Lewis E M 28:25	Lewis E M 28.25 front	mcai280251		1500	1550	153 x 210 mm		Parchment		Italy		Bazzi, Giovanni Antonio, follower of	Artist		front	1	Lewis E M 28:25		front	cd 5091 2111 7507				Painting of Christ crowned with thorns
Lewis E M 28:25	Lewis E M 28.25 reverse	mcai280252		1500	1550			Parchment		Unknown					reverse	2	Lewis E M 28:25		reverse	cd 5091 2111 7507				Painting of Christ crowned with thorns
Lewis E M 28:26-27	Lewis E M 28.26 front	mcai280261		1400	1499	92 x 124 mm	Alchemy, a forerunner of modern science, sought to discern the spiritual and temporal nature of reality, its structure, laws, and functions through the physical properties of substances. Its language and method employed cryptic symbolism to convey the relationships between the physical and metaphysical worlds. This miniature and its sister leaf, Lewis E M 28:27, are typical examples of alchemical art. Here, the complete and undivided unity of winged Hermaphrodite is represented by a single crown and unified body. Hermaphrodite stands on two mounds above the mercurial dragon, and holds a single coiled snake representing unity born of the triad in his/her right hand and a chalice with three serpents representing the three realms of nature with his/her left. Because these symbols were generally used by alchemical writers and because there is no surviving text, it is unclear which text these miniatures illustrated, although it has been suggested that they once belonged to a copy of the Rosarium philosophorum, attributed to Arnald of Villanova (ca. 1240 - 1311). | Crowned Hermaphrodite (Androgyne or Rebis)	Parchment	Latin	Italy (northern?)	Rotunda				28:26 front	1	Lewis E M 28:26-27		28:26 front	cd 5091 2111 7508	48-bit color	600 ppi	1	Miniature from an alchemical manuscript
Lewis E M 28:26-27	Lewis E M 28.26 reverse	mcai280262		1400	1499	92 x 124 mm	This image shows the reverse of a cutting from an alchemical treatise.	Parchment	Latin	Italy (northern?)	Rotunda				28:26 reverse	2	Lewis E M 28:26-27		28:26 reverse	cd 5091 2111 7508	48-bit color	600 ppi	2	Miniature from an alchemical manuscript
Lewis E M 28:26-27	Lewis E M 28.27 front	mcai280271		1400	1499	98 x 128 mm	Alchemy, a forerunner of modern science, sought to discern the spiritual and temporal nature of reality, its structure, laws, and functions through the physical properties of substances. Its language and method employed cryptic symbolism to convey the relationships between the physical and metaphysical worlds. This miniature and its sister leaf, Lewis E M 28:26, are typical examples of alchemical art. Here, Philosophical Mercury, representing the female principle, stands between two trees whose trunks are set with ten golden eagles, representing the highest number of distillations. The trees entwine above her head to encapsulate the sun and the moon, signifying her dual nature. Because these symbols were generally used by alchemical writers and because there is no surviving text, it is unclear which text these miniatures illustrated, although it has been suggested that they once belonged to a copy of the Rosarium philosophorum, attributed to Arnald of Villanova (ca. 1240 - 1311). | Philosophical Mercury (Mercurius)	Parchment	Latin	Italy (northern?)	Rotunda				28:27 front	3	Lewis E M 28:26-27		28:27 front	cd 5091 2111 7508	48-bit color	600 ppi	3	Miniature from an alchemical manuscript
Lewis E M 28:26-27	Lewis E M 28.27 reverse	mcai280272		1400	1499	98 x 128 mm	This image shows the reverse of a cutting from an alchemical treatise.	Parchment	Latin	Italy (northern?)	Rotunda				28:27 reverse	4	Lewis E M 28:26-27		28:27 reverse	cd 5091 2111 7508	48-bit color	600 ppi	4	Miniature from an alchemical manuscript
Lewis E M 28:28	Lewis E M 28.28 front	mcai280281		1575	1625	172 x 176 mm		Parchment		France?					front	1	Lewis E M 28:28		front	cd 5091 2111 7508				Historiated initial P from an antiphonary, depicting the Nativity
Lewis E M 28:28	Lewis E M 28.28 reverse	mcai280282		1575	1625	172 x 176 mm		Parchment		France?	Rotunda					2	Lewis E M 28:28			cd 5091 2111 7508				Historiated initial P from an antiphonary, depicting the Nativity
Lewis E M 29:1	Lewis E M 29.1 front	mcai290011		1490	1510	145 x 136 mm	Initial D with Christ interceding with God | The style of this miniature from a choir book is typical of illustration made in Verona at the end of the fifteenth century.	Parchment	Latin	Verona, Italy					front	1	Lewis E M 29:01		front	cd 5091 2111 6844	48-bit color	600 ppi	1	Choir book
Lewis E M 29:1	Lewis E M 29.1 reverse	mcai290012		1490	1510	145 x 136 mm	This image shows the reverse of a cutting with an historiated intial from a choir book.	Parchment	Latin	Verona, Italy	Rotunda				reverse	2	Lewis E M 29:01		reverse	cd 5091 2111 6844	48-bit color	600 ppi	2	Choir book
Lewis E M 29:2	Lewis E M 29.2 front	mcai290021		1440	1460	125 x 122 mm	Initial D with a Franciscan friar embracing Death | This initial begins Psalm 114 recited at the beginning of the Office of the Dead, ' Dilexi quoniam exaudiet Dominus vocem orationis meae ...' (I have loved, because our Lord will hear the voice of my prayer). The friar, identified by his gray robes, is Franciscan. Although there are no stigmata on the hands or feet of this friar to suggest that he is St. Francis of Assisi, the founder of the order, images of St. Francis with a skeleton, as a symbol of death, occur frequently in Franciscan art. The image may also relate to St. Francis' poem 'The Canticle of the Creatures,' in which he refers to death as 'our sister.'	Parchment	Latin	Ferrara, Italy					front	1	Lewis E M 29:02		front	cd 5091 2111 6844	48-bit color	600 ppi	1	Choir book
Lewis E M 29:2	Lewis E M 29.2 reverse	mcai290022		1440	1460	125 x 122 mm	This image shows the reverse of a cutting with an historiated initial from a ferial psalter.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse	2	Lewis E M 29:02		reverse	cd 5091 2111 6844	48-bit color	600 ppi	2	Choir book
Lewis E M 29:3	Lewis E M 29.3 front	mcai290031		1450	1475	115 x 143 mm	Although the identity of this saint remains to be determined, his black habit indicates that he is a Benedictine monk, and the palm branch that he holds in his left hand indicates that he is a martyr. In Roman times, athletes and warriors were awarded a palm branch as a symbol of victory. Early Christians adapted the Roman symbolism to make the palm symbolize a martyr's spiritual victory over death. | Initial R with a Benedictine martyr saint | This cutting can be dated to ca. 1470.	Parchment	Latin	Milan, Italy	Rotunda				front	1	Lewis E M 29:03		front	cd 5091 2111 6844	48-bit color	600 ppi	1	Service book
Lewis E M 29:3	Lewis E M 29.3 reverse	mcai290032		1450	1475	115 x 143 mm	This cutting can be dated to ca. 1470. | This image shows the reverse of a cutting with an historiated initial from a service book. The text is from Psalm 118,'Os meum aperui et attraxi spiritum quia mandata tua desiderabam ...' (I opened my mouth and panted because I longed for your commandments).	Parchment	Latin	Milan, Italy	Rotunda				reverse	2	Lewis E M 29:03		reverse	cd 5091 2111 6844	48-bit color	600 ppi	2	Service book
Lewis E M 29:4	Lewis E M 29.4 front	mcai290041		1450	1475	94 x 79 mm	Although the identity of this saint remains to be determined, the palm branch that he holds in his left hand indicates that he is a martyr. In Roman times, athletes and warriors were awarded a palm branch as a symbol of victory. Early Christians adapted the Roman symbolism to make the palm symbolize a martyr's spiritual victory over death. | Initial P with an unidentified male martyr saint | This cutting can be dated to ca. 1470.	Parchment	Latin	Milan, Italy					front	1	Lewis E M 29:04		front	cd 5091 2111 6844	48-bit color	600 ppi	1	Choir book
Lewis E M 29:4	Lewis E M 29.4 reverse	mcai290042		1450	1475	94 x 79 mm	This cutting can be dated to ca. 1470. | This image shows a cutting with an historiated initial from a choir book.	Parchment	Latin	Milan, Italy	Rotunda				reverse	2	Lewis E M 29:04		reverse	cd 5091 2111 6844	48-bit color	600 ppi	2	Choir book
Lewis E M 29:5	Lewis E M 29.5 front	mcai290051		1450	1475	117 x 117 mm	Initial C with St. Laurence of Rome | This cutting can be dated to ca. 1470. | This initial begins the Introit for the feast of St. Laurence (Aug. 10): 'Confessio et pulchritudo in conspectus eius ...,' (Glory and beauty wait on his presence). The illumination has been attributed to the Milanese illuminator Venturino Mercati, active in the third quarter of the fifteenth century.	Parchment	Latin	Italy		Venturino Mercati	Artist		front	1	Lewis E M 29:05		front	cd 5091 2111 6796	48-bit color	600 ppi	1	Gradual
Lewis E M 29:5	Lewis E M 29.5 reverse	mcai290052		1450	1475	117 x 117 mm	This cutting can be dated to ca. 1470. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 29:05		reverse	cd 5091 2111 6796	48-bit color	600 ppi	2	Gradual
Lewis E M 29:6	Lewis E M 29.6 front	mcai290061		1485	1499	203 x 188 mm	Initial S with Job in prayer | This initial, beginning an unidentified chant, was painted by an anonymous illuminator known today as the Master of Montemorcino Antiphonary Q, who was responsible for the illumination of one of a group of choir books made for the Olivetan Monastery of Montemorcino in Perugia. It is unclear at this stage to which choir book in the group this initial belonged.	Parchment	Latin	Umbria, Italy	Rotunda	Master of Montemorcino Antiphonary Q	Artist		front	1	Lewis E M 29:06		front	cd 5091 2111 6796	48-bit color	600 ppi	1	Choir book
Lewis E M 29:6	Lewis E M 29.6 reverse	mcai290062		1485	1499	203 x 188 mm	This is the reverse of a cutting with an historiated iniatial from a choir book.	Parchment	Latin	Umbria, Italy					reverse	2	Lewis E M 29:06		reverse	cd 5091 2111 6796	48-bit color	600 ppi	2	Choir book
Lewis E M 29:7	Lewis E M 29.7 front	mcai290071		1450	1499	116 x 166 mm	Initial B with King David playing | The initial B begins Psalm 1, 'Beatus vir qui non abiit in consilio impiorum ...' (Blessed is the man who hath not walked in the counsel of the ungodly). The medieval Christians believed that David, the Old Testament king and ancestor of Christ, composed the Psalms. The term 'psalm' derives from the Greek word 'psalmos,' which means 'song sung accompanied by a harp.' This etymology explains the iconography of David playing the harp. This image therefore functions as a type of author portrait.	Parchment	Latin	Lombardy, Italy					front	1	Lewis E M 29:07		front	cd 5091 2111 6796	48-bit color	600 ppi	1	Psalter
Lewis E M 29:7	Lewis E M 29.7 reverse	mcai290072		1450	1499	116 x 166 mm	This image shows the reverse of a cutting with an historiated initial from a psalter.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 29:07		reverse	cd 5091 2111 6898	48-bit color	600 ppi	2	Psalter
Lewis E M 29:8	Lewis E M 29.8 front	mcai290081		1485	1499	186 x 201 mm	Initial I with a priest celebrating the Eucharist | This initial begins the first response of the first nocturn of Matins for the feast of Corpus Christi, 'Immolabit haedum multitudo filiorum Israel ad vesperam Paschae...' (With the whole assembly of Israel present, the young goat shall be slaughtered on the eve of the Passover). This feast is celebrated in the Catholic Church on the Thursday after Trinity Sunday to commemorate the institution of the Holy Eucharist.	Parchment	Latin	Ferrara, Italy	Rotunda				front	1	Lewis E M 29:08		front	cd 5091 2111 6898	48-bit color	600 ppi	1	Antiphonary
Lewis E M 29:8	Lewis E M 29.8 reverse	mcai290082		1485	1499	186 x 201 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse	2	Lewis E M 29:08		reverse	cd 5091 2111 6898	48-bit color	600 ppi	2	Antiphonary
Lewis E M 29:8A	Lewis E M 29.8A front	mcai290083		1300	1315	143 x 150 mm	Initial H with the Nativity | This initial begins the first response of the first nocturn of Matins of Christmas Day, 'Hodie nobis caelorum rex de virgine nasci dignatus ...' (On this day the king of heaven deigned to be born for us of a Virgin). This initial was illuminated by an artist working in the circle of the Italian painter Neri da Rimini, whom documents show to have been active in the early fourteenth century.	Parchment	Latin	Rimini, Italy					front	1	Lewis E M 29:08A		front	cd 5091 2111 6898	48-bit color	600 ppi	1	Antiphonary
Lewis E M 29:8A	Lewis E M 29.8A reverse	mcai290084		1300	1315	143 x 150 mm	This image shows the reverse of a cutting with an historiated intial from a antiphonary.	Parchment	Latin	Rimini, Italy	Rotunda				reverse	2	Lewis E M 29:08A		reverse	cd 5091 2111 6898	48-bit color	600 ppi	2	Antiphonary
Lewis E M 29:9	Lewis E M 29.9 front	mcai290091		1440	1460	98 x 107 mm	Initial T with a kneeling figure, possibly King David, communicating with God | This initial probably begins the hymn, 'Tu, Trinitas Unitas,' (O three in one, and one in three). Attributed to Pope St. Gregory the Great (540-604), this hymn is sung at Matins on Friday in the Divine Office. The illuminator is working in the style of the Ferrarese artist Guglielmo Giraldi, who was active from ca. 1445 to 1490. Although the landscape is by an undistinguished hand, the features of the figures' faces recall Guglielmo's technique.	Parchment	Latin	Italy (northern)		Guglielmo Giraldi, follower of	Artist		front	1	Lewis E M 29:09		front	cd 5091 2111 6898	48-bit color	600 ppi	1	Hymnal
Lewis E M 29:9	Lewis E M 29.9 reverse	mcai290092		1440	1460	98 x 107 mm	This image shows the reverse of a cutting with an historiated intial from a hymnal.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 29:09		reverse	cd 5091 2111 6899	48-bit color	600 ppi	2	Hymnal
Lewis E M 29:9A	Lewis E M 29.9A front	mcai290093		1300	1325	140 x 167 mm	Initial H with the Nativity | This initial begins the first response of the first nocturn of Matins for Christmas Day, 'Hodie nobis caelorum rex de virgine nasci dignatus est ...' (On this day the King of heaven deigned to be born for us of a Virgin). Following a tradition found in Byzantine art, the Nativity takes place in a cave rather than the stable. In the Middle Ages, Italian artists were heavily influenced by their eastern neighbors, especially after the fall of Constantinople in 1204, which sent many artists fleeing to Italy.	Parchment	Latin	Umbria, Italy	Rotunda				front	1	Lewis E M 29:09A		front	cd 5091 2111 6899	48-bit color	600 ppi	1	Antiphonary
Lewis E M 29:9A	Lewis E M 29.9A reverse	mcai290094		1300	1325	140 x 167 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Umbria, Italy	Rotunda				reverse	2	Lewis E M 29:09A		reverse	cd 5091 2111 6899	48-bit color	600 ppi	2	Antiphonary
Lewis E M 29:10	Lewis E M 29.10 front	mcai290101		1500	1599	132 x 184 mm		Parchment		Umbria, Italy						1	Lewis E M 29:10			cd 5091 2111 6899				Miniature of twelve virgin saints
Lewis E M 29:10	Lewis E M 29.10 reverse	mcai290102		1500	1599	132 x 184 mm		Parchment		Umbria, Italy					reverse	2	Lewis E M 29:10		reverse	cd 5091 2111 6899				Miniature of twelve virgin saints
Lewis E M 29:11	Lewis E M 29.11 front	mcai290111		1450	1475	137 x 122 mm	Initial D with David in Penance | This cutting can be dated to the 1470s. | This initial begins Psalm 114, 'Dilexi quoniam exaudit Dominus,' which was sung at Vespers on Monday.	Parchment	Latin	Italy					front	1	Lewis E M 29:11		front	cd 5091 2111 6899	48-bit color	600 ppi	1	Psalter or Breviary
Lewis E M 29:11	Lewis E M 29.11 reverse	mcai290112		1450	1475	137 x 122 mm	This cutting can be dated to the 1470s. | This image shows the reverse of a cutting with an historiated initial from a psalter or breviary.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 29:11		reverse	cd 5091 2111 6899	48-bit color	600 ppi	2	Psalter or Breviary
Lewis E M 29:11A	Lewis E M 29.11A front	mcai290113	1379	1375	1399	110 x 146 mm	St. Michael treading on the dragon | This cutting was taken from the Matricola del Collegio dei tavernieri (Guild of Vintners), founded in 1379. In the late Middle Ages, citizens in Italian cities organized themselves into guilds or confraternities according to various occupations. Membership ensured protection of one's job while alive as well as prayers for the soul after death. A matricola is a matriculation list of its members which also included the guild's statutes or regulations. The reverse of this cutting contains the names of the members at the time of the original manuscript's production as well as later additions in a cursive script. The Archangel Michael treading on the dragon was the symbol of the Porta Sant'Angelo, one of the five gates of medieval Perugia. The illumination has been attributed to Matteo di Ser Cambio, a Perugian artist active towards the end of the fourteenth century.	Parchment	Latin	Perugia, Italy		Matteo di Ser Cambio	Artist		front	1	Lewis E M 29:11A		front	cd 5091 2111 6900	48-bit color	600 ppi	1	Matricola (Matriculation list)
Lewis E M 29:11A	Lewis E M 29.11A reverse	mcai290114	1379	1375	1399	110 x 146 mm	This image shows the reverse of a cutting from a matricola. Names of members of the vintner's guild of Florence are inscribed in formal book script. Later additions were added in a cursive hand.	Parchment	Latin	Perugia, Italy	Rotunda				reverse	2	Lewis E M 29:11A		reverse	cd 5091 2111 6900	48-bit color	600 ppi	2	Matricola (Matriculation list)
Lewis E M 29:12a-b	Lewis E M 29.12a front	mcai290123		1400	1499	91 x 88 mm	Initial G | Ornament in medieval and Renaissance manuscripts can be quite fanciful. In this initial, the head of a bird of prey, forming the end of the upper curve of the letter G, bears down with an open beak on the head of a man, forming the end of the lower curve, who glances fearfully up at his attacker. Such displays of imagination usually carried very little symbolism; rather, their purpose seems to have been to enliven the otherwise flat surface of the page. | These cuttings can be dated to the 15th or 16th centuries.	Parchment	Latin	Perugia, Italy					front a	1	Lewis E M 29:12a-b		front a	cd 5091 2111 6900	48-bit color	600 ppi	1	Choir book
Lewis E M 29:12a-b	Lewis E M 29.12a reverse	mcai290124		1400	1499	91 x 88 mm	These cuttings can be dated to the 15th or 16th centuries. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Perugia, Italy	Rotunda				reverse a	2	Lewis E M 29:12a-b		reverse a	cd 5091 2111 6900	48-bit color	600 ppi	2	Choir book
Lewis E M 29:12a-b	Lewis E M 29.12b front	mcai290125		1400	1499	139 x 110 mm	Border ornaments | These cuttings can be dated to the 15th or 16th centuries. | These cuttings contain ornament that would have decorated the borders of a manuscript leaf or formed part of the flourish of a decorated initial.	Parchment	Latin	Perugia, Italy					front b	3	Lewis E M 29:12a-b		front b	cd 5091 2111 6900	48-bit color	600 ppi	3	Choir book
Lewis E M 29:13-15	Lewis E M 29.13 front	mcai290131		1500	1599	90 x 96 mm	Initial E | Ornament in medieval and Renaissance manuscripts can be quite fanciful. In this initial, the letter E resembles a laurel wreath, a motif borrowed from Classical art. The horizontal bar ends in the torso of a crowned and winged caryatid, again another decorative motif with origins in the Classical world. Such displays of imagination usually carried very little symbolism; rather, their purpose seems to have been to enliven the otherwise flat surface of the page. Lewis E M 29:13-15 are from the same manuscript. | These cuttings can be dated to the 15th or 16th centuries.	Parchment	Latin	Perugia, Italy					front 29:13	1	Lewis E M 29:13-15		front 29:13	cd 5091 2111 6900	48-bit color	600 ppi	1	Choir book
Lewis E M 29:13-15	Lewis E M 29.13 reverse	mcai290132		1500	1599	90 x 96 mm	These cuttings can be dated to the 15th or 16th centuries. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 29:13	2	Lewis E M 29:13-15		reverse 29:13	cd 5091 2111 6900	48-bit color	600 ppi	2	Choir book
Lewis E M 29:13-15	Lewis E M 29.14 front	mcai290141		1500	1599	98 x 94 mm	Initial M or O | Ornament in medieval and Renaissance manuscripts can be quite fanciful. The vertical bar dividing the letter ends in the torso of a crowned and winged caryatid, a decorative motif with origins in the Classical world. Such displays of imagination usually carried very little symbolism; here, however, the cross and the bishop's crozier are suggestive of the ecclesiastical use for which this choir book was intended. Lewis E M 29:13-15 are from the same manuscript. | These cuttings can be dated to the 15th or 16th centuries.	Parchment	Latin	Perugia, Italy					front 29:14	3	Lewis E M 29:13-15		front 29:14	cd 5091 2111 6900	48-bit color	600 ppi	3	Choir book
Lewis E M 29:13-15	Lewis E M 29.14 reverse	mcai290142		1500	1599	98 x 94 mm	These cuttings can be dated to the 15th or 16th centuries. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 29:14	4	Lewis E M 29:13-15		reverse 29:14	cd 5091 2111 6900	48-bit color	600 ppi	4	Choir book
Lewis E M 29:13-15	Lewis E M 29.15 front	mcai290151		1500	1599	92 x 95 mm	Initial E | Ornament in medieval and Renaissance manuscripts can be quite fanciful. The lower curve of the initial is formed by the torso of a female figure suggestive of a winged mermaid. As with the other initials from this manuscript (Lewis E 29:13 and 14), this motif has its origins in the Classical world. Such displays of imagination usually carried very little symbolism; rather, their purpose seems to have been to enliven the otherwise flat surface of the page. | These cuttings can be dated to the 15th or 16th centuries.	Parchment	Latin	Perugia, Italy					front 29:15	5	Lewis E M 29:13-15		front 29:15	cd 5091 2111 6900	48-bit color	600 ppi	5	Choir book
Lewis E M 29:13-15	Lewis E M 29.15 reverse	mcai290152		1500	1599	92 x 95 mm	These cuttings can be dated to the 15th or 16th centuries. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 29:15	6	Lewis E M 29:13-15		reverse 29:15	cd 5091 2111 6900	48-bit color	600 ppi	6	Choir book
Lewis E M 29:16	Lewis E M 29.16 front	mcai290161		1300	1325	142 x 147 mm	Initial E with the Adoration of the Magi | This initial begins the Introit for the feast of Epiphany: 'Ecce advenit dominator Dominus...' (See he comes, our Lord and Ruler).	Parchment	Latin	Umbria, Italy	Rotunda				front	1	Lewis E M 29:16		front	cd 5091 2111 6900	48-bit color	600 ppi	1	Gradual
Lewis E M 29:16	Lewis E M 29.16 reverse	mcai290162		1300	1325	142 x 147 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Umbria, Italy	Rotunda				reverse	2	Lewis E M 29:16		reverse	cd 5091 2111 6901	48-bit color	600 ppi	2	Gradual
Lewis E M 29:17	Lewis E M 29.17 front	mcai290171		1250	1299	109 x 120 mm	Initial H with the Adoration of the Magi | This initial begins the first response of the first nocturn of Matins for the feast of Epiphany, 'Hodie in Iordane baptizato Domino' (Today, when Jesus had been baptized in the Jordan).	Parchment	Latin	Umbria, Italy	Gothic bookhand				front	1	Lewis E M 29:17		front	cd 5091 2111 6901	48-bit color	600 ppi	1	Antiphonary
Lewis E M 29:17	Lewis E M 29.17 reverse	mcai290172		1250	1299	109 x 120 mm	This image shows the reverse of a cutting with a miniature from an antiphonary.	Parchment	Latin	Umbria, Italy	Gothic bookhand				reverse	2	Lewis E M 29:17		reverse	cd 5091 2111 6901	48-bit color	600 ppi	2	Antiphonary
Lewis E M 29:18	Lewis E M 29.18 front	mcai290181		1250	1299	68 x 95 mm	Nativity | This miniature likely once marked the beginning of a chant sung during Christmas Day. Following a tradition found in Byzantine art, the Nativity takes place in a cave rather than the stable. In the Middle Ages, Italian artists were heavily influenced by their eastern neighbors, especially after the fall of Constantinople in 1204, which sent many artists fleeing to Italy.	Parchment	Latin	Italy					front	1	Lewis E M 29:18		front	cd 5091 2111 6901	48-bit color	600 ppi	1	Choir book
Lewis E M 29:18	Lewis E M 29.18 reverse	mcai290182		1250	1299	68 x 95 mm	This image shows the reverse of a cutting with a miniature from a choir book.	Parchment	Latin	Italy					reverse	2	Lewis E M 29:18		reverse	cd 5091 2111 6901	48-bit color	600 ppi	2	Choir book
Lewis E M 29:19	Lewis E M 29.19 front	mcai290191		1500	1599	108 x 151 mm		Parchment		Italy					front	1	Lewis E M 29:19		front	cd 5091 2111 6901				Miniature of St. John the Evangelist
Lewis E M 29:19	Lewis E M 29.19 reverse	mcai290192		1500	1599	108 x 151 mm		Parchment		Italy					reverse	2	Lewis E M 29:19		reverse	cd 5091 2111 6901				Miniature of St. John the Evangelist
Lewis E M 30:1-2	Lewis E M 30.1 front	mcai300011		1500	1599	76 x 118 mm	Initial A | This initial is from the same volume or series of choir books as Lewis E M 30:2 and 4-6. The intricate penwork of this initial is typical of minor initial decoration in choir books.	Parchment	Latin	Italy					front 30:1	1	Lewis E M 30:01-02		front 30:1	cd 5091 2111 6444	48-bit color	600 ppi	1	Choir book
Lewis E M 30:1-2	Lewis E M 30.1 reverse	mcai300012		1500	1599	76 x 118 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy					reverse 30:1	2	Lewis E M 30:01-02		reverse 30:1	cd 5091 2111 6444	48-bit color	600 ppi	2	Choir book
Lewis E M 30:1-2	Lewis E M 30.2 front	mcai300021		1500	1599	87 x 129 mm	Initial A | This initial is from the same volume or series of choir books as Lewis E M 30:1 and 4-6. The intricate penwork of this initial is typical of minor initial decoration in choir books.	Parchment	Latin	Italy					front 30:2	3	Lewis E M 30:01-02		front 30:2	cd 5091 2111 6444	48-bit color	600 ppi	3	Choir book
Lewis E M 30:1-2	Lewis E M 30.2 reverse	mcai300022		1500	1599	87 x 129 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy					reverse 30:2	4	Lewis E M 30:01-02		reverse 30:2	cd 5091 2111 6444	48-bit color	600 ppi	4	Choir book
Lewis E M 30:3	Lewis E M 30.3 front	mcai300031		1400	1499	116 x 146 mm	Initial B | The intricate penwork of this initial is typical of minor initial decoration in service books.	Parchment	Latin	Italy	Rotunda				front 30:3	1	Lewis E M 30:03		front 30:3	cd 5091 2111 6444	48-bit color	600 ppi	1	Antiphonary
Lewis E M 30:3	Lewis E M 30.3 reverse	mcai300032		1400	1499	116 x 146 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse 30:3	2	Lewis E M 30:03		reverse 30:3	cd 5091 2111 6444	48-bit color	600 ppi	2	Antiphonary
Lewis E M 30:4-6	Lewis E M 30.4 front	mcai300041		1500	1599	103 x 131 mm	Intial A | This initial is from the same volume or series of choir books as Lewis E M 30:1-2 and 4-6. The intricate penwork of this initial is typical of minor initial decoration in choir books.	Parchment	Latin	Italy					front 30:4	1	Lewis E M 30:04-06		front 30:4	cd 5091 2111 6444	48-bit color	600 ppi	7	Choir book
Lewis E M 30:4-6	Lewis E M 30.4 reverse	mcai300042		1500	1599	103 x 131 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse 30:4	2	Lewis E M 30:04-06		reverse 30:4	cd 5091 2111 6444	48-bit color	600 ppi	8	Choir book
Lewis E M 30:4-6	Lewis E M 30.5 front	mcai300051		1500	1599	85 x 127 mm	Initial C | This initial is from the same volume or series of choir books as Lewis E M 30:2 and 4-6. The intricate penwork of this initial is typical of minor initial decoration in choir books.	Parchment	Latin	Italy					front 30:5	3	Lewis E M 30:04-06		front 30:5	cd 5091 2111 6444	48-bit color	600 ppi	9	Choir book
Lewis E M 30:4-6	Lewis E M 30.5 reverse	mcai300052		1500	1599	85 x 127 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse 30:5	4	Lewis E M 30:04-06		reverse 30:5	cd 5091 2111 6444	48-bit color	600 ppi	10	Choir book
Lewis E M 30:4-6	Lewis E M 30.6 front	mcai300061		1500	1599	85 x 138 mm	Initial I | This initial is from the same volume or series of choir books as Lewis E M 30:2 and 4-6. The intricate penwork of this initial is typical of minor initial decoration in choir books.	Parchment	Latin	Italy	Rotunda				front 30:6	5	Lewis E M 30:04-06		front 30:6	cd 5091 2111 6445	48-bit color	600 ppi	11	Choir book
Lewis E M 30:4-6	Lewis E M 30.6 reverse	mcai300062		1500	1599	85 x 138 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse 30:6	6	Lewis E M 30:04-06		reverse 30:6	cd 5091 2111 6445	48-bit color	600 ppi	12	Choir book
Lewis E M 30:7	Lewis E M 30.7 front	mcai300071		1400	1499	94 x 115 mm	Initial M | The intricate penwork of this initial is typical of minor initial decoration in service books. | This cutting can be dated to the 15th or 16th centuries.	Parchment	Latin	France or Flanders					front	1	Lewis E M 30:07		front	cd 5091 2111 6445	48-bit color	600 ppi	1	Choir book
Lewis E M 30:7	Lewis E M 30.7 reverse	mcai300072		1400	1499	94 x 115 mm	This cutting can be dated to the 15th or 16th centuries. | This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	France or Flanders	Rotunda				reverse	2	Lewis E M 30:07		reverse	cd 5091 2111 6445	48-bit color	600 ppi	2	Choir book
Lewis E M 30:8	Lewis E M 30.8 front	mcai300081		1400	1499	130 x 128 mm	Initial D | The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-fifteenth century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume.	Parchment	Latin	Italy (central)					front	1	Lewis E M 30:08		front	cd 5091 2111 6445	48-bit color	600 ppi	1	Antiphonary
Lewis E M 30:8	Lewis E M 30.8 reverse	mcai300082		1400	1499	130 x 128 mm	This image shows the reverse of a cutting with an initial from an antiphonary.	Parchment	Latin	Italy (central)	Rotunda				reverse	2	Lewis E M 30:08		reverse	cd 5091 2111 6445	48-bit color	600 ppi	2	Antiphonary
Lewis E M 30:9	Lewis E M 30.9 front	mcai300091		1400	1499	113 x 143 mm	Initial M | The intricate penwork of this initial is typical of minor initial decoration in service books.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 30:09		front	cd 5091 2111 6445	48-bit color	600 ppi	1	Service book
Lewis E M 30:9	Lewis E M 30.9 reverse	mcai300092		1400	1499	113 x 143 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 30:09		reverse	cd 5091 2111 6445	48-bit color	600 ppi	2	Service book
Lewis E M 30:10-14	Lewis E M 30.10 front	mcai300101		1440	1460	69 x 65 mm	Initial H | The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-15th century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume or series of choir books.	Parchment	Latin	Italy (central)					front 30:10	1	Lewis E M 30:10-14		front 30:10	cd 5091 2111 6445	48-bit color	600 ppi	1	Choir book
Lewis E M 30:10-14	Lewis E M 30.10 reverse	mcai300102		1440	1460	69 x 65 mm	This image shows the reverse of a cutting with an initial from an antiphonary.	Parchment	Latin	Italy (central)	Rotunda				reverse 30:10	2	Lewis E M 30:10-14		reverse 30:10	cd 5091 2111 6445	48-bit color	600 ppi	2	Choir book
Lewis E M 30:10-14	Lewis E M 30.11 front	mcai300111		1440	1460	73 x 66 mm	Initial O | The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-15th century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume or series of choir books.	Parchment	Latin	Italy (central)					front 30:11	3	Lewis E M 30:10-14		front 30:11	cd 5091 2111 6446	48-bit color	600 ppi	3	Choir book
Lewis E M 30:10-14	Lewis E M 30.11 reverse	mcai300112		1440	1460	73 x 66 mm	This image shows the reverse of a cutting with an initial from an antiphonary.	Parchment	Latin	Italy (central)	Rotunda				reverse 30:11	4	Lewis E M 30:10-14		reverse 30:11	cd 5091 2111 6446	48-bit color	600 ppi	4	Choir book
Lewis E M 30:10-14	Lewis E M 30.12 front	mcai300121		1440	1460	141 x 134 mm	Initial U | The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-15th century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume or series of choir books.	Parchment	Latin	Italy (central)					front 30:12	5	Lewis E M 30:10-14		front 30:12	cd 5091 2111 6446	48-bit color	600 ppi	5	Choir book
Lewis E M 30:10-14	Lewis E M 30.12 reverse	mcai300122		1440	1460	141 x 134 mm	This image shows the reverse of a cutting with an initial from an antiphonary.	Parchment	Latin	Italy (central)	Rotunda				reverse 30:12	6	Lewis E M 30:10-14		reverse 30:12	cd 5091 2111 6446	48-bit color	600 ppi	6	Choir book
Lewis E M 30:10-14	Lewis E M 30.13 front	mcai300131		1440	1460	160 x 155 mm	Initial S | The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-15th century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume or series of choir books.	Parchment	Latin	Italy (central)					front 30:13	7	Lewis E M 30:10-14		front 30:13	cd 5091 2111 6446	48-bit color	600 ppi	7	Choir book
Lewis E M 30:10-14	Lewis E M 30.13 reverse	mcai300132		1440	1460	160 x 155 mm	This image shows the reverse of a cutting with an initial from an antiphonary.	Parchment	Latin	Italy (central)	Rotunda				reverse 30:13	8	Lewis E M 30:10-14		reverse 30:13	cd 5091 2111 6446	48-bit color	600 ppi	8	Choir book
Lewis E M 30:10-14	Lewis E M 30.14 front	mcai300141		1440	1460	132 x 102 mm	Initial C | The style of penwork seen in this initial, as well as the use of red, blue, and light brown inks, is similar to the penwork initials of Guinifortus de Vicomercato, an illuminator active in central Italy in the mid-15th century. Guinifortus signed his name in a pattern book of penwork initials now in the Lilly Library at the University of Indiana (MS Ricketts 240). Although their precise function is difficult to determine, pattern books allowed illuminators to show samples of their work or gave examples for apprentices to copy. The artist of this initial may have used such a pattern book when creating its design. Lewis E M 30:8 and E M 30:10-14 are from the same volume or series of choir books.	Parchment	Latin	Italy (central)					front 30:14	9	Lewis E M 30:10-14		front 30:14	cd 5091 2111 6446	48-bit color	600 ppi	9	Choir book
Lewis E M 30:10-14	Lewis E M 30.14 reverse	mcai300142		1440	1460	132 x 102 mm	This image shows the reverse of a cutting with an initial from an antiphonary.	Parchment	Latin	Italy (central)	Rotunda				reverse 30:14	10	Lewis E M 30:10-14		reverse 30:14	cd 5091 2111 6446	48-bit color	600 ppi	10	Choir book
Lewis E M 30:15	Lewis E M 30.15 front	mcai300151		1400	1499	195 x 197 mm	Initial S | The intricate penwork of this initial is typical of minor initial decoration in service books.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 30:15		front	cd 5091 2111 6448	48-bit color	600 ppi	1	Breviary
Lewis E M 30:15	Lewis E M 30.15 reverse	mcai300152		1400	1499	195 x 197 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 30:15		reverse	cd 5091 2111 6448	48-bit color	600 ppi	2	Breviary
Lewis E M 31:1	Lewis E M 31.1 front	mcai310011		1475	1499	120 x 160 mm	Stylistically related to, but of better quality than, the Book of Hours of Queen Isabella, Escovial vit. 8.
 De Ricci II, 2069, no. 271.
 Court Atelier of Spain, ca. 1480.	Parchment		Spain					front	1	Lewis E M 31:01		front	cd 5091 2111 6449				Leaf from a Book of Hours depicting the Last Supper
Lewis E M 31:1	Lewis E M 31.1 reverse	mcai310012		1475	1499	120 x 160 mm		Parchment		Spain					reverse	2	Lewis E M 31:01		reverse	cd 5091 2111 6449				Leaf from a Book of Hours depicting the Last Supper
Lewis E M 31:2	Lewis E M 31.2 front	mcai310021		1400	1499	115 x 304 mm	Initial A | This cutting is dated to the 15th or 16th centuries. | This initial is typical of minor initial decoration found in service books produced in late medieval Spain.	Parchment	Latin	Spain	Rotunda				front	1	Lewis E M 31:02		front	cd 5091 2111 6449	48-bit color	600 ppi	1	Choir book
Lewis E M 31:2	Lewis E M 31.2 reverse	mcai310022		1400	1499	115 x 304 mm	This cutting is dated to the 15th or 16th centuries. | This image shows the reverse of a cutting with a flourished initial from a choir book.	Parchment	Latin	Spain	Rotunda				reverse	2	Lewis E M 31:02		reverse	cd 5091 2111 6449	48-bit color	600 ppi	2	Choir book
Lewis E M 31:3-4	Lewis E M 31.3 front	mcai310031		1400	1499	97 x 111 mm	Initial S | This initial is typical of minor initial decoration found in service books produced in late medieval Spain.	Parchment	Latin	Spain	Rotunda				front 31:3	1	Lewis E M 31:03-04		front 31:3	cd 5091 2111 6449	48-bit color	600 ppi	1	Choir book
Lewis E M 31:3-4	Lewis E M 31.3 reverse	mcai310032		1400	1499	97 x 111 mm	This image shows the reverse of a cutting with a flourished initial from a choir book.	Parchment	Latin	Spain	Rotunda				reverse 31:3	2	Lewis E M 31:03-04		reverse 31:3	cd 5091 2111 6449	48-bit color	600 ppi	2	Choir book
Lewis E M 31:3-4	Lewis E M 31.4 front	mcai310041		1400	1499	89 x 76 mm	Initial E | This initial is typical of minor initial decoration found in service books produced in late medieval Spain.	Parchment	Latin	Spain					front 31:4	3	Lewis E M 31:03-04		front 31:4	cd 5091 2111 6450	48-bit color	600 ppi	3	Choir book
Lewis E M 31:3-4	Lewis E M 31.4 reverse	mcai310042		1400	1499	89 x 76 mm	This image shows the reverse of a cutting with a flourished initial from a choir book.	Parchment	Latin	Spain	Rotunda				reverse 31:4	4	Lewis E M 31:03-04		reverse 31:4	cd 5091 2111 6450	48-bit color	600 ppi	4	Choir book
Lewis E M 31:5	Lewis E M 31.5 front	mcai310051		1400	1499	99 x 90 mm	Initial T | The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial as well as in the script suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration.	Parchment	Latin	Spain?					front	1	Lewis E M 31:05		front	cd 5091 2111 6450	48-bit color	600 ppi	1	Choir book
Lewis E M 31:5	Lewis E M 31.5 reverse	mcai310052		1400	1499	99 x 90 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Spain?	Rotunda				reverse	2	Lewis E M 31:05		reverse	cd 5091 2111 6450	48-bit color	600 ppi	2	Choir book
Lewis E M 31:6	Lewis E M 31.6 front	mcai310061		1400	1499	102 x 95 mm	Initial D | The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration.	Parchment	Latin	Spain?					front	1	Lewis E M 31:06		front	cd 5091 2111 6450	48-bit color	600 ppi	1	Missal
Lewis E M 31:6	Lewis E M 31.6 reverse	mcai310062		1400	1499	102 x 95 mm	This image shows the reverse of a cutting with a decorated initial from a missal.	Parchment	Latin	Spain?	Rotunda				reverse	2	Lewis E M 31:06		reverse	cd 5091 2111 6450	48-bit color	600 ppi	2	Missal
Lewis E M 31:7	Lewis E M 31.7 front	mcai310071		1400	1499	91 x 115 mm	Initial L | The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial as well as in the script suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration.	Parchment	Latin	Spain?					front	1	Lewis E M 31:07		front	cd 5091 2111 6450	48-bit color	600 ppi	1	Choir book
Lewis E M 31:7	Lewis E M 31.7 reverse	mcai310072		1400	1499	91 x 115 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Spain?	Rotunda				reverse	2	Lewis E M 31:07		reverse	cd 5091 2111 6450	48-bit color	600 ppi	2	Choir book
Lewis E M 31:8	Lewis E M 31.8 front	mcai310081		1400	1499	98 x 133 mm	Initial P | The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration.	Parchment	Latin	Spain?					front	1	Lewis E M 31:08		front	cd 5091 2111 6450	48-bit color	600 ppi	1	Choir book
Lewis E M 31:8	Lewis E M 31.8 reverse	mcai310082		1400	1499	98 x 133 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Spain?	Rotunda				reverse	2	Lewis E M 31:08		reverse	cd 5091 2111 6450	48-bit color	600 ppi	2	Choir book
Lewis E M 31:9	Lewis E M 31.9 front	mcai310091		1400	1499	70 x 81 mm	Initial P | The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration.	Parchment	Latin	Spain?					front	1	Lewis E M 31:09		front	cd 5091 2111 6450	48-bit color	600 ppi	1	Choir book
Lewis E M 31:9	Lewis E M 31.9 reverse	mcai310092		1400	1499	70 x 81 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Spain?	Rotunda				reverse	2	Lewis E M 31:09		reverse	cd 5091 2111 6450	48-bit color	600 ppi	2	Choir book
Lewis E M 31:10	Lewis E M 31.10 front	mcai310101		1400	1499	135 x 155 mm	Initial K | The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration.	Parchment	Latin	Spain?					front	1	Lewis E M 31:10		front	cd 5091 2111 6379	48-bit color	600 ppi	1	Choir book
Lewis E M 31:10	Lewis E M 31.10 reverse	mcai310102		1400	1499	135 x 155 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Spain?	Rotunda				reverse	2	Lewis E M 31:10		reverse	cd 5091 2111 6379	48-bit color	600 ppi	2	Choir book
Lewis E M 31:11	Lewis E M 31.11 front	mcai310111		1400	1499	122 x 110 mm	Initial K | The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration.	Parchment	Latin	Spain?					front	1	Lewis E M 31:11		front	cd 5091 2111 6379	48-bit color	600 ppi	1	Choir book
Lewis E M 31:11	Lewis E M 31.11 reverse	mcai310112		1400	1499	122 x 110 mm	This image shows the reverse of a cutting with a decorated initial from a choir book.	Parchment	Latin	Spain?	Rotunda				reverse	2	Lewis E M 31:11		reverse	cd 5091 2111 6379	48-bit color	600 ppi	2	Choir book
Lewis E M 31:12	Lewis E M 31.12 front	mcai310121		1400	1499	300 x 211 mm	Initial L | This initial begins the first response of the first nocturn of Matins for the feast of Mary Magdalene (July 22), 'Letetur omnes seculum in solemnitate sancte Mariae ...' (Let all the ages rejoice in the holy Mary with solemnity). The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration.	Parchment	Latin	Spain?	Rotunda				front	1	Lewis E M 31:12		front	cd 5091 2111 6379	48-bit color	600 ppi	1	Antiphonary
Lewis E M 31:12	Lewis E M 31.12 reverse	mcai310122		1400	1499	300 x 211 mm	This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Spain?	Rotunda				reverse	2	Lewis E M 31:12		reverse	cd 5091 2111 6380	48-bit color	600 ppi	2	Antiphonary
Lewis E M 31:13-14	Lewis E M 31.13 front	mcai310131		1600	1700	144 x 151 mm	Initial G | These cuttings can be dated to the 17th or 18th centuries. | This initial and its sister cutting, Lewis E M 31:14, once formed part of the decorative program of a stenciled book, or in other words, a book in which the text (seen in this example on the reverse) was stenciled rather than written in. The decoration, however, was completed by hand.	Parchment	Latin	Spain?					front 31:13	1	Lewis E M 31:13-14		front 31:13	cd 5091 2111 6380	48-bit color	600 ppi	1	Choir book
Lewis E M 31:13-14	Lewis E M 31.13 reverse	mcai310132		1600	1700	144 x 151 mm	The text on this cutting was stenciled rather than written in, a technique that came into use after the invention of printing. Stenciling required less skill on the part of the scribe but retained to some degree the hand-produced feel of a manuscript book. In this case, a scribe has gone over the stenciled letters and inked lines to connect the separate parts of the rounded, stenciled letter forms. This can be seen especially in the letters 'o' and 'b'. | These cuttings can be dated to the 17th or 18th centuries.	Parchment	Latin	Spain?	Stencil				reverse 31:13	2	Lewis E M 31:13-14		reverse 31:13	cd 5091 2111 6380	48-bit color	600 ppi	2	Choir book
Lewis E M 31:13-14	Lewis E M 31.14 front	mcai310141		1600	1700	143 x 157 mm	Initial J | These cuttings can be dated to the 17th or 18th centuries. | This initial and its sister cutting, Lewis E M 31:13, once formed part of the decorative program of a stenciled book, or in other words, a book in which the text (seen in this example on the reverse) was stenciled rather than written in. The decoration, however, was completed by hand.	Parchment	Latin	Spain?					front 31:14	3	Lewis E M 31:13-14		front 31:14	cd 5091 2111 6380	48-bit color	600 ppi	3	Choir book
Lewis E M 31:13-14	Lewis E M 31.14 reverse	mcai310142		1600	1700	143 x 157 mm	The text on this cutting was stenciled rather than written in, a technique that came into use after the invention of printing. Stenciling required less skill on the part of the scribe but retain to some degree the hand-produced feel of a manuscript book. In this case, a scribe has gone over the stenciled letters and inked lines to connect the separate parts of the rounded, stenciled letter forms. This can be seen especially in the letters 's,' 'a' and 'g'. | These cuttings can be dated to the 17th or 18th centuries.	Parchment	Latin	Spain?	Stencil				reverse 31:14	4	Lewis E M 31:13-14		reverse 31:14	cd 5091 2111 6381	48-bit color	600 ppi	4	Choir book
Lewis E M 31:15	Lewis E M 31.15 front	mcai310151		1500	1599	138 x 101 mm	Initial C | The style of this initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian decoration. | This cutting can be dated to the 15th or 16th centuries.	Parchment	Latin	Spain?					front	1	Lewis E M 31:15		front	cd 5091 2111 6381	48-bit color	600 ppi	1	Service book
Lewis E M 31:15	Lewis E M 31.15 reverse	mcai310152		1500	1599	138 x 101 mm	This cutting can be dated to the 15th or 16th centuries. | This image shows the reverse of a cutting with a decorated initial from a service book.	Parchment	Latin	Spain?	Rotunda				reverse	2	Lewis E M 31:15		reverse	cd 5091 2111 6381	48-bit color	600 ppi	2	Service book
Lewis E M 31:16-17	Lewis E M 31.16a front	mcai310163		1500	1599	64 x 116 mm	Initial A | These cuttings can be dated to the 15th or 16th centuries | This initial is typical of minor initial decoration found in service books produced in late medieval Spain.	Parchment	Latin	Spain					front 31:16a	1	Lewis E M 31:16-17		front 31:16a	cd 5091 2111 6381	48-bit color	600 ppi	1	Choir book
Lewis E M 31:16-17	Lewis E M 31.16a reverse	mcai310164		1500	1599	64 x 116 mm	These cuttings can be dated to the 15th or 16th centuries | This image shows the reverse of a cutting with a flourished initial from a choir book.	Parchment	Latin	Spain	Rotunda				reverse 31:16a	2	Lewis E M 31:16-17		reverse 31:16a	cd 5091 2111 6381	48-bit color	600 ppi	2	Choir book
Lewis E M 31:16-17	Lewis E M 31.16b front	mcai310165		1500	1599	57 x 102 mm	Initial D | These cuttings can be dated to the 15th or 16th centuries | This initial is typical of minor initial decoration found in service books produced in late medieval Spain.	Parchment	Latin	Spain					front 31:16b	3	Lewis E M 31:16-17		front 31:16b	cd 5091 2111 6381	48-bit color	600 ppi	3	Choir book
Lewis E M 31:16-17	Lewis E M 31.16b reverse	mcai310166		1500	1599	57 x 102 mm	These cuttings can be dated to the 15th or 16th centuries | This image shows the reverse of a cutting with a flourished initial from a choir book.	Parchment	Latin	Spain	Rotunda				reverse 31:16b	4	Lewis E M 31:16-17		reverse 31:16b	cd 5091 2111 6381	48-bit color	600 ppi	4	Choir book
Lewis E M 31:16-17	Lewis E M 31.16c front	mcai310167		1500	1599	58 x 104 mm	Initial B | These cuttings can be dated to the 15th or 16th centuries | This initial is typical of minor initial decoration found in service books produced in late medieval Spain.	Parchment	Latin	Spain					front 31:16c	5	Lewis E M 31:16-17		front 31:16c	cd 5091 2111 6381	48-bit color	600 ppi	5	Choir book
Lewis E M 31:16-17	Lewis E M 31.16c reverse	mcai310168		1500	1599	58 x 104 mm	These cuttings can be dated to the 15th or 16th centuries | This image shows the reverse of a cutting with a flourished initial from a choir book.	Parchment	Latin	Spain	Rotunda				reverse 31:16c	6	Lewis E M 31:16-17		reverse 31:16c	cd 5091 2111 6381	48-bit color	600 ppi	6	Choir book
Lewis E M 31:16-17	Lewis E M 31.17d reverse	mcai310170		1500	1599	76 x 111 mm	These cuttings can be dated to the 15th or 16th centuries | This image shows the reverse of a cutting with a flourished initial from a choir book.	Parchment	Latin	Spain	Rotunda				reverse 31:17d	14	Lewis E M 31:16-17		reverse 31:17d	cd 5091 2111 6383	48-bit color	600 ppi	14	Choir book
Lewis E M 31:16-17	Lewis E M 31.17a front	mcai310173		1500	1599	66 x 106 mm	Initial S | These cuttings can be dated to the 15th or 16th centuries | This initial is typical of minor initial decoration found in service books produced in late medieval Spain.	Parchment	Latin	Spain					front 31:17a	7	Lewis E M 31:16-17		front 31:17a	cd 5091 2111 6381	48-bit color	600 ppi	7	Choir book
Lewis E M 31:16-17	Lewis E M 31.17a front	mcai310174		1500	1599	66 x 106 mm	These cuttings can be dated to the 15th or 16th centuries | This image shows the reverse of a cutting with a flourished initial from a choir book.	Parchment	Latin	Spain	Rotunda				reverse 31:17a	8	Lewis E M 31:16-17		reverse 31:17a	cd 5091 2111 6381	48-bit color	600 ppi	8	Choir book
Lewis E M 31:16-17	Lewis E M 31.17b front	mcai310175		1500	1599	68 x 111 mm	Initial B | These cuttings can be dated to the 15th or 16th centuries | This initial is typical of minor initial decoration found in service books produced in late medieval Spain.	Parchment	Latin	Spain					front 31:17b	9	Lewis E M 31:16-17		front 31:17b	cd 5091 2111 6381	48-bit color	600 ppi	9	Choir book
Lewis E M 31:16-17	Lewis E M 31.17b reverse	mcai310176		1500	1599	68 x 111 mm	These cuttings can be dated to the 15th or 16th centuries | This image shows the reverse of a cutting with a flourished initial from a choir book.	Parchment	Latin	Spain	Rotunda				reverse 31:17b	10	Lewis E M 31:16-17		reverse 31:17b	cd 5091 2111 6381	48-bit color	600 ppi	10	Choir book
Lewis E M 31:16-17	Lewis E M 31.17c front	mcai310177		1500	1599	74 x 110 mm	Initial Q | These cuttings can be dated to the 15th or 16th centuries | This initial is typical of minor initial decoration found in service books produced in late medieval Spain.	Parchment	Latin	Spain					front 31:17c	11	Lewis E M 31:16-17		front 31:17c	cd 5091 2111 6383	48-bit color	600 ppi	11	Choir book
Lewis E M 31:16-17	Lewis E M 31.17c reverse	mcai310178		1500	1599	74 x 110 mm	These cuttings can be dated to the 15th or 16th centuries | This image shows the reverse of a cutting with a flourished initial from a choir book.	Parchment	Latin	Spain	Rotunda				reverse 31:17c	12	Lewis E M 31:16-17		reverse 31:17c	cd 5091 2111 6383	48-bit color	600 ppi	12	Choir book
Lewis E M 31:16-17	Lewis E M 31.17b front	mcai310179		1500	1599	76 x 111 mm	Initial D | These cuttings can be dated to the 15th or 16th centuries | This initial is typical of minor initial decoration found in service books produced in late medieval Spain.	Parchment	Latin	Spain					front 31:17d	13	Lewis E M 31:16-17		front 31:17d	cd 5091 2111 6383	48-bit color	600 ppi	13	Choir book
Lewis E M 31:18A	Lewis E M 31.18A front	mcai310181		1500	1550		Initial A with the Invocation of the Virgin Mary.	Parchment		Spain					front	1	Lewis E M 31:18A		front	cd 5091 2111 6383				Initial A with the Invocation of the Virgin Mary
Lewis E M 31:18A	Lewis E M 31.18A reverse	mcai310182		1500	1550		This image shows the reverse of a cutting with an historiated initial from a service book.	Parchment		Spain					reverse	2	Lewis E M 31:18A		reverse	cd 5091 2111 6383				Choir book
Lewis E M 31:18B	Lewis E M 31.18B front	mcai310183		1500	1599	158 x 198 mm		Parchment		Spain					front	1	Lewis E M 31:18B		front	cd 5091 2111 6383				Historiated initial A from an antiphonary depicting the Invocation of the Virgin Mary
Lewis E M 31:18B	Lewis E M 31.18B reverse	mcai310184		1500	1599	158 x 198 mm		Parchment		Spain	Rotunda				reverse	2	Lewis E M 31:18B		reverse	cd 5091 2111 6384				Historiated initial A from an antiphonary depicting the Invocation of the Virgin Mary
Lewis E M 31:19-27	Lewis E M 31.19 front	mcai310191		1400	1450	70 x 71 mm	Initial I with unidentified virgin | The iconography of this initial and a rubric on the reverse suggest that it begins an unidentified chant for the Common of Virgins. The style of the initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian illumination.	Parchment	Latin	Spain?					front 31:19	1	Lewis E M 31:19-27		front 31:19	cd 5091 2111 6384	48-bit color	600 ppi	1	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.19 reverse	mcai310192		1400	1450	70 x 71 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Spain?	Rotunda				reverse 31:19	2	Lewis E M 31:19-27		reverse 31:19	cd 5091 2111 6384	48-bit color	600 ppi	2	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.20 front	mcai310201		1400	1450	168 x 239 mm	Initial Q with St. Agatha of Catania | This initial begins the first antiphon of Lauds for the feast of St. Agatha (Feb. 5), 'Quis es tu qui venisti ad me curare vulnera mea ...' (Who are you who has come to heal my wounds). The style of the initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian illumination.	Parchment	Latin	Spain?	Rotunda				front 31:20	3	Lewis E M 31:19-27		front 31:20	cd 5091 2111 6384	48-bit color	600 ppi	3	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.20 reverse	mcai310202		1400	1450	168 x 239 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Spain?	Rotunda				reverse 31:20	4	Lewis E M 31:19-27		reverse 31:20	cd 5091 2111 6384	48-bit color	600 ppi	4	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.21 front	mcai310211		1400	1450	92 x 100 mm	Initial P with Sts. Peter and Paul | This initial begins the first antiphon of Lauds for the feast of Sts. Peter and Paul (June 29), 'Petrus et Ioannes ascendebant in templum ...' (Peter and John were going up into the temple). The style of the initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian illumination.	Parchment	Latin	Spain?					front 31:21	5	Lewis E M 31:19-27		front 31:21	cd 5091 2111 6384	48-bit color	600 ppi	5	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.21 reverse	mcai310212		1400	1450	92 x 100 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Spain?	Rotunda				reverse 31:21	6	Lewis E M 31:19-27		reverse 31:21	cd 5091 2111 6384	48-bit color	600 ppi	6	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.22 front	mcai310221		1400	1450	98 x 143 mm	Initial D with St. Helena of Constantinople holding the True Cross | This initial begins the first antiphon of Lauds for the feast of the Invention of the True Cross (May 3), 'Helena sancta Constantini mater Jerosolymam petiit...' (Helen, the holy mother of Constantine, went to Jerusalem). The saint pictured here is St. Helena, the mother of the first Christian Roman emperor Constantine (d. 337). According legend, Helena discovered the cross upon which Christ was crucified, also known as the True Cross.The style of the initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian illumination.	Parchment	Latin	Spain?	Rotunda				front 31:22	7	Lewis E M 31:19-27		front 31:22	cd 5091 2111 6385	48-bit color	600 ppi	7	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.22 reverse	mcai310222		1400	1450	98 x 143 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Spain?	Rotunda				reverse 31:22	8	Lewis E M 31:19-27		reverse 31:22	cd 5091 2111 6385	48-bit color	600 ppi	8	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.23 front	mcai310231		1400	1450	71 x 79 mm	Initial O with an unidentified Pope | The precise moment in the liturgy that this initial begins remains to be determined. The three-tiered tiara and cross staff indicated that this figure is a pope. The style of the initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian illumination.	Parchment	Latin	Spain?					front 31:23	9	Lewis E M 31:19-27		front 31:23	cd 5091 2111 6385	48-bit color	600 ppi	9	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.23 reverse	mcai310232		1400	1450	71 x 79 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Spain?	Rotunda				reverse 31:23	10	Lewis E M 31:19-27		reverse 31:23	cd 5091 2111 6385	48-bit color	600 ppi	10	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.24 front	mcai310241		1400	1450	132 x 161 mm	Initial I with Mary Magdalene | This initial may begin the first antiphon of Lauds for the feast of Mary Magadalene (July 22), 'Laudibus excelsis omnis mundus exsultet in solemnitate sancte Marie Magdalene ...' (Let the world exalt with all the highest praises in the solemnity of Mary Magdalene). Mary Magdalene is identified here by the alabaster jar from which she took the ointment to anoint Christ's body. The style of the initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian illumination.	Parchment	Latin	Spain?					front 31:24	11	Lewis E M 31:19-27		front 31:24	cd 5091 2111 6385	48-bit color	600 ppi	11	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.24 reverse	mcai310242		1400	1450	132 x 161 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Spain?	Rotunda				reverse 31:24	12	Lewis E M 31:19-27		reverse 31:24	cd 5091 2111 6385	48-bit color	600 ppi	12	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.25 front	mcai310251		1400	1450	130 x 133 mm	Initial C with the Virgin Mary borne by angels | The style of the initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian illumination.	Parchment	Latin	Spain?					front 31:25	13	Lewis E M 31:19-27		front 31:25	cd 5091 2111 6385	48-bit color	600 ppi	13	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.25 reverse	mcai310252		1400	1450	130 x 133 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Spain?	Rotunda				reverse 31:25	14	Lewis E M 31:19-27		reverse 31:25	cd 5091 2111 6385	48-bit color	600 ppi	14	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.26 front	mcai310261		1400	1450	164 x 232 mm	Initial D with Sts. James the Less and Philip | This initial begins the first antiphon of Lauds for the feast of Sts. Phillip and James, 'Domine ostende nobis Patrem, et sufficit nobis alleluia ...' (Lord, show us the Falther and it is enough for us, alleluia). The style of the initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian illumination.	Parchment	Latin	Spain?	Rotunda				front 31:26	15	Lewis E M 31:19-27		front 31:26	cd 5091 2111 6386	48-bit color	600 ppi	15	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.26 reverse	mcai310262		1400	1450	164 x 232 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Spain?	Rotunda				reverse 31:26	16	Lewis E M 31:19-27		reverse 31:26	cd 5091 2111 6386	48-bit color	600 ppi	16	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.27 front	mcai310271		1400	1450	114 x 158 mm	Initial H with John the Baptist | This initial probably begins the first antiphon of Lauds for the feast of the Beheading of John the Baptist (Aug. 29), 'Herodes enim tenuit et ligavit Iohannem ...' (Herod had taken John and bound him). The style of the initial is reminiscent of Italian initial decoration, especially in the northern regions. Certain elements in the execution of the initial suggest, however, that the artist was not Italian but perhaps Spanish or Portuguese. Artists and scribes in the Iberian Peninsula were heavily influenced by the luxury choir books that came out of Italy in the late Middle Ages and Renaissance. This influence can be seen in the Italianate forms common in Iberian illumination.	Parchment	Latin	Spain?	Rotunda				front 31:27	17	Lewis E M 31:19-27		front 31:27	cd 5091 2111 6386	48-bit color	600 ppi	17	Antiphonary
Lewis E M 31:19-27	Lewis E M 31.27 reverse	mcai310272		1400	1450	114 x 158 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Spain?	Rotunda				reverse 31:27	18	Lewis E M 31:19-27		reverse 31:27	cd 5091 2111 6386	48-bit color	600 ppi	18	Antiphonary
Lewis E M 31:28	Lewis E M 31.28 front	mcai310281		1600	1699	118 x 122 mm		Parchment		Portugal					front	1	Lewis E M 31:28		front	cd 5091 2111 6386				Historiated initial N from an antiphonary, depicting St. John the Baptist
Lewis E M 31:28	Lewis E M 31.28 reverse	mcai310282		1600	1699	118 x 122 mm		Parchment		Portugal					reverse	2	Lewis E M 31:28		reverse	cd 5091 2111 6386				Historiated initial N from an antiphonary, depicting St. John the Baptist
Lewis E M 31:29	Lewis E M 31.29 front	mcai310291		1600	1699			Parchment		Portugal					front	1	Lewis E M 31:29		front	cd 5091 2111 6387				Historiated initial G from an antiphonary depicting David as a musician
Lewis E M 31:29	Lewis E M 31.29 reverse	mcai310292		1600	1699			Parchment		Portugal	Rotunda				reverse	2	Lewis E M 31:29		reverse	cd 5091 2111 6387				Historiated initial G from an antiphonary depicting David as a musician
Lewis E M 31:34	Lewis E M 31.34 front	mcai310341		1890	1920		Flight into Egypt painting by the Spanish Forger. The Forger, who operated in the late nineteenth and early twentieth centuries, often worked with old panels in order to make his paintings appear more genuine.
 Scholars are still uncertain of the Spanish Forger's origin--he came by his name by way of a panel titled Betrothal of St. Ursula, detected by Belle da Costa Greene, the first Director of The Pierpont Morgan Library--the work had previously been attributed to a Spanish artist.
 For more information about the Spanish Forger, see the book of the same title by William Voelkle, assisted by Roger S. Wieck.	Parchment		Unknown		Spanish Forger	Artist		front	1	Lewis E M 31:34		front	cd 5091 2111 6387				Flight into Egypt
Lewis E M 31:34	Lewis E M 31.34 reverse	mcai310342		1400	1499		The reverse of a Flight into Egypt painting by the Spanish Forger. The Forger, who operated in the late nineteenth and early twentieth centuries, often worked with old panels in order to make his paintings appear more genuine.
 Scholars are still uncertain of the Spanish Forger's origin--he came by his name by way of a panel titled Betrothal of St. Ursula, detected by Belle da Costa Greene, the first Director of The Pierpont Morgan Library--the work had previously been attributed to a Spanish artist.
 For more information about the Spanish Forger, see the book of the same title by William Voelkle, assisted by Roger S. Wieck.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 31:34		reverse	cd 5091 2111 6387				Flight into Egypt
Lewis E M 31:35	Lewis E M 31.35 front	mcai310351		1890	1920		A miniature of Christ calling Peter and Andrew by the Spanish Forger. The Forger, who operated in the late nineteenth and early twentieth centuries, often worked with old panels in order to make his paintings appear more genuine.
 Scholars are still uncertain of the Spanish Forger's origin--he came by his name by way of a panel titled Betrothal of St. Ursula, detected by Belle da Costa Greene, the first Director of The Pierpont Morgan Library--the work had previously been attributed to a Spanish artist.
 For more information about the Spanish Forger, see the book of the same title by William Voelkle, assisted by Roger S. Wieck.	Parchment		Unknown		Spanish Forger	Artist		front	1	Lewis E M 31:35		front	cd 5091 2111 6387				Miniature of Christ calling Peter and Andrew
Lewis E M 31:35	Lewis E M 31.35 reverse	mcai310352		1400	1499		The reverse of a miniature of Christ calling Andrew and Peter by the Spanish Forger. The Forger, who operated in the late nineteenth and early twentieth centuries, often worked with old panels in order to make his paintings appear more genuine.
 Scholars are still uncertain of the Spanish Forger's origin--he came by his name by way of a panel titled Betrothal of St. Ursula, detected by Belle da Costa Greene, the first Director of The Pierpont Morgan Library--the work had previously been attributed to a Spanish artist.
 For more information about the Spanish Forger, see the book of the same title by William Voelkle, assisted by Roger S. Wieck.	Parchment		Italy					reverse	2	Lewis E M 31:35		reverse	cd 5091 2111 6388				Miniature of Christ calling Peter and Andrew
Lewis E M 31:36	Lewis E M 31.36 front	mcai310361		1550	1600	127 x 110 mm		Parchment		Spain?					front	1	Lewis E M 31:36		front	cd 5091 2111 6388				Initial D from an antiphonary depicting a penitent gentleman taking a vow at an altar
Lewis E M 31:36	Lewis E M 31.36 reverse	mcai310362		1550	1600	127 x 110 mm		Parchment	Latin	Spain?	Rotunda				reverse	2	Lewis E M 31:36		reverse	cd 5091 2111 6388				Initial D from an antiphonary depicting a penitent gentleman taking a vow at an altar
Lewis E M 31:37	Lewis E M 31.37 front	mcai310371		1900	1920		Previously attributed to the Spanish Forger, this miniature has since been determined to have been painted b an unknown forger.	Parchment		Unknown					front	1	Lewis E M 31:37		front	cd 5091 2111 6388				Miniature of the Presentation in the Temple
Lewis E M 31:37	Lewis E M 31.37 reverse	mcai310372		1900	1920			Parchment		Unknown					reverse	2	Lewis E M 31:37		reverse	cd 5091 2111 6388				Miniature of the Presentation in the Temple
Lewis E M 32:1	Lewis E M 32.1 front	mcai320011						Parchment		Unknown						1	Lewis E M 32:01			cd 5091 2111 6389				Historiated initial D
Lewis E M 32:1	Lewis E M 32.1 reverse	mcai320012						Parchment		Unknown						2	Lewis E M 32:01			cd 5091 2111 6389				Music Fragment
Lewis E M 32:2	Lewis E M 32.2 front	mcai320021		1900	1920			Parchment		Unknown					front	1	Lewis E M 32:02		front	cd 5091 2111 6389				Historiated initial A depicting a cleric
Lewis E M 32:2	Lewis E M 32.2 reverse	mcai320022		1900	1920		This historiated initial has been determined to be a forgery. Forgers often used old manuscript scraps for their paintings to make their paintings seem more authentic. This musical notation, however, also appears to be forged.	Parchment		Unknown					reverse	2	Lewis E M 32:02		reverse	cd 5091 2111 6389				Historiated initial A depicting a cleric
Lewis E M 32:3	Lewis E M 32.3 front	mcai320031		1900	1920	130 x 138 mm		Parchment		Unknown					front	1	Lewis E M 32:03		front	cd 5091 2111 6389				Historiated initial O depicting David in Prayer
Lewis E M 32:3	Lewis E M 32.3 reverse	mcai320032		1400	1499	130 x 138 mm		Parchment	Latin	Italy	Southern Textualis Formata				reverse	2	Lewis E M 32:03		reverse	cd 5091 2111 6389				Historiated initial O depicting David in Prayer
Lewis E M 32:4	Lewis E M 32.4 front	mcai320041		1900	1920	113 x 100 mm		Parchment		Unknown					front	1	Lewis E M 32:04		front	cd 5091 2111 6389				Historiated initial E depicting a male saint
Lewis E M 32:4	Lewis E M 32.4 reverse	mcai320042		1400	1499	113 x 100 mm		Parchment	Latin	Italy	Southern Textualis Formata				reverse	2	Lewis E M 32:04		reverse	cd 5091 2111 6389				Historiated initial E depicting a male saint
Lewis E M 32:5	Lewis E M 32.5 front	mcai320051		1900	1920	73 x 151 mm		Parchment		Unknown						1	Lewis E M 32:05			cd 5091 2111 6389				Forged miniature panel
Lewis E M 32:5	Lewis E M 32.5 reverse	mcai320052		1900	1920	73 x 151 mm		Parchment		Unknown					reverse	2	Lewis E M 32:05		reverse	cd 5091 2111 6389				Forged miniature panel
Lewis E M 32:6	Lewis E M 32.6 front	mcai320061		1900	1920	124 x 160 mm		Parchment		Unknown						1	Lewis E M 32:06			cd 5091 2111 6390				Historiated initial O depicting a cleric
Lewis E M 32:6	Lewis E M 32.6 reverse	mcai320062		1400	1499	124 x 160 mm		Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 32:06		reverse	cd 5091 2111 6390				Historiated initial O depicting a cleric
Lewis E M 32:7	Lewis E M 32.7 front	mcai320071		1900	1920	53 x 81 mm		Parchment		Unknown					front	1	Lewis E M 32:07		front	cd 5091 2111 6390				Miniature of Jesus in prayer
Lewis E M 32:7	Lewis E M 32.7 reverse	mcai320072		1400	1499	53 x 81 mm		Parchment		Italy	Rotunda				reverse	2	Lewis E M 32:07		reverse	cd 5091 2111 6390				Miniature of Jesus in prayer
Lewis E M 32:8	Lewis E M 32.8 front	mcai320081		1900	1920	144 x 150 mm		Parchment		Unknown						1	Lewis E M 32:08			cd 5091 2111 6390				Historiated initial D depicting St. Barbara
Lewis E M 32:8	Lewis E M 32.8 reverse	mcai320082		1400	1499	144 x 150 mm		Parchment		Italy	Rotunda					2	Lewis E M 32:08			cd 5091 2111 6390				Historiated initial D depicting St. Barbara
Lewis E M 32:9	Lewis E M 32.9 front	mcai320091		1900	1920	60 x 70 mm		Parchment		Unknown					front	1	Lewis E M 32:09		front	cd 5091 2111 6390				Historiated initial D depicting a monk
Lewis E M 32:9	Lewis E M 32.9 reverse	mcai320092		1400	1499	60 x 70 mm		Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 32:09		reverse	cd 5091 2111 6390				Historiated initial D depicting a monk
Lewis E M 32:10	Lewis E M 32.10 front	mcai320101		1900	1920	107 x 102 mm		Parchment		Unknown					front	1	Lewis E M 32:10		front	cd 5091 2111 6390				Historiated initial C depicting a bishop
Lewis E M 32:10	Lewis E M 32.10 reverse	mcai320102		1400	1499	107 x 102 mm		Parchment	Latin	Italy	Rotunda					2	Lewis E M 32:10			cd 5091 2111 6390				Historiated initial C depicting a bishop
Lewis E M 32:11	Lewis E M 32.11 front	mcai320111		1900	1920	118 x 102 mm		Parchment		Unknown						1	Lewis E M 32:11			cd 5091 2111 6390				Historiated initial D depicting a male saint
Lewis E M 32:11	Lewis E M 32.11 reverse	mcai320112		1400	1499			Parchment	Latin	Italy					reverse	2	Lewis E M 32:11		reverse	cd 5091 2111 6391				Historiated initial D depicting a male saint
Lewis E M 32:12	Lewis E M 32.12 front	mcai320121		1900	1920	50 x 57 mm		Parchment		Unknown					front	1	Lewis E M 32:12		front	cd 5091 2111 6391				Historiated initial D depicting a monk
Lewis E M 32:12	Lewis E M 32.12 reverse	mcai320122				50 x 57 mm		Parchment		Italy	Rotunda				reverse	2	Lewis E M 32:12		reverse	cd 5091 2111 6391				Historiated initial D depicting a monk
Lewis E M 32:13	Lewis E M 32.13 front	mcai320131		1900	1920	102 x 97 mm		Parchment		Unknown					front	1	Lewis E M 32:13		front	cd 5091 2111 6391				Historiated initial E depicting Christ and three angels
Lewis E M 32:13	Lewis E M 32.13 reverse	mcai320132		1400	1499	102 x 97 mm		Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 32:13		reverse	cd 5091 2111 6391				Historiated initial E depicting Christ and three angels
Lewis E M 32:14	Lewis E M 32.14 front a	mcai320143		1497	1500	120 x 170 mm	Leaf from an imprint of Pigouchet's Horae for Simon de Vostre in Paris. Imprint unknown, but close to August 1498 printing. The Pigouchet imprints were printed from metal cuts, not woodcuts, on vellum. The result was a clear, concise line. The color on this leaf was added by hand.	Parchment	Latin	Paris, France		Pigouchet, Philippe	Artist		front	1	Lewis E M 32:14		front	cd 5091 2111 6391				Leaf from a printed Book of Hours depicting the Annunciation
Lewis E M 32:14	Lewis E M 32.14 reverse a	mcai320144		1497	1500	120 x 170 mm	Leaf from an imprint of Pigouchet's Horae for Simon de Vostre in Paris. Imprint unknown, but close to August 1498 printing. The Pigouchet imprints were printed from metal cuts, not woodcuts, on vellum. The result was a clear, concise line. The color on this leaf was added by hand.	Parchment	Latin	Paris, France		Pigouchet, Philippe	Artist		reverse	2	Lewis E M 32:14		reverse	cd 5091 2111 6391				Leaf from a printed Book of Hours depicting the Annunciation
Lewis E M 32:14	Lewis E M 32.14 front b	mcai320145		1497	1500	120 x 170 mm	Leaf from an imprint of Pigouchet's Horae for Simon de Vostre in Paris. Imprint unknown, but close to August 1498 printing. The Pigouchet imprints were printed from metal cuts, not woodcuts, on vellum. The result was a clear, concise line. The color on this leaf was added by hand.	Parchment	Latin	Paris, France		Pigouchet, Philippe	Artist		front	3	Lewis E M 32:14		front	cd 5091 2111 6391				Leaf from a printed Book of Hours depicting the Visitation
Lewis E M 32:14	Lewis E M 32.14 reverse b	mcai320146		1497	1500	120 x 170 mm	Leaf from an imprint of Pigouchet's Horae for Simon de Vostre in Paris. Imprint unknown, but close to August 1498 printing. The Pigouchet imprints were printed from metal cuts, not woodcuts, on vellum. The result was a clear, concise line. The color on this leaf was added by hand.	Parchment	Latin	Paris, France		Pigouchet, Philippe	Artist		reverse	4	Lewis E M 32:14		reverse	cd 5091 2111 6391				Leaf from a printed Book of Hours depicting the Visitation
Lewis E M 32:15	Lewis E M 32.15 front	mcai320151		1700	1799			Parchment		Spain?					front	1	Lewis E M 32:15		front	cd 5091 2111 6392				Madonna and child
Lewis E M 32:15	Lewis E M 32.15 reverse	mcai320152		1700	1799			Parchment		Spain?					reverse	2	Lewis E M 32:15		reverse	cd 5091 2111 6392				Madonna and child
Lewis E M 32:16	Lewis E M 32.16 front	mcai320161		1750	1850	92 x 120 mm		Parchment		Unknown					front	1	Lewis E M 32:16		front	cd 5091 2111 6392				Adoration of the Magi
Lewis E M 32:16	Lewis E M 32.16 reverse	mcai320162		1750	1850	92 x 120 mm		Parchment		Unknown					reverse	2	Lewis E M 32:16		reverse	cd 5091 2111 6392				Adoration of the Magi
Lewis E M 32:17	Lewis E M 32.17 front	mcai320171		1900	1920	134 x 121 mm		Parchment		Unknown					front	1	Lewis E M 32:17		front	cd 5091 2111 6392				Historiated initial S depicting the Presentation in the Temple
Lewis E M 32:17	Lewis E M 32.17 reverse	mcai320172		1900	1920	134 x 121 mm		Parchment		Unknown					reverse	2	Lewis E M 32:17		reverse	cd 5091 2111 6392				Historiated initial S depicting the Presentation in the Temple
Lewis E M 32:18	Lewis E M 32.18 front	mcai320181		1900	1920	144 x 150 mm		Parchment		Unknown					front	1	Lewis E M 32:18		front	cd 5091 2111 6392				Historiated initial A depicting the Agnus Dei
Lewis E M 32:18	Lewis E M 32.18 reverse	mcai320182		1400	1499		While this is the reverse of a forged historiated initial, forgeries are frequently made on existing scraps of authentic medieval manuscripts. This is probably cut from a 15th-century choir book, most likely an antiphonary, and most likely from Italy.	Parchment		Italy					reverse	2	Lewis E M 32:18		reverse	cd 5091 2111 6393				Historiated initial A depicting the Agnus Dei
Lewis E M 32:19	Lewis E M 32.19 front	mcai320191		1900	1920	117 x 127 mm		Parchment		Unknown					front	1	Lewis E M 32:19		front	cd 5091 2111 6393				Historiated initial, forged
Lewis E M 32:19	Lewis E M 32.19 reverse	mcai320192		1400	1499	117 x 127 mm	Although this is the reverse of a forged historiated initial, forgers often used scraps of real medieval manuscripts for their work.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 32:19		reverse	cd 5091 2111 6393				Historiated initial (forged)
Lewis E M 32:20	Lewis E M 32.20	mcai320201		1890	1920	115 x 205 mm		Parchment		Unknown					front	1	Lewis E M 32:20		front	cd 5091 2111 6393				Historiated initial depicting Virgin Mary
Lewis E M 32:21	Lewis E M 32.21	mcai320211						Parchment		Unknown						1	Lewis E M 32:21			cd 5091 2111 6393				Historiated Initial A
Lewis E M 32:21	Lewis E M 32.21 reverse	mcai320212						Parchment		Unknown						2	Lewis E M 32:21			cd 5091 2111 6393				Text Fragment
Lewis E M 32:22	Lewis E M 32.22 front	mcai320221		1890	1920	84 x 76 mm		Parchment		Unknown					front	1	Lewis E M 32:22		front	cd 5091 2111 6393				Historiated initial O with a pope kneeling at an altar, communing with an angel
Lewis E M 32:22	Lewis E M 32.22 reverse	mcai320222		1400	1499	84 x 76 mm	Although the reverse of this cutting is a modern forgery, the forger used an authentic scrap of medieval manuscript material to work with.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 32:22		reverse	cd 5091 2111 6393				Historiated initial O with a pope kneeling at an altar, communing with an angel
Lewis E M 32:23	Lewis E M 32.23 front	mcai320231		1890	1920	93 x 87 mm		Parchment		Unknown						1	Lewis E M 32:23			cd 5091 2111 6393				Miniature of monks reading from a lectern
Lewis E M 32:23	Lewis E M 32.23 reverse	mcai320232		1400	1499	93 x 87 mm	Although this fragment is the reverse of a modern forgery, forgers often used scraps of existing pieces of medieval manuscripts for their works. This fragment was probably used as a piece of binding material at one time.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 32:23		reverse	cd 5091 2111 6394				Miniature of monks reading from a lectern
Lewis E M 32:24	Lewis E M 32.24 front	mcai320241		1890	1920	86 x 93 mm		Parchment		Unknown						1	Lewis E M 32:24			cd 5091 2111 6394				Historiated initial S depicting All Saints
Lewis E M 32:24	Lewis E M 32.24 reverse	mcai320242		1400	1499	86 x 93 mm	Although this is the reverse of a forgery, forgers often used scraps of authentic medieval manuscripts for their work. This was probably used for binding material at one time.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 32:24		reverse	cd 5091 2111 6394				Historiated initial S depicting All Saints
Lewis E M 32:25	Lewis E M 32.25 front	mcai320251						Parchment		Unknown						1	Lewis E M 32:25			cd 5091 2111 6394				Initial C from a choir book with singing monks
Lewis E M 32:25	Lewis E M 32.25 reverse	mcai320252						Parchment		Unknown						2	Lewis E M 32:25			cd 5091 2111 6394				Medieval Manuscript Fragment
Lewis E M 32:26	Lewis E M 32.26 front	mcai320261					This fragment may be an original miniature from late 13th-century Italy painted over at a later time, particularly in the faces of the individuals.	Parchment		Unknown						1	Lewis E M 32:26			cd 5091 2111 6394				Forgery fragment
Lewis E M 32:26	Lewis E M 32.26 reverse	mcai320262						Parchment		Unknown						2	Lewis E M 32:26			cd 5091 2111 6394				Forgery fragment
Lewis E M 32:27	Lewis E M 32.27 front	mcai320271					Initial G with a priest celebrating the Eucharist.	Parchment		Unknown						1	Lewis E M 32:27			cd 5091 2111 6394				Initial G with a priest celebrating the Eucharist
Lewis E M 32:27	Lewis E M 32.27 reverse	mcai320272						Parchment		Unknown						2	Lewis E M 32:27			cd 5091 2111 6394				Medieval Music Manuscript Fragment
Lewis E M 32:28	Lewis E M 32.28 front	mcai320281					Forged historiated initial of St. Dominic.	Parchment		Unknown						1	Lewis E M 32:28			cd 5091 2111 6394				St. Dominic
Lewis E M 32:28	Lewis E M 32.28 reverse	mcai320282						Parchment		Unknown						2	Lewis E M 32:28			cd 5091 2111 6394				St. Dominic
Lewis E M 32:29	Lewis E M 32.29 front	mcai320291					Forged historiated initial of a bishop.	Parchment		Unknown					front	1	Lewis E M 32:29		front	cd 5091 2111 6394				Bishop
Lewis E M 32:29	Lewis E M 32.29 reverse	mcai320292						Parchment		Unknown						2	Lewis E M 32:29			cd 5091 2111 6394				Bishop
Lewis E M 32:30	Lewis E M 32.30 front	mcai320301					Forged initial U with a female saint.	Parchment		Unknown						1	Lewis E M 32:30			cd 5091 2111 6394				Historiated initial U with female saint
Lewis E M 32:30	Lewis E M 32.30 reverse	mcai320302						Parchment		Unknown						2	Lewis E M 32:30			cd 5091 2111 6394				Historiated initial U with female saint
Lewis E M 33:1	Lewis E M 33.1 front	mcai330011					Forged miniature of the Three Marys at the tomb of the risen Christ.	Parchment		Unknown						1	Lewis E M 33:01			cd 5091 2111 7093				Three Marys at the tomb
Lewis E M 33:1	Lewis E M 33.1 reverse	mcai330012						Parchment		Unknown						2	Lewis E M 33:01			cd 5091 2111 7093				Three Marys at the tomb
Lewis E M 33:2	Lewis E M 33.2 front	mcai330021						Parchment		Unknown						1	Lewis E M 33:02			cd 5091 2111 7093				Forgery fragment
Lewis E M 33:2	Lewis E M 33.2 reverse	mcai330022						Parchment		Unknown						2	Lewis E M 33:02			cd 5091 2111 7093				Forgery fragment
Lewis E M 33:3	Lewis E M 33.3 front	mcai330031						Parchment		Unknown					front	1	Lewis E M 33:03		front	cd 5091 2111 7093				Life of Thomas Aquinas
Lewis E M 33:3	Lewis E M 33.3 reverse	mcai330032						Parchment		Unknown					reverse	2	Lewis E M 33:03		reverse	cd 5091 2111 7093				Life of Thomas Aquinas
Lewis E M 33:4	Lewis E M 33.4	mcai330041				38 x 38 mm		Parchment		Unknown					front	1	Lewis E M 33:04		front	cd 5091 2111 7093				St. Theodore
Lewis E M 33:5	Lewis E M 33.5	mcai330051				38 x 42 mm		Parchment		Unknown					front	1	Lewis E M 33:05		front	cd 5091 2111 7093				St. Bartholomew
Lewis E M 33:6	Lewis E M 33.6 front	mcai330061						Parchment		Unknown						1	Lewis E M 33:06			cd 5091 2111 7094				Wisdom personified
Lewis E M 33:6	Lewis E M 33.6 reverse	mcai330062						Parchment		Unknown					reverse	2	Lewis E M 33:06		reverse	cd 5091 2111 7094				Wisdom personified
Lewis E M 33:7	Lewis E M 33.7 front	mcai330071				78 x 108 mm		Parchment		Unknown					front	1	Lewis E M 33:07		front	cd 5091 2111 7094				St. Peter preaching the Gospel
Lewis E M 33:7	Lewis E M 33.7 reverse	mcai330072						Parchment		Unknown					reverse	2	Lewis E M 33:07		reverse	cd 5091 2111 7094				St. Peter preaching the Gospel
Lewis E M 33:8	Lewis E M 33.8 front	mcai330081				75 x 118 mm		Parchment		Unknown						1	Lewis E M 33:08			cd 5091 2111 7094				Forgery fragment
Lewis E M 33:8	Lewis E M 33.8 reverse	mcai330082						Parchment		Unknown					reverse	2	Lewis E M 33:08		reverse	cd 5091 2111 7094				Forgery fragment
Lewis E M 33:9	Lewis E M 33.9 front	mcai330091						Parchment		Unknown						1	Lewis E M 33:09			cd 5091 2111 7094				Bishop kneeling in prayer
Lewis E M 33:9	Lewis E M 33.9 reverse	mcai330092						Parchment		Unknown					reverse	2	Lewis E M 33:09		reverse	cd 5091 2111 7094				Bishop kneeling in prayer
Lewis E M 33:10	Lewis E M 33.10 front	mcai330101						Parchment		Unknown						1	Lewis E M 33:10			cd 5091 2111 7094				Mary assisting with the sick
Lewis E M 33:10	Lewis E M 33.10 reverse	mcai330102						Parchment		Unknown					reverse	2	Lewis E M 33:10		reverse	cd 5091 2111 7094				Mary assisting with the sick
Lewis E M 33:11	Lewis E M 33.11	mcai330111				68 x 80 mm		Parchment		Unknown						1	Lewis E M 33:11			cd 5091 2111 7094				Jesus learning to be a carpenter
Lewis E M 33:12	Lewis E M 33.12 front	mcai330121						Parchment		Unknown						1	Lewis E M 33:12			cd 5091 2111 7094				Forgery fragment
Lewis E M 33:12	Lewis E M 33.12 reverse	mcai330122						Parchment		Unknown						2	Lewis E M 33:12			cd 5091 2111 7094				Forgery fragment
Lewis E M 33:13	Lewis E M 33.13 front	mcai330131						Parchment		Unknown						1	Lewis E M 33:13			cd 5091 2111 7094				August calendar labor
Lewis E M 33:13	Lewis E M 33.13 reverse	mcai330132						Parchment		Unknown						2	Lewis E M 33:13			cd 5091 2111 7094				August calendar labor
Lewis E M 33:14	Lewis E M 33.14 front	mcai330141				75 x 74 mm		Parchment		Unknown						1	Lewis E M 33:14			cd 5091 2111 7095				Pentecost
Lewis E M 33:14	Lewis E M 33.14 reverse	mcai330142						Parchment		Unknown						2	Lewis E M 33:14			cd 5091 2111 7095				Pentecost
Lewis E M 33:15	Lewis E M 33.15 front	mcai330151				122 x 140 mm		Parchment		Unknown					front	1	Lewis E M 33:15		front	cd 5091 2111 7095				Initial R with the Resurrection
Lewis E M 33:15	Lewis E M 33.15 reverse	mcai330152						Parchment		Unknown					reverse	2	Lewis E M 33:15		reverse	cd 5091 2111 7095				Initial R with the Resurrection
Lewis E M 33:16	Lewis E M 33.16 front	mcai330161				45 x 50 mm		Parchment		Unknown						1	Lewis E M 33:16			cd 5091 2111 7095				Forged initial T
Lewis E M 33:16	Lewis E M 33.16 reverse	mcai330162						Parchment		Unknown						2	Lewis E M 33:16			cd 5091 2111 7095				Forged initial T
Lewis E M 33:17	Lewis E M 33.17	mcai330171		1400	1450			Parchment		Germany	Gothic bookhand					1	Lewis E M 33:17			cd 5091 2111 7095				Initial fragments
Lewis E M 33:18	Lewis E M 33.18 front	mcai330181						Parchment		Unknown						1	Lewis E M 33:18			cd 5091 2111 7095				Illuminated Medieval Manuscript Fragment
Lewis E M 33:18	Lewis E M 33.18 reverse	mcai330182						Parchment		Unknown						2	Lewis E M 33:18			cd 5091 2111 7095				Medieval Music Manuscript Fragment
Lewis E M 33:19	Lewis E M 33.19 front	mcai330191						Parchment		Unknown						1	Lewis E M 33:19			cd 5091 2111 7095				Illuminated Medieval Manuscript Fragment
Lewis E M 33:19	Lewis E M 33.19 reverse	mcai330192						Parchment		Unknown						2	Lewis E M 33:19			cd 5091 2111 7095				Illuminated Medieval Manuscript Fragment
Lewis E M 33:20	Lewis E M 33.20 front	mcai330201						Parchment		Unknown						1	Lewis E M 33:20			cd 5091 2111 7095				Illuminated Medieval Manuscript Fragment
Lewis E M 33:20	Lewis E M 33.20 reverse	mcai330202						Parchment		Unknown						2	Lewis E M 33:20			cd 5091 2111 7095				Medieval Manuscript Fragment
Lewis E M 33:21	Lewis E M 33.21 front	mcai330211						Parchment		Unknown						1	Lewis E M 33:21			cd 5091 2111 7096				Monks Praying
Lewis E M 33:21	Lewis E M 33.21 reverse	mcai330212						Parchment		Unknown						2	Lewis E M 33:21			cd 5091 2111 7096				Recto to Monks Praying
Lewis E M 33:22	Lewis E M 33.22 front	mcai330221						Parchment		Unknown						1	Lewis E M 33:22			cd 5091 2111 7096				Illuminated Medieval Manuscript Fragment
Lewis E M 33:22	Lewis E M 33.22 reverse	mcai330222					Verso
	Parchment		Unknown						2	Lewis E M 33:22			cd 5091 2111 7096				Illuminated Medieval Manuscript Fragment
Lewis E M 33:23	Lewis E M 33.23 front	mcai330231						Parchment		Unknown						1	Lewis E M 33:23			cd 5091 2111 7096				Illuminated Medieval Manuscript Fragment
Lewis E M 33:23	Lewis E M 33.23 reverse	mcai330232					Verso	Parchment		Unknown						2	Lewis E M 33:23			cd 5091 2111 7096				Illuminated Medieval Manuscript Fragment
Lewis E M 33:24	Lewis E M 33.24 front	mcai330241						Parchment		Unknown						1	Lewis E M 33:24			cd 5091 2111 7096				Historiated initial
Lewis E M 33:24	Lewis E M 33.24 reverse	mcai330242						Parchment		Unknown						2	Lewis E M 33:24			cd 5091 2111 7096				Verso of Historiated initial
Lewis E M 33:25	Lewis E M 33.25 front	mcai330251						Parchment		Unknown						1	Lewis E M 33:25			cd 5091 2111 6451				Historiated Initial
Lewis E M 33:25	Lewis E M 33.25 reverse	mcai330252						Parchment		Unknown						2	Lewis E M 33:25			cd 5091 2111 6451				Verso of Historiated Initial
Lewis E M 33:26	Lewis E M 33.26 front	mcai330261						Parchment		Unknown						1	Lewis E M 33:26			cd 5091 2111 6451				Historiated Initial
Lewis E M 33:26	Lewis E M 33.26 reverse	mcai330262						Parchment		Unknown						2	Lewis E M 33:26			cd 5091 2111 6451				Verso of Historiated Initial
Lewis E M 33:27	Lewis E M 33.27 front	mcai330271						Parchment		Unknown						1	Lewis E M 33:27			cd 5091 2111 6451				Historiated Initial
Lewis E M 33:27	Lewis E M 33.27 reverse	mcai330272					Verso to Historiated Initial	Parchment		Unknown						2	Lewis E M 33:27			cd 5091 2111 6451				Music Fragment
Lewis E M 42:1	Lewis E M 42.1 front	mcai420011		1375	1399	223 x 319 mm	Initial D with the Trinity | This cutting can be dated to ca. 1380. | This initial begins Psalm 109, 'Dixit dominus domino meo sede a dextris meis' (The Lord said to my Lord, sit at my right hand). This psalm was read at Vespers on Sunday. This verse was understood to refer to the Trinity, which explains the iconography.	Parchment	Latin	Hamburg?, Germany	Gothic bookhand				front	1	Lewis E M 42:01		front	cd 5091 2111 6471	48-bit color	600 ppi	1	Choir psalter
Lewis E M 42:1	Lewis E M 42.1 reverse	mcai420012		1375	1399	223 x 319 mm	This cutting can be dated to ca. 1380. | This image shows the reverse of a leaf from a choir psalter. This side of the leaf, the true verso, contains the antiphons following Psalm 109, which begins on the front.	Parchment	Latin	Hamburg?, Germany	Gothic bookhand				reverse	2	Lewis E M 42:01		reverse	cd 5091 2111 6471	48-bit color	600 ppi	2	Choir psalter
Lewis E M 42:2	Lewis E M 42.2	mcai420021		1490	1510	188 x 440 mm	As the iconography of this initial suggests, this initial likely begins Introit for the first Sunday in Advent, 'Ad te levavi animam mean ...' (I left up my soul to you), from Psalm 24:1. The cutting has been pasted to its current mat, however, making it impossible to identify the liturgy precisely. This cutting is from the same manuscript as Lewis E M 1:29. | Initial A with David in Prayer	Parchment	Latin	Austria	Gothic bookhand				front	1	Lewis E M 42:02		front	cd 5091 2111 6472	48-bit color	400 ppi	1	Choir book
Lewis E M 42:3	Lewis E M 42.3 front	mcai420031		1485	1499	205 x 264 mm	Crucifixion | The original context of this cutting cannot be determined since no text remains on it to identify from where it came. Similar Crucifixion scenes can be found in missals where they preface the Canon of the Mass, as in Lewis E 161. The image may also have functioned as an independent devotional image to be tacked to a wall, like a panel painting. This practice was fairly common in the late Middle Ages when manuscript illuminators found themselves competing with panel painters in the realm of devotional art.	Parchment	Latin	Austria					front	1	Lewis E M 42:03		front	cd 5091 2111 6472	48-bit color	600 ppi	1	Missal
Lewis E M 42:3	Lewis E M 42.3 reverse	mcai420032		1485	1499	205 x 264 mm	This image shows the reverse of a cutting with a miniature.	Parchment	Latin	Austria					reverse	2	Lewis E M 42:03		reverse	cd 5091 2111 6472	48-bit color	600 ppi	2	Missal
Lewis E M 42:4-9	Lewis E M 42.4 front	mcai420041		1525	1550	262 x 417 mm	Initial D with John the Baptist in Prayer | This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This initial begins the Introit for the feast of St. John the Baptist (June 24), 'De ventre matris meae meae vocavit me dominus nomine meo ...' (When I was still lying in my mother's womb the Lord sent his summons to me by name). Lewis E M 1:19-22 and E M 42:4-9 are from the same manuscript.	Parchment	Latin	Poland	Gothic bookhand				front 42:4	1	Lewis E M 42:04-09		front 42:4	cd 5091 2111 6473	48-bit color	400 ppi	1	Gradual
Lewis E M 42:4-9	Lewis E M 42.4 reverse	mcai420042		1525	1550	262 x 417 mm	This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This image shows the reverse of a leaf from a gradual with an historiated initial. This side of the leaf, the true recto, contains the beginning of the Gradual for the Vigil of the feast of St. John the Baptist.	Parchment	Latin	Poland	Gothic bookhand				reverse 42:4	2	Lewis E M 42:04-09		reverse 42:4	cd 5091 2111 6473	48-bit color	400 ppi	2	Gradual
Lewis E M 42:4-9	Lewis E M 42.5 front	mcai420051		1525	1550	262 x 425 mm	Initial C with Chalice and Host | This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This initial begins the Introit for the Monday after Pentecost, 'Cibauit eos ex adipe frumenti ...' (Full ears of wheat are the nourishment he gives them). Lewis E M 1:19-22 and E M 42:4-9 are from the same manuscript.	Parchment	Latin	Poland	Gothic bookhand				front 42:5	3	Lewis E M 42:04-09		front 42:5	cd 5091 2111 6473	48-bit color	400 ppi	3	Gradual
Lewis E M 42:4-9	Lewis E M 42.5 reverse	mcai420052		1525	1550	262 x 425 mm	This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This image shows the reverse of a leaf from a gradual with an historiated initial. This side of the leaf, the true verso, continues the liturgy for the Monday after Pentecost, which begins on the front.	Parchment	Latin	Poland	Gothic bookhand				reverse 42:5	4	Lewis E M 42:04-09		reverse 42:5	cd 5091 2111 6474	48-bit color	400 ppi	4	Gradual
Lewis E M 42:4-9	Lewis E M 42.6 front	mcai420061		1525	1550	234 x 416 mm	Initial I with Saints John and Mark writing the Gospels | This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This initial begins the Introit for the feast of St. John the Evangelist (Dec. 27), 'In medio ecclesiae aperuit os ei[us] ...' (In the middle of the temple, he opened his mouth). Lewis E M 1:19-22 and E M 42:4-9 are from the same manuscript.	Parchment	Latin	Poland	Gothic bookhand				front 42:6	5	Lewis E M 42:04-09		front 42:6	cd 5091 2111 6474	48-bit color	400 ppi	5	Gradual
Lewis E M 42:4-9	Lewis E M 42.6 reverse	mcai420062		1525	1550	234 x 416 mm	This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This image shows the reverse of a leaf from a gradual with an historiated initial. This side of the leaf, the true verso, continues the liturgy for the feast of St. John the Evangelist, which begins on the front.	Parchment	Latin	Poland	Gothic bookhand				reverse 42:6	6	Lewis E M 42:04-09		reverse 42:6	cd 5091 2111 6474	48-bit color	400 ppi	6	Gradual
Lewis E M 42:4-9	Lewis E M 42.7 front	mcai420071		1525	1550	236 x 342 mm	Initial S with Pentecost | This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This initial begins the Introit for Pentecost Sunday, 'Spiritus domini repleuit orbem terrarum ...' (The Spirit of the Lord fills the whole world). Lewis E M 1:19-22 and E M 42:4-9 are from the same manuscript.	Parchment	Latin	Poland	Gothic bookhand				front 42:7	7	Lewis E M 42:04-09		front 42:7	cd 5091 2111 6475	48-bit color	600 ppi	7	Gradual
Lewis E M 42:4-9	Lewis E M 42.7 reverse	mcai420072		1525	1550	236 x 342 mm	This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This image shows the reverse of a leaf from a gradual with an historiated initial. This side of the leaf, the true verso, continues the liturgy for Pentecost Sunday, which begins on the front.	Parchment	Latin	Poland	Gothic bookhand				reverse 42:7	8	Lewis E M 42:04-09		reverse 42:7	cd 5091 2111 6475	48-bit color	600 ppi	8	Gradual
Lewis E M 42:4-9	Lewis E M 42.8 front	mcai420081		1525	1550	246 x 378 mm	Initial I with St. Bernard and Saint Augustine | This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This initial begins the Introit for the feast of St. Bernard of Clairvaux (Aug. 20), 'In medio ecclesiae aperuit os ei[us] ...' (In the middle of the temple, he opened his mouth). Lewis E M 1:19-22 and E M 42:4-9 are from the same manuscript.	Parchment	Latin	Poland	Gothic bookhand				front 42:8	9	Lewis E M 42:04-09		front 42:8	cd 5091 2111 6476	48-bit color	400 ppi	9	Gradual
Lewis E M 42:4-9	Lewis E M 42.8 reverse	mcai420082		1525	1550	246 x 378 mm	This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This image shows the reverse of a leaf from a gradual with an historiated initial. This side of the leaf, the true verso, continues the liturgy for the feast of St. Bernard of Clairvaux, which begins on the front.	Parchment	Latin	Poland	Gothic bookhand				reverse 42:8	10	Lewis E M 42:04-09		reverse 42:8	cd 5091 2111 6476	48-bit color	400 ppi	10	Gradual
Lewis E M 42:4-9	Lewis E M 42.9 front	mcai420091		1525	1550	234 x 339 mm	Initial V with the Ascension | This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This initial begins the Introit for the feast of the Ascension, 'Viri Galylaei quid admiramini aspicientes in coelum ...' (Men of Galilee, what are you wondering at, looking toward heaven). Lewis E M 1:19-22 and E M 42:4-9 are from the same manuscript.	Parchment	Latin	Poland	Gothic bookhand				front 42:9	11	Lewis E M 42:04-09		front 42:9	cd 5091 2111 6476	48-bit color	600 ppi	11	Gradual
Lewis E M 42:4-9	Lewis E M 42.9 reverse	mcai420092		1525	1550	234 x 339 mm	This cutting can be dated to ca. 1530. The paper was made in Nackel near Posen and can be identified by the watermark of a crowned escutcheon containing a doubled cross. | This image shows the reverse of a cutting from a gradual with an historiated initial. This side of the leaf, the true verso, continues the liturgy for the feast of the Ascension, which begins on the front.	Parchment	Latin	Poland	Gothic bookhand				reverse 42:9	12	Lewis E M 42:04-09		reverse 42:9	cd 5091 2111 6478	48-bit color	600 ppi	12	Gradual
Lewis E M 42:10	Lewis E M 42.10 front	mcai420101		1590	1610	197 x 284 mm	Crucifixion with border images portraying the sacrifice of Isaac, St. Christopher, Charlemagne, and John the Evangelist | This image of the Crucifixion contains no text on either its front or reverse, making it impossible to determine the type of manuscript for which it was made. Its large size suggests that it may have been meant as a frontispiece of a choir book.	Parchment		Italy					front	1	Lewis E M 42:10		front	cd 5091 2111 6478	48-bit color	600 ppi	1	Choir book
Lewis E M 42:10	Lewis E M 42.10 reverse	mcai420102		1590	1610	197 x 284 mm	This image shows the reverse of a cutting with a miniature.	Parchment		Italy					reverse	2	Lewis E M 42:10		reverse	cd 5091 2111 6479	48-bit color	600 ppi	2	Choir book
Lewis E M 42:10A	Lewis E M 42.10A front	mcai420103		1450	1475	134 x 119 mm	Initial S with Virgin of the Apocalypse | The iconography of the Virgin and Child on a crescent moon was inspired by the text of Revelation 12:1, which describes 'a woman clothed with the sun and the moon under her feet.' The liturgy that this initial begins remains to be determined. | This cutting can be dated to ca. 1480.	Parchment	Latin	Germany or Austria					front	1	Lewis E M 42:10A		front	cd 5091 2111 6479	48-bit color	600 ppi	1	Choir book
Lewis E M 42:10A	Lewis E M 42.10A reverse	mcai420104		1450	1475	134 x 119 mm	The reverse of this cutting contains a fragment of text that may be from the first response of the first nocturn of Matins for the feast of the Chair of Saint Peter (Feb. 22). | This cutting can be dated to ca. 1480.	Parchment	Latin	Germany or Austria	Gothic bookhand				reverse	2	Lewis E M 42:10A		reverse	cd 5091 2111 6479	48-bit color	600 ppi	2	Choir book
Lewis E M 42:11	Lewis E M 42.11	mcai420111		1340	1360	218 x 281 mm	Although the text accompanying this historiated initial has been cut away, the iconography suggests that it may begin the first response of the first nocturn of Matins for the feast of the Epiphay (Jan. 6), 'Hodie in Iordane baptizato domino aperti sunt caeli et sicut columba super eum spiritus mansit' (Today, when the Lord was baptized in the Jordan, the heavens were opened and the Spirit hovered over him like a dove). | Initial H with the Baptism of Christ | This cutting can be dated to ca. 1350 .	Parchment	Latin	Middle Rhine, Germany					front	1	Lewis E M 42:11		front	cd 5091 2111 6479	48-bit color	600 ppi	1	Antiphonary
Lewis E M 42:11A	Lewis E M 42.11A front	mcai420113		1300	1399	158 x 371 mm	Initial S | This pen-flourished initial is typical minor decoration in liturgical manuscripts from Germany produced in the fourteenth century.	Parchment	Latin	Germany?					front	1	Lewis E M 42:11A		front	cd 5091 2111 6480	48-bit color	400 ppi	1	Choir book
Lewis E M 42:11A	Lewis E M 42.11A reverse	mcai420114		1300	1399	158 x 371 mm	This image shows the reverse of a cutting with a pen-flourished initial. The rubric mentions Sts. Catherine and St. Andrew the Apostle.	Parchment	Latin	Germany?	Gothic bookhand				reverse	2	Lewis E M 42:11A		reverse	cd 5091 2111 6480	48-bit color	400 ppi	2	Choir book
Lewis E M 42:12-13	Lewis E M 42.12 front	mcai420121		1300	1325	245 x 353 mm	Initial I with St. Augustine trampling a king who represents pride | These cuttings can be dated to ca. 1300-1310. | This initial begins the first response of the first nocturn of Matins for the feast of St. Augustine of Hippo (Aug. 28), 'Invenit se Augustinus longe esse a Deo ...' (Augustine saw himself far from God). Lewis E M 42:13-12 are from the same manuscipt.	Parchment	Latin	Regensburg, Germany	Gothic				front 42:12	1	Lewis E M 42:12-13		front 42:12	cd 5091 2111 6480	48-bit color	600 ppi	1	Antiphonary
Lewis E M 42:12-13	Lewis E M 42.12 reverse	mcai420122		1300	1325	245 x 353 mm	These cuttings can be dated to ca. 1300-1310. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, contains the antiphons preceding the first response of the first nocturn of Matins for the feast of St. Augustine of Hippo.	Parchment	Latin	Regensburg, Germany	Gothic bookhand				reverse 42:12	2	Lewis E M 42:12-13		reverse 42:12	cd 5091 2111 6481	48-bit color	600 ppi	2	Antiphonary
Lewis E M 42:12-13	Lewis E M 42.13 front	mcai420131		1300	1325	246 x 359 mm	Begins the first antiphon of first Vespers for the feast of St. Augustine (Aug. 28), 'Letare, mater nostra ierusalem ...' (Rejoice, our Mother Jerusalem). Lewis E M 42:13-12 are from the same manuscipt. | Initial L with St. Augustine blessing three acolytes | These cuttings can be dated to ca. 1300-1310.	Parchment	Latin	Regensburg, Germany	Gothic bookhand				front 42:13	3	Lewis E M 42:12-13		front 42:13	cd 5091 2111 6481	48-bit color	600 ppi	3	Antiphonary
Lewis E M 42:12-13	Lewis E M 42.13 reverse	mcai420132		1300	1325	246 x 359 mm	These cuttings can be dated to ca. 1300-1310. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for Vespers for the feast of St. Augustine, which begins on the front.	Parchment	Latin	Regensburg, Germany	Gothic bookhand				reverse 42:13	4	Lewis E M 42:12-13		reverse 42:13	cd 5091 2111 6482	48-bit color	600 ppi	4	Antiphonary
Lewis E M 42:14	Lewis E M 42.14 front	mcai420141		1400	1499	185 x 436 mm	Initial P with St. John the Baptist pointing to the Lamb of God | This cutting can be dated to ca. 1430. | This initial begins the Homily of St. Augustine for the feast of St. John the Baptist (Dec. 27), 'Post illum sacrosanctum natalis domine diem ...' (Apart from the most holy solemnity on the day of birth of the Lord), which was read during the second nocturn of Matins for his feast.	Parchment	Latin	Austria	Gothic bookhand	Augustine of Hippo	Author		front	1	Lewis E M 42:14		front	cd 5091 2111 6482	48-bit color	400 ppi	1	Sermon Lectionary
Lewis E M 42:14	Lewis E M 42.14 reverse	mcai420142		1400	1499	185 x 436 mm	This cutting can be dated to ca. 1430. | This cutting shows the reverse of a cutting with an historiated initial from a sermon lectionary.	Parchment	Latin	Austria	Gothic bookhand	Augustine of Hippo	Author		reverse	2	Lewis E M 42:14		reverse	cd 5091 2111 6482	48-bit color	400 ppi	2	Sermon Lectionary
Lewis E M 42:15	Lewis E M 42.15 front	mcai420151		1300	1325	216 x 323 mm	Initial P with the Ascension | This cutting can be dated to ca. 1325. | This initial begins the first response of the first nocturn of Matins for Ascension week, 'Post passionem suam per dies quadraginta apparens eis ...' (After his Passion, during forty days he appeared to them). In this scene of the Ascension, only Christ's feet are visible as his body 'disappears' into heaven. One often finds the marginal spaces of medieval manuscripts filled with fanciful creatures or humorous scenes that often mocked or parodied everyday life. Here, a man holds a leash attached to three dogs dressed in elegant costume dancing to the music of a pipe and tabor. Lewis E M 42:15 and 16b are from the same manuscript.	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 42:15		front	cd 5091 2111 6410	48-bit color	600 ppi	1	Antiphonary
Lewis E M 42:15	Lewis E M 42.15 reverse	mcai420152		1300	1325	216 x 323 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, contains the antiphons and psalm incipits of the third nocturn of Matins for Ascension week.	Parchment	Latin	Flanders	Gothic				reverse	2	Lewis E M 42:15		reverse	cd 5091 2111 6410	48-bit color	600 ppi	2	Antiphonary
Lewis E M 42:16-16A	Lewis E M 42.16 front	mcai420161		1240	1260	216 x 325 mm	Initial T with a Priest | This initial begins the Introit for the Dedication of a Church, 'Terribilis est locus iste ...' (This is a fearsome place). Although slightly later, the style of illumination recalls that of William de Brailes, one of only two known artists working in England in the thirteenth century. De Brailes was responsible for the illumination on another manuscript in the Free Library's collection (Lewis E 29).	Parchment	Latin	England	Gothic bookhand	William of Brailes, follower of	Artist		42:16 front	1	Lewis E M 42:16-16A		42:16 front	cd 5091 2111 6413	48-bit color	600 ppi	1	Gradual
Lewis E M 42:16-16A	Lewis E M 42.16 reverse	mcai420162		1240	1260	216 x 325 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains two Communions found in the Common of Virgins.	Parchment	Latin	England	Gothic bookhand				42:16 reverse	2	Lewis E M 42:16-16A		42:16 reverse	cd 5091 2111 6413	48-bit color	600 ppi	2	Gradual
Lewis E M 42:16-16A	Lewis E M 42.16a front	mcai420163		1240	1260	221 x 326 mm	Initial N with a double headed eagle | This initial begins the Introit for the Commemoration of St. Peter, 'Nunc scio vere ...' (Now I know for certain). Although slightly later, the style of illumination recalls that of William de Brailes, one of only two known artist working in England in the thirteenth century. De Brailes was responsible for the illumination on another manuscript in the Free Library's collection (Lewis E 29).	Parchment	Latin	England	Gothic bookhand	William of Brailes, follower of	Artist		42:16a front	3	Lewis E M 42:16-16A		42:16a front	cd 5091 2111 6414	48-bit color	600 ppi	3	Gradual
Lewis E M 42:16-16A	Lewis E M 42.16a reverse	mcai420164		1240	1260	221 x 326 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, contains the Introit for the Commemoration of St. Paul.	Parchment	Latin	England	Gothic bookhand				42:16a reverse	4	Lewis E M 42:16-16A		42:16a reverse	cd 5091 2111 6414	48-bit color	600 PPI	4	Gradual
Lewis E M 42:16B	Lewis E M 42.16B front	mcai420165		1300	1325	214 x 326 mm	Initial P with the Presentation in the Temple and the Flight into Egypt in the border | This cutting can be dated to ca. 1325. | This initial begins the first response of the second nocturn of Matins for the feast of the Purification of the Virgin (Feb. 2), 'Postquam impleti sunt dies purgationis Marie ...' (When the days of Mary's purification were fulfilled). Lewis E M 42:15 and 16 are from the same manuscript.	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 42:16B		front	cd 5091 2111 6415	48-bit color	600 ppi	1	Antiphonary
Lewis E M 42:16B	Lewis E M 42.16B reverse	mcai420166		1300	1325	214 x 326 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the beginning of the invitatory for Matins for the feast of the Purification.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 42:16B		reverse	cd 5091 2111 6415	48-bit color	600 ppi	2	Antiphonary
Lewis E M 42:17	Lewis E M 42.17 front	mcai420171		1300	1325	249 x 346 mm	Initial N with the Nativity of the Virgin | This cutting can be dated to ca. 1325. | This initial begins the first response of the first nocturn of Matins for the feast of the Nativity of the Virgin (Sept. 8), 'Nativitas tua dei genitrix virgo gaudium annunciauit universo mundo ...' (Your birth, O Virgin Mother of God, heralded joy to all the world).	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 42:17		front	cd 5091 2111 6416	48-bit color	600 ppi	1	Antiphonary
Lewis E M 42:17	Lewis E M 42.17 reverse	mcai420172		1300	1325	249 x 346 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the Magnificat antiphon and the invitatory of the feast of the Nativity of the Virgin.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 42:17		reverse	cd 5091 2111 6416	48-bit color	600 ppi	2	Antiphonary
Lewis E M 42:18-19	Lewis E M 42.18 front	mcai420181		1300	1399	230 x 326 mm	A pontifical liturgical book includes the instructions and texts for ceremonies performed by a bishop. This initial, for example, begins the rubric for the Consecration of the Paten and Chalice, the liturgical names for the cup and the plate used to hold the consecrated bread and wine of the Eucharist. Lewis E M 42:18-19 are from the same manuscript. | Initial P with a Bishop consecrating the chalice and the host	Parchment	Latin	France	Gothic bookhand				front 42:18	1	Lewis E M 42:18-19		front 42:18	cd 5091 2111 6418	48-bit color	600 ppi	1	Pontifical
Lewis E M 42:18-19	Lewis E M 42.18 reverse	mcai420182		1300	1399	230 x 326 mm	This image shows the reverse of a leaf with an historiated initial from a pontifical. This side of the leaf, the true verso, continues the instructions for the consecration of the chalice and the host.	Parchment	Latin	France	Gothic bookhand				reverse 42:18	2	Lewis E M 42:18-19		reverse 42:18	cd 5091 2111 6418	48-bit color	600 ppi	2	Pontifical
Lewis E M 42:18-19	Lewis E M 42.19 front	mcai420191		1300	1399	230 x 322 mm	A pontifical liturgical book includes the instructions and texts for ceremonies performed by a bishop. This initial, for example, begins the instructions for the celebration of Mass at ecclesiastical synods and councils. Lewis E M 42:18-19 are from the same manuscript. | Initial S with a Bishop addressing clerics and monks	Parchment	Latin	France	Gothic bookhand				front 42:19	3	Lewis E M 42:18-19		front 42:19	cd 5091 2111 6419	48-bit color	600 ppi	3	Pontifical
Lewis E M 42:18-19	Lewis E M 42.19 reverse	mcai420192		1300	1399	230 x 322 mm	This image shows the reverse of a leaf with an historiated initial from a pontifical. This side of the leaf, the true recto, instructions for prayers recited at various times of the year for an unknown ceremony.	Parchment	Latin	France	Gothic bookhand				reverse 42:19	4	Lewis E M 42:18-19		reverse 42:19	cd 5091 2111 6419	48-bit color	600 ppi	4	Pontifical
Lewis E M 42:19A	Lewis E M 42.19A front	mcai420193		1500	1515	73 x 103 mm	Crucifixion | This leaf may have once decorated the Hours of the Cross in a Book of Hours. The Crucifixion was a typical scene with which to illustrate that Office. The border decoration, with illusionistic flowers and insects on a gold ground, is typical of Flemish illumination at this time.	Parchment	Latin	Flanders					front	1	Lewis E M 42:19A		front	cd 5091 2111 6419	48-bit color	600 ppi	1	Book of Hours
Lewis E M 42:19A	Lewis E M 42.19A reverse	mcai420194		1500	1515	73 x 103 mm	This image shows the reverse of a leaf, probably from a Book of Hours, that contains a miniature.	Parchment	Latin	Flanders					reverse	2	Lewis E M 42:19A		reverse	cd 5091 2111 6419	48-bit color	600 ppi	2	Book of Hours
Lewis E M 42:20	Lewis E M 42.20 front	mcai420201		1400	1499	114 x 132 mm	Initial R with the Resurrection | This initial begins the Introit for Easter Sunday, 'Resurrexi et adhuc tecum sum ...' (I have risen and am still with thee).	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 42:20		front	cd 5091 2111 6420	48-bit color	600 ppi	1	Missal
Lewis E M 42:20	Lewis E M 42.20 reverse	mcai420202		1400	1499	114 x 132 mm	This image shows the reverse of two cuttings, one with an historiated initial, from a gradual.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 42:20		reverse	cd 5091 2111 6420	48-bit color	600 ppi	2	Missal
Lewis E M 42:20A	Lewis E M 42.20A front	mcai420203		1475	1499	171 x 236 mm	Crucifixion | The original context of this cutting cannot be determined since no text remains on it to identify where it came from. Similar Crucifixion scenes can be found in missals where they preface the Canon of the Mass, as in Lewis E 161. The image may also have functioned as an independent devotional image to be tacked to a wall, like a panel painting. This practice was fairly common in the late Middle Ages when manuscript illuminators found themselves competing with panel painters in the realm of devotional art. | This cutting can be dated to ca. 1480.	Parchment	Latin	Flanders					front	1	Lewis E M 42:20A		front	cd 5091 2111 6420	48-bit color	600 ppi	1	Missal
Lewis E M 42:20A	Lewis E M 42.20A reverse	mcai420204		1475	1499	171 x 236 mm	This cutting can be dated to ca. 1480. | This image shows the reverse of a cutting with a miniature.	Parchment	Latin	Flanders					reverse	2	Lewis E M 42:20A		reverse	cd 5091 2111 6420	48-bit color	600 ppi	2	Missal
Lewis E M 42:21	Lewis E M 42.21 front	mcai420211		1400	1499	109 x 164 mm	Pentecost | This cutting can be dated to ca. 1470. | This leaf may have once decorated the Hours of the Holy Spirit in a Book of Hours. Pentecost was a typical scene with which to illustrate that Office.	Parchment	Latin	Flanders					front	1	Lewis E M 42:21		front	cd 5091 2111 6420	48-bit color	600 ppi	1	Book of Hours
Lewis E M 42:21	Lewis E M 42.21 reverse	mcai420212		1400	1499	109 x 164 mm	This cutting can be dated to ca. 1470. | This image shows the reverse of a cutting from with a miniature probably from a Book of Hours.	Parchment	Latin	Flanders					reverse	2	Lewis E M 42:21		reverse	cd 5091 2111 6420	48-bit color	600 ppi	2	Book of Hours
Lewis E M 42:22	Lewis E M 42.22 front	mcai420221		1475	1499	247 x 343 mm	Perceforest enthroned and surrounded by courtiers | This cutting can be dated to ca. 1475. | This page begins the second volume of the multivolume Le Roman de Perceforest, a prose romance originally written by an anonymous author in six books between 1330 and 1344. The titular hero of the narrative, Perceforest, was left in charge as ruler of Britain by Alexander the Great, where he introduced Christianity and created the chivalric order of Franc Palais, a company of exemplary knights.	Parchment	French	Burgundy, France	Bastarda				front	1	Lewis E M 42:22		front	cd 5091 2111 6422	48-bit color	600 ppi	1	Le Roman de Perceforest (The Romance of Perceforest)
Lewis E M 42:22	Lewis E M 42.22 reverse	mcai420222		1475	1499	247 x 343 mm	This cutting can be dated to ca. 1475. | This image shows the reverse of a cutting with a miniature from a literary manuscript.	Parchment	French	Burgundy, France	Bastarda				reverse	2	Lewis E M 42:22		reverse	cd 5091 2111 6422	48-bit color	600 ppi	2	Le Roman de Perceforest (The Romance of Perceforest)
Lewis E M 42:23	Lewis E M 42.23 front	mcai420231		1475	1499	168 x 301 mm	St. Gregory enthroned | This cutting can be dated to ca. 1480. | This image depicts Pope Gregory I (ca. 540-604). Although the miniature and border decoration were cut away from the text that they were made to decorate, a fragment of a rubric on the reverse of this cutting explains that the chapter following will describe the first order of angels, known as Seraphim. Thus the manuscript from which this cutting came may have contained Gregory's Homily 34, which described the nine orders of the hierarchy of angels.	Parchment	Latin	Flanders	Bastarda				front 42:23a	1	Lewis E M 42:23		front 42:23a	cd 5091 2111 6423	48-bit color	600 ppi	1	Works of St. Gregory
Lewis E M 42:23	Lewis E M 42.23 front detail	mcai420233		1475	1499	104 x 109 mm	St. Gregory enthroned | This cutting can be dated to ca. 1480. | This image depicts Pope Gregory I (ca. 540-604). Although the miniature has been cut away from the text that it was made to decorate, a fragment of a rubric on the reverse of this cutting explains that the chapter following will describe the first order of angels, known as Seraphim. Thus the manuscript from which this cutting came may have contained Gregory's Homily 34, which described the nine orders of the hierarchy of angels.	Parchment	Latin	Flanders	Bastarda				front 42:23a Detail	2	Lewis E M 42:23		front 42:23a Detail	cd 5091 2111 6423	48-bit color	600 ppi	2	Works of St. Gregory
Lewis E M 42:23	Lewis E M 42.23 reverse	mcai420234		1475	1499	104 x 109 mm	This cutting can be dated to ca. 1480. | This image shows the reverse of a cutting with a miniature. A portion of the miniature that decorated this side of the leaf is still visible and depicts angels surrounded by a cloud. The remaining text relates that this portion of the manuscript dealt with the first order of angels, known as Seraphim.	Parchment	Latin	Flanders	Bastarda				reverse 42:23a	3	Lewis E M 42:23		reverse 42:23a	cd 5091 2111 6423	48-bit color	600 ppi	3	Works of St. Gregory
Lewis E M 42:24-25	Lewis E M 42.24 front	mcai420241		1490	1510	123 x 150 mm	Raising of Lazarus | This image from a Gospel lectionary depicts the moment when Lazarus rose from his tomb while his sisters, the Virgin Mary (who supports him), and a crowd of onlookers watch. The scroll held by Christ reads, 'Lazare veni foras ...' (Lazarus come forth), which according to John 11:43 were the words Christ spoke at Lazarus's tomb in order to raise him.	Parchment	Latin	Tournai?, Flanders					front 42:24	1	Lewis E M 42:24-25		front 42:24	cd 5091 2111 6423	48-bit color	600 ppi	1	Gospel Lectionary
Lewis E M 42:24-25	Lewis E M 42.24 reverse	mcai420242		1490	1510	123 x 150 mm	This image shows the reverse of a cutting with a miniature from a lectionary.	Parchment	Latin	Tournai?, Flanders	Gothic bookhand				reverse 42:24	2	Lewis E M 42:24-25		reverse 42:24	cd 5091 2111 6423	48-bit color	600 ppi	2	Gospel Lectionary
Lewis E M 42:24-25	Lewis E M 42.25 front	mcai420251		1490	1510	120 x 153 mm	The Three Maries at the Tomb | This image from a Gospel lectionary depicts the three Maries who traveled to Christ's tomb in order to anoint his body but, upon their arrival, found the tomb empty. An angel, who sits on the lid of the sepulcher, informs them of the Resurrection. The snail in the lower right-hand corner of the miniature signifies Christ's Resurrection and relates to the empty tomb above because a snail only inhabits its shell temporally, just as Christ was only in his tomb for a short time.	Parchment	Latin	Tournai?, Flanders					front 42:25	3	Lewis E M 42:24-25		front 42:25	cd 5091 2111 6423	48-bit color	600 ppi	3	Gospel Lectionary
Lewis E M 42:24-25	Lewis E M 42.25 reverse	mcai420252		1490	1510	120 x 153 mm	This image shows the reverse of a cutting with a miniature from a lectionary.	Parchment	Latin	Tournai?, Flanders	Gothic bookhand				reverse 42:25	4	Lewis E M 42:24-25		reverse 42:25	cd 5091 2111 6423	48-bit color	600 ppi	4	Gospel Lectionary
Lewis E M 42:26	Lewis E M 42.26 front	mcai420261						Parchment		Unknown						1	Lewis E M 42:26			cd 5091 2111 6424				Illuminated Fragment
Lewis E M 42:26	Lewis E M 42.26 reverse	mcai420262						Parchment		Unknown						2	Lewis E M 42:26			cd 5091 2111 6424				Verso of Illuminated Fragment
Lewis E M 42:27A-B	Lewis E M 42.27A front	mcai420273		1500	1515	124 x 98 mm	Adoration of the Magi | Although the precise moment in the liturgy that this miniature begins remains to be identified, it was certainly for a chant for the feast of the Epiphany. The iconography of the black magus was fairly common from the fifteenth century. The motif probably originated in Germany around the middle of the fourteenth century and eventually appeared with some frequency in Flanders by the fifteenth century. The three kings came to represent the three parts of the known world: Europe, Asia, and Africa. The black magus alluded to a long-held belief that he came from Ethiopia.	Parchment	Latin	Flanders					42:27A front	1	Lewis E M 42:27A-B		42:27A front	cd 5091 2111 6425	48-bit color	600 ppi	1	Choir book
Lewis E M 42:27A-B	Lewis E M 42.27A reverse	mcai420274		1500	1515	124 x 98 mm	This image shows the reverse of a cutting with a miniature from a choir book.	Parchment	Latin	Flanders	Gothic bookhand				42:27A reverse	2	Lewis E M 42:27A-B		42:27A reverse	cd 5091 2111 6425	48-bit color	600 ppi	2	Choir book
Lewis E M 42:27A-B	Lewis E M 42.27B front	mcai420275		1500	1515	124 x 100 mm	Monastic, fraternal, and lay worshipers receiving a divine blessing | The precise moment in the liturgy that this miniature begins remains to be identified.	Parchment	Latin	Flanders					42:27B front	3	Lewis E M 42:27A-B		42:27B front	cd 5091 2111 6425	48-bit color	600 ppi	3	Choir book
Lewis E M 42:27A-B	Lewis E M 42.27B reverse	mcai420276		1500	1515	124 x 100 mm	The precise moment in the liturgy that this miniature begins remains to be identified.	Parchment	Latin	Flanders	Gothic bookhand				42:27B reverse	4	Lewis E M 42:27A-B		42:27B reverse	cd 5091 2111 6425	48-bit color	600 ppi	4	Choir book
Lewis E M 42:28a-d	Lewis E M 42.28a-d	mcai420280		1485	1499	63 x 80 mm	This image shows the reverse of a cutting with a portion of border ornament from a choir book.	Parchment	Latin	Germany (southern?)	Gothic bookhand				42:28d reverse	8	Lewis E M 42:28		42:28d reverse	cd 5091 2111 6425	48-bit color	600 ppi	2	Choir book
Lewis E M 42:28A	Lewis E M 42.28A front	mcai420281		1400	1499	253 x 350 mm	Initial D | This initial begins the first versicle of Sext on Sundays, 'Deus in adiutorium meum intende' (O God, incline unto my aid), and is followed by the hymn and psalm readings for that hour.	Parchment	Latin	Netherlands	Gothic bookhand				front	1	Lewis E M 42:28A		front	cd 5091 2111 6425	48-bit color	600 ppi	1	Breviary
Lewis E M 42:28A	Lewis E M 42.28A reverse	mcai420282		1400	1499	253 x 350 mm	This image shows the reverse of a leaf with a decorated initial. This side of the leaf, the true verso, continues the psalms read at Sext on Sundays.	Parchment	Latin	Netherlands	Gothic bookhand				reverse	2	Lewis E M 42:28A		reverse	cd 5091 2111 6427	48-bit color	600 ppi	2	Breviary
Lewis E M 42:28a-d	Lewis E M 42.28a front	mcai420283		1300	1325	221 x 67 mm	Marginal figures | This cutting contains the type of fanciful marginal illustration found in many medieval manuscripts dating from the early fourteenth century. Here, a hybrid man with dragonfly wings pushes another hybrid figure toward his executioner, whose tail forms part of the border ornament.	Parchment	Latin	Germany?					front 42:28a	1	Lewis E M 42:28		front 42:28a	cd 5091 2111 6427	48-bit color	600 ppi	1	Undetermined
Lewis E M 42:28a-d	Lewis E M 42.28a reverse	mcai420284		1300	1325	221 x 67 mm	This image shows the reverse of a cutiting with a portion of an ornamental border.	Parchment	Latin	Germany?					reverse 42:28a	2	Lewis E M 42:28		reverse 42:28a	cd 5091 2111 6427	48-bit color	600 ppi	2	Undetermined
Lewis E M 42:28a-d	Lewis E M 42.28b front	mcai420285		1400	1499	131 x 95 mm	Initial D with St. Andrew the Apostle | This initial begins the Introit for the vigil of the feast of St. Andrew the Apostle (Nov. 30), 'Dominus secus mare galilee vidit duos fratres Petrum et Andream ...' (The Lord, passing by the sea of Galilee, saw the two brothers Peter and Andrew). The saltire, or X-shaped, cross is a reference to St. Andrew's martyrdom.	Parchment	Latin	Netherlands	Gothic bookhand				42:28b front	3	Lewis E M 42:28		42:28b front	cd 5091 2111 6427	48-bit color	600 ppi	1	Missal
Lewis E M 42:28a-d	Lewis E M 42.28b reverse	mcai420286		1400	1499	131 x 95 mm	This image shows the reverse of a cutting with an historiated initial from a missal.	Parchment	Latin	Netherlands	Gothic bookhand				42:28b reverse	4	Lewis E M 42:28		42:28b reverse	cd 5091 2111 6427	48-bit color	600 ppi	2	Missal
Lewis E M 42:28a-d	Lewis E M 42.28c front	mcai420287		1290	1310	65 x 103 mm	Initial D | This cutting can be dated to ca. 1300. | This cutting contains the type of fanciful marginal illustration found in many medieval manuscripts dating from the early fourteenth century. Here, a bird pecks at the ornamental extension from the initial.	Parchment	Latin	France	Gothic bookhand				42:28c front	5	Lewis E M 42:28		42:28c front	cd 5091 2111 6428	48-bit color	600 ppi	1	Service book
Lewis E M 42:28a-d	Lewis E M 42.28c reverse	mcai420288		1290	1310	65 x 103 mm	This cutting can be dated to ca. 1300. | This image shows the reverse of a cutting with a figured initial.	Parchment	Latin	France	Gothic bookhand				42:28c reverse	6	Lewis E M 42:28		42:28c reverse	cd 5091 2111 6428	48-bit color	600 ppi	2	Service book
Lewis E M 42:28a-d	Lewis E M 42.28d front	mcai420289		1485	1499	63 x 80 mm	Border ornament | This cutting contains the type of ornament found in manuscripts from southern Germany, especially around Augsburg and Regensburg in the late fifteenth century.	Parchment	Latin	Germany (southern?)	Gothic bookhand				42:28d front	7	Lewis E M 42:28		42:28d front	cd 5091 2111 6428	48-bit color	600 ppi	1	Choir book
Lewis E M 42:29	Lewis E M 42.29 front	mcai420291		1500	1550	132 x 180 mm	St. Anne, the Virgin, and the Christ Child (Anna Selbdritt) adored by a Dominican friar | This leaf represents a type of devotional image that originated and became especially popular in German-speaking lands in the late Middle Ages. Meant to be used in private prayer, these images were typically produced by nuns for their own use and to be distributed to the devout. Consequently, they are commonly called Nonnenarbeiten, the German word for 'nuns' work'.	Parchment	Latin	Germany (southwestern)	Gothic bookhand				front	1	Lewis E M 42:29		front	cd 5091 2111 6428	48-bit color	600 ppi	1	Devotional Image (Andachtsbild)
Lewis E M 42:29	Lewis E M 42.29 reverse	mcai420292		1500	1550	130 x 296 mm	The verso of this devotional miniature contains a partially legible note in a nineteenth-century hand, 'Geschenck ... Rudolph,' providing a tantalizing clue to its provenance or, in other words, its history of ownership.	Parchment	Latin	Germany (southwestern)					reverse	2	Lewis E M 42:29		reverse	cd 5091 2111 6428	48-bit color	600 ppi	2	Devotional Image (Andachtsbild)
Lewis E M 43:2a	Lewis E M 43.2a front	mcai430021		1200	1299			Parchment		England?	Gothic bookhand				front	1	Lewis E M 43:02a		front					Initial I with Naomi and her two sons, beginning the Book of Ruth
Lewis E M 43:2a	Lewis E M 43.2a	mcai430023		1200	1299	57 x 20 mm	The Book of Ruth begins with the story of Naomi, the mother-in-law of Ruth, who takes her two young sons to the land of Moab. Her sons grow up and marry two Moabite women, one of whom is Ruth who returns with Naomi to Bethlehem after the death of the two sons. Naomi departing Jerusalem with her two sons is the common iconography used to mark the beginning of this book.	Parchment		England?					front	2	Lewis E M 43:02a		front	cd 5091 2111 6903		600 ppi		Initial I with Naomi and her two sons, beginning the Book of Ruth
Lewis E M 43:2a	Lewis E M 43.2a reverse	mcai430024		1200	1299	57 x 20 mm	This image shows the reverse of a cutting with an historiated initial from a bible.	Parchment	Latin	England?	Gothic bookhand				reverse	3	Lewis E M 43:02a		reverse	cd 5091 2111 6903		600 ppi		Bible
Lewis E M 43:2b	Lewis E M 43.2b front	mcai430025		1200	1299	24 x 25 mm	This initial begins either the Book of Obadiah or Amos (both begin in the Latin Vulgate with initial U). The text on the reverse of this cutting is from Obadiah 1:12-13.	Parchment		England?					front	1	Lewis E M 43:02b		front	cd 5091 2111 9447		600 ppi		Initial U with a Prophet
Lewis E M 43:2b	Lewis E M 43.2b reverse	mcai430026		1200	1299	24 x 25 mm	This image shows the reverse of a cutting with an historiated initial from a bible.	Parchment		England?	Gothic bookhand				reverse	2	Lewis E M 43:02b		reverse	cd 5091 2111 9447		600 ppi		Bible
Lewis E M 43:2c	Lewis E M 43.2c front	mcai430027		1200	1299	39 x 32 mm	This initial begins one of the books of the Minor Prophets, possibly that of Nahum, Habbakkuk, or Malachi, all of which begin in the Vulgate Bible with the initial O. The text on the reverse remains to be identified.	Parchment		England?					front	1	Lewis E M 43:02c		front	cd 5091 2111 9447		600 ppi		Initial O with a Prophet
Lewis E M 43:2c	Lewis E M 43.2c reverse	mcai430028		1200	1299	39 x 32 mm	This image shows the reverse of a cutting with an historiated initial from a bible.	Parchment	Latin	England?	Gothic bookhand				reverse	2	Lewis E M 43:02c		reverse	cd 5091 2111 9447		600 ppi		Bible
Lewis E M 43:3	Lewis E M 43.3 opening	mcai430030				304 x 210 mm	This image shows the opening of a bifolium with an historiated initial from a Bible. The verso contains passages from I Kings 13:12 to 14:10. The recto, opposite, contains passages from I Kings: 22:15-49.
 We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves.	Parchment		Unknown					opening	1	Lewis E M 43:03		opening	cd 5091 2111 9447		600 ppi		Bible
Lewis E M 43:3	Lewis E M 43.3 front	mcai430031		1275	1299	304 x 210 mm	This image shows part of a bifolium with an historiated initial from Bible. It contains passages from I Kings 12:16 to 13:10.
 We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves.	Parchment	Latin	Provence, France	Rotunda				front	2	Lewis E M 43:03		front	cd 5091 2111 9447		600 ppi		Bible
Lewis E M 43:3	Lewis E M 43.3 reverse	mcai430032		1275	1299	304 x 420 mm	Initial P with Ahaziah falling out of the window of his palace, beginning the Book of II Kings
 Lewis E M 43:3-6 are sister leaves. It appears that each bifolium was removed from the same Bible to be re-used as a folder to hold legal documents. The upside-down inscriptions at the bottoms of this bifolium and its sister leaves, all dating to the sixteenth century, make reference to sales and acquisitions between various parties, indicating that these bifolia might have been recycled and used as folders for holding legal documents. The inscription on this folio makes reference to a sale between the Jesuits of Parma in Italy and Marchesa Cattarina Landa.
 We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves.	Parchment	Latin	Provence, France	Rotunda				reverse	3	Lewis E M 43:03		reverse	cd 5091 2111 9448		600 ppi		Initial P with Ahaziah falling out of the window of his palace, beginning the Book of II Kings
Lewis E M 43:4	Lewis E M 43.4 opening	mcai430040		1275	1299	303 x 203 mm	This image shows the opening of a bifolium with an historiated initial from a Bible. The verso contains passages from I Samuel 11:11- 13:2. The recto, opposite, contains passages from Ruth 2:11 - 4:1.	Parchment	Latin	Provence, France	Rotunda				opening	1	Lewis E M 43:04		opening	cd 5091 2111 9504		600 ppi		Bible
Lewis E M 43:4	Lewis E M 43.4 front	mcai430041		1275	1299	303 x 203 mm	This image shows part of a bifolium with an historiated initial from Bible. It contains passages from I Samuel 10:5 - 11:9.
 We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves.	Parchment	Latin	Provence, France	Rotunda				front	2	Lewis E M 43:04		front	cd 5091 2111 9502		600 ppi		Bible
Lewis E M 43:4	Lewis E M 43.4	mcai430042		1275	1299	303 x 203 mm	Lewis E M E M 43:3-6 are sister leaves. It appears that each bifolium was removed from the same Bible to be re-used as a folder to hold legal documents. The upside-down inscriptions at the bottoms of this bifolium and its sister leaves, all dating to the sixteenth century, make reference to sales and acquisitions between various parties, indicating that these bifolia might have been recycled and used as folders for holding legal documents. The inscription on this folio makes reference to a transaction between a D. Tragaliolo and another party named Cordano.
 We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves.	Parchment	Latin	Provence, France	Rotunda				front	3	Lewis E M 43:04		front	cd 5091 2111 9502		600 ppi		Initial U, beginning Jerome's Prologue to I-IV Kings.
Lewis E M 43:5	Lewis E M 43.5 opening	mcai430050		1275	1299	310 x 404 mm	This image shows the opening of a bifolium with an historiated initial from a Bible. The verso contains passages from I Esdras 4:54 - 5:38. The recto, opposite, contains passages from I Esdras 8:37 - 1:14.
 We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves.
	Parchment	Latin	Provence, France	Rotunda				opening	1	Lewis E M 43:05		opening	cd 5091 2111 9505		600 ppi		Bible
Lewis E M 43:5	Lewis E M 43.5	mcai430051				310 x 202 mm	This image shows part of a bifolium with an historiated initial from Bible. It contains passages from I Esdras 4:6 - 4:52.
 We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves.	Parchment		Unknown					reverse	2	Lewis E M 43:05		reverse	cd 5091 2111 9504		600 ppi		Bible
Lewis E M 43:5	Lewis E M 43.5	mcai430052		1275	1299	310 x 202 mm	Initial U, with Tobit blinded by a sparrow's droppings, beginning the Book of Tobit
 Lewis E M 43:3-6 are sister leaves. It appears that each bifolium was removed from the same Bible to be re-used as a folder to hold legal documents. The upside-down inscriptions at the bottoms of this bifolium and its sister leaves, all dating to the sixteenth century, make reference to sales and acquisitions between various parties, indicating that these bifolia might have been recycled and used as folders for holding legal documents. The inscription on this folio makes reference to a transaction involving a Prospero Tedeschi and a Francisco Cittadino	Parchment	Latin	Provence, France	Rotunda				reverse	3	Lewis E M 43:05		reverse	cd 5091 2111 9505		600 ppi		Initial U, with Tobit blinded by a sparrow's droppings, beginning the Book of Tobit
Lewis E M 43:6	Lewis E M 43.6	mcai430060		1275	1299	311 x 430 mm	This image shows the opening of a bifolium with an historiated initial from a Bible. The verso contains passages from Judith 3:9 - 5: 19. The recto, opposite, contains passages from Esther 2:20-4:14.	Parchment	Latin	Provence, France	Rotunda				opening	1	Lewis E M 43:06		opening	cd 5091 2111 9509		600 ppi		Bible
Lewis E M 43:6	Lewis E M 43.6	mcai430061		1275	1299	311 x 215 mm	The Book of Judith is one of the deutero-canonical books included in the Vulgate Bible. It tells the story of the Old Testament heroine Judith, a Jewish widow. This initial depicts the moment when Judith beheads Holofernes, the leader of the Assyrian army. While the Jewish city of Bethulia was under siege, Judith entered the Assyrian camp to seduce Holofernes only to slay him in his sleep. Her bravery inspired the Jews to defend themselves and drive away the Assyrians.
 We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves.	Parchment	Latin	Provence, France	Rotunda				opening	2	Lewis E M 43:06		opening	cd 5091 2111 9506		600 ppi		Initial A with Judith beheading Holofernes, beginning the Book of Judith
Lewis E M 43:6	Lewis E M 43.6	mcai430062		1275	1299	311 x 215 mm	Lewis E M E M 43:3-6 are sister leaves. It appears that each bifolium was removed from the same Bible to be re-used as a folder to hold legal documents. The upside-down inscriptions at the bottoms of this bifolium and its sister leaves, all dating to the sixteenth century, make reference to sales and acquisitions between various parties, indicating that these bifolia might have been recycled and used as folders for holding legal documents. The inscription on this folio makes reference to an intriguing lawsuit involving the Marchesa Cattarina Landa and her husband Marqese Nicolao Lando and a solution of bees wax, or cera alba.
 We gratefully acknowledge the assistance of Roger S. Wieck in dating and localizing these leaves.	Parchment	Latin	Provence, France	Rotunda				reverse	3	Lewis E M 43:06		reverse	cd 5091 2111 9506		600 ppi		Bible
Lewis E M 43:7	Lewis E M 43.7 front	mcai430071		1275	1325	119 x 90 mm	This miniature marks the beginning of Book 44 of the Digest, the first of three parts of the Corpus iuris civilis (Corpus of Civil Law) compiled by the legal scholar Tiborian under the orders of the Byzantine Emperor Justinian (r. 527-565 A.D). Tiborian collected and organized the existing body of classical and current law into a coherent collection of legal doctrine. Book 44 treats legal exceptions, objections, and precedents.	Parchment	Latin	Provence, France	Rotunda	Justinian (Emperor, r. 527-565 A.D.)	Author		front	1	Lewis E M 43:07		front	cd 5091 2111 9509		600 ppi		Court Scene
Lewis E M 43:7	Lewis E M 43.7 reverse	mcai430072		1275	1325	119 x 90 mm	This image shows the reverse of a cutting with a miniature from a copy of the Digest of the Corpus iuris civilis.	Parchment	Latin	Provence, France	Rotunda	Justinian (Emperor, r. 527-565 A.D.)	Author		reverse	2	Lewis E M 43:07		reverse	cd 5091 2111 9509		600 ppi		Corpus iuris civilis
Lewis E M 43:7a	Lewis E M 43.7a front	mcai430073		1400	1499	186 x 128 mm	This leaf was most likely taken from a book of hours. The Presentation in the Temple usually appears at the beginning of the prayers recited at None in the Hours of the Virgin.	Parchment		France					front	1	Lewis E M 43:07a		front	cd 5091 2111 9509		600 ppi		Presentation in the Temple
Lewis E M 43:7a	Lewis E M 43.7a reverse	mcai430074		1400	1499	186 x 128 mm	This image shows the reverse of a leaf from a Book of Hours.	Parchment		France					reverse	2	Lewis E M 43:07a		reverse	cd 5091 2111 9509		600 ppi		Presentation in the Temple
Lewis E M 43:8	Lewis E M 43.8 front	mcai430081		1480		332 x 167 mm	This cutting shows a fragment of a genealogical roll with the history of the world from Creation to 1380. Known as the Chronique Universelle (Universal Chronicle), a title supplied by modern scholars, this anonymous French text condensed Biblical, Classical, and the histories of the royal houses of England and France in an easily digestible roll format. This fragment contains a roundel depicting the murder of 3,000 Bretons by the English during the Hundred Year's War.	Parchment	Latin	Burgundy, France	Bastarda				front	1	Lewis E M 43:08		front	cd 5091 2111 9514		600 ppi		Massacre of the Bretons by the English
Lewis E M 43:8	Lewis E M 43.8 reverse	mcai430082		1480		332 x 167 mm	This image shows the reverse of a cutting from the Chronique Universelle.	Parchment		Burgundy, France					reverse	2	Lewis E M 43:08		reverse	cd 5091 2111 9514		600 ppi		La Chronique Universelle (The Universal Chronicle)
Lewis E M 43:9	Lewis E M 43.9 front	mcai430091		1400	1499	279 x 205 mm	This leaf contains the beginning of the Decretals of Pope Boniface VIII, promulgated in 1298 and known as the Sextus Liber Decretalium (The Sixth Book of Decretals). The miniature is a nineteenth-century forgery, probably painted over a damaged miniature or one that was never completed.	Parchment	Latin	France	Cursive	Boniface VIII	Author		front	1	Lewis E M 43:09		front	cd 5091 2111 9450		600 ppi		Pope Boniface VIII and attendants
Lewis E M 43:9	Lewis E M 43.9 reverse	mcai430092		1400	1499	279 x 205 mm	This image shows the reverse of a leaf with a forged miniature from a copy of the Decretals of Pope Boniface VIII.	Parchment	Latin	France	Cursive	Boniface VIII	Author		reverse	2	Lewis E M 43:09		reverse	cd 5091 2111 9450		600 ppi		Liber Sextus Decretalium, with gloss of Johannes Andreae
Lewis E M 43:9a	Lewis E M 43.9a	mcai430093		ca. 1450		325 x 164 mm	These small miniatures were likely excised from a miniature book of hours of a size that could easily fit in the palm of one's hand. The scenes are: (from top left) the Nativity, the Visitation, the Annunciation, King David in Penance, the Annunciation to the Shepherds, the Adoration of the Magi, the Presentation of the Christ-Child in the Temple, the Flight into Egypt, the Massacre of the Innocents, the Crucifixion, the Pentecost, and finally, the Coronation of the Virgin.	Parchment		Flanders					front	1	Lewis E M 43:09a		front	cd 5091 2111 9448		600 ppi		12 miniatures with Biblical Scenes
Lewis E M 43:9b	Lewis E M 43.9b front	mcai430095		1400	1499	134 x 102 mm	This initial begins the first response of the first nocturn of Matins for the feast of the Epiphany (Jan. 6), Hodie in Jordane baptizato Domino ... (Today when the Lord had been baptized in the Jordan).	Parchment		Italy (northern)					front	1	Lewis E M 43:09b		front	cd 5091 2111 9450		600 ppi		Initial H with the Adoration of the Magi
Lewis E M 43:9b	Lewis E M 43.9b reverse	mcai430096		1400	1499	134 x 102 mm	This image shows the reverse of an historiated initial from an antiphonary.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 43:09b		reverse	cd 5091 2111 9450		600 ppi		Antiphonary
Lewis E M 43:10	Lewis E M 43.10 front	mcai430101		1475	1499	164 x 99 mm	As the rubric indicates, this initial begins Matins of the Hours of the Holy Spirit, which was commonly found in many books of hours.	Parchment	Latin	France	Bastarda				front	1	Lewis E M 43:10		front	cd 5091 2111 9516		600 ppi		Initial D with the Pentecost
Lewis E M 43:10	Lewis E M 43.10 reverse	mcai430102		1475	1499	164 x 99 mm	This image shows the reverse of a cutting with an historiated initial from a book of hours.	Parchment	Latin	France	Bastarda				reverse	2	Lewis E M 43:10		reverse	cd 5091 2111 9516		600 ppi		Book of Hours
Lewis E M 43:11	Lewis E M 43.11 front	mcai430111		ca. 1500		180 x 120 mm	This miniature begins the Penitential Psalms. The scene of David watching Bathsheba at bath was a popular theme to accompany these seven psalms that were recited as an act of penance. After seeing her, David conspires to have Bathsheba's husband Uriah sent to the frontlines of battle, effectively murdering him so that the king could have Bathsheba for himself. The story of David's sin, told in II Samuel, led to his penance and eventual redemption, providing a model for the medieval penitent.	Parchment		France (northern)	Bastarda				front	1	Lewis E M 43:11		front	cd 5091 2111 9516		600 ppi		David and Bathsheba
Lewis E M 43:11	Lewis E M 43.11 reverse	mcai430112		ca. 1500		180 x 120 mm	This image shows the reverse of a leaf from a Book of Hours picturing David watching Bathsheba bathe.	Parchment		France (northern)	Bastarda				reverse	2	Lewis E M 43:11		reverse	cd 5091 2111 9516		600 ppi		Book of Hours
Lewis E M 43:12	Lewis E M 43.12 front	mcai430121		1500	1525	176 x 180 mm	This initial begins an unidentified chant used in the celebrations for the feast of St. Vincent Ferrer (April 5), a Dominican saint who died in 1419 and was canonized in 1458. The initial was illuminated by an artist within the circle of the Master of Petrarchs Triumphs, so-called from his work in a grand illuminated French manuscript of Petrarchs Triumphs done for Louis XII (r. 1499-1515). The work of this master and his followers is closely related to the workshop of Jean Pichore, an illuminator active in Paris at the beginning of the sixteenth century.	Parchment		Paris, France		Master of Petrarch's Triumphs, follower of	Artist		front	1	Lewis E M 43:12		front	cd 5091 2111 9516		600 ppi		Initial S with St. Vincent Ferrer
Lewis E M 43:12	Lewis E M 43.12 reverse	mcai430122		1500	1525	176 x 180 mm	This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latrin	Paris, France	Liturgical bookhand				reverse	2	Lewis E M 43:12		reverse	cd 5091 2111 9516		600 ppi		Choir book
Lewis E M 43:13	Lewis E M 43.13 front	mcai430131		1500	1525	163 x 164 mm	This initial begins the Introit for the feast of St. Anne (July 26), Gaudeamus omnes in Domino ..., (Rejoice we all in the Lord). The image of St. Anne teaching the young Virgin Mary became popular in the late Middle Ages with the rise of St. Anne's cult. The scene provided a model for the way in which mothers would teach young girls to read from their books of devotions. Lewis E M 43:13-14 appear to be from the same manuscript. The initials in these cuttings were illuminated by an artist within the circle of the Master of Petrarchs Triumphs, so-called from his work in a grand illuminated French manuscript of Petrarchs Triumphs done for Louis XII (r. 1499-1515). The work of this master and his followers is closely related to the workshop of Jean Pichore, an illuminator active in Paris at the beginning of the sixteenth century.	Parchment		Paris, France		Master of Petrarch's Triumphs, follower of	Artist		front	1	Lewis E M 43:13		front	cd 5091 2111 9518		600 ppi		Initial G with St. Anne teaching the Virgin Mary
Lewis E M 43:13	Lewis E M 43.13 reverse	mcai430132		1500	1525	163 x 164 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Paris, France	Liturgical bookhand	Master of Petrarch's Triumphs, follower of	Artist		reverse	2	Lewis E M 43:13		reverse	cd 5091 2111 9518		600 ppi		Gradual
Lewis E M 43:14	Lewis E M 43.14 front	mcai430141		1500	1525	164 x 175 mm	This initial begins an unidentified chant probably for the feast of St. Gregory the Great (d. 604). The scene portrays a miracle from the life of St. Gregory, who while performing Mass, witnessed the stigmatized Christ on the altar. 
 Lewis E M 43:13-14 appear to be from the same manuscript. The initials in these cuttings were illuminated by an artist within the circle of the Master of Petrarchs Triumphs, so-called from his work in a grand illuminated French manuscript of Petrarchs Triumphs done for Louis XII (r. 1499-1515). The work of this master and his followers is closely related to the workshop of Jean Pichore, an illuminator active in Paris at the beginning of the sixteenth century.	Parchment		Paris, France		Master of Petrarch's Triumphs, follower of	Artist		front	1	Lewis E M 43:14		front	cd 5091 2111 9518		600 ppi		Initial C with the Mass of St. Gregory the Great
Lewis E M 43:14	Lewis E M 43.14 reverse	mcai430142		1500	1525	164 x 175 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Paris, France	Liturgical bookhand				reverse	2	Lewis E M 43:14		reverse	cd 5091 2111 9518		600 ppi		Gradual
Lewis E M 43:15	Lewis E M 43.15 front	mcai430151		1500	1525	197 x 162 mm	The liturgy that this initial begins remains to be determined. The subject of this initial is unusual. It may represent St. Gregory I, appearing as a Benedictine monk, having divested himself of his cope and the papal tiara, which appears on the floor in front of two Benedictine monks. One of these monks holds a scroll inscribed, Ora Pater pro filiis tuis Ambertinensibus et pro scriptore horum voluminum (Pray, Father, for your Ambertine sons and for the scribe of this volume). An inscription on this monks robe identifies him as F. L. de la Baniere. A second monk, behind the first is also identified by an inscription as F. G. C() Harmolue. These monks may have resided in a monastery in the town of Ambert in the Auvergne region of France. Lewis E M 43:15-18 are from the same manuscript.	Parchment	Latin	France					front	1	Lewis E M 43:15		front	cd 5091 2111 9436		600 ppi		Initial G with St. Gregory I () appearing to a group of Benedictine Monks
Lewis E M 43:15	Lewis E M 43.15 reverse	mcai430152		1500	1525	197 x 162 mm	This image shows the reverse of a cutting with an initial from a gradual.	Parchment	Latin	France	Liturgical bookhand				reverse	2	Lewis E M 43:15		reverse	cd 5091 2111 9436		600 ppi		Gradual
Lewis E M 43:16	Lewis E M 43.16 front	mcai430161		1500	1525	197 x 164 mm	This initial begins the Introit for the feast of Michaelmas, or the Dedication of St. Michael the Archangel (Sept. 29), Benedicite Domino omnes angeli ejus ... (Bless the Lord, all you angels of his).
 Lewis E M 43:15-18 are from the same manuscript.	Parchment		France					front	1	Lewis E M 43:16		front	cd 5091 2111 9436		600 ppi		Initial B with St. Michael Archangel slaying the dragon
Lewis E M 43:16	Lewis E M 43.16 reverse	mcai430162		1500	1525	197 x 164 mm	This image shows the reverse of a cutting with an initial from a gradual.	Parchment	Latin	France	Liturgical bookhand				reverse	2	Lewis E M 43:16		reverse	cd 5091 2111 9436		600 ppi		Gradual
Lewis E M 43:17	Lewis E M 43.17 front	mcai430171		1500	1525	196 x 165 mm	This initial begins the Introit the feast of Corpus Christi, Cibavit eos ex adipe frumenti ... (Full ears of wheat are the nourishment he gives them). Lewis E M 43:15-18 are from the same manuscript.	Parchment		France					front	1	Lewis E M 43:17		front	cd 5091 2111 9439		600 ppi		Initial C with the Last Supper
Lewis E M 43:17	Lewis E M 43.17 reverse	mcai430172		1500	1525	196 x 165 mm	This image shows the reverse of a cutting of an historial initial from a gradual.	Parchment	Latin	France	Liturgical bookhand				reverse	2	Lewis E M 43:17		reverse	cd 5091 2111 9439		600 ppi		Gradual
Lewis E M 43:18	Lewis E M 43.18 front	mcai430181		1500	1525	191 x 186 mm	This initial begins the Introit for Easter Sunday, Resurrexi et adhuc tecum sum ... (I have risen and am still with thee).
 Lewis E M 43:15-18 are from the same manuscript.	Parchment		France					front	1	Lewis E M 43:18		front	cd 5091 2111 9439		600 ppi		Initial R with the Resurrection
Lewis E M 43:18	Lewis E M 43.18 reverse	mcai430182		1500	1525	191 x 186 mm	This image shows the reverse of a cutting with an initial from a gradual.	Parchment	Latin	France	Liturgical bookhand				reverse	2	Lewis E M 43:18		reverse	cd 5091 2111 9439		600 ppi		Gradual
Lewis E M 43:19	Lewis E M 43.19 front	mcai430191		1500	1525	160 x 170 mm	Textual evidence on the reverse of this initial suggests that it may begin the Invitatory for Wednesday Matins, Deum magnum Dominum. Venite adoremus (The Lord, a great God, come let us adore [him]). The reverse contains part of the hymn for Wednesday Matins, Rerum creator optime ... (Good creator of the world).	Parchment		France					front	1	Lewis E M 43:19		front	cd 5091 2111 9440		600 ppi		Initial D with King David and his army adoring God
Lewis E M 43:19	Lewis E M 43.19 reverse	mcai430192		1500	1525	160 x 170 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 43:19		reverse	cd 5091 2111 9440		600 ppi		Psalter
Lewis E M 43:1a	Lewis E M 43.1a front	mcai4301a1		1100	1199	82 x 86 mm	Initial E | Lewis E M 43:1a and 1f are from the same manuscript. | This initial is typical of minor initial decoration found in Romanesque manuscripts.	Parchment	Latin	France	Caroline Minuscule				front	1	Lewis E M 43:01a		front	cd 5091 2111 6903	48-bit color	600 ppi	1	Antiphonary
Lewis E M 43:1a	Lewis E M 43.1a reverse	mcai4301a2		1100	1199	82 x 86 mm	Lewis E M 43:1a and 1f are from the same manuscript. | This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	France	Caroline Minuscule				reverse	2	Lewis E M 43:01a		reverse	cd 5091 2111 6903	48-bit color	600 ppi	2	Antiphonary
Lewis E M 43:1b	Lewis E M 43.1b front	mcai4301b1		1285	1299	122 x 95 mm	Border ornament | The fanciful ornament seen in this cutting is typical of northern French illumination in the late thirteenth century.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 43:01b		front	cd 5091 2111 6903	48-bit color	600 ppi	1	Illuminated Music Fragment
Lewis E M 43:1b	Lewis E M 43.1b reverse	mcai4301b2					Verso of Illuminated Border Fragment	Parchment		Unknown						2	Lewis E M 43:01b			cd 5091 2111 6903				Music Fragment
Lewis E M 43:1c-e	Lewis E M 43.1c front	mcai4301c1		1290	1310	46 x 144 mm	Initial P with the Nativity | This initial probably begins the Introit for the Third Mass of Christmas Day, 'Puer natus est nobis ...' (For our sakes, a child is born).	Parchment	Latin	France (northern)	Gothic bookhand				43:1c front	1	Lewis E M 43:01c-e		43:1c front	cd 5091 2111 6903	48-bit color	600 ppi	1	Missal
Lewis E M 43:1c-e	Lewis E M 43.1c reverse	mcai4301c2		1290	1310	46 x 144 mm	This image shows the reverse of a cutting from a missal with an historiated initial.	Parchment	Latin	France (northern)	Gothic bookhand				43:1c reverse	2	Lewis E M 43:01c-e		43:1c reverse	cd 5091 2111 6903	48-bit color	600 ppi	2	Missal
Lewis E M 43:1c-e	Lewis E M 43.1d front	mcai4301d1		1290	1310	67 x 140 mm	Initial A with King David lifting his soul to God | This initial begins the Introit for the First Sunday in Advent, 'Ad te levavi animam meam ...' (I lift my soul to you). The words of the Introit are from Psalm 24:1-3. In the Middle Ages, David was believed to have composed the psalms, and he was thus often found in psalm illustration. Here, he kneels and literally lifts his soul, in the form of a nude child, toward God.	Parchment	Latin	France (northern)	Gothic bookhand				43:1d front	3	Lewis E M 43:01c-e		43:1d front	cd 5091 2111 6903	48-bit color	600 ppi	3	Missal
Lewis E M 43:1c-e	Lewis E M 43.1d reverse	mcai4301d2		1290	1310	67 x 140 mm	This image shows the reverse of a cutting from a missal with an historiated initial.	Parchment	Latin	France (northern)	Gothic bookhand				43:1d reverse	4	Lewis E M 43:01c-e		43:1d reverse	cd 5091 2111 6903	48-bit color	600 ppi	4	Missal
Lewis E M 43:1c-e	Lewis E M 43.1e front	mcai4301e1		1290	1310	52 x 101 mm	Initial S with the Pentecost | This initial begins the Introit for the feast of Pentecost, 'Spiritus domini replevit orbem terrarum ...' (The spirit of the Lord fills the whole world).	Parchment	Latin	France (northern)					43:1e front	5	Lewis E M 43:01c-e		43:1e front	cd 5091 2111 6903	48-bit color	600 ppi	5	Missal
Lewis E M 43:1c-e	Lewis E M 43.1e reverse	mcai4301e2		1290	1310	52 x 101 mm	This image shows the reverse of a cutting with an historiated initial from a missal.	Parchment	Latin	France (northern)	Gothic bookhand				43:1e reverse	6	Lewis E M 43:01c-e		43:1e reverse	cd 5091 2111 6903	48-bit color	600 ppi	6	Missal
Lewis E M 43:1f	Lewis E M 43.1f front	mcai4301f1						Parchment		Unknown						1	Lewis E M 43:01f			cd 5091 2111 6903				Illuminated Initial Music Fragment
Lewis E M 43:1f	Lewis E M 43.1f reverse	mcai4301f2						Parchment		Unknown						2	Lewis E M 43:01f			cd 5091 2111 6903				Music Fragment
Lewis E M 43:1g	Lewis E M 43.1g front	mcai4301g1						Parchment		Unknown						1	Lewis E M 43:01g			cd 5091 2111 6903				Illuminated Historiated Initial
Lewis E M 43:1g	Lewis E M 43.1g reverse	mcai4301g2						Parchment		Unknown						2	Lewis E M 43:01g			cd 5091 2111 6903				Fragment
Lewis E M 43:20	Lewis E M 43.20 front	mcai430201		1500	1525	188 x 260 mm	This initial begins the Introit for the feast of All Saints (Nov. 1), Gaudeamus omnes in Domino ... (Rejoice we all in the Lord).
 Lewis E M 43:20 and 25 are from the same manuscript.	Parchment		Spain					front	1	Lewis E M 43:20		front	cd 5091 2111 9440	48-bit color	600 ppi		Initial G with the Virgin enthroned and surrounded by the symbols of the four Evangelists and the Apostles below
Lewis E M 43:20	Lewis E M 43.20 reverse	mcai430202		1500	1525	188 x 260 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Spain	Rotunda				reverse	2	Lewis E M 43:20		reverse	cd 5091 2111 9442	48-bit color	600 ppi		Gradual
Lewis E M 43:21	Lewis E M 43.21 front	mcai430211		ca. 1510	1520	264 x 378 mm	This image shows an altar card. Beginning in the sixteenth century, altar cards were placed on the altar during Mass. They contained the prayers that the priest recited during every Mass. Although they functioned primarily as memory aids, they were usually beautifully decorated. This card, which contains the Nicene Creed, was executed by a follower of John Pichore, an illuminator active in Paris at the beginning of the sixteenth century.
 The Morgan Library has a sister leaf under the shelfmark MS M.1147.
	Parchment		Tours?, France		John Pichore, circle of	Artist		front	1	Lewis E M 43:21		front	cd 5091 2111 9442	48-bit color	400 ppi		Altar Card with the Deposition from the Cross
Lewis E M 43:21	Lewis E M 43.21 reverse	mcai430212		ca. 1510	1520	264 x 378 mm	This image shows the reverse of an altar card with the Deposition from the Cross	Parchment		Tours?, France					reverse	2	Lewis E M 43:21		reverse	cd 5091 2111 9442	48-bit color	400 ppi		Credo (Nicene Creed)
Lewis E M 43:22a	Lewis E M 43.22a front	mcai430223		1500	1525	56 x 104 mm	This cutting and Lewis E M 43:23a are from the same manuscript, and probably from the same folio. Each cutting shows an angels holding several of the Instruments of the Passion of Christ, or the Arma Christi (Weapons of Christ), as they are sometimes called. These are the objects associated with the pain and suffering that Christ experienced leading up to his death on the Cross. In this cutting, the angel holds a cross, a lance with a sponge at the end, and the Crown of Thorns. The Instruments of the Passion were revered as the weapons with which Christ defeated sin and saved mankind.	Parchment		Rouen, France					front	1	Lewis E M 43:22a		front	cd 5091 2111 9442	48-bit color	600 ppi		Undetermined
Lewis E M 43:22a	Lewis E M 43.22a reverse	mcai430224		1500	1525		This image shows the reverse of a cutting with border ornament.	Parchment		Rouen, France					reverse	2	Lewis E M 43:22a		reverse	cd 5091 2111 9442				Undetermined
Lewis E M 43:22b	Lewis E M 43.22b front	mcai430225		1475	1499	169 x 105 mm	This cutting displays the type of border ornament that was typical of French illumination in the late fifteenth century, especially in books of Hours.	Parchment		France					front	1	Lewis E M 43:22b		front	cd 5091 2111 9443		600 ppi		Undetermined
Lewis E M 43:22b	Lewis E M 43.22b reverse	mcai430226		1475	1499		This image shows the reverse of a cutting with border ornament.	Parchment		France					reverse	2	Lewis E M 43:22b		reverse	cd 5091 2111 9443				Undetermined
Lewis E M 43:22c	Lewis E M 43.22c front	mcai430227		1475	1499	237 x 139 mm	This cutting displays the type of border ornament that was typical of French illumination in the late fifteenth century, especially in books of Hours.	Parchment		France					front	1	Lewis E M 43:22c		front	cd 5091 2111 9443		600 ppi		Undetermined
Lewis E M 43:22c	Lewis E M 43.22c reverse	mcai430228		1475	1499	237 x 139 mm	This image shows the reverse of a cutting with border ornament.	Parchment		France					reverse	2	Lewis E M 43:22c		reverse	cd 5091 2111 9443		600 ppi		Undetermined
Lewis E M 43:23a	Lewis E M 43.23a front	mcai430233		1500	1525	120 x 56 mm	This cutting and Lewis E M 43:22a from the same manuscript, and probably from the same folio. Each cutting shows an angels holding several of the Instruments of the Passion of Christ, or the Arma Christi (Weapons of Christ), as they are sometimes called. These are the objects associated with the pain and suffering that Christ experienced leading up to his death on the Cross. In this cutting, the angel holds the three nails, the lance, the column, and the rope which bound Christ to the column. The Instruments of the Passion were revered as the weapons with which Christ defeated sin and saved mankind.	Parchment		Rouen, France					front	1	Lewis E M 43:23a		front	cd 5091 2111 9443		600 ppi		Undetermined
Lewis E M 43:23a	Lewis E M 43.23a reverse	mcai430234		1500	1525	120 x 56 mm	This image shows the reverse of a cutting with border ornament.	Parchment		Rouen, France					reverse	2	Lewis E M 43:23a		reverse	cd 5091 2111 9443		600 ppi		Undetermined
Lewis E M 43:23b	Lewis E M 43.23b front	mcai430235		1475	1499	170 x 78 mm	This cutting displays the type of border ornament that was typical of French illumination in the late fifteenth century, especially in books of Hours.	Parchment		France					front	1	Lewis E M 43:23b		front	cd 5091 2111 9443		600 ppi		Undetermined
Lewis E M 43:23b	Lewis E M 43.23b reverse	mcai430236		1475	1499	170 x 78 mm	This image shows the reverse of a cutting with border ornament.	Parchment		France					reverse	1	Lewis E M 43:23b		reverse	cd 5091 2111 9444		600 ppi		Undetermined
Lewis E M 43:23c	Lewis E M 43.23c front	mcai430237		1475	1499	241 x 136 mm	This cutting displays the type of border ornament that was typical of French illumination in the late fifteenth century, especially in books of Hours.
	Parchment		France					front	1	Lewis E M 43:23c		front	cd 5091 2111 9444		600 ppi		Undetermined
Lewis E M 43:23c	Lewis E M 43.23c reverse	mcai430238		1475	1499	241 x 136 mm	This image shows the reverse of a cutting with border ornament.	Parchment		France					reverse	2	Lewis E M 43:23c		reverse	cd 5091 2111 9444		600 ppi		Undetermined
Lewis E M 43:24	Lewis E M 43.24 front	mcai430241		1500	1525	162 x 173 mm	This initial probably begins the Introit for the feast of the Ascension, Viri Galilei quid admiramini aspicientes in caelum (Men of Galilee, what are you wondering at, looking heavenwards).	Parchment		France					front	1	Lewis E M 43:24		front	cd 5091 2111 9444		600 ppi		Initial U with the Ascension
Lewis E M 43:24	Lewis E M 43.24 reverse	mcai430242		1500	1525	162 x 173 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	France	Liturgical bookhand				reverse	2	Lewis E M 43:24		reverse	cd 5091 2111 9446		600 ppi		Gradual
Lewis E M 43:25	Lewis E M 43.25 front	mcai430251		1500	1525	255 x 185 mm	The iconography of this initial suggests that it begins a chant for the feast of the Epiphany (Jan. 6), which in the Western Christianity celebrates the arrival of the Magi in Bethlehem to see the newborn Christ. The common Introit for Mass of that feast is, Ecce advenit dominator Dominus ... (See he comes, our Lord and Ruler). Lewis E M 43:20 and 25 are from the same manuscript.	Parchment		Spain					front	1	Lewis E M 43:25		front	cd 5091 2111 9446		600 ppi		Initial E() with the Adoration of the Magi
Lewis E M 43:25	Lewis E M 43.25 reverse	mcai430252		1500	1525	255 x 185 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Spain	Rotunda				reverse	2	Lewis E M 43:25		reverse	cd 5091 2111 9446		600 ppi		Gradual
Lewis E M 44:1	Lewis E M 44.1 front	mcai440011						Parchment		Unknown						1	Lewis E M 44:01			cd 5091 2111 9453				Inhabited Initial
Lewis E M 44:1	Lewis E M 44.1 reverse	mcai440012						Parchment		Unknown						2	Lewis E M 44:01			cd 5091 2111 9453				Verso to Inhabited Initial
Lewis E M 44:2	Lewis E M 44.2 front	mcai440021						Parchment		Unknown						1	Lewis E M 44:02			cd 5091 2111 9453				Historiated Initial
Lewis E M 44:2	Lewis E M 44.2 reverse	mcai440022						Parchment		Unknown						2	Lewis E M 44:02			cd 5091 2111 9453				Verso of Historiated Initial
Lewis E M 44:2A-3C	Lewis E M 44.2A front	mcai440023		1200	1250	142 x 205 mm	Although there is no text to identity it, this is most likely a leaf from a psalter, as psalters often contained prefatory cycles before the text with images from the life of Christ and the life of David. There is no other context in which one would expect to find narrative scenes such as these back-to-back and without accompanying text. | Massacre of the Innocents	Parchment	Latin	Germany (central)					front 44:2A	1	Lewis E M 44:02A-3C		front 44:2A	cd 5091 2111 9456	48-bit color	600 ppi	1	Psalter
Lewis E M 44:2A-3C	Lewis E M 44.2A reverse	mcai440024		1200	1250	142 x 205 mm	Although there is no text to identity it, this is most likely a leaf from a psalter, as psalters often contained prefatory cycles before the text with images from the life of Christ and the life of David. There is no other context in which one would expect to find narrative scenes such as these back-to-back and without accompanying text. | Flight into Egypt	Parchment	Latin	Germany (central)					reverse 44:2A	2	Lewis E M 44:02A-3C		reverse 44:2A	cd 5091 2111 9456	48-bit color	600 ppi	2	Psalter
Lewis E M 44:2A-3C	Lewis E M 44.3A front	mcai440033		1200	1250	93 x 87 mm	Initial O with the Ascension | This historiated initial was taken from a psalter and possibly marks the beginning of Psalm 46, 'Omnes gentes plaudite minibus' (Clap your hands, all ye nations).	Parchment	Latin	Germany (central)					front 44:3A	3	Lewis E M 44:02A-3C		front 44:3A	cd 5091 2111 9456	48-bit color	600 ppi	3	Psalter
Lewis E M 44:2A-3C	Lewis E M 44.3A reverse	mcai440034		1200	1250	93 x 87 mm	This image shows the reverse of a cutting with an historiated initial from a psalter. The text on this side of the cutting is from Psalm 51.	Parchment	Latin	Germany (central)	Proto-Gothic				reverse 44:3A	4	Lewis E M 44:02A-3C		reverse 44:3A	cd 5091 2111 9456	48-bit color	600 ppi	4	Psalter
Lewis E M 44:2A-3C	Lewis E M 44.3B front	mcai440035		1200	1250	50 x 95 mm	Beheading of a saint | Psalters often included calendars. This image, which depicts the martyrdom of an unidentified saint, once decorated a calendar. The reverse of this cutting contains a fragment of the page for the month of July.	Parchment	Latin	Germany (central)					front 44:3B	5	Lewis E M 44:02A-3C		front 44:3B	cd 5091 2111 9456	48-bit color	600 ppi	5	Psalter
Lewis E M 44:2A-3C	Lewis E M 44.3B reverse	mcai440036		1200	1250	50 x 95 mm	This image shows the reverse of a cutting with a miniature from a psalter. This side of the cutting contains a fragment of leaf with the calendar for July.	Parchment	Latin	Germany (central)	Proto-Gothic				reverse 44:3B	6	Lewis E M 44:02A-3C		reverse 44:3B	cd 5091 2111 9456	48-bit color	600 ppi	6	Psalter
Lewis E M 44:2A-3C	Lewis E M 44.3C front	mcai440037		1200	1250	51 x 95 mm	Beheading of a saint | Psalters often included calendars. This image, which depicts the martyrdom of an unidentified saint, once decorated a calendar. The reverse of this cutting contains a fragment of the page for the month of April.	Parchment	Latin	Germany (central)					front 44:3C	7	Lewis E M 44:02A-3C		front 44:3C	cd 5091 2111 9456	48-bit color	600 ppi	7	Psalter
Lewis E M 44:2A-3C	Lewis E M 44.3C reverse	mcai440038		1200	1250	51 x 95 mm	This image shows the reverse of a cutting with a miniature from a Psalter. This side of the cutting contains a fragment of leaf with the calendar for April.	Parchment	Latin	Germany (central)	Proto-Gothic				reverse 44:3C	8	Lewis E M 44:02A-3C		reverse 44:3C	cd 5091 2111 9456	48-bit color	600 ppi	8	Psalter
Lewis E M 44:4-5	Lewis E M 44.4 front	mcai440041		1485	1499	189 x 177 mm	Initial A, with four Dominican Saints: Sts. Albert the Great(), Peter Martyr, Thomas Aquinas, and Dominic | This initial may begin an unidentified Introit for the feast of St. Dominic, which is celebrated on August 4th. The reverse contains a rubric for the Introit of the feast of the Transfiguration, which is celebrated on August 5th. Lewis E M 44:4-5 are from the same manuscript.	Parchment	Latin	Cologne?, Germany					front 44:4	1	Lewis E M 44:04-05		front 44:4	cd 5091 2111 9456	48-bit color	600 ppi	1	Gradual
Lewis E M 44:4-5	Lewis E M 44.4 reverse	mcai440042		1485	1499	189 x 177 mm	This image shows the reverse of a cutting with a decorated initial from a gradual.	Parchment	Latin	Cologne?, Germany	Gothic bookhand				reverse 44:4	2	Lewis E M 44:04-05		reverse 44:4	cd 5091 2111 9457	48-bit color	600 ppi	2	Gradual
Lewis E M 44:4-5	Lewis E M 44.5 front	mcai440051		1485	1499	208 x 210 mm	Initial G | The liturgy that this initial begins remains to be determined. It is from the same manuscript as Lewis E M 44:5.	Parchment	Latin	Cologne?, Germany					front 44:5	3	Lewis E M 44:04-05		front 44:5	cd 5091 2111 9457	48-bit color	600 ppi	3	Gradual
Lewis E M 44:4-5	Lewis E M 44.5 reverse	mcai440052		1485	1499	208 x 210 mm	This image shows the reverse of a cutting with a decorated initial from a gradual.	Parchment	Latin	Cologne?, Germany	Gothic bookhand				reverse 44:5	4	Lewis E M 44:04-05		reverse 44:5	cd 5091 2111 9457	48-bit color	600 ppi	4	Gradual
Lewis E M 44:6	Lewis E M 44.6 front	mcai440061						Parchment		Unknown						1	Lewis E M 44:06			cd 5091 2111 9458				Illuminated Manuscript Fragment
Lewis E M 44:6	Lewis E M 44.6 reverse	mcai440062						Parchment		Unknown						2	Lewis E M 44:06			cd 5091 2111 9458				Verso of Lewis E M 44:6
Lewis E M 44:6A-B	Lewis E M 44.6A front	mcai440063		1450	1475	237 x 353 mm	Initial P | This cutting can be dated to ca. 1470. | This initial begins the Introit for the Third Mass of Christmas Day (Dec. 25), 'Puer natus est nobis ...' (For our sakes, a child is born). Lewis E M 44:6A-B are from the same manuscript.	Parchment	Latin	Lower Rhine, Germany	Gothic bookhand				front 44:6A	1	Lewis E M 44:06A-B		front 44:6A	cd 5091 2111 9460	48-bit color	600 ppi	1	Illuminated Music Fragment
Lewis E M 44:6A-B	Lewis E M 44.6A reverse	mcai440064		1450	1475	237 x 353 mm	This cutting can be dated to ca. 1470. | This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and part of the Communion for the Second Mass of Christmas Day.	Parchment	Latin	Lower Rhine, Germany	Gothic bookhand				reverse 44:6A	2	Lewis E M 44:06A-B		reverse 44:6A	cd 5091 2111 9460	48-bit color	600 ppi	2	Music Fragment with Decorated Initial
Lewis E M 44:6A-B	Lewis E M 44.6B front	mcai440065		1450	1475	238 x 352 mm	Initial S | This cutting can be dated to ca. 1470. | This initial begins the Introit for the feast of the Purification of the Virgin (Feb. 2), 'Suscepimus deus misericordiam tuam in medio temple tui ...' (We have received, O God, your mercy in your temple). Lewis E M 44:6A-B are from the same manuscript.	Parchment	Latin	Lower Rhine, Germany	Gothic bookhand				front 44:6B	3	Lewis E M 44:06A-B		front 44:6B	cd 5091 2111 9461	48-bit color	600 ppi	3	Gradual
Lewis E M 44:6A-B	Lewis E M 44.6B reverse	mcai440066		1450	1475	238 x 352 mm	This cutting can be dated to ca. 1470. | This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and part of the Communion for a feast preceding the feast of the Purification of the Virgin.	Parchment	Latin	Lower Rhine, Germany	Gothic bookhand				reverse 44:6B	4	Lewis E M 44:06A-B		reverse 44:6B	cd 5091 2111 9461	48-bit color	600 ppi	4	Gradual
Lewis E M 44:7	Lewis E M 44.7 front	mcai440071		1500	1525	140 x 128 mm	Initial D with Christ showing his wounds and the Arma Christi | This cutting can be dated to ca. 1520. | This initial begins the Introit for the first Sunday after Pentecost, 'Domine in tua misericordia speravi ...' (Lord, I cast myself on your mercy).	Parchment	Latin	Augsburg, Germany		Nikolaus Bertschi	Artist		front	1	Lewis E M 44:07		front	cd 5091 2111 9463	48-bit color	600 ppi	1	Gradual
Lewis E M 44:7	Lewis E M 44.7 reverse	mcai440072		1500	1525	140 x 128 mm	This cutting can be dated to ca. 1520. | This image shows the reverse of a cutting with an historiated initial.	Parchment	Latin	Augsburg, Germany	Gothic bookhand				reverse	2	Lewis E M 44:07		reverse	cd 5091 2111 9463	48-bit color	600 ppi	2	Gradual
Lewis E M 44:8	Lewis E M 44.8 front	mcai440081		1500	1525	259 x 363 mm	Initial D with Christ showing his wounds | This cutting can be dated to ca. 1517. | This initial begins the Introit for the first Sunday after Pentecost, 'Domine in tua misericordia speravi ...' (Lord, I cast myself on your mercy). It has been attributed to the illuminator Nikolaus Bertschi (c. 1480/90-1541/42) from Augsburg.	Parchment	Latin	Augsburg, Germany	Gothic bookhand	Nikolaus Bertschi	Artist		front	1	Lewis E M 44:08		front	cd 5091 2111 9463	48-bit color	600 ppi	1	Missal
Lewis E M 44:8	Lewis E M 44.8 reverse	mcai440082		1500	1525	259 x 363 mm	This cutting can be dated to ca. 1517. | This image shows the reverse of a leaf with an historiated initial from a missal. This side of the leaf, the true verso, continues the liturgy for the first Sunday after Pentecost, which begins on the front.	Parchment	Latin	Augsburg, Germany	Gothic bookhand				reverse	2	Lewis E M 44:08		reverse	cd 5091 2111 9465	48-bit color	600 ppi	2	Missal
Lewis E M 44:8A	Lewis E M 44.8A front	mcai440083		1485	1499	127 x 150 mm	Initial T with the Crucifixion | This initial begins the Canon of the Mass with the words, 'Te igitur' (You therefore [most merciful Father]). This part of the Mass is the preparation for the Eucharist. An image of the Crucifix traditionally marks its beginning as a symbolic reminder of the meaning of the Eucharist.	Parchment	Latin	Augsburg, Germany					front	1	Lewis E M 44:08A		front	cd 5091 2111 9465	48-bit color	600 ppi	1	Missal
Lewis E M 44:8A	Lewis E M 44.8A reverse	mcai440084		1485	1499	127 x 150 mm	This image shows the reverse of a cutting from a missal.	Parchment	Latin	Augsburg, Germany	Gothic bookhand	Leonhard Wagner	Scribe		reverse	2	Lewis E M 44:08A		reverse	cd 5091 2111 9465	48-bit color	600 ppi	2	Missal
Lewis E M 44:9	Lewis E M 44.9 front	mcai440091		1450	1475	80 x 84 mm	Initial A with the Adoration of the Christ Child | This cutting can be dated to ca. 1470. | This initial begins the first response of the first nocturn of Matins of Christmas Day, 'Hodie nobis caelorum rex de virgine nasci dignatus' (On this day the king of heaven deigned to be born for us of a Virgin).	Parchment	Latin	Augsburg, Germany		Johannes Baimler, workshop	Artist		front	1	Lewis E M 44:09		front	cd 5091 2111 9465	48-bit color	600 ppi	1	Antiphonary
Lewis E M 44:9	Lewis E M 44.9 reverse	mcai440092		1450	1475	80 x 84 mm	This cutting can be dated to ca. 1470. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Augsburg, Germany	Gothic bookhand				reverse	2	Lewis E M 44:09		reverse	cd 5091 2111 9465	48-bit color	600 ppi	2	Antiphonary
Lewis E M 44:9A	Lewis E M 44.9A front	mcai440093		1490	1510	188 x 192 mm	Initial G with the Adoration of Christ | This cutting can be dated to ca. 1500. | This initial was illuminated by Georg and Leonhard Beck, a father-and-son team of illuminators working in Augsburg from ca. 1490 to ca. 1512, when Georg, the father, died. The liturgy that this initial begins remains to be identified, although it surely begins a chant sung during Christmas Day.	Parchment	Latin	Augsburg, Germany	Gothic bookhand	Georg and Leonhard Beck, workshop	Artist		front	1	Lewis E M 44:09A		front	cd 5091 2111 9466	48-bit color	600 ppi	1	Choir book
Lewis E M 44:9A	Lewis E M 44.9A reverse	mcai440094		1490	1510	188 x 192 mm	This cutting can be dated to ca. 1500. | This image shows the reverse of an initial with an historiated initial from a choir book.	Parchment	Latin	Augsburg, Germany	Gothic bookhand				reverse	2	Lewis E M 44:09A		reverse	cd 5091 2111 9466	48-bit color	600 ppi	2	Choir book
Lewis E M 44:10	Lewis E M 44.10 front	mcai440101		1400	1425	243 x 340 mm	Crucifixion | This cutting can be dated to ca. 1420. | This miniature marked the beginning of the Canon of the Mass, 'Te igitur' (You therefore [most merciful father]), the text of which is not included in the manuscript. Below the image is another Crucifixion, but in this case the body of Christ is only suggested by the bleeding heart and the blood from the three nails that pierced his hands and feet. This marginal image was placed there for the celebrating priest to kiss as he read the prayer.	Parchment	Latin	Germany	Gothic bookhand				front	1	Lewis E M 44:10		front	cd 5091 2111 9466	48-bit color	600 ppi	1	Missal
Lewis E M 44:10	Lewis E M 44.10 reverse	mcai440102		1400	1425	243 x 340 mm	This cutting can be dated to ca. 1420. | This image shows the reverse of a leaf with a miniature from a missal. This side of the leaf, the true verso, contains alternate prayers from the Canon of the Mass for various feast days.	Parchment	Latin	Germany	Gothic bookhand				reverse	2	Lewis E M 44:10		reverse	cd 5091 2111 9467	48-bit color	600 ppi	2	Missal
Lewis E M 44:11	Lewis E M 44.11 opening	mcai440110		1250	1299	392 x 285 mm	This image shows a leaf of a bifolium from a missal that was reused in a later binding. The decorated initial is really the monogram of the initials VD, for the beginning of the Preface of the Holy Trinity, 'Vere dignum' (Truly it is right). The work of two scribes is evident in this opening. The scribe working on the recto of the opening is later than the scribe on the verso.	Parchment	Latin	Germany	Proto-Gothic				opening	2	Lewis E M 44:11		opening	cd 5091 2111 9468	48-bit color	400 ppi	2	Missal
Lewis E M 44:11	Lewis E M 44.11 front	mcai440111		1250	1299	196 x 285 mm	This image shows a leaf of a bifolium from a missal that was reused in a later binding. The text is from the Preface of the Canon of the Mass.	Parchment	Latin	Germany	Proto-Gothic				front	1	Lewis E M 44:11		front	cd 5091 2111 9467	48-bit color	600 ppi	1	Missal
Lewis E M 44:11	Lewis E M 44.11 reverse	mcai440112		1250	1299	196 x 285 mm	Crucifixion | This image shows a leaf of a bifolium from a missal that was reused in a later binding. The miniature once prefaced the Canon of the Mass in the original manuscript.	Parchment	Latin	Germany	Proto-Gothic				reverse	3	Lewis E M 44:11		reverse	cd 5091 2111 9468	48-bit color	600 ppi	3	Missal
Lewis E M 44:12	Lewis E M 44.12 front	mcai440121		1440	1460	125 x 254 mm	The Fifth Elder | This cutting can be dated to ca. 1450. | This miniature illustrates Otto von Passau's Twenty-Four Elders, a fourteenth-century treatise developed around the Book of Revelation 4:4, in which each of the elders discourses on an aspect of Christian life, such as Seeking God, Grace, and Penance. The Free Library's miniature depicts the fifth elder, who spoke on Conscience. The passage from Revelation describes the elders as wearing crowns of gold and white garments. The artist of this manuscript, however, dressed the elders in bright colors, as we can see in this miniature and in twelve sister leaves, which are housed in various European libraries.	Parchment	German	Bavaria, Germany		Otto von Passau	Author		front	1	Lewis E M 44:12		front	cd 5091 2111 9468	48-bit color	600 ppi	1	Die Vierundzwanzig Alten oder Der goldene Thron (The Twenty-Four Elders or the Golden Throne)
Lewis E M 44:12	Lewis E M 44.12 reverse	mcai440122		1440	1460	125 x 254 mm	This cutting can be dated to ca. 1450. | This image shows the reverse of a cutting with a miniature from a manuscript of Otto von Passau's Twenty-Four Elders.	Parchment	German	Bavaria, Germany	Curisive bookhand	Otto von Passau	Author		reverse	2	Lewis E M 44:12		reverse	cd 5091 2111 9469	48-bit color	600 ppi	2	Die Vierundzwanzig Alten oder Der goldene Thron (The Twenty-Four Elders or the Golden Throne)
Lewis E M 44:13	Lewis E M 44.13 front	mcai440131		1185	1199	130 x 172 mm	Initial B with David as a Musician | This initial begins Psalm 1, 'Beatus vir' (Blessed [is] the man). The rest of the psalm continues on the reverse of the leaf. The B of the first psalm was a common place to find decoration, often with an image of King David playing music, as in this example, because David was believed to have composed the psalms. Thus the images of the king at the beginning of the book functioned as an author portrait.	Parchment	Latin	Bodensee, Germany					front	1	Lewis E M 44:13		front	cd 5091 2111 9469	48-bit color	600 ppi	1	Psalter
Lewis E M 44:13	Lewis E M 44.13 reverse	mcai440132		1185	1199	130 x 172 mm	This image shows the reverse of a cutting with an historiated initial from a psalter.	Parchment	Latin	Bodensee, Germany	Proto-Gothic				reverse	2	Lewis E M 44:13		reverse	cd 5091 2111 9469	48-bit color	600 ppi	2	Psalter
Lewis E M 44:14	Lewis E M 44.14 front	mcai440141		1240	1260	95 x 138 mm	Christ in Majesty | In this miniature, Christ appears within an almond-shaped mandorla and seated upon the arc of a sphere. He holds in his left hand an orb that represents the world while he makes a gesture of blessing with his right. In each corner are the symbols of the four evangelists. This miniature may have once decorated a psalter, as images such as this were sometimes included at the beginning of the Book of Psalms. However, as the imagery of the miniature relates to the Last Judgment, it may have decorated any number of types of religious manuscripts. As the cutting lacks any text, it is difficult to identify the context for which this image was made.	Parchment	Latin	Regensburg, Germany					front	1	Lewis E M 44:14		front	cd 5091 2111 9469	48-bit color	600 ppi	1	Psalter
Lewis E M 44:14	Lewis E M 44.14 reverse	mcai440142		1240	1260	95 x 138 mm	This image shows the reverse of a cutting with a miniature.	Parchment	Latin	Regensburg, Germany					reverse	2	Lewis E M 44:14		reverse	cd 5091 2111 9469	48-bit color	600 ppi	2	Psalter
Lewis E M 44:15	Lewis E M 44.15 front	mcai440151		1300	1315	132 x 182 mm	Initial A with the Resurrection of Christ | This initial begins the first response of the first nocturn of Matins for Easter Sunday, 'Angelus Domini descendit de celo ...' (The angel of the Lord descended from heaven).	Parchment	Latin	Regensburg?, Germany	Gothic bookhand				front	1	Lewis E M 44:15		front	cd 5091 2111 9469	48-bit color	600 ppi	1	Antiphonary
Lewis E M 44:15	Lewis E M 44.15 reverse	mcai440152		1300	1315	132 x 183 mm	This image shows the reverse of a cutting with an initial from an antiphonary.	Parchment	Latin	Regensburg?, Germany					reverse	2	Lewis E M 44:15		reverse	cd 5091 2111 9470	48-bit color	600 ppi	2	Antiphonary
Lewis E M 44:16	Lewis E M 44.16	mcai440161		1300	1325	268 x 404 mm	Initial C with the Last Supper | This cutting can be dated to ca. 1325. | This initial probably begins the Introit for the feast of Corpus Christi, 'Cibavit eos ex adype frumenti ...' (Full ears of wheat are the nourishment he gives them), as suggested by the iconography. The illumination is by a follower of the Cologne illuminator Johannes van Valkenburg, a Franciscan scribe and illuminator active from the late thirteenth century through the first quarter of the fourteenth. Another cutting in the Free Library's collection has been attributed to his hand (Lewis E M 4:3).	Parchment	Latin	Cologne?, Germany		Johannes von Valkenburg, follower of	Artist		front	1	Lewis E M 44:16		front	cd 5091 2111 9470	48-bit color	400 ppi	1	Gradual
Lewis E M 44:17	Lewis E M 44.17 front	mcai440171		1300	1325	457 x 250 mm	Initial T with a Priest praying to St. Dorothea of Caesarea | This bifolium contains the first part of the Canon of the Mass. This side of the bifolium contains the beginning of the Canon, starting with the initial T of 'Te igitur' (You therefore [most merciful father]. The opposite side of the opening contains the text and chant for the Lord's Prayer. The iconography traditionally associated with the Canon of the Mass is the Crucifixion, which is only suggested here in the form of the T as a reference to the Tau, or T-shaped Cross. In place of St. John and the Virgin, who normally flank the Cross, is a priest praying to St. Dorothea of Caesarea, a fourth-century virgin martyr. The variation indicates that this missal was intended for use in a church dedicated to this saint. | This cutting can be dated to ca. 1325.	Parchment	Latin	Germany	Gothic bookhand				front	1	Lewis E M 44:17		front	cd 5091 2111 9470	48-bit color	400 ppi	1	Missal
Lewis E M 44:17	Lewis E M 44.17 reverse	mcai440172		1300	1325	457 x 250 mm	This cutting can be dated to ca. 1325. | This image shows a reverse of a bifolium with an historiated initial.	Parchment	Latin	Germany	Gothic bookhand				reverse	2	Lewis E M 44:17		reverse	cd 5091 2111 9470	48-bit color	400 ppi	2	Missal
Lewis E M 44:18	Lewis E M 44.18 front	mcai440181		1500	1525	180 x 185 mm	Initial S with the Entombment and Lamentation | The text comes from the blessing of the chalice during mass, 'Simili modo posteaquam cenatum est accipiens et hunc preclarum calicem' (Similarly, when the supper was ended, taking also this goodly chalice). The reverse of the cutting, however, is blank, and there are no rubrics instructing the celebrant, suggesting that the cutting is not from a missal and may instead have come from a manuscript that was used for personal devotion. The initial depicts the Entombment and the Lamentation over Christ's body. The scenes decorating the border illustrate (beginning at the top) the sacrifice of Isaac, Moses and the snake, Absalom caught by the oak, the flagellation of Christ, Peter's denial, and Christ bearing the Cross. | This cutting can be dated to ca. 1525.	Parchment	Latin	Augsburg, Germany	Gothic bookhand				front	1	Lewis E M 44:18		front	cd 5091 2111 9471	48-bit color	600 ppi	1	Devotional text
Lewis E M 44:18	Lewis E M 44.18 reverse	mcai440182		1500	1525	180 x 185 mm	This cutting can be dated to ca. 1525. | This image shows the reverse of a cutting with an historiated initial from a devotional text.	Parchment	Latin	Augsburg, Germany	Gothic bookhand				reverse	2	Lewis E M 44:18		reverse	cd 5091 2111 9471	48-bit color	600 ppi	2	Devotional text
Lewis E M 44:19	Lewis E M 44.19 front	mcai440191		1475	1499	154 x 145 mm	Initial A with a Cistercian monk in prayer | This cutting can be dated to ca. 1480. | This initial begins the Introit for the first Sunday in Advent: 'Ad te levavi animam meam ...' (I lift my soul to you).	Parchment	Latin	Lower Rhine, Germany					front	1	Lewis E M 44:19		front	cd 5091 2111 9471	48-bit color	600 ppi	1	Gradual
Lewis E M 44:19	Lewis E M 44.19 reverse	mcai440192		1475	1499	154 x 145 mm	This cutting can be dated to ca. 1480. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Lower Rhine, Germany	Gothic bookhand				reverse	2	Lewis E M 44:19		reverse	cd 5091 2111 9471	48-bit color	600 ppi	2	Gradual
Lewis E M 44:20-22	Lewis E M 44.20	mcai440201		1475	1499	154 x 379 mm	Initial T | This cutting can be dated to ca. 1480. | This cutting may be from the same manuscript as Lewis E M 1:15a and E M 44:21-22.	Parchment	Latin	Middle Rhine, Germany					front 44:20	1	Lewis E M 44:20-22		front 44:20	cd 5091 2111 9473	48-bit color	600 ppi	1	Gradual
Lewis E M 44:20-22	Lewis E M 44.21	mcai440211		1475	1499	140 x 382 mm	Initial D with Christ calling Peter and Andrew | This cutting can be dated to ca. 1480. | This initial begins the Introit for the vigil of the feast of St. Andrew the Apostle (Nov. 30), 'Dominus secus mare galilee vidit duos fratres Petrum et Andream ...' (The Lord, passing by the sea of Galilee, saw the two brothers Peter and Andrew). This cutting may be from the same manuscript as Lewis E M 1:15a and E M 44:20 and 22.	Parchment	Latin	Middle Rhine, Germany					front 44:21	2	Lewis E M 44:20-22		front 44:21	cd 5091 2111 9473	48-bit color	600 ppi	2	Gradual
Lewis E M 44:20-22	Lewis E M 44.22	mcai440221		1475	1499	138 x 341 mm	Initial T | This cutting can be dated to ca. 1480. | This cutting may be from the same manuscript as Lewis E M 1:15a and E M 44:20-21.	Parchment	Latin	Middle Rhine, Germany					front 44:22	3	Lewis E M 44:20-22		front 44:22	cd 5091 2111 9474	48-bit color	600 ppi	3	Gradual
Lewis E M 44:23	Lewis E M 44.23 front	mcai440231		1400	1499	218 x 245 mm	Initial E with St. Paul on the Road to Damascus | The textual context of this initial remains to be determined.	Parchment	Latin	Spain?					front	1	Lewis E M 44:23		front	cd 5091 2111 9474	48-bit color	600 ppi	1	Breviary
Lewis E M 44:23	Lewis E M 44.23 reverse	mcai440232		1400	1499	218 x 245 mm	This image shows the reverse of a cutting with an historiated initial.	Parchment	Latin	Spain?	Rotunda				reverse	2	Lewis E M 44:23		reverse	cd 5091 2111 9474	48-bit color	600 ppi	2	Breviary
Lewis E M 44:24	Lewis E M 44.24 front	mcai440241		1175	1199	343 x 256 mm	Initial V with the Martyrdom of Isaiah | This cutting can be dated to ca. 1180. | This initial begins Isaiah 1:1, 'Visio Isaiae, filii Amos, quam vidit super Judam et Jerusalem ...' (The vision of Isaiah the son of Amos, which he saw concerning Judah and Jerusalem). According to medieval legend, Isaiah was martyred by being sawn in half. This fragment from a twelfth-century Bible was cut up during the Middle Ages and used to bind a later manuscript or early printed book.	Parchment	Latin	Würzburg?, Germany	Proto-Gothic				front	1	Lewis E M 44:24		front	cd 5091 2111 9476	48-bit color	600 ppi	1	Bible
Lewis E M 44:24	Lewis E M 44.24 reverse	mcai440242		1175	1199	343 x 256 mm	This cutting can be dated to ca. 1180. | This image shows the reverse of a cutting with an historiated initial from a Bible.	Parchment	Latin	Würzburg?, Germany	Proto-Gothic				reverse	2	Lewis E M 44:24		reverse	cd 5091 2111 9476	48-bit color	600 ppi	2	Bible
Lewis E M 44:24A	Lewis E M 44.24A front	mcai440243		1485	1499	220 x 365 mm	Crucifixion | The parent book is Missale Bambergense, 1496, by Johann Pfeyl, the second edition of the 1490 Missale Bambergense printed in that year by Johann Sensenschmidt with Heirich Petzensteiner. | This image of the Crucifixion came from a printed missal that was later illuminated. The invention of printing allowed for books to be produced in multiple copies and much more cheaply. Nevertheless, some printed books were elaborately decorated by hand. Because multiple copies of this book were produced, it is possible to determine from where in the missal this page came by comparing it to complete copies of the edition. Therefore, we know that this page came before the Canon of the Mass, which is typically were one finds an image of the Crucifixion in missals.	Parchment	Latin	Nuremburg, Germany					front	1	Lewis E M 44:24A		front	cd 5091 2111 9477	48-bit color	600 ppi	1	Missal
Lewis E M 44:24A	Lewis E M 44.24A reverse	mcai440244		1485	1499	220 x 365 mm	The parent book is Missale Bambergense, 1496, by Johann Pfeyl, the second edition of the 1490 Missale Bambergense printed in that year by Johann Sensenschmidt with Heirich Petzensteiner. | This image depicts the veneration of the Nuremberg saint Sebaldus, who stands on a pedestal and carries a model of the Church in Nuremburg that was dedicated to him. The two kneeling figures are the Nurenberg patricians, Paul Volckamer (d. 1505), on the left, and Sebald Schreyer (1446 -1520), on the right, who are identified by the coats of arms at their feet. In addition to honoring the town saint, the image serves as a donor portrait, as the two men commissioned the missal from which this leaf came. | Veneration of Saint Sebaldus	Parchment	Latin	Nuremburg, Germany	Gothic bookhand				reverse	2	Lewis E M 44:24A		reverse	cd 5091 2111 9477	48-bit color	600 ppi	2	Missal
Lewis E M 44:25	Lewis E M 44.25 front	mcai440251		1490	1510	132 x 108 mm	In this image, a lay woman, identified by her aristocratic costume, is shown praying the rosary before an image of the Virgin and Child. Although the identity of the woman is lost, one may assume that she played a role in the commissioning and use of this manuscript. This display of ownership or patronage was not uncommon. It was a way to document one's piety as well as a reminder to keep the individual in the reader's prayers. | Initial D with a Woman kneeling before the Virgin and Child | This cutting can be dated to ca. 1500.	Parchment	Latin	Germany (southern)					front	1	Lewis E M 44:25		front	cd 5091 2111 9478	48-bit color	600 ppi	1	Choir book
Lewis E M 44:25	Lewis E M 44.25 reverse	mcai440252		1490	1510	132 x 108 mm	This cutting can be dated to ca. 1500. | This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Germany (southern)	Gothic bookhand				reverse	2	Lewis E M 44:25		reverse	cd 5091 2111 9478	48-bit color	600 ppi	2	Choir book
Lewis E M 44:26	Lewis E M 44.26 front	mcai440261		1500	1515	142 x 146 mm	Initial L with St. Lawrence | This cutting can be dated to ca. 1515. | This initial probably begins the first response of the first nocturn of Matins for the feast of St. Lawrence (Aug. 10), 'Levita Laurentius bonum opus operatus est ...' (The deacon Lawrence performed a pious act).	Parchment	Latin	Germany (southern)					front	1	Lewis E M 44:26		front	cd 5091 2111 9478	48-bit color	600 ppi	1	Choir book
Lewis E M 44:26	Lewis E M 44.26 reverse	mcai440262		1500	1515	142 x 146 mm	This cutting can be dated to ca. 1515. | This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Germany (southern)	Gothic bookhand				reverse	2	Lewis E M 44:26		reverse	cd 5091 2111 9478	48-bit color	600 ppi	2	Choir book
Lewis E M 44:27-28	Lewis E M 44.27 front	mcai440271		1100	1199	167 x 215 mm	Lewis E M 44:27 and 28 are both from the same Greek manuscript that contains the New Testament, the Psalms, and the Book of Odes (a collection of Canticles from the Old and New Testaments). The manuscript from which the leaves were taken has been identified as Manuscript 1 in the Palermo Museum in Sicily, which is still mainly intact. It is not clear when these leaves were removed but it occurred sometime before 1893, for the loss is noted in a catalogue of the Palermo collection made that year. | St. John the Evangelist	Parchment	Greek	Constantinople, Turkey					front 44:27	1	Lewis E M 44:27-28		front 44:27	cd 5091 2111 9478	48-bit color	600 ppi	1	New Testament-Psalter
Lewis E M 44:27-28	Lewis E M 44.27 reverse	mcai440272		1100	1199	167 x 215 mm	This image shows the reverse of a leaf with a miniature from a Bible.	Parchment	Greek	Constantinople, Turkey					reverse 44:27	2	Lewis E M 44:27-28		reverse 44:27	cd 5091 2111 9478	48-bit color	600 ppi	2	New Testament-Psalter
Lewis E M 44:27-28	Lewis E M 44.28 front	mcai440281		1100	1199	169 x 215 mm	Moses | This miniature was positioned between the two Odes of Moses (Exodus 15:1-19 and Deuteronomy 32:1-43). The Book of Odes is found only in Eastern Orthodox Bibles, where it appears after the Psalms and comprises prayers and canticles from both the Old and New Testaments. Lewis E M 44:27 and 28 are both from the same Greek manuscript that contains the New Testament, the Psalms, and the Book of Odes. The manuscript from which the leaves were taken has been identified as Manuscript 1 in the Palermo Museum in Sicily, which is still mainly intact. It is not clear when these leaves were removed, but it occurred sometime before 1893, for the loss is noted in a catalogue of the Palermo collection made that year.	Parchment	Greek	Constantinople, Turkey					front 44:28	3	Lewis E M 44:27-28		front 44:28	cd 5091 2111 9479	48-bit color	600 ppi	3	New Testament-Psalter
Lewis E M 44:27-28	Lewis E M 44.28 reverse	mcai440282		1100	1199	169 x 215 mm	This image shows the reverse of a leaf with a miniature from a Bible.	Parchment	Greek	Constantinople, Turkey					reverse 44:28	4	Lewis E M 44:27-28		reverse 44:28	cd 5091 2111 9479	48-bit color	600 ppi	4	New Testament-Psalter
Lewis E M 45:1	Lewis E M 45.1 opening	mcai450010		1300	1350	466 x 343 mm	This bifolium from a choir book contains portions of the Gospel Lesson for Epiphany, beginning on the recto of the first folio with Luke 3:21, 'Factum est aute[m] cum baptizaretur omnis populus ...' (Now it came to pass, when all the people were baptized). The text of the lesson breaks between the two folios shown here indicating that at least one other bifolium came between the two leaves of this bifolium. | This leaf has been dated to ca. 1325. Notes to illuminator in right margin of fol. 1r, partially trimmed away: 'Hic ... e[ss]e u[...] diaco[num] le[gere] eua[n]g[elium].	Parchment	Latin	Bologna, Italy	Rotunda				opening	3	Lewis E M 45:01		opening	cd 5091 2111 9402	48-bit color	400 ppi	3	Choir book
Lewis E M 45:1	Lewis E M 45.1 front	mcai450011		1300	1350	233 x 343 mm	Initial D with a Deacon chanting from a book | This bifolium from a choir book contains portions of the Gospel Lesson for Epiphany, beginning on this folio with Luke 3:21, 'Factum est aute[m] cum baptizaretur omnis populus ...' (Now it came to pass, when all the people were baptized). In medieval celebrations of the Mass, the Gospel Lesson was intoned, or chanted, by a deacon. In the initial D, a deacon points to a representation of the same book from which a real deacon would chant the text. Opposite the initial, in the right margin, are traces of instructions left for the illuminator, who would come back after the text and musical notation had been inscribed to fill in the spaces for the illumination. Although the note has been mostly trimmed away, it indicates that an image of a deacon reading should be placed in the initial. | This leaf has been dated to ca. 1325. Notes to illuminator in right margin of fol. 1r, partially trimmed away: 'Hic ... e[ss]e u[...] diaco[num] le[gere] eua[n]g[elium].	Parchment	Latin	Bologna, Italy	Rotunda				front	1	Lewis E M 45:01		front	cd 5091 2111 9400	48-bit color	600 ppi	1	Choir book
Lewis E M 45:1	Lewis E M 45.1 reverse	mcai450012		1300	1350	233 x 343 mm	This bifolium from a choir book contains portions of the Gospel Lesson for Epiphany, beginning on the recto of the first folio with Luke 3:21, 'Factum est aute[m] cum baptizaretur omnis populus ...' (Now it came to pass, when all the people were baptized). The text on this folio is from Luke 3:31-32. | This leaf has been dated to ca. 1325. Notes to illuminator in right margin of fol. 1r, partially trimmed away: 'Hic ... e[ss]e u[...] diaco[num] le[gere] eua[n]g[elium].	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 45:01		reverse	cd 5091 2111 9400	48-bit color	600 ppi	2	Choir book
Lewis E M 45:2	Lewis E M 45.2 front	mcai450021		1290	1310	213 x 260 mm	Marriage ceremony | This cutting can be dated to ca. 1290-1310. | This cutting is from a copy of the Decretals of Pope Gregory IX (ca.1145-1241). The miniature marks the beginning of Book IV, which treats the subject of marriage. Decretals are collections of papal statements regarding canon law, or the ecclesiastical law of the Catholic Church. In 1230, Pope Gregory commissioned the Dominican friar Raymond of Pennafort to compile a new collection that would gather together and streamline earlier decretals. Gregory's Decretals supplanted the earlier ones and became the basis for all subsequent canon law.	Parchment	Latin	Bologna, Italy	Littera bononiensis	Gregory IX	Author		front	1	Lewis E M 45:02		front	cd 5091 2111 9402	48-bit color	600 ppi	1	Decretals
Lewis E M 45:2	Lewis E M 45.2 reverse	mcai450022		1290	1310	213 x 260 mm	This cutting can be dated to ca. 1290-1310. | This image shows the reverse of a cutting with a miniature from a copy of Gregory IX's Decretals.	Parchment	Latin	Bologna, Italy	Littera bononiensis	Gregory IX	Author		reverse	2	Lewis E M 45:02		reverse	cd 5091 2111 9403	48-bit color	600 ppi	2	Decretals
Lewis E M 45:3	Lewis E M 45.3 front	mcai450031						Parchment		Unknown						1	Lewis E M 45:03			cd 5091 2111 9403				Illuminated Fragment
Lewis E M 45:3	Lewis E M 45.3 reverse	mcai450032						Parchment		Unknown						2	Lewis E M 45:03			cd 5091 2111 9403				Music Fragment
Lewis E M 45:4	Lewis E M 45.4 front	mcai450041		1300	1399	46 x 110 mm	Initial I with an unidentified male saint | Not enough textual or iconographic evidence remains to identify the precise moment in the liturgy that this initial begins. It was painted, however, by an artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century. | This cutting can be dated to ca. 1360-1370.	Parchment	Latin	Bologna, Italy					front	1	Lewis E M 45:04		front	cd 5091 2111 9404	48-bit color	600 ppi	1	Choir book
Lewis E M 45:4	Lewis E M 45.4 reverse	mcai450042		1300	1399	46 x 110 mm	This cutting can be dated to ca. 1360-1370. | This image shows the reverse of a cutting from a choir book.	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 45:04		reverse	cd 5091 2111 9404	48-bit color	600 ppi	2	Choir book
Lewis E M 45:5	Lewis E M 45.5 front	mcai450051						Parchment		Unknown						1	Lewis E M 45:05			cd 5091 2111 9404				Illuminated Fragment
Lewis E M 45:5	Lewis E M 45.5 reverse	mcai450052						Parchment		Unknown						2	Lewis E M 45:05			cd 5091 2111 9404				Fragments
Lewis E M 45:6-10	Lewis E M 45.6 front	mcai450061		1350	1375	223 x 267 mm	Initial D with the Lamb of the Apocalypse victorious over the kings | This cutting can be dated to ca. 1360-1370. | This initial begins an unidentified chant. The iconography comes from a passage in the book of Revelation, which records St. John the Evangelist's vision of the Apocalypse. The passage, Rev. 17:12-14, reads: 'And the ten horns which thou sawest, are ten kings, who have not yet received a kingdom, but shall receive power as kings one hour after the beast. These have one design: and their strength and power they shall deliver to the beast. These shall fight with the Lamb, and the Lamb shall overcome them, because he is Lord of lords, and King of kings, and they that are with him are called, and elect, and faithful.' The Lamb is symbolic of Christ and the kings can be said to represent the powers of the earthly world. An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated Lewis E M 45:6-10.	Parchment	Latin	Bologna, Italy		Niccolò di Giacomo da Bologna, workshop	Artist		front 45:6	1	Lewis E M 45:06-10		front 45:6	cd 5091 2111 9404	48-bit color	600 ppi	1	Antiphonary
Lewis E M 45:6-10	Lewis E M 45.6 reverse	mcai450062		1350	1375	223 x 267 mm	This cutting can be dated to ca. 1360-1370. | This image shows the reverse of a cutting from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 45:6	2	Lewis E M 45:06-10		reverse 45:6	cd 5091 2111 9406	48-bit color	600 ppi	2	Antiphonary
Lewis E M 45:6-10	Lewis E M 45.7 front	mcai450071		1350	1375	293 x 260 mm	Initial S with the torture of St. Vincent of Saragossa | This cutting can be dated to ca. 1360-1370. | This initial begins the first response for the first nocturn of Matins for the feast of St. Vincent of Saragossa (Jan. 22), 'Sacram praesentis diei solemnitatem humili celebremus ...' (Let us celebrate with humble devotion the sacred solemnity of the present day). St. Vincent, a Spanish martyr, suffered a gruesome sequence of torments for his faith including being tied to a cross as his limbs were broken, scourged, tortured with iron combs that tore his flesh (depicted in the initial), and burnt on a gridiron, among others, before giving up his spirit. An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated Lewis E M 45:6-10.	Parchment	Latin	Bologna, Italy		Niccolò di Giacomo da Bologna, workshop	Artist		front 45:7	3	Lewis E M 45:06-10		front 45:7	cd 5091 2111 9406	48-bit color	600 ppi	3	Antiphonary
Lewis E M 45:6-10	Lewis E M 45.7 reverse	mcai450072		1350	1375	293 x 260 mm	This cutting can be dated to ca. 1360-1370. | This image shows the reverse of an cutting from a antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 45:7	4	Lewis E M 45:06-10		reverse 45:7	cd 5091 2111 9408	48-bit color	600 ppi	4	Antiphonary
Lewis E M 45:6-10	Lewis E M 45.8 front	mcai450081		1350	1375	298 x 298 mm	Initial D with the Martyrdom of St. Lucy of Syracuse | This cutting can be dated to ca. 1360-1370. | This initial may begin a variation on the first response of the first nocturn of Matins for the feast of St. Lucy (Dec. 13), ' Dilexisti iustitiam et odisti iniquitatem ...' (Thou hast loved justice, and halted iniquity). This, chant, however, is more commonly used as the Introit for the Mass of St. Lucy. St. Lucy, an early Christian virgin martyr, was stabbed to death under the orders of the Roman magistrate Paschasius for her refusal to denounce her faith.An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated Lewis E M 45:6-10.	Parchment	Latin	Bologna, Italy		Niccolò di Giacomo da Bologna, workshop	Artist		front 45:8	5	Lewis E M 45:06-10		front 45:8	cd 5091 2111 9408	48-bit color	600 ppi	5	Antiphonary
Lewis E M 45:6-10	Lewis E M 45.8 reverse	mcai450082		1350	1375	298 x 298 mm	This cutting can be dated to ca. 1360-1370. | This image shows the reverse of a cutting from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 45:8	6	Lewis E M 45:06-10		reverse 45:8	cd 5091 2111 9411	48-bit color	600 ppi	6	Antiphonary
Lewis E M 45:6-10	Lewis E M 45.9 front	mcai450091		1350	1375	265 x 225 mm	Initial D with the Martyrdom of St. Agatha of Rome | This cutting can be dated to ca. 1360-1370. | This initial begins the first response for the first nocturn of Matins for the feast of St. Agatha (Feb. 18), 'Dum torqueretur beata Agatha in mamilla graviter dixit ad iudicem impie crudelis et dire tyranne ...' (While blessed Agatha was being cruelly tortured in her breasts, she said to the judge, 'Godless, cruel, infamous tyrant'). An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated Lewis E M 45:6-10.	Parchment	Latin	Bologna, Italy		Niccolò di Giacomo da Bologna, workshop	Artist		front 45:9	7	Lewis E M 45:06-10		front 45:9	cd 5091 2111 9411	48-bit color	600 ppi	7	Antiphonary
Lewis E M 45:6-10	Lewis E M 45.9 reverse	mcai450092		1350	1375	265 x 225 mm	This cutting can be dated to ca. 1360-1370. | This image shows the reverse of a cutting from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 45:9	8	Lewis E M 45:06-10		reverse 45:9	cd 5091 2111 9412	48-bit color	600 ppi	8	Antiphonary
Lewis E M 45:6-10	Lewis E M 45.10 front	mcai450101		1350	1375	290 x 306 mm	Initial S with St. Thomas Aquinas | This cutting can be dated to ca. 1360-1370. | This initial begins the first response for the first nocturn of Matins for the feast of St. Thomas Aquinas, 'Sancti viri verbum propheticum praemonstravit mundo mirificum sanctum Thomam ...' (The prophetic word of the holy man predicted to the world the admirable St. Thomas) An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated Lewis E M 45:6-10.	Parchment	Latin	Bologna, Italy		Niccolò di Giacomo da Bologna, workshop	Artist		front 45:10	9	Lewis E M 45:06-10		front 45:10	cd 5091 2111 9412	48-bit color	600 ppi	9	Antiphonary
Lewis E M 45:6-10	Lewis E M 45.10 reverse	mcai450102		1350	1375	290 x 306 mm	This cutting can be dated to ca. 1360-1370. | This image shows the reverse of a cutting from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 45:10	10	Lewis E M 45:06-10		reverse 45:10	cd 5248 0520 3362	48-bit color	600 ppi	10	Antiphonary
Lewis E M 45:11	Lewis E M 45.11 front	mcai450111		1400	1450	120 x 179 mm	Initial F with St. Dominic (above) and his Translation (below) | This cutting can be dated to before 1445. | This initial probably begins the first response of the first nocturn of Matins for the feast of the Translation of St. Dominic, 'Fulget decus ecclesiae...' (The splendor of the Church illuminates). This initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese.	Parchment	Latin	Italy		Christoforo Cortese, attributed to	Artist		front 45:11	1	Lewis E M 45:11		front 45:11	cd 5248 0520 3362	48-bit color	600 ppi	1	Choir book
Lewis E M 45:11	Lewis E M 45.11 reverse	mcai450112		1400	1450	120 x 179 mm	This cutting can be dated to before 1445. | This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Italy	Rotunda				reverse 45:11	2	Lewis E M 45:11		reverse 45:11	cd 5248 0520 3362	48-bit color	600 ppi	2	Choir book
Lewis E M 45:12	Lewis E M 45.12 front	mcai450121						Parchment		Unknown						1	Lewis E M 45:12			cd 5248 0520 3362				Illuminated Fragment of Jesus
Lewis E M 45:12	Lewis E M 45.12 reverse	mcai450122						Parchment		Unknown						2	Lewis E M 45:12			cd 5248 0520 3362				Music Fragment
Lewis E M 45:13	Lewis E M 45.13 front	mcai450131		1425	1450	170 x 469 mm	Initial S with a Martyr saint | This cutting can be dated to before 1445. | This initial begins the Introit for the Common of Martyrs, 'Salus autem iustorum a Domino ...' (The Lord is the salvation of the just). This initial has been attributed to the later career of the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese.	Parchment	Latin	Venice, Italy	Rotunda	Christoforo Cortese	Artist		front	1	Lewis E M 45:13		front	cd 5248 0520 3356	48-bit color	400 ppi	1	Gradual
Lewis E M 45:13	Lewis E M 45.13 reverse	mcai450132		1425	1450	170 x 469 mm	This cutting can be dated to before 1445. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Venice, Italy	Rotunda				reverse	2	Lewis E M 45:13		reverse	cd 5248 0520 3356	48-bit color	400 ppi	2	Gradual
Lewis E M 45:14	Lewis E M 45.14 front	mcai450141		1250	1275	98 x 128 mm	Initial A with Christ adored by two saints | This cutting has been dated to ca. 1260-1270. | This initial begins the first response of the first nocturn of Matins for the first Sunday in Advent, 'Aspiciens a longe...' (Long had I been watching). This cutting and other cuttings in the Free Library's collection from the same antiphonary (Lewis E M 26:20-29) are some of the only examples of medieval Italian manuscript illumination in the Free Library's collection. Nearly thirty years after the execution of these initials, the character of Italian illumination and painting would fundamentally change under the leadership of artists such as the Florentine painter Giotto. The abstract tendencies in medieval art seen in these cuttings would eventually give way to a more naturalistic approach to representation, marking the beginning of the Renaissance in the history of art.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				front 45:14	1	Lewis E M 45:14		front 45:14	cd 5248 0520 3356	48-bit color	600 ppi	1	Antiphonary
Lewis E M 45:14	Lewis E M 45.14 reverse	mcai450142		1250	1275	98 x 128 mm	This cutting has been dated to ca. 1260-1270. | This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Padua or Venice, Italy	Transitional script (Italian)				reverse 45:14	2	Lewis E M 45:14		reverse 45:14	cd 5248 0520 3356	48-bit color	600 ppi	2	Antiphonary
Lewis E M 45:15-25	Lewis E M 45.15 front	mcai450151		1450	1499	258 x 364 mm	Initial E with two Apostles | This initial begins the hymn 'Exultet celum laudibus resultet terra gaudiis ...' (Let heaven rejoice with praise), sung at first Vespers for the Common of Apostles. The hymn sung at Lauds begins on the reverse or true verso. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order.	Parchment	Latin	Ferrara, Italy	Rotunda				front 45:15	1	Lewis E M 45:15-25		front 45:15	cd 5248 0520 3356	48-bit color	400 ppi	1	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.15 reverse	mcai450152		1450	1499	258 x 364 mm	Initial D with a Martyr | Initial E begins the hymn 'Eterna Christi munera apostolorum gloriam...,' sung at Lauds for the Common of Apostles. The initial D begins the hymn 'Deus tuorum militum fors et corona premium ...,' sung at first Vespers for the Common of One Martyr. The reverse of this leaf is the true recto.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 45:15	2	Lewis E M 45:15-25		reverse 45:15	cd 5248 0520 7186	48-bit color	400 ppi	2	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.16 front	mcai450161		1450	1499	259 x 369 mm	Initial D with King David | The initial D begins Psalm 38:1, 'Dixi custodiam vias meas ut non delinquam in lingua mea ...' (I said, I will take heed to my ways that I offend not with my tongue), recited at Matins on Tuesdays. The Old Testament king David, who was believed to have composed the psalms, is pictured in the initial pointing to his mouth, a reference to the first verse of the psalm. The front of this leaf is the true verso. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order.	Parchment	Latin	Ferrara, Italy	Rotunda				front 45:16	3	Lewis E M 45:15-25		front 45:16	cd 5248 0520 7186	48-bit color	400 ppi	3	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.16 reverse	mcai450162		1450	1499	259 x 369 mm	This reverse of this leaf, the true recto, contains the final verses of the hymn 'Splendor paternae gloriae' (O Splendor of God's glory), sung at Monday Lauds.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 45:16	4	Lewis E M 45:15-25		reverse 45:16	cd 5248 0520 7186	48-bit color	400 ppi	4	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.17 front	mcai450171		1450	1499	259 x 365 mm	Initial M | The front of this leaf, the true verso, begins with the hymn 'Rerum deus tenax vigor immotus ...' (O strength and stay upholding all creation), sung daily at None, and continues with the antiphons for Sundays and special feast days, followed by the Psalm reading read daily at None, beginning with Psalm 118:129. This side is the true verso. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order.	Parchment	Latin	Ferrara, Italy	Rotunda				front 45:17	5	Lewis E M 45:15-25		front 45:17	cd 5248 0520 7186	48-bit color	400 ppi	5	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.17 reverse	mcai450172		1450	1499	259 x 265 mm	The reverse of this leaf, the true recto, contains the end of the psalm and the final prayers recited daily at Sext.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 45:17	6	Lewis E M 45:15-25		reverse 45:17	cd 5248 0520 7187	48-bit color	400 ppi	6	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.18 front	mcai450181		1450	1499	259 x 368 mm	Initial A | The decorated initial begins the hymn 'Ad cenam agni providi ...' (Foreseeing the supper of the Lamb), sung at Vespers on Sundays during Eastertide. The text above, which continues from the reverse, or true recto, is from the hymn 'Lustris sex qui iam peractis tempus implens corporis ...' (Thus did Christ to perfect manhood in our mortal flesh attain ...). Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order.	Parchment	Latin	Ferrara, Italy	Rotunda				front 45:18	7	Lewis E M 45:15-25		front 45:18	cd 5248 0520 7187	48-bit color	400 ppi	7	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.18 reverse	mcai450182		1450	1499	259 x 368 mm	This reverse of this leaf, the true recto, contains verses from the hymn, 'Pange lingua gloriosi proelium certaminis ...' (Sing my tongue the Savior's glory), sung daily during Holy Week.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 45:18	8	Lewis E M 45:15-25		reverse 45:18	cd 5248 0520 7187	48-bit color	400 ppi	8	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.19 front	mcai450191		1450	1499	261 x 363 mm	Initial I with a Virgin saint | The initial begins the hymn 'Ihesu corona virginum que mater illa concepit ...' (Jesus, the Virgin's crown, born of that Mother), sung here at Vespers for the Common of Virgins. This side of the leaf is the true recto. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order.	Parchment	Latin	Ferrara, Italy	Rotunda				front 45:19	9	Lewis E M 45:15-25		front 45:19	cd 5248 0520 7187	48-bit color	400 ppi	9	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.19 reverse	mcai450192		1450	1499	261 x 363 mm	The reverse of this leaf, the true verso, contains the hymn, 'Virginis prolex opifexque matris ...' (Jesus, Son of the Virgin, and your Mother's creator), sung at Matins for the Common of Virgins.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 45:19	10	Lewis E M 45:15-25		reverse 45:19	cd 5248 0520 7188	48-bit color	400 ppi	10	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.20 front	mcai450201		1450	1499	260 x 366 mm	Initial S with a Martyr saint | This initial begins the hymn, 'Sanctorum meritis inclita gaudia pangamus socii gesta ...' (Let us sing with glorious praise the triumphs of the saints), sung at Vespers for the Common of Several Martyrs. This side of the leaf is the true verso. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order.	Parchment	Latin	Ferrara, Italy	Rotunda				front 45:20	11	Lewis E M 45:15-25		front 45:20	cd 5248 0520 7188	48-bit color	400 ppi	11	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.20 reverse	mcai450202		1450	1499	260 x 366 mm	This side of the leaf, the true recto, contains the last verses of the hymn at Vespers for the Common of One Martyr, and the beginning of the hymn 'Martir dei qui unicum patris sequendo filium ...' (Martyr of God, follower of the Father's only Son), sung at Lauds of the Common of One Martyr.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 45:20	12	Lewis E M 45:15-25		reverse 45:20	cd 5248 0520 7188	48-bit color	400 ppi	12	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.21 front	mcai450211		1450	1499	260 x 368 mm	Initial D | This side of the leaf, the true verso, contains last verses of the hymn 'Rector potens verax deus ...' (Mighty ruler, faithful God), sung daily at Sext, and the first verses of the psalm reading for Sext, beginning with Psalm 81:118, 'Defecit in salutare tuum anima mea ...' (My soul pines for your salvation). Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order.	Parchment	Latin	Ferrara, Italy	Rotunda				front 45:21	13	Lewis E M 45:15-25		front 45:21	cd 5248 0520 7188	48-bit color	400 ppi	13	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.21 reverse	mcai450212		1450	1499	260 x 368 mm	This side of the leaf, the true recto, contains the last verse of the psalm reading (Psalm 118:80), the remaining prayers said at Terce, and the beginning of the hymn 'Rector potens verax deus ...' (Mighty ruler, faithful God), sung daily at Sext.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 45:21	14	Lewis E M 45:15-25		reverse 45:21	cd 5248 0520 7189	48-bit color	400 ppi	14	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.22 front	mcai450221		1450	1499	258 x 368 mm	Initial S with David in the Waters | This initial begins Psalm 68, 'Salvum me fac deus quoniam intraverunt aquae usque ad animam meam ...' (Save me, O God, for the waters have come even into my soul), recited at Matins on Thursday. Traditionally, the iconography for the illustration of this psalm calls for the Old Testament king David in the waters praying to God in heaven. Here, the representation of David as Classical male nude desperately clinging to the tree is indicative of the influence of Humanism on Italian artists. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order.	Parchment	Latin	Ferrara, Italy	Rotunda				front 45:22	15	Lewis E M 45:15-25		front 45:22	cd 5248 0520 7189	48-bit color	400 ppi	15	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.22 reverse	mcai450222		1450	1499	258 x 368 mm	This side of the leaf, the true recto, contains the beginning of Matins on Thursdays, including the hymn, 'Nox atra rerum contegit terre calores omnium ...' (Night's pall has shrouded in darkness the colors of creation).	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 45:22	16	Lewis E M 45:15-25		reverse 45:22	cd 5248 0520 7189	48-bit color	400 ppi	16	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.23 front	mcai450231		1450	1499	260 x 365 mm	Initial D | This initial begins the first of two psalm readings for Prime on Sundays, beginning with Psalm 53:3, 'Deus in nomine tuo salvum me fac ...' (O God, by your name, save me). The second psalm is Psalm 117, 'Confitemini domino quam bonus ...' (Give thanks to the Lord, for he is good). This side of the leaf is the true recto. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order.	Parchment	Latin	Ferrara, Italy	Rotunda				front 45:23	17	Lewis E M 45:15-25		front 45:23	cd 5248 0520 7189	48-bit color	400 ppi	17	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.23 reverse	mcai450232		1450	1499	260 x 365 mm	The text on this side of the leaf, the true verso, continues Psalm 117, 'Confitemini domino quoniam bonus ...' (Give thanks to the Lord, for he is good), which begins on the front. This psalm is the first psalm recited at Prime on Sunday.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 45:23	18	Lewis E M 45:15-25		reverse 45:23	cd 5248 0520 7190	48-bit color	400 ppi	18	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.24 front	mcai450241		1450	1499	260 x 366 mm	Initial C with St. John the Baptist | With this initial, the illuminator has made a small mistake. The initial C should be a U, beginning the hymn 'Ut queant laxis resonare furbris (sic) mira gestor[um] famuli tuorum ...' (So that your servants may, with loosened voices, resound the wonders of your deeds), sung at first Vespers for the feast of the Birth of St. John the Baptist (June 24th). Mistakes such as these could result from the artist's inability to read the text or simply that he made the manuscript-equivalent of a typo, forming a C instead of a U. Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order.	Parchment	Latin	Ferrara, Italy	Rotunda				front 45:24	19	Lewis E M 45:15-25		front 45:24	cd 5248 0520 7190	48-bit color	400 ppi	19	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.24 reverse	mcai450242		1450	1499	260 x 266 mm	This side of the leaf, the true recto, contains the hymns 'Quodcumque vinclis super terram strinxerit ...' (Anything that you fasten on earth with chains) and 'Iam bone pastor Petre clemens accipe ...' (Now good shepherd Peter mercifully receive). These hymns were sung at first Vespers and Lauds for the feast of the Chair of St. Peter (Feb. 22).	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 45:24	20	Lewis E M 45:15-25		reverse 45:24	cd 5248 0520 7190	48-bit color	400 ppi	20	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.25 front	mcai450251		1450	1499	262 x 364 mm	Initial D with David | This initial begins Psalm 26, 'Dominus illuminatio mea et salvus mea ...' (The Lord is my light and salvation), recited at Matins on Mondays. The Old Testament king David, who is traditionally believed to have composed the psalms, is shown pointing to his eyes, enacting the first words of the psalm. According to medieval theories of vision, the eyes received the light of divine illumination that was then impressed upon the mind. 
 Lewis E M 45:15-25 are from the same manuscript. The leaves are not continuous, however, and the current numbering does not follow the original order.	Parchment	Latin	Ferrara, Italy	Rotunda				front 45:25	21	Lewis E M 45:15-25		front 45:25	cd 5248 0520 7190	48-bit color	400 ppi	21	Choir psalter
Lewis E M 45:15-25	Lewis E M 45.25 reverse	mcai450252		1450	1499	262 x 364 mm	This side of the leaf, the true verso, continues the text of Psalm 26 which begins on the front.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 45:25	22	Lewis E M 45:15-25		reverse 45:25	cd 5248 0520 7192	48-bit color	400 ppi	22	Choir psalter
Lewis E M 45:25	Lewis E M 45.25	mcai450253						Parchment		Unknown						1	Lewis E M 45:25			cd 5248 0520 7192				Iluminated Fragment
Lewis E M 45:25	Lewis E M 45.25	mcai450254						Parchment		Unknown						2	Lewis E M 45:25			cd 5248 0520 7192				Music Fragment
Lewis E M 45:26	Lewis E M 45.26 front a	mcai450263						Parchment		Unknown						1	Lewis E M 45:26			cd 5248 0520 7192				Illuminated Medieval Manuscript Fragment
Lewis E M 45:26	Lewis E M 45.26 reverse a	mcai450264						Parchment		Unknown						2	Lewis E M 45:26			cd 5248 0520 7192				Medieval Manuscript Fragment
Lewis E M 45:26	Lewis E M 45.26 front b	mcai450265						Parchment		Unknown						3	Lewis E M 45:26			cd 5248 0520 7192				Illuminated Medieval Manuscript Fragment
Lewis E M 45:26	Lewis E M 45.26 reverse b	mcai450266						Parchment		Unknown						4	Lewis E M 45:26			cd 5248 0520 7193				Medieval Manuscript Fragment
Lewis E M 45:27	Lewis E M 45.27 front	mcai450271						Parchment		Unknown						1	Lewis E M 45:27			cd 5248 0520 7193				Illuminated Medieval Manuscript Fragment
Lewis E M 45:27	Lewis E M 45.27 reverse	mcai450272						Parchment		Unknown						2	Lewis E M 45:27			cd 5248 0520 7193				Music Fragment
Lewis E M 45:28	Lewis E M 45.28 front	mcai450281						Parchment		Unknown						1	Lewis E M 45:28			cd 5248 0520 7194				Illuminated Medieval Manuscript Fragment
Lewis E M 45:28	Lewis E M 45.28 reverse	mcai450282						Parchment		Unknown						2	Lewis E M 45:28			cd 5248 0520 7194				Music Fragment
Lewis E M 46:1a	Lewis E M 46.1a front	mcai460013		1100	1150	88 x 187 mm	Although the text that this initial begins remains to be identified, it concerns St. Agatha of Catania, a virgin martyr from early Christian times. The red letters 'AG' at the top of the cutting and the mention of her name on the reverse indicate that this text is most likely a biography of the saint. | Initial P with St. Agatha	Parchment	Latin	Italy (central)	Caroline Minuscule				front	1	Lewis E M 46:01a-c		front	cd 5248 0520 7197	48-bit color	600 ppi	1	Undetermined
Lewis E M 46:1a	Lewis E M 46.1a reverse	mcai460014		1100	1150	88 x 187 mm	This image shows the reverse of a cutting with an historiated initial.	Parchment	Latin	Italy (central)	Caroline Minuscule				reverse	2	Lewis E M 46:01a-c		reverse	cd 5248 0520 7197	48-bit color	600 ppi	2	Undetermined
Lewis E M 46:1b	Lewis E M 46.1b front	mcai460015		1000	1099	79 x 102 mm	Initial M | This initial begins an undetermined passage in Florus of Lyon's commentary on the Epistles of Paul. Florus was a theologian, canonist, liturgist, and poet active in Lyon in the first half of the ninth century. The white-vine scroll decoration is very typical of manuscript illumination associated with the monasteries during the Romanesque period. It was later borrowed by illuminators of Humanist manuscripts who thought they were copying ancient manuscripts from the Classical period.	Parchment	Latin	Italy (central)		Florus of Lyon	Author		front	1	Lewis E M 46:01a-c		front	cd 5248 0520 7197	48-bit color	600 ppi	1	Biblical commentary
Lewis E M 46:1b	Lewis E M 46.1b reverse	mcai460016		1000	1099	79 x 102 mm	This image shows the reverse of a cutting with an decorated initial.	Parchment	Latin	Italy (central)	Caroline Minuscule	Florus of Lyon	Author		reverse	2	Lewis E M 46:01a-c		reverse	cd 5248 0520 7197	48-bit color	600 ppi	2	Biblical commentary
Lewis E M 46:1c	Lewis E M 46.1c front	mcai460017		1100	1150	100 x 94 mm	Initial M | The precise moment in the liturgy that this initial begins remains to be determined. The interlace pattern resulting from the entwined necks of the two birds that form the letter 'M' demonstrates the enduring legacy of pre-Christian Celtic design motifs in medieval art.	Parchment	Latin	Italy (central)	Minuscule (with some Gothic elements)				front	1	Lewis E M 46:01a-c		front	cd 5248 0520 7197	48-bit color	600 ppi	1	Choir book
Lewis E M 46:1c	Lewis E M 46.1c reverse	mcai460018		1100	1150	100 x 94 mm	This image shows the reverse of a cutting with an decorated initial from a choir book.	Parchment	Latin	Italy (central)	Minuscule (with some Gothic elements)				reverse	2	Lewis E M 46:01a-c		reverse	cd 5248 0520 7197	48-bit color	600 ppi	2	Choir book
Lewis E M 46:2	Lewis E M 46.2 front	mcai460021						Parchment		Unknown						1	Lewis E M 46:02			cd 5248 0520 7197				Illuminated Mansucript Leaf
Lewis E M 46:2	Lewis E M 46.2 reverse	mcai460022						Parchment		Unknown						2	Lewis E M 46:02			cd 5248 0520 7198				Verso of Illuminated Manuscript Leaf
Lewis E M 46:3a-c	Lewis E M 46.3 front a	mcai460033		1250	1299	108 x 122 mm	Initial H with St. Nicholas of Myra and the three youths miraculously restored to life | These cuttings can be dated to ca. 1260s-1270s. | This initial begins an unidentified chant probably sung at the first response of the first nocturn of Matins for the feast of St. Nicholas of Myra (Dec. 6). According to his legend, St. Nicholas miraculously restored to life three children who had been murdered, dismembered, and salted down in a pickling tub by a nefarious inn-keeper.	Parchment	Latin	Florence?, Italy					front a	1	Lewis E M 46:03		front a	cd 5248 0520 7198	48-bit color	600 ppi	1	Antiphonary
Lewis E M 46:3a-c	Lewis E M 46.3 reverse a	mcai460034		1250	1299	108 x 122 mm	These cuttings can be dated to ca. 1260s-1270s. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Florence?, Italy	Rotunda				reverse a	2	Lewis E M 46:03		reverse a	cd 5248 0520 7198	48-bit color	600 ppi	2	Antiphonary
Lewis E M 46:3a-c	Lewis E M 46.3 front b	mcai460035		1250	1299	86 x 71 mm	Initial L with the Martyrdom of St. Laurence of Rome | These cuttings can be dated to ca. 1260s-1270s. | This initial begins the first response of the first nocturn of Matins for the feast of St. Laurence of Rome (Aug. 10): 'Levita Laurentius bonam opus operatus est ...' (The deacon Lawrence performed a pious act). According to his legend, the third-century saint was martyred under the persecution of Roman Emperor Valerian who ordered him to be burned alive on a gridiron.	Parchment	Latin	Florence?, Italy					front b	3	Lewis E M 46:03		front b	cd 5248 0520 7198	48-bit color	600 ppi	3	Antiphonary
Lewis E M 46:3a-c	Lewis E M 46.3 reverse b	mcai460036		1250	1299	86 x 71 mm	These cuttings can be dated to ca. 1260s-1270s. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Florence?, Italy	Rotunda				reverse b	4	Lewis E M 46:03		reverse b	cd 5248 0520 7198	48-bit color	600 ppi	4	Antiphonary
Lewis E M 46:3a-c	Lewis E M 46.3 front c	mcai460037		1250	1299	115 x 136 mm	Initial F with St. John the Baptist | These cuttings can be dated to ca. 1260s-1270s. | This initial begins the first response of the first nocturn of Matins for the feast of St. John the Baptist (June 24), 'Fuit homo missus a deo ...' (There was a man sent from God).	Parchment	Latin	Florence?, Italy					front c	5	Lewis E M 46:03		front c	cd 5248 0520 7198	48-bit color	600 ppi	5	Antiphonary
Lewis E M 46:3a-c	Lewis E M 46.3 reverse c	mcai460038		1250	1299	115 x 136 mm	These cuttings can be dated to ca. 1260s-1270s. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Florence?, Italy	Rotunda				reverse c	6	Lewis E M 46:03		reverse c	cd 5248 0520 7198	48-bit color	600 ppi	6	Antiphonary
Lewis E M 46:4	Lewis E M 46.4 front	mcai460041		1340	1360	109 x 108 mm	Initial Q with St. Peter the Apostle | This initial begins an unidentified chant for a feast celebrating St. Peter. He can be identified here by the key he holds and points to with the other hand. The Gospel of Matthew (16:18-19) records that Christ symbolically gave Peter the keys to heaven.	Parchment	Latin	Florence, Italy					front	1	Lewis E M 46:04		front	cd 5248 0520 7198	48-bit color	600 ppi	1	Choir book
Lewis E M 46:4	Lewis E M 46.4 reverse	mcai460042		1340	1360	109 x 108 mm	This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 46:04		reverse	cd 5248 0520 7198	48-bit color	600 ppi	2	Choir book
Lewis E M 46:5a-b	Lewis E M 46.5 front a	mcai460053		1325	1350	152 x 131 mm	Initial B with the Holy Trinity | These cuttings can be dated to ca. 1330-1345. | This initial begins the Introit for Trinity Sunday, 'Benedicta sit sancta Trinitas ...' (Blessed be the Holy Trinity). Lewis E M 46:5a-b are from the same manuscript but were executed by different illuminators. The dividing up of labor in this way is not unusual, especially as the demand for luxury choir books grew in the fourteenth century. The illuminator of Lewis E M 46:5a has not been identified.	Parchment	Latin	Siena, Italy					front a	1	Lewis E M 46:05		front a	cd 5248 0520 7199	48-bit color	600 ppi	1	Gradual
Lewis E M 46:5a-b	Lewis E M 46.5 reverse a	mcai460054		1325	1350	152 x 131 mm	These cuttings can be dated to ca. 1330-1345. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Siena, Italy	Rotunda				reverse a	2	Lewis E M 46:05		reverse a	cd 5248 0520 7199	48-bit color	600 ppi	2	Gradual
Lewis E M 46:5a-b	Lewis E M 46.5 front b	mcai460055		1325	1350	111 x 119 mm	Initial S with St. Paul the Apostle | These cuttings can be dated to ca. 1330-1345. | This initial begins the Introit for the feast of the Conversion of St. Paul (Jan. 25), 'Scio cui credidi et certus sum ...' (I know him whom I believed and I am certain). Lewis E M 26:5a-b are from the same manuscript but were executed by different illuminators. The dividing up of labor in this way is not unusual, especially as the demand for luxury choir books grew in the fourteenth century. Lewis E M 46:5b has been attributed to the Sant'Eugenio Master, an illuminator active in Siena ca. 1330-1345. So-called after an antiphonary painted by him in the Benedictine abbey of Sant'Eugenio, this master may have been, according to recent scholarship, an illuminator named Cola di Fuccio, who was active through the Ospedale di Santa Maria della Scala in Siena. He is documented from 1316 to 1344.	Parchment	Latin	Siena, Italy		Sant'Eugenio Master (Cola di Fuccio)	Artist		front b	3	Lewis E M 46:05		front b	cd 5248 0520 7199	48-bit color	600 ppi	3	Gradual
Lewis E M 46:5a-b	Lewis E M 46.5 reverse b	mcai460056		1325	1350	111 x 119 mm	These cuttings can be dated to ca. 1330-1345. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Siena, Italy	Rotunda				reverse b	4	Lewis E M 46:05		reverse b	cd 5248 0520 7199	48-bit color	600 ppi	4	Gradual
Lewis E M 46:6	Lewis E M 46.6 front	mcai460061		1340	1360	177 x 182 mm	Initial A with Christ in Majesty appearing above a crowd | This initial begins the Introit for the first Sunday in Advent, 'Ad te levavi animam meam ...' (I raise my soul to you). Here, Christ appears above a crowd who look up at him expectantly. This non-biblical scene captures the spirit of the Advent season when Christians prepare for the celebrations of the historic birth of Christ as well as his Second Coming at the end of time. The illumination has been attributed to the Master of the Graduale del Carmine, so-called after a choir book illuminated by his hand for the church of Santa Maria del Carmine. He was active from ca. 1340-1360.	Parchment	Latin	Siena, Italy					front	1	Lewis E M 46:06		front	cd 5248 0520 7199	48-bit color	600 ppi	1	Gradual
Lewis E M 46:6	Lewis E M 46.6 reverse	mcai460062		1340	1360	177 x 182 mm	This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 46:06		reverse	cd 5248 0520 7199	48-bit color	600 ppi	2	Gradual
Lewis E M 46:7	Lewis E M 46.7 front	mcai460071		1390	1410	208 x 248 mm	Initial A with Christ appearing to David and a group of Camaldolese monks | This cutting can be dated to ca. 1400. | This initial begins the Introit for the first Sunday in Advent, 'Ad te levavi animam meam ...' (I raise my soul to you). Here, Christ appears above a group of Camaldolese monks and the Old Testament king David, who looks up at him expectantly. This non-biblical scene captures the spirit of the Advent season when Christians prepare for the celebrations of the historic birth of Christ as well as his Second Coming at the end of time. This initial has been attributed to the Sienese illuminator Andrea di Bartolo, an artist active in Siena from ca. 1390 to his death in 1428.	Parchment	Latin	Siena, Italy		Andrea di Bartolo	Artist		front	1	Lewis E M 46:07		front	cd 5248 0520 7200	48-bit color	600 ppi	1	Gradual
Lewis E M 46:7	Lewis E M 46.7 reverse	mcai460072		1390	1410	208 x 248 mm	This cutting can be dated to ca. 1400. | This is a reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 46:07		reverse	cd 5248 0520 7200	48-bit color	600 ppi	2	Gradual
Lewis E M 46:8	Lewis E M 46.8 front	mcai460081		1450	1475	216 x 306 mm	Initial I with St. John the Evangelist | This cutting can be dated to ca. 1460. | This initial begins the Introit for the feast of St. John the Evangelist (Dec. 27): 'In medio ecclesie aperuit os eius ...' (In the middle of the church, he opened his mouth). The inscription in the book the saint holds is not legible, but it begins with the letter 'I,' suggesting the opening of John's Gospel, 'In principio erat verbum ...' (In the beginning was the Word). Although executed by different artists, physical evidence indicates that Lewis E M 46:8-9 are from the same manuscript. The illuminator of this initial is a close follower of Francesco di Antonio del Chierico (active c.1452-d.1484), a Florentine illuminator who was a favorite of the Florentine statesman and patron of the arts Lorenzo de' Medici (January 1, 1449 9 April 1492).	Parchment	Latin	Florence, Italy	Rotunda	Francesco d'Antonio del Chierico, follower of	Artist		front	1	Lewis E M 46:08		front	cd 5248 0520 7201	48-bit color	600 ppi	1	Gradual
Lewis E M 46:8	Lewis E M 46.8 reverse	mcai460082		1450	1475	216 x 306 mm	This cutting can be dated to ca. 1460. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 46:08		reverse	cd 5248 0520 7201	48-bit color	600 ppi	2	Gradual
Lewis E M 46:9	Lewis E M 46.9 front	mcai460091		1450	1475	294 x 228 mm	Filippo di Matteo Torelli was the artist of the initial. This can be dated to ca. 1460. | Initial L with the Swaddled Christ-child borne by angels | This initial begins the Introit for the Second Mass at Christmas: 'Lux fulgebit hodie super nos ...' (Today, the light will shine upon us). The decoration of this initial has been identified as the work of two Florentine artists: Ser Ricciardo di Nanni, who painted the figure of the Christ-Child, and Filippo di Matteo Torelli, who was responsible for the initial itself. Ricciardo (fl. 144980), a priest at Castel Fiorentiono was a student of Torelli's (1409 - 2 May, 1468), and they frequently collaborated on projects. Although they were executed by different artists, physical evidence indicates that Lewis E M 46:8-9 are from the same manuscript.	Parchment	Latin	Italy	Rotunda	Ser Ricciardo di Nanni | Filippo di Matteo Torelli	Artist		front	1	Lewis E M 46:09		front	cd 5248 0520 7202	48-bit color	600 ppi	1	Gradual
Lewis E M 46:9	Lewis E M 46.9 reverse	mcai460092		1450	1475	294 x 228 mm	Filippo di Matteo Torelli was the artist of the initial. This can be dated to ca. 1460. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 46:09		reverse	cd 5248 0520 7202	48-bit color	600 ppi	2	Gradual
Lewis E M 46:10	Lewis E M 46.10 front	mcai460101		1440	1460	217 x 318 mm	Initial B with a Dominican Monk at prayer | This initial begins Psalm 143, 'Benedictus Dominus Deus meus ...' (Blessed by the Lord, my God), sung at Saturday Vespers for the Divine Office.	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 46:10		front	cd 5248 0520 7203	48-bit color	600 ppi	1	Breviary
Lewis E M 46:10	Lewis E M 46.10 reverse	mcai460102		1440	1460	217 x 318 mm	This image shows the reverse of a cutting with an historiated initial from a breviary.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 46:10		reverse	cd 5248 0520 7203	48-bit color	600 ppi	2	Breviary
Lewis E M 46:11	Lewis E M 46.11 front	mcai460111		1440	1460	235 x 415 mm	Initial T with the Apostles | This initial begins the hymn 'Tristes erat apostoli ...' (Sad were the Apostles). This hymn was sung during the feast of the Apostles and Evangelists in Paschaltide.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 46:11		front	cd 5248 0520 7204	48-bit color	400 ppi	1	Hymnal
Lewis E M 46:11	Lewis E M 46.11 reverse	mcai460112		1440	1460	235 x 415 mm	This image shows the reverse of a cutting with an historiated initial from a hymnal.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 46:11		reverse	cd 5248 0520 7204	48-bit color	400 ppi	2	Hymnal
Lewis E M 46:12	Lewis E M 46.12 front	mcai460121		1440	1460	125 x 329 mm	Initial A with the Resurrected Christ | This initial begins the hymn, 'Ad cenam agni providi ...' (At the Lamb's table I discerned...). This hymn was sung on Easter Sunday.	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 46:12		front	cd 5248 0520 7204	48-bit color	600 ppi	1	Hymnal
Lewis E M 46:12	Lewis E M 46.12 reverse	mcai460122		1440	1460	125 x 329 mm	This image shows the reverse of a cutting with an historiated initial from a hymnal.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 46:12		reverse	cd 5248 0520 7204	48-bit color	600 ppi	2	Hymnal
Lewis E M 46:13	Lewis E M 46.13	mcai460131		1500	1525	242 x 344 mm	Decorative border and an initial S with the Holy Spirit as a dove above a landscape | These cuttings once belonged to the missal of Cardinal Giulio de Medici, commissioned sometime before he became Pope Clement VII in 1523. Painted by the illuminator Matteo da Milano (active ca. 1492-1523), the missal was stolen from the Sistine Chapel by Napoleons troops in 1798 and later came into the possession of the collector Luigi Celotti, who dismembered the codex and sold it as single leaves in 1825 at a major sale at Christies. Celotti is responsible for adding the cartouche identifying the missals one-time patron. | This cutting can be dated to ca. 1513-1523.	Parchment	Latin	Rome, Italy	Display script	Matteo da Milano	Artist		front	1	Lewis E M 46:13		front	cd 5248 0520 7205	48-bit color	600 ppi	1	Missal
Lewis E M 46:14	Lewis E M 46.14 front	mcai460141		1350	1375	235 x 328 mm	Initial I with Christ holding a scroll | This initial begins the first response of the first nocturn of Matins of the feast of the Circumcision (Jan. 1), 'In principio erat verbum ...' (In the beginning was the Word).	Parchment	Latin	Tuscany, Italy	Rotunda				front	1	Lewis E M 46:14		front	cd 5248 0520 7205	48-bit color	600 ppi	1	Antiphonary
Lewis E M 46:14	Lewis E M 46.14 reverse	mcai460142		1350	1375	235 x 328 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Tuscany, Italy	Rotunda				reverse	2	Lewis E M 46:14		reverse	cd 5248 0520 7206	48-bit color	600 ppi	2	Antiphonary
Lewis E M 46:15	Lewis E M 46.15 front	mcai460151		1290	1310	135 x 346 mm	Initial C with two unidentified saints praying at an altar | This cutting can be dated to ca. 1300. | This initial begins the first response of the first nocturn of Matins for the Pro Defunctis or Office of the Dead, 'Credo quo redemptor meus vivit ...' (I know that my Redeemer lives).	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 46:15		front	cd 5248 0520 7206	48-bit color	600 ppi	1	Antiphonary
Lewis E M 46:15	Lewis E M 46.15 reverse	mcai460152		1290	1310	135 x 346 mm	This cutting can be dated to ca. 1300. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 46:15		reverse	cd 5248 0520 7207	48-bit color	600 ppi	2	Antiphonary
Lewis E M 46:16	Lewis E M 46.16 front	mcai460161		1400	1499	193 x 208 mm	Initial H with the Adoration of the Magi | This initial begins the first response of the first nocturn of Matins for the feast of the Epiphany (Jan. 6), 'Hodie in Jordane baptizato Domino...' (Today, when the Lord had been baptized in the Jordan). The inclusion of Joseph, the Virgin Mary's husband, points to changes in late medieval attitudes towards Christ's foster-father. Traditionally, Joseph would only infrequently appear in scenes of the Nativity and the Adoration of the Magi, and when he did, he was often depicted as a crippled old man or sometimes more negatively as an inept buffoon. As devotion in the late Middle Ages became more personal, however, theologians and, later, artists adopted a more positive attitude toward Joseph by giving him a more respectable image as the loving and attentive foster-father.	Parchment	Latin	Italy (northeastern)					front	1	Lewis E M 46:16		front	cd 5248 0520 7207	48-bit color	600 ppi	1	Antiphonary
Lewis E M 46:16	Lewis E M 46.16 reverse	mcai460162		1400	1499	193 x 208 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Italy (northeastern)	Rotunda				reverse	2	Lewis E M 46:16		reverse	cd 5248 0520 7207	48-bit color	600 ppi	2	Antiphonary
Lewis E M 46:17	Lewis E M 46.17 front	mcai460171		1450	1499	210 x 310 mm	Initial P with the Nativity | This initial begins the Introit for the Third Mass on Christmas Day, 'Puer natus est nobis ...' (For our sakes, a child is born).	Parchment	Latin	Italy (northern)	Rotunda				front	1	Lewis E M 46:17		front	cd 5248 0520 7208	48-bit color	600 ppi	1	Missal
Lewis E M 46:17	Lewis E M 46.17 reverse	mcai460172		1450	1499	210 x 310 mm	This image shows the reverse of a leaf with an historiated initial from a missal. This side of the leaf, the true recto, is part of the Second Mass for Christmas Day, from the Gospel reading of Luke 2:15-20 to the Postcommunion prayer.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 46:17		reverse	cd 5248 0520 7208	48-bit color	600 ppi	2	Missal
Lewis E M 46:18	Lewis E M 46.18 front	mcai460181		1300	1350	168 x 295 mm	Initial P with the Nativity and the Angel's Annunciation to the Shepherds | This cutting can be dated to ca. 1325. | This initial begins the Introit for the Third Mass on Christmas Day, 'Puer natus est nobis ...' (For our sakes, a child is born).	Parchment	Latin	Italy					front	1	Lewis E M 46:18		front	cd 5248 0520 2631	48-bit color	600 ppi	1	Gradual
Lewis E M 46:18	Lewis E M 46.18 reverse	mcai460182		1300	1350	168 x 295 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 46:18		reverse	cd 5248 0520 2631	48-bit color	600 ppi	2	Gradual
Lewis E M 46:19	Lewis E M 46.19 front	mcai460191		1290	1310	135 x 161 mm	Initial P with the Nativity | This cutting can be dated to ca. 1300. | This initial begins the Introit for the Third Mass on Christmas Day, 'Puer natus est nobis ...' (For our sakes, a child is born).	Parchment	Latin	Rimini?, Italy					front	1	Lewis E M 46:19		front	cd 5248 0520 2631	48-bit color	600 ppi	1	Gradual
Lewis E M 46:19	Lewis E M 46.19 reverse	mcai460192		1290	1310	135 x 161 mm	This cutting can be dated to ca. 1300. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Rimini?, Italy					reverse	2	Lewis E M 46:19		reverse	cd 5248 0520 2631	48-bit color	600 ppi	2	Gradual
Lewis E M 47:1	Lewis E M 47.1 front	mcai470011		1375	1399	173 x 234 mm	Initial I with Christ, a bishop saint (possibly St. Ambrose), and St. Benedict of Nursia. | This cutting can be dated to ca. 1280. | This initial probably begins the Introit for the Common of the Doctors of the Church, 'In medio ecclesiae aperuit os eius ...' (In the midst of the temple he opened his mouth). The bishop seated below the head of Christ may be St. Ambrose, one of the four Doctors of the Church, and bishop of Milan from 374-397. The Benedictine saint below is likely to be St. Benedict of Nursia, the founder of the Benedictine Order and father of Western monasticism.	Parchment	Latin	Padua, Italy	Rotunda				front	1	Lewis E M 47:01		front	cd 5248 0520 2632	48-bit color	600 ppi	1	Gradual
Lewis E M 47:1	Lewis E M 47.1 reverse	mcai470012		1375	1399	173 x 234 mm	This cutting can be dated to ca. 1280. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Padua, Italy	Rotunda				reverse	2	Lewis E M 47:01		reverse	cd 5248 0520 2632	48-bit color	600 ppi	2	Gradual
Lewis E M 47:2	Lewis E M 47.2 front	mcai470021		1250	1299	196 x 171 mm	Initial M with the Annunciation | This cutting can be dated to ca. 1270-1280. | This initial begins the Introit for the feast of the Annunciation (Mar. 25), 'Missus est Gabriel Angelus ...' (The Angel Gabriel was sent).	Parchment	Latin	Italy (central)	Rotunda				front	1	Lewis E M 47:02		front	cd 5248 0520 2632	48-bit color	600 ppi	1	Gradual
Lewis E M 47:2	Lewis E M 47.2 reverse	mcai470022		1250	1299	196 x 171 mm	This cutting can be dated to ca. 1270-1280. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Italy (central)	Rotunda				reverse	2	Lewis E M 47:02		reverse	cd 5248 0520 2632	48-bit color	600 ppi	2	Gradual
Lewis E M 47:3	Lewis E M 47.3 front	mcai470031		1250	1299	128 x 188 mm	Although the precise moment in the liturgy that this initial begins remains to be determined, this monk's black robe identifies him as a Benedictine saint who is most likely the order's founder, St. Benedict of Nursia. The book in his left hand would then represent his 'Rule,' the text upon which Western monasticism is founded. | Initial I with St. Benedict of Nursia | This cutting can be dated to ca. 1275.	Parchment	Latin	Umbria, Italy	Rotunda				front	1	Lewis E M 47:03		front	cd 5248 0520 2638	48-bit color	600 ppi	1	Choir book
Lewis E M 47:3	Lewis E M 47.3 reverse	mcai470032		1250	1299	128 x 188 mm	This cutting can be dated to ca. 1275. | This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Umbria, Italy	Rotunda				reverse	2	Lewis E M 47:03		reverse	cd 5248 0520 2638	48-bit color	600 ppi	2	Choir book
Lewis E M 47:3A	Lewis E M 47.3A front	mcai470033		1300	1315	233 x 197 mm	Initial P with the Nativity | This initial begins the Introit for the Third Mass of Christmas Day, 'Puer natus est nobis ...' (For our sakes a child is born).	Parchment	Latin	Venice, Italy					front	1	Lewis E M 47:03A		front	cd 5248 0520 2638	48-bit color	600 ppi	1	Gradual
Lewis E M 47:3A	Lewis E M 47.3A reverse	mcai470034		1300	1315	233 x 197 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Venice, Italy	Rotunda				reverse	2	Lewis E M 47:03A		reverse	cd 5248 0520 2638	48-bit color	600 ppi	2	Gradual
Lewis E M 47:4	Lewis E M 47.4 front	mcai470041		1540	1560	155 x 223 mm	A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. In this miniature, the unknown recipient wearing a monk's habit prays to the Virgin and Child. The illumination of this leaf and several others in the Free Library's collection (Lewis E M 47:5,6,9, 11, and 75:9) was executed in the workshop of a Venetian illuminator active from the 1520s to the 1570s. Known as the 'Master T.o Ve,' he is so-called after a note on another dogale leaf illuminated by his hand now in the Cini Foundation in Venice. | Leaf from a Dogale	Parchment	Latin	Venice, Italy		Master T.o Ve	Artist		front	1	Lewis E M 47:04		front	cd 5248 0520 2640	48-bit color	600 ppi	1	Dogale
Lewis E M 47:4	Lewis E M 47.4 reverse	mcai470042		1540	1560	155 x 223 mm	This image shows the reverse of a leaf with a miniature from a dogale.	Parchment	Latin	Venice, Italy					reverse	2	Lewis E M 47:04		reverse	cd 5248 0520 2640	48-bit color	600 ppi	2	Dogale
Lewis E M 47:5	Lewis E M 47.5 front	mcai470051	1523	1500	1525	139 x 209 mm	A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. In this miniature, Bartholomeo Zorsi, identified here by his coat of arms below, kneels before the Virgin and Christ-child, who extends a hand in blessing toward the governor. St. Bartholomew, his protector saint, appears off to the side with his flayed skin thrown over his shoulder. Above is the lion of St. Mark, the patron saint of Venice. The illumination of this leaf and several others in the Free Library's collection (Lewis E M 47:5,6,9, 11, and 75:9) was executed in the workshop of a Venetian illuminator active from the 1520s to the 1570s. Known as the 'Master T.o Ve,' he is so-called after a note on another dogale leaf illuminated by his hand now in the Cini Foundation in Venice. | Leaf from a Dogale issued by Doge Andrea Gritti (1523-1528) to Bartholomeo Georgio as governor of Monfalcone	Parchment	Latin	Venice, Italy		Master T.o Ve	Artist		front	1	Lewis E M 47:05		front	cd 5248 0520 2640	48-bit color	600 ppi	1	Dogale
Lewis E M 47:5	Lewis E M 47.5 reverse	mcai470052	1523	1500	1525	139 x 209 mm	This image shows the reverse of a leaf with a miniature from a dogale.	Parchment	Latin	Venice, Italy	Cancelleresca				reverse	2	Lewis E M 47:05		reverse	cd 5248 0520 2640	48-bit color	600 ppi	2	Dogale
Lewis E M 47:6	Lewis E M 47.6 front	mcai470061		1540	1560	163 x 231 mm	A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. In this miniature, the recipient kneels before the Virgin and Child. Behind him are two saints who appear to be St. John the Evangelist and St. Francis of Assisi, providing possible clues to the recipient's Christian name. The illumination of this leaf and several others in the Free Library's collection (Lewis E M 47:5,6,9, 11, and 75:9) was executed in the workshop of a Venetian illuminator active from the 1520s to the 1570s. Known as the 'Maestro T.o Ve,' he is so-called after a note on another dogale leaf illuminated by his hand now in the Cini Foundation in Venice. | Leaf from a Dogale	Parchment	Latin	Venice, Italy		Master T.o Ve	Artist		front	1	Lewis E M 47:06		front	cd 5248 0520 2634	48-bit color	600 ppi	1	Dogale
Lewis E M 47:6	Lewis E M 47.6 reverse	mcai470062		1540	1560	163 x 231 mm	This image shows the reverse of a leaf with a miniature from a dogale.	Parchment	Latin	Venice, Italy	Cancelleresca				reverse	2	Lewis E M 47:06		reverse	cd 5248 0520 2634	48-bit color	600 ppi	2	Dogale
Lewis E M 47:7	Lewis E M 47.7	mcai470071		1540	1560	141 x 206 mm	A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogale was usually religious in nature to suggest the approval of divine authority. In this miniature, the unknown recipient takes a book from St. Mark seated upon a lion, his symbol, as God looks on from above. As the patron saint of Venice, St. Mark represents the city and by extension, the Doge. | Leaf from a Dogale	Parchment	Latin	Venice, Italy					front	1	Lewis E M 47:07		front	cd 5248 0520 2634	48-bit color	600 ppi	1	Dogale
Lewis E M 47:8	Lewis E M 47.8	mcai470081		1540	1560	148 x 200 mm	A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogale was usually religious in nature to suggest the approval of divine authority. In this miniature, the Archangel Gabriel stands at the base of stairs leading to heaven and directs the unknown recipient, whose name may have been Gabriel, towards God. | Leaf from a Dogale	Parchment	Latin	Venice, Italy					front	1	Lewis E M 47:08		front	cd 5248 0520 2634	48-bit color	600 ppi	1	Dogale
Lewis E M 47:9	Lewis E M 47.9	mcai470091		1540	1560	159 x 231 mm	A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogale was usually religious in nature to suggest the approval of divine authority. In this miniature, the unknown recipient takes a book from St. Mark seated upon a lion, his symbol as the Virgin and Child look on from above. As the patron saint of Venice, St. Mark represents the city and by extension, the Doge. The illumination of this leaf and several others in the Free Library's collection (Lewis E M 47:5,6,9, 11, and 75:9) was executed in the workshop of a Venetian illuminator active from the 1520s to the 1570s. Known as the 'Master T.o Ve,' he is so-called after a note on another dogale leaf illuminated by his hand now in the Cini Foundation in Venice. | Leaf from a Dogale	Parchment	Latin	Venice, Italy		Master T.o Ve	Artist		front	1	Lewis E M 47:09		front	cd 5248 0520 2636	48-bit color	600 ppi	1	Dogale
Lewis E M 47:10	Lewis E M 47.10	mcai470101						Parchment		Unknown						1	Lewis E M 47:10			cd 5248 0520 2636				Illuminated Manuscript Fragment
Lewis E M 47:11	Lewis E M 47.11 front	mcai470111		1540	1560	158 x 225 mm	A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. In this miniature, the recipient kneels before the Virgin and Child. Behind him are two saints. The first saint is St. Philip the Apostle, identified here by his cross. The other saint has been identified as St. Louis of Toulouse, to whom a Franciscan church in Venice called San Alvise (the Venetian dialect form of Louis) is dedicated. The illumination of this leaf and several others in the Free Library's collection (Lewis E M 47:5,6,9, 11, and 75:9) was executed in the workshop of a Venetian illuminator active from the 1520s to the 1570s. Known as the 'Master T.o Ve,' he is so-called after a note on another dogale leaf illuminated by his hand now in the Cini Foundation in Venice. | Leaf from a Dogale	Parchment	Latin	Venice, Italy		Master T.o Ve	Artist		front	1	Lewis E M 47:11		front	cd 5248 0520 2636	48-bit color	600 ppi	1	Dogale
Lewis E M 47:11	Lewis E M 47.11 reverse	mcai470112		1540	1560	158 x 225 mm	This image shows the reverse of a leaf with a miniature from a dogale.	Parchment	Latin	Venice, Italy					reverse	2	Lewis E M 47:11		reverse	cd 5248 0520 2636	48-bit color	600 ppi	2	Dogale
Lewis E M 47:11A	Lewis E M 47.11A front≥	mcai470113		1540	1560	154 x 217 mm	A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogale was usually religious in nature to suggest the approval of divine authority. In this miniature, an unidentified recipient kneels in prayer before the Virgin and Child standing beneath a medallion with the dove of the Holy Spirit. Behind the recipient is an unidentified Franciscan saint, possibly St. Francis of Assisi. | Leaf from a Dogale	Parchment	Latin | Italian	Venice, Italy					front	1	Lewis E M 47:11A		front	cd 5248 0520 2644	48-bit color	600 ppi	1	Dogale
Lewis E M 47:11A	Lewis E M 47.11A reverse	mcai470114		1540	1560	154 x 217 mm	This image shows the reverse of a leaf with a miniature from a dogale.	Parchment	Latin | Italian	Venice, Italy	Cancelleresca				reverse	2	Lewis E M 47:11A		reverse	cd 5248 0520 2644	48-bit color	600 ppi	2	Dogale
Lewis E M 47:12-15	Lewis E M 47.12 front	mcai470121		1300	1350	233 x 330 mm	Initial A with Isaiah prophesying the coming of Christ | This cutting can be dated to ca. 1325. | This initial begins the first response of the first nocturn of Matins for the first Sunday in Advent, 'Aspiciens a longe ...' (Long had I been watching). Lewis E M 47:12-15 appear to be from the same manuscript based on similarities in layout, script, and other physical evidence. If this is the case, the manuscript was illuminated by at least two artists, one of whom was either French or working in the manner of contemporary French painting. His work can be seen in the figures in this initial, especially in the depiction of the two figures.	Parchment	Latin	Italy	Rotunda				front 47:12	1	Lewis E M 47:12-15		front 47:12	cd 5248 0520 2644	48-bit color	600 ppi	1	Antiphonary
Lewis E M 47:12-15	Lewis E M 47.12 reverse	mcai470122		1300	1350	233 x 330 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial. This side of the leaf, the true recto, contains the Magnificat antiphon of first Vespers, the invitatory for Matins and the first antiphon for the first nocturn of Matins for the first Sunday in Advent.	Parchment	Latin	Italy	Rotunda				reverse 47:12	2	Lewis E M 47:12-15		reverse 47:12	cd 5248 0520 2637	48-bit color	600 ppi	2	Antiphonary
Lewis E M 47:12-15	Lewis E M 47.13 front	mcai470131		1300	1350	235 x 331 mm	Initial D with St. Andrew the Apostle | This cutting can be dated to ca. 1325. | This initial begins the first response of the first nocturn of Matins for the feast of St. Andrew (Nov. 30), 'Dum perambularet Dominus iuxta mare ...' (As the Lord was walking by the sea). Lewis E M 47:13-15 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 47:13	3	Lewis E M 47:12-15		front 47:13	cd 5248 0520 2637	48-bit color	600 ppi	3	Antiphonary
Lewis E M 47:12-15	Lewis E M 47.13 reverse	mcai470132		1300	1350	235 x 331 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial. This side of the leaf, the true recto, contains the beginning of the liturgy for the feast of St. Andrew.	Parchment	Latin	Italy	Rotunda				reverse 47:13	4	Lewis E M 47:12-15		reverse 47:13	cd 5248 0520 2646	48-bit color	600 ppi	4	Antiphonary
Lewis E M 47:12-15	Lewis E M 47.14 front	mcai470141		1300	1350	237 x 330 mm	Initial L with Abraham communicating with God | This cutting can be dated to ca. 1325. | This initial begins the first response for the first nocturn of Matins for Quinquagesima Sunday, 'Locutus est Dominus ad Abraham ...' (The Lord appeared to Abraham). Here, God is represented only by his hand that extends from the heavens to bless the Old Testament patriarch. Lewis E M 47:12-15 appear to be from the same manuscript based on similarities in layout, script, and other physical evidence. If this is the case, the manuscript was illuminated by at least two artists, one of whom was either French or working in the manner of contemporary French painting (see Lewis E M 47:12:15).	Parchment	Latin	Italy	Rotunda				front 47:14	5	Lewis E M 47:12-15		front 47:14	cd 5248 0520 2646	48-bit color	600 ppi	5	Antiphonary
Lewis E M 47:12-15	Lewis E M 47.14 reverse	mcai470142		1300	1350	237 x 330 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial. This side of the leaf, the true verso, continues the liturgy for Matins of Quinquagesima Sunday.	Parchment	Latin	Italy	Rotunda				reverse 47:14	6	Lewis E M 47:12-15		reverse 47:14	cd 5248 0520 2639	48-bit color	600 ppi	6	Antiphonary
Lewis E M 47:12-15	Lewis E M 47.12-15	mcai470151		1300	1350	240 x 329 mm	Initial T | This cutting can be dated to ca. 1325. | This initial begins the first response for the first nocturn of Matins for the Second Sunday in Lent, 'Tolle arma tua pharetram, et affer de venatione tua ...' (Take your weapons, quiver and bow) .Lewis E M 47:12-15 appear to be from the same manuscript based on similarities in layout, script, and other physical evidence. If this is the case, the manuscript was illuminated by at least two artists, one of whom was either French or working in the manner of contemporary French painting (see Lewis E M 47:12:15).	Parchment	Latin	Italy	Rotunda				front 47:15	7	Lewis E M 47:12-15		front 47:15	cd 5248 0520 2639	48-bit color	600 ppi	7	Antiphonary
Lewis E M 47:12-15	Lewis E M 47.12-15	mcai470152		1300	1350	240 x 329 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial. This side of the leaf, the true verso, continues the liturgy for Matins of the Second Sunday in Lent.	Parchment	Latin	Italy	Rotunda				reverse 47:15	8	Lewis E M 47:12-15		reverse 47:15	cd 5248 0520 2643	48-bit color	600 ppi	8	Antiphonary
Lewis E M 47:15	Lewis E M 47.15	mcai470153						Parchment		Unknown						1	Lewis E M 47:15			cd 5248 0520 2643				Iluminated Manuscript
Lewis E M 47:16	Lewis E M 47.16	mcai470161		1400	1450	174 x 393 mm	Initial A with St. Peter consecrating St. Hermagoras | This initial probably begins the first response of the first nocturn of Matins for the feast of St. Hermagoras (July 12), 'Accipe baculum pontificatus ...' (Accept this pontifical staff). St. Hermagoras was the first bishop and patron of Aquileia in Italy. According to his legend, he was consecrated at Rome by St. Peter. Latin inscriptions above the figure's heads identify them as St. Ermargora and St. Petrus.	Parchment	Latin	Venice?, Italy					front	1	Lewis E M 47:16		front	cd 5248 0520 2643	48-bit color	600 ppi	1	Antiphonary
Lewis E M 47:17	Lewis E M 47.17 front	mcai470171		1300	1350	104 x 293 mm	Initial I with a saintly scribe, possibly St. John the Evangelist | The liturgy that this initial begins remains to be determined, as does the iconography. The saintly scribe's youthful features suggest St. John the Evangelist. | This cutting can be dated to ca. 1325.	Parchment	Latin	Siena, Italy					front	1	Lewis E M 47:17		front	cd 5248 0520 2643	48-bit color	600 ppi	1	Choir book
Lewis E M 47:17	Lewis E M 47.17 reverse	mcai470172		1300	1350	104 x 293 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a cutting with an historiated initial from a choir book.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 47:17		reverse	cd 5248 0520 3332	48-bit color	600 ppi	2	Choir book
Lewis E M 47:18-20	Lewis E M 47.18 front	mcai470181		1290	1310	163 x 175 mm	Initial B with the Holy Trinity | These cuttings can be dated to ca. 1300. | This initial begins the Introit for Trinity Sunday, 'Benedicta sit sancta Trinitas ...' (Blessed be the Holy Trinity). Lewis E M 47:18-20, all from the same manuscript, were done by an anonymous Umbria illuminator active at the turn of the thirteenth century known as the First Master of the Gubbio Choirbooks. He is so-called after a series of choir books illuminated by his hand that are now housed in the State Archives of Gubbio, Italy.	Parchment	Latin	Umbria, Italy	Rotunda	First Master of the Gubbio Choirbooks	Artist		front 47:18	1	Lewis E M 47:18-20		front 47:18	cd 5248 0520 3332	48-bit color	600 ppi	1	Gradual
Lewis E M 47:18-20	Lewis E M 47.18 reverse	mcai470182		1290	1310	163 x 175 mm	These cuttings can be dated to ca. 1300. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Umbria, Italy	Rotunda				reverse 47:18	2	Lewis E M 47:18-20		reverse 47:18	cd 5248 0520 3332	48-bit color	600 ppi	2	Gradual
Lewis E M 47:18-20	Lewis E M 47.19 front	mcai470191		1290	1310	161 x 250 mm	Although the iconography of this initial suggests that the chant was sung during the celebration of Pentecost Sunday, the exact moment in the liturgy that this initial begins remains to be determined. Lewis E M 47:18-20, all from the same manuscript, were done by an anonymous Umbrian illuminator active at the turn of the thirteenth century known as the First Master of the Gubbio Choirbooks. He is so-called after a series of choir books illuminated by his hand that are now housed in the State Archives of Gubbio, Italy. | Initial P with the Pentecost | These cuttings can be dated to ca. 1300.	Parchment	Latin	Umbria, Italy	Rotunda	First Master of the Gubbio Choirbooks	Artist		front 47:19	3	Lewis E M 47:18-20		front 47:19	cd 5248 0520 3332	48-bit color	600 ppi	3	Gradual
Lewis E M 47:18-20	Lewis E M 47.19 reverse	mcai470192		1290	1310	161 x 250 mm	These cuttings can be dated to ca. 1300. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Umbria, Italy	Rotunda				reverse 47:19	4	Lewis E M 47:18-20		reverse 47:19	cd 5248 0520 3345	48-bit color	600 ppi	4	Gradual
Lewis E M 47:18-20	Lewis E M 47.20 front	mcai470201		1290	1310	110 x 265 mm	Initial I with a saint communicating with Christ | The liturgy that this initial begins remains to be determined. Lewis E M 47:18-20, all from the same manuscript, were done by an anonymous Umbrian illuminator active at the turn of the thirteenth century known as the First Master of the Gubbio Choirbooks. He is so-called after a series of choir books illuminated by his hand that are now housed in the State Archives of Gubbio, Italy. | These cuttings can be dated to ca. 1300.	Parchment	Latin	Umbria, Italy	Rotunda	First Master of the Gubbio Choirbooks	Artist		front 47:20	5	Lewis E M 47:18-20		front 47:20	cd 5248 0520 3345	48-bit color	600 ppi	5	Gradual
Lewis E M 47:18-20	Lewis E M 47.20 reverse	mcai470202		1290	1310	110 x 265 mm	These cuttings can be dated to ca. 1300. | This is the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Umbria, Italy	Rotunda				reverse 47:20	6	Lewis E M 47:18-20		reverse 47:20	cd 5248 0520 3345	48-bit color	600 ppi	6	Gradual
Lewis E M 47:21-22	Lewis E M 47.21 front	mcai470211		1300	1350	197 x 234 mm	Initial A with Christ in Majesty and Two Saints | These cuttings can be dated to ca. 1325. | This initial begins the first response of the first nocturn of Matins for the first Sunday in Advent, 'Aspiciens a longe ...' (Long had I been watching). In this initial, Christ appears above two saints who look up at him expectantly. This non-biblical scene captures the spirit of the Advent season when Christians prepare for the celebrations of the historic birth of Christ as well as his Second Coming at the end of time. Lewis E M 47:21-22 are from the same manuscript.	Parchment	Latin	Veneto?, Italy	Rotunda				front 47:21	1	Lewis E M 47:21-22		front 47:21	cd 5248 0520 3345	48-bit color	600 ppi	1	Antiphonary
Lewis E M 47:21-22	Lewis E M 47.21 reverse	mcai470212		1300	1350	197 x 234 mm	These cuttings can be dated to ca. 1325. | This image shows the reverse of a cutting with a decorated initial from an antiphonary.	Parchment	Latin	Veneto?, Italy	Rotunda				reverse 47:21	2	Lewis E M 47:21-22		reverse 47:21	cd 5248 0520 3349	48-bit color	600 ppi	2	Antiphonary
Lewis E M 47:21-22	Lewis E M 47.22 front	mcai470221		1300	1350	188 x 232 mm	Initial A with the Three Marys at the Tomb | These cuttings can be dated to ca. 1325. | This initial begins the first response of the first nocturn of Matins for Easter Sunday, 'Angelus Domini descendit de caelo ...' (The angel of the Lord came down from heaven).	Parchment	Latin	Veneto?, Italy	Rotunda				front 47:22	3	Lewis E M 47:21-22		front 47:22	cd 5248 0520 3349	48-bit color	600 ppi	3	Antiphonary
Lewis E M 47:21-22	Lewis E M 47.22 reverse	mcai470222		1300	1350	188 x 232 mm	These cuttings can be dated to ca. 1325. | This image shows the reverse of a cutting with an historiated initial from an antiphonary. This side, the true recto, shows a fragment of the invitatory of Matins for Easter Sunday.	Parchment	Latin	Veneto?, Italy	Rotunda				reverse 47:22	4	Lewis E M 47:21-22		reverse 47:22	cd 5248 0520 3349	48-bit color	600 ppi	4	Antiphonary
Lewis E M 48:1	Lewis E M 48.1 front	mcai480011						Parchment		Unknown						1	Lewis E M 48:01			cd 5248 0520 3344				Inhabited Initial
Lewis E M 48:1	Lewis E M 48.1 reverse	mcai480012						Parchment		Unknown						2	Lewis E M 48:01			cd 5248 0520 3344				Music Fragment
Lewis E M 48:2	Lewis E M 48.2 front	mcai480021		1450	1475	115 x 113 mm	In this initial beginning an unknown chant, St. Benedict, the sixth-century saint and founder of the Benedictine order, holds a book inscribed with the words, 'Asculta o fili precepta patris tui et inclina aure[m] cordis tui . . .' (Listen, O my son, to the precepts of thy master, and incline the ear of thy heart). These words are the first of his influential 'Rule,' a set of instructions and teachings on leading the monastic life that became the foundational text of Western monasticism. The illuminator of this initial is known as the Olivetan Master, called by this name because of a signature found in an illuminated initial from Milan, dated 1439 (now in The Cini Foundation in Venice) that describes him as a brother of the Order of Monteoliveto. | Initial H with St. Benedict of Nursia | This cutting can be dated to ca. 1430 - 1440s.	Parchment	Latin	Milan, Italy	Rotunda				front	1	Lewis E M 48:02		front	cd 5248 0520 3344	48-bit color	600 ppi	1	Antiphonary
Lewis E M 48:2	Lewis E M 48.2 reverse	mcai480022		1450	1475	115 x 113 mm	This cutting can be dated to ca. 1430 - 1440s. | This image shows the reverse of a cutting with an historiated initial from an antiphonary	Parchment	Latin	Milan, Italy	Rotunda				reverse	2	Lewis E M 48:02		reverse	cd 5248 0520 3344	48-bit color	600 ppi	2	Antiphonary
Lewis E M 48:3	Lewis E M 48.3 front	mcai480031						Parchment		Unknown						1	Lewis E M 48:03			cd 5248 0520 3344				Illuminated Fragment
Lewis E M 48:3	Lewis E M 48.3 reverse	mcai480032						Parchment		Unknown						2	Lewis E M 48:03			cd 5248 0520 3344				Music Fragment
Lewis E M 48:3A	Lewis E M 48.3A	mcai480033		1425	1450	195 x 382 mm	Initial H with the Birth of the Virgin Mary | This initial probably begins the first response of the first nocturn of Matins of the feast of the Nativity of the Virgin (Sept. 8): 'Hodie nata est beata Virgo Maria ex progenie David ...' (Today the Blessed Virgin Mary was born of the line of David). The illumination has been attributed to the Sienese painter Pietro di Giovanni d'Ambrogio (or Ambrosi), active in the second quarter of the fifteenth century, or a close follower of his. Although primarily a panel painter, Pietro di Giovanni is known to have worked as an illuminator as well.	Parchment	Latin	Siena, Italy		Pietro di Giovanni d'Ambrogio, or a follower	Artist		front	1	Lewis E M 48:03A		front	cd 5248 0520 3350	48-bit color	400 ppi	1	Antiphonary
Lewis E M 48:4	Lewis E M 48.4 front	mcai480041		1400	1499	249 x 337 mm	Initial S with the Triumphant Scipio | This leaf is from a manuscript copy of the famous Italian humanist Francesco Petrach's epic poem 'Africa.' The initial begins Book IX of the poem, which describes the triumph of the Roman general Scipio, the hero of the poem. 'Africa' tells the story of the Second Punic War in which the Carthaginian general Hannibal invaded Italy. After many battles, the Romans under the leadership of Scipio eventually defeated the Carthaginians.	Parchment	Latin	Lombardy, Italy	Rotunda	Francesco Petrarca	Author		front	1	Lewis E M 48:04		front	cd 5248 0520 3350	48-bit color	600 ppi	1	Africa
Lewis E M 48:4	Lewis E M 48.4 reverse	mcai480042		1400	1499	249 x 337 mm	This image shows the reverse of a leaf with an historiated initial from Francesco Petrach's epic poem 'Africa.' This side of the leaf, the true verso, continues part of Book IX, which begins on the front.	Parchment	Latin	Lombardy, Italy	Rotunda	Francesco Petrarca	Author		reverse	2	Lewis E M 48:04		reverse	cd 5248 0520 3354	48-bit color	600 ppi	2	Africa
Lewis E M 48:5	Lewis E M 48.5 front	mcai480051		1440	1460	146 x 135 mm	Begins the Introit for the First Sunday in Advent, 'Ad te levavi animam meam ...' (All my heart goes out to thee). The Old Testament king David can be identified by his psaltery, the musical instrument placed on the ground in front of him. The psaltery is an allusion to his supposed authorship of the psalms. | Initial A with King David in prayer	Parchment	Latin	Lombardy, Milan?, Italy	Rotunda				front	1	Lewis E M 48:05		front	cd 5248 0520 3354	48-bit color	600 ppi	1	Gradual
Lewis E M 48:5	Lewis E M 48.5 reverse	mcai480052		1440	1460	146 x 135 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Lombardy, Milan?, Italy	Rotunda				reverse	2	Lewis E M 48:05		reverse	cd 5248 0520 3354	48-bit color	600 ppi	2	Gradual
Lewis E M 48:6	Lewis E M 48.6 front	mcai480061		1490	1510	141 x 226 mm	Initial I with Moses sacrificing a lamb for the Passover | This initial begins the first response of the first nocturn of Matins for the feast of Corpus Christi, 'Immolabit haedum multitudo filiorum Israel ad vesperam paschae ...' (With the whole assembly of Israel present, the young goat shall be slaughtered on the eve of the Passover). The feast of Corpus Christi commemorates the Holy Eucharist in which the sacrifice of Christ is celebrated. The use of Old Testament imagery in this Christian context has a theological explanation. According to the Book of Exodus in the Hebrew Bible and Christian Old Testament, the blood of a sacrificial lamb marked the homes of the Israelites so that the angel sent to slay the first-born sons of the Egyptians (the tenth plague) would pass over their homes. Since early times, Christians saw this event as a prefiguration of Christ's death in which he became the sacrificial Lamb of God for the salvation of mankind.	Parchment	Latin	Italy (northern)	Rotunda				front	1	Lewis E M 48:06		front	cd 5248 0520 3354	48-bit color	600 ppi	1	Antiphonary
Lewis E M 48:6	Lewis E M 48.6 reverse	mcai480062		1490	1510	141 x 226 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 48:06		reverse	cd 5248 0520 3352	48-bit color	600 ppi	2	Antiphonary
Lewis E M 48:7	Lewis E M 48.7 front	mcai480071		1440	1460	216 x 224 mm	Initial R with the Resurrection of Christ | This initial begins the Introit for Easter Sunday, 'Resurrexi, et adhuc tecum sum, alleluya ...' (I have risen and am still with thee, Alleluia).	Parchment	Latin	Lombardy, Italy	Rotunda				front	1	Lewis E M 48:07		front	cd 5248 0520 3352	48-bit color	600 ppi	1	Gradual
Lewis E M 48:7	Lewis E M 48.7 reverse	mcai480072		1440	1460	216 x 224 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 48:07		reverse	cd 5248 0520 3352	48-bit color	600 ppi	2	Gradual
Lewis E M 48:8	Lewis E M 48.8 front	mcai480081		1490	1510	80 x 89 mm	Although the exact text that this initial begins has not yet been identified, it may begin a chant sung during the feast of St. Martin of Tours (Nov. 11). Text on the reverse supports this identification. | Initial U with a Bishop saint, possibly St. Martin of Tours	Parchment	Latin	Milan, Italy	Rotunda				front	1	Lewis E M 48:08		front	cd 5248 0520 3352	48-bit color	600 ppi	1	Antiphonary
Lewis E M 48:8	Lewis E M 48.8 reverse	mcai480082		1490	1510	80 x 89 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Milan, Italy	Rotunda				reverse	2	Lewis E M 48:08		reverse	cd 5248 0520 3352	48-bit color	600 ppi	2	Antiphonary
Lewis E M 48:9	Lewis E M 48.9 front	mcai480091		1100	1199	61 x 128 mm	These cuttings are some of the earliest examples of European illumination in the Free Library's collections. Taken from at least two different manuscripts containing probably patristic writings, the cuttings display features typical of the Romanesque style: a nearly abstract formalism that relies on heavy linear patterns to suggest volume and delineate features, flat areas of color that defy rather than define illusionistic space, and a rhetorical expressiveness in the figures' hand gestures and faces that helps to guide the viewer's eye across the page and toward the text. | Three cuttings from patristic manuscripts with St. Gregory the Great (upper), a king (lower left), and a bishop (lower right)	Parchment	Latin	Italy	Caroline Minuscule				front	1	Lewis E M 48:09		front	cd 5248 0520 3352	48-bit color	600 ppi	1	Patristic writings
Lewis E M 48:9	Lewis E M 48.9 reverse	mcai480092		1100	1199	61 x 128 mm	This image shows the reverse of three cuttings now pasted together on one mat. As the differences in script indicate, the cuttings are from at least two different manuscripts.	Parchment	Latin	Italy	Caroline Minuscule				reverse	2	Lewis E M 48:09		reverse	cd 5247 0511 5517	48-bit color	600 ppi	2	Patristic writings
Lewis E M 48:10A-E	Lewis E M 48.10A-E front	mcai480101		1250	1275	164 x 386 mm	Initial H with St. John the Evangelist | This initial begins the Gospel of John, with the words 'In principio erat verbum ...' (In the beginning was the word). The animated figures filling the shaft of the letter I are typical expressions of the Italian decorative imagination. The eagle, which symbolizes John, turns his head down toward the Evangelist, standing below and gesturing upwards toward his own divinely inspired words. A third figure bears the weight of the architectural ornament that frames the saint and the eagle.	Parchment	Latin	Bologna or Padua?, Italy	Rotunda				front	1	Lewis E M 48:10A-E		front	cd 5247 0511 5517	48-bit color	400 ppi	1	Bible, Gospel of John
Lewis E M 48:10A-E	Lewis E M 48.10A-E reverse	mcai480102		1250	1275	164 x 386 mm	This initial from a leaf taken from a bible begins the Prologue to the Gospel of John.	Parchment	Latin	Bologna or Padua?, Italy	Rotunda				reverse	3	Lewis E M 48:10A-E		reverse	cd 5247 0511 5517	48-bit color	400 ppi	2	Bible, Gospel of John
Lewis E M 48:11	Lewis E M 48.11 front	mcai480111		1250	1299	173 x 191 mm	Initial D with Christ calling Sts. Peter and Andrew | This initial probably begins the Introit for the feast of St. Andrew (Nov. 30), 'Dominus secus mare Galilaee vidit duos fratres ...' (The Lord, by the sea of Galile, saw two brothers).	Parchment	Latin	Italy (southern?)					front	1	Lewis E M 48:11		front	cd 5247 0511 5517	48-bit color	600 ppi	1	Gradual
Lewis E M 48:11	Lewis E M 48.11 reverse	mcai480112		1250	1299	173 x 191 mm	This image shoes the reverse of a cutting from a gradual.	Parchment	Latin	Italy (southern?)					reverse	2	Lewis E M 48:11		reverse	cd 5247 0511 5517	48-bit color	600 ppi	2	Gradual
Lewis E M 48:12-13	Lewis E M 48.12 front	mcai480121		1290	1310	270 x 440 mm	Initial C | This cutting can be dated to ca. 1300. | This leaf is from a copy of the Corpus iuris civilis, a compendium of Roman law commissioned in 529 by the Byzantine emperor Justinian and compiled by the legal scholar Tribonian. The Corpus comprises three parts: the Digest (or Pandectae), the Institutions, and the Codex. The initial C begins the prologue to Book X of the Codex, the part that contained all of the extant imperial constitutions from the time of Hadrian.	Parchment	Latin	Bologna or Padua?, Italy	Littera bononiensis	Justinian (Emperor, r. 527-565 A.D.)	Author		front 48:12	1	Lewis E M 48:12-13		front 48:12	cd 5247 0511 5518	48-bit color	400 ppi	1	Corpus iuris civilis (Corpus of civil law)
Lewis E M 48:12-13	Lewis E M 48.12 reverse	mcai480122		1290	1310	270 x 440 mm	This cutting can be dated to ca. 1300. | This leaf is from a copy of the Corpus iuris civilis, a compendium of Roman law commissioned in 529 by the Byzantine emperor Justinian and compiled by the legal scholar Tribonian. The Corpus comprises three parts: the Digest (or Pandectae), the Institutions, and the Codex. This image, true recto of this leaf, shows the conclusion to Book IX.	Parchment	Latin	Bologna or Padua?, Italy	Littera bononiensis	Justinian (Emperor, r. 527-565 A.D.)	Author		reverse 48:12	2	Lewis E M 48:12-13		reverse 48:12	cd 5247 0511 5518	48-bit color	400 ppi	2	Corpus iuris civilis (Corpus of civil law)
Lewis E M 48:12-13	Lewis E M 48.13 front	mcai480131		1290	1310	270 x 441 mm	Initial Q | This cutting can be dated to ca. 1300. | This leaf is from a copy of the Corpus iuris civilis, a compendium of Roman law commissioned in 529 by the Byzantine emperor Justinian and compiled by the legal scholar Tribonian. The Corpus comprises three parts: the Digest (or Pandectae), the Institutions, and the Codex. The initial Q begins Book VI of the Codex, the part that contained all of the extant imperial constitutions from the time of Hadrian.	Parchment	Latin	Bologna or Padua?, Italy	Littera bononiensis	Justinian (Emperor, r. 527-565 A.D.)	Author		front 48:13	3	Lewis E M 48:12-13		front 48:13	cd 5247 0511 5518	48-bit color	400 ppi	3	Corpus iuris civilis (Corpus of civil law)
Lewis E M 48:12-13	Lewis E M 48.13 reverse	mcai480132		1290	1310	270 x 441 mm	This cutting can be dated to ca. 1300. | This leaf is from a copy of the Corpus iuris civilis, a compendium of Roman law commissioned in 529 by the Byzantine emperor Justinian and compiled by the legal scholar Tribonian. The Corpus comprises three parts: the Digest (or Pandectae), the Institutions, and the Codex. This image shows the continuation of Book IV begun on the front, or true recto, of this fragment.	Parchment	Latin	Bologna or Padua?, Italy	Littera bononiensis	Justinian (Emperor, r. 527-565 A.D.)	Author		reverse 48:13	4	Lewis E M 48:12-13		reverse 48:13	cd 5247 0511 5519	48-bit color	400 ppi	4	Corpus iuris civilis (Corpus of civil law)
Lewis E M 48:14	Lewis E M 48.14 front	mcai480141		1325	1350	90 x 331 mm	Initial I with St. John the Evangelist | This initial begins the Introit for the feast of John the Evangelist (Dec. 27), 'In medio ecclesiae aperuit os ejus,' (In the middle of the church, he opened his mouth). It was executed by an illuminator known as the Master of the Dominican Effigies after his eponymous manuscript in the Florentine church Santa Maria Novella. Active in Florence throughout the second quarter of the fourteenth century, the Master of the Dominican Effigies collaborated with and appears to have inherited commissions from Pacino da Buonaguida, who illuminated two cuttings in the Free Library's collection (Lewis E M 25:7a and 8). This cutting is from the same manuscript as Lewis E M 25:33.	Parchment	Latin	Florence, Italy		Master of the Dominican Effigies	Artist		front	1	Lewis E M 48:14		front	cd 5247 0511 5519	48-bit color	600 ppi	1	Gradual
Lewis E M 48:14	Lewis E M 48.14 reverse	mcai480142		1325	1350	90 x 331 mm	This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 48:14		reverse	cd 5247 0511 5519	48-bit color	600 ppi	2	Gradual
Lewis E M 48:15	Lewis E M 48.15 front	mcai480151		1340	1360	257 x 370 mm	Initial G with St. Anne | This initial begins the Introit for the feast of St. Anne (July 26), 'Gaudeamus omnes in domino' (Rejoice we all in the Lord).	Parchment	Latin	Perugia, Italy	Rotunda				front	1	Lewis E M 48:15		front	cd 5247 0511 5519	48-bit color	400 ppi	1	Gradual
Lewis E M 48:15	Lewis E M 48.15 reverse	mcai480152		1340	1360	257 x 370 mm	This leaf from a gradual contains part of the chant for the feast of St. Mary Magadalene (July 21).	Parchment	Latin	Perugia, Italy	Rotunda				reverse	2	Lewis E M 48:15		reverse	cd 5247 0511 5520	48-bit color	600 ppi	2	Gradual
Lewis E M 48:16	Lewis E M 48.16 front	mcai480161		1485	1499	215 x 254 mm	Initial G with All Saints | This initial begins the Introit for the feast of All Saints (Nov. 1), 'Gaudeamus omnes in Domino ...' (Rejoice we all in the Lord).	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 48:16		front	cd 5247 0511 5520	48-bit color	600 ppi	1	Gradual
Lewis E M 48:16	Lewis E M 48.16 reverse	mcai480162		1485	1499	215 x 254 mm	This image shows the reverse of a cutting with an historiated intial from a gradual	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 48:16		reverse	cd 5247 0511 5520	48-bit color	600 ppi	2	Gradual
Lewis E M 48:17	Lewis E M 48.17 front	mcai480171						Parchment		Unknown						1	Lewis E M 48:17			cd 5247 0511 5521				Illuminated Fragment
Lewis E M 48:17	Lewis E M 48.17 reverse	mcai480172					Verso	Parchment		Unknown						2	Lewis E M 48:17			cd 5247 0511 5521				Verso of Illuminated Fragment
Lewis E M 48:18-20	Lewis E M 48.18 front	mcai480181		1300	1399	190 x 192 mm	Initial A with the Vision of the friar of Brescia | This initial begins the first antiphon at Lauds for the feast of St. Dominic of Cuso (Aug. 4), the founder of the Dominican Order, 'Adest dies laetitiae ' According to St. Dominic's legend, a friar living in Brescia saw at the hour of the saint's death a vision in which Christ and the Virgin Mary lowered two ladders upon which St. Dominic's soul ascended into heaven. This initial includes only Christ but the two Dominican friars represent St. Dominic, on the right, and the Brescian friar, on the left. The initial was illuminated by the Italian painter Neri da Rimini, whom documents show to have been active in Rimini and Bologna in the early fourteenth century.	Parchment	Latin	Italy	Rotunda	Neri da Rimini	Artist		front 48:18	1	Lewis E M 48:18-20		front 48:18	cd 5247 0511 5521	48-bit color	600 ppi	1	Antiphonary
Lewis E M 48:18-20	Lewis E M 48.18 reverse	mcai480182		1300	1399	190 x 192 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Italy	Rotunda				reverse 48:18	2	Lewis E M 48:18-20		reverse 48:18	cd 5247 0511 5521	48-bit color	600 ppi	2	Antiphonary
Lewis E M 48:18-20	Lewis E M 48.19 front	mcai480191		1300	1399	231 x 220 mm	Initial D with King David playing the harp | This initial begins the first response of the first nocturn of Wednesday Matins in the fourth week after Easter: 'Deus, canticum novum cant[abo tibi] ...' (Lord, I will sing to you a new song). According to tradition, David, the biblical king of Israel, composed the psalms. Hence, David is often shown playing a harp or psaltery according to his role as the author of these sung prayers. The initial was illuminated by the Italian painter Neri da Rimini, whom documents show to have been active in Rimini and Bologna in the early fourteenth century.	Parchment	Latin	Italy	Rotunda	Neri da Rimini	Artist		front 48:19	3	Lewis E M 48:18-20		front 48:19	cd 5247 0511 5522	48-bit color	600 ppi	3	Antiphonary
Lewis E M 48:18-20	Lewis E M 48.19 reverse	mcai480192		1300	1399	231 x 220 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Italy	Rotunda				reverse 48:19	4	Lewis E M 48:18-20		reverse 48:19	cd 5247 0511 5522	48-bit color	600 ppi	4	Antiphonary
Lewis E M 48:18-20	Lewis E M 48.20 front	mcai480201		1300	1399	249 x 227 mm	Initial S with Virgin interceding with God on behalf of a pilgrim | This initial begins the response, 'Si bona suscepimus ...' (If we have received good things), which was sung during remaining Sundays in October and November. Much of late medieval devotion centered on prayers to the Virgin to intercede on one's behalf with her son Jesus Christ. Her special relationship with Christ led, in large part, the extreme popularity of the cult of the Virgin in the late Middle Ages. The initial was illuminated by the Italian painter Neri da Rimini, whom documents show to have been active in Rimini and Bologna in the early fourteenth century.	Parchment	Latin	Italy	Rotunda	Neri da Rimini	Artist		front 48:20	5	Lewis E M 48:18-20		front 48:20	cd 5247 0511 5522	48-bit color	600 ppi	5	Antiphonary
Lewis E M 48:18-20	Lewis E M 48.20 reverse	mcai480202		1300	1399	249 x 227 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Italy	Rotunda				reverse 48:20	6	Lewis E M 48:18-20		reverse 48:20	cd 5247 0511 5523	48-bit color	600 ppi	6	Antiphonary
Lewis E M 48:21	Lewis E M 48.21 front	mcai480211						Parchment		Unknown						1	Lewis E M 48:21			cd 5247 0511 5523				Illuminated Fragment
Lewis E M 48:21	Lewis E M 48.21 reverse	mcai480212						Parchment		Unknown						2	Lewis E M 48:21			cd 5247 0511 5523				Verso of Illuminated Fragment
Lewis E M 48:22-23	Lewis E M 48.22 front	mcai480221		1400	1499	254 x 366 mm	Initial U | Processionals contain the chants and prayers for liturgical processions. This initial begins the antiphon 'Vidi aquam egredientem ...' (I saw water flowing), sung during Mass at the aspersion of the holy water from Easter to Pentecost. Lewis E M 48:22-23 and 25-26 are from the same manuscript. | This cutting can be dated to the 14th or 15th centuries.	Parchment	Latin	Italy	Rotunda				front 48:22	1	Lewis E M 48:22-23		front 48:22	cd 5247 0511 5523	48-bit color	400 ppi	1	Processional
Lewis E M 48:22-23	Lewis E M 48.22 reverse	mcai480222		1400	1499	254 x 366 mm	This cutting can be dated to the 14th or 15th centuries. | This image shows the reverse of a leaf with a large flourished initial from a processional. The text continues from the front with the antiphon, 'Vide aquam egredientem' (I saw water flowing), sung during Mass at the aspersion of the holy water from Easter to Pentecost.	Parchment	Latin	Italy	Rotunda				reverse 48:22	2	Lewis E M 48:22-23		reverse 48:22	cd 5247 0511 5523	48-bit color	400 ppi	2	Processional
Lewis E M 48:22-23	Lewis E M 48.23 front	mcai480231		1400	1499	254 x 367 mm	Initial E | Processionals contain the chants and prayers for liturgical processions. This initial begins the antiphon 'Exaudi nos domine ...' (Hear us Lord), sung during Mass throughout the year at the aspersion of the holy water. Lewis E M 48:22-23 and 25-26 are from the same manuscript. | This cutting can be dated to the 14th or 15th centuries.	Parchment	Latin	Italy	Rotunda				front 48:23	3	Lewis E M 48:22-23		front 48:23	cd 5247 0511 5524	48-bit color	400 ppi	3	Processional
Lewis E M 48:22-23	Lewis E M 48.23 reverse	mcai480232		1400	1499	254 x 367 mm	This cutting can be dated to the 14th or 15th centuries. | This image shows the reverse of a leaf with a large flourished initial from a processional. The text continues from the front with the antiphon 'Exaudi nos domine ...' (Hear us Lord), sung during Mass throughout the year.	Parchment	Latin	Italy	Rotunda				reverse	4	Lewis E M 48:22-23		reverse	cd 5247 0511 5524	48-bit color	400 ppi	4	Processional
Lewis E M 48:24	Lewis E M 48.24 front	mcai480241		1500	1599	318 x 455 mm	Initial U | This cutting can be dated to the 15th or 16th centuries. | This initial begins the hymn 'Vexilla regis prodeunt ...' (Abroad the regal banners fly), sung at Vespers on the first and second Sundays of Passion Week.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 48:24		front	cd 5247 0511 5524	48-bit color	400 ppi	1	Hymnal
Lewis E M 48:24	Lewis E M 48.24	mcai480242		1500	1599	318 x 455 mm	This cutting can be dated to the 15th or 16th centuries. | This image shows the reverse of a leaf with a flourished initial. It contains the final verses of the hymn, 'Aures ad nostras deitatis preces ...,' sung during Lent in the rite of the Carmelite Order, specifically during second Vespers on Sundays.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 48:24		reverse	cd 5247 0510 9507	48-bit color	400 ppi	2	Hymnal
Lewis E M 48:24	Lewis E M 48.24 reverse	mcai480242		1500	1599	318 x 455 mm	This cutting can be dated to the 15th or 16th centuries. | This image shows the reverse of a leaf with a flourished initial. It contains the final verses of the hymn, 'Aures ad nostras deitatis preces ...,' sung during Lent in the rite of the Carmelite Order, specifically during second Vespers on Sundays.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 48:24		reverse	cd 5247 0511 5502	48-bit color	400 ppi	2	Hymnal
Lewis E M 48:25-26	Lewis E M 48.25-26	mcai480251		1400	1499	256 x 367 mm	Initial A | Processionals contain the chants and prayers for liturgical processions. This initial begins the antiphon 'Asperges me Domine...' (Thou shalt sprinkle me), sung during Mass at the aspersion of the holy water outside of Eastertide. Lewis E M 48:22-23 and 25-26 are from the same manuscript. | This cutting can be dated to the 14th or 15th centuries.	Parchment	Latin	Italy	Rotunda				front 48:25	1	Lewis E M 48:25-26		front 48:25	cd 5247 0510 9507	48-bit color	400 ppi	1	Processional
Lewis E M 48:25-26	Lewis E M 48.25 front	mcai480251		1400	1499	256 x 367 mm	Initial A | Processionals contain the chants and prayers for liturgical processions. This initial begins the antiphon 'Asperges me Domine...' (Thou shalt sprinkle me), sung during Mass at the aspersion of the holy water outside of Eastertide. Lewis E M 48:22-23 and 25-26 are from the same manuscript. | This cutting can be dated to the 14th or 15th centuries.	Parchment	Latin	Italy	Rotunda				front 48:25	1	Lewis E M 48:25-26		front 48:25	cd 5247 0511 5502	48-bit color	400 ppi	1	Processional
Lewis E M 48:25-26	Lewis E M 48.25-26	mcai480252		1400	1499	256 x 367 mm	This cutting can be dated to the 14th or 15th centuries. | This image shows the reverse of a leaf with a large flourished initial from a processional. The reverse, originally the true recto, continues the antiphon begun on Lewis E M 48:23, 'Exaudi nos domine ...' (Hear us Lord), sung during Mass at the aspersion of the holy water.	Parchment	Latin	Italy	Rotunda				reverse 48:25	2	Lewis E M 48:25-26		reverse 48:25	cd 5247 0510 9507	48-bit color	400 ppi	2	Processional
Lewis E M 48:25-26	Lewis E M 48.25 reverse	mcai480252		1400	1499	256 x 367 mm	This cutting can be dated to the 14th or 15th centuries. | This image shows the reverse of a leaf with a large flourished initial from a processional. The reverse, originally the true recto, continues the antiphon begun on Lewis E M 48:23, 'Exaudi nos domine ...' (Hear us Lord), sung during Mass at the aspersion of the holy water.	Parchment	Latin	Italy	Rotunda				reverse 48:25	2	Lewis E M 48:25-26		reverse 48:25	cd 5247 0511 5502	48-bit color	400 ppi	2	Processional
Lewis E M 48:25-26	Lewis E M 48.26 front	mcai480261		1400	1499	248 x 369 mm	Initial R | Processionals contain the chants and prayers for liturgical processions. Lewis E M 48:22-23 and 25-26 are from the same manuscript. | This cutting can be dated to the 14th or 15th centuries.	Parchment	Latin	Italy	Rotunda				front 48:26	3	Lewis E M 48:25-26		front 48:26		48-bit color	400 ppi	3	Processional
Lewis E M 48:25-26	Lewis E M 48.26 reverse	mcai480262		1400	1499	248 x 369 mm	This cutting can be dated to the 14th or 15th centuries. | This image shows the reverse of a leaf with a decorated initial from a processional.	Parchment	Latin	Italy	Rotunda				reverse 48:26	4	Lewis E M 48:25-26		reverse 48:26		48-bit color	400 ppi	4	Processional
Lewis E M 48:10A-E	Lewis E M 48.10A	mcai48101a		1300	1399	234 x 329 mm	Initial D | These cuttings can be dated to the 14th or 15th centuries. | This initial begins the first response of the first nocturn of Matins for the feast of St. Agnes (Jan. 21), 'Diem festum sacritissime virginis celebremus ...' (Let us celebrate the feast of a most saintly Virgin). Lewis E M 48:10a-e are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 48:10A	2	Lewis E M 48:10A-E		front 48:10A	cd 5248 0520 3359	48-bit color	600 ppi	1	Antiphonary
Lewis E M 48:10A-E	Lewis E M 48.10B	mcai48101b		1300	1399	236 x 327 mm	Initial D | These cuttings can be dated to the 14th or 15th centuries. | This initial begins the first response of the first nocturn of Matins for Thursdays in the Ferial Office, 'Deus in te speravi. ...' (In thee, O Lord, have I hoped). Lewis E M 48:10a-e are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 48:10B	5	Lewis E M 48:10A-E		front 48:10B	cd 5248 0520 3353	48-bit color	600 ppi	3	Antiphonary
Lewis E M 48:10A-E	Lewis E M 48.10C	mcai48101c		1300	1399	238 x 328 mm	Initial E | These cuttings can be dated to the 14th or 15th centuries. | This initial begins the first response for the first nocturn of Matins for the first Sunday in Lent. The response begins 'Ecce nunc tempus acceptabile ...' (Behold, now is the acceptable time). Lewis E M 48:10a-e are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 48:10C	7	Lewis E M 48:10A-E		front 48:10C	cd 5248 0520 3357	48-bit color	600 ppi	5	Antiphonary
Lewis E M 48:10A-E	Lewis E M 48.10D	mcai48101d		1300	1399	233 x 329 mm	Initial E | These cuttings can be dated to the 14th or 15th centuries. | This initial begins the first response for the first nocturn of Matins for the third Sunday in Advent, 'Ecce apparebit Dominus super nubem candidam ...' (Behold, the Lord shall appear on a white cloud). Lewis E M 48:10a-e are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 48:10D	9	Lewis E M 48:10A-E		front 48:10D	cd 5248 0520 3360	48-bit color	600 ppi	7	Antiphonary
Lewis E M 48:10A-E	Lewis E M 48.10E	mcai48101e		1300	1399	232 x 328 mm	Initial S | These cuttings can be dated to the 14th or 15th centuries. | This initial begins the first response of the first nocturn for Matins for the feast of St. Vincent (Jan. 22), 'Sacram praesentis diei solempnitatem humili celebremus ...' (We celebrate with humility the sacred solemnity of the present day).	Parchment	Latin	Italy	Rotunda				front 48:10E	11	Lewis E M 48:10A-E		front 48:10E	cd 5248 0520 3363	48-bit color	600 ppi	9	Antiphonary
Lewis E M 48:10A-E	Lewis E M 48.10A reverse	mcai48102a		1300	1399	234 x 329 mm	These cuttings can be dated to the 14th or 15th centuries. | This image shows the reverse of a leaf with a decorated initial taken from an antiphonary. It contains some of the antiphons for the first nocturn of Matins for the feast of St. Agnes (Jan. 21).	Parchment	Latin	Italy	Rotunda				reverse 48:10A	4	Lewis E M 48:10A-E		reverse 48:10A	cd 5248 0520 3359	48-bit color	600 ppi	2	Antiphonary
Lewis E M 48:10A-E	Lewis E M 48.10B reverse	mcai48102b		1300	1399	236 x 327 mm	These cuttings can be dated to the 14th or 15th centuries. | This image shows the reverse of a leaf with a decorated initial taken from an antiphonary. It contains some of the antiphons for the first nocturn of Matins for Thursdays in the Ferial Office.	Parchment	Latin	Italy	Rotunda				reverse 48:10B	6	Lewis E M 48:10A-E		reverse 48:10B	cd 5248 0520 3353	48-bit color	600 ppi	4	Antiphonary
Lewis E M 48:10A-E	Lewis E M 48.10C reverse	mcai48102c		1300	1399	238 x 328 mm	These cuttings can be dated to the 14th or 15th centuries. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. It contains the second and third responses for the first nocturn of Matins for the first Sunday in Lent.	Parchment	Latin	Italy	Rotunda				reverse 48:10C	8	Lewis E M 48:10A-E		reverse 48:10C	cd 5248 0520 3357	48-bit color	600 ppi	6	Antiphonary
Lewis E M 48:10A-E	Lewis E M 48.10D reverse	mcai48102d		1300	1399	233 x 329 mm	These cuttings can be dated to the 14th or 15th centuries. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. It contains the invitatory and antiphons for the first nocturn of Matins for the third Sunday in Advent.	Parchment	Latin	Italy	Rotunda				reverse 48:10D	10	Lewis E M 48:10A-E		reverse 48:10D	cd 5248 0520 3360	48-bit color	600 ppi	8	Antiphonary
Lewis E M 48:10A-E	Lewis E M 48.10E reverse	mcai48102e		1300	1399	232 x 328 mm	These cuttings can be dated to the 14th or 15th centuries. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. It contains the invitatory and antiphons of the first nocturn for Matins for the feast of St. Vincent (Jan. 22).	Parchment	Latin	Italy	Rotunda				reverse 48:10E	12	Lewis E M 48:10A-E		reverse 48:10E	cd 5248 0520 3363	48-bit color	600 ppi	10	Antiphonary
Lewis E M 49:1	Lewis E M 49.1 front	mcai490011						Parchment		Unknown						1	Lewis E M 49:01			cd 5247 0511 5490				Historiated Initial
Lewis E M 49:1	Lewis E M 49.1 reverse	mcai490012						Parchment		Unknown						2	Lewis E M 49:01			cd 5247 0511 5490				Music Fragment
Lewis E M 49:2	Lewis E M 49.2 front	mcai490021						Parchment		Unknown						1	Lewis E M 49:02			cd 5247 0511 5490				Illuminated Music Fragment
Lewis E M 49:2	Lewis E M 49.2 reverse	mcai490022						Parchment		Unknown						2	Lewis E M 49:02			cd 5247 0511 5490				Music Fragment
Lewis E M 49:3	Lewis E M 49.3 front	mcai490031						Parchment		Unknown						1	Lewis E M 49:03			cd 5247 0511 1736				Illuminated Historiated Initial Music Fragment
Lewis E M 49:3	Lewis E M 49.3 reverse	mcai490032						Parchment		Unknown						2	Lewis E M 49:03			cd 5247 0511 1736				Music Fragment
Lewis E M 49:4	Lewis E M 49.4 front	mcai490041		1400	1499		The conclusion of the Gospel for the Fourth Sunday after Pentecost (Mark 8:24-26) and the beginning of the Gospel for the Fifth Sunday after Pentecost. (Matthew 5:19-22) The miniature shows Jesus talking to the apostles.	Parchment		Italy	Rotunda				front	1	Lewis E M 49:04		front	cd 5247 0511 1741				Evangelary
Lewis E M 49:4	Lewis E M 49.4 reverse	mcai490042						Parchment		Unknown						2	Lewis E M 49:04			cd 5247 0511 1741				Evangelary
Lewis E M 49:5	Lewis E M 49.5 front	mcai490051	1539			270 x 370 mm	The arms of Juan Pardo de Tavera, Cardinal of Toledo, are depicted in the bottom center of the leaf.	Parchment	Latin	Toledo, Spain	Rotunda					1	Lewis E M 49:05			cd 5247 0511 1741				Leaf from a missal with miniature depicting Jesus washing Peter's feet
Lewis E M 49:5	Lewis E M 49.5 reverse	mcai490052	1539			270 x 370 mm		Parchment	Latin	Toledo, Spain	Rotunda				reverse	2	Lewis E M 49:05		reverse	cd 5247 0511 1741				Leaf from a missal with miniature depicting Jesus washing Peter's feet
Lewis E M 49:7	Lewis E M 49.7 front	mcai490071						Parchment		Unknown						1	Lewis E M 49:07			cd 5247 0511 5493				Illuminated Manuscript Fragment
Lewis E M 49:7	Lewis E M 49.7 reverse	mcai490072						Parchment		Unknown						2	Lewis E M 49:07			cd 5247 0511 5493				Verso of Illuminated Manuscript Fragment
Lewis E M 49:8	Lewis E M 49.8 front a	mcai490080						Parchment		Unknown						1	Lewis E M 49:08			cd 5247 0511 1740				Manuscript Fragment with Decorated Initial
Lewis E M 49:8	Lewis E M 49.8 reverse a	mcai490081						Parchment		Unknown						2	Lewis E M 49:08			cd 5247 0511 5493				Illuminated Manuscript Border Fragment
Lewis E M 49:8	Lewis E M 49.8 front b	mcai490082						Parchment		Unknown						3	Lewis E M 49:08			cd 5247 0511 1740				Illuminated Manuscript Border Fragment
Lewis E M 49:9	Lewis E M 49.9 front	mcai490091						Parchment		Unknown						1	Lewis E M 49:09			cd 5247 0511 5495				Historiated Initial
Lewis E M 49:9	Lewis E M 49.9 reverse	mcai490092						Parchment		Unknown						2	Lewis E M 49:09			cd 5247 0511 5495				Historiated Initial
Lewis E M 49:10	Lewis E M 49.10 front	mcai490101						Parchment		Unknown						1	Lewis E M 49:10			cd 5247 0511 5495				Historiated Initial
Lewis E M 49:10	Lewis E M 49.10 reverse	mcai490102						Parchment		Unknown						2	Lewis E M 49:10			cd 5247 0511 5495				Music Leaf
Lewis E M 49:11	Lewis E M 49.11 front	mcai490111						Parchment		Unknown						1	Lewis E M 49:11			cd 5247 0511 5496				Female Saint with Attendant Transporting a Reliquary by Boat
Lewis E M 49:11	Lewis E M 49.11 reverse	mcai490112						Parchment		Unknown						2	Lewis E M 49:11			cd 5247 0511 5496				Medieval Manuscript Fragment
Lewis E M 49:12	Lewis E M 49.12 front	mcai490121						Parchment		Unknown						1	Lewis E M 49:12			cd 5247 0511 5497				Illuminated Medieval Manuscript Fragment
Lewis E M 49:12	Lewis E M 49.12 reverse	mcai490122						Parchment		Unknown						2	Lewis E M 49:12			cd 5247 0511 5497				Medieval Manuscript Fragment
Lewis E M 50:1	Lewis E M 50.1 front	mcai500011				86 x 83 mm	Initial A with God adored by angels | The initial A in this cutting was painted in Italy, probably in the fifteenth or sixteenth centuries. The scene within the initial, however, is by an artist working in the nineteenth-century. Medieval art became fashionable in the Victorian period, and the demand for illuminated manuscripts tempted many artists to make forgeries to sell to unwitting buyers.	Parchment	Latin	Italy					front	1	Lewis E M 50:01		front	cd 5247 0511 1738	48-bit color	600 ppi	1	Choir book
Lewis E M 50:1	Lewis E M 50.1 reverse	mcai500012				86 x 83 mm	This image shows the reverse of a cutting from a medieval choir book with an historiated initial painted in the nineteenth century.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 50:01		reverse	cd 5247 0511 1738	48-bit color	600 ppi	2	Choir book
Lewis E M 50:2	Lewis E M 50.2 front	mcai500021		1450	1499	109 x 152 mm	St. Laurence of Rome | This miniature once formed the center of an initial, possibly an initial L beginning the first response of the first nocturn of Matins for the feast of St. Laurence (Aug. 10), 'Levita Laurentius bonum opus operatus est ...' (The deacon Laurence performed a pious act). He is identified here by his deacon's vestments as well as the grill on which he stands, a reference to his martyrdom. Laurence was grilled to death for his faith.	Parchment	Latin	Italy (northern)					front	1	Lewis E M 50:02		front	cd 5247 0511 1738	48-bit color	600 ppi	1	Antiphonary
Lewis E M 50:2	Lewis E M 50.2 reverse	mcai500022		1450	1499	109 x 152 mm	This image shows the reverse of a cutting from an historiated initial in a choir book.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 50:02		reverse	cd 5247 0511 1738	48-bit color	600 ppi	2	Antiphonary
Lewis E M 50:3	Lewis E M 50.3 front	mcai500031		1500	1599	87 x 429 mm	Reverse entirely obscured by backing material. | St. Scholastica | The saint pictured in this cutting is St. Scholastica, the patron saint of nuns and the sister of St. Benedict of Nursia, the founder of the Dominican Order. She is identified here by her Dominican habit and her attributes, the dove and a lily.	Parchment	Latin	France?					front	1	Lewis E M 50:03		front	cd 5247 0511 1738	48-bit color	400 ppi	1	undetermined
Lewis E M 50:3	Lewis E M 50.3 reverse	mcai500032						Parchment		Unknown						2	Lewis E M 50:03			cd 5247 0511 1738				Medieval Manuscript Fragment Verso
Lewis E M 50:4	Lewis E M 50.4 front	mcai500041		1400	1450	207 x 219 mm	Initial T with Christ holding the Church | This initial begins the Introit for the Dedication of a Church, 'Terribilis est locus iste hic domus dei est et porta caeli ...' (This is a fearsome place; it is the house of God and the gate of heaven). Much of the initial has been restored by a nineteenth-century hand, but the style recalls the work of Sienese illumination of the fifteenth century. | This initial has been heavily retouched.	Parchment	Latin	Central Italy					front	1	Lewis E M 50:04		front	cd 5247 0511 1738	48-bit color	600 ppi	1	Gradual
Lewis E M 50:4	Lewis E M 50.4 reverse	mcai500042		1400	1450	207 x 219 mm	This image shows the reverse of a cutting with an historiated initial from a gradual. | This initial has been heavily retouched.	Parchment	Latin	Central Italy	Rotunda				reverse	2	Lewis E M 50:04		reverse	cd 5247 0511 5499	48-bit color	600 ppi	2	Gradual
Lewis E M 50:5	Lewis E M 50.5 front	mcai500051		1400	1450	188 x 345 mm	Initial D with St. John the Baptist | This initial begins the Introit for the feast of St. John the Baptist (June 24), 'De ventre matris meae uocauit me dominus nomine meo ...' (When I was still lying in my mother's womb the Lord sent his summons to me by name). Much of the initial has been restored by a nineteenth-century hand, but the style recalls the work of Sienese illumination of the fifteenth century. | This initial has been retouched.	Parchment	Latin	Siena?, Italy					front	1	Lewis E M 50:05		front	cd 5247 0511 5499	48-bit color	600 ppi	1	Gradual
Lewis E M 50:5	Lewis E M 50.5 reverse	mcai500052		1400	1450	188 x 345 mm	This image shows the reverse of a cutting with an historiated initial from a gradual. | This initial has been retouched.	Parchment	Latin	Siena?, Italy	Rotunda				reverse	2	Lewis E M 50:05		reverse	cd 5247 0511 2338	48-bit color	600 ppi	2	Gradual
Lewis E M 50:6	Lewis E M 50.6 front	mcai500061		1400	1499	205 x 290 mm	Initial C with Christ adored by the Apostles and angels | Much of the initial has been restored by a nineteenth-century hand, but the style recalls the work of Perugian illumination of the fifteenth century. Its original liturgical context remains to be determined. | This initial has been retouched.	Parchment	Latin	Italy					front	1	Lewis E M 50:06		front	cd 5247 0511 2338	48-bit color	600 ppi	1	Choir book
Lewis E M 50:6	Lewis E M 50.6 reverse	mcai500062						Parchment		Unknown						2	Lewis E M 50:06			cd 5247 0511 2335				Music Leaf Verso
Lewis E M 50:7	Lewis E M 50.7 front	mcai500071		1500	1515	195 x 194 mm	Initial G with the Assumption of the Virgin | Lewis E M 50:7 is by the same artist who executed E M 43:15-18. | This initial may begin the Introit for the feast of the Assumption (Aug. 15), 'Gaudeamus omnes in domini' (Rejoice we all in the all the Lord).	Parchment	Latin	France					front	1	Lewis E M 50:07		front	cd 5247 0511 2335	48-bit color	600 ppi	1	Gradual
Lewis E M 50:7	Lewis E M 50.7 reverse	mcai500072		1500	1515	159 x 194 mm	Lewis E M 50:7 is by the same artist who executed E M 43:15-18. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	France	Liturgical bookhand				reverse	2	Lewis E M 50:07		reverse	cd 5247 0511 2335	48-bit color	600 ppi	2	Gradual
Lewis E M 63:1-31	Lewis E M 63.1 front	mcai630011		1300	1399	347 x 485 mm	Beginning of Leviticus | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. The page begins the Book of Leviticus, which is mainly concerned with laws and priestly rituals. In the initial V that begins the book, Aaron appears offering a sacrificial lamb to God. The image of the sacrificial lamb prefigures Christ's sacrifice, which is described in the New Testament.	Parchment	Latin	Germany	Gothic bookhand				front 63:1	1	Lewis E M 63:01-31		front 63:1	cd 5248 0520 7119	48-bit color	400 ppi	1	Bible
Lewis E M 63:1-31	Lewis E M 63.1 reverse	mcai630012		1300	1399	347 x 485 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:1	2	Lewis E M 63:01-31		reverse 63:1	cd 5248 0520 7119	48-bit color	400 ppi	2	Bible
Lewis E M 63:1-31	Lewis E M 63.2 front	mcai630021		1300	1399	347 x 485 mm	Beginning of Judges | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the Book of Judges, which in its first chapters tells how God chose Judah to lead the Israelites against the Canaanites and Perizzites and how they were defeated. The historiated initial P on this page represents Judah being appointed leader of Israel.	Parchment	Latin	Germany	Gothic bookhand				front 63:2	3	Lewis E M 63:01-31		front 63:2	cd 5248 0520 7120	48-bit color	400 ppi	3	Bible
Lewis E M 63:1-31	Lewis E M 63.2 reverse	mcai630022		1300	1399	347 x 485 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:2	4	Lewis E M 63:01-31		reverse 63:2	cd 5248 0520 7120	48-bit color	400 ppi	4	Bible
Lewis E M 63:1-31	Lewis E M 63.3 front	mcai630031		1300	1399	347 x 485 mm	Beginning of 3 Kings | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins 3 Kings, which tells of David's later life. In the initial E, David appears in bed, weak with old age, being attended to by the young and beautiful maiden Abishag.	Parchment	Latin	Germany	Gothic bookhand				front 63:3	5	Lewis E M 63:01-31		front 63:3	cd 5248 0520 7121	48-bit color	400 ppi	5	Bible
Lewis E M 63:1-31	Lewis E M 63.3 reverse	mcai630032		1300	1399	347 x 485 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:3	6	Lewis E M 63:01-31		reverse 63:3	cd 5248 0520 7121	48-bit color	400 ppi	6	Bible
Lewis E M 63:1-31	Lewis E M 63.4 front	mcai630041		1300	1399	347 x 485 mm	Beginning of 4 Kings | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins 4 Kings. The historiated initial P that begins the book illustrates the death of King Ochozias. Ochozias was hurt after falling through the latticework of his upper chamber. He sent messengers to consult the god Beelzebub to find out if he would recover, but because of this disloyalty to the God of Israel, he died from his injuries (4 Kings 1: 1-6). He is shown here falling from a tower window.	Parchment	Latin	Germany	Gothic bookhand				front 63:4	7	Lewis E M 63:01-31		front 63:4	cd 5248 0520 7122	48-bit color	400 ppi	7	Bible
Lewis E M 63:1-31	Lewis E M 63.4 reverse	mcai630042		1300	1399	347 x 485 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:4	8	Lewis E M 63:01-31		reverse 63:4	cd 5248 0520 7122	48-bit color	400 ppi	8	Bible
Lewis E M 63:1-31	Lewis E M 63.5 front	mcai630051		1300	1399	347 x 485 mm	Beginning of Nehemiah | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the Book of Nehemiah, which tells of the rebuilding of Jerusalem after the end of the Babylonian Captivity. The historiated initial V that begins this book shows the meeting of Nehemiah and his brother Hanam, who told Nehemiah of Jerusalem's ruined state and prompted him to return to oversee the rebuilding.	Parchment	Latin	Germany	Gothic bookhand				front 63:5	9	Lewis E M 63:01-31		front 63:5	cd 5248 0520 7123	48-bit color	400 ppi	9	Bible
Lewis E M 63:1-31	Lewis E M 63.5 reverse	mcai630052		1300	1399	347 x 485 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:5	10	Lewis E M 63:01-31		reverse 63:5	cd 5248 0520 7123	48-bit color	400 ppi	10	Bible
Lewis E M 63:1-31	Lewis E M 63.6 front	mcai630061		1300	1399	347 x 485 mm	Beginning of Proverbs | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the Book of Proverbs, which was believed to have been written by King Solomon, the son of David. The first lines of chapter 1 tell the purpose of the book: 'To know wisdom, and instruction; to understand the words of prudence' (Proverbs 1: 2-3). The historiated initial P shown here depicts Solomon teaching.	Parchment	Latin	Germany	Gothic bookhand				front 63:6	11	Lewis E M 63:01-31		front 63:6	cd 5248 0520 7124	48-bit color	400 ppi	11	Bible
Lewis E M 63:1-31	Lewis E M 63.6 reverse	mcai630062		1300	1399	347 x 485 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:6	12	Lewis E M 63:01-31		reverse 63:6	cd 5248 0520 7124	48-bit color	400 ppi	12	Bible
Lewis E M 63:1-31	Lewis E M 63.7 front	mcai630071		1300	1399	347 x 485 mm	Beginning of Ecclesiasticus | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the Book of Ecclesiasticus, which was believed to have been written by Jesus of Sirach. In the historiated initial O which begins the book, he is shown speaking to God.	Parchment	Latin	Germany	Gothic bookhand				front 63:7	13	Lewis E M 63:01-31		front 63:7	cd 5248 0520 7761	48-bit color	400 ppi	13	Bible
Lewis E M 63:1-31	Lewis E M 63.7 reverse	mcai630072		1300	1399	347 x 485 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:7	14	Lewis E M 63:01-31		reverse 63:7	cd 5248 0520 7761	48-bit color	400 ppi	14	Bible
Lewis E M 63:1-31	Lewis E M 63.8 front	mcai630081		1300	1399	347 x 485 mm	Beginning of the Song of Songs | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the Song of Songs, which is also known as the Canticles or the Song of Solomon, who was believed to have written the book. The book comprises a collection of poems on the theme of love, which explains the subject of the historiated initial O, which depicts the Virgin enthroned and embracing the Christ Child.	Parchment	Latin	Germany	Gothic bookhand				front 63:8	15	Lewis E M 63:01-31		front 63:8	cd 5248 0520 7762	48-bit color	400 ppi	15	Bible
Lewis E M 63:1-31	Lewis E M 63.8 reverse	mcai630082		1300	1399	347 x 485 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:8	16	Lewis E M 63:01-31		reverse 63:8	cd 5248 0520 7762	48-bit color	400 ppi	16	Bible
Lewis E M 63:1-31	Lewis E M 63.9 front	mcai630091		1300	1399	350 x 486 mm	Beginning of Wisdom | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the Book of Wisdom, which begins 'love justice, you that are the judges of the earth' (Wisdom 1:1). The historiated initial D depicts King Solomon enthroned and holding a pair of scales to signify his reputation as a just judge.	Parchment	Latin	Germany	Gothic bookhand				front 63:9	17	Lewis E M 63:01-31		front 63:9	cd 5248 0520 7689	48-bit color	400 ppi	17	Bible
Lewis E M 63:1-31	Lewis E M 63.9 reverse	mcai630092		1300	1399	350 x 486 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:9	18	Lewis E M 63:01-31		reverse 63:9	cd 5248 0520 7689	48-bit color	400 ppi	18	Bible
Lewis E M 63:1-31	Lewis E M 63.10 front	mcai630101		1300	1399	349 x 487 mm	Beginning of Isaiah | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of the prophet Isaiah. In chapter 50, verse 6, Isaiah prophesized: 'I have given my body to the strikers, and my cheeks to them that plucked them: I have not turned away my face from them that rebuked me, and spit upon me.' Christian interpreters saw this as a reference to Christ's torture before his Crucifixion, which explains the imagery of the historiated initial V, which depicts the flagellation of Christ.	Parchment	Latin	Germany	Gothic bookhand				front 63:10	19	Lewis E M 63:01-31		front 63:10	cd 5248 0520 7691	48-bit color	400 ppi	19	Bible
Lewis E M 63:1-31	Lewis E M 63.10 reverse	mcai630102		1300	1399	349 x 487 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:10	20	Lewis E M 63:01-31		reverse 63:10	cd 5248 0520 7691	48-bit color	400 ppi	20	Bible
Lewis E M 63:1-31	Lewis E M 63.11 front	mcai630111		1300	1399	350 x 485 mm	Beginning of the Lamentations | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the Lamentations, which comprise the poems of the prophet Jeremiah, written to mourn the destruction of Jerusalem at the hands of the Babylonians. The historiated initial Q, which begins the book, depicts Jeremiah grieving.	Parchment	Latin	Germany	Gothic bookhand				front 63:11	21	Lewis E M 63:01-31		front 63:11	cd 5248 0520 7692	48-bit color	400 ppi	21	Bible
Lewis E M 63:1-31	Lewis E M 63.11 reverse	mcai630112		1300	1399	350 x 485 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:11	22	Lewis E M 63:01-31		reverse 63:11	cd 5248 0520 7692	48-bit color	400 ppi	22	Bible
Lewis E M 63:1-31	Lewis E M 63.12 front	mcai630121		1300	1399	345 x 479 mm	Beginning of Hosea | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of the prophet Hosea, one of the twelve minor prophets of the Old Testament. They are referred to as minor because of short length of their books. In the historiated initial V that begins the book, Hosea is depicted conversing with God.	Parchment	Latin	Germany	Gothic bookhand				front 63:12	23	Lewis E M 63:01-31		front 63:12	cd 5248 0520 6039	48-bit color	400 ppi	23	Bible
Lewis E M 63:1-31	Lewis E M 63.12 reverse	mcai630122		1300	1399	345 x 479 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:12	24	Lewis E M 63:01-31		reverse 63:12	cd 5248 0520 6039	48-bit color	400 ppi	24	Bible
Lewis E M 63:1-31	Lewis E M 63.13 front	mcai630131		1300	1399	345 x 478 mm	Beginning of Joel | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of the prophet Joel, one of the twelve minor prophets of the Old Testament. They are referred to as minor because of short length of their books.	Parchment	Latin	Germany	Gothic bookhand				front 63:13	25	Lewis E M 63:01-31		front 63:13	cd 5248 0520 7694	48-bit color	400 ppi	25	Bible
Lewis E M 63:1-31	Lewis E M 63.13 reverse	mcai630132		1300	1399	345 x 478 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:13	26	Lewis E M 63:01-31		reverse 63:13	cd 5248 0520 7694	48-bit color	400 ppi	26	Bible
Lewis E M 63:1-31	Lewis E M 63.14 front	mcai630141		1300	1399	347 x 481 mm	Beginning of Amos | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of the prophet Amos, one of the twelve minor prophets of the Old Testament. They are referred to as minor because of short length of their books. In the historiated initial that begins the book, Amos is depicted holding a scroll on which his name appears: 'Amos propheta.'	Parchment	Latin	Germany	Gothic bookhand				front 63:14	27	Lewis E M 63:01-31		front 63:14	cd 5248 0520 7695	48-bit color	400 ppi	27	Bible
Lewis E M 63:1-31	Lewis E M 63.14 reverse	mcai630142		1300	1399	347 x 481 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:14	28	Lewis E M 63:01-31		reverse 63:14	cd 5248 0520 7695	48-bit color	400 ppi	28	Bible
Lewis E M 63:1-31	Lewis E M 63.15 front	mcai630151		1300	1399	350 x 480 mm	Beginning of Jonah | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of the prophet Jonah, one of the twelve minor prophets of the Old Testament. They are referred to as minor because of short length of their books. In the historiated initial E that begins the book, Jonah is depicted being cast up from the mouth of the whale. Because this was thought to prefigure Christ's resurrection, the scene appears below a representation of God.	Parchment	Latin	Germany	Gothic bookhand				front 63:15	29	Lewis E M 63:01-31		front 63:15	cd 5248 0520 7697	48-bit color	400 ppi	29	Bible
Lewis E M 63:1-31	Lewis E M 63.15 reverse	mcai630152		1300	1399	350 x 480 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:15	30	Lewis E M 63:01-31		reverse 63:15	cd 5248 0520 7697	48-bit color	400 ppi	30	Bible
Lewis E M 63:1-31	Lewis E M 63.16 front	mcai630161		1300	1399	349 x 480 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				front 63:16	32	Lewis E M 63:01-31		front 63:16	cd 5248 0520 7698	48-bit color	400 ppi	32	Bible
Lewis E M 63:1-31	Lewis E M 63.16 reverse	mcai630162		1300	1399	349 x 480 mm	Beginning of Micheas | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of the prophet Michaes, one of the twelve minor prophets of the Old Testament. They are referred to as minor because of short length of their books. In the historiated initial V that begins the book, Michaes is depicted enthroned.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:16	31	Lewis E M 63:01-31		reverse 63:16	cd 5248 0520 7698	48-bit color	400 ppi	31	Bible
Lewis E M 63:1-31	Lewis E M 63.17 front	mcai630171		1300	1399	348 x 478 mm	Beginning of Nahum | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of the prophet Nahum, one of the twelve minor prophets of the Old Testament. They are referred to as minor because of short length of their books. In the historiated initial O that begins the book, Nahum is depicted enthroned.	Parchment	Latin	Germany	Gothic bookhand				front 63:17	33	Lewis E M 63:01-31		front 63:17	cd 5248 0520 7699	48-bit color	400 ppi	33	Bible
Lewis E M 63:1-31	Lewis E M 63.17 reverse	mcai630172		1300	1399	348 x 478 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:17	34	Lewis E M 63:01-31		reverse 63:17	cd 5248 0520 7699	48-bit color	400 ppi	34	Bible
Lewis E M 63:1-31	Lewis E M 63.18 front	mcai630181		1300	1399	347 x 476 mm	Beginning of Zephaniah (Sophonias) | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of the prophet Zephaniah, one of the twelve minor prophets of the Old Testament. They are referred to as minor because of short length of their books. In the historiated initial V that begins the book, Zephaniah is depicted enthroned.	Parchment	Latin	Germany	Gothic bookhand				front 63:18	35	Lewis E M 63:01-31		front 63:18	cd 5248 0520 7701	48-bit color	400 ppi	35	Bible
Lewis E M 63:1-31	Lewis E M 63.18 reverse	mcai630182		1300	1399	347 x 476 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:18	36	Lewis E M 63:01-31		reverse 63:18	cd 5248 0520 7701	48-bit color	400 ppi	36	Bible
Lewis E M 63:1-31	Lewis E M 63.19 front	mcai630191		1300	1399	337 x 480 mm	Beginning of Malachi | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of the prophet Malachi, one of the twelve minor prophets of the Old Testament. They are referred to as minor because of short length of their books. In the historiated initial O that begins the book, Malachi is depicted enthroned.	Parchment	Latin	Germany	Gothic bookhand				front 63:19	37	Lewis E M 63:01-31		front 63:19	cd 5248 0520 7703	48-bit color	400 ppi	37	Bible
Lewis E M 63:1-31	Lewis E M 63.19 reverse	mcai630192		1300	1399	337 x 480 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:19	38	Lewis E M 63:01-31		reverse 63:19	cd 5248 0520 7703	48-bit color	400 ppi	38	Bible
Lewis E M 63:1-31	Lewis E M 63.20 front	mcai630201		1300	1399	350 x 478 mm	Epistle of Hrabanus Maurus to King Louis | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins a letter from the ninth-century theologian Hrabanus Maurus to King Louis. Hrabanus Maurus wrote a number of Bible commentaries, including a commentary on Maccabees, the book that this epistle precedes.	Parchment	Latin	Germany	Gothic bookhand				front 63:20	39	Lewis E M 63:01-31		front 63:20	cd 5248 0520 2550	48-bit color	400 ppi	39	Bible
Lewis E M 63:1-31	Lewis E M 63.20 reverse	mcai630202		1300	1399	350 x 478 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:20	40	Lewis E M 63:01-31		reverse 63:20	cd 5248 0520 2550	48-bit color	400 ppi	40	Bible
Lewis E M 63:1-31	Lewis E M 63.21 front	mcai630211		1300	1399	350 x 476 mm	Beginning of 1 Maccabees | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of 1 Maccabees. Both 1 and 2 Maccabees tell of the struggle of the Jews against their Greco-Syrian rulers. The historiated initial E, which begins this book, depicts two warriors in battle.	Parchment	Latin	Germany	Gothic bookhand				front 63:21	41	Lewis E M 63:01-31		front 63:21	cd 5248 0520 2541	48-bit color	400 ppi	41	Bible
Lewis E M 63:1-31	Lewis E M 63.21 reverse	mcai630212		1300	1399	350 x 476 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:21	42	Lewis E M 63:01-31		reverse 63:21	cd 5248 0520 2541	48-bit color	400 ppi	42	Bible
Lewis E M 63:1-31	Lewis E M 63.22 front	mcai630221		1300	1399	349 x 476 mm	Beginning of 2 Maccabees | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book of 2 Maccabees. Both 1 and 2 Maccabees tell of the struggle of the Jews against their Greco-Syrian rulers.	Parchment	Latin	Germany	Gothic bookhand				front 63:22	43	Lewis E M 63:01-31		front 63:22	cd 5248 0520 2552	48-bit color	400 ppi	43	Bible
Lewis E M 63:1-31	Lewis E M 63.22 reverse	mcai630222		1300	1399	349 x 476 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:22	44	Lewis E M 63:01-31		reverse 63:22	cd 5248 0520 2552	48-bit color	400 ppi	44	Bible
Lewis E M 63:1-31	Lewis E M 63.23 front	mcai630231		1300	1399	344 x 479 mm	Jerome's prologue to the Eusebian Canon Tables | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the preface to the Eusebian canon tables, which were usually placed before the Gospel of Matthew and show the correspondences between the four Gospels texts.	Parchment	Latin	Germany	Gothic bookhand				front 63:23	45	Lewis E M 63:01-31		front 63:23	cd 5248 0520 2543	48-bit color	400 ppi	45	Bible
Lewis E M 63:1-31	Lewis E M 63.23 reverse	mcai630232		1300	1399	344 x 479 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:23	46	Lewis E M 63:01-31		reverse 63:23	cd 5248 0520 2543	48-bit color	400 ppi	46	Bible
Lewis E M 63:1-31	Lewis E M 63.24 front	mcai630241		1300	1399	337 x 476 mm	Jerome's prologue to Matthew | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the prologue to the Gospel of Matthew. The historiated initial depicts the Evangelist Matthew under the first arch of the letter M. A second figure appears under the second arch. This may represent Jerome, who translated the bible into Latin in the fourth century and who was the author of the prologue shown here.	Parchment	Latin	Germany	Gothic bookhand				front 63:24	47	Lewis E M 63:01-31		front 63:24	cd 5248 0520 2554	48-bit color	400 ppi	47	Bible
Lewis E M 63:1-31	Lewis E M 63.24 reverse	mcai630242		1300	1399	337 x 476 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:24	48	Lewis E M 63:01-31		reverse 63:24	cd 5248 0520 2554	48-bit color	400 ppi	48	Bible
Lewis E M 63:1-31	Lewis E M 63.25 front	mcai630251		1300	1399	347 x 479 mm	Gospel of Matthew | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the Gospel of Matthew, who is shown in the historiated initial L with his symbol, the angel, who holds out a scroll that contains the first words of Mathew's text: 'liber generationis' (The book of the generation [of Jesus Christ]).	Parchment	Latin	Germany	Gothic bookhand				front 63:25	49	Lewis E M 63:01-31		front 63:25	cd 5248 0520 2497	48-bit color	400 ppi	49	Bible
Lewis E M 63:1-31	Lewis E M 63.25 reverse	mcai630252		1300	1399	347 x 479 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:25	50	Lewis E M 63:01-31		reverse 63:25	cd 5248 0520 2497	48-bit color	400 ppi	50	Bible
Lewis E M 63:1-31	Lewis E M 63.26 front	mcai630261		1300	1399	345 x 478 mm	Prologue to the Apocalypse of John | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the prologue to the Apocalypse of John. The historiated initial A, which begins the prologue, depicts St. John conversing with God.	Parchment	Latin	Germany	Gothic bookhand				front 63:26	51	Lewis E M 63:01-31		front 63:26	cd 5248 0520 2487	48-bit color	400 ppi	51	Bible
Lewis E M 63:1-31	Lewis E M 63.26 reverse	mcai630262		1300	1399	345 x 478 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:26	52	Lewis E M 63:01-31		reverse 63:26	cd 5248 0520 2487	48-bit color	400 ppi	52	Bible
Lewis E M 63:1-31	Lewis E M 63.27 front	mcai630271		1300	1399	344 x 478 mm	First Epistle of Peter | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the first epistle of Peter, which was thought to have been written by Peter when he was bishop of Rome. The historiated initial P depicts St. Peter with his attributes, keys and a cross. The keys refer to Matthew 16:19, in which Christ tells Peter that he will give him the keys of heaven. The cross that he holds refers to his manner of death, for, like Christ, he was crucified.	Parchment	Latin	Germany	Gothic bookhand				front 63:27	53	Lewis E M 63:01-31		front 63:27	cd 5248 0520 2547	48-bit color	400 ppi	53	Bible
Lewis E M 63:1-31	Lewis E M 63.27 reverse	mcai630272		1300	1399	344 x 478 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:27	54	Lewis E M 63:01-31		reverse 63:27	cd 5248 0520 2547	48-bit color	400 ppi	54	Bible
Lewis E M 63:1-31	Lewis E M 63.28 front	mcai630281		1300	1399	345 x 475 mm	Second Epistle of Peter | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the second epistle of Peter, which was thought to have been written by Peter when he was bishop of Rome. The historiated initial P depicts St. Peter with his attribute, a cross. The cross that he holds refers to his manner of death, for, like Christ, he was crucified.	Parchment	Latin	Germany	Gothic bookhand				front 63:28	55	Lewis E M 63:01-31		front 63:28	cd 5248 0520 2557	48-bit color	400 ppi	55	Bible
Lewis E M 63:1-31	Lewis E M 63.28 reverse	mcai630282		1300	1399	345 x 475 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:28	56	Lewis E M 63:01-31		reverse 63:28	cd 5248 0520 2557	48-bit color	400 ppi	56	Bible
Lewis E M 63:1-31	Lewis E M 63.29 front	mcai630291		1300	1399	345 x 478 mm	Epistle of Jude | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the epistle of Jude. The historiated initial I depicts Jude standing and pointing to his text.	Parchment	Latin	Germany	Gothic bookhand				front 63:29	57	Lewis E M 63:01-31		front 63:29	cd 5248 0520 2549	48-bit color	400 ppi	57	Bible
Lewis E M 63:1-31	Lewis E M 63.29 reverse	mcai630292		1300	1399	345 x 478 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:29	58	Lewis E M 63:01-31		reverse 63:29	cd 5248 0520 2549	48-bit color	400 ppi	58	Bible
Lewis E M 63:1-31	Lewis E M 63.30 front	mcai630301		1300	1399	345 x 471 mm	First Epistle of John | These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book the first epistle of John. The historiated initial Q depicts John at a desk composing the letter.	Parchment	Latin	Germany	Gothic bookhand				front 63:30	59	Lewis E M 63:01-31		front 63:30	cd 5248 0520 2559	48-bit color	400 ppi	59	Bible
Lewis E M 63:1-31	Lewis E M 63.30 reverse	mcai630302		1300	1399	345 x 471 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This image shows the reverse of a leaf with an historiated initial from a Bible.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:30	60	Lewis E M 63:01-31		reverse 63:30	cd 5248 0520 2559	48-bit color	400 ppi	60	Bible
Lewis E M 63:1-31	Lewis E M 63.31 front	mcai630311		1300	1399	345 x 470 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | Third Epistle of John | This leaf is from a set of thirty-one leaves that were cut from a single manuscript that once comprised a complete Bible. This page begins the book the first epistle of John. The historiated initial S depicts the saint.	Parchment	Latin	Germany	Gothic bookhand				front 63:31	61	Lewis E M 63:01-31		front 63:31	cd 5248 0520 2488	48-bit color	400 ppi	61	Bible
Lewis E M 63:1-31	Lewis E M 63.31 reverse	mcai630312		1300	1399	345 x 470 mm	These leaves seem to form a group because of the consistency of the leaf and text measurements and the ruling pattern; leaves are paginated with pencil numbers in the upper left-hand corner of each side of each leaf. | This page begins the book the second epistle of John. The Historiated initial S depicts the saint.	Parchment	Latin	Germany	Gothic bookhand				reverse 63:31	62	Lewis E M 63:01-31		reverse 63:31	cd 5248 0520 2488	48-bit color	400 ppi	62	Bible
Lewis E M 64:1	Lewis E M 64.1 front	mcai640011						Parchment		Unknown						1	Lewis E M 64:01			cd 5248 0520 2561				Illuminated Music Leaf
Lewis E M 64:1	Lewis E M 64.1 reverse	mcai640012						Parchment		Unknown						2	Lewis E M 64:01			cd 5248 0520 2561				Illuminated Music Leaf
Lewis E M 64:2	Lewis E M 64.2 front	mcai640021		1425	1450	355 x 520 mm	Initial B with the Trinity | Lewis E M 64:2 and E M 64:13 are sister leaves. A fourth leaf from the same manuscript is in Princeton, NJ, Princeton University Art Museum, 30.35. It can be dated to ca. 1435. | This initial begins the Introit for Mass on Trinity Sunday, 'Benedicta sit sancta trinitas' (Blessed be the Holy Trinity).	Parchment	Latin	Regensburg, Germany	Liturgical bookhand	Master of the Morgan Biblia Pauperum	Artist		front	1	Lewis E M 64:02		front	cd 5253 0521 6737	48-bit color	400 ppi	1	Gradual
Lewis E M 64:2	Lewis E M 64.2 reverse	mcai640022		1425	1450	355 x 520 mm	Lewis E M 64:2 and E M 64:13 are sister leaves. A fourth leaf from the same manuscript is in Princeton, NJ, Princeton University Art Museum, 30.35. It can be dated to ca. 1435. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	Regensburg, Germany					reverse	2	Lewis E M 64:02		reverse	cd 5253 0521 6737	48-bit color	400 ppi	2	Gradual
Lewis E M 64:3	Lewis E M 64.3 front	mcai640031						Parchment		Unknown						1	Lewis E M 64:03			cd 5253 0521 6741				Music Leaf
Lewis E M 64:3	Lewis E M 64.3 reverse	mcai640032						Parchment		Unknown						2	Lewis E M 64:03			cd 5253 0521 6741				Illuminated Music Leaf
Lewis E M 64:4	Lewis E M 64.4 front	mcai640041						Parchment		Unknown						1	Lewis E M 64:04			cd 5253 0521 6738				Illuminated Music Leaf
Lewis E M 64:4	Lewis E M 64.4 reverse	mcai640042						Parchment		Unknown						2	Lewis E M 64:04			cd 5253 0521 6738				Illuminated Music Leaf
Lewis E M 64:5	Lewis E M 64.5 front	mcai640051						Parchment		Unknown						1	Lewis E M 64:05			cd 5253 0521 6743				Illuminated Music Leaf
Lewis E M 64:5	Lewis E M 64.5 reverse	mcai640052						Parchment		Unknown						2	Lewis E M 64:05			cd 5253 0521 6743				Illuminated Music Leaf
Lewis E M 64:6	Lewis E M 64.6 front	mcai640061						Parchment		Unknown						1	Lewis E M 64:06			cd 5253 0521 6740				Illuminated Music Leaf
Lewis E M 64:6	Lewis E M 64.6 reverse	mcai640062						Parchment		Unknown						2	Lewis E M 64:06			cd 5253 0521 6740				Illuminated Music Leaf
Lewis E M 64:7	Lewis E M 64.7 front	mcai640071						Parchment		Unknown						1	Lewis E M 64:07			cd 5253 0521 6742				Illuminated Music Leaf
Lewis E M 64:7	Lewis E M 64.7 reverse	mcai640072						Parchment		Unknown						2	Lewis E M 64:07			cd 5253 0521 6742				Illuminated Music Leaf
Lewis E M 64:8	Lewis E M 64.8 front	mcai640081						Parchment		Unknown						1	Lewis E M 64:08			cd 5253 0521 6747				Illuminated Manuscript Leaf
Lewis E M 64:8	Lewis E M 64.8 reverse	mcai640082						Parchment		Unknown						2	Lewis E M 64:08			cd 5253 0521 6747				Illuminated Manuscript Leaf
Lewis E M 64:9	Lewis E M 64.9 front	mcai640091						Parchment		Unknown						1	Lewis E M 64:09			cd 5253 0521 6744				Illuminated Music Leaf
Lewis E M 64:9	Lewis E M 64.9 reverse	mcai640092						Parchment		Unknown						2	Lewis E M 64:09			cd 5253 0521 6744				Illuminated Manuscript Leaf
Lewis E M 64:10	Lewis E M 64.10 front	mcai640101						Parchment		Unknown						1	Lewis E M 64:10			cd 5253 0521 6749				Illuminated Music Leaf
Lewis E M 64:10	Lewis E M 64.10 reverse	mcai640102						Parchment		Unknown						2	Lewis E M 64:10			cd 5253 0521 6749				Illuminated Music Leaf
Lewis E M 64:11	Lewis E M 64.11 front a	mcai640111						Parchment		Unknown						1	Lewis E M 64:11			cd 5248 0520 6883				Illuminated Music Leaf
Lewis E M 64:11	Lewis E M 64.11 reverse a	mcai640112						Parchment		Unknown						2	Lewis E M 64:11			cd 5248 0520 6883				Illuminated Music Leaf
Lewis E M 64:11	Lewis E M 64.11 front b	mcai640113						Parchment		Unknown						3	Lewis E M 64:11			cd 5248 0520 6884				Illuminated Music Leaf
Lewis E M 64:11	Lewis E M 64.11 reverse b	mcai640114						Parchment		Unknown						4	Lewis E M 64:11			cd 5248 0520 6884				Illuminated Music Leaf
Lewis E M 64:12	Lewis E M 64.12 front	mcai640121						Parchment		Unknown						1	Lewis E M 64:12			cd 5248 0520 6885				Illuminated Music Leaf
Lewis E M 64:12	Lewis E M 64.12 reverse	mcai640122						Parchment		Unknown						2	Lewis E M 64:12			cd 5248 0520 6885				Illuminated Manuscript Leaf
Lewis E M 64:13	Lewis E M 64.13 front	mcai640131		1425	1450	355 x 520 mm	Initial E | Lewis E M 64:2 and E M 64:13 are sister leaves. A fourth leaf from the same manuscript is in Princeton, NJ, Princeton University Art Museum, 30.35. These leaves can be dated to ca. 1430. | This decorated initial begins the Introit for the vigil of the feast of the Apostles, 'Ego autem sicut olyva fructifera domo dei ...' (But I, as a fruitful olive tree in the house of God).	Parchment	Latin	Regensburg, Germany	Liturgical bookhand				front	1	Lewis E M 64:13		front	cd 5248 0520 6886	48-bit color	400 ppi	1	Gradual
Lewis E M 64:13	Lewis E M 64.13 reverse	mcai640132		1425	1450	355 x 520 mm	Initial M with Christ among the Apostles | Lewis E M 64:2 and E M 64:13 are sister leaves. A fourth leaf from the same manuscript is in Princeton, NJ, Princeton University Art Museum, 30.35. These leaves can be dated to ca. 1430. | This initial begins the Introit for the Mass of the feast of the Apostles, 'Michi autem nimis honorati sunt ...' (To me, indeed, are you most honored). The decorative borders feature a griffin in the lower margin, and in the outer margin, two so-called 'wild men' combatting apes and another playing a lute.	Parchment	Latin	Regensburg, Germany	Liturgical bookhand	Master of the Morgan Biblia Pauperum	Artist		reverse	2	Lewis E M 64:13		reverse	cd 5248 0520 6886	48-bit color	400 ppi	2	Gradual
Lewis E M 64:14	Lewis E M 64.14 front a	mcai640141						Parchment		Unknown						1	Lewis E M 64:14			cd 5248 0520 6887				Illuminated Music Leaf
Lewis E M 64:14	Lewis E M 64.14 reverse a	mcai640142						Parchment		Unknown						2	Lewis E M 64:14			cd 5248 0520 6887				Illuminated Music Leaf
Lewis E M 64:14	Lewis E M 64.14 front b	mcai640143						Parchment		Unknown						3	Lewis E M 64:14			cd 5248 0520 6888				Illuminated Music Leaf
Lewis E M 64:14	Lewis E M 64.14 reverse b	mcai640144						Parchment		Unknown						4	Lewis E M 64:14			cd 5248 0520 6888				Illuminated Music Leaf
Lewis E M 64:15	Lewis E M 64.15 front	mcai640151						Parchment		Unknown						1	Lewis E M 64:15			cd 5248 0520 6889				Medieval Manuscript Fragment
Lewis E M 64:15	Lewis E M 64.15 reverse	mcai640152						Parchment		Unknown						2	Lewis E M 64:15			cd 5248 0520 6889				Medieval Manuscript Fragment, Verso
Lewis E M 64:16	Lewis E M 64.16 front	mcai640161						Parchment		Unknown						1	Lewis E M 64:16			cd 5248 0520 6890				Illuminated Music Leaf
Lewis E M 64:16	Lewis E M 64.16 reverse	mcai640162						Parchment		Unknown						2	Lewis E M 64:16			cd 5248 0520 6890				Illuminated Music Leaf
Lewis E M 64:17	Lewis E M 64.17 front	mcai640171						Parchment		Unknown						1	Lewis E M 64:17			cd 5248 0520 6891				Illuminated Music Leaf
Lewis E M 64:17	Lewis E M 64.17 reverse	mcai640172						Parchment		Unknown						2	Lewis E M 64:17			cd 5248 0520 6891				Illuminated Music Leaf
Lewis E M 64:18	Lewis E M 64.18 front	mcai640181						Parchment		Unknown						1	Lewis E M 64:18			cd 5248 0520 6892				Illuminated Music Leaf
Lewis E M 64:18	Lewis E M 64.18 reverse	mcai640182						Parchment		Unknown						2	Lewis E M 64:18			cd 5248 0520 6892				Illuminated Music Leaf
Lewis E M 64:19	Lewis E M 64.19 front a	mcai640191						Parchment		Unknown						1	Lewis E M 64:19			cd 5248 0520 3199				Illuminated Music Leaf
Lewis E M 64:19	Lewis E M 64.19 reverse a	mcai640192						Parchment		Unknown						2	Lewis E M 64:19			cd 5248 0520 3199				Illuminated Music Leaf
Lewis E M 64:19	Lewis E M 64.19 front b	mcai640193						Parchment		Unknown						3	Lewis E M 64:19			cd 5248 0520 3187				Illuminated Music Leaf
Lewis E M 64:19	Lewis E M 64.19 reverse b	mcai640194						Parchment		Unknown						4	Lewis E M 64:19			cd 5248 0520 3187				Illuminated Music Leaf
Lewis E M 64:20	Lewis E M 64.20 front a	mcai640201						Parchment		Unknown						1	Lewis E M 64:20			cd 5248 0520 3202				Music Fragment
Lewis E M 64:20	Lewis E M 64.20 reverse a	mcai640202						Parchment		Unknown						2	Lewis E M 64:20			cd 5248 0520 3202				Music Fragment
Lewis E M 64:20	Lewis E M 64.20 front b	mcai640203						Parchment		Unknown						3	Lewis E M 64:20			cd 5248 0520 3188				Musical Fragment
Lewis E M 64:20	Lewis E M 64.20 reverse b	mcai640204						Parchment		Unknown						4	Lewis E M 64:20			cd 5248 0520 3188				Music Fragrment
Lewis E M 64:21	Lewis E M 64.21 front a	mcai640211						Parchment		Unknown						1	Lewis E M 64:21			cd 5248 0520 3192				Decorated Initial Music Fragment
Lewis E M 64:21	Lewis E M 64.21 reverse a	mcai640212						Parchment		Unknown						2	Lewis E M 64:21			cd 5248 0520 3192				Music Fragment with Decorated Initial
Lewis E M 64:21	Lewis E M 64.21 front b	mcai640213						Parchment		Unknown						3	Lewis E M 64:21			cd 5248 0520 3190				Music Fragment with Decorated Initial
Lewis E M 64:21	Lewis E M 64.21 reverseb	mcai640214						Parchment		Unknown						4	Lewis E M 64:21			cd 5248 0520 3190				Music Fragment with Decorated Initial
Lewis E M 64:22	Lewis E M 64.22 front a	mcai640221						Parchment		Unknown						1	Lewis E M 64:22			cd 5248 0520 3194				Music Fragment with Decorated Initial
Lewis E M 64:22	Lewis E M 64.22 reverse a	mcai640222						Parchment		Unknown						2	Lewis E M 64:22			cd 5248 0520 3194				Music Fragment with Decorated Initial
Lewis E M 64:22	Lewis E M 64.22 front b	mcai640223						Parchment		Unknown						3	Lewis E M 64:22			cd 5248 0520 3206				Music Fragment with Decorated Initial
Lewis E M 64:22	Lewis E M 64.22 reverse b	mcai640224						Parchment		Unknown						4	Lewis E M 64:22			cd 5248 0520 3206				Music Fragment with Decorated Initial
Lewis E M 64:23	Lewis E M 64.23 front a	mcai640231						Parchment		Unknown						1	Lewis E M 64:23			cd 5248 0520 3196				Music Fragment with Decorated Initial
Lewis E M 64:23	Lewis E M 64.23 reverse a	mcai640232						Parchment		Unknown						2	Lewis E M 64:23			cd 5248 0520 3196				Music Fragment with Decorated Initial
Lewis E M 64:23	Lewis E M 64.23 front b	mcai640233						Parchment		Unknown						3	Lewis E M 64:23			cd 5248 0520 3209				Music Fragment with Decorated Initial
Lewis E M 64:23	Lewis E M 64.23 reverse b	mcai640234						Parchment		Unknown						4	Lewis E M 64:23			cd 5248 0520 3209				Music Fragment with Decorated Initial
Lewis E M 64:24	Lewis E M 64.24 front a	mcai640241						Parchment		Unknown						1	Lewis E M 64:24			cd 5248 0520 3198				Music Fragment with Decorated Initial
Lewis E M 64:24	Lewis E M 64.24 reverse a	mcai640242						Parchment		Unknown						2	Lewis E M 64:24			cd 5248 0520 3198				Music Fragment with Decorated Initial
Lewis E M 64:24	Lewis E M 64.24 front b	mcai640243						Parchment		Unknown						3	Lewis E M 64:24			cd 5248 0520 3211				Music Fragment with Decorated Initial
Lewis E M 64:24	Lewis E M 64.24 reverse b	mcai640244						Parchment		Unknown						4	Lewis E M 64:24			cd 5248 0520 3211				Music Fragment with Decorated Initial
Lewis E M 64:25	Lewis E M 64.25 front a	mcai640251						Parchment		Unknown						1	Lewis E M 64:25			cd 5248 0520 3214				Music Fragment with Decorated Initial
Lewis E M 64:25	Lewis E M 64.25 reverse a	mcai640252						Parchment		Unknown						2	Lewis E M 64:25			cd 5248 0520 3214				Music Fragment with Decorated Initial
Lewis E M 64:25	Lewis E M 64.25 front b	mcai640253						Parchment		Unknown						3	Lewis E M 64:25			cd 5248 0520 3200				Music Fragment with Decorated Initial
Lewis E M 64:25	Lewis E M 64.25 reverse b	mcai640254						Parchment		Unknown						4	Lewis E M 64:25			cd 5248 0520 3200				Music Fragment with Decorated Initial
Lewis E M 64:26	Lewis E M 64.26 front a	mcai640261						Parchment		Unknown						1	Lewis E M 64:26			cd 5248 0520 3216				Music Fragment with Decorated Initial
Lewis E M 64:26	Lewis E M 64.26 reverse a	mcai640262						Parchment		Unknown						2	Lewis E M 64:26			cd 5248 0520 3216				Music Fragment with Decorated Initial
Lewis E M 64:26	Lewis E M 64.26 front b	mcai640263						Parchment		Unknown						3	Lewis E M 64:26			cd 5248 0520 3205				Music Fragment with Decorated Initial
Lewis E M 64:26	Lewis E M 64.26 reverse b	mcai640264						Parchment		Unknown						4	Lewis E M 64:26			cd 5248 0520 3205				Music Fragment with Decorated Initial
Lewis E M 64:27	Lewis E M 64.27 front a	mcai640271						Parchment		Unknown						1	Lewis E M 64:27			cd 5248 0520 3218				Illuminated Music Leaf
Lewis E M 64:27	Lewis E M 64.27 reverse a	mcai640272						Parchment		Unknown						2	Lewis E M 64:27			cd 5248 0520 3218				Illuminated Music Leaf
Lewis E M 64:27	Lewis E M 64.27 front b	mcai640273						Parchment		Unknown						3	Lewis E M 64:27			cd 5248 0520 3208				Illuminated Music Leaf
Lewis E M 64:27	Lewis E M 64.27 reverse b	mcai640274						Parchment		Unknown						4	Lewis E M 64:27			cd 5248 0520 3208				Illuminated Music Leaf
Lewis E M 64:28	Lewis E M 64.28 front	mcai640281						Parchment		Unknown						1	Lewis E M 64:28			cd 5248 0520 3210				Illuminated Music Leaf
Lewis E M 64:28	Lewis E M 64.28 reverse	mcai640282						Parchment		Unknown						2	Lewis E M 64:28			cd 5248 0520 3210				Illuminated Music Leaf
Lewis E M 65.1	Lewis E M 65.1-78	mcai650011		1425	1450	358 x 511 mm	Initial B | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon at Llauds of the feast of St. Nicholas (Dec. 6). 'Beatus Nicolaus pontificatus infulis decoratus talem se exhibuit ut ab omnibus amaretur' (Blessed bishop Nicholas adorned with mitre proved himself to be loved by all). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:1	1	Lewis E M 65:01-78		front 65:1	cd 5248 0520 3213	48-bit color	400 ppi	1	Antiphonary
Lewis E M 65.1	Lewis E M 65.1 front	mcai650011		1425	1450	358 x 511 mm	Initial B | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon at Llauds of the feast of St. Nicholas (Dec. 6). 'Beatus Nicolaus pontificatus infulis decoratus talem se exhibuit ut ab omnibus amaretur' (Blessed bishop Nicholas adorned with mitre proved himself to be loved by all). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:1	1	Lewis E M 65:01-78		front 65:1	cd 6243 2112 6761	48-bit color	400 ppi	1	Antiphonary
Lewis E M 65.1	Lewis E M 65.1-78	mcai650012		1425	1450	358 x 511 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, continues the office that begins on the front.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:1	2	Lewis E M 65:01-78		reverse 65:1	cd 5248 0520 3213	48-bit color	400 ppi	2	Antiphonary
Lewis E M 65.1	Lewis E M 65.1 reverse	mcai650012		1425	1450	358 x 511 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, continues the office that begins on the front.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:1	2	Lewis E M 65:01-78		reverse 65:1	cd 6243 2112 6761	48-bit color	400 ppi	2	Antiphonary
Lewis E M 65.2	Lewis E M 65.2 front	mcai650021		1425	1450	360 x 512 mm	Initial D | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of St. Agnes (Jan. 21), 'Diem festum sacratissime virginis celebremus qualiter passa sit beata Agnes ad memoriam revocemus.' (Let us celebrate the feast of a most saintly virgin, calling to mind how blessed Agnes suffered). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:2	3	Lewis E M 65:01-78		front 65:2	cd 5248 0520 3212	48-bit color	400 ppi	3	Antiphonary
Lewis E M 65.2	Lewis E M 65.2 reverse	mcai650022		1425	1450	360 x 512 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of leaf is the true recto and includes the chants for first vespers.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:2	4	Lewis E M 65:01-78		reverse 65:2	cd 5248 0520 3212	48-bit color	400 ppi	4	Antiphonary
Lewis E M 65.3	Lewis E M 65.3 front	mcai650031		1425	1450	361 x 521 mm	Initial V with All Saints | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for All Saints (Feb. 2), 'Vidi turbam magnam, quam dinumerare nemo poterat, ex omnibus gentibus stantes ante thronum' (I saw a great multitude which no man could number, out of every nation, standing before the throne). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:3	5	Lewis E M 65:01-78		front 65:3	cd 5248 0520 3215	48-bit color	400 ppi	5	Antiphonary
Lewis E M 65.3	Lewis E M 65.3 reverse	mcai650032		1425	1450	361 x 521 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains chants for Matins.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:3	6	Lewis E M 65:01-78		reverse 65:3	cd 5248 0520 3215	48-bit color	400 ppi	6	Antiphonary
Lewis E M 65.4	Lewis E M 65.4 front	mcai650041		1425	1450	360 x 511 mm	Initial A with the Presentation in the Temple | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Purification of the Virgin (Feb. 2), 'Adorna thalamum tuum Sion et suscipe regem Christum ...' (Adorn your bridal chamber, Sion, and receive Christ the King). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:4	7	Lewis E M 65:01-78		front 65:4	cd 5248 0520 3225	48-bit color	400 ppi	7	Antiphonary
Lewis E M 65.4	Lewis E M 65.4 reverse	mcai650042		1425	1450	360 x 511 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the response that begins on the front.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:4	8	Lewis E M 65:01-78		reverse 65:4	cd 5248 0520 3225	48-bit color	400 ppi	8	Antiphonary
Lewis E M 65.5	Lewis E M 65.5 front	mcai650051		1425	1450	357 x 517 mm	Initial D | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the second Sunday in Lent, 'Domine labia mea aperies et os meum annuntiabit laudem tuam.' (O Lord, open my lips and my mouth shall proclaim Your praise). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:5	9	Lewis E M 65:01-78		front 65:5	cd 5248 0520 3229	48-bit color	400 ppi	9	Antiphonary
Lewis E M 65.5	Lewis E M 65.5 reverse	mcai650052		1425	1450	357 x 517 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf is the true recto.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:5	10	Lewis E M 65:01-78		reverse 65:5	cd 5248 0520 3229	48-bit color	400 ppi	10	Antiphonary
Lewis E M 65.6	Lewis E M 65.6 front	mcai650061		1425	1450	359 x 509 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the invitatory for the feast of Mary Magdalene.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:6	12	Lewis E M 65:01-78		reverse 65:6	cd 5248 0520 3217	48-bit color	400 ppi	12	Antiphonary
Lewis E M 65.6	Lewis E M 65.6 reverse	mcai650062		1425	1450	359 x 509 mm	Initial M | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of Mary Magdalene (July 22) 'Maria Magdalene at altera Maria ibant diluculo ad monumentum.' (Mary Magdalene and the other Mary went at dawn to the tomb). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:6	11	Lewis E M 65:01-78		front 65:6	cd 5248 0520 3217	48-bit color	400 ppi	11	Antiphonary
Lewis E M 65.7	Lewis E M 65.7 front	mcai650071		1425	1450	359 x 512 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons for first Vespers.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:7	14	Lewis E M 65:01-78		reverse 65:7	cd 5248 0520 3231	48-bit color	400 ppi	14	Antiphonary
Lewis E M 65.7	Lewis E M 65.7 reverse	mcai650072		1425	1450	359 x 512 mm	Initial H with the Nativity | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Nativity (Dec. 25), 'Hodie nobis caelorum Rex de Virgine nasci dignatus est, ut hominem perditum ad caelestia regna revocaret.' (On this day the King of heaven deigned to be born for us of a Virgin, in order to call fallen men home again to the heavenly kingdom). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:7	13	Lewis E M 65:01-78		front 65:7	cd 5248 0520 3231	48-bit color	400 ppi	13	Antiphonary
Lewis E M 65.8	Lewis E M 65.8 front	mcai650081		1425	1450	359 x 513 mm	Initial D | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the third Sunday in Lent, 'Dum Josep fratres suos quereret in sichimis illi invidia perculsi de morte eius cogitaverunt' (While Joseph was looking for his brothers in Sychem, they, corrupted by envy, decided to kill him). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:8	15	Lewis E M 65:01-78		front 65:8	cd 5248 0520 3219	48-bit color	400 ppi	15	Antiphonary
Lewis E M 65.8	Lewis E M 65.8 reverse	mcai650082		1425	1450	359 x 513 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf is the true verso.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:8	16	Lewis E M 65:01-78		reverse 65:8	cd 5248 0520 3219	48-bit color	400 ppi	16	Antiphonary
Lewis E M 65.9	Lewis E M 65.9 front	mcai650091		1425	1450	356 x 511 mm	Initial F | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of St. Benedict (March 21), 'Florem mundi periturum despexit tam quam aridum' (He despised the flower of the world as perishable and dry). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:9	17	Lewis E M 65:01-78		front 65:9	cd 5248 0520 3223	48-bit color	400 ppi	17	Antiphonary
Lewis E M 65.9	Lewis E M 65.9 reverse	mcai650092		1425	1450	356 x 511 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons for first Vespers.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:9	18	Lewis E M 65:01-78		reverse 65:9	cd 5248 0520 3223	48-bit color	400 ppi	18	Antiphonary
Lewis E M 65.10	Lewis E M 65.10 front	mcai650101		1425	1450	357 x 513 mm	Initial Q | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the Conversion of St. Paul (Jan. 25), 'Qui operatus est pe[tro in apostulatum, operatus est et mihi inter gentes]' (He who worked in Peter for the apostleship also worked in me among the Gentiles). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:10	19	Lewis E M 65:01-78		front 65:10	cd 5248 0520 3221	48-bit color	400 ppi	19	Antiphonary
Lewis E M 65.10	Lewis E M 65.10 reverse	mcai650102		1425	1450	357 x 513 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an initial from an antiphonary. This side of the leaf, the true recto, includes the chants for First Vespers for the feast that begins on the front of the leaf.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:10	20	Lewis E M 65:01-78		reverse 65:10	cd 5248 0520 3221	48-bit color	400 ppi	20	Antiphonary
Lewis E M 65.11	Lewis E M 65.11 front	mcai650111		1425	1450	357 x 519 mm	Initial P | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the first Sunday after Pentecost, 'Preparate corde vestra domino et servite illi soli.' (Prepare your hearts for the Lord and serve him only). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:11	21	Lewis E M 65:01-78		front 65:11	cd 5248 0520 3224	48-bit color	400 ppi	21	Antiphonary
Lewis E M 65.11	Lewis E M 65.11 reverse	mcai650112		1425	1450	357 x 519 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an initial from an antiphonary. This side of the leaf, the true recto, contains chants for First Vespers.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:11	22	Lewis E M 65:01-78		reverse 65:11	cd 5248 0520 3224	48-bit color	400 ppi	22	Antiphonary
Lewis E M 65.12	Lewis E M 65.12 front	mcai650121		1425	1450	358 x 516 mm	Initial P with St. John the Evangelist | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon at Lauds for the of the feast of Sts. Peter and Paul (June 29), 'Petrus et Johannes ascendebant in templum ad horam orationis nonam.' (Peter and John went up to the temple at the ninth hour, the hour of prayer). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:12	23	Lewis E M 65:01-78		front 65:12	cd 5248 0520 3566	48-bit color	400 ppi	23	Antiphonary
Lewis E M 65.12	Lewis E M 65.12 reverse	mcai650122		1425	1450	358 x 516 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a historiated initial from an antiphonary. This side of the leaf, the true recto, contains a response for Matins, also used for the feast of St. Peter in Chains.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:12	24	Lewis E M 65:01-78		reverse 65:12	cd 5248 0520 3566	48-bit color	400 ppi	24	Antiphonary
Lewis E M 65.13	Lewis E M 65.13 front	mcai650131		1425	1450	360 x 521 mm	Initial P | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Ascension, 'Post passionem suam per dies quadraginta apparens e[is et loquens de regno dei ...' (For forty days after his Passion he appeared to them and spoke about the kingdom of God). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:13	25	Lewis E M 65:01-78		front 65:13	cd 5248 0520 2553	48-bit color	400 ppi	25	Antiphonary
Lewis E M 65.13	Lewis E M 65.13 reverse	mcai650132		1425	1450	360 x 521 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the invitatory and antiphons for Matins.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:13	26	Lewis E M 65:01-78		reverse 65:13	cd 5248 0520 2553	48-bit color	400 ppi	26	Antiphonary
Lewis E M 65.14	Lewis E M 65.14 front	mcai650141		1425	1450	355 x 517 mm	Initial Q with the Annunciation to the Shepherds | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon at Lauds for Christmas (Dec. 25), 'Quem vidistis pastores dicite annunciate nobis in terries quis apparuit' (What do you see, shepherds Tell us, announce to us, who has appeared on earth). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:14	27	Lewis E M 65:01-78		front 65:14	cd 5248 0520 2491	48-bit color	400 ppi	27	Antiphonary
Lewis E M 65.14	Lewis E M 65.14 reverse	mcai650142		1425	1450	355 x 517 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the antiphons for Lauds.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:14	28	Lewis E M 65:01-78		reverse 65:14	cd 5248 0520 2491	48-bit color	400 ppi	28	Antiphonary
Lewis E M 65.15	Lewis E M 65.15 front	mcai650151		1425	1450	360 x 510 mm	Initial M | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon at Lauds for the feast of the Annunciation to the Virgin (March 25), 'Missus est Gabriel Angelus ad Mariam Virginem desponsatam Joseph.' (The angel Gabriel was sent to the Virgin Mary betrothed to Joseph).Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:15	29	Lewis E M 65:01-78		front 65:15	cd 5248 0520 2555	48-bit color	400 ppi	29	Antiphonary
Lewis E M 65.15	Lewis E M 65.15 reverse	mcai650152		1425	1450	360 x 510 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an initial from an antiphonary. This side of the leaf, the true verso, continues the antiphons for Lauds.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:15	30	Lewis E M 65:01-78		reverse 65:15	cd 5248 0520 2555	48-bit color	400 ppi	30	Antiphonary
Lewis E M 65.16	Lewis E M 65.16 front	mcai650161		1425	1450	352 x 517 mm	Initial T | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon at Lauds for the fourth Sunday in Lent, 'Tunc acceptabis sacrificium justitiae si averteris faciem tuam a peccatis meis.' (Then you will receive just sacrifices, if you would turn your face away from my sins). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:16	31	Lewis E M 65:01-78		front 65:16	cd 5248 0520 2489	48-bit color	400 ppi	31	Antiphonary
Lewis E M 65.16	Lewis E M 65.16 reverse	mcai650162		1425	1450	352 x 517 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an initial from an antiphonary. This side of the leaf, the true recto, contains responses for Matins for the feast that begins on the front of the leaf.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:16	32	Lewis E M 65:01-78		reverse 65:16	cd 5248 0520 2489	48-bit color	400 ppi	32	Antiphonary
Lewis E M 65.17	Lewis E M 65.17 front	mcai650171		1425	1450	352 x 514 mm	Initial L with St. Stephen | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon at Lauds for the feast of St. Stephen (Dec. 26), 'Lapidaverunt stephanum et ipse invocabat dominu[m].' (They stoned Stephen and he called upon the Lord.) On the scroll in the image: 'Ecce video celos apertos et i[esum]' (Behold I see the heavens open and Jesus). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:17	33	Lewis E M 65:01-78		front 65:17	cd 5248 0520 2556	48-bit color	400 ppi	33	Antiphonary
Lewis E M 65.17	Lewis E M 65.17 reverse	mcai650172		1425	1450	353 x 514 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the antiphons for Lauds.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:17	34	Lewis E M 65:01-78		reverse 65:17	cd 5248 0520 2556	48-bit color	400 ppi	34	Antiphonary
Lewis E M 65.18	Lewis E M 65.18 front	mcai650181		1425	1450	354 x 515 mm	Initial I | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for Passion Sunday, 'Isti sunt dies quos observare debetis temporibus suis.' (These are the days that you should observe in their season). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:18	35	Lewis E M 65:01-78		front 65:18	cd 5248 0520 2492	48-bit color	400 ppi	35	Antiphonary
Lewis E M 65.18	Lewis E M 65.18 reverse	mcai650182		1425	1450	354 x 515 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, includes chants for First Vespers and Matins for the feast day that begins on the front of the leaf.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:18	36	Lewis E M 65:01-78		reverse 65:18	cd 5248 0520 2492	48-bit color	400 ppi	36	Antiphonary
Lewis E M 65.19	Lewis E M 65.19 front	mcai650191		1425	1450	361 x 511 mm	Initial F | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the Birth of John the Baptist (June 24), 'Fuit homo missus a deo cui nome[n] johan[n]es e[rat].' (A man whose name was John was sent from God). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:19	37	Lewis E M 65:01-78		front 65:19	cd 5253 0521 6892	48-bit color	400 ppi	37	Antiphonary
Lewis E M 65.19	Lewis E M 65.19 reverse	mcai650192		1425	1450	361 x 511 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, continues the chants for Matins.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:19	38	Lewis E M 65:01-78		reverse 65:19	cd 5253 0521 6892	48-bit color	400 ppi	38	Antiphonary
Lewis E M 65.20	Lewis E M 65.20 front	mcai650201		1425	1450	359 x 511 mm	Initial E | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon at Lauds for the feast of the Birth John the Baptist (June 24), 'Elyzabeth zachariae magnum virum genuit johannem baptistam precursorem domini.' (Elizabeth [wife] of Zachary gave birth to John the Baptist, a great man and precursor of the Lord). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:20	39	Lewis E M 65:01-78		front 65:20	cd 5253 0521 6895	48-bit color	400 ppi	39	Antiphonary
Lewis E M 65.20	Lewis E M 65.20 reverse	mcai650202		1425	1450	359 x 511 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an initial from an antiphonary. This side of the leaf, the true recto, contains chants for Matins of the same feast as that on the front of the leaf.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:20	40	Lewis E M 65:01-78		reverse 65:20	cd 5253 0521 6895	48-bit color	400 ppi	40	Antiphonary
Lewis E M 65.21	Lewis E M 65.21 front	mcai650211		1425	1450	354 x 515 mm	Initial V | These leaves can be dated to ca. 1430-1440. | This initial begins first antiphon for Lauds of the feast of St. John the Evangelist (Dec. 27), 'Valde honorandus est beatus Iohannes qui suprapectus Domini in cena recubuit' (Very honorable is the blessed John, for during supper he reclined on the breast of the Lord). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:21	41	Lewis E M 65:01-78		front 65:21	cd 5253 0521 6894	48-bit color	400 ppi	41	Antiphonary
Lewis E M 65.21	Lewis E M 65.21 reverse	mcai650212		1425	1450	354 x 515 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:21	42	Lewis E M 65:01-78		reverse 65:21	cd 5253 0521 6894	48-bit color	400 ppi	42	Antiphonary
Lewis E M 65.22	Lewis E M 65.22 front	mcai650221		1425	1450	358 x 515 mm	Initial C | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Holy Innocents (Dec. 28), 'Centum quadraginta quatuor milia qui empti sunt de terra hi sunt qui cum mulieribus non sunt coinquinati' (The hundred and forty-four thousand who were redeemed from the earth are those who were not defiled by women). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:22	43	Lewis E M 65:01-78		front 65:22	cd 5253 0521 6897	48-bit color	400 ppi	43	Antiphonary
Lewis E M 65.22	Lewis E M 65.22 reverse	mcai650222		1425	1450	358 x 515 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf is the true recto.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:22	44	Lewis E M 65:01-78		reverse 65:22	cd 5253 0521 6897	48-bit color	400 ppi	44	Antiphonary
Lewis E M 65.23	Lewis E M 65.23 front	mcai650231		1425	1450	358 x 511 mm	Initial E | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Circumcision (Jan. 1), 'Ecce Angus Dei qui tollit peccata mundi' (Behold the Lamb of God who takes away the sins of the world).Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:23	45	Lewis E M 65:01-78		front 65:23	cd 5253 0521 6896	48-bit color	400 ppi	45	Antiphonary
Lewis E M 65.23	Lewis E M 65.23 reverse	mcai650232		1425	1450	358 x 511 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:23	46	Lewis E M 65:01-78		reverse 65:23	cd 5253 0521 6896	48-bit color	400 ppi	46	Antiphonary
Lewis E M 65.24	Lewis E M 65.24 front	mcai650241		1425	1450	359 x 511 mm	Initial S | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of Sts. Peter and Paul (June 29), 'Simon petre antequem de navi vocarem te novi te ' (Simon Peter, before I called you from the ship, I knew you ). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:24	47	Lewis E M 65:01-78		front 65:24	cd 5253 0521 6899	48-bit color	400 ppi	47	Antiphonary
Lewis E M 65.24	Lewis E M 65.24 reverse	mcai650242		1425	1450	359 x 511 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:24	48	Lewis E M 65:01-78		reverse 65:24	cd 5253 0521 6899	48-bit color	400 ppi	48	Antiphonary
Lewis E M 65.25	Lewis E M 65.25 front	mcai650251		1425	1450	357 x 520 mm	Initial E | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Circumcision (Jan. 1), 'Ecce Angus Dei qui tollit peccata mundi' (Behold the Lamb of God who takes away the sins of the world). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:25	49	Lewis E M 65:01-78		front 65:25	cd 5253 0521 6898	48-bit color	400 ppi	49	Antiphonary
Lewis E M 65.25	Lewis E M 65.25 reverse	mcai650252		1425	1450	357 x 520 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:25	50	Lewis E M 65:01-78		reverse 65:25	cd 5253 0521 6898	48-bit color	400 ppi	50	Antiphonary
Lewis E M 65.26	Lewis E M 65.26 front	mcai650261		1425	1450	358 x 515 mm	Initial O with the Virgin and Child | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of the Circumcision (Jan. 1), 'O admirabile commercium creator generis humani animatum corpus sumens de vigine nasci dignatus est ' (O wondrous commerce, the creator of humanity having assumed a living body, deigned to be born of a virgin ). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:26	51	Lewis E M 65:01-78		front 65:26	cd 5253 0521 6901	48-bit color	400 ppi	51	Antiphonary
Lewis E M 65.26	Lewis E M 65.26 reverse	mcai650262		1425	1450	358 x 515 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:26	52	Lewis E M 65:01-78		reverse 65:26	cd 5253 0521 6901	48-bit color	400 ppi	52	Antiphonary
Lewis E M 65.27	Lewis E M 65.27 front	mcai650271		1425	1450	354 x 511 mm	Initial O | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for Good Friday, 'Omnes amici mei dereliquerunt me et prevaluerunt insidiantes mihi tradidit me quem diligebam' (All my friends have forsaken me and those who lay in ambush for me have prevailed against me). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:27	53	Lewis E M 65:01-78		front 65:27	cd 5253 0521 6900	48-bit color	400 ppi	53	Antiphonary
Lewis E M 65.27	Lewis E M 65.27 reverse	mcai650272		1425	1450	354 x 511 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:27	54	Lewis E M 65:01-78		reverse 65:27	cd 5253 0521 6900	48-bit color	400 ppi	54	Antiphonary
Lewis E M 65.28	Lewis E M 65.28 front	mcai650281		1425	1450	360 x 521 mm	Initial B | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon for Lauds in the Octave of Epiphany, 'Baptizat miles regem servuus dominum suum Johannes salvatorem ' (John the soldier and servant baptized the Lord his Savior ). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:28	55	Lewis E M 65:01-78		front 65:28	cd 5253 0521 6903	48-bit color	400 ppi	55	Antiphonary
Lewis E M 65.28	Lewis E M 65.28 reverse	mcai650282		1425	1450	360 x 521 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:28	56	Lewis E M 65:01-78		reverse 65:28	cd 5253 0521 6903	48-bit color	400 ppi	56	Antiphonary
Lewis E M 65.29	Lewis E M 65.29 front	mcai650291		1425	1450	354 x 513 mm	Initial S | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for Holy Saturday, 'Sicut ovis ad occisionem ductus est et dum male tractaretur non aperuit os suum' (Like a sheep he was led to the slaughter and though he was harshly treated, he opened not his mouth).Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:29	57	Lewis E M 65:01-78		front 65:29	cd 5253 0521 6902	48-bit color	400 ppi	57	Antiphonary
Lewis E M 65.29	Lewis E M 65.29 reverse	mcai650292		1425	1450	354 x 513 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:29	58	Lewis E M 65:01-78		reverse 65:29	cd 5253 0521 6902	48-bit color	400 ppi	58	Antiphonary
Lewis E M 65.30	Lewis E M 65.30 front	mcai650301		1425	1450	360 x 521 mm	Initial D | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the Sundays between the octave of Pentecost and October, 'Domine ne in ira tua arguas me neque in furore tuo corripias me' (O Lord blame me not in your wrath nor seize me in your fury). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:30	59	Lewis E M 65:01-78		front 65:30	cd 5253 0521 6905	48-bit color	400 ppi	59	Antiphonary
Lewis E M 65.30	Lewis E M 65.30 reverse	mcai650302		1425	1450	360 x 521 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:30	60	Lewis E M 65:01-78		reverse 65:30	cd 5253 0521 6905	48-bit color	400 ppi	60	Antiphonary
Lewis E M 65.31	Lewis E M 65.31 front	mcai650311		1425	1450	356 x 510 mm	Initial L | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of St. Lawrence (August 10), 'Laurentius ingressus est martyr et confesus est nomen domini jesu christi' (Lawrence entered with the spirit of the martyr and confessed the name of the Lord Jesus Christ). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:31	61	Lewis E M 65:01-78		front 65:31	cd 5253 0521 6904	48-bit color	400 ppi	61	Antiphonary
Lewis E M 65.31	Lewis E M 65.31 reverse	mcai650312		1425	1450	356 x 510 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:31	62	Lewis E M 65:01-78		reverse 65:31	cd 5253 0521 6904	48-bit color	400 ppi	62	Antiphonary
Lewis E M 65.32	Lewis E M 65.32 front	mcai650321		1425	1450	357 x 513 mm	Initial V with the Virgin Mary in prayer | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Assumption of the Virgin (Aug. 15), 'Vidi speciosam sicut columbam ascendentem desuper rivos aquarum cuius unestimabilis oder erat nimis in vestimentis eius' (I saw her, fair as a dove, taking flight over running waters; and a priceless perfume permeated her garments). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:32	63	Lewis E M 65:01-78		front 65:32	cd 5253 0521 5320	48-bit color	400 ppi	63	Antiphonary
Lewis E M 65.32	Lewis E M 65.32 reverse	mcai650322		1425	1450	357 x 513 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:32	64	Lewis E M 65:01-78		reverse 65:32	cd 5253 0521 5320	48-bit color	400 ppi	64	Antiphonary
Lewis E M 65.33	Lewis E M 65.33 front	mcai650331		1425	1450	360 x 509 mm	Initial V | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for All Saints (Feb. 2), 'Vidi turbam magnam, quam dinumerare nemo poterat, ex omnibus gentibus stantes ante thronum' (I saw a great multitude which no man could number, out of every nation, standing before the throne). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:33	65	Lewis E M 65:01-78		front 65:33	cd 5253 0521 6909	48-bit color	400 ppi	65	Antiphonary
Lewis E M 65.33	Lewis E M 65.33 reverse	mcai650332		1425	1450	360 x 509 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains chants for Matins.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:33	66	Lewis E M 65:01-78		reverse 65:33	cd 5253 0521 6909	48-bit color	400 ppi	66	Antiphonary
Lewis E M 65.34	Lewis E M 65.34 front	mcai650341		1425	1450	358 x 512 mm	Adoration of the Magi | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon for Lauds of Epiphany (Jan. 6), 'Ante luciferum genitus et ante saecula Dominus Salvator noster hodie mundo apparuit' (Born before the day star and before the ages, the Lord our Savior has appeared this day to the world). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:34	67	Lewis E M 65:01-78		front 65:34	cd 5253 0521 6911	48-bit color	400 ppi	67	Antiphonary
Lewis E M 65.34	Lewis E M 65.34 reverse	mcai650342		1425	1450	358 x 512 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with marginal decoration from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:34	68	Lewis E M 65:01-78		reverse 65:34	cd 5253 0521 6911	48-bit color	400 ppi	68	Antiphonary
Lewis E M 65.35	Lewis E M 65.35 front	mcai650351		1425	1450	361 x 515 mm	Initial D with Christ with Dove and Book | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for Pentecost, 'Dum complerentur dies Pentecost ...' (when the days of Pentecost were drawing to a close). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:35	69	Lewis E M 65:01-78		front 65:35	cd 5253 0521 6908	48-bit color	400 ppi	69	Antiphonary
Lewis E M 65.35	Lewis E M 65.35 reverse	mcai650352		1425	1450	361 x 515 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:35	70	Lewis E M 65:01-78		reverse 65:35	cd 5253 0521 6908	48-bit color	400 ppi	70	Antiphonary
Lewis E M 65.36	Lewis E M 65.36 front	mcai650361		1425	1450	358 x 516 mm	Initial V with the Ascension | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of the Ascension, 'Viri Galilei quid asicitis in celum ...' (Men of Galilee, why do you stand looking up to heaven). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:36	71	Lewis E M 65:01-78		front 65:36	cd 5253 0521 6912	48-bit color	400 ppi	71	Antiphonary
Lewis E M 65.36	Lewis E M 65.36 reverse	mcai650362		1425	1450	358 x 516 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:36	72	Lewis E M 65:01-78		reverse 65:36	cd 5253 0521 6912	48-bit color	400 ppi	72	Antiphonary
Lewis E M 65.37	Lewis E M 65.37 front	mcai650371		1425	1450	358 x 517 mm	Initial E with St. Paul | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the Conversion of St. Paul (Jan. 25), 'Ego plantavi apollo rigavit dues autem incrementum dedit' (I have planted, Apollo watered, but God has given the growth). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:37	73	Lewis E M 65:01-78		front 65:37	cd 5253 0521 6910	48-bit color	400 ppi	73	Antiphonary
Lewis E M 65.37	Lewis E M 65.37 reverse	mcai650372		1425	1450	358 x 517 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:37	74	Lewis E M 65:01-78		reverse 65:37	cd 5253 0521 6910	48-bit color	400 ppi	74	Antiphonary
Lewis E M 65.38	Lewis E M 65.38 front	mcai650381		1425	1450	360 x 519 mm	Initial M with Mary Magdalene | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of Mary Magdalene (July 22), 'Maria Magdalene at altera Maria ibant diluculo ad monumentum' (Mary Magdalene and the other Mary went at dawn to the tomb). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:38	75	Lewis E M 65:01-78		front 65:38	cd 5253 0521 6924	48-bit color	400 ppi	75	Antiphonary
Lewis E M 65.38	Lewis E M 65.38 reverse	mcai650382		1425	1450	360 x 519 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:38	76	Lewis E M 65:01-78		reverse 65:38	cd 5253 0521 6924	48-bit color	400 ppi	76	Antiphonary
Lewis E M 65.39	Lewis E M 65.39 front	mcai650391		1425	1450	360 x 517 mm	Initial S with St. Peter | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of Sts. Peter and Paul (June 29), 'Simon petre antequem de navi vocarem te novi te ' (Simon Peter, before I called you from the ship, I knew you ). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:39	77	Lewis E M 65:01-78		front 65:39	cd 5253 0521 6991	48-bit color	400 ppi	77	Antiphonary
Lewis E M 65.39	Lewis E M 65.39 reverse	mcai650392		1425	1450	360 x 517 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:39	78	Lewis E M 65:01-78		reverse 65:39	cd 5253 0521 6991	48-bit color	400 ppi	78	Antiphonary
Lewis E M 65.40	Lewis E M 65.40 front	mcai650401		1425	1450	360 x 516 mm	Initial S with St. Simeon | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of the Purification of the Virgin (Feb. 2), 'Simeon iustus et timoratus exspectabat redemptionem Israel et spiritus sancto erat in eo' (Simeon, a just and devout man, was looking for the redemption of Israel and the Holy Spirit was in him). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:40	79	Lewis E M 65:01-78		front 65:40	cd 5253 0521 6994	48-bit color	400 ppi	79	Antiphonary
Lewis E M 65.40	Lewis E M 65.40 reverse	mcai650402		1425	1450	360 x 516 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:40	80	Lewis E M 65:01-78		reverse 65:40	cd 5253 0521 6994	48-bit color	400 ppi	80	Antiphonary
Lewis E M 65.41	Lewis E M 65.41 front	mcai650411		1425	1450	359 x 517 mm	Initial E with St. John the Baptist | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of St. John the Baptist (June 24), 'Elisabeth Zacharie magnum virum genuit johannem baptistam precursorem domini' (Elizabeth [the wife] of Zachary, gave birth to a great man, John the Baptist, the precursor of Christ).Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:41	81	Lewis E M 65:01-78		front 65:41	cd 5253 0521 6993	48-bit color	400 ppi	81	Antiphonary
Lewis E M 65.41	Lewis E M 65.41 reverse	mcai650412		1425	1450	359 x 517 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:41	82	Lewis E M 65:01-78		reverse 65:41	cd 5253 0521 6993	48-bit color	400 ppi	82	Antiphonary
Lewis E M 65.42	Lewis E M 65.42 front	mcai650421		1425	1450	363 x 527 mm	Initial B with St. Nicholas | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of St. Nicholas (Dec. 6), 'Beatus Nicolaus pontificatus infulis decoratus talem' (Blessed Bishop Nicholas, adorned with a mitre). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:42	83	Lewis E M 65:01-78		front 65:42	cd 5253 0521 6996	48-bit color	400 ppi	83	Antiphonary
Lewis E M 65.42	Lewis E M 65.42 reverse	mcai650422		1425	1450	363 x 527 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:42	84	Lewis E M 65:01-78		reverse 65:42	cd 5253 0521 6996	48-bit color	400 ppi	84	Antiphonary
Lewis E M 65.43	Lewis E M 65.43 front	mcai650431		1425	1450	360 x 518 mm	Initial D with St. Martin | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of St. Martin (Nov. 11), 'Dixerunt discipuli ad beatum martinum cur nos pater deseris' (His disciples said to the blessed Martin, 'Father, why are you leaving us'). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:43	85	Lewis E M 65:01-78		front 65:43	cd 5253 0521 6995	48-bit color	400 ppi	85	Antiphonary
Lewis E M 65.43	Lewis E M 65.43 reverse	mcai650432		1425	1450	360 x 518 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:43	86	Lewis E M 65:01-78		reverse 65:43	cd 5253 0521 6995	48-bit color	400 ppi	86	Antiphonary
Lewis E M 65.44	Lewis E M 65.44 front	mcai650441		1425	1450	359 x 516 mm	Initial L with St. Lawrence | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of St. Lawrence (August 10), 'Laurentius ingressus est martyr et confesus est nomen domini jesu christi' (Lawrence entered with the spirit of the martyr and confessed the name of the Lord Jesus Christ). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:44	87	Lewis E M 65:01-78		front 65:44	cd 5253 0521 6931	48-bit color	400 ppi	87	Antiphonary
Lewis E M 65.44	Lewis E M 65.44 reverse	mcai650442		1425	1450	359 x 516 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:44	88	Lewis E M 65:01-78		reverse 65:44	cd 5253 0521 6931	48-bit color	400 ppi	88	Antiphonary
Lewis E M 65.45	Lewis E M 65.45 front	mcai650451		1425	1450	360 x 518 mm	Initial A with the Resurrection | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for Easter, 'Angelus autem domini descendit de caelo et accendens revolit lapidem' (An angel of the Lord, however, came from heaven and removed the stone). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:45	89	Lewis E M 65:01-78		front 65:45	cd 5248 0520 7086	48-bit color	400 ppi	89	Antiphonary
Lewis E M 65.45	Lewis E M 65.45 reverse	mcai650452		1425	1450	360 x 518 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:45	90	Lewis E M 65:01-78		reverse 65:45	cd 5248 0520 7086	48-bit color	400 ppi	90	Antiphonary
Lewis E M 65.46	Lewis E M 65.46 front	mcai650461		1425	1450	361 x 516 mm	Initial B with St. Gregory | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of St. Gregory (March 12), 'Beautus gregorius nations romanus nobilitatem suam moribus et probis artibus decoratvit' (Blessed Gregory of the Roman people, adorned his nobility with wit and honorable skill). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:46	91	Lewis E M 65:01-78		front 65:46	cd 5248 0520 7087	48-bit color	400 ppi	91	Antiphonary
Lewis E M 65.46	Lewis E M 65.46 reverse	mcai650462		1425	1450	361 x 516 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:46	92	Lewis E M 65:01-78		reverse 65:46	cd 5248 0520 7087	48-bit color	400 ppi	92	Antiphonary
Lewis E M 65.47	Lewis E M 65.47 front	mcai650471		1425	1450	361 x 516 mm	Initial C with St. Cecilia | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of St. Cecilia (Nov. 22), 'Cantantibus organis cecilia domino decantabat dicens' (While the organs played, Cecilia sang to the Lord). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:47	93	Lewis E M 65:01-78		front 65:47	cd 5248 0520 7088	48-bit color	400 ppi	93	Antiphonary
Lewis E M 65.47	Lewis E M 65.47 reverse	mcai650472						Parchment		Unknown						1	Lewis E M 65:47			cd 5248 0520 7088				Illuminated Music Leaf
Lewis E M 65.48	Lewis E M 65.48 front	mcai650481		1425	1450	362 x 522 mm	Initial A with St. Benedict | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of St. Benedict (March 21), 'Armis precinctus vere fidei benedictus idola dum stravit sedem tibi christen paravit' (Girded with arms of true faith, Benedict struck down idols while he prepared a seat for you O Christ). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:48	94	Lewis E M 65:01-78		front 65:48	cd 5248 0520 7089	48-bit color	400 ppi	95	Antiphonary
Lewis E M 65.48	Lewis E M 65.48 reverse	mcai650482		1425	1450	362 x 522 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:48	95	Lewis E M 65:01-78		reverse 65:48	cd 5248 0520 7089	48-bit color	400 ppi	96	Antiphonary
Lewis E M 65.49	Lewis E M 65.49 front	mcai650491		1425	1450	362 x 516 mm	Initial A with the Assumption of the Virgin | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of the Assumption of the Virgin (Aug. 15), 'Assumpta est maria in celum gaudent angeli laudantes benedicunt dominum' (Mary has been taken up into heaven. The Angels are rejoicing, praising they bless the Lord). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:49	96	Lewis E M 65:01-78		front 65:49	cd 5248 0520 7090	48-bit color	400 ppi	97	Antiphonary
Lewis E M 65.49	Lewis E M 65.49 reverse	mcai650492		1425	1450	362 x 516 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:49	97	Lewis E M 65:01-78		reverse 65:49	cd 5248 0520 7090	48-bit color	400 ppi	98	Antiphonary
Lewis E M 65.50	Lewis E M 65.50 front	mcai650501		1425	1450	356 x 521 mm	Initial I with St. Agnes | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of St. Agnes (Jan. 21), 'Ingressa Agnes turpitudinis locum angelum domini prepararatum invenit' (When Agnes entered the house of shame, she found an angel of the Lord ready to protect her). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:50	98	Lewis E M 65:01-78		front 65:50	cd 5248 0520 7091	48-bit color	400 ppi	99	Antiphonary
Lewis E M 65.50	Lewis E M 65.50 reverse	mcai650502		1425	1450	356 x 521 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:50	99	Lewis E M 65:01-78		reverse 65:50	cd 5248 0520 7091	48-bit color	400 ppi	100	Antiphonary
Lewis E M 65.51	Lewis E M 65.51 front	mcai650511		1425	1450	361 x 513 mm	Initial A with the Virgin of the Annunciation | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of the Annunciation (March 25), 'Misses est gabriel angelus ad marian virginem desponsatam josep' (The Angel Gabriel was sent to the Virgin Mary bethrothed to Joseph). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:51	100	Lewis E M 65:01-78		front 65:51	cd 5248 0520 7092	48-bit color	400 ppi	101	Antiphonary
Lewis E M 65.51	Lewis E M 65.51 reverse	mcai650512		1425	1450	361 x 513 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:51	101	Lewis E M 65:01-78		reverse 65:51	cd 5248 0520 7092	48-bit color	400 ppi	102	Antiphonary
Lewis E M 65.52	Lewis E M 65.52 front	mcai650521		1425	1450	359 x 517 mm	Initial N with St. Anne holding Mary and the Christ-Child | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of the Nativity of the Virgin (Sept. 8), 'Nativitas gloriosa virginis maria ex semina abrahe' (It is the Nativity of the glorius Virgin Mary, sprung from the seed of Abraham). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:52	102	Lewis E M 65:01-78		front 65:52	cd 5248 0520 7093	48-bit color	400 ppi	103	Antiphonary
Lewis E M 65.52	Lewis E M 65.52 reverse	mcai650522		1425	1450	359 x 517 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:52	103	Lewis E M 65:01-78		reverse 65:52	cd 5248 0520 7093	48-bit color	400 ppi	104	Antiphonary
Lewis E M 65.53	Lewis E M 65.53 front	mcai650531		1425	1450	357 x 519 mm	Initial S with St. Michael | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of St. Michael (Sept. 29), 'Stetit angelus iuxta aram temple habens thuribulum aureum in manu sua' (An Angel stood before the altar of the temple, having a golden censer in his hand). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:53	104	Lewis E M 65:01-78		front 65:53	cd 5248 0520 7094	48-bit color	400 ppi	105	Antiphonary
Lewis E M 65.53	Lewis E M 65.53 reverse	mcai650532		1425	1450	357 x 519 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:53	105	Lewis E M 65:01-78		reverse 65:53	cd 5248 0520 7094	48-bit color	400 ppi	106	Antiphonary
Lewis E M 65.54	Lewis E M 65.54 front	mcai650541		1425	1450	360 x 519 mm	Initial A with the Virgin and Child | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Purification of the Virgin (Feb. 2), 'Adorna thalamum tuum Sion et suscipe regem Christum' (Adorn your bridal chamber, Sion, and receive Christ the King). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:54	106	Lewis E M 65:01-78		front 65:54	cd 5248 0520 7095	48-bit color	400 ppi	107	Antiphonary
Lewis E M 65.54	Lewis E M 65.54 reverse	mcai650542		1425	1450	360 x 519 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:54	107	Lewis E M 65:01-78		reverse 65:54	cd 5248 0520 7095	48-bit color	400 ppi	108	Antiphonary
Lewis E M 65.55	Lewis E M 65.55 front	mcai650551		1425	1450	359 x 517 mm	Initial M with Gabriel | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Annunciation (March 25), 'Misses est gabriel angelus ad marian virginem desponsatam josep' (The Angel Gabriel was sent to the Virgin Mary bethrothed to Joseph). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:55	108	Lewis E M 65:01-78		front 65:55	cd 5248 0520 7096	48-bit color	400 ppi	109	Antiphonary
Lewis E M 65.55	Lewis E M 65.55 reverse	mcai650552		1425	1450	359 x 517 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the text from the front.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:55	109	Lewis E M 65:01-78		reverse 65:55	cd 5248 0520 7096	48-bit color	400 ppi	110	Antiphonary
Lewis E M 65.56	Lewis E M 65.56 front	mcai650561		1425	1450	356 x 518 mm	Initial O with St. Clement | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of St. Clement (Nov. 23), 'Orante sancto clemente apparuit ei angelus domini' (While St. Clement was praying an Angel of the Lord appeared to him). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:56	110	Lewis E M 65:01-78		front 65:56	cd 5248 0520 7097	48-bit color	400 ppi	111	Antiphonary
Lewis E M 65.56	Lewis E M 65.56 reverse	mcai650562		1425	1450	356 x 518 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:56	111	Lewis E M 65:01-78		reverse 65:56	cd 5248 0520 7097	48-bit color	400 ppi	112	Antiphonary
Lewis E M 65.57	Lewis E M 65.57 front	mcai650571		1425	1450	356 x 505 mm	Initial M | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of St. Gregory (March 12), 'Mutato et enim seculari habitu beatus gregorius monasterium petit' (Blessed Gregory asked the monastery and even the secular priests). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:57	112	Lewis E M 65:01-78		front 65:57	cd 5248 0520 7098	48-bit color	400 ppi	113	Antiphonary
Lewis E M 65.57	Lewis E M 65.57 reverse	mcai650572		1425	1450	356 x 505 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:57	113	Lewis E M 65:01-78		reverse 65:57	cd 5248 0520 7098	48-bit color	400 ppi	114	Antiphonary
Lewis E M 65.58	Lewis E M 65.58 front	mcai650581		1425	1450	361 x 516 mm	Initial L | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of St. Lawrence (Aug. 10), 'Levita Laurentius bonum opus operatus est qui per signum crucis cecos illuminavit' (The Deacon Lawrence performed a pious act by giving sight to the blind through the sign of the Cross).Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:58	114	Lewis E M 65:01-78		front 65:58	cd 5248 0520 7099	48-bit color	400 ppi	115	Antiphonary
Lewis E M 65.58	Lewis E M 65.58 reverse	mcai650582		1425	1450	361 x 516 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:58	115	Lewis E M 65:01-78		reverse 65:58	cd 5248 0520 7099	48-bit color	400 ppi	116	Antiphonary
Lewis E M 65.59	Lewis E M 65.59 front	mcai650591		1425	1450	355 x 521 mm	Initial P | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of Sts. John and Paul (June 26), 'Paulus et Johannes dixerunt juliano nos unum deum colimus qui fecit celum et terram' (Paul and John said to Julian, 'We worship the one God who made heaven and earth'). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:59	116	Lewis E M 65:01-78		front 65:59	cd 5248 0520 7100	48-bit color	400 ppi	117	Antiphonary
Lewis E M 65.59	Lewis E M 65.59 reverse	mcai650592		1425	1450	355 x 521 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:59	117	Lewis E M 65:01-78		reverse 65:59	cd 5248 0520 7100	48-bit color	400 ppi	118	Antiphonary
Lewis E M 65.60	Lewis E M 65.60 front	mcai650601		1425	1450	361 x 516 mm	Initial H | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Nativity of the Virgin (Sept. 8), 'Hodie nata est beata virgo maria ex progenie david' (Today the Blessed Virgin Mary was born of the line of David). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:60	118	Lewis E M 65:01-78		front 65:60	cd 5248 0520 7101	48-bit color	400 ppi	119	Antiphonary
Lewis E M 65.60	Lewis E M 65.60 reverse	mcai650602		1425	1450	361 x 516 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This is the leaf's true verso. The text continues from the front.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:60	119	Lewis E M 65:01-78		reverse 65:60	cd 5248 0520 7101	48-bit color	400 ppi	120	Antiphonary
Lewis E M 65.61	Lewis E M 65.61 front	mcai650611		1425	1450	364 x 520 mm	Initial F | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of St. Michael (Sept. 29), 'Factum est silentium in cello dum committeret bellum draco cum michele archangelo' (There was silence in heaven while the dragon fought with the Archangel Michael). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:61	120	Lewis E M 65:01-78		front 65:61	cd 5248 0520 7102	48-bit color	400 ppi	121	Antiphonary
Lewis E M 65.61	Lewis E M 65.61 reverse	mcai650612		1425	1450	364 x 520 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This is the true verso. The text continues from the front of the leaf.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:61	121	Lewis E M 65:01-78		reverse 65:61	cd 5248 0520 7102	48-bit color	400 ppi	122	Antiphonary
Lewis E M 65.62	Lewis E M 65.62 front	mcai650621		1425	1450	359 x 515 mm	Initial I | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the first Sunday in August, 'In principio deus [antequam terram faceret]' (In the beginning before God made the earth). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:62	122	Lewis E M 65:01-78		front 65:62	cd 5248 0520 3564	48-bit color	400 ppi	123	Antiphonary
Lewis E M 65.62	Lewis E M 65.62 reverse	mcai650622		1425	1450	359 x 515 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:62	123	Lewis E M 65:01-78		reverse 65:62	cd 5248 0520 3564	48-bit color	400 ppi	124	Antiphonary
Lewis E M 65.63	Lewis E M 65.63 front	mcai650631		1425	1450	363 x 519 mm	Initial A | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the first Sunday in October, 'Adaperiat Dominus corvestrum in lege sua et in preceptis suis et faciat pacem in diebus nostris' (May the Lord open your heart to his law and his commandments and send you peace in your lifetime). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:63	124	Lewis E M 65:01-78		front 65:63	cd 5248 0520 3568	48-bit color	400 ppi	125	Antiphonary
Lewis E M 65.63	Lewis E M 65.63 reverse	mcai650632		1425	1450	363 x 519 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:63	125	Lewis E M 65:01-78		reverse 65:63	cd 5248 0520 3568	48-bit color	400 ppi	126	Antiphonary
Lewis E M 65.64	Lewis E M 65.64 front	mcai650641		1425	1450	363 x 520 mm	Initial A | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins of the first Sunday of Advent, 'Aspiciens a longe ecco video Dei potentiam venientem ...' (Long, long had I been watching). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:64	126	Lewis E M 65:01-78		front 65:64	cd 5248 0520 3574	48-bit color	400 ppi	127	Antiphonary
Lewis E M 65.64	Lewis E M 65.64 reverse	mcai650642		1425	1450	363 x 520 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:64	127	Lewis E M 65:01-78		reverse 65:64	cd 5248 0520 3574	48-bit color	400 ppi	128	Antiphonary
Lewis E M 65.65	Lewis E M 65.65 front	mcai650651		1425	1450	362 x 521 mm	Initial B | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for Trinity Sunday, 'Benedicat nos Deus, Deus noster, benedicat nos Deus' (May God bless us, our God, may God bless us). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:65	128	Lewis E M 65:01-78		front 65:65	cd 5248 0520 3570	48-bit color	400 ppi	129	Antiphonary
Lewis E M 65.65	Lewis E M 65.65 reverse	mcai650652		1425	1450	362 x 521 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:65	129	Lewis E M 65:01-78		reverse 65:65	cd 5248 0520 3570	48-bit color	400 ppi	130	Antiphonary
Lewis E M 65.66	Lewis E M 65.66 front	mcai650661		1425	1450	361 x 519 mm	Initial S | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for Sundays in October and November, 'Si bona suscepimus de manu domini mala autem quare non sustinesmus' (If we accept good from the hand of God, then why not endure evil). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:66	130	Lewis E M 65:01-78		front 65:66	cd 5248 0520 3578	48-bit color	400 ppi	131	Antiphonary
Lewis E M 65.66	Lewis E M 65.66 reverse	mcai650662		1425	1450	361 x 519 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:66	131	Lewis E M 65:01-78		reverse 65:66	cd 5248 0520 3578	48-bit color	400 ppi	132	Antiphonary
Lewis E M 65.67	Lewis E M 65.67 front	mcai650671		1425	1450	361 x 522 mm	Initial O | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the feast of the Exaltation of the Cross (Sept. 14), 'O magnum pietatis opus mors mortua tunc est in lingo quando mortua vita fuit' (O great work of love! Death died then when Life died on the tree). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:67	132	Lewis E M 65:01-78		front 65:67	cd 5248 0520 3573	48-bit color	400 ppi	133	Antiphonary
Lewis E M 65.67	Lewis E M 65.67 reverse	mcai650672		1425	1450	361 x 522 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:67	133	Lewis E M 65:01-78		reverse 65:67	cd 5248 0520 3573	48-bit color	400 ppi	134	Antiphonary
Lewis E M 65.68	Lewis E M 65.68 front	mcai650681		1425	1450	361 x 520 mm	Initial V | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Assumption of the Virgin (Aug. 15), 'Vidi speciosam sicut columbam ascendentem desuper rivos aquarum cuius unestimabilis oder erat nimis in vestimentis eius' (I saw her, fair as a dove, taking flight over running waters; and a priceless perfume permeated her garments). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:68	134	Lewis E M 65:01-78		front 65:68	cd 5248 0520 3580	48-bit color	400 ppi	135	Antiphonary
Lewis E M 65.68	Lewis E M 65.68 reverse	mcai650682		1425	1450	361 x 520 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:68	135	Lewis E M 65:01-78		reverse 65:68	cd 5248 0520 3580	48-bit color	400 ppi	136	Antiphonary
Lewis E M 65.69	Lewis E M 65.69 front	mcai650691		1425	1450	359 x 523 mm	Initial R | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of St. Scholastica (Feb. 10), 'Adorna Rogavi te nec potui obtinere quod volui rogavi deum meum et exaudivit me' (I asked you but was not able to get what I wanted, I asked my God and he heard me). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:69	136	Lewis E M 65:01-78		front 65:69	cd 5248 0520 3576	48-bit color	400 ppi	137	Antiphonary
Lewis E M 65.69	Lewis E M 65.69 reverse	mcai650692		1425	1450	359 x 523 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:69	137	Lewis E M 65:01-78		reverse 65:69	cd 5248 0520 3576	48-bit color	400 ppi	138	Antiphonary
Lewis E M 65.70	Lewis E M 65.70 front	mcai650701		1425	1450	356 x 518 mm	Initial P | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first lesson of the first nocturn of Matins for the third Sunday in September, 'Peto domine ut de vinculo improperii huius absolvas me aut certe desuper terram eripias me' (I ask you Lord, in order that you absolve me from the fetter of this burden or else take me away from the earth). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:70	138	Lewis E M 65:01-78		front 65:70	cd 5248 0520 3582	48-bit color	400 ppi	139	Antiphonary
Lewis E M 65.70	Lewis E M 65.70 reverse	mcai650702		1425	1450	356 x 518 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:70	139	Lewis E M 65:01-78		reverse 65:70	cd 5248 0520 3582	48-bit color	400 ppi	140	Antiphonary
Lewis E M 65.71	Lewis E M 65.71 front	mcai650711		1425	1450	360 x 516 mm	Initial Q | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of the Conversion of St. Paul (Jan. 25), 'Qui operatus est petro in apostulatum, operatus est et mihi inter gentes' (He who worked in Peter for the apostleship also worked in me among the Gentiles). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:71	140	Lewis E M 65:01-78		front 65:71	cd 5248 0520 3585	48-bit color	400 ppi	141	Antiphonary
Lewis E M 65.71	Lewis E M 65.71 reverse	mcai650712		1425	1450	360 x 516 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:71	141	Lewis E M 65:01-78		reverse 65:71	cd 5248 0520 3585	48-bit color	400 ppi	142	Antiphonary
Lewis E M 65.72	Lewis E M 65.72 front	mcai650721		1425	1450	362 x 520 mm	Initial D | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the feast of St. Agnes (Jan. 21), 'Diem festum sacratissime virginis celebremus qualiter passa sit beata Agnes ad memoriam revocemus' (Let us celebrate the feast of a most saintly virgin, calling to mind how blessed Agnes suffered). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:72	142	Lewis E M 65:01-78		front 65:72	cd 5248 0520 3577	48-bit color	400 ppi	143	Antiphonary
Lewis E M 65.72	Lewis E M 65.72 reverse	mcai650722		1425	1450	362 x 520 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:72	143	Lewis E M 65:01-78		reverse 65:72	cd 5248 0520 3577	48-bit color	400 ppi	144	Antiphonary
Lewis E M 65.73	Lewis E M 65.73 front	mcai650731		1425	1450	360 x 521 mm	Initial D | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the second Sunday after Easter, 'Dignus es domine accipere librum et aperire signacula eius' (You are worthy Lord to take the scroll and open its seals). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:73	144	Lewis E M 65:01-78		front 65:73	cd 5248 0520 3581	48-bit color	400 ppi	145	Antiphonary
Lewis E M 65.73	Lewis E M 65.73 reverse	mcai650732		1425	1450	360 x 521 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:73	145	Lewis E M 65:01-78		reverse 65:73	cd 5248 0520 3581	48-bit color	400 ppi	146	Antiphonary
Lewis E M 65.74	Lewis E M 65.74 front	mcai650741		1425	1450	358 x 512 mm	Initial E | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of Lauds for the Conversion of St. Paul (Jan. 25), 'Ego plantavi apollo rigavit dues autem incrementum dedit' (I have planted, Apollo watered, but God has given the growth). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:74	146	Lewis E M 65:01-78		front 65:74	cd 5248 0520 3579	48-bit color	400 ppi	147	Antiphonary
Lewis E M 65.74	Lewis E M 65.74 reverse	mcai650742		1425	1450	358 x 512 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:74	147	Lewis E M 65:01-78		reverse 65:74	cd 5248 0520 3579	48-bit color	400 ppi	148	Antiphonary
Lewis E M 65.75	Lewis E M 65.75 front	mcai650751		1425	1450	361 x 521 mm	Initial G | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon of first Vespers for Trinity Sunday, 'Gloria tibi Trinitas equalis una deitas et ante omnia secula et nunc et in perpetuum' (Glory to You O Trinity, equally one deity and before all time, now and forever). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:75	148	Lewis E M 65:01-78		front 65:75	cd 5248 0520 3584	48-bit color	400 ppi	149	Antiphonary
Lewis E M 65.75	Lewis E M 65.75 reverse	mcai650752		1425	1450	361 x 521 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:75	149	Lewis E M 65:01-78		reverse 65:75	cd 5248 0520 3584	48-bit color	400 ppi	150	Antiphonary
Lewis E M 65.76	Lewis E M 65.76 front	mcai650761		1425	1450	360 x 521 mm	Initial S | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn of Matins for the fourth Sunday after Easter, 'Si oblitus fuero tui alleluia obliviscatur mei dextera mea' (If I ever forget you, alleluia, let my right hand forget me). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:76	150	Lewis E M 65:01-78		front 65:76	cd 5248 0520 3590	48-bit color	400 ppi	151	Antiphonary
Lewis E M 65.76	Lewis E M 65.76 reverse	mcai650762		1425	1450	360 x 521 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:76	151	Lewis E M 65:01-78		reverse 65:76	cd 5248 0520 3590	48-bit color	400 ppi	152	Antiphonary
Lewis E M 65.77	Lewis E M 65.77 front	mcai650771		1425	1450	350 x 518 mm	Initial T | These leaves can be dated to ca. 1430-1440. | This initial begins the first response of the first nocturn for Matins of the second Sunday in Lent, 'Tolle arma tua pharatram et arcum' (Take your weapons, quiver and bow). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:77	152	Lewis E M 65:01-78		front 65:77	cd 5248 0520 3583	48-bit color	400 ppi	153	Antiphonary
Lewis E M 65.77	Lewis E M 65.77 reverse	mcai650772		1425	1450	350 x 518 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:77	153	Lewis E M 65:01-78		reverse 65:77	cd 5248 0520 3583	48-bit color	400 ppi	154	Antiphonary
Lewis E M 65.78	Lewis E M 65.78 front	mcai650781		1425	1450	362 x 520 mm	Initial H | These leaves can be dated to ca. 1430-1440. | This initial begins the first antiphon for Lauds of the feast of the Holy Innocents (Dec. 28), 'Herodes iratus occidit multos pueros in Bethleham Iudae civitate David' (Enraged, Herod put to death many male childrenof Judae in Bethleham, the city of David). Lewis E M 65:1-78 were once thought to have come from a single manuscript associated with the Cistercian monastery at Zwettl in Austria. It has been determined, however, that the leaves are from a number of separate manuscripts and were likely produced by a team of scribes and artists at the scriptorium of the Benedictine monastery at Melk.	Parchment	Latin	Melk, Austria	Gothic bookhand				front 65:78	154	Lewis E M 65:01-78		front 65:78	cd 5248 0520 3594	48-bit color	400 ppi	155	Antiphonary
Lewis E M 65.78	Lewis E M 65.78 reverse	mcai650782		1425	1450	362 x 520 mm	These leaves can be dated to ca. 1430-1440. | This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Melk, Austria	Gothic bookhand				reverse 65:78	155	Lewis E M 65:01-78		reverse 65:78	cd 5248 0520 3594	48-bit color	400 ppi	156	Antiphonary
Lewis E M 66:1A-B	Lewis E M 66.1A front	mcai660013		1350	1399	285 x 421 mm	Initial S | This initial begins the Introit for Pentecost, 'Spiritus domini repleuit orbem terrarum ...' (The spirit of the Lord fills the whole world). This leaf and Lewis E M 66:1b were cut from a manuscript that is now housed in the Bodleian Library in Oxford and is known as the Buckland Missal. | This manuscript can be dated to ca. 1360-80.	Parchment	Latin	England	Gothic bookhand				front 66:1A	1	Lewis E M 66:01A-B		front 66:1A	cd 5248 0520 3587	48-bit color	400 ppi	1	Missal, Sarum use
Lewis E M 66:1A-B	Lewis E M 66.1A reverse	mcai660014		1350	1399	285 x 421 mm	This image shows the reverse of a leaf with a decorated initial from a missal. This side of the leaf is the true recto and contains the processional hymn for Pentecost. | This manuscript can be dated to ca. 1360-80.	Parchment	Latin	England	Gothic bookhand				reverse 66:1A	2	Lewis E M 66:01A-B		reverse 66:1A	cd 5248 0520 3587	48-bit color	400 ppi	2	Missal, Sarum use
Lewis E M 66:1A-B	Lewis E M 66.1A-B	mcai660015		1350	1399	283 x 421 mm	Initial B | This initial begins the Introit for the feast of the Trinity, 'Benedicta sit sancta trinitas ...' (Blessed be the Holy Trinity). This leaf and Lewis E M 66:1a were cut from a manuscript that is now housed in the Bodleian Library in Oxford and is known as the Buckland Missal. | This manuscript can be dated to ca. 1360-80.	Parchment	Latin	England	Gothic bookhand				front 66:1B	3	Lewis E M 66:01A-B		front 66:1B	cd 5248 0520 3587	48-bit color	400 ppi	3	Missal, Sarum use
Lewis E M 66:1A-B	Lewis E M 66.1B front	mcai660015		1350	1399	283 x 421 mm	Initial B | This initial begins the Introit for the feast of the Trinity, 'Benedicta sit sancta trinitas ...' (Blessed be the Holy Trinity). This leaf and Lewis E M 66:1a were cut from a manuscript that is now housed in the Bodleian Library in Oxford and is known as the Buckland Missal. | This manuscript can be dated to ca. 1360-80.	Parchment	Latin	England	Gothic bookhand				front 66:1B	3	Lewis E M 66:01A-B		front 66:1B	cd 5248 0520 3587	48-bit color	400 ppi	3	Missal, Sarum use
Lewis E M 66:1A-B	Lewis E M 66.1B reverse	mcai660016		1350	1399	283 x 421 mm	This image shows the reverse of a leaf with a decorated initial from a missal. | This manuscript can be dated to ca. 1360-80.	Parchment	Latin	England	Gothic bookhand				reverse 66:1B	4	Lewis E M 66:01A-B		reverse 66:1B	cd 5248 0520 3589	48-bit color	400 ppi	4	Missal, Sarum use
Lewis E M 66:2-3H	Lewis E M 66.2 front	mcai660021		1300	1399	305 x 452 mm	Initial R | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial R on the page shown here begins Proverbs 15, 'Responsio mollis frangit iram sermo durus suscitat furorum ...' (A mild answer breaketh wrath but a harsh word stirs up fury).	Parchment	Latin	England	Gothic bookhand				front 66:2	1	Lewis E M 66:02-03H		front 66:2	cd 5248 0520 3589	48-bit color	400 ppi	1	Bible
Lewis E M 66:2-3H	Lewis E M 66.2 reverse	mcai660022		1300	1399	305 x 452 mm	This page shows the reverse of a leaf with a decorated initial from a Bible.	Parchment	Latin	England	Gothic bookhand				reverse 66:2	2	Lewis E M 66:02-03H		reverse 66:2	cd 5248 0520 3589	48-bit color	400 ppi	2	Bible
Lewis E M 66:2-3H	Lewis E M 66.3 front	mcai660031		1300	1399	310 x 450 mm	Initial I | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial I on the page shown here begins the Prologue to the Book of Jeremiah.	Parchment	Latin	England	Gothic bookhand				front 66:3	23	Lewis E M 66:02-03H		front 66:3	cd 5248 0520 3614	48-bit color	400 ppi	23	Bible
Lewis E M 66:2-3H	Lewis E M 66.3 reverse	mcai660032		1300	1399	310 x 450 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains the end of the Book of Isaias.	Parchment	Latin	England	Gothic bookhand				reverse 66:3	24	Lewis E M 66:02-03H		reverse 66:3	cd 5248 0520 3609	48-bit color	400 ppi	24	Bible
Lewis E M 66:4	Lewis E M 66.4 front	mcai660041		1300	1325	351 x 495 mm	Initial U with the Calling of Saints Andrew and Peter | This initial begins the antiphon at first Vespers for the feast of St. Andrew (Nov. 30), 'Unus ex duobus qui secuti sunt dominu[m] erat andreas fratri symonis petri ...' (One of two brothers who had followed the Lord was Andrew the brother of Simon Peter). | This manuscript can be dated to ca. 1325.	Parchment	Latin	Germany?	Gothic bookhand				front	1	Lewis E M 66:04		front	cd 5248 0520 3619	48-bit color	400 ppi	1	Antiphonary
Lewis E M 66:4	Lewis E M 66.4 reverse	mcai660042		1300	1325	351 x 495 mm	This image shows the reverse of a leaf from an antiphonary with an historiated initial. This side of the leaf, the true verso, continues the liturgy for Matins for the feast of St. Andrew. | This manuscript can be dated to ca. 1325.	Parchment	Latin	Germany?	Gothic bookhand				reverse	2	Lewis E M 66:04		reverse	cd 5248 0520 3619	48-bit color	400 ppi	2	Antiphonary
Lewis E M 66:5	Lewis E M 66.5 reverse	mcai660051		1325	1350	272 x 384 mm	This image shows the reverse of a leaf with an historiated initial from a missal. This side of the leaf, the true verso, continues the liturgy for Mass for Easter Sunday.	Parchment	Latin	Germany?	Gothic bookhand				reverse	2	Lewis E M 66:05		reverse	cd 5248 0520 3623	48-bit color	400 ppi	2	Missal
Lewis E M 66:5	Lewis E M 66.5 front	mcai660052		1325	1350	272 x 384 mm	Initial R with the Resurrection | This initial begins the Introit for Easter Sunday, 'Resurrexi et adhuc tecum sum...' (I have risen and am still with you).	Parchment	Latin	Germany?	Gothic bookhand				front	1	Lewis E M 66:05		front	cd 5248 0520 3623	48-bit color	400 ppi	1	Missal
Lewis E M 66:6	Lewis E M 66.6 front	mcai660061						Parchment		Unknown						1	Lewis E M 66:06			cd 5248 0520 3623				Manuscript leaf with crest
Lewis E M 66:6	Lewis E M 66.6 reverse	mcai660062						Parchment		Unknown						2	Lewis E M 66:06			cd 5253 0521 6734				Manuscript leaf with crest verso
Lewis E M 66:7	Lewis E M 66.7	mcai660071						Parchment		Unknown						1	Lewis E M 66:07			cd 5253 0521 6734				Illuminated Manuscript Leaf
Lewis E M 66:8	Lewis E M 66.8 front	mcai660081		1300	1399	299 x 428 mm	Initial F with St. Thomas Aquinas teaching a group of Dominicans | This initial begins the first antiphon of first Vespers for the feast of the Dominican theologian St. Thomas Aquinas (Mar. 7), 'Felix thomas doctor ecclesie lumen mundi splendor ytalie...' (Happy is Thomas, Doctor of the Church, light of the world, splendor of Italy). Thomas Aquinas is considered one of the greatests theologians in the Church's history. He is most well-known for his work Summa Theologica, a manual of theology that summarizes the arguments for almost all points of the Catholic faith. | This leaf can be dated to ca. 1325.	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 66:08		front	cd 5253 0521 6739	48-bit color	400 ppi	1	Antiphonary
Lewis E M 66:8	Lewis E M 66.8 reverse	mcai660082		1300	1399	299 x 428 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the feast of St. Thomas Aquinas. | This leaf can be dated to ca. 1325.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 66:08		reverse	cd 5253 0521 6739	48-bit color	400 ppi	2	Antiphonary
Lewis E M 66:9	Lewis E M 66.9 front	mcai660091		1300	1325	260 x 374 mm	Initial S with Pentecost | This initial begins the Introit for the feast of Pentecost, 'Spiritus domini replevit orbem terrarum ...' (The spirit of the Lord fills the whole world). | This leaf can be dated to ca. 1325.	Parchment	Latin	Flanders	Gothic				front	1	Lewis E M 66:09		front	cd 5253 0521 6739	48-bit color	400 ppi	1	Gradual
Lewis E M 66:9	Lewis E M 66.9 reverse	mcai660092		1300	1325	260 x 374 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Offertory for the Saturday before Pentecost. | This leaf can be dated to ca. 1325.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 66:09		reverse	cd 5253 0521 6736	48-bit color	400 ppi	2	Gradual
Lewis E M 66:10	Lewis E M 66.10 front	mcai660101		1300	1350	329 x 435 mm	Initial P | This leaf from a bible commentary contains the end of the commentary on the book of Ruth and the beginning of that of the first Book of Kings. The commentary on Kings begins with Proverbs 8:16, 'Per me reges regnant' (By me princes rule).	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 66:10		front	cd 5253 0521 6736	48-bit color	400 ppi	1	Biblical commentary
Lewis E M 66:10	Lewis E M 66.10 reverse	mcai660102		1300	1350	329 x 435 mm	This image shows the reverse of a leaf with a decorated initial from a Bible commentary. The text, which continues from the front of the leaf, contains a commentary on the first Book of Kings.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 66:10		reverse	cd 5253 0521 6736	48-bit color	400 ppi	2	Biblical commentary
Lewis E M 66:11	Lewis E M 66.11 front	mcai660111		1440	1460	288 x 450 mm	Initial E with the Visitation | This initial likely begins a part of the liturgy for the feast of the Visitation of the Virgin Mary (July 2). The text from Luke 1:39-47, which relates the story of the Visitation of Mary, is the Gospel reading for the Mass of the same feast. When she was pregnant with the Christ Child, Mary traveled to Hebron to see her cousin Elizabeth, who was pregnant with John the Baptist. Upon their greeting, John leapt in Elizabeth's womb in recognition of the Christ Child's divinity. The earliest known instance of the celebration of this feast occurs in the Franciscan liturgy around 1237.	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 66:11		front	cd 5248 0520 5346	48-bit color	400 ppi	1	Choir book
Lewis E M 66:11	Lewis E M 66.11 reverse	mcai660112		1440	1460	288 x 450 mm	This image shows the reverse of a leaf with an historiated initial from a choir book.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 66:11		reverse	cd 5248 0520 5346	48-bit color	400 ppi	2	Choir book
Lewis E M 66:12	Lewis E M 66.12	mcai660121		1485	1499	351 x 497 mm	Initial R with the Resurrection and in the border, the prophet Sophonias holding a scroll, Jonah and the Whale, and Samson with the Gates of Gaza | This initial begins the Introit for Easter Sunday, 'Resurrexi et adhuc tecum sum ...' (I have risen and am still with thee). The figures in the borders relate to the Resurrection. On the left, the Old Testament prophet Sophonias holds a scroll inscribed in part, 'In die resurrectionis meae congregabo gentes ...' (On the day of my Resurrection I will assemble the Gentiles. The figures of Jonah and the Whale and Samson with the Gates of Gaza are typological references to the Resurrection, meaning they are scenes from the Old Testament that prefigure the Resurrection).	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 66:12		front	cd 5248 0520 5332	48-bit color	400 ppi	1	Gradual
Lewis E M 66:12	Lewis E M 66.12 front	mcai660121		1485	1499	351 x 497 mm	Initial R with the Resurrection and in the border, the prophet Sophonias holding a scroll, Jonah and the Whale, and Samson with the Gates of Gaza | This initial begins the Introit for Easter Sunday, 'Resurrexi et adhuc tecum sum ...' (I have risen and am still with thee). The figures in the borders relate to the Resurrection. On the left, the Old Testament prophet Sophonias holds a scroll inscribed in part, 'In die resurrectionis meae congregabo gentes ...' (On the day of my Resurrection I will assemble the Gentiles. The figures of Jonah and the Whale and Samson with the Gates of Gaza are typological references to the Resurrection, meaning they are scenes from the Old Testament that prefigure the Resurrection).	Parchment	Latin	Flanders	Gothic bookhand				front	1	Lewis E M 66:12		front	cd 5248 0520 5332	48-bit color	400 ppi	1	Gradual
Lewis E M 66:12	Lewis E M 66.12 reverse	mcai660122		1485	1499	351 x 497 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for Easter Sunday, which begins on the front.	Parchment	Latin	Flanders	Gothic bookhand				reverse	2	Lewis E M 66:12		reverse	cd 5248 0520 5332	48-bit color	400 ppi	2	Gradual
Lewis E M 66:13-14	Lewis E M 66.13 front	mcai660131		1490	1510	321 x 482 mm	Initial M with the Apostles | This initial begins the Introit for the Common of the Apostles, 'Michi autem nimis honorati sunt...' (To me, indeed, you are most honored). Lewis E M 66:13-14 are from the same manuscript. This leaf was illuminated by Cornelia van Wulfschkercke, a nun at the Bruges Carmelite convent Sion who was active in the late 15th and early 16th century. The other leaf was illuminated by an assistant. | This leaf can be dated to ca. 1500.	Parchment	Latin	Flanders	Gothic bookhand	Cornelia van Wulfschkerck	Artist		front 66:13	1	Lewis E M 66:13-14		front 66:13	cd 5248 0520 5335	48-bit color	400 ppi	1	Gradual
Lewis E M 66:13-14	Lewis E M 66.13 reverse	mcai660132		1490	1510	321 x 482 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Introit for the Common of One Apostle. | This leaf can be dated to ca. 1500.	Parchment	Latin	Flanders	Gothic bookhand				reverse 66:13	2	Lewis E M 66:13-14		reverse 66:13	cd 5248 0520 5335	48-bit color	400 ppi	2	Gradual
Lewis E M 66:13-14	Lewis E M 66.14 front	mcai660141		1490	1510	321 x 478 mm	Initial B with St. Michael Archangel Conquering the Devil | This initial begins the Introit for the feast of St. Michael (Sept. 29), 'Benedicite dominum omnes angeli eius ...' (Bless the Lord, all you angels of his). Lewis E M 66:13-14 are from the same manuscript. This leaf was illuminated by an assistant of Cornelia van Wulfschkercke, a nun at the Bruges Carmelite convent Sion who was active in the late 15th and early 16th century. The other leaf is by her hand. | This leaf can be dated to ca. 1500.	Parchment	Latin	Flanders	Gothic bookhand	Cornelia van Wulfschkerck, assistant	Artist		front 66:14	3	Lewis E M 66:13-14		front 66:14	cd 5248 0520 5337	48-bit color	400 ppi	3	Gradual
Lewis E M 66:13-14	Lewis E M 66.14 reverse	mcai660142		1490	1510	321 x 478 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Offertory for the feast of the Exaltation of the Cross (Sept. 14). | This leaf can be dated to ca. 1500.	Parchment	Latin	Flanders	Gothic bookhand				reverse 66:14	4	Lewis E M 66:13-14		reverse 66:14	cd 5248 0520 5337	48-bit color	400 ppi	4	Gradual
Lewis E M 66:15-16	Lewis E M 66.15 front	mcai660151		1500	1599	353 x 516 mm	Initial G with St. Eucharius, Bishop of Trier, reviving Maternus | This initial begins the first response of the first nocturn of Matins for the feast of St. Eucharius, bishop of Trier (Dec. 8), 'Gloriosi antistitis eucherii rex eterne Christi...' (Christ the eternal king of the glorious overseer Eucharius). St. Eucharius is the first bishop of Trier. According to his legend, he converted many to Christianity when he revived his dead companion Maternus by touching him with the pastoral staff given to him by St. Peter. St. Eucharius was believed to be one of the seventy-two disciples of Christ, but he in truth lived in the third century. The crests in the upper corners are similar to those of the city of Limbourg, where this manuscript may have been produced. Lewis E M 66:15-16 are from the same manuscript.	Parchment	Latin	Limbourg?, Belgium	Gothic bookhand				front 66:15	1	Lewis E M 66:15-16		front 66:15	cd 5248 0520 5341	48-bit color	400 ppi	1	Antiphonary
Lewis E M 66:15-16	Lewis E M 66.15 reverse	mcai660152		1500	1599	353 x 516 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the invitatory and antiphons for the feast of St. Eucharius, which continues on the front.	Parchment	Latin	Limbourg?, Belgium	Gothic bookhand				reverse 66:15	2	Lewis E M 66:15-16		reverse 66:15	cd 5248 0520 5341	48-bit color	400 ppi	2	Antiphonary
Lewis E M 66:15-16	Lewis E M 66.16 front	mcai660161		1500	1599	348 x 504 mm	Initial S with the Presentation in the Temple | This initial begins the Magnificat antiphon for the feast of the Purification of the Virgin (Feb. 2), 'Senex pueru[m] portabat ...' (An aged man carried a child). The unidentifed arms in the lower border are believed to be those of an aristocrat family of Limbourg.	Parchment	Latin	Limbourg?, Belgium	Gothic bookhand				front 66:16	3	Lewis E M 66:15-16		front 66:16	cd 5248 0520 5339	48-bit color	400 ppi	3	Antiphonary
Lewis E M 66:15-16	Lewis E M 66.16 reverse	mcai660162		1500	1599	348 x 504 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the feast of the Purification of the Virgin, which begins on the front.	Parchment	Latin	Limbourg?, Belgium	Gothic bookhand				reverse 66:16	4	Lewis E M 66:15-16		reverse 66:16	cd 5248 0520 5339	48-bit color	400 ppi	4	Antiphonary
Lewis E M 66:16a	Lewis E M 66.16a front	mcai660163		1200	1299	328 x 459 mm	Diagram of the Wheel of Sevens | This image contains a version of a common diagram known as the Wheel of Sevens. It provides a devotional meditation structured around groups of devotional, theological, and moral concepts, including the seven Virtues, the seven Vices, the seven requests of the Lord's Prayer, the seven petitions of the Lord's Prayer, and the seven gifts of the Holy Spirit. The concentric bands of the five sevens align radially around the center of the circle, which is here the first words of the Lord's prayer, 'Our father who art in heaven.' The frame around the diagram places the entire scheme into the context of sacred time. The upper border begins with the Time of Deviation (Tempus deviationis) from Adam to Moses, the right border continues with the Time of the Calling Back (Tempus revocationis) from Moses to Christ, and so on around the frame to the Time of the Pilgrimage of the Church, and ultimately, to the end of Time, signified by the roundel inscribed 'Christus iudicans' (Christ in Judgment) at the top of the left frame.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 66:16a		front	cd 5248 0520 5343	48-bit color	400 ppi	1	Wheel of Sevens
Lewis E M 66:16a	Lewis E M 66.16a reverse	mcai660164		1200	1299	328 x 459 mm	Sketch of the Crucifixion | This image shows the reverse of a leaf that contains a diagram. The Latin text on this page has yet to be identified. Beneath the text, someone has drawn a sketch of the crucifixion.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 66:16a		reverse	cd 5248 0520 5343	48-bit color	400 ppi	2	Wheel of Sevens
Lewis E M 66:17	Lewis E M 66.17 front	mcai660171		1300	1325	288 x 436 mm	Initial U with Gregory IX surrounded by a group of Dominican friars | This leaf can be dated to ca. 1325. | This leaf is from a copy of the Decretals of Pope Gregory IX (ca.1145-1241). Decretals are collections of papal statements regarding canon law, or the ecclesiastical law of the Catholic Church. In 1230, Pope Gregory commissioned the Dominican friar Raymond of Pennafort to compile a new collection that would gather together and streamline earlier decretals. Gregory's Decretals supplanted the earlier ones and became the basis for all subsequent canon law. The initial marks the beginning of Book V, on Accusations, Inquisitions and Denouncements.	Parchment	Latin	France	Gothic bookhand	Gregory IX	Author		front	1	Lewis E M 66:17		front	cd 5248 0520 5343	48-bit color	400 ppi	1	Decretals
Lewis E M 66:17	Lewis E M 66.17 reverse	mcai660172		1300	1325	288 x 436 mm	This image shows the reverse of a leaf with an historiated initial from a copy of the Decretals of Gregory IX. | This leaf can be dated to ca. 1325.	Parchment	Latin	France	Gothic bookhand	Gregory IX	Author		reverse	2	Lewis E M 66:17		reverse	cd 5248 0520 5338	48-bit color	400 ppi	2	Decretals
Lewis E M 66:18	Lewis E M 66.18 front	mcai660181		1300	1399	302 x 459 mm	Initial S with the Presentation in the Temple | This cutting can be dated to ca. 1325. | This initial begins the Magnificat antiphon for the feast of the Purification of the Virgin (Feb. 2), 'Senex puerum portabat...' (An aged man carried a child).	Parchment	Latin	Germany?	Gothic bookhand				front	1	Lewis E M 66:18		front	cd 5248 0520 5338	48-bit color	400 ppi	1	Antiphonary
Lewis E M 66:18	Lewis E M 66.18 reverse	mcai660182		1300	1399	302 x 459 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the feast of the Purification of the Virgin, which begins on the front.	Parchment	Latin	Germany?	Gothic bookhand				reverse	2	Lewis E M 66:18		reverse	cd 5248 0520 5338	48-bit color	400 ppi	2	Antiphonary
Lewis E M 66:19	Lewis E M 66.19 front	mcai660191		1300	1325	300 x 411 mm	Initial D with the Birth of St. John the Baptist | This cutting can be dated to ca. 1325. | This initial begins the Introit for the feast of the Nativity of St. John the Baptist (June 24), 'De ventre matris mea ...' (From my mother's womb).	Parchment	Latin	France (northern)	Gothic bookhand				front	1	Lewis E M 66:19		front	cd 5248 0520 5345	48-bit color	400 ppi	1	Gradual
Lewis E M 66:19	Lewis E M 66.19 reverse	mcai660192		1300	1325	300 x 411 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the feast of the Nativity of St. John the Baptist, which begins on the front.	Parchment	Latin	France (northern)	Gothic bookhand				reverse	2	Lewis E M 66:19		reverse	cd 5248 0520 5345	48-bit color	400 ppi	2	Gradual
Lewis E M 66:20	Lewis E M 66.20 front	mcai660201		1500	1525	341 x 379 mm	Initial G with the Coronation of the Virgin with saints below, including John the Baptist | This cutting can be dated to ca. 1525. | This initial begins the Introit for the feast of All Saints (Nov. 1), 'Gaudeamus omnes in Domino ...' (Rejoice we all in the Lord).	Parchment	Latin	France					front	1	Lewis E M 66:20		front	cd 5248 0520 5340	48-bit color	400 ppi	1	Gradual
Lewis E M 66:20	Lewis E M 66.20 reverse	mcai660202		1500	1525	341 x 379 mm	This cutting can be dated to ca. 1525. | This image shows the reverse of a cutting with an historiated initial from a gradual.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 66:20		reverse	cd 5248 0520 5340	48-bit color	400 ppi	2	Gradual
Lewis E M 66:21	Lewis E M 66.21	mcai660211		1490	1510	195 x 464 mm	Initial D with the Holy Trinity and border ornament | This cutting can be dated to ca. 1500. | This cutting, which has been pasted to a mat, may begin the invitatory of Trinity Sunday, 'Deum verum, unum in Trinitate, et Trintatem in Unitate' (The true God, One in Three and Three in One). The iconography of the initial reflects the meaning of the Introit. Jesus Christ the Son, crowned with thorns and holding a Tau Cross symbolizing his sacrifice, God the Father, and Christ again holding a dove as the Holy Spirit are unified by the triangle they hold. The triangle symbolizes the unity of the three expressed in the invitatory.	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 66:21		front	cd 5248 0520 5340	48-bit color	400 ppi	1	Choir book
Lewis E M 66:2-3H	Lewis E M 66.2A front	mcai66021a		1300	1399	310 x 446 mm	Initial M | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial M on the page shown here begins Proverbs 17:1, 'Melior est buccella sicca cum gaudio ...' (Better is a dry morsel with joy).	Parchment	Latin	England	Gothic bookhand				front 66:2A	3	Lewis E M 66:02-03H		front 66:2A	cd 5248 0520 3588	48-bit color	400 ppi	3	Bible
Lewis E M 66:2-3H	Lewis E M 66.2B front	mcai66021b		1300	1399	310 x 447 mm	Initial Q | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial Q on the page shown here marks Canticles 5:17, 'Quo abiit dilectus tuus o pulcherrima mulierum quo declinavit dilectus tuus et quae remus eum tecum ...' (Where is your beloved gone, O most beautiful of women Where is your beloved turned aside, and we will seek him with you). Chapter 6 begins immediately after.	Parchment	Latin	England	Gothic bookhand				front 66:2B	5	Lewis E M 66:02-03H		front 66:2B	cd 5248 0520 3588	48-bit color	400 ppi	5	Bible
Lewis E M 66:2-3H	Lewis E M 66.2C front	mcai66021c		1300	1399	308 x 447 mm	Initial O | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial O on the page shown here begins the Book of Wisdom 4, 'O quam pulchra est casta generatione cum claritate inmortalis est enim memoria ...' (O how beautiful is chaste generation with glory, for the memory thereof is immortal).	Parchment	Latin	England	Gothic bookhand				front 66:2C	7	Lewis E M 66:02-03H		front 66:2C	cd 5248 0520 3593	48-bit color	400 ppi	7	Bible
Lewis E M 66:2-3H	Lewis E M 66.2D front	mcai66021d		1300	1399	309 x 448 mm	Initial T | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial T on the page shown here begins the Book of Wisdom 5, 'Tunc stanbunt iusti in magna constantia adversus eos qui se angustaverunt ...' (Then shall the just stand in great constancy against those who have afflicted them).	Parchment	Latin	England	Gothic bookhand				front 66:2D	9	Lewis E M 66:02-03H		front 66:2D	cd 5248 0520 3591	48-bit color	400 ppi	9	Bible
Lewis E M 66:2-3H	Lewis E M 66.2E front	mcai66021e		1300	1399	311 x 452 mm	Initial S | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial S on the page shown here begins the Book of Wisdom 18, 'Sanctis autem tuis maxim a erat lux et horum quidem vocem audiebant sed figuram non uidebant ...' (But your saints had a great light and indeed heard their voice, but did not see their shape).	Parchment	Latin	England	Gothic bookhand				front 66:2E	11	Lewis E M 66:02-03H		front 66:2E	cd 5248 0520 3591	48-bit color	400 ppi	11	Bible
Lewis E M 66:2-3H	Lewis E M 66.2F front	mcai66021f		1300	1399	310 x 448 mm	Initial D | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial D on the page shown here begins Ecclesiasticus 17, 'Deus creavit hominem de terra et secundum ymaginem suam fecit illum ...' (God created man from the earth and made him from his own image).	Parchment	Latin	England	Gothic bookhand				front 66:2F	13	Lewis E M 66:02-03H		front 66:2F	cd 5248 0520 3598	48-bit color	400 ppi	13	Bible
Lewis E M 66:2-3H	Lewis E M 66.2G front	mcai66021g		1300	1399	309 x 446 mm	Initial F | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial F on the page shown here begins Ecclesiasticus 21, 'Fili peccasti et non adicias iterum sed et de pristimus depre care ut tibi remittantur ...' (My son, have you sinned Do so no more, but for your former sins, pray also that they may be forgiven you).	Parchment	Latin	England	Gothic bookhand				front 66:2G	15	Lewis E M 66:02-03H		front 66:2G	cd 5248 0520 3606	48-bit color	400 ppi	15	Bible
Lewis E M 66:2-3H	Lewis E M 66.2H front	mcai66021h		1300	1399	308 x 448 mm	Initial N | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial N on the page shown here begins Ecclesiasticus 42, 'Non duplices sermonem auditus de revelatione sermonis absconditi ...' (Repeat not the word which you have heard, and disclose not the thing which is secret).	Parchment	Latin	England	Gothic bookhand				front 66:2H	17	Lewis E M 66:02-03H		front 66:2H	cd 5248 0520 3606	48-bit color	400 ppi	17	Bible
Lewis E M 66:2-3H	Lewis E M 66.2I front	mcai66021i		1300	1399	306 x 448 mm	Initial C | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial C on the page shown here begins Ecclesiasticus 51, 'Confitebur tibi domine rex et collaudabo te deum salvatorem meum ...' (I will give glory to you, O Lord, O King, and I will praise you, O God my Savior).	Parchment	Latin	England	Gothic bookhand				front 66:2i	19	Lewis E M 66:02-03H		front 66:2i	cd 5248 0520 3599	48-bit color	400 ppi	19	Bible
Lewis E M 66:2-3H	Lewis E M 66.2J front	mcai66021j		1300	1399	309 x 452 mm	Initial L | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial L on the page shown here begins Isaias 54, 'Lauda sterilis quae non paris decanta laudem et hinni ...' (Give praise, you barren who bear not; sing forth praise and make a joyful noise).	Parchment	Latin	England	Gothic bookhand				front 66:2J	21	Lewis E M 66:02-03H		front 66:2J	cd 5248 0520 3614	48-bit color	400 ppi	21	Bible
Lewis E M 66:22	Lewis E M 66.22 front	mcai660221		1500	1599	460 x 684 mm	Initial D | This initial begins Psalm 129, 'De profundis clamavi ad te domine, domine exaudi vocem meae' (Out of the depth I have cried to thee, O Lord. Lord, hear my voice).	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 66:22		front	cd 5248 0520 5342	48-bit color	400 ppi	1	Psalter
Lewis E M 66:22	Lewis E M 66.22 reverse	mcai660222		1500	1599	460 x 684 mm	This image shows the reverse of a leaf with a decorated initial from a Psalter. This side of the leaf is the true verso and continues the text of Psalm 129, which begins on the front.	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 66:22		reverse	cd 5248 0520 5347	48-bit color	400 ppi	2	Psalter
Lewis E M 66:2-3H	Lewis E M 66.2A reverse	mcai66022a		1300	1399	310 x 446 mm	This page shows the reverse of a leaf with a decorated initial from a Bible.	Parchment	Latin	England	Gothic bookhand				reverse 66:2A	4	Lewis E M 66:02-03H		reverse 66:2A	cd 5248 0520 3588	48-bit color	400 ppi	4	Bible
Lewis E M 66:2-3H	Lewis E M 66.2B reverse	mcai66022b		1300	1399	310 x 447 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses of Canticles 5.	Parchment	Latin	England	Gothic bookhand				reverse 66:2B	6	Lewis E M 66:02-03H		reverse 66:2B	cd 5248 0520 3593	48-bit color	400 ppi	6	Bible
Lewis E M 66:2-3H	Lewis E M 66.2C reverse	mcai66022c		1300	1399	308 x 447 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses of the Book of Wisdom 5.	Parchment	Latin	England	Gothic bookhand				reverse 66:2C	8	Lewis E M 66:02-03H		reverse 66:2C	cd 5248 0520 3593	48-bit color	400 ppi	8	Bible
Lewis E M 66:2-3H	Lewis E M 66.2D reverse	mcai66022d		1300	1399	309 x 448 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses of the Book of Wisdom 4.	Parchment	Latin	England	Gothic bookhand				reverse 66:2D	10	Lewis E M 66:02-03H		reverse 66:2D	cd 5248 0520 3591	48-bit color	400 ppi	10	Bible
Lewis E M 66:2-3H	Lewis E M 66.2E reverse	mcai66022e		1300	1399	311 x 452 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses of the Book of Wisdom 17.	Parchment	Latin	England	Gothic bookhand				reverse 66:2E	12	Lewis E M 66:02-03H		reverse 66:2E	cd 5248 0520 3598	48-bit color	400 ppi	12	Bible
Lewis E M 66:2-3H	Lewis E M 66.2F reverse	mcai66022f		1300	1399	310 x 448 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains Ecclesiasticus 16.	Parchment	Latin	England	Gothic bookhand				reverse 66:2F	14	Lewis E M 66:02-03H		reverse 66:2F	cd 5248 0520 3598	48-bit color	400 ppi	14	Bible
Lewis E M 66:2-3H	Lewis E M 66.2G reverse	mcai66022g		1300	1399	309 x 446 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains Ecclesiasticus 20.	Parchment	Latin	England	Gothic bookhand				reverse 66:2G	16	Lewis E M 66:02-03H		reverse 66:2G	cd 5248 0520 3606	48-bit color	400 ppi	16	Bible
Lewis E M 66:2-3H	Lewis E M 66.2H reverse	mcai66022h		1300	1399	308 x 448 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true verso and continues the text of Ecclesiasticus 42.	Parchment	Latin	England	Gothic bookhand				reverse 66:2H	18	Lewis E M 66:02-03H		reverse 66:2H	cd 5248 0520 3599	48-bit color	400 ppi	18	Bible
Lewis E M 66:2-3H	Lewis E M 66.2I reverse	mcai66022i		1300	1399	306 x 448 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true verso and continues the text of Ecclesiasticus 51.	Parchment	Latin	England	Gothic bookhand				reverse 66:2i	20	Lewis E M 66:02-03H		reverse 66:2i	cd 5248 0520 3599	48-bit color	400 ppi	20	Bible
Lewis E M 66:2-3H	Lewis E M 66.2J reverse	mcai66022j		1300	1399	309 x 452 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains Isaias 53.	Parchment	Latin	England	Gothic bookhand				reverse 66:2J	22	Lewis E M 66:02-03H		reverse 66:2J	cd 5248 0520 3614	48-bit color	400 ppi	22	Bible
Lewis E M 66:23	Lewis E M 66.23 front	mcai660231		1500	1599	466 x 632 mm	Initial D | This initial begins Psalm 3, 'Domine quid multiplicati sunt qui tribulant me multi insurgunt adversum me' (Why, O Lord, are they multiplied who afflict me Many are they who rise up against me).	Parchment	Latin	France	Gothic bookhand				front	1	Lewis E M 66:23		front	cd 5248 0520 5344	48-bit color	400 ppi	1	Psalter
Lewis E M 66:23	Lewis E M 66.23 reverse	mcai660232		1500	1599	466 x 632 mm	Initial C | This initial begins Psalm 4, 'Cum invocarem exaudivit me Deus iustitiae meae' (When I called upon him, the God of my justice heard me).	Parchment	Latin	France	Gothic bookhand				reverse	2	Lewis E M 66:23		reverse	cd 5248 0521 5283	48-bit color	400 ppi	2	Psalter
Lewis E M 66:24-25	Lewis E M 66.24 front	mcai660241		1500	1599	320 x 459 mm	Initial B with the Trinity | This initial begins the Introit for Trinity Sunday, 'Bededicta sit sancta trinitas...' (Blessed be the Holy Trinity). This image of the Trinity, in which God the Father presents his Son crucified under the wings of the dove of the Holy Spirit, is also known as the Mercy-Seat Trinity. It emphasizes in sentimental terms the paternal nature of God and the human suffering of the Son, following certain tendencies in late medieval devotion to focus on the human nature of Christ.	Parchment	Latin	France or Flanders	Gothic bookhand				66:24 front	1	Lewis E M 66:24-25		66:24 front	cd 5248 0521 5286	48-bit color	400 ppi	1	Choir book
Lewis E M 66:24-25	Lewis E M 66.24 reverse	mcai660242		1500	1599	320 x 459 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Communion for Pentecost Sunday.	Parchment	Latin	France or Flanders	Gothic bookhand				66:24 reverse	2	Lewis E M 66:24-25		66:24 reverse	cd 5248 0521 5286	48-bit color	400 ppi	2	Choir book
Lewis E M 66:24-25	Lewis E M 66.25 front	mcai660251		1500	1599	346 x 484 mm	Initial I with St. Anne teaching the Virgin Mary to read | This initial begins the Magnificat antiphon of first Vespers for the feast of St. Anne (July 26), 'Inclita stirps Iesse virgam produxit ...' (The glorious root of Jesse brought forth a delightful stem).	Parchment	Latin	France or Flanders	Gothic bookhand				66:25 front	3	Lewis E M 66:24-25		66:25 front	cd 5248 0521 5232	48-bit color	400 ppi	3	Choir book
Lewis E M 66:24-25	Lewis E M 66.25 reverse	mcai660252		1500	1599	346 x 484 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains part of the liturgy for the feast of St. James the Apostle (July 25).	Parchment	Latin	France or Flanders	Gothic bookhand				66:25 reverse	4	Lewis E M 66:24-25		66:25 reverse	cd 5248 0521 5232	48-bit color	400 ppi	4	Choir book
Lewis E M 66:26	Lewis E M 66.26 front	mcai660261						Parchment		Unknown						1	Lewis E M 66:26			cd 5248 0521 5231				Illuminated Manuscript Leaf
Lewis E M 66:26	Lewis E M 66.26 reverse	mcai660262						Parchment		Unknown						2	Lewis E M 66:26			cd 5248 0521 5231				Fragment
Lewis E M 66:2-3H	Lewis E M 66.3A front	mcai66031a		1300	1399	308 x 453 mm	Initial V with the martyrdom of Jeremiah | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial V on the page shown here begins the Book of Jeremiah, 'Verba ieremie filii helchie sacerdotis de sacerdotibus qui fuerunt in anathot in terra beniamyn ...' (The words of Jeremias, son of Helcias, priest of the priests that were in Anathoth in the land of Benjamin).	Parchment	Latin	England	Gothic bookhand				front 66:3A	25	Lewis E M 66:02-03H		front 66:3A	cd 5248 0520 3609	48-bit color	400 ppi	25	Bible
Lewis E M 66:2-3H	Lewis E M 66.3B front	mcai66031b		1300	1399	307 x 447 mm	Initial P | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial P on the page shown here begins Jeremiah 17, 'Peccatum iuda scriptum est stilo ferreo in ungue adamantine ...' (The sin of Judah is written with a pen of iron with the point of a diamond).	Parchment	Latin	England	Gothic bookhand				front 66:3B	27	Lewis E M 66:02-03H		front 66:3B	cd 5248 0520 3616	48-bit color	400 ppi	27	Bible
Lewis E M 66:2-3H	Lewis E M 66.3C front	mcai66031c		1300	1399	309 x 445 mm	Initial V | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial V on the page shown here begins Jeremiah 18, 'Verbum quod factum est ad ieremiam a domino dicens surge et descende in domum figuli ...' (The word that came from Jeremiah to the Lord, saying, Arise and go down to the potter's house).	Parchment	Latin	England	Gothic bookhand				front 66:3C	29	Lewis E M 66:02-03H		front 66:3C	cd 5248 0520 3616	48-bit color	400 ppi	29	Bible
Lewis E M 66:2-3H	Lewis E M 66.3D front	mcai66031d		1300	1399	312 x 447 mm	Initial I | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial I on the page shown here begins Jeremiah 26, 'In princpio regum ioachim filii josie regis iuda factum est verbum istud a domino dicens ...' (In the beginning of the reign of Joachim son of Josiah king of Judah came this word from the Lord, saying ...').	Parchment	Latin	England	Gothic bookhand				front 66:3D	31	Lewis E M 66:02-03H		front 66:3D	cd 5248 0520 3611	48-bit color	400 ppi	31	Bible
Lewis E M 66:2-3H	Lewis E M 66.3E front	mcai66031e		1300	1399	310 x 450 mm	Initial E | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial E on the page shown here marks Jeremiah 38:28, 'Et factum est ut caperetur' (And it came to pass that [Jerusalem] was taken).	Parchment	Latin	England	Gothic bookhand				front 66:3E	33	Lewis E M 66:02-03H		front 66:3E	cd 5248 0520 3615	48-bit color	400 ppi	33	Bible
Lewis E M 66:2-3H	Lewis E M 66.3F front	mcai66031f		1300	1399	311 x 449 mm	Initial A | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial A on the page shown here begins Jeremiah 49, 'Ad filios ammon haec dicet dominus' (Against the children of Ammon, so says the Lord).	Parchment	Latin	England	Gothic bookhand				front 66:3F	35	Lewis E M 66:02-03H		front 66:3F	cd 5248 0520 3615	48-bit color	400 ppi	35	Bible
Lewis E M 66:2-3H	Lewis E M 66.3G front	mcai66031g		1300	1399	311 x 451 mm	Initial B | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial B on the page shown here begins Daniel 5, 'Balthasar rex fecit grande convivium optimatibus suis mille ...' (Balthazar the king made a great feast for a thousand of his nobles). Text continues on the reverse (true verso).	Parchment	Latin	England	Gothic bookhand				front 66:3G	37	Lewis E M 66:02-03H		front 66:3G	cd 5248 0520 3613	48-bit color	400 ppi	37	Bible
Lewis E M 66:2-3H	Lewis E M 66.3H front	mcai66031h		1300	1399	310 x 450 mm	Initial H | This leaf is from a set of 20 leaves that were cut from a single manuscript that once comprised a complete Bible. The initial H on the page shown here begins Amos 2, 'Haec dicit deus super tribus iudea et super quatuor sceleribus non convertam eum ...' (Thus saith the Lord: For three crimes of Moab, and for four I will not convert him).	Parchment	Latin	England	Gothic bookhand				front 66:3H	39	Lewis E M 66:02-03H		front 66:3H	cd 5248 0520 3626	48-bit color	400 ppi	39	Bible
Lewis E M 66:2-3H	Lewis E M 66.3A reverse	mcai66032a		1300	1399	308 x 453 mm	This page shows the reverse of a leaf with an historiated initial from a Bible. This side of the leaf is the true verso and continues the text of Jeremiah 1.	Parchment	Latin	England	Gothic bookhand				reverse 66:3A	26	Lewis E M 66:02-03H		reverse 66:3A	cd 5248 0520 3609	48-bit color	400 ppi	26	Bible
Lewis E M 66:2-3H	Lewis E M 66.3B reverse	mcai66032b		1300	1399	307 x 447 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true verso and continues the text of Jeremiah 17.	Parchment	Latin	England	Gothic bookhand				reverse 66:3B	28	Lewis E M 66:02-03H		reverse 66:3B	cd 5248 0520 3616	48-bit color	400 ppi	28	Bible
Lewis E M 66:2-3H	Lewis E M 66.3C reverse	mcai66032c		1300	1399	309 x 445 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Jeremiah 17.	Parchment	Latin	England	Gothic bookhand				reverse 66:3C	30	Lewis E M 66:02-03H		reverse 66:3C	cd 5248 0520 3611	48-bit color	400 ppi	30	Bible
Lewis E M 66:2-3H	Lewis E M 66.3D reverse	mcai66032d		1300	1399	312 x 447 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Jeremiah 25.	Parchment	Latin	England	Gothic bookhand				reverse 66:3D	32	Lewis E M 66:02-03H		reverse 66:3D	cd 5248 0520 3611	48-bit color	400 ppi	32	Bible
Lewis E M 66:32	Lewis E M 66.32	mcai66032da						Parchment		Unknown						1	Lewis E M 66:32							Bible
Lewis E M 66:2-3H	Lewis E M 66.3E reverse	mcai66032e		1300	1399	310 x 450 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Jeremiah 38.	Parchment	Latin	England	Gothic bookhand				reverse 66:3E	34	Lewis E M 66:02-03H		reverse 66:3E	cd 5248 0520 3615	48-bit color	400 ppi	34	Bible
Lewis E M 66:2-3H	Lewis E M 66.3F reverse	mcai66032f		1300	1399	311 x 449 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Jeremiah 49.	Parchment	Latin	England	Gothic bookhand				reverse 66:3F	36	Lewis E M 66:02-03H		reverse 66:3F	cd 5248 0520 3613	48-bit color	400 ppi	36	Bible
Lewis E M 66:2-3H	Lewis E M 66.3G reverse	mcai66032g		1300	1399	311 x 451 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Daniel 5.	Parchment	Latin	England	Gothic bookhand				reverse 66:3G	38	Lewis E M 66:02-03H		reverse 66:3G	cd 5248 0520 3613	48-bit color	400 ppi	38	Bible
Lewis E M 66:2-3H	Lewis E M 66.3H reverse	mcai66032h		1300	1399	310 x 450 mm	This page shows the reverse of a leaf with a decorated initial from a Bible. This side of the leaf is the true recto and contains verses from Amos 1.	Parchment	Latin	England	Gothic bookhand				reverse 66:3H	40	Lewis E M 66:02-03H		reverse 66:3H	cd 5248 0520 3626	48-bit color	400 ppi	40	Bible
Lewis E M 67:1	Lewis E M 67.1 front	mcai670011		1300	1399	507 x 344 mm		Parchment		Germany					front	1	Lewis E M 67:01		front	cd 5248 0521 5246	24-bit color	400 ppi	1	Initial
Lewis E M 67:1	Lewis E M 67.1 reverse	mcai670012		1300	1399	507 x 344 mm		Parchment		Germany					reverse	2	Lewis E M 67:01		reverse	cd 5248 0521 5246	24-bit color	400 ppi	2	Initial
Lewis E M 67:2	Lewis E M 67.2 front	mcai670021		1300	1399	509 x 355 mm		Parchment		Germany					front	1	Lewis E M 67:02		front	cd 5248 0521 5251	24-bit color	400 ppi	1	Initial
Lewis E M 67:2	Lewis E M 67.2 reverse	mcai670022		1300	1399	509 x 355 mm		Parchment		Germany					reverse	2	Lewis E M 67:02		reverse	cd 5248 0521 5251	24-bit color	400 ppi	2	initial
Lewis E M 67:3	Lewis E M 67.3 front	mcai670031		1400	1499			Parchment		Germany					front	1	Lewis E M 67:03		front	cd 5248 0521 5248	24-bit color	400 ppi	1	Initial
Lewis E M 67:3	Lewis E M 67.3 reverse	mcai670032		1400	1499	520 x 378 mm		Parchment		Germany					reverse	2	Lewis E M 67:03		reverse	cd 5248 0521 5248	24-bit color	400 ppi	2	Initial
Lewis E M 67:4	Lewis E M 67.4 front	mcai670041						Parchment		Unknown						1	Lewis E M 67:04			cd 5248 0521 5253				Illuminated Music Leaf
Lewis E M 67:4	Lewis E M 67.4 reverse	mcai670042						Parchment		Unknown						2	Lewis E M 67:04			cd 5248 0521 5255				Illuminated Music Leaf
Lewis E M 67:5	Lewis E M 67.5 front	mcai670051						Parchment		Unknown						1	Lewis E M 67:05			cd 5248 0521 5252				Illuminated Music Leaf
Lewis E M 67:5	Lewis E M 67.5 reverse	mcai670052						Parchment		Unknown						2	Lewis E M 67:05			cd 5248 0521 5252				Illuminated Music Leaf
Lewis E M 67:6	Lewis E M 67.6 front	mcai670061						Parchment		Unknown						1	Lewis E M 67:06			cd 5248 0521 4944				Illuminated Music Leaf
Lewis E M 67:6	Lewis E M 67.6 reverse	mcai670062						Parchment		Unknown						2	Lewis E M 67:06			cd 5248 0521 4944				Illuminated Music Leaf
Lewis E M 67:7	Lewis E M 67.7 front	mcai670071		1475	1499		Initial R with the Resurrection | This initial begins the Introit for Easter Sunday, Resurrexi et adhuc tecum sum ... (I have risen and am still with thee). The naturalist inhabited border of the leaf and the familiar medieval town and landscape background of the historiated initial are beautiful examples of trends in fifteenth-century German manuscript illumination. Above-ground sarcophagii were frequently used in late medieval German burial practices. The decoration in the leaf is typically anachronistic.
 This leaf has Hufnagel musical notation: Hufnagel is a German term resulting from a comparison between the appearance of the notations virga (single note of relatively higher pitch) to a horseshoe-nail.	Parchment	Latin	Unknown	Gothic bookhand					1	Lewis E M 67:07			cd 5248 0521 5258				Illuminated Manuscript Leaf
Lewis E M 67:7	Lewis E M 67.7 reverse	mcai670072						Parchment		Unknown						2	Lewis E M 67:07			cd 5248 0521 5258				Illuminated Music Leaf
Lewis E M 67:8	Lewis E M 67.8 front	mcai670081						Parchment		Unknown						1	Lewis E M 67:08			cd 5248 0521 5256				Illuminated Music Leaf
Lewis E M 67:8	Lewis E M 67.8 reverse	mcai670082						Parchment		Unknown						2	Lewis E M 67:08			cd 5248 0521 5256				Illuminated Music Leaf
Lewis E M 67:9	Lewis E M 67.9 front	mcai670091						Parchment		Unknown						1	Lewis E M 67:09			cd 5248 0521 5260				Illuminated Music Leaf
Lewis E M 67:9	Lewis E M 67.9 reverse	mcai670092						Parchment		Unknown						2	Lewis E M 67:09			cd 5248 0521 5260				Illuminated Music Leaf
Lewis E M 67:10	Lewis E M 67.10 front	mcai670101						Parchment		Unknown						1	Lewis E M 67:10			cd 5248 0521 4943				Illuminated Music Leaf
Lewis E M 67:10	Lewis E M 67.10 reverse	mcai670102						Parchment		Unknown						2	Lewis E M 67:10			cd 5248 0521 4943				Illuminated Music Leaf
Lewis E M 67:11	Lewis E M 67.11 front	mcai670111						Parchment		Unknown					front	1	Lewis E M 67:11		front	cd 5248 0521 5262				Illuminated Music Leaf
Lewis E M 67:11	Lewis E M 67.11 reverse	mcai670112						Parchment		Unknown						2	Lewis E M 67:11			cd 5248 0521 5259				Illuminated Music Leaf
Lewis E M 67:12	Lewis E M 67.12 front	mcai670121						Parchment		Unknown						1	Lewis E M 67:12			cd 5248 0521 5264				Illuminated Music Leaf
Lewis E M 67:12	Lewis E M 67.12 reverse	mcai670122						Parchment		Unknown						2	Lewis E M 67:12			cd 5248 0521 5261				Illuminated Music Leaf
Lewis E M 67:13-16	Lewis E M 67.13 front	mcai670131		1500	1525	326 x 443 mm	Initial F with Saints Cornelius, Peter, and Augustine | These cuttings can be dated to ca. 1510-1520. | This initial begins the Common of one or several Apostles or Evangelists at Eastertide, 'Filie iherusalem venite et videte martirem cum corona qua coronavit eum dominus ...' (Daughters of Jereusalem, come and see the martyr with the crown with which the Lord has crowned him). Lewis E M 67:13-15 are from the same manuscript, which was made for a monastic house of the Order of the Holy Cross. The marginal decoration of the leaf shown here includes an image of St. Helena, the legendary founder of the Order of Holy Cross, holding the True Cross. The prominence of Cornelius on this page may further suggest that the manuscript was made for a house of the order in the town of Roermond, of which Cornelius was the patron saint.	Parchment	Latin	Cuijk?, Netherlands	Gothic bookhand	Johannes van Deventer	Artist		67:13 front	1	Lewis E M 67:13-16		67:13 front	cd 5248 0521 5266	48-bit color	400 ppi	1	Antiphonary
Lewis E M 67:13-16	Lewis E M 67.13 reverse	mcai670132		1500	1525	326 x 443 mm	These cuttings can be dated to ca. 1510-1520. | This image shows the reverse of a leaf from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the Common of the Apostles or Evangelists at Eastertide.	Parchment	Latin	Cuijk?, Netherlands	Gothic bookhand				67:13 reverse	2	Lewis E M 67:13-16		67:13 reverse	cd 5248 0521 5266	48-bit color	400 ppi	2	Antiphonary
Lewis E M 67:13-16	Lewis E M 67.14 front	mcai670141		1500	1525	297 x 442 mm	Initial Q with St. Peter | These cuttings can be dated to ca. 1510-1520. | This initial begins the antiphon for the vigil of the feast of Saints Peter and Paul (Jun. 29), 'Quem dicunt homines esse filium hominis ...' (Whom do men say that the son of man is). Lewis E M 67:13-15 are from the same manuscript, which was made for a monastic house of the Order of the Holy Cross.	Parchment	Latin	Cuijk?, Netherlands	Gothic bookhand	Johannes van Deventer	Artist		67:14 front	3	Lewis E M 67:13-16		67:14 front	cd 5248 0521 5263	48-bit color	400 ppi	3	Antiphonary
Lewis E M 67:13-16	Lewis E M 67.14 reverse	mcai670142		1500	1525	297 x 442 mm	These cuttings can be dated to ca. 1510-1520. | This image shows the reverse of a leaf from an antiphonary. This side of the leaf, the true recto, contains part of the liturgy for second Vespers for the feast of Sts. John and Paul (June 26).	Parchment	Latin	Cuijk?, Netherlands	Gothic bookhand				67:14 reverse	4	Lewis E M 67:13-16		67:14 reverse	cd 5248 0521 5263	48-bit color	400 ppi	4	Antiphonary
Lewis E M 67:13-16	Lewis E M 67.15 front	mcai670151		1500	1525	330 x 466 mm	Initial L with St. Augustine and a Monk from the Order of the Holy Cross | These cuttings can be dated to ca. 1510-1520. | This initial begins the first antiphon of first Vespers for the feast of St. Augustine (Aug. 28) 'Letare mater nostra iherusalem quia rex tuum dispensatorem strenuum ...' (Rejoice, Jerusalem our mother, for your king, dispenser of strength). Lewis E M 67:13-15 are from the same manuscript, which was made for a monastic house of the Order of the Holy Cross.	Parchment	Latin	Cuijk?, Netherlands	Gothic bookhand	Johannes van Deventer	Artist		67:15 front	5	Lewis E M 67:13-16		67:15 front	cd 5248 0521 5268	48-bit color	400 ppi	5	Antiphonary
Lewis E M 67:13-16	Lewis E M 67.15 reverse	mcai670152		1500	1525	330 x 466 mm	These cuttings can be dated to ca. 1510-1520. | This image shows the reverse of a leaf from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the feast of St. Augustine of Hippo, which begins on the front.	Parchment	Latin	Cuijk?, Netherlands	Gothic bookhand				67:15 reverse	6	Lewis E M 67:13-16		67:15 reverse	cd 5248 0521 5268	48-bit color	400 ppi	6	Antiphonary
Lewis E M 67:13-16	Lewis E M 67.16 front	mcai670161		1500	1525	312 x 465 mm	Initial O with the Crucifixion | These cuttings can be dated to ca. 1510-1520. | This initial begins the antiphon of first Vespers for the feast of the Exaltation of the Cross, 'O crux admirabilis evacuacio vulneris ...' Lewis E M 67:13-15 are from the same manuscript, which was made for a monastic house of the Order of the Holy Cross.	Parchment	Latin	Cuijk?, Netherlands	Gothic bookhand	Johannes van Deventer	Artist		67:16 front	7	Lewis E M 67:13-16		67:16 front	cd 6243 2112 2261	48-bit color	400 ppi	7	Antiphonary
Lewis E M 67:13-16	Lewis E M 67.16 reverse	mcai670162		1500	1525	312 x 465 mm	These cuttings can be dated to ca. 1510-1520. | This image shows the reverse of a leaf from an antiphonary. This side of the leaf, the true recto, contains the end of the liturgy for an unidentified feast preceding the feast of the Exaltation of the Cross.	Parchment	Latin	Cuijk?, Netherlands	Gothic bookhand				67:16 reverse	8	Lewis E M 67:13-16		67:16 reverse	cd 6243 2112 2261	48-bit color	400 ppi	8	Antiphonary
Lewis E M 67:17	Lewis E M 67.17 front a	mcai670171						Parchment		Unknown						1	Lewis E M 67:17			cd 6243 2112 2261				Illuminated Manuscript Leaf
Lewis E M 67:17	Lewis E M 67.17 reverse a	mcai670173						Parchment		Unknown						2	Lewis E M 67:17			cd 6243 2112 2262				Illuminated Music Leaf
Lewis E M 67:17	Lewis E M 67.17 front b	mcai670174						Parchment		Unknown						3	Lewis E M 67:17			cd 6243 2112 2262				Illuminated Leaf
Lewis E M 67:18	Lewis E M 67.18 front	mcai670181						Parchment		Unknown						1	Lewis E M 67:18			cd 6243 2112 2264				Illuminated Fragment
Lewis E M 67:18	Lewis E M 67.18 reverse	mcai670182						Parchment		Unknown						2	Lewis E M 67:18			cd 6243 2112 2264				Illuminated Fragment-Verso
Lewis E M 67:19	Lewis E M 67.19 front	mcai670191						Parchment		Unknown						1	Lewis E M 67:19			cd 5248 0521 5265				Illuminated Music Leaf
Lewis E M 67:19	Lewis E M 67.19 reverse	mcai670192						Parchment		Unknown						2	Lewis E M 67:19			cd 5248 0521 5265				Illuminated Music Leaf
Lewis E M 67:20	Lewis E M 67.20 front	mcai670201						Parchment		Unknown						1	Lewis E M 67:20			cd 5248 0521 5270				Illuminated Music Leaf
Lewis E M 67:20	Lewis E M 67.20 reverse	mcai670202						Parchment		Unknown						2	Lewis E M 67:20			cd 5248 0521 5270				Illuminated Music Leaf
Lewis E M 67:21	Lewis E M 67.21 front	mcai670211						Parchment		Unknown						1	Lewis E M 67:21			cd 5248 0521 5267				Illuminated Music Leaf
Lewis E M 67:21	Lewis E M 67.21 reverse	mcai670212						Parchment		Unknown						2	Lewis E M 67:21			cd 5248 0521 5267				Illuminated Music Leaf
Lewis E M 67:22	Lewis E M 67.22 front	mcai670221						Parchment		Unknown						1	Lewis E M 67:22			cd 5248 0521 5272				Illuminated Music Leaf
Lewis E M 67:22	Lewis E M 67.22 reverse	mcai670222						Parchment		Unknown						2	Lewis E M 67:22			cd 5248 0521 5272				Illuminated Music Leaf
Lewis E M 67:23	Lewis E M 67.23 front	mcai670231						Parchment		Unknown						1	Lewis E M 67:23			cd 5248 0521 5269				Illuminated Music Leaf
Lewis E M 67:23	Lewis E M 67.23 reverse	mcai670232						Parchment		Unknown						2	Lewis E M 67:23			cd 5248 0521 5269				Illuminated Music Leaf
Lewis E M 67:24	Lewis E M 67.24 front	mcai670241						Parchment		Unknown						1	Lewis E M 67:24			cd 5248 0521 5271				Illuminated Music Leaf
Lewis E M 67:24	Lewis E M 67.24 reverse	mcai670242						Parchment		Unknown						2	Lewis E M 67:24			cd 5248 0521 5271				Illuminated Music Leaf
Lewis E M 67:25	Lewis E M 67.25 front	mcai670251						Parchment		Unknown						1	Lewis E M 67:25			cd 5248 0521 5276				Illuminated Music Leaf
Lewis E M 67:25	Lewis E M 67.25 reverse	mcai670252						Parchment		Unknown						2	Lewis E M 67:25			cd 5248 0521 5276				Illuminated Music Leaf
Lewis E M 67:26	Lewis E M 67.26 front	mcai670261						Parchment		Unknown						1	Lewis E M 67:26			cd 5248 0521 5273				Illuminated Music Leaf
Lewis E M 67:26	Lewis E M 67.26 reverse	mcai670262						Parchment		Unknown						2	Lewis E M 67:26			cd 5248 0521 5273				Illuminated Music Leaf
Lewis E M 67:27	Lewis E M 67.27 front	mcai670271						Parchment		Unknown						1	Lewis E M 67:27			cd 5248 0521 5278				Illuminated Music Leaf
Lewis E M 67:27	Lewis E M 67.27 reverse	mcai670272						Parchment		Unknown						2	Lewis E M 67:27			cd 5248 0521 5278				Illuminated Music Leaf
Lewis E M 68:1	Lewis E M 68.1 front	mcai680011		1285	1299	333 x 510 mm	Initial I with the Aspersion of the Holy Water | This initial begins the first response for the first nocturn of Matins for the Dedication of a Church, 'In dedicatione templi decantabat populus laudem ...' (At the dedication of the church, the people sang songs of praise). The figure in the initial, a cleric, is performing the ritual of sprinkling the new church with holy water, also known as the Lustration or Washing of the Church.	Parchment	Latin	Venice?, Italy	Rotunda				front	1	Lewis E M 68:01		front	cd 5248 0521 5280	48-bit color	400 ppi	1	Antiphonary
Lewis E M 68:1	Lewis E M 68.1 reverse	mcai680012		1285	1299	333 x 510 mm	This image shows the reverse of a page with an historiated initial from an antiphonary.	Parchment	Latin	Venice?, Italy	Rotunda				reverse	2	Lewis E M 68:01		reverse	cd 5248 0521 5280	48-bit color	400 ppi	2	Antiphonary
Lewis E M 68:2	Lewis E M 68.2 front	mcai680021		1300	1350	292 x 469 mm	Initial L with St. Agatha of Rome speaking to St. Lucy of Syracuse as she prays | This initial begins the first response of the first nocturn of Matins for the feast of St. Lucy (Dec. 13), 'Lucia virgo quid a me petis quod ipsa poteris prestare continuo matri tue ...' (O virgin Lucy, why do you ask of me what you yourself can procure for your mother). According to the legend of St. Lucy, these are the words that St. Agatha said to her when she was praying for the saint's aid in healing her mother Eutychia, who had suffered four years with a 'bloody flux.'	Parchment	Latin	Bologna, Italy	Rotunda				front	1	Lewis E M 68:02		front	cd 5248 0521 5277	48-bit color	400 ppi	1	Antiphonary
Lewis E M 68:2	Lewis E M 68.2 reverse	mcai680022		1300	1350	292 x 469 mm	This image shows the reverse of a cutting with an historiated initial.	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 68:02		reverse	cd 5248 0521 5277	48-bit color	400 ppi	2	Antiphonary
Lewis E M 68:3-6	Lewis E M 68.3 front	mcai680031		1290	1310	332 x 473 mm	Initial R with the Three Mary's at the tomb | This cuttings can be dated to ca. 1300. | This initial begins the Introit for Easter Sunday, 'Resurrexi, et adhuc tecum sum ...' (I have risen, and I am still with you). As it is told in the Gospels, the morning after Christ's burial, three women came to the tomb and discovered that his body was gone. Mark identifies these women as Mary, the mother of James, Mary Magdalene, and Mary Salome: the three Marys. Their discovery is the first sign of the Resurrection mentioned in the Gospels.	Parchment	Latin	Florence, Italy	Rotunda				front 68:3	1	Lewis E M 68:03-06		front 68:3	cd 5248 0521 5279	48-bit color	400 ppi	1	Gradual
Lewis E M 68:3-6	Lewis E M 68.3 reverse	mcai680032		1290	1310	332 x 473 mm	This cuttings can be dated to ca. 1300. | This side of the leaf, the true verso, continues the text of the Introit for Easter Sunday begun on the front. Much of the roman numeral in the left margin has been trimmed away, but it was once meant to indicate the original folio number.	Parchment	Latin	Florence, Italy	Rotunda				reverse 68:3	2	Lewis E M 68:03-06		reverse 68:3	cd 5248 0521 5279	48-bit color	400 ppi	2	Gradual
Lewis E M 68:3-6	Lewis E M 68.4 front	mcai680041		1290	1310	365 x 513 mm	Initial L with a Bishop saint | This cuttings can be dated to ca. 1300. | This initial begins the Introit 'Laudate pueri dominum ...' (Praise, ye servants, praise the Lord), and is one of three alternative Introits, probably for the Common of Many Confessors or a Confessor Bishop. The roman numeral in the left margin indicates that this was once fol. 87.	Parchment	Latin	Florence, Italy	Rotunda				front 68:4	3	Lewis E M 68:03-06		front 68:4	cd 5248 0521 5284	48-bit color	400 ppi	3	Gradual
Lewis E M 68:3-6	Lewis E M 68.4 reverse	mcai680042		1290	1310	365 x 513 mm	This cuttings can be dated to ca. 1300. | This side of the leaf, the true recto, contains the end of the Introit, 'Audiam quid loquitur in me ...' and the beginning of the Introit, 'Iudicant sancti gentes ...,' which continues on the front.	Parchment	Latin	Florence, Italy	Rotunda				reverse 68:4	4	Lewis E M 68:03-06		reverse 68:4	cd 5248 0521 5284	48-bit color	400 ppi	4	Gradual
Lewis E M 68:3-6	Lewis E M 68.5 front	mcai680051		1290	1310	356 x 509 mm	Initial O with a Confessor saint | This cuttings can be dated to ca. 1300. | This initial begins the Introit for the Common of One Confessor, 'Os iusti mediabitur sapientiam ...' (The mouth of the just shall meditate wisdom).	Parchment	Latin	Florence, Italy	Rotunda				front 68:5	5	Lewis E M 68:03-06		front 68:5	cd 5248 0521 5281	48-bit color	400 ppi	5	Gradual
Lewis E M 68:3-6	Lewis E M 68.5 reverse	mcai680052		1290	1310	356 x 509 mm	This cuttings can be dated to ca. 1300. | This side of the leaf, the true verso, continues the Introit for the Common of One Confessor, which begins on the front. The roman numeral in the left margin indicates that this was once fol. 123.	Parchment	Latin	Florence, Italy	Rotunda				reverse 68:5	6	Lewis E M 68:03-06		reverse 68:5	cd 5248 0521 5281	48-bit color	400 ppi	6	Gradual
Lewis E M 68:3-6	Lewis E M 68.6 front	mcai680061		1290	1310	361 x 511 mm	Initial R with a Funeral scene | This cuttings can be dated to ca. 1300. | This initial begins the Introit for the Mass of the Dead, 'Requiem eternum dona eis Domine ...' (Lord, grant them eternal rest). The roman numeral in the left margin indicates that this was once fol. 143.	Parchment	Latin	Florence, Italy	Rotunda				front 68:6	7	Lewis E M 68:03-06		front 68:6	cd 5253 0521 7984	48-bit color	400 ppi	7	Gradual
Lewis E M 68:3-6	Lewis E M 68.6 reverse	mcai680062		1290	1310	361 x 511 mm	This cuttings can be dated to ca. 1300. | This side of the leaf, the true recto, contains the Offertory for the Dedication of a Church, 'Domine deus in simplicitate cordis mei laetus obtuli universa ...' (Lord God, with the simplicity of my heart, I have made all these offerings)	Parchment	Latin	Florence, Italy	Rotunda				reverse 68:6	8	Lewis E M 68:03-06		reverse 68:6	cd 5253 0521 7984	48-bit color	400 ppi	8	Gradual
Lewis E M 68:7-9	Lewis E M 68.7	mcai680073	1314	1300	1315	394 x 576 mm	Initial M with the Annunciation | This initial begins the first response for the first nocturn of Matins for the feast of the Annunciation (March 25), 'Missus est Gabriel Angelus ad Mariam Virginem ...' (The Angel Gabriel was sent to the Virgin Mary). This initial, and those on its sister leaves (Lewis E M 68:7b and 9), is by Neri da Rimini, a Riminese illuminator whose activity can be documented from 1300 to 1338. This leaf can be dated more precisely to 1314 based on an inscription on Lewis E M 68:7b, in which the scribe Bonfantino of Bologna signed and dated his work.	Parchment	Latin	Bologna, Italy	Rotunda	Bonfantino di Bologna | Neri da Rimini	Artist | Scribe		68:7a [front]	1	Lewis E M 68:07-09		68:7a [front]	cd 5253 0522 0187	48-bit color	400 ppi	1	Choir books
Lewis E M 68:7-9	Lewis E M 68.7	mcai680074	1314	1300	1315	394 x 576 mm	This image shows the reverse of a leaf with an historiated initial taken from an antiphonary. This side of the leaf, the true recto, contains the antiphon preceding the response for the first nocturn of Matins for the feast of the Annunciation (March 25).	Parchment	Latin	Bologna, Italy	Rotunda	Bonfantino di Bologna	Scribe		68:7b [reverse]	2	Lewis E M 68:07-09		68:7b [reverse]	cd 5248 0520 3004	48-bit color	400 ppi	2	Choir books
Lewis E M 68:7-9	Lewis E M 68.7	mcai680075	1314	1300	1315	388 x 571 mm	Inscription on lower margin of E M 68:7b reads 'm.ccc.xiiij. fater bonfantinus antiquior de bononia hunc librum fecit.' | Leaf inscribed with name of scribe and date | This leaf contains the beginning of the Magnificat antiphon of First Vespers for the first Sunday in Lent, 'Tunc invocabis et Dominus exaudiet ...' (Then you shall call, and the Lord shall hear). In the lower margin, the scribe Bonfantino of Bologna has signed and dated his work with the inscription 'm.ccc.xiiij. frater bonfantinus antiquior de bononia hunc librum fecit' (In 1314 Brother Bonfantino the Elder of Bologna made this book).	Parchment	Latin	Bologna, Italy	Rotunda	Bonfantino di Bologna	Scribe		68:7c [front]	3	Lewis E M 68:07-09		68:7c [front]	cd 5248 0521 2416	48-bit color	400 ppi	3	Choir books
Lewis E M 68:7-9	Lewis E M 68.7	mcai680076	1314	1300	1315	388 x 571 mm	This image shows the reverse of a leaf an historiated initial taken from an antiphonary. This side of the leaf, the true verso, continues the Magnificat antiphon of First Vespers for the first Sunday in Lent begun on the front.	Parchment	Latin	Bologna, Italy	Rotunda	Bonfantino di Bologna	Scribe		68:7d [reverse]	4	Lewis E M 68:07-09		68:7d [reverse]	cd 5248 0521 2418	48-bit color	400 ppi	4	Choir books
Lewis E M 68:7-9	Lewis E M 68.7	mcai680077	1314					Parchment	Latin	Unknown	Rotunda				front 68:7c	9	Lewis E M 68:07-09		front 68:7c		48-bit color	400 ppi	3	Decorated initials
Lewis E M 68:7-9	Lewis E M 68.8 front	mcai680081	1314	1300	1315	391 x 582 mm	Initial U with the Annunciation | Inscription on lower margin of E M 68:7b reads 'm.ccc.xiiij. fater bonfantinus antiquior de bononia hunc librum fecit.' | This initial begins the Introit for the feast of the Annunciation (March 25), 'Vultum tuum deprecabuntur omnes divites plebis ...' (All the rich among the people shall entreat thy countenance). The initial was illuminated by Neri da Rimini, a Riminese illuminator whose activity can be documented from 1300 to 1338. This leaf can be dated more precisely to 1314 based on an inscription on Lewis E M 68:7b, a leaf from a related manuscript, in which the scribe Bonfantino of Bologna signed and dated his work.	Parchment	Latin	Bologna, Italy	Rotunda	Bonfantino di Bologna | Neri da Rimini	Artist | Scribe		front 68:8	5	Lewis E M 68:07-09		front 68:8	cd 5248 0521 2421	48-bit color	400 ppi	5	Choir books
Lewis E M 68:7-9	Lewis E M 68.8 reverse	mcai680082	1314	1300	1315	391 x 582 mm	Inscription on lower margin of E M 68:7b reads 'm.ccc.xiiij. fater bonfantinus antiquior de bononia hunc librum fecit.' | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the Introit for the feast of the Annunciation which begins on the front.	Parchment	Latin	Bologna, Italy	Rotunda	Bonfantino di Bologna	Scribe		reverse 68:8	6	Lewis E M 68:07-09		reverse 68:8	cd 5248 0521 2420	48-bit color	400 ppi	6	Choir books
Lewis E M 68:7-9	Lewis E M 68.9 front	mcai680091	1314	1300	1315	391 x 582 mm	Initial E with Christ speaking to Isaiah | Inscription on lower margin of E M 68:7b reads 'm.ccc.xiiij. fater bonfantinus antiquior de bononia hunc librum fecit.' | This page begins the first response of the first nocturn of Matins for the first Sunday of Lent, 'Ecce nunc tempus acceptabile ...' (Behold, now is the acceptable time). The 'acceptable time' refers to a prophecy of Isaiah in which the Lord says to the prophet: In an acceptable time I have heard thee, and in the day of salvation I have helped thee: and I have preserved thee, and given thee to be a covenant of the people, that thou might raise up the earth, and possess the inheritances that were destroyed.' (Is. 49:8). Paul makes reference to this prophecy in relation to Christ in his second letter to the Corinthians (6:1-2), which is the reading that begins the Office for the first Sunday in Lent. This initial, as well as those of its sister leaves (Lewis E M 68:7a-b), is by Neri da Rimini, a Riminese illuminator whose activity can be documented from 1300 to 1338. This leaf can be dated more precisely to 1314 based on an inscription on Lewis E M 68:7b, in which the scribe Bonfantino of Bologna signed and dated his work.	Parchment	Latin	Bologna, Italy	Rotunda	Bonfantino di Bologna | Neri da Rimini	Artist | Scribe		front 68:9	7	Lewis E M 68:07-09		front 68:9	cd 5248 0521 2423	48-bit color	400 ppi	7	Choir books
Lewis E M 68:7-9	Lewis E M 68.9 reverse	mcai680092	1314	1300	1315	391 x 582 mm	Inscription on lower margin of E M 68:7b reads 'm.ccc.xiiij. fater bonfantinus antiquior de bononia hunc librum fecit.' | This image shows the reverse of a leaf with an historiated initial taken from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for the first Sunday of Lent, which begins on the front.	Parchment	Latin	Bologna, Italy	Rotunda	Bonfantino di Bologna	Scribe		reverse 68:9	8	Lewis E M 68:07-09		reverse 68:9	cd 5248 0521 2316	48-bit color	400 ppi	8	Choir books
Lewis E M 68:10-11	Lewis E M 68.10 front	mcai680101		1400	1499	276 x 416 mm	Initial C with Confessor saints, including a bishop and a Dominican friar | This initial begins the Magnificat antiphon at first Vespers for the Common of One Confessor, 'Confessor domini [Nomine] astantem plebem corrobora sancta intercession ...' (Confessor of God, [name], strengthen the bystanding crowd with holy intercession ...' An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial. Niccolò headed a large workshop that produced large numbers of choir books for churches and convents in and around Bologna.	Parchment	Latin	Bologna, Italy	Rotunda	Niccolò di Giacomo da Bologna, follower of	Artist		front 68:10	1	Lewis E M 68:10-11		front 68:10	cd 5248 0521 2423	48-bit color	400 ppi	1	Antiphonary
Lewis E M 68:10-11	Lewis E M 68.10 reverse	mcai680102		1400	1499	276 x 416 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 68:10	2	Lewis E M 68:10-11		reverse 68:10	cd 5248 0521 2316	48-bit color	400 ppi	2	Antiphonary
Lewis E M 68:10-11	Lewis E M 68.11 front	mcai680111		1400	1499	255 x 530 mm	Initial G with Two martyr saints | This initial begins the Magnificat antiphon at first Vespers for the Common of Several Martyrs, 'Gaudent in celis anime sanctorum ...' (The souls of the saints rejoice in heaven). An artist active within the circle of Niccolò di Giacomo da Bologna (fl. ca. 1353- 1401), the most famous and prolific Bolognese illuminator working in the second half of the fourteenth century, illuminated this initial. Niccolò headed a large workshop that produced large numbers of choir books for churches and convents in and around Bologna.	Parchment	Latin	Bologna, Italy	Rotunda	Niccolò di Giacomo da Bologna, follower of	Artist		front 68:11	3	Lewis E M 68:10-11		front 68:11	cd 5248 0521 2425	48-bit color	400 ppi	3	Antiphonary
Lewis E M 68:10-11	Lewis E M 68.11 reverse	mcai680112		1400	1499	255 x 530 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 68:11	4	Lewis E M 68:10-11		reverse 68:11	cd 5248 0521 2424	48-bit color	400 ppi	4	Antiphonary
Lewis E M 68:12	Lewis E M 68.12 front	mcai680121		1425	1450	380 x 525 mm	Initial A with the Old Testament prophet Daniel | This cutting can be dated to before 1445. | This initial begins the first response of the first nocturn of Matins for the first Sunday in Advent, 'Aspiciebam in visu noctis ...' (I beheld in the vision of the night). The source of the antiphon is Daniel 7:13, in which the prophet foretells the coming of the Son of Man. The initial has been attributed to the Venetian illuminator Cristoforo Cortese, active from ca. 1399 to before 1445, when a document refers to him as already dead. Several other leaves in the Free Library have also been attributed to Cortese.	Parchment	Latin	Venice, Italy	Rotunda	Christoforo Cortese, attributed to	Artist		front	1	Lewis E M 68:12		front	cd 5248 0521 2427	48-bit color	400 ppi	1	Antiphonary
Lewis E M 68:12	Lewis E M 68.12 reverse	mcai680122		1425	1450	380 x 525 mm	This cutting can be dated to before 1445. | This image shows the reverse of a leaf, here the true verso, with an historiated initial from an antiphonary. The text continues the first response of the first nocturn for the first Sunday in Advent that begins on the front.	Parchment	Latin	Venice, Italy	Rotunda				reverse	2	Lewis E M 68:12		reverse	cd 5248 0521 2427	48-bit color	400 ppi	2	Antiphonary
Lewis E M 68:13	Lewis E M 68.13 front	mcai680131		1440	1460	404 x 582 mm	Initial with St. Michael Archangel slaying the devil | Instructions to the artist/rubricatorappear in the left margin. | This initial begins the Introit for the feast of St. Michael Archangel (September 29), 'Benedicite dominum omnes angeli eius ...' (Bless the Lord, all you angels of his).	Parchment	Latin	Bologna, Italy	Rotunda				front	1	Lewis E M 68:13		front	cd 5248 0521 2425	48-bit color	400 ppi	1	Gradual
Lewis E M 68:13	Lewis E M 68.13 reverse	mcai680132		1440	1460	404 x 582 mm	Instructions to the artist/rubricatorappear in the left margin. | This side of the leaf, the true recto, contains the end of the liturgy for the mass of the feast of St. Maurice (Sept. 22).	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 68:13		reverse	cd 5248 0521 2424	48-bit color	400 ppi	2	Gradual
Lewis E M 68:14	Lewis E M 68.14	mcai680141		1440	1460	410 x 584 mm	Initial C with a funeral scene | This initial begins the first response of the first nocturn of Matins for the Office of the Dead, 'Credo quod redemptor meus vivit ...' (I believe that my redeemer liveth). As a series of prayers recited to help speed the soul to heaven, the Office of the Dead was usually illustrated with scenes from contemporary medieval funerary practices. In this initial, the priest sprinkles holy water on the corpse as two mourners kneel beside the bed.	Parchment	Latin	Italy (northeastern)	Rotunda				front	1	Lewis E M 68:14		front	cd 5248 0521 2426	48-bit color	400 ppi	1	Antiphonary
Lewis E M 68:14	Lewis E M 68.14 front	mcai680141		1440	1460	410 x 584 mm	Initial C with a funeral scene | This initial begins the first response of the first nocturn of Matins for the Office of the Dead, 'Credo quod redemptor meus vivit ...' (I believe that my redeemer liveth). As a series of prayers recited to help speed the soul to heaven, the Office of the Dead was usually illustrated with scenes from contemporary medieval funerary practices. In this initial, the priest sprinkles holy water on the corpse as two mourners kneel beside the bed.	Parchment	Latin	Italy (northeastern)	Rotunda				front	1	Lewis E M 68:14		front	cd 5248 0521 2426	48-bit color	400 ppi	1	Antiphonary
Lewis E M 68:14	Lewis E M 68.14 reverse	mcai680142		1440	1460	410 x 584 mm	This side of the leaf, the true recto, contains the last antiphon, before the first response, of the first nocturn of Matins for the Office of the Dead.	Parchment	Latin	Italy (northeastern)	Rotunda				reverse	2	Lewis E M 68:14		reverse	cd 5248 0521 2429	48-bit color	400 ppi	2	Antiphonary
Lewis E M 68:15	Lewis E M 68.15 front	mcai680151						Parchment		Unknown						1	Lewis E M 68:15			cd 5248 0521 2426				Illuminated Manuscript Leaf
Lewis E M 68:15	Lewis E M 68.15 reverse	mcai680152						Parchment		Unknown						2	Lewis E M 68:15			cd 5248 0521 2429				Illuminated Music Leaf
Lewis E M 68:16	Lewis E M 68.16 front	mcai680161						Parchment		Unknown						1	Lewis E M 68:16			cd 5248 0521 2428				Illuminated Music Leaf
Lewis E M 68:16	Lewis E M 68.16 reverse	mcai680162						Parchment		Unknown						2	Lewis E M 68:16			cd 5248 0521 2431				Illuminated Music Leaf
Lewis E M 68:17-18	Lewis E M 68.17 front	mcai680171		1440	1460	369 x 541 mm	Initial E with St. Stephen Protomartyr | This initial begins the Introit for the feast of St. Stephen (Dec. 26), 'Et enim sederunt principes et adversaum me loquebantur ...' (Closeted together, princes have plotted against me). A later scribe crossed out the first two words, 'et enim,' because they were dropped from the Introit at a later point in the history of the liturgy.	Parchment	Latin	Venice, Italy	Rotunda				front 68:17	1	Lewis E M 68:17-18		front 68:17	cd 5248 0521 2430	48-bit color	400 ppi	1	Gradual
Lewis E M 68:17-18	Lewis E M 68.17 reverse	mcai680172		1440	1460	369 x 541 mm	This side of the leaf, the true recto, contains the offertory for the Third Christmas Mass, 'Tui sunt celi et tua est terra ...' (Thine are the heaven, and thine is the earth).	Parchment	Latin	Venice, Italy	Rotunda				reverse 68:17	2	Lewis E M 68:17-18		reverse 68:17	cd 5248 0521 2430	48-bit color	400 ppi	2	Gradual
Lewis E M 68:17-18	Lewis E M 68.18 front	mcai680181		1440	1460	365 x 543 mm	Initial M with St. Peter | This initial begins the Introit for Ash Wednesday, 'Misereris omnium domine ...' (There is nothing, Lord, but claims thy pity).	Parchment	Latin	Venice, Italy	Rotunda				front 68:18	3	Lewis E M 68:17-18		front 68:18	cd 5248 0521 2433	48-bit color	400 ppi	3	Gradual
Lewis E M 68:17-18	Lewis E M 68.18 reverse	mcai680182		1440	1460	365 x 543 mm	This side of the leaf, the true recto, contains the conclusion of the ceremony for the blessing of the ashes, with the responsory versicle, 'Adiuva nos deus salutaris noster ...' (O God, our savior, help us).	Parchment	Latin	Venice, Italy	Rotunda				reverse 68:18	4	Lewis E M 68:17-18		reverse 68:18	cd 5248 0521 2433	48-bit color	400 ppi	4	Gradual
Lewis E M 68:19	Lewis E M 68.19 front	mcai680191						Parchment		Unknown						1	Lewis E M 68:19			cd 5248 0521 2428				Illuminated Manuscript Leaf
Lewis E M 68:19	Lewis E M 68.19 reverse	mcai680192						Parchment		Unknown						2	Lewis E M 68:19			cd 5248 0521 2431				Illuminated Manuscript Leaf, Verso
Lewis E M 68:20	Lewis E M 68.20 front	mcai680201						Parchment		Unknown						1	Lewis E M 68:20			cd 6243 2112 2267				Illuminated Fragment
Lewis E M 68:20	Lewis E M 68.20 reverse	mcai680202						Parchment		Unknown						2	Lewis E M 68:20			cd 6243 2112 2268				Illuminated Fragment
Lewis E M 68:21	Lewis E M 68.21 front	mcai680211		1150	1199	369 x 508 mm	Initial D with St. Jerome | This initial begins Jerome's preface to the Pentateuch, 'Desederii mei desideratas accepi epistolas ....' The Pentateuch is the first five books of the Hebrew Bible, or the Old Testament in the Christian faith: Genesis, Exodus, Leviticus, Numbers, and Deuteronomy. Jerome, who lived from ca. 347 to 420, translated the Hebrew and Greek books of the Bible into Latin in a translation known as the Vulgate. He also wrote prefaces for the different books of the Bible which were copied with the books of Bible throughout the Middle Ages.	Parchment	Latin	Italy (central)	Transitional script (praegothica)				front	1	Lewis E M 68:21		front	cd 6243 2112 2269	48-bit color	400 ppi	1	Bible
Lewis E M 68:21	Lewis E M 68.21 reverse	mcai680212		1150	1199	369 x 508 mm	This image shows the reverse of a leaf that continues the text of Jerome's preface to the Pentateuch, which begins on the front or true recto.	Parchment	Latin	Italy (central)	Transitional script (praegothica)				reverse	2	Lewis E M 68:21		reverse	cd 6243 2112 2269	48-bit color	400 ppi	2	Bible
Lewis E M 68:22	Lewis E M 68.22 front	mcai680221		1400	1499	403 x 594 mm	Initial V with a Martyr saint | This initial begins the invitatory of Matins for the Common of Several Martyrs, 'Venite adoremus regem regum ...' (Come, let us adore the king of kings).	Parchment	Latin	Verona?, Italy	Rotunda				front	1	Lewis E M 68:22		front	cd 6243 2112 2267	48-bit color	400 ppi	1	Antiphonary
Lewis E M 68:22	Lewis E M 68.22 reverse	mcai680222		1400	1499	403 x 594 mm	This side of the leaf, the true verso, contains the antiphon 'Secus decursus aquarum plantavit vineam' (Near running water he planted the vineyard), which follows the invitatory for the Common of Several Martyrs.	Parchment	Latin	Verona?, Italy	Rotunda				reverse	2	Lewis E M 68:22		reverse	cd 6243 2112 2268	48-bit color	400 ppi	2	Antiphonary
Lewis E M 69:1	Lewis E M 69.1 front	mcai690011		1300	1315	333 x 474 mm	Initial E with the Baptism of Christ | This initial begins the Introit for the feast of Epiphany (Jan. 6), 'Ecce aduenit dominator dominus ...' (Behold the Lord the Ruler is come). It was illuminated by a follower of Duccio di Buoninsegena (ca. 1255 -1319). Duccio, as he is commonly known, is considered to be the founder of Renaissance painting in Siena.	Parchment	Latin	Siena, Italy	Rotunda	Duccio di Buoninsegna, follower of	Artist		front	1	Lewis E M 69:01		front	cd 5247 0511 2336	48-bit color	400 ppi	1	Gradual
Lewis E M 69:1	Lewis E M 69.1 reverse	mcai690012		1300	1315	333 x 474 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the versicle of the gradual for the feast of the Circumcision.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 69:01		reverse	cd 5247 0511 2336	48-bit color	400 ppi	2	Gradual
Lewis E M 69:2-5	Lewis E M 69.2 front	mcai690021		1250	1299	338 x 480 mm	Initial U with the Ascension, and a roundel with Ezekiel's parable of the cedar-tree and eagles | These cuttings can be dated to ca. 1270-80. | This initial begins the Introit for the feast of the Ascension,'Viri galilei quid admiramini aspicientes in celum ...' (Men of Galilee, what are you wondering at, looking heavenwards). Lewis E M 69:2-5 are from the same manuscript.	Parchment	Latin	Tuscany, Italy	Rotunda				front 69:2	1	Lewis E M 69:02-05		front 69:2	cd 5247 0511 2337	48-bit color	400 ppi	1	Gradual
Lewis E M 69:2-5	Lewis E M 69.2 reverse	mcai690022		1250	1299	338 x 480 mm	These cuttings can be dated to ca. 1270-80. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the Lesser Litanies on the Rogation Days.	Parchment	Latin	Tuscany, Italy	Rotunda				reverse 69:2	2	Lewis E M 69:02-05		reverse 69:2	cd 5247 0511 2337	48-bit color	400 ppi	2	Gradual
Lewis E M 69:2-5	Lewis E M 69.3 front	mcai690031		1250	1299	337 x 475 mm	Initial S with the Pentecost, and two roundels with Moses preaching to the Israelites and striking the rock | These cuttings can be dated to ca. 1270-80. | This initial begins the Introit for the feast of Pentecost, 'Spiritus domini repleuit orbem terrarum ...' (The Spirit of the Lord fills the whole world). Lewis E M 69:2-5 are from the same manuscript.	Parchment	Latin	Tuscany, Italy	Rotunda				front 69:3	3	Lewis E M 69:02-05		front 69:3	cd 5247 0511 2342	48-bit color	400 ppi	3	Gradual
Lewis E M 69:2-5	Lewis E M 69.3 reverse	mcai690032		1250	1299	337 x 475 mm	These cuttings can be dated to ca. 1270-80. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the feast of Pentecost, which begins on the front.	Parchment	Latin	Tuscany, Italy	Rotunda				reverse 69:3	4	Lewis E M 69:02-05		reverse 69:3	cd 5247 0511 2342	48-bit color	400 ppi	4	Gradual
Lewis E M 69:2-5	Lewis E M 69.4 front	mcai690041		1250	1299	339 x 480 mm	Initial D with King David in prayer | These cuttings can be dated to ca. 1270-80. | This initial begins the Introit for Ember Wednesday within the Octave of Pentecost, 'Deus cum egredereris coram populo tuo ...' (O God, when thou didst go forth at the head of thy people).Lewis E M 69:2-5 are from the same manuscript.	Parchment	Latin	Tuscany, Italy	Rotunda				front 69:4	5	Lewis E M 69:02-05		front 69:4	cd 5247 0511 2339	48-bit color	400 ppi	5	Gradual
Lewis E M 69:2-5	Lewis E M 69.4 reverse	mcai690042		1250	1299	339 x 480 mm	These cuttings can be dated to ca. 1270-80. | This image shows the reverse of a leaf from a gradual. This side of the leaf, the true verso, continues the Introit for Ember Wednesday within the Octave of Pentecost, which begins on the front. It also contains the beginning of the Introit for Ember Friday within the Octave of Pentecost, 'Repleatur os meum laude tua ...' (Fill my mouth with thy praise), marked by the initial in which David points to his mouth as if acting out the first words of the Introit.	Parchment	Latin	Tuscany, Italy	Rotunda				reverse 69:4	6	Lewis E M 69:02-05		reverse 69:4	cd 5247 0511 2339	48-bit color	400 ppi	6	Gradual
Lewis E M 69:2-5	Lewis E M 69.5 front	mcai690051		1250	1299	338 x 480 mm	Initial D with King David praying to Christ | These cuttings can be dated to ca. 1270-80. | This initial begins the Introit for the fourth Sunday after Pentecost, 'Dominus illuminatio mea et salus mea ...' (The Lord is my light and my salvation). Lewis E M 69:2-5 are from the same manuscript.	Parchment	Latin	Tuscany, Italy	Rotunda				front 69:5	7	Lewis E M 69:02-05		front 69:5	cd 5247 0511 2340	48-bit color	400 ppi	7	Gradual
Lewis E M 69:2-5	Lewis E M 69.5 reverse	mcai690052		1250	1299	338 x 480 mm	These cuttings can be dated to ca. 1270-80. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains part of the liturgy for the third Sunday after Pentecost.	Parchment	Latin	Tuscany, Italy	Rotunda				reverse 69:5	8	Lewis E M 69:02-05		reverse 69:5	cd 5247 0511 2340	48-bit color	400 ppi	8	Gradual
Lewis E M 69:6-8	Lewis E M 69.6 front	mcai690061		1275	1299	308 x 439 mm	Initial A with two devotees adoring the Virgin and Child | This initial marks the beginning of the Introit for the feast of the Nativity of the Virgin Mary (Sept. 8), 'Salve sancta parens enixa puerpera regem ...' (Hail, Holy Mother, in thy womb there lay a King). A mistake was made at some point in the design of the manuscript because the illuminated initial is inexplicably different from the first letter of the Introit. It was illuminated by the First Master of the Choir books of the Cathedral of Siena, an anonymous artist active in Siena in the last quarter of the thirteenth century. Lewis E M 69:6-8 are from the same manuscript. Lewis E M 69:8 was, however, illuminated by another artist.	Parchment	Latin	Siena, Italy	Rotunda	First Master of the Choir books of the Cathedral of Siena	Artist		front 69:6	1	Lewis E M 69:06-08		front 69:6	cd 5247 0511 2341	48-bit color	400 ppi	1	Gradual
Lewis E M 69:6-8	Lewis E M 69.6 reverse	mcai690062		1275	1299	308 x 439 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and Communion for a feast preceding the feast of the Nativity of the Virgin.	Parchment	Latin	Siena, Italy	Rotunda				reverse 69:6	2	Lewis E M 69:06-08		reverse 69:6	cd 5247 0511 2341	48-bit color	400 ppi	2	Gradual
Lewis E M 69:6-8	Lewis E M 69.7 front	mcai690071		1275	1299	311 x 441 mm	Initial D with the Adoration of the Magi | This initial marks the beginning the Introit for the feast of the Epiphany, 'Ecce aduenit dominator dominus ...' (Behold the Lord the Ruler is come). A mistake was made at some point in the design of the manuscript because the illuminated initial is inexplicably different from the first letter of the Introit. It was illuminated by the First Master of the Choir books of the Cathedral of Siena, an anonymous artist active in Siena in the last quarter of the thirteenth century. Lewis E M 69:6-8 are from the same manuscript. Lewis E M 69:8 was, however, illuminated by another artist.	Parchment	Latin	Siena, Italy	Rotunda	First Master of the Choir books of the Cathedral of Siena	Artist		front 69:7	3	Lewis E M 69:06-08		front 69:7	cd 5247 0511 2341	48-bit color	400 ppi	3	Gradual
Lewis E M 69:6-8	Lewis E M 69.7 reverse	mcai690072		1275	1299	311 x 441 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the feast of the Epiphany, which begins on the front.	Parchment	Latin	Siena, Italy	Rotunda				reverse 69:7	4	Lewis E M 69:06-08		reverse 69:7	cd 5247 0511 2346	48-bit color	400 ppi	4	Gradual
Lewis E M 69:6-8	Lewis E M 69.8 opening	mcai690080		1275	1299	618 x 441 mm	This image shows an opening of a bifolium with an historiated initial from a gradual.	Parchment	Latin	Siena, Italy	Rotunda				opening 69:8	6	Lewis E M 69:06-08		opening 69:8	cd 5247 0511 2343	48-bit color	400 ppi	6	Gradual
Lewis E M 69:6-8	Lewis E M 69.8 recto	mcai690081		1275	1299	309 x 441 mm	Initial M with an unidentified female saint | This initial begins the Introit for the Common of Apostles, 'Michi autem nimis honorati sunt amici tui deus ...' (Great reverence have I for thy friends, O God). Lewis E M 69:6-8 are from the same manuscript, although E M 69:6-7 were illuminated by another artist.	Parchment	Latin	Siena, Italy	Rotunda				recto 69:8	5	Lewis E M 69:06-08		recto 69:8	cd 5247 0511 2346	48-bit color	400 ppi	5	Gradual
Lewis E M 69:6-8	Lewis E M 69.8 verso	mcai690082		1275	1299	309 x 441 mm	This image shows the original recto of a leaf of a bifolium from a gradual. It contains part of the Gradual of a votive Mass for the Virgin Mary.	Parchment	Latin	Siena, Italy	Rotunda				verso 69:8	7	Lewis E M 69:06-08		verso 69:8	cd 5247 0511 2346	48-bit color	400 ppi	7	Gradual
Lewis E M 69:9	Lewis E M 69.9 front	mcai690091		1340	1360	361 x 484 mm	Initial C with Christ as the Man of Sorrows | This cutting can be dated to before 1363. | This initial begins the Introit for the feast of Corpus Christi, 'Cibauit eos ex adipe frumenti ...' (Full ears of wheat are the nourishment he gives them). It was illuminated by the Sienese painter and illuminator Niccolò di Ser Sozzo, who was active from ca. 1348, when he first appears in documents, to his death in 1363.	Parchment	Latin	Siena, Italy	Rotunda	Niccolò di Ser Sozzo	Artist		front	1	Lewis E M 69:09		front	cd 5247 0511 2343	48-bit color	400 ppi	1	Gradual
Lewis E M 69:9	Lewis E M 69.9 reverse	mcai690092		1340	1360	361 x 484 mm	This cutting can be dated to before 1363. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the feast of Corpus Christi, which begins on the front.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 69:09		reverse	cd 5247 0511 2344	48-bit color	400 ppi	2	Gradual
Lewis E M 69:10	Lewis E M 69.10 front	mcai690101		1300	1315	394 x 580 mm	Initial D with St. Agnes of Rome | This initial begins the first response of the first nocturn of Matins for the feast of St. Agnes (Jan. 21), 'Diem festum sacratissime virginis celebremus ...' (Let us celebrate the feast of a most saintly virgin).	Parchment	Latin	Siena, Italy	Rotunda				front	1	Lewis E M 69:10		front	cd 5247 0511 2344	48-bit color	400 ppi	1	Antiphonary
Lewis E M 69:10	Lewis E M 69.10 reverse	mcai690102		1300	1315	394 x 580 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the preceding antiphons.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 69:10		reverse	cd 5247 0511 2350	48-bit color	400 ppi	2	Antiphonary
Lewis E M 69:11	Lewis E M 69.11 front	mcai690111		1285	1299	375 x 513 mm	Initial S with David pointing to his head | This initial begins the response of the first nocturn of Matins for the fourth Sunday after Easter, 'Si oblatus fuero tui ...' (If I ever forget you).	Parchment	Latin	Siena, Italy	Rotunda				front	1	Lewis E M 69:11		front	cd 5247 0511 2350	48-bit color	400 ppi	1	Antiphonary
Lewis E M 69:11	Lewis E M 69.11 reverse	mcai690112		1285	1299	375 x 513 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the fourth Sunday after Easter, which begins on the front.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 69:11		reverse	cd 5247 0511 2347	48-bit color	400 ppi	2	Antiphonary
Lewis E M 69:12-13	Lewis E M 69.12, fol. 1r	mcai690121		1325	1350	393 x 557 mm	Initial R with the Resurrection | These cuttings can be dated to ca. 1345. | This initial begins the Introit for Easter Sunday, 'Resurrexi et adhuc tecum sum ...' (I have risen and am still with you). Lewis E M 69:12-13 were illuminated by Lippo di Vanni, a Sienese illuminator whose activity can be documented from 1344-72. These leaves originally belonged to a choir book that survives in only a few leaves scattered in other American and European collections.	Parchment	Latin	Siena, Italy	Rotunda	Lippo di Vanni	Artist		folio 1 recto 69:12	1	Lewis E M 69:12-13		folio 1 recto 69:12	cd 5247 0511 2347	48-bit color	400 ppi	1	Gradual
Lewis E M 69:12-13	Lewis E M 69.12, fol. 2v	mcai690122		1325	1350	393 x 557 mm	These cuttings can be dated to ca. 1345. | This image shows the verso of the second leaf of a bifolium with an historiated initial. It contains contains part of the Gradual and the beginning of the Offertory for Easter Tuesday.	Parchment	Latin	Siena, Italy	Rotunda				folio 2 verso 69:12	4	Lewis E M 69:12-13		folio 2 verso 69:12	cd 5247 0511 2525	48-bit color	400 ppi	4	Gradual
Lewis E M 69:12-13	Lewis E M 69.12, fol. 1v	mcai690123		1325	1350	786 x 557 mm	These cuttings can be dated to ca. 1345. | This image shows the verso of a leaf of a bifolium with an historiated initial from a gradual. It continues the Introit for Easter Sunday, which begins on the recto, and contains part of the Gradual.	Parchment	Latin	Siena, Italy	Rotunda				folio 1 verso 69:12	2	Lewis E M 69:12-13		folio 1 verso 69:12	cd 5247 0511 2525	48-bit color	400 ppi	2	Gradual
Lewis E M 69:12-13	Lewis E M 69.12, fol. 2r	mcai690124		1325	1350	786 x 557 mm	These cuttings can be dated to ca. 1345. | This image shows the recto of the second leaf of a bifolium with an historiated initial from a gradual. It contains contains part of the Gradual for Easter Tuesday.	Parchment	Latin	Siena, Italy	Rotunda				folio 2 recto 69:12	3	Lewis E M 69:12-13		folio 2 recto 69:12	cd 5248 0520 2560	48-bit color	400 ppi	3	Gradual
Lewis E M 69:12-13	Lewis E M 69.13 front	mcai690131		1325	1350	376 x 472 mm	Initial S with Bishop Saint | These cuttings can be dated to ca. 1345. | This initial begins the Introit for the Common of Bishop Saints, 'Sacerdotes tui domine induant iustitiam ...' (Let thy priests, O Lord, be clothed with justice). Lewis E M 69:12-13 were illuminated by Lippo di Vanni, a Sienese illuminator whose activity can be documented from 1344-72. These leaves originally belonged to a choir book that survives in only a few leaves scattered in other American and European collections.	Parchment	Latin	Siena, Italy	Rotunda	Lippo di Vanni	Artist		front 69:13	5	Lewis E M 69:12-13		front 69:13	cd 5248 0520 2560	48-bit color	400 ppi	5	Gradual
Lewis E M 69:12-13	Lewis E M 69.13 reverse	mcai690132		1325	1350	376 x 472 mm	These cuttings can be dated to ca. 1345. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues one Introit and begins another for the Common of Bishop Saints.	Parchment	Latin	Siena, Italy	Rotunda				verso 69:13	6	Lewis E M 69:12-13		verso 69:13	cd 5248 0520 2567	48-bit color	400 ppi	6	Gradual
Lewis E M 69:14	Lewis E M 69.14 front	mcai690141		1385	1399	363 x 537 mm	Initial F with St. John the Baptist | This initial begins the first response of the first nocturn of Matins for the feast of St. John the Baptist (June 24), 'Fuit homo missus a deo cui nomen erat Iohannes ...' (There was a man, sent by God, whose name was John). A piece of the initial containing an image of the Lamb of God, which is an attribute of the saint, has been cut out.	Parchment	Latin	Italy (central)	Rotunda				front	1	Lewis E M 69:14		front	cd 5248 0520 2567	48-bit color	400 ppi	1	Antiphonary
Lewis E M 69:14	Lewis E M 69.14 reverse	mcai690142		1385	1399	363 x 537 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for the feast of St. John the Baptist, which begins on the front.	Parchment	Latin	Italy (central)	Rotunda				reverse	2	Lewis E M 69:14		reverse	cd 5248 0520 7103	48-bit color	400 ppi	2	Antiphonary
Lewis E M 69:15-17	Lewis E M 69.15 front	mcai690151		1285	1299	370 x 541 mm	Initial S with Job on the dung heap visited by his three friends | This initial begins the first response of the first nocturn of Matins for the first Sunday in September, 'Si bona suscepimus de manu domini ...' (We accept good things from God). The Introit is taken from Job 2:6, when Job is visited by his wife and friends during his torment on the dung heap. The Book of Job is read throughout the first week of September.	Parchment	Latin	Tuscany?, Italy	Rotunda				front 69:15	1	Lewis E M 69:15-17		front 69:15	cd 5248 0520 7103	48-bit color	400 ppi	1	Antiphonary
Lewis E M 69:15-17	Lewis E M 69.15 reverse	mcai690152		1285	1299	370 x 541 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for the first Sunday in September, which begins on the front.	Parchment	Latin	Tuscany?, Italy	Rotunda				reverse 69:15	2	Lewis E M 69:15-17		reverse 69:15	cd 5248 0520 7104	48-bit color	400 ppi	2	Antiphonary
Lewis E M 69:15-17	Lewis E M 69.16 front	mcai690161		1285	1299	373 x 543 mm	Initial A with Judith cutting of the head of Holofernes | This initial begins the first response of the first nocturn of Matins for the fourth Sunday in September, 'Adonay domine deus magne et mirabilis ...' (O Adonai, Lord, great and wonderful God). The Book of Judith is read throughout the fourth week of September.	Parchment	Latin	Tuscany?, Italy	Rotunda				front 69:16	3	Lewis E M 69:15-17		front 69:16	cd 5248 0520 7104	48-bit color	400 ppi	3	Antiphonary
Lewis E M 69:15-17	Lewis E M 69.16 reverse	mcai690162		1285	1299	373 x 543 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for the fourth Sunday in September, which begins on the front.	Parchment	Latin	Tuscany?, Italy	Rotunda				reverse 69:16	4	Lewis E M 69:15-17		reverse 69:16	cd 5248 0520 7105	48-bit color	400 ppi	4	Antiphonary
Lewis E M 69:15-17	Lewis E M 69.17 front	mcai690171		1285	1299	370 x 540 mm	Initial H with St. Anne holding the infant Virgin Mary | This initial begins the first response of the first nocturn of Matins for the feast of the Nativity of the Virgin Mary, 'Hodie nata est beata virgo Maria ...' (Today is born the Virgin Mary).	Parchment	Latin	Tuscany?, Italy	Rotunda				front 69:17	5	Lewis E M 69:15-17		front 69:17	cd 5248 0520 7105	48-bit color	400 ppi	5	Antiphonary
Lewis E M 69:15-17	Lewis E M 69.17 reverse	mcai690172		1285	1299	370 x 540 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the feast of the Nativity of the Virgin, which begins on the front.	Parchment	Latin	Tuscany?, Italy	Rotunda				reverse 69:17	6	Lewis E M 69:15-17		reverse 69:17	cd 5248 0520 7106	48-bit color	400 ppi	6	Antiphonary
Lewis E M 69:18	Lewis E M 69.18 front	mcai690181		1475	1499	370 x 525 mm	Initial H with a King, possibly David | This cutting can be dated to before 1496. | This initial begins the Introit for the Vigil of the feast of the Nativity (Christmas Eve), 'Hodie scientis quia veniet dominus ...' (Today you shall know that the Lord will come). The inscription on the king's scroll reads: 'Conceptio tua dei genitrix virgo gaudium annuntiavit universo mundo' (Your Conception, Virgin Mother of God, has announced joy to the entire world).	Parchment	Latin	Siena, Italy	Rotunda	Bernardino di Michele Cignoni	Artist		front	1	Lewis E M 69:18		front	cd 5248 0520 7106	48-bit color	400 ppi	1	Gradual
Lewis E M 69:18	Lewis E M 69.18 reverse	mcai690182		1475	1499	370 x 525 mm	This cutting can be dated to before 1496. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the Vigil of the feast of the Nativity (Christmas Eve), which begins on the front.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 69:18		reverse	cd 5248 0520 6055	48-bit color	400 ppi	2	Gradual
Lewis E M 69:19-20	Lewis E M 69.19 front	mcai690191		1500	1515	389 x 547 mm	Initial N with the Presentation of Christ in the Temple | These cuttings can be dated to ca. 1500-1511. | This initial begins the antiphon for Vespers of the feast of the Purification of the Virgin (Feb. 2), 'Nunc dimittis domine seruum tuum in pace ...' (Now send, O Lord, your servant in peace). It was illuminated by Antonio da Villafora, a Paduan illuminator whose activity can be documented from 1469 -1511.	Parchment	Latin	Padua, Italy	Rotunda	Antonio Maria da Villafora	Artist		front 69:19	1	Lewis E M 69:19-20		front 69:19	cd 5248 0520 6055	48-bit color	400 ppi	1	Antiphonary
Lewis E M 69:19-20	Lewis E M 69.19 reverse	mcai690192		1500	1515	389 x 547 mm	These cuttings can be dated to ca. 1500-1511. | This image shows the reverse of a leaf with an historiated initial from a antiphonary. This side of the leaf, the true verso, continues the liturgy for Vespers of the feast of the Purification of the Virgin, which begins on the front.	Parchment	Latin	Padua, Italy	Rotunda				reverse 69:19	2	Lewis E M 69:19-20		reverse 69:19	cd 5248 0520 7108	48-bit color	400 ppi	2	Antiphonary
Lewis E M 69:19-20	Lewis E M 69.20 front	mcai690201		1500	1515	392 x 549 mm	Initial S with St. Paul | These cuttings can be dated to ca. 1500-1511. | This initial begins the Response for the first nocturn of matins of the feast of St. Paul (June 30), 'Scio cui credidi...' (I know whom I have believed). It was illuminated by Antonio da Villafora, a Paduan illuminator whose activity can be documented from 1469 -1511.	Parchment	Latin	Padua, Italy	Rotunda	Antonio Maria da Villafora	Artist		front 69:20	3	Lewis E M 69:19-20		front 69:20	cd 5248 0520 7108	48-bit color	400 ppi	3	Antiphonary
Lewis E M 69:19-20	Lewis E M 69.20 reverse	mcai690202		1500	1515	392 x 549 mm	These cuttings can be dated to ca. 1500-1511. | This image shows the reverse of a leaf with an historiated initial from a antiphonary. This side of the leaf, the true verso, continues the Response for the first nocturn of matins of the feast of St. Paul, which begins on the front.	Parchment	Latin	Padua, Italy	Rotunda				reverse 69:20	4	Lewis E M 69:19-20		reverse 69:20	cd 5248 0520 7109	48-bit color	400 ppi	4	Antiphonary
Lewis E M 69:21	Lewis E M 69.21 front	mcai690211		1500	1599	204 x 292 mm	A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogale was usually religious in nature to suggest the approval of divine authority. In this miniature, the recipient kneels before St. Dominic, who points upward to the Dove of the Holy Ghost and God the Father. The roundels in the frame contain personifications of the four Cardinal Virtues: (from top left, clockwise) Justice, Temperance, Prudence, Fortitude. | Leaf from a Dogale	Parchment		Venice, Italy					front	1	Lewis E M 69:21		front	cd 5248 0520 7109	48-bit color	600 ppi	1	Dogale
Lewis E M 69:21	Lewis E M 69.21 reverse	mcai690212		1500	1599	204 x 292 mm	This image shows the reverse of a leaf with a miniature from a dogale.	Parchment		Venice, Italy					reverse	2	Lewis E M 69:21		reverse	cd 5248 0520 7110	48-bit color	600 ppi	2	Dogale
Lewis E M 69:22	Lewis E M 69.22 front	mcai690221	1584	1575	1599	144 x 219 mm	A dogale (pl. dogali) is a document issued by a doge, the title for the highest elected official in several Italian republics. The Doge of Venice was one of the most powerful among them. Dogali were used to transfer power to certain individuals, granting them various rights, responsibilities, and privileges. Although secular documents, the iconography of illuminated dogali was usually religious in nature to suggest the approval of divine authority. In this miniature, Francesco Cignona kneels before the Virgin Mary and Christ-Child, behind him is an unidentified saint, possibly St. Phillip, whose attribute is a t-shaped cross. | Leaf from a Dogale issued by Doge Nicolò da Ponte (1578-1585) to Francesco Cignona as governor of the island of Arbe (now Rab, Croatia)	Parchment	Italian	Venice, Italy	Display script				front	1	Lewis E M 69:22		front	cd 5248 0520 7110	48-bit color	600 ppi	1	Dogale
Lewis E M 69:22	Lewis E M 69.22 reverse	mcai690222	1584	1575	1599	144 x 219 mm	This image shows the reverse of a leaf from a dogale. The text marks the beginning of the dogale and confers upon Francesco Cignona, an Italian nobleman, the governance of the Adriatic island of Arbe (now Rab, Croatia).	Parchment	Italian	Venice, Italy	Cursive				reverse	2	Lewis E M 69:22		reverse	cd 5248 0520 7110	48-bit color	600 ppi	2	Dogale
Lewis E M 70:1	Lewis E M 70.1 front	mcai700011		1450	1499	235 x 371 mm	Initial C (or T) with a Benedictine monk | The text following this initial the part of the Creed sung by the choir during Mass, 'Patrem omnipotentem factorem caeli et terre ...' (The almighty Father, maker of heaven and earth). The original chant on this cutting, dating from the fifteenth century, was erased and written over sometime in the seventeenth or eighteenth century. Leaves that have been the subject of such recycling efforts to conserve parchment are known as palimpsests, from the Greek word 'palimpsestos' meaning 'scraped again.' The later scribe kept the beautifully illuminated initial, however, which originally began a chant used in the liturgy of a feast dedicated to a Benedictine monk.	Parchment	Latin	Ferrara, Italy	Rotunda				front	1	Lewis E M 70:01		front	cd 5248 0520 7111	48-bit color	600 ppi	1	Gradual
Lewis E M 70:1	Lewis E M 70.1 reverse	mcai700012		1450	1499	235 x 371 mm	This image shows the reverse of a palimpsested leaf with an historiated initial from a gradual.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse	2	Lewis E M 70:01		reverse	cd 5248 0520 7112	48-bit color	600 ppi	2	Gradual
Lewis E M 70:2	Lewis E M 70.2 front	mcai700021		1450	1499	372 x 445 mm	Initial T with St. Paul the Apostle | This initial begins the first response of the first nocturn of Matins for the Commemoration of St. Paul the Apostle (June 30), 'Tollite iugum meum super vos dicit dominus ...'(Take my yoke upon you, says the Lord). Within the foliate forms of the initial is a profile view of a man's head. This is likely a portrait of Ercole I d'Este, Duke of Ferrara from 1471-1505. The powerful House of Este had ruled Ferrara since the thirteenth century. Under the patronage of Ercole and his predecessor Borso d'Este, the city became one of the great centers of Italian manuscript illumination in the fifteenth century. | This leaf can be dated to ca. 1470-1480.	Parchment	Latin	Ferrara, Italy	Rotunda				front	1	Lewis E M 70:02		front	cd 5248 0520 7111	48-bit color	400 ppi	1	Antiphonary
Lewis E M 70:2	Lewis E M 70.2 reverse	mcai700022		1450	1499	372 x 445 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the Commemoration of St. Paul the Apostle, which begins on the front. | This leaf can be dated to ca. 1470-1480.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse	2	Lewis E M 70:02		reverse	cd 5248 0520 7112	48-bit color	400 ppi	2	Antiphonary
Lewis E M 70:3	Lewis E M 70.3 front	mcai700031		1450	1499	385 x 536 mm	Initial B with David as a musician | This initial begins Psalm 1, 'Beatus uir qui non abiit in consilio impiorum ...' (Blessed is the man who has not walked in the counsel of the ungodly), which was read at Matins on Sundays. The illumination has been attributed to Franco dei Russi, a Mantuan artist who spent a good portion of his career in Ferrara. Among his patrons was Borso d'Este, the half-brother of Ercole I d'Este, Duke of Ferrara. | This leaf can be dated to ca. 1453 - 1482.	Parchment	Latin	Ferrara, Italy	Rotunda	Franco dei Russi	Artist		front	1	Lewis E M 70:03		front	cd 5248 0520 7113	48-bit color	400 ppi	1	Choir psalter
Lewis E M 70:3	Lewis E M 70.3 reverse	mcai700032		1450	1499	385 x 536 mm	This image shows the reverse of a leaf with an historiated initial from a ferial psalter. This side of the leaf, the true recto, contains the part of the hymn, 'Nocte surgentes vigilemus omnes ...,' sung at Matins on Sundays. | This leaf can be dated to ca. 1453 - 1482.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse	2	Lewis E M 70:03		reverse	cd 5248 0520 7113	48-bit color	400 ppi	2	Choir psalter
Lewis E M 70:4	Lewis E M 70.4 front	mcai700041		1450	1475	398 x 517 mm	Initial D with the Temptation and Fall of Adam and Eve | This initial begins the antiphon for Septuagesima Sunday, 'Dixit dominus ad adam de ligno quod est in medio paradisi ne comedas ...' (The Lord said to Adam, Of the tree which stands in the middle of paradise, you shall not eat). | This leaf can be dated to ca. 1470.	Parchment	Latin	Ferrara, Italy	Rotunda				front	1	Lewis E M 70:04		front	cd 5248 0520 7114	48-bit color	400 ppi	1	Antiphonary
Lewis E M 70:4	Lewis E M 70.4 reverse	mcai700042						Parchment		Unknown						2	Lewis E M 70:04			cd 5248 0520 7114				Illuminated Music Leaf
Lewis E M 70:5-8	Lewis E M 70.5 front	mcai700051		1450	1499	390 x 555 mm	Initial C with God the Father | These cuttings can be dated to ca. 1470-1480. | This initial begins the hymn, 'Conditor alme syderum ...' (Creator of the stars at night), typically sung at Vespers during Advent. Lewis E M 70:5-8 are from the same manuscript illuminated by Giuglielmo Giraldi, a Ferrarese illuminator whose activity can be documented from 1445-1490.	Parchment	Latin	Ferrara, Italy	Rotunda	Benedetto Bordone, workshop of	Artist		front 70:5	1	Lewis E M 70:05-08		front 70:5	cd 5248 0520 7115	48-bit color	400 ppi	1	Choir psalter and Hymnal
Lewis E M 70:5-8	Lewis E M 70.5 reverse	mcai700052		1450	1499	390 x 555 mm	These cuttings can be dated to ca. 1470-1480. | This image shows the reverse of a leaf with an historiated initial from a hymnal. This side of the leaf, the true verso, contains hymns sung during Matins and Lauds during Advent.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 70:5	2	Lewis E M 70:05-08		reverse 70:5	cd 5248 0520 7115	48-bit color	400 ppi	2	Choir psalter and Hymnal
Lewis E M 70:5-8	Lewis E M 70.6 front	mcai700061		1450	1499	387 x 561 mm	Initial D with David pointing to his eye | These cuttings can be dated to ca. 1470-1480. | This initial begins Psalm 26, 'Dominus illuminatio mea ...' (The Lord is my light), read at Matins on Mondays. Lewis E M 70:5-8 are from the same manuscript illuminated by Giuglielmo Giraldi, a Ferrarese illuminator whose activity can be documented from 1445-1490.	Parchment	Latin	Ferrara, Italy	Rotunda	Benedetto Bordone, workshop of	Artist		front 70:6	3	Lewis E M 70:05-08		front 70:6	cd 5248 0520 7116	48-bit color	400 ppi	3	Choir psalter and Hymnal
Lewis E M 70:5-8	Lewis E M 70.6 reverse	mcai700062		1450	1499	387 x 561 mm	These cuttings can be dated to ca. 1470-1480. | This image shows the reverse of a leaf with an historiated initial from a ferial psalter. This side of the leaf, the true recto, contains the hymn, 'Somno refectis artubus ...' ( Our limbs refreshed with slumber now), sung at Matins on Mondays.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 70:6	4	Lewis E M 70:05-08		reverse 70:6	cd 5248 0520 7116	48-bit color	400 ppi	4	Choir psalter and Hymnal
Lewis E M 70:5-8	Lewis E M 70.7 front	mcai700071		1450	1499	387 x 557 mm	Initial S with David in the Waters | These cuttings can be dated to ca. 1470-1480. | This initial begins Psalm 68, 'Salvum me fac deus quem intraverunt aque usquem ad animam meam ...' (Save me, O God, for the waters have come up even unto my soul), read at Matins on Thursday. Lewis E M 70:5-8 are from the same manuscript illuminated by Giuglielmo Giraldi, a Ferrarese illuminator whose activity can be documented from 1445-1490.	Parchment	Latin	Ferrara, Italy	Rotunda	Benedetto Bordone, workshop of	Artist		front 70:7	5	Lewis E M 70:05-08		front 70:7	cd 5248 0520 7117	48-bit color	400 ppi	5	Choir psalter and Hymnal
Lewis E M 70:5-8	Lewis E M 70.7 reverse	mcai700072		1450	1499	387 x 557 mm	These cuttings can be dated to ca. 1470-1480. | This image shows the reverse of a leaf with an historiated initial from a ferial psalter. This side of the leaf, the true recto, contains the hymn, 'Nox atra rerum contegit ...' (The dusky veil of night) sung at Matins on Thursdays.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 70:7	6	Lewis E M 70:05-08		reverse 70:7	cd 5248 0520 7117	48-bit color	400 ppi	6	Choir psalter and Hymnal
Lewis E M 70:5-8	Lewis E M 70.8 front	mcai700081		1450	1499	387 x 549 mm	Initial E with a Musician playing a lute | These cuttings can be dated to ca. 1470-1480. | This initial begins Psalm 80, 'Exultate deo adiutori nostro ...' (Rejoice in the Lord our helper), read at Matins on Fridays. Lewis E M 70:5-8 are from the same manuscript illuminated by Giuglielmo Giraldi, a Ferrarese illuminator whose activity can be documented from 1445-1490.	Parchment	Latin	Ferrara, Italy	Rotunda	Benedetto Bordone, workshop of	Artist		front 70:8	7	Lewis E M 70:05-08		front 70:8	cd 5248 0520 7118	48-bit color	400 ppi	7	Choir psalter and Hymnal
Lewis E M 70:5-8	Lewis E M 70.8 reverse	mcai700082		1450	1499	387 x 549 mm	These cuttings can be dated to ca. 1470-1480. | This image shows the reverse of a leaf with an historiated initial from a ferial psalter. This side of the leaf, the true verso, continues Psalm 80, which begins on the front.	Parchment	Latin	Ferrara, Italy	Rotunda				reverse 70:8	8	Lewis E M 70:05-08		reverse 70:8	cd 5248 0520 7118	48-bit color	400 ppi	8	Choir psalter and Hymnal
Lewis E M 70:9-11	Lewis E M 70.9, fol. 2r	mcai700091		1400	1499	377 x 550 mm	This image shows the recto of the second leaf of a bifolium with an historiated initial. It contains the beginning of the second response of the first nocturn of Matins for the feast of the Nativity (Christmas Day), which begins on fol. 1v.	Parchment	Latin	Ferrara?, Italy	Rotunda				folio 2 recto 70:9	3	Lewis E M 70:09-11		folio 2 recto 70:9	cd 5248 0521 5234	48-bit color	400 ppi	3	Antiphonary
Lewis E M 70:9-11	Lewis E M 70.9, fol. 1r	mcai700092		1400	1499	377 x 550 mm	Initial H with the Adoration of the Christ-Child | This initial begins the first response of the first nocturn of Matins for the feast of the Nativity (Christmas Day), 'Hodie nobis celorum rex de virgine nasci dignatus est ...' (Today the king of heaven deigned to be born for us of a Virgin). Lewis E M 70:9-11 are from the same manuscript.	Parchment	Latin	Ferrara?, Italy	Rotunda				folio 1 recto 70:9	1	Lewis E M 70:09-11		folio 1 recto 70:9	cd 5248 0521 5234	48-bit color	400 ppi	1	Antiphonary
Lewis E M 70:9-11	Lewis E M 70.9, fol. 2v	mcai700093		1400	1499	377 x 550 mm	This image shows the verso of the second leaf of a bifolium with an historiated initial. It continues the second response of the first nocturn of Matins for the feast of the Nativity (Christmas Day), which begins on fol. 1v.	Parchment	Latin	Ferrara?, Italy	Rotunda				folio 2 verso 70:9	4	Lewis E M 70:09-11		folio 2 verso 70:9	cd 5248 0521 5233	48-bit color	400 ppi	4	Antiphonary
Lewis E M 70:9-11	Lewis E M 70.9, fol. 1v	mcai700094		1400	1499	377 x 550 mm	This image shows the verso of the first leaf of a bifolium with an historiated initial.	Parchment	Latin	Ferrara?, Italy	Rotunda				folio 1 verso 70:9	2	Lewis E M 70:09-11		folio 1 verso 70:9	cd 5248 0521 5233	48-bit color	400 ppi	2	Antiphonary
Lewis E M 70:9-11	Lewis E M 70.10 front	mcai700101		1400	1499	389 x 551 mm	Initial F with St. Francis | This initial begins the first antiphon of Vespers for feast of St. Francis of Assisi, (Oct. 4), 'Franciscus vir catholicus et totus apostolicus ...' (Francis, the catholic man and perfectly apostolic). Lewis E M 70:9-11 are from the same manuscript.	Parchment	Latin	Ferrara?, Italy	Rotunda				front 70:10	5	Lewis E M 70:09-11		front 70:10	cd 5248 0521 5236	48-bit color	400 ppi	5	Antiphonary
Lewis E M 70:9-11	Lewis E M 70.10 reverse	mcai700102		1400	1499	389 x 551 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains an antiphon in praise of St. Michael the Archangel.	Parchment	Latin	Ferrara?, Italy	Rotunda				reverse 70:10	6	Lewis E M 70:09-11		reverse 70:10	cd 5248 0521 5236	48-bit color	400 ppi	6	Antiphonary
Lewis E M 70:9-11	Lewis E M 70.11 front	mcai700111		1400	1499	383 x 557 mm	Initial F with St. Francis of Assisi | This initial begins the first response of the first nocturn of Matins for the feast of St. Francis (Oct. 4), 'Franciscus ut in publicum cessat negotiari ...' (Francis, leaving behind the affairs of the world). The church visible behind St. Francis may be the little chapel known as the 'Portiuncula,' where it is believed he founded the Franciscan Order in 1209. Lewis E M 70:9-11 are from the same manuscript.	Parchment	Latin	Ferrara?, Italy	Rotunda				front 70:11	7	Lewis E M 70:09-11		front 70:11	cd 5248 0521 5238	48-bit color	400 ppi	7	Antiphonary
Lewis E M 70:9-11	Lewis E M 70.11 reverse	mcai700112		1400	1499	383 x 557 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the feast of St. Francis.	Parchment	Latin	Ferrara?, Italy	Rotunda				reverse 70:11	8	Lewis E M 70:09-11		reverse 70:11	cd 5248 0521 5238	48-bit color	400 ppi	8	Antiphonary
Lewis E M 70:12-16	Lewis E M 70.12 front	mcai700121		1485	1499	396 x 564 mm	Initial N with the Harrowing of Hell | This initial begins the antiphon at Vespers for the Easter Vigil, 'Alleluya alleluya alleluya alleluya ....' According to Christian belief, Christ descended into Hell before his resurrection. According to the tradition that developed in the Middle Ages, Christ not only descended into Hell but broke down the gates of Hell to release its captives who died before the time of grace. Here, Christ stands over the gate's door and reaches out to several naked souls who died before the benefit of grace, including Adam and Eve, Moses, and John the Baptist. Lewis E M 70:12-16 are from the same manuscript.	Parchment	Latin	Lombardy, Italy	Rotunda				front 70:12	1	Lewis E M 70:12-16		front 70:12	cd 5248 0521 5237	48-bit color	400 ppi	1	Antiphonary
Lewis E M 70:12-16	Lewis E M 70.12 reverse	mcai700122		1485	1499	396 x 564 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, contains the liturgy for the Easter Vigil, which begins on the front.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 70:12	2	Lewis E M 70:12-16		reverse 70:12	cd 5248 0521 5240	48-bit color	400 ppi	2	Antiphonary
Lewis E M 70:12-16	Lewis E M 70.13 front	mcai700131		1485	1499	399 x 577 mm	Initial I with the First Day of Creation | This initial begins the first response of the first nocturn of Matins for Septuagesima Sunday, 'In principio fecit deus celam et terram ...' (In the beginning God created heaven and earth). It shows God as the 'mover of the spheres.' He directs with his rod the formation of the earth with seven spheres around it. According to medieval astrology, the earth was surrounded by a number of spheres, including the stars, planets, and ether, all leading up to heaven. Lewis E M 70:12-16 are from the same manuscript.	Parchment	Latin	Lombardy, Italy	Rotunda				front 70:13	3	Lewis E M 70:12-16		front 70:13	cd 5248 0521 5239	48-bit color	400 ppi	3	Antiphonary
Lewis E M 70:12-16	Lewis E M 70.13 reverse	mcai700132		1485	1499	399 x 577 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for Septuagesima Sunday, which begins on the front.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 70:13	4	Lewis E M 70:12-16		reverse 70:13	cd 5248 0521 5242	48-bit color	400 ppi	4	Antiphonary
Lewis E M 70:12-16	Lewis E M 70.14 front	mcai700141		1485	1499	400 x 579 mm	Initial I with God commanding Moses to go to Egypt | This initial begins the first response of the first nocturn of Matins for the Forth Sunday in Lent, 'Locutus est dominus ad Moysen didens descende in Egyptum ...' (The Lord spoke to Moses saying, 'Go down to Egypt). Lewis E M 70:12-16 are from the same manuscript.	Parchment	Latin	Lombardy, Italy	Rotunda				front 70:14	5	Lewis E M 70:12-16		front 70:14	cd 5248 0521 5241	48-bit color	400 ppi	5	Antiphonary
Lewis E M 70:12-16	Lewis E M 70.14 reverse	mcai700142		1485	1499	400 x 579 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the Forth Sunday in Lent.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 70:14	6	Lewis E M 70:12-16		reverse 70:14	cd 5248 0521 5245	48-bit color	400 ppi	6	Antiphonary
Lewis E M 70:12-16	Lewis E M 70.15 front	mcai700151		1485	1499	401 x 575 mm	Initial M with Christ and two soldiers | This initial begins the first response for the second nocturn of Matins for Passion Sunday, 'Multiplicati sunt qui tribulant me ...' (Those who afflict me have increased in number). In an unusual moment, the artist depicts Christ with his back to the viewer, possibly to enhance the sense of alienation expressed in the first words of this response. Lewis E M 70:12-16 are from the same manuscript.	Parchment	Latin	Lombardy, Italy	Rotunda				front 70:15	7	Lewis E M 70:12-16		front 70:15	cd 5248 0521 5243	48-bit color	400 ppi	7	Antiphonary
Lewis E M 70:12-16	Lewis E M 70.15 reverse	mcai700152		1485	1499	401 x 575 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons and canticles preceding the second nocturn of Matins for Passion Sunday, the fifth Sunday in Lent.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 70:15	8	Lewis E M 70:12-16		reverse 70:15	cd 5248 0521 5247	48-bit color	400 ppi	8	Antiphonary
Lewis E M 70:12-16	Lewis E M 70.16 front	mcai700161		1485	1499	401 x 578 mm	Initial I with Christ's entry into Jerusalem | This initial begins the invitatory at Matins for Palm Sunday, 'Ipsi uero non cognoverunt uias meas ...' (These men have not known my ways). Usually, scenes of Christ's entry into Jerusalem are peopled with apostles and citizens of the city waving palms to honor Christ. This example, however, shows Christ alone on the ass. Like Lewis E M 70:15, the minimalization of the scene may have been intended to emphasize Christ's spiritual solitude as he went through his Passion.	Parchment	Latin	Lombardy, Italy	Rotunda				front 70:16	9	Lewis E M 70:12-16		front 70:16	cd 5248 0521 5244	48-bit color	400 ppi	9	Antiphonary
Lewis E M 70:12-16	Lewis E M 70.16 reverse	mcai700162		1485	1499	401 x 578 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy of Matins for Palm Sunday, which begins on the front.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 70:16	10	Lewis E M 70:12-16		reverse 70:16	cd 5248 0521 5249	48-bit color	400 ppi	10	Antiphonary
Lewis E M 71:1A-C	Lewis E M 71.1A	mcai710013		1400	1499	122 x 135 mm	Initial G with St. Nicholas of Tolentino | This cutting can be dated to ca. 1480-1490. | This initial begins an unidentified chant for the feast of St. Nicholas of Tolentino (Sept. 10, d. 1305), an Augustinian who spent most of his life in the Italian city of Tolentino. Lewis E M 71:1a-c are cuttings from an antiphonary that came from the Cathedral of Como illuminated by the Cremonese artist Baldasare Coldiradi who was active in the 1480s.	Parchment	Latin	Cremona, Italy		Baldasare Coldiradi	Artist		front 71:1A	1	Lewis E M 71:01A-C		front 71:1A	cd 6243 2112 2270	48-bit color	600 ppi	1	Antiphonary
Lewis E M 71:1A-C	Lewis E M 71.1B front	mcai710015		1400	1499	123 x 113 mm	Initial D with Sts. Philip and James | This cutting can be dated to ca. 1480-1490. | This initial begins an unidentified chant for the feast of Sts. Philip and James (May 11). Lewis E M 71:1a-c are cuttings from an antiphonary that came from the Cathedral of Como illuminated by the Cremonese artist Baldasare Coldiradi who was active in the 1480s.	Parchment	Latin	Cremona, Italy		Baldasare Coldiradi	Artist		front 71:1B	2	Lewis E M 71:01A-C		front 71:1B	cd 6243 2112 2270	48-bit color	600 ppi	2	Antiphonary
Lewis E M 71:1A-C	Lewis E M 71.1B reverse	mcai710016		1400	1499	123 x 113 mm	This cutting can be dated to ca. 1480-1490. | This image shows the reverse of a cutting with an historiated initial.	Parchment	Latin	Cremona, Italy	Rotunda				reverse 71:1B	3	Lewis E M 71:01A-C		reverse 71:1B	cd 6243 2112 2270	48-bit color	600 ppi	3	Antiphonary
Lewis E M 71:1A-C	Lewis E M 71.1C front	mcai710017		1400	1499	94 x 81 mm	Initial S with the Ascension | This cutting can be dated to ca. 1480-1490. | This initial begins an unidentified chant for the feast of the Ascension. Lewis E M 71:1a-c are cuttings from an antiphonary that came from the Cathedral of Como illuminated by the Cremonese artist Baldasare Coldiradi who was active in the 1480s.	Parchment	Latin	Cremona, Italy		Baldasare Coldiradi	Artist		front 71:1C	4	Lewis E M 71:01A-C		front 71:1C	cd 6243 2112 2270	48-bit color	600 ppi	4	Antiphonary
Lewis E M 71:1A-C	Lewis E M 71.1C reverse	mcai710018		1400	1499	94 x 81 mm	This cutting can be dated to ca. 1480-1490. | This image shows the reverse of a cutting with an historiated initial.	Parchment	Latin	Cremona, Italy	Rotunda				reverse 71:1C	5	Lewis E M 71:01A-C		reverse 71:1C	cd 6243 2112 2270	48-bit color	600 ppi	5	Antiphonary
Lewis E M 71:2	Lewis E M 71.2 front	mcai710021		1485	1499	338 x 506 mm	Initial E with David and the Just exalting God | This initial begins Psalm 32, 'Exultate iusti in domino ...' (Rejoice in the Lord, O ye just), which was read at Matins on Monday in the first week of Advent. This psalm of praise asks the just to 'give praise to the Lord on the harp; sing to him with the psaltery, the instrument of ten strings. Sing to him a new canticle, sing well unto him with a loud noise.' The scene in the initials acts out the words of the psalm, with David acting as mediator between God and the group of Benedictines and other figures, many of whom hold instruments, including what appears to be a triangle.	Parchment	Latin	Italy (northern)	Rotunda				front	1	Lewis E M 71:02		front	cd 6243 2112 2271	48-bit color	400 ppi	1	Choir psalter
Lewis E M 71:2	Lewis E M 71.2 reverse	mcai710022		1485	1499	338 x 506 mm	This image shows the reverse of a leaf with an historiated initial from a ferial psalter. This side of the leaf, the true verso, continues Psalm 38, which begins on the front.	Parchment	Latin	Italy (northern)	Rotunda				reverse	2	Lewis E M 71:02		reverse	cd 6243 2112 2271	48-bit color	400 ppi	2	Choir psalter
Lewis E M 71:3	Lewis E M 71.3 front	mcai710031		1450	1499	407 x 591 mm	Initial M with St. Dominic | This initial begins the first response of the first nocturn of Matins for the feast of St. Dominic (Aug. 4), 'Mundum vocans ad agni nuptias ...,' (Calling the world to the marriage of the Lamb).	Parchment	Latin	Lombardy, Italy	Rotunda				front	1	Lewis E M 71:03		front	cd 5248 0521 2315	48-bit color	400 ppi	1	Antiphonary
Lewis E M 71:3	Lewis E M 71.3 reverse	mcai710032		1450	1499	407 x 591 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the feast of St. Dominic, which begins on the front.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 71:03		reverse	cd 5248 0521 2435	48-bit color	400 ppi	2	Antiphonary
Lewis E M 71:4	Lewis E M 71.4 front	mcai710041		1440	1460	375 x 540 mm	Initial R with the Resurrection | This initial begins the Introit for Easter Sunday, 'Resurrexi et adhuc tecum sum ...' (I have risen and am still with thee). The illumination has been attributed to the anonymous Master of the Franciscan Breviary, so-called after a breviary dated to 1446 in the Biblioteca Universitaria in Bologna, Italy.	Parchment	Latin	Lombardy, Italy	Rotunda	Master of the Franciscan Breviary	Artist		front	1	Lewis E M 71:04		front	cd 5248 0521 2434	48-bit color	400 ppi	1	Gradual
Lewis E M 71:4	Lewis E M 71.4 reverse	mcai710042		1440	1460	375 x 540 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the rubric for the Mass for Easter Sunday, which begins on the front.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse	2	Lewis E M 71:04		reverse	cd 5248 0521 2434	48-bit color	400 ppi	2	Gradual
Lewis E M 71:5	Lewis E M 71.5 front	mcai710051		1400	1499	376 x 542 mm	Initial S with David in Penance | This initial begins psalm 68, 'Saluum me fac deus quoniam intraverunt aque usque animam meam ...' (Save me, O God, for the waters have come up even unto my soul), read at Matins on Thursdays. This leaf was illuminated in the same workshop as Lewis E M 71:4, although it was illuminated by a different artist.	Parchment	Latin	Italy	Rotunda	Master of the Franciscan Breviary, workshop of	Artist		front	1	Lewis E M 71:05		front	cd 5248 0521 2437	48-bit color	400 ppi	1	Choir psalter
Lewis E M 71:5	Lewis E M 71.5 reverse	mcai710052		1400	1499	376 x 542 mm	This image shows the reverse of a leaf with an historiated initial.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 71:05		reverse	cd 5248 0521 2437	48-bit color	400 ppi	2	Choir psalter
Lewis E M 71:6-7	Lewis E M 71.6 front	mcai710061		1400	1499	367 x 521 mm	Initial U with St. John the Baptist | These leaves can be dated to ca. 1444-1477. | This initial begins the hymn sung at Vespers for the feast of St. John the Baptist, (June 24), 'Ut queant laxis resonare fibris...' (Free from the guilt of your servants unclean lips). John holds a scroll inscribed with his words from the Gospel of John (1:26), 'Ecce agnus dei ecce qui tollit peccatum mundi' (Behold the Lamb of God who takes away the sins of the world). This initial has been attributed to Bonifacio Bembo, an illuminator active in Cremona and Milan from 1447 and 1477.	Parchment	Latin	Italy	Rotunda	Bonifacio Bembo	Artist		front 71:6	1	Lewis E M 71:06-07		front 71:6	cd 5248 0521 2436	48-bit color	400 ppi	1	Choir psalter
Lewis E M 71:6-7	Lewis E M 71.6 reverse	mcai710062		1400	1499	367 x 521 mm	These leaves can be dated to ca. 1444-1477. | This image shows the reverse of a leaf with an historiated initial from a ferial psalter. This side of the leaf, the true recto, contains the hymn sung at Lauds for the feast of St. Anthony (June 13), 'Iesu lux vera mentium ...' (Jesus, the light of the world).	Parchment	Latin	Italy	Rotunda				reverse 71:6	2	Lewis E M 71:06-07		reverse 71:6	cd 5248 0521 2436	48-bit color	400 ppi	2	Choir psalter
Lewis E M 71:6-7	Lewis E M 71.7 front	mcai710071		1400	1499	368 x 515 mm	Initial D with King David pointing to his mouth | These leaves can be dated to ca. 1444-1477. | This initial egins Psalm 38, 'Dixi custodias uias meas ut non delinquam in lingua mea...' (I will watch my ways so as not to sin with my tongue), which was read at Matins on Tuesdays. David, who was believed in the Middle Ages to have composed the psalms, points to his mouth, acting out the first words of the psalm. This initial has been attributed to Bonifacio Bembo, an illuminator active in Cremona and Milan from 1447 and 1477.	Parchment	Latin	Italy	Rotunda	Bonifacio Bembo	Artist		front 71:7	3	Lewis E M 71:06-07		front 71:7	cd 5248 0521 2438	48-bit color	400 ppi	3	Choir psalter
Lewis E M 71:6-7	Lewis E M 71.7 reverse	mcai710072		1400	1499	368 x 515 mm	These leaves can be dated to ca. 1444-1477. | This image shows the reverse of a leaf with an historiated initial from a ferial psalter. This side of the leaf, the true recto, contains the hymn sung at Matins on Tuesdays 'Consors paterni luminis ...'	Parchment	Latin	Italy	Rotunda				reverse 71:7	4	Lewis E M 71:06-07		reverse 71:7	cd 5248 0521 2438	48-bit color	400 ppi	4	Choir psalter
Lewis E M 71:8-9	Lewis E M 71.8 front	mcai710081		1400	1415	372 x 537 mm	Initial P with the Nativity | This initial begins the Introit for the Third Mass of Christmas Day, 'Puer natus est nobis ...' (For our sakes, a child is born). Lewis E M 71:8-9 are from the same manuscript.	Parchment	Latin	Italy (northern)	Rotunda				front 71:8	1	Lewis E M 71:08-09		front 71:8	cd 5248 0521 2314	48-bit color	400 ppi	1	Gradual
Lewis E M 71:8-9	Lewis E M 71.8 reverse	mcai710082		1400	1415	372 x 537 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the Third Mass of Christmas Day, which begins on the front.	Parchment	Latin	Italy (northern)	Rotunda				reverse 71:8	2	Lewis E M 71:08-09		reverse 71:8	cd 5248 0521 2314	48-bit color	400 ppi	2	Gradual
Lewis E M 71:8-9	Lewis E M 71.9 front	mcai710091		1400	1415	375 x 541 mm	Initial E with the Adoration of the Magi | This initial begins the Introit for the feast of Epiphany (Jan.6), 'Ecce advenit dominator dominus ...' (Behold, the Lord the Ruler is come). Lewis E M 71:8-9 are from the same manuscript.	Parchment	Latin	Italy (northern)	Rotunda				front 71:9	3	Lewis E M 71:08-09		front 71:9	cd 5248 0521 2440	48-bit color	400 ppi	3	Gradual
Lewis E M 71:8-9	Lewis E M 71.9 reverse	mcai710092		1400	1415	375 x 541 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the feast of the Epiphany, which begins on the front.	Parchment	Latin	Italy (northern)	Rotunda				reverse 71:9	4	Lewis E M 71:08-09		reverse 71:9	cd 5248 0521 2440	48-bit color	400 ppi	4	Gradual
Lewis E M 71:10-13	Lewis E M 71.10 front	mcai710101		1400	1450	395 x 580 mm	Initial R with the Resurrection | This initial begins the Introit for Easter Sunday, 'Resurrexi et adhuc tecum sum ...' (I have risen and am still with thee). Lewis E M 71:10-13 are from the same manuscript.	Parchment	Latin	Lombardy, Italy	Rotunda				front 71:10	1	Lewis E M 71:10-13		front 71:10	cd 5248 0521 2439	48-bit color	400 ppi	1	Gradual
Lewis E M 71:10-13	Lewis E M 71.10 reverse	mcai710102		1400	1450	395 x 580 mm	reverse: This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for Easter Sunday, which begins on the front.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 71:10	2	Lewis E M 71:10-13		reverse 71:10	cd 5248 0521 2442	48-bit color	400 ppi	2	Gradual
Lewis E M 71:10-13	Lewis E M 71.11 front	mcai710111		1400	1450	392 x 577 mm	Initial E with the Annunciation | This initial begins the Introit for the feast of the Holy Innocents (Dec. 28), 'Ex ore infantium deus et lactentium perfecisti laudem ...' (From the mouths of children and infants at the breast, O God, you have brought praise). Lewis E M 71:10-13 are from the same manuscript.	Parchment	Latin	Lombardy, Italy	Rotunda				front 71:11	3	Lewis E M 71:10-13		front 71:11	cd 5248 0521 2444	48-bit color	400 ppi	3	Gradual
Lewis E M 71:10-13	Lewis E M 71.11 reverse	mcai710112		1400	1450	392 x 577 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the feast of St. John the Evangelist (Dec. 27).	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 71:11	4	Lewis E M 71:10-13		reverse 71:11	cd 5248 0521 2449	48-bit color	400 ppi	4	Gradual
Lewis E M 71:10-13	Lewis E M 71.12 front	mcai710121		1400	1450	395 x 577 mm	Initial D | This initial begins the Introit for the Second Sunday after Epiphany, 'Omnis terra adoret te deus et psallat tibi...' (Let the whole earth worship thee, sing of thee). Lewis E M 71:10-13 are from the same manuscript.	Parchment	Latin	Lombardy, Italy	Rotunda				front 71:12	5	Lewis E M 71:10-13		front 71:12	cd 5248 0521 2452	48-bit color	400 ppi	5	Gradual
Lewis E M 71:10-13	Lewis E M 71.12 reverse	mcai710122		1400	1450	395 x 577 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the Second Sunday after Epiphany, which begins on the front.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 71:12	6	Lewis E M 71:10-13		reverse 71:12	cd 5248 0521 2451	48-bit color	400 ppi	6	Gradual
Lewis E M 71:10-13	Lewis E M 71.13 front	mcai710131		1400	1450	399 x 578 mm	Initial E | This initial begins the Introit for Quinquagesima Sunday, 'Esto michi in deum protectorem ...' (Be thou my divine protector).	Parchment	Latin	Lombardy, Italy	Rotunda				front 71:13	7	Lewis E M 71:10-13		front 71:13	cd 5248 0521 2454	48-bit color	400 ppi	7	Gradual
Lewis E M 71:10-13	Lewis E M 71.13 reverse	mcai710132		1400	1450	399 x 578 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the Quinquagesima Sunday, which begins on the front.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 71:13	8	Lewis E M 71:10-13		reverse 71:13	cd 5248 0521 2453	48-bit color	400 ppi	8	Gradual
Lewis E M 71:14-15	Lewis E M 71.14 front	mcai710141		1490	1510	381 x 540 mm	Initial P with the Adoration of the Christ Child with the Shepherds | This image begins the Introit for the Third Mass of Christmas Day, 'Puer natus est nobis et filius datus est nobis' (Unto us a child is born and unto us a son is given). Lewis E M 71:14-15 are from the same manuscript.	Parchment	Latin	Lombardy, Italy	Rotunda				front 71:14	1	Lewis E M 71:14-15		front 71:14	cd 5248 0521 2456	48-bit color	400 ppi	1	Gradual
Lewis E M 71:14-15	Lewis E M 71.14 reverse	mcai710142		1490	1510	381 x 540 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the Second Mass of Christmas Day.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 71:14	2	Lewis E M 71:14-15		reverse 71:14	cd 5248 0521 2456	48-bit color	400 ppi	2	Gradual
Lewis E M 71:14-15	Lewis E M 71.15 front	mcai710151		1490	1510	377 x 540 mm	Initial E with the Adoration of the Magi | This initial begins the Introit for the feast of Epiphany (Jan.6), 'Ecce advenit dominator dominus ...' (Behold, the Lord the Ruler is come). Lewis E M 71:14-15 are from the same manuscript.	Parchment	Latin	Lombardy, Italy	Rotunda				front 71:15	3	Lewis E M 71:14-15		front 71:15	cd 5248 0521 2312	48-bit color	400 ppi	3	Gradual
Lewis E M 71:14-15	Lewis E M 71.15 reverse	mcai710152		1490	1510	377 x 540 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the feast of the Epiphany, which begins on the front.	Parchment	Latin	Lombardy, Italy	Rotunda				reverse 71:15	4	Lewis E M 71:14-15		reverse 71:15	cd 5248 0521 2312	48-bit color	400 ppi	4	Gradual
Lewis E M 72:1	Lewis E M 72.1 front	mcai720011		1450	1499	276 x 255 mm	Initial A with the Annunciation | This initial begins the first response of the first nocturn of Matins for the first Sunday in Advent, 'Aspiciens a longe ...' (Long had I been watching). Although the feast of the Annunciation is celebrated on March 25, the Annunciation is often found in antiphonaries marking the beginning of the Advent season, the liturgical season of preparation for the coming of Christ. Inscriptions from Scripture in the scrolls held by the figures in the roundels and in the books held by Christ and the Virgin remind the reader of the theological significance of the birth of Christ. Christ's book proclaims, 'Ego sum lux mundi, qui sequitur' (I am the light of the world, he that followeth [me]; John 8:12). The Virgin's book gives the words that Mary spoke to the angel Gabriel: 'Ecce ancilla domini fiat michi' (Behold the handmaiden of the Lord, let it be done to me; Luke 1:38). Isaiah is shown twice in the two roundels on the left holding scrolls with the inscriptions 'Ecce uirgo co[n]cipiet et pariet' (Behold, a virgin shall conceive and bear [a son]'; Isaiah 7:14) and, below, 'Egredietur uirga de radice...' (There shall come forth a rod out of the root [of Jesse]'; Isaiah 1:11).	Parchment	Latin	Florence, Italy					front	1	Lewis E M 72:01		front	cd 6243 2112 2272	48-bit color	600 ppi	1	Antiphonary
Lewis E M 72:1	Lewis E M 72.1 reverse	mcai720012		1450	1499	276 x 255 mm	This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 72:01		reverse	cd 6243 2112 2272	48-bit color	600 ppi	2	Antiphonary
Lewis E M 72:2	Lewis E M 72.2 front	mcai720021		1400	1450	366 x 528 mm	Initial S with St. Stephen Protomartyr | This initial begins the first response of the first nocturn of Matins for the feast of St. Stephen (Dec. 26): 'Stephanus autem plenus gratia et fortitudine' (Now Stephen, full of grace and power).	Parchment	Latin	Florence?, Italy	Rotunda				front	1	Lewis E M 72:02		front	cd 6243 2112 2273	48-bit color	400 ppi	1	Antiphonary
Lewis E M 72:2	Lewis E M 72.2 reverse	mcai720022		1400	1450	366 x 528 mm	This image shows the reverse of a leaf with an historiated initial taken from an antiphonary. This side of the leaf, the true verso, continues the opening chants for the feast of St. Stephen.	Parchment	Latin	Florence?, Italy	Rotunda				reverse	2	Lewis E M 72:02		reverse	cd 6243 2112 2273	48-bit color	400 ppi	2	Antiphonary
Lewis E M 72:3	Lewis E M 72.3 front	mcai720031		1400	1415	423 x 593 mm	Initial S with the Presentation in the Temple | This initial begins the Introit for the Mass of the feast of the Purification (Feb. 2), 'Suscepimus Deus misericordiam tuam in medio templi tui...' (Within thy temple, O God, we have sought and found thy merciful presence).	Parchment	Latin	Venice?, Italy	Rotunda				front	1	Lewis E M 72:03		front	cd 5248 0521 2457	48-bit color	400 ppi	1	Gradual
Lewis E M 72:3	Lewis E M 72.3 reverse	mcai720032		1400	1415	423 x 593 mm	This image shows the reverse of a leaf with an historiated initial taken from an antiphonary. This side of the leaf, the true recto, contains Psalm 43:2, 'Deus auribus nostris audiuimus patres nostri adnuntiaverunt nobis,' followed by a versicle from the preceding liturgy.	Parchment	Latin	Venice?, Italy	Rotunda				reverse	2	Lewis E M 72:03		reverse	cd 5248 0521 2311	48-bit color	400 ppi	2	Gradual
Lewis E M 72:4-10	Lewis E M 72.4 front	mcai720041		1485	1499	388 x 559 mm	Initial G with St. Bassian of Lodi | These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This initial begins the Introit for Mass for the feast of St. Bassian of Lodi (Jan. 19), 'Gaudemus omnes in domino diem festum celebrantes sub honore Beati Bassiani ...' (Rejoice we all in the Lord as we keep the feast day in honor of the Blessed Bassiani). St. Bassian (d. 413) was bishop of the Lombard city of Lodi, and a friend of the Church Father Ambrose of Milan. Until his identity was determined by documentary evidence, the illuminator Tomasino da Vimercate was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours now in the Biblioteca Estense in Modena, Italy. Tomasino was active in Milan where he worked for ecclesiastical and lay patrons from ca. 1390 to 1415. He illuminated seven other leaves in the Free Library's collection (Lewis E M 27:22-23). This group of leaves and cuttings (Lewis E M 72:4-10) comes from the same series of choir books.	Parchment	Latin	Milan, Italy	Rotunda	Tomasino da Vimercate	Artist		front 72:4	1	Lewis E M 72:04-10		front 72:4	cd 5248 0521 2459	48-bit color	400 ppi	1	Gradual
Lewis E M 72:4-10	Lewis E M 72.4 reverse	mcai720042		1485	1499	388 x 559 mm	These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This image shows the reverse of a leaf with an historiated initial taken from a gradual. This side of the leaf, the true verso, continues the Introit begun on the front.	Parchment	Latin	Milan, Italy	Rotunda				reverse 72:4	2	Lewis E M 72:04-10		reverse 72:4	cd 5248 0521 2459	48-bit color	400 ppi	2	Gradual
Lewis E M 72:4-10	Lewis E M 72.5 front	mcai720051		1485	1499	389 x 548 mm	Initial S with the Presentation in the Temple | These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This initial begins the Introit for Mass of the feast of the Purification (Feb. 2), 'Suscepimus Deus misericordiam tuam in medio templi tui...' (Within thy temple, O God, we have sought and found thy merciful presence). Until his identity was determined by documentary evidence, the illuminator Tomasino da Vimercate was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours now in the Biblioteca Estense in Modena, Italy. Tomasino was active in Milan where he worked for ecclesiastical and lay patrons from ca. 1390 to 1415. He illuminated other leaves in the Free Library's collection (Lewis E M 27:22-23). This group of leaves and cuttings comes from the same series of choir books.	Parchment	Latin	Milan, Italy	Rotunda	Tomasino da Vimercate	Artist		front 72:5	3	Lewis E M 72:04-10		front 72:5	cd 5248 0521 2458	48-bit color	400 ppi	3	Gradual
Lewis E M 72:4-10	Lewis E M 72.5 reverse	mcai720052		1485	1499	389 x 548 mm	These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This image shows the reverse of a leaf with an historiated initial taken from a gradual. This side of the leaf, the true recto, contains the last antiphon of the liturgy preceding the Mass of the feast of the Presentation.	Parchment	Latin	Milan, Italy	Rotunda				reverse 72:5	4	Lewis E M 72:04-10		reverse 72:5	cd 5248 0521 2458	48-bit color	400 ppi	4	Gradual
Lewis E M 72:4-10	Lewis E M 72.6 front	mcai720061		1485	1499	393 x 561 mm	Initial I with St. Anthony of Padua | These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This initial begins the Introit for Mass for the feast of St. Anthony of Padua (June 13), 'In medio ecclesie aperuit os eius...' (In the middle of the temple he opened his mouth). Until his identity was determined by documentary evidence, the illuminator Tomasino da Vimercate was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours now in the Biblioteca Estense in Modena, Italy. Tomasino was active in Milan where he worked for ecclesiastical and lay patrons from ca. 1390 to 1415. He illuminated other leaves in the Free Library's collection (Lewis E M 27:22-23). This group of leaves and cuttings comes from the same series of choir books.	Parchment	Latin	Milan, Italy	Rotunda	Tomasino da Vimercate	Artist		front 72:6	5	Lewis E M 72:04-10		front 72:6	cd 5248 0521 2461	48-bit color	400 ppi	5	Gradual
Lewis E M 72:4-10	Lewis E M 72.6 reverse	mcai720062		1485	1499	393 x 561 mm	These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This image shows the reverse of a leaf with an historiated initial taken from a gradual. This side of the leaf, the true recto, contains the Communion for the feast of the Invention of the True Cross (May 3).	Parchment	Latin	Milan, Italy	Rotunda				reverse 72:6	6	Lewis E M 72:04-10		reverse 72:6	cd 5248 0521 2461	48-bit color	400 ppi	6	Gradual
Lewis E M 72:4-10	Lewis E M 72.7 front	mcai720071		1485	1499	394 x 560 mm	Begins the Introit for the feast of Sts. Peter and Paul (June 29), 'Nunc scio v ere quia misit dominus angelum suum' (Now I know for certain that the Lord has sent his angel) Until his identity was determined by documentary evidence, the illuminator Tomasino da Vimercate was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours now in the Biblioteca Estense in Modena, Italy. Tomasino was active in Milan where he worked for ecclesiastical and lay patrons from ca. 1390 to 1415. He illuminated other leaves in the Free Library's collection (Lewis E M 27:22-23). This group of leaves and cuttings comes from the same series of choir books. | Initial N with Sts. Peter and Paul | These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan.	Parchment	Latin	Milan, Italy	Rotunda	Tomasino da Vimercate	Artist		front 72:7	7	Lewis E M 72:04-10		front 72:7	cd 5248 0521 2460	48-bit color	400 ppi	7	Gradual
Lewis E M 72:4-10	Lewis E M 72.7 reverse	mcai720072		1485	1499	394 x 560 mm	These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This image shows the reverse of a leaf with an historiated initial taken from a gradual. This side of the leaf, the true recto, contains the end of the liturgy for the Vigil of Sts. Peter and Paul.	Parchment	Latin	Milan, Italy	Rotunda				reverse 72:7	8	Lewis E M 72:04-10		reverse 72:7	cd 5248 0521 2460	48-bit color	400 ppi	8	Gradual
Lewis E M 72:4-10	Lewis E M 72.8 front	mcai720081		1485	1499	394 x 559 mm	Initial U with St. Catherine of Alexandria | These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This initial begins the Introit for the Mass of the feast of St. Catherine of Alexandria (Nov. 25), 'Vox de celis Katherine reditur veni sponsa gloriosa...' (The voice came back from heaven, 'Come glorious bride'). Until his identity was determined by documentary evidence, the illuminator Tomasino da Vimercate was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours now in the Biblioteca Estense in Modena, Italy. Tomasino was active in Milan where he worked for ecclesiastical and lay patrons from ca. 1390 to 1415. He illuminated other leaves in the Free Library's collection (Lewis E M 27:22-23). This group of leaves and cuttings comes from the same series of choir books.	Parchment	Latin	Milan, Italy	Rotunda	Tomasino da Vimercate	Artist		front 72:8	9	Lewis E M 72:04-10		front 72:8	cd 5248 0521 2463	48-bit color	400 ppi	9	Gradual
Lewis E M 72:4-10	Lewis E M 72.8 revere	mcai720082		1485	1499	394 x 559 mm	These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This image shows the reverse of a leaf with an historiated initial taken from a gradual. This side of the leaf, the true verso, continues the Introit begun on the reverse, followed by the psalm and gradual for the Mass of the feast of St. Catherine of Alexandria.	Parchment	Latin	Milan, Italy	Rotunda				reverse 72:8	10	Lewis E M 72:04-10		reverse 72:8	cd 5248 0521 2463	48-bit color	400 ppi	10	Gradual
Lewis E M 72:4-10	Lewis E M 72.9 front	mcai720091		1485	1499	393 x 559 mm	Initial M with the Apostles | These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This initial begins the Introit for the Common Mass of the Apostles, 'Michi autem nimis honorati sunt amici tui ...' (Great reverence have I for thy friends). Until his identity was determined by documentary evidence, the illuminator Tomasino da Vimercate was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours now in the Biblioteca Estense in Modena, Italy. Tomasino was active in Milan where he worked for ecclesiastical and lay patrons from ca. 1390 to 1415. He illuminated other leaves in the Free Library's collection (Lewis E M 27:22-23). This group of leaves and cuttings comes from the same series of choir books.	Parchment	Latin	Milan, Italy	Rotunda	Tomasino da Vimercate	Artist		front 72:9	11	Lewis E M 72:04-10		front 72:9	cd 5248 0521 2462	48-bit color	400 ppi	11	Gradual
Lewis E M 72:4-10	Lewis E M 72.9 reverse	mcai720092		1485	1499	393 x 559 mm	These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This initial on this side of the leaf, the true verso, begins the the Introit for the Common of One Virgin.	Parchment	Latin	Milan, Italy	Rotunda				reverse 72:9	12	Lewis E M 72:04-10		reverse 72:9	cd 5248 0521 2462	48-bit color	400 ppi	12	Gradual
Lewis E M 72:4-10	Lewis E M 72.10 front	mcai720101		1485	1499	393 x 558 mm	Initial I with a Martyr saint | These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This initial begins the Introit for the Common Mass of One Martyr, 'In virtute tua domine letabitur iustus' (Well may the just man rejoice Lord). Until his identity was determined by documentary evidence, the illuminator Tomasino da Vimercate was previously known as the anonymous Master of the Modena Hours after his most characteristic work in a book of hours now in the Biblioteca Estense in Modena, Italy. Tomasino was active in Milan where he worked for ecclesiastical and lay patrons from ca. 1390 to 1415. He illuminated other leaves in the Free Library's collection (Lewis E M 27:22-23). This group of leaves and cuttings comes from the same series of choir books.	Parchment	Latin	Milan, Italy	Rotunda	Tomasino da Vimercate	Artist		front 72:10	13	Lewis E M 72:04-10		front 72:10	cd 5248 0521 2465	48-bit color	400 ppi	13	Gradual
Lewis E M 72:4-10	Lewis E M 72.10 reverse	mcai720102		1485	1499	392 x 558 mm	These cuttings can be dated to ca. 1395. Cuttings are sister leaves to E M 28:2-:23 and two other leaves, one in Bloomington, Indiana University, The Lilly Library, C. L. Ricketts Coll, L. 3, and another in a private collection in Milan. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the liturgy for the Common Mass of One Martyr.	Parchment	Latin	Milan, Italy	Rotunda				reverse 72:10	14	Lewis E M 72:04-10		reverse 72:10	cd 5248 0521 2465	48-bit color	400 ppi	14	Gradual
Lewis E M 72:11A	Lewis E M 72.11A front	mcai720113		1500	1515	154 x 161 mm	Initial C with St. John the Baptist | Lewis E M 72:11b contains the initials B.F.,' inscribed on the book held by Isaiah. | The precise moment in the liturgy that this initial begins remains to be determined. The cutting and its sister cutting Lewis E M 72:11b, however, are known to have come from the choir books of the Olivetan monastery of Santi Angelo e Nicolò in Villanova Sillaro near Lodi. These two cuttings and one other in the Free Library's collections (Lewis E M 28:19) were illuminated by the so-called Master B. F., after the initials inscribed in another cutting by the same artist now in the Museo Diocesano in Lodi, Italy. Some scholars have argued that the initials stand for Francesco Binasco (also known as Francesco da Lonate), an illuminator who worked at the court of the Sforza, the ruling family of Milan in the fifteenth and sixteenth centuries.	Parchment	Latin	Milan, Italy					11a front	1	Lewis E M 72:11A		11a front	cd 6243 2112 2274	48-bit color	600 ppi	1	Gradual
Lewis E M 72:11A	Lewis E M 72.11A reverse	mcai720114		1500	1515	154 x 161 mm	Lewis E M 72:11b contains the initials B.F.,' inscribed on the book held by Isaiah. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Milan, Italy	Rotunda				11a reverse	2	Lewis E M 72:11A		11a reverse	cd 6243 2112 2274	48-bit color	600 ppi	2	Gradual
Lewis E M 72:11B	Lewis E M 72.11B front	mcai720115		1500	1515	185 x 166 mm	Initial L with the Prophet Isaiah | Lewis E M 72:11b contains the initials B.F.,' inscribed on the book held by Isaiah. | This initial begins the Introit for the second Mass at Christmas, 'Lux fulgebit hodie ' (The light shone today). The cutting and its sister cutting Lewis E M 72:11a are known to have come from the choir books of the Olivetan monastery of Santi Angelo e Nicolò in Villanova Sillaro near Lodi. These two cuttings and one other in the Free Library's collections (Lewis E M 28:19) were illuminated by the so-called Master B. F., after the initials inscribed in another cutting by the same artist now in the Museo Diocesano in Lodi, Italy. Some scholars have argued that the initials stand for Francesco Binasco (also known as Francesco da Lonate), an illuminator who worked at the court of the Sforza, the ruling family of Milan in the fifteenth and sixteenth centuries.	Parchment	Latin	Milan, Italy		Master B.F. (Francesco Binasco)	Artist		11b front	1	Lewis E M 72:11B		11b front	cd 6243 2112 2275	48-bit color	600 ppi	3	Gradual
Lewis E M 72:11B	Lewis E M 72.11B reverse	mcai720116		1500	1515	185 x 166 mm	Lewis E M 72:11b contains the initials B.F.,' inscribed on the book held by Isaiah. | This image shows the reverse of a cutting with an historiated initial from an antiphonary.	Parchment	Latin	Milan, Italy	Rotunda				11b reverse	2	Lewis E M 72:11B		11b reverse	cd 6243 2112 2276	48-bit color	600 ppi	4	Gradual
Lewis E M 72:12	Lewis E M 72.12 front	mcai720121		1300	1350	400 x 571 mm	Ego sum panis, translated as I am bread, is exceptional in its use for communion: the vast majority of liturgical manuscripts from the Middle Ages use the alternative wording of Cibavit eos ex adipe frumenti, alleluia, (Full ears of wheat are the nourishment he gives them). | Initial E with the Last Supper | Initial shows significant repainting. | This initial begins the Introit for Mass for the feast of Corpus Christi, 'Ego sum panis ' (I am the bread).	Parchment	Latin	Perugia?, Italy	Rotunda				front	1	Lewis E M 72:12		front	cd 6243 2112 2275	48-bit color	400 ppi	1	Gradual
Lewis E M 72:12	Lewis E M 72.12 reverse	mcai720122		1300	1350	400 x 571 mm	Initial shows significant repainting. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Gradual recited during Mass for the first Sunday after Pentecost.	Parchment	Latin	Perugia?, Italy	Rotunda				reverse	2	Lewis E M 72:12		reverse	cd 6243 2112 2276	48-bit color	400 ppi	2	Gradual
Lewis E M 72:13-14	Lewis E M 72.13 front	mcai720131		1300	1350	380 x 571 mm	Initial A with the Presentation in the Temple | This cutting can be dated to ca. 1325. | This initial begins the first response of the first nocturn of Matins for the feast of the Purification of the Virgin (Feb. 2):'Adorna thalamum tuum syon ...' (Adorn your bridal chamber O Sion).	Parchment	Latin	Perugia?, Italy	Rotunda				front 72:13	1	Lewis E M 72:13-14		front 72:13	cd 5248 0521 2464	48-bit color	400 ppi	1	Antiphonary
Lewis E M 72:13-14	Lewis E M 72.13 reverse	mcai720132		1300	1350	380 x 571 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the feast of the Purification.	Parchment	Latin	Perugia?, Italy	Rotunda				reverse 72:13	2	Lewis E M 72:13-14		reverse 72:13	cd 5248 0521 2464	48-bit color	400 ppi	2	Antiphonary
Lewis E M 72:13-14	Lewis E M 72.14 front	mcai720141		1300	1350	379 x 567 mm	Initial H with the Birth of the Virgin Mary | This cutting can be dated to ca. 1325. | This initial begins the first response of the first nocturn of Matins for the feast of the Nativity of the Virgin (Sept. 8), 'Hodie nata est beata Virgo Maria ex progenie davit (sic) ' (Today the Blessed Virgin Mary was born of the line of David).	Parchment	Latin	Perugia?, Italy	Rotunda				front 72:14	3	Lewis E M 72:13-14		front 72:14	cd 5253 0521 7980	48-bit color	400 ppi	3	Antiphonary
Lewis E M 72:13-14	Lewis E M 72.14 reverse	mcai720142		1300	1350	379 x 567 mm	This cutting can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial from an antiphonary.	Parchment	Latin	Perugia?, Italy	Rotunda				reverse 72:14	4	Lewis E M 72:13-14		reverse 72:14	cd 5253 0521 7980	48-bit color	400 ppi	4	Antiphonary
Lewis E M 72:15-16	Lewis E M 72.15 front	mcai720151		1300	1350	388 x 500 mm	Initial I with St John the Evangelist blessing a Benedictine monk | These cuttings can be dated to ca. 1325. | This initial begins the Introit for the feast of St. John the Evangelist (Dec. 27), 'In medio ecclesie apperunt os eius...' (In the middle of the temple, he opened his mouth).	Parchment	Latin	Perugia?, Italy	Rotunda				front 72:15	1	Lewis E M 72:15-16		front 72:15	cd 5253 0521 7985	48-bit color	400 ppi	1	Gradual
Lewis E M 72:15-16	Lewis E M 72.15 reverse	mcai720152		1300	1350	388 x 500 mm	These cuttings can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Offertory for the feast of St. Laurence (Aug. 10).	Parchment	Latin	Perugia?, Italy	Rotunda				reverse 72:15	2	Lewis E M 72:15-16		reverse 72:15	cd 5253 0521 7985	48-bit color	400 ppi	2	Gradual
Lewis E M 72:15-16	Lewis E M 72.16 front	mcai720161		1300	1350	374 x 520 mm	Initial G with the Coronation of the Virgin Mary | These cuttings can be dated to ca. 1325. | This initial begins the Introit for the feast of the Assumption of the Virgin, 'Gaudeamus omnes in domino diem festi celebrantes sub honore Marie virginis ...' (Let all rejoice in the Lord, celebrating a festival day in honor of the Virgin Mar).	Parchment	Latin	Perugia?, Italy	Rotunda				front 72:16	3	Lewis E M 72:15-16		front 72:16	cd 5253 0521 7987	48-bit color	400 ppi	3	Gradual
Lewis E M 72:15-16	Lewis E M 72.16 reverse	mcai720162		1300	1350	374 x 520 mm	These cuttings can be dated to ca. 1325. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Offertory for the feast of St. Laurence (Aug. 10).	Parchment	Latin	Perugia?, Italy	Rotunda				reverse 72:16	4	Lewis E M 72:15-16		reverse 72:16	cd 5253 0521 7987	48-bit color	400 ppi	4	Gradual
Lewis E M 72:17-21	Lewis E M 72.17 front	mcai720171		1450	1499	345 x 494 mm	Initial A with Moses speaking to the Israelites | This initial begins the first response of the first nocturn of Matins for the first Sunday in Advent, 'Aspiciens a longe ecce video dei ...' (Long had I been watching, now do I see God).	Parchment	Latin	Perugia, Italy	Rotunda				front 72:17	1	Lewis E M 72:17-21		front 72:17	cd 6243 2112 2379	48-bit color	400 ppi	1	Antiphonary
Lewis E M 72:17	Lewis E M 72.17 reverse	mcai720172						Parchment		Unknown						1	Lewis E M 72:17			cd 6243 2112 2379				Illuminated Music Leaf
Lewis E M 72:17-21	Lewis E M 72.18 front	mcai720181		1450	1499	355 x 500 mm	Initial S with Sts. Peter and Paul | This initial begins the first response of the first nocturn of Matins for the feasts of Sts. Peter and Paul (June 29), 'Symon Petre ante quam de naui uocarem te ...' (Simon Peter, before I called you away from your boat.'	Parchment	Latin	Perugia, Italy	Rotunda				front 72:18	2	Lewis E M 72:17-21		front 72:18	cd 6243 2112 2378	48-bit color	400 ppi	3	Antiphonary
Lewis E M 72:17-21	Lewis E M 72.18 reverse	mcai720182		1450	1499	355 x 500 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the feast of Sts. Peter and Paul.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 72:18	3	Lewis E M 72:17-21		reverse 72:18	cd 6243 2112 2378	48-bit color	400 ppi	4	Antiphonary
Lewis E M 72:17-21	Lewis E M 72.19 front	mcai720191		1450	1499	360 x 500 mm	Initial L with Moses speaking to God | This initial begins the first response of the first nocturn of Matins for the fourth Sunday in Lent, 'Locutus est dominus ad moysen dicens: descende in egyptum' (The Lord spoke to Moses, saying 'Go down into Egypt).	Parchment	Latin	Perugia, Italy	Rotunda				front 72:19	4	Lewis E M 72:17-21		front 72:19	cd 6243 2112 2357	48-bit color	400 ppi	5	Antiphonary
Lewis E M 72:17-21	Lewis E M 72.19 reverse	mcai720192		1450	1499	360 x 500 mm	This image shows the reverse of a leaf of a bifolium from an antiphonary. This side of the leaf, the true verso, continues the liturgy for Lauds for the fourth Sunday in Lent.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 72:19	5	Lewis E M 72:17-21		reverse 72:19	cd 6243 2112 2357	48-bit color	400 ppi	6	Antiphonary
Lewis E M 72:17-21	Lewis E M 72.19	mcai720193		1450	1499	360 x 500 mm	This image shows the reverse of the first leaf of a bifolium with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the liturgy for Matins for the fourth Sunday in Lent.	Parchment	Latin	Perugia, Italy	Rotunda				left 72:19	7	Lewis E M 72:17-21		left 72:19	cd 6243 2112 2356	48-bit color	400 ppi	8	Antiphonary
Lewis E M 72:17-21	Lewis E M 72.19	mcai720194		1450	1499	360 x 500 mm	This image shows the recto of an opening of a bifolium. It contains the last verses of the first antiphon and the Benedictus antiphon of Lauds for the fourth Sunday in Lent. A break between the text of the verso and the recto of the opening and a catchword on the reverse indicates that the bifolium originally comprised the first and last leaves of the gathering.	Parchment	Latin	Perugia, Italy	Rotunda				right 72:19	6	Lewis E M 72:17-21		right 72:19	cd 6243 2112 2356	48-bit color	400 ppi	7	Antiphonary
Lewis E M 72:17-21	Lewis E M 72.20 front	mcai720201		1450	1499	357 x 499 mm	Initial H with the Nativity of the Virgin | This initial begins the first response of the first nocturn of Matins for the feast of the Nativity of the Virgin (Sept. 8): 'Hodie nata est beata uirgo maria ex progenie Dauid ...' (Today the Blessed Virgin Mary was born of the line of David).	Parchment	Latin	Perugia, Italy	Rotunda				front 72:20	8	Lewis E M 72:17-21		front 72:20	cd 6243 2112 2377	48-bit color	400 ppi	9	Antiphonary
Lewis E M 72:17-21	Lewis E M 72.20 reverse	mcai720202		1450	1499	357 x 499 mm	This image shows the reverse of a leaf from an antiphonary. This side of the leaf, the true verso, continues the liturgy for the feast of Nativity of the Virgin.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 72:20	9	Lewis E M 72:17-21		reverse 72:20	cd 6243 2112 2377	48-bit color	400 ppi	10	Antiphonary
Lewis E M 72:17-21	Lewis E M 72.21 front	mcai720211		1450	1499	356 x 500 mm	Initial I with Job on the dungheap visited by his wife | This initial begins the first response of the first nocturn of Matins for the first Sunday in September, 'Si bona suscepimus de manu domini mala autem...' (If we have received good things at the hand of God).	Parchment	Latin	Perugia, Italy	Rotunda				front 72:21	10	Lewis E M 72:17-21		front 72:21	cd 6243 2112 2340	48-bit color	400 ppi	11	Antiphonary
Lewis E M 72:17-21	Lewis E M 72.21 reverse	mcai720212		1450	1499	356 x 500 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the magnificat antiphon for the first Sunday in September.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 72:21	11	Lewis E M 72:17-21		reverse 72:21	cd 6243 2112 2340	48-bit color	400 ppi	12	Antiphonary
Lewis E M 72:22	Lewis E M 72.22 front	mcai720221		1400	1499	395 x 555 mm	Initial A | This initial begins the response Tuesday after Pentecost Sunday, 'Apparuent apostolis dispertite lingue tamquam ignis ...' (There appeared to the Apostles parted tongues as of fire).	Parchment	Latin	Perugia, Italy	Rotunda				front	1	Lewis E M 72:22		front	cd 6243 2112 2342	48-bit color	400 ppi	1	Antiphonary
Lewis E M 72:22	Lewis E M 72.22 reverse	mcai720222		1400	1499	395 x 555 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the Magnificat antiphon for Lauds of Monday after Pentecost, 'Si quis diligit me sermonem meum servabit ...' (If anyone love me, he will keep my word)	Parchment	Latin	Perugia, Italy	Rotunda				reverse	2	Lewis E M 72:22		reverse	cd 6243 2112 2342	48-bit color	400 ppi	2	Antiphonary
Lewis E M 72:23-24	Lewis E M 72.23 front	mcai720231		1400	1499	332 x 486 mm	Initial A | This leaf contains the Magnificat antiphon for Friday Vespers and the beginning of Psalm 137:4, beginning with the decorated initial, 'Confiteantur tibi domine omnes reges terre ...' (May all the kings of the earth give glory to thee).	Parchment	Latin	Perugia, Italy	Rotunda				front 72:23	1	Lewis E M 72:23-24		front 72:23	cd 6243 2112 2343	48-bit color	400 ppi	1	Hymnal
Lewis E M 72:23-24	Lewis E M 72.23 reverse	mcai720232		1400	1499	332 x 486 mm	This image shows the reverse of a leaf with a decorated initial from a hymnal. This side of the leaf, the true recto, contains the hymn 'Plasmator hominis,' (Heavenly Creator of mankind; beginning imperfectly), which was sung on Friday Vespers.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 72:23	2	Lewis E M 72:23-24		reverse 72:23	cd 6243 2112 2343	48-bit color	400 ppi	2	Hymnal
Lewis E M 72:23-24	Lewis E M 72.24 front	mcai720241		1400	1499	336 x 484 mm	Initial U | This initial begins the hymn, 'Ut queant laxis resonare fibris ...' (So that your servants may sing with loosened voices), sung at Vespers for the feast of the Nativity of St. John the Baptist (June 24).	Parchment	Latin	Perugia, Italy	Rotunda				front 72:24	3	Lewis E M 72:23-24		front 72:24	cd 6243 2112 2344	48-bit color	400 ppi	3	Hymnal
Lewis E M 72:23-24	Lewis E M 72.24 reverse	mcai720242		1400	1499	336 x 484 mm	This image shows the reverse of a leaf with a decorated initial from a hymnal. This side of the leaf, the true recto, contains the hymn, 'Tibi Christui splendor patris ...' (To you, O Christ, the Father's splendor; beginning imperfectly) sung at vespers for the feast of St. Michael (Sept. 29).	Parchment	Latin	Perugia, Italy	Rotunda				reverse 72:24	4	Lewis E M 72:23-24		reverse 72:24	cd 6243 2112 2344	48-bit color	400 ppi	4	Hymnal
Lewis E M 73:1-4	Lewis E M 73.1 front	mcai730011		1440	1460	359 x 502 mm	Initial D with Christ with calling Sts. Peter and Andrew | This initial begins the Introit for the Vigil of the feast of St. Andrew (Nov. 29), 'Dominus secus mare Galilee vidit duos fratres Petrum et Andream ...' (The Lord, walking by the Sea of Galilee, saw two brothers Peter and Andrew). The Gospels of Matthew and Mark record that Christ came upon two fishermen in a boat on the Sea of Galilee, the brothers Peter and Andrew whom he called to be his disciples. The Gospel of John tells the story differently. It is Andrew, one of two disciples of John the Baptist, who sees Christ first and then runs to tell his brother Peter (John 1:39-41). The iconography of this initial combines the two different accounts: Andrew and Peter are fisherman, but it is Andrew who recognizes Christ first while Peter has his back turned.	Parchment	Latin	Perugia, Italy	Rotunda				front 73:1	1	Lewis E M 73:01-04		front 73:1	cd 6243 2112 2345	48-bit color	400 ppi	1	Gradual
Lewis E M 73:1-4	Lewis E M 73.1 reverse	mcai730012		1440	1460	359 x 502 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the Introit for the Vigil of the feast of St. Andrew that begins on the front.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 73:1	2	Lewis E M 73:01-04		reverse 73:1	cd 6243 2112 2345	48-bit color	400 ppi	2	Gradual
Lewis E M 73:1-4	Lewis E M 73.2 front	mcai730021		1440	1460	358 x 497 mm	Initial R with the Annunciation | This initial begins the Introit for the feast of the Annunciation (Mar. 25), 'Rorate coeli de super ...' (Drop down dew, O heavens, from above). Taking advantage of the roundels created in the decorative foliage, the illuminator has placed the Archangel Gabriel in one of the roundels below the Virgin, thereby giving greater emphasis to her presence in this scene of the Annunciation. Along the lower margin in a much later hand is notation for additional feast days, listing what appears to be the folio numbers followed by the liturgical contents. Such additions to medieval choir books indicate their continued use in churches and abbeys for several generations after being made.	Parchment	Latin	Perugia, Italy	Rotunda				front 73:2	3	Lewis E M 73:01-04		front 73:2	cd 6243 2112 2346	48-bit color	400 ppi	3	Gradual
Lewis E M 73:1-4	Lewis E M 73.2 reverse	mcai730022		1440	1460	358 x 497 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains a tract from an unidentified sanctorale feast.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 73:2	4	Lewis E M 73:01-04		reverse 73:2	cd 6243 2112 2346	48-bit color	400 ppi	4	Gradual
Lewis E M 73:1-4	Lewis E M 73.3 front	mcai730031		1440	1460	362 x 498 mm	Initial M with Two Apostles | This initial begins the Introit for the Common of the Apostles, 'Michi autem nimis honorati sunt amici tui deus ...' (Great reverence I have for your friends, O God).	Parchment	Latin	Perugia, Italy	Rotunda				front 73:3	5	Lewis E M 73:01-04		front 73:3	cd 6243 2112 2347	48-bit color	400 ppi	5	Gradual
Lewis E M 73:1-4	Lewis E M 73.3 reverse	mcai730032		1440	1460	362 x 498 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the Introit for the Common of Apostles that begins on the front.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 73:3	6	Lewis E M 73:01-04		reverse 73:3	cd 6243 2112 2347	48-bit color	400 ppi	6	Gradual
Lewis E M 73:1-4	Lewis E M 73.4 front	mcai730041		1440	1460	359 x 499 mm	Initial I with a Martyr saint | This initial begins the Introit for the Common of One Martyr, 'In virtute tua domine letabitur iustus ...' (O Lord, the just will rejoice in your strength).	Parchment	Latin	Perugia, Italy	Rotunda				front 73:4	7	Lewis E M 73:01-04		front 73:4	cd 6243 2112 2348	48-bit color	400 ppi	7	Gradual
Lewis E M 73:1-4	Lewis E M 73.4 reverse	mcai730042		1440	1460	359 x 499 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the Introit for the Common of One Martyr that begins on the front.	Parchment	Latin	Perugia, Italy	Rotunda				reverse 73:4	8	Lewis E M 73:01-04		reverse 73:4	cd 6243 2112 2348	48-bit color	400 ppi	8	Gradual
Lewis E M 73:5	Lewis E M 73.5 front	mcai730051		1500	1550	395 x 555 mm	Initial A with David in Prayer | This cutting can be dated to ca. 1513-1523. | This initial begins the Introit for the first Sunday in Advent, 'Ad te levavi animam meam ... (I lift my soul to you). A small blue plaque in the left border contains the initials 'P.V.,' which have been identified as the initials of the Umbrian artist Pietro Vanucci, more famously known as Perugino (1445/50-1523). Scholars agree that the illumination was probably not executed by the great Renaissance master himself, but rather by an assistant working under his direction.	Parchment	Latin	Perugia or Rome, Italy	Rotunda	Pietro Vannuci, called Perugino, with assistance	Artist		front	1	Lewis E M 73:05		front	cd 6243 2112 2349	48-bit color	400 ppi	1	Gradual
Lewis E M 73:5	Lewis E M 73.5 reverse	mcai730052		1500	1550	395 x 555 mm	This cutting can be dated to ca. 1513-1523. | This image shows the reverse of a leaf with an historiated initial from a gradual.	Parchment	Latin	Perugia or Rome, Italy	Rotunda				reverse	2	Lewis E M 73:05		reverse	cd 6243 2112 2349	48-bit color	400 ppi	2	Gradual
Lewis E M 73:6	Lewis E M 73.6 front	mcai730061		1300	1315	381 x 542 mm	Initial S with the Virgin Mary and Christ Child | This cutting can be dated to ca. 1300-1313. | This initial begins the third response of the second nocturn of Matins for Christmas Day, 'Sancta et immaculato virginitas ...' (Holy and immaculate virginity). This leaf and several others in the Free Library's collection were illuminated by Neri da Rimini, a Riminese illuminator whose activity can be documented from 1300 to 1338.	Parchment	Latin	Bologna, Italy	Rotunda	Neri da Rimini	Artist		front	1	Lewis E M 73:06		front	cd 6243 2112 2350	48-bit color	400 ppi	1	Antiphonary
Lewis E M 73:6	Lewis E M 73.6 reverse	mcai730062		1300	1315	381 x 542 mm	This cutting can be dated to ca. 1300-1313. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the third response of the second nocturn of Matins for Christmas Day, which begins on the front.	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 73:06		reverse	cd 6243 2112 2350	48-bit color	400 ppi	2	Antiphonary
Lewis E M 73:7-9	Lewis E M 73.7 front	mcai730071		1300	1399	383 x 541 mm	Initial H with St. Martin of Tours | These cuttings can be dated to ca. 1300-1313. | This initial begins the first response of the first nocturn of Matins for the feast of St. Martin of Tours (Nov. 11), 'Hic est Martinus electus dei pontifex ...' (This is Martin chosen priest of God). Lewis E M 73:7-9 and several other leaves in the Free Library's collection were illuminated by Neri da Rimini, a Riminese illuminator whose activity can be documented from 1300 to 1338.	Parchment	Latin	Bologna, Italy	Rotunda	Neri da Rimini	Artist		front 73:7	1	Lewis E M 73:07-09		front 73:7	cd 6243 2112 2351	48-bit color	400 ppi	1	Antiphonary
Lewis E M 73:7-9	Lewis E M 73.7 reverse	mcai730072		1300	1399	383 x 541 mm	These cuttings can be dated to ca. 1300-1313. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the feast of St. Martin, which begins on the front.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 73:7	2	Lewis E M 73:07-09		reverse 73:7	cd 6243 2112 2351	48-bit color	400 ppi	2	Antiphonary
Lewis E M 73:7-9	Lewis E M 73.8 front	mcai730081		1300	1399	392 x 550 mm	Initial I with David in Prayer | These cuttings can be dated to ca. 1300-1313. | This initial begins the first response of the first nocturn of Matins for Palm Sunday, 'In die qua invocavi te domine ....' (On the day that I called out to you, Lord). Lewis E M 73:7-9 and several other leaves in the Free Library's collection were illuminated by Neri da Rimini, a Riminese illuminator whose activity can be documented from 1300 to 1338.	Parchment	Latin	Bologna, Italy	Rotunda	Neri da Rimini	Artist		front 73:8	3	Lewis E M 73:07-09		front 73:8	cd 6243 2112 2352	48-bit color	400 ppi	3	Antiphonary
Lewis E M 73:7-9	Lewis E M 73.8 reverse	mcai730082		1300	1399	392 x 550 mm	These cuttings can be dated to ca. 1300-1313. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for Palm Sunday.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 73:8	4	Lewis E M 73:07-09		reverse 73:8	cd 6243 2112 2352	48-bit color	400 ppi	4	Antiphonary
Lewis E M 73:7-9	Lewis E M 73.9 front	mcai730091		1300	1399	391 x 551 mm	Initial D with the Pentecost | These cuttings can be dated to ca. 1300-1313. | This initial begins the first response of the first nocturn of Matins for Pentecost, 'Dum complerentur dies pentecostes ...' (When the days of Pentecost were drawing to a close). Lewis E M 73:7-9 and several other leaves in the Free Library's collection were illuminated by Neri da Rimini, a Riminese illuminator whose activity can be documented from 1300 to 1338.	Parchment	Latin	Bologna, Italy	Rotunda	Neri da Rimini	Artist		front 73:9	5	Lewis E M 73:07-09		front 73:9	cd 6243 2112 2353	48-bit color	400 ppi	5	Antiphonary
Lewis E M 73:7-9	Lewis E M 73.9 reverse	mcai730092		1300	1399	391 x 551 mm	These cuttings can be dated to ca. 1300-1313. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for Pentecost.	Parchment	Latin	Bologna, Italy	Rotunda				reverse 73:9	6	Lewis E M 73:07-09		reverse 73:9	cd 6243 2112 2353	48-bit color	400 ppi	6	Antiphonary
Lewis E M 73:10-13	Lewis E M 73.10 front	mcai730101		1285	1299	387 x 569 mm	Initial B with the Three youths in the fiery furnace | This initial begins the hymn sung during Mass on the fourth Sunday in Advent, 'Benedictus es domine deus patrum nostrum ...' (Blessed art thou, Lord God of our fathers). Lewis E M 73:10-13 and 15-20 are from the same gradual. Lewis E M 73:14 is from an antiphonary produced as part of the same set.	Parchment	Latin	Rome, Italy	Rotunda				front 73:10	1	Lewis E M 73:10-13		front 73:10	cd 6243 2112 2354	48-bit color	400 ppi	1	Gradual
Lewis E M 73:10-13	Lewis E M 73.10 reverse	mcai730102		1285	1299	387 x 569 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the hymn sung during Mass on the fourth Sunday in Advent, which begins on the front.	Parchment	Latin	Rome, Italy	Rotunda				reverse 73:10	2	Lewis E M 73:10-13		reverse 73:10	cd 6243 2112 2354	48-bit color	400 ppi	2	Gradual
Lewis E M 73:10-13	Lewis E M 73.11 front	mcai730111		1285	1299	368 x 562 mm	Initial A with David praying to God | This initial begins the Introit for Friday of Holy Week, 'Audivit dominus et misertus est michi ...' (The Lord has heard and has mercy on me) Lewis E M 73:10-13 and 15-20 are from the same gradual. Lewis E M 73:14 is from an antiphonary produced as part of the same set.	Parchment	Latin	Rome, Italy	Rotunda				front 73:11	3	Lewis E M 73:10-13		front 73:11	cd 6243 2112 2355	48-bit color	400 ppi	3	Gradual
Lewis E M 73:10-13	Lewis E M 73.11 reverse	mcai730112		1285	1299	368 x 562 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and Communion for Thursday of Holy Week.	Parchment	Latin	Rome, Italy	Rotunda				reverse 73:11	4	Lewis E M 73:10-13		reverse 73:11	cd 6243 2112 2355	48-bit color	400 ppi	4	Gradual
Lewis E M 73:10-13	Lewis E M 73.12 front	mcai730121		1285	1299	370 x 575 mm	Initial R with King David in prayer below Christ | This initial begins the Introit for the second Monday in Lent, 'Redime me, domine et miserere mei ...' (Deliver me, Lord, and have mercy on me). Lewis E M 73:10-13 and 15-20 are from the same gradual. Lewis E M 73:14 is from an antiphonary produced as part of the same set.	Parchment	Latin	Rome, Italy	Rotunda				front 73:12	5	Lewis E M 73:10-13		front 73:12	cd 6243 2112 2259	48-bit color	400 ppi	5	Gradual
Lewis E M 73:10-13	Lewis E M 73.12 reverse	mcai730122		1285	1299	370 x 575 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the versicle for the Tract for the second Sunday in Lent.	Parchment	Latin	Rome, Italy	Rotunda				reverse 73:12	6	Lewis E M 73:10-13		reverse 73:12	cd 6243 2112 2259	48-bit color	400 ppi	6	Gradual
Lewis E M 73:10-13	Lewis E M 73.13 front	mcai730131		1285	1299	368 x 561 mm	Initial E with King David in Prayer | This initial begins the Introit for the third Friday in Lent, 'Ego autem cum iustitia apparebo in conspectu tuo...' (As for me, I will come into thy presence innocent). Lewis E M 73:10-13 and 15-20 are from the same gradual. Lewis E M 73:14 is from an antiphonary produced as part of the same set.	Parchment	Latin	Rome, Italy	Rotunda				front 73:13	7	Lewis E M 73:10-13		front 73:13	cd 6243 2112 2260	48-bit color	400 ppi	7	Gradual
Lewis E M 73:10-13	Lewis E M 73.13 reverse	mcai730132		1285	1299	368 x 561 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and Communion for the third Thursday in Lent.	Parchment	Latin	Rome, Italy	Rotunda				reverse 73:13	8	Lewis E M 73:10-13		reverse 73:13	cd 6243 2112 2260	48-bit color	400 ppi	8	Gradual
Lewis E M 73:14	Lewis E M 73.14 front	mcai730141		1285	1299	378 x 576 mm	Initial S with St. Vincent of Saragossa | This initial begins the first response of the first nocturn of Matins for the feast of St. Vincent of Saragossa (Jan. 22), 'Sacram presentis diei solemnitatem humili celebremus devotione...' (Let us celebrate with humble devotion the sacred solemnity of the present day). Lewis E M 73:14 is from an antiphonary produced as part of the same set as Lewis E M 73:10-13 and 15-20, which are leaves from a gradual.	Parchment	Latin	Rome, Italy	Rotunda				front	1	Lewis E M 73:14		front	cd 6243 2112 2277	48-bit color	400 ppi	1	Antiphonary
Lewis E M 73:14	Lewis E M 73.14 reverse	mcai730142		1285	1299	378 x 576 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the first response of the first nocturn of Matins for the feast of St. Vincent of Rome, which begins on the front.	Parchment	Latin	Rome, Italy	Rotunda				reverse	2	Lewis E M 73:14		reverse	cd 6243 2112 2277	48-bit color	400 ppi	2	Antiphonary
Lewis E M 73:15-20	Lewis E M 73.15 front	mcai730151		1285	1299	388 x 567 mm	Initial O with King David in prayer | This initial begins the Introit for the third Sunday in Lent, 'Oculi mei semper ad dominum ...' (On the Lord I fix my eyes continually). Lewis E M 73:10-13 and 15-20 are from the same gradual. Lewis E M 73:14 is from an antiphonary produced as part of the same set.	Parchment	Latin	Rome, Italy	Rotunda				front 73:15	1	Lewis E M 73:15-20		front 73:15	cd 6243 2112 2278	48-bit color	400 ppi	1	Gradual
Lewis E M 73:15-20	Lewis E M 73.15 reverse	mcai730152		1285	1299	388 x 567 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the third Sunday in Lent, which begins on the front.	Parchment	Latin	Rome, Italy	Rotunda				reverse 73:15	2	Lewis E M 73:15-20		reverse 73:15	cd 6243 2112 2278	48-bit color	400 ppi	2	Gradual
Lewis E M 73:15-20	Lewis E M 73.16 front	mcai730161		1285	1299	377 x 576 mm	Initial E with King David below Christ | This initial begins the Introit for the fourth Wednesday in Lent, 'Ego autem in domino speravi ...' (But I have hoped in the Lord). Lewis E M 73:10-13 and 15-20 are from the same gradual. Lewis E M 73:14 is from an antiphonary produced as part of the same set.	Parchment	Latin	Rome, Italy	Rotunda				front 73:16	3	Lewis E M 73:15-20		front 73:16	cd 6243 2112 2280	48-bit color	400 ppi	3	Gradual
Lewis E M 73:15-20	Lewis E M 73.16 reverse	mcai730162		1285	1299	377 x 576 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the fourth Wednesday in Lent.	Parchment	Latin	Rome, Italy	Rotunda				reverse 73:16	4	Lewis E M 73:15-20		reverse 73:16	cd 6243 2112 2280	48-bit color	400 ppi	4	Gradual
Lewis E M 73:15-20	Lewis E M 73.17 front	mcai730171		1285	1299	388 x 572 mm	Initial F with King David in the temple praying to Christ | This initial begins the Introit for the fourth Friday in Lent: 'Fac mecum domino signum in bono ...' (Show me a token of thy favor, Lord). Lewis E M 73:10-13 and 15-20 are from the same gradual. Lewis E M 73:14 is from an antiphonary produced as part of the same set.	Parchment	Latin	Rome, Italy	Rotunda				front 73:17	5	Lewis E M 73:15-20		front 73:17	cd 6243 2112 2281	48-bit color	400 ppi	5	Gradual
Lewis E M 73:15-20	Lewis E M 73.17 reverse	mcai730172		1285	1299	388 x 572 mm	This is the reverse of a leaf with an historiated initial from a gradual.	Parchment	Latin	Rome, Italy	Rotunda				reverse 73:17	6	Lewis E M 73:15-20		reverse 73:17	cd 6243 2112 2281	48-bit color	400 ppi	6	Gradual
Lewis E M 73:15-20	Lewis E M 73.18 front	mcai730181		1285	1299	383 x 577 mm	Initial S with Christ inviting Dominicans and the laity to drink from the waters | This initial begins the Introit for the fourth Saturday in Lent, 'Sitientes venite ad aquas dicit dominus ...' (All you that thirst, come to the waters, says the Lord). The iconography of the scene within the initial derives from the first words of the Introit, which are taken from Isaiah 55:1. Christ beckons a group of Dominicans and two laymen towards the waters of a spring, which symbolizes Christ's promise of salvation. The appearance of the Dominican friars suggests that this choir book was intended for use in a Dominican convent. The two laymen may represent patrons responsible for giving the manuscript to the convent. Lewis E M 73:10-13 and 15-20 are from the same gradual. Lewis E M 73:14 is from an antiphonary produced as part of the same set.	Parchment	Latin	Rome, Italy	Rotunda				front 73:18	7	Lewis E M 73:15-20		front 73:18	cd 6243 2112 2282	48-bit color	400 ppi	7	Gradual
Lewis E M 73:15-20	Lewis E M 73.18 reverse	mcai730182		1285	1299	383 x 577 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the fourth Saturday in Lent, which begins on the front.	Parchment	Latin	Rome, Italy	Rotunda				reverse 73:18	8	Lewis E M 73:15-20		reverse 73:18	cd 6243 2112 2282	48-bit color	400 ppi	8	Gradual
Lewis E M 73:15-20	Lewis E M 73.19 front	mcai730191		1285	1299	375 x 579 mm	Initial L with King David | This initial begins the Introit for the third Friday in Lent, 'Liberator meus de gentibus iracundis ...' (My deliverer from my enemies). Lewis E M 73:10-13 and 15-20 are from the same gradual. Lewis E M 73:14 is from an antiphonary produced as part of the same set.	Parchment	Latin	Rome, Italy	Rotunda				front 73:19	9	Lewis E M 73:15-20		front 73:19	cd 6243 2112 2285	48-bit color	400 ppi	9	Gradual
Lewis E M 73:15-20	Lewis E M 73.19 reverse	mcai730192		1285	1299	375 x 579 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the preceding mass for Tuesday of Passion Week.	Parchment	Latin	Rome, Italy	Rotunda				reverse 73:19	10	Lewis E M 73:15-20		reverse 73:19	cd 6243 2112 2285	48-bit color	400 ppi	10	Gradual
Lewis E M 73:15-20	Lewis E M 73.20 front	mcai730201		1285	1299	385 x 567 mm	Initial I with Christ adored by a king and two Dominican friars and a king | This initial begins the Introit for the Wednesday in Holy Week, 'In nomini domini omne genu flectatur celestium terrestrium et infernorum ...' (Everything in heaven and on earth and under the earth must bend the knee before the name of Jesus). The appearance of the Dominican friars suggests that this choir book was intended for use in a Dominican convent. The identity of the king remains to be determined. Lewis E M 73:10-13 and 15-20 are from the same gradual. Lewis E M 73:14 is from an antiphonary produced as part of the same set.	Parchment	Latin	Rome, Italy	Rotunda				front 73:20	11	Lewis E M 73:15-20		front 73:20	cd 6243 2112 2286	48-bit color	400 ppi	11	Gradual
Lewis E M 73:15-20	Lewis E M 73.20 reverse	mcai730202		1285	1299	385 x 567 mm	This is the reverse of a leaf with an historiated initial from a gradual.	Parchment	Latin	Rome, Italy	Rotunda				reverse 73:20	12	Lewis E M 73:15-20		reverse 73:20	cd 6243 2112 2286	48-bit color	400 ppi	12	Gradual
Lewis E M 74:1	Lewis E M 74.1 front	mcai740011		1340	1360	414 x 585 mm	Initial R with the Christ Child descending like dew and arising from the earth | Instructions to the illustrator regarding the rubrication and the layout of the staves have been erased in the right recto margin but are still partially visible. | This initial begins the Introit for the Saturday Mass of the Virgin Mary during Advent: 'Rorate celi de super ...' (Send down dew from above, O Heavens). The unusual iconography of this scene can be explained by the words of the Introit. Translated in full, the Introit, from Isaiah 45:8, is: 'Send down dew from above, O Heavens, and let the clouds rain down the just one; may the earth be opened and bring forth the Savior.' The illumination has been attributed to the workshop of the Master of the Graduale del Carmine, so-called after a choir book illuminated by his hand for the church of Santa Maria del Carmine. He was active in Siena from ca. 1340-1360.	Parchment	Latin	Siena, Italy	Rotunda	Master of the Gradual del Carmine, workshop of	Artist		front	1	Lewis E M 74:01		front	cd 6243 2112 2288	48-bit color	400 ppi	1	Gradual
Lewis E M 74:1	Lewis E M 74.1 reverse	mcai740012		1340	1360	414 x 584 mm	Instructions to the illustrator regarding the rubrication and the layout of the staves have been erased in the right recto margin but are still partially visible. | This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the Saturday Mass of the Virgin Mary during Advent, which begins on the front.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 74:01		reverse	cd 6243 2112 2289	48-bit color	400 ppi	2	Gradual
Lewis E M 74:2-3	Lewis E M 74.2 front	mcai740021		1325	1350	400 x 566 mm	Initial D with David kneeling before Christ | This initial begins the first response of the first nocturn of Matins for the first Sunday after Epiphany, 'Domine ne in ira tua arguas me ...' (O Lord reprove me not in your anger). This cutting and Lewis E M 74:3 are part of a group of fragments, now dispersed among various collections, from two antiphonaries of a single commission. The Master of the San Giovanni Fuorcivitas is so named for an antiphonary he illuminated for the Church of San Giovanni Fuorcivitas in Pistoia.	Parchment	Latin	Tuscany, Italy	Rotunda	Master of San Giovanni Fuorcivitas	Artist		front 74:2	1	Lewis E M 74:02-03		front 74:2	cd 6243 2112 2290	48-bit color	400 ppi	1	Antiphonary
Lewis E M 74:2-3	Lewis E M 74.2 reverse	mcai740022		1325	1350	400 x 566 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for the first Sunday after Epiphany	Parchment	Latin	Tuscany, Italy	Rotunda				reverse 74:2	2	Lewis E M 74:02-03		reverse 74:2	cd 6243 2112 2292	48-bit color	400 ppi	2	Antiphonary
Lewis E M 74:2-3	Lewis E M 74.3 front	mcai740031		1325	1350	405 x 564 mm	Initial L with Christ appearing to Abraham | This initial begins the first response of the first nocturn of Matins for Quinquagesima Sunday, 'Locutus est Dominus ad Abram ...' (The Lord spoke to Abraham) This cutting and Lewis E M 74:2 are part of a group of fragments, now dispersed among various collections, from two antiphonaries of a single commission. The Master of the San Giovanni Fuorcivitas is so named for an antiphonary he illuminated for the Church of San Giovanni Fuorcivitas in Pistoia.	Parchment	Latin	Tuscany, Italy	Rotunda	Master of San Giovanni Fuorcivitas	Artist		front 74:3	3	Lewis E M 74:02-03		front 74:3	cd 6243 2112 2293	48-bit color	400 ppi	3	Antiphonary
Lewis E M 74:2-3	Lewis E M 74.3 reverse	mcai740032		1325	1350	405 x 564 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for Quinquagesima Sunday.	Parchment	Latin	Tuscany, Italy	Rotunda				reverse 74:3	4	Lewis E M 74:02-03		reverse 74:3	cd 6243 2112 2294	48-bit color	400 ppi	4	Antiphonary
Lewis E M 74:4-7	Lewis E M 74.4 front	mcai740041		1250	1299	383 x 541 mm	Initial D with God blessing David and another figure among his sheep | These leaves can be dated to ca. 1270-80. | This initial begins the first response of the first nocturn of Matins for the second Sunday after Pentecost, 'Deus omnium exauditor est ipse misit angelum suum ...' (God who hears all things, sent his angel). This response is from Psalm 151, an apocryphal psalm ascribed to David. The psalm and this response describe how God took David away from his flock to anoint him. The initial thus seems to be a literal interpretation of the following words, although it is unclear who the female figure is.	Parchment	Latin	Tuscany, Florence?, Italy	Rotunda				front 74:4	1	Lewis E M 74:04-07		front 74:4	cd 6243 2112 2293	48-bit color	400 ppi	1	Antiphonary
Lewis E M 74:4-7	Lewis E M 74.4 reverse	mcai740042		1250	1299	383 x 541 mm	These leaves can be dated to ca. 1270-80. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the life, the true recto, contains the preceding antiphons from the first response of the first nocturn of Matins for the second Sunday in Pentecost.	Parchment	Latin	Tuscany, Florence?, Italy	Rotunda				reverse 74:4	2	Lewis E M 74:04-07		reverse 74:4	cd 6243 2112 2294	48-bit color	400 ppi	2	Antiphonary
Lewis E M 74:4-7	Lewis E M 74.5 front	mcai740051		1250	1299	385 x 550 mm	Initial F with St. John the Baptist | These leaves can be dated to ca. 1270-80. | This initial begins the first response of the first nocturn of Matins for the feast of St. John the Baptist (June 24), 'Fuit homo missus a Deo cui nomen Iohannes erat ...' (A man was sent by God whose name was John).	Parchment	Latin	Tuscany, Florence?, Italy	Rotunda				front 74:5	3	Lewis E M 74:04-07		front 74:5	cd 6243 2112 2290	48-bit color	400 ppi	3	Antiphonary
Lewis E M 74:4-7	Lewis E M 74.5 reverse	mcai740052		1250	1299	385 x 550 mm	These leaves can be dated to ca. 1270-80. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the life, the true verso, continues the first response of the first nocturn of Matins for the feast of St. John the Baptist.	Parchment	Latin	Tuscany, Florence?, Italy	Rotunda				reverse 74:5	4	Lewis E M 74:04-07		reverse 74:5	cd 6243 2112 2292	48-bit color	400 ppi	4	Antiphonary
Lewis E M 74:4-7	Lewis E M 74.6 front	mcai740061		1250	1299	385 x 552 mm	Initial M with St. Benedict of Nursia receiving the Rule and giving it St. Romuald and his friars | These leaves can be dated to ca. 1270-80. | This initial begins the first response of the first nocturn of Matins for the feast of St. Benedict (Mar. 21), 'Mundum vocans ad agni nuptias ...' (Calling the world to the marriage of the Lamb). The rule of St. Benedict is the set of instructions and teachings on leading the monastic life that became the foundational text of Western monasticism.	Parchment	Latin	Tuscany, Florence?, Italy	Rotunda				front 74:6	5	Lewis E M 74:04-07		front 74:6	cd 6243 2112 2297	48-bit color	400 ppi	5	Antiphonary
Lewis E M 74:4-7	Lewis E M 74.6 reverse	mcai740062		1250	1299	385 x 552 mm	These leaves can be dated to ca. 1270-80. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the life, the true verso, continues the first response of the first nocturn of Matins for the feast of St. Benedict of Nursia.	Parchment	Latin	Tuscany, Florence?, Italy	Rotunda				reverse 74:6	6	Lewis E M 74:04-07		reverse 74:6	cd 6243 2112 2297	48-bit color	400 ppi	6	Antiphonary
Lewis E M 74:4-7	Lewis E M 74.7 front	mcai740071		1250	1299	382 x 550 mm	Initial L with the Martyrdom of St. Laurence of Rome | These leaves can be dated to ca. 1270-80. | This initial begins the first response of the first nocturn of Matins for the feast of St. Lawrence of Rome (Aug. 10), 'Levita laurentius bonum opus operatus est ...;' (The Levite Laurence has wrought good work). St. Laurence was martyred in 258 during the persecutions of the Roman Emperor Valerian. According to his legend he was tied to a gridiron and placed over a fire to slowly burn to death.	Parchment	Latin	Tuscany, Florence?, Italy	Rotunda				front 74:7	7	Lewis E M 74:04-07		front 74:7	cd 6243 2112 2298	48-bit color	400 ppi	7	Antiphonary
Lewis E M 74:4-7	Lewis E M 74.7 reverse	mcai740072		1250	1299	382 x 550 mm	These leaves can be dated to ca. 1270-80. | This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the life, the true verso, continues the first response of the first nocturn of Matins for the feast of St. Laurence.	Parchment	Latin	Tuscany, Florence?, Italy	Rotunda				reverse 74:7	8	Lewis E M 74:04-07		reverse 74:7	cd 6243 2112 2298	48-bit color	400 ppi	8	Antiphonary
Lewis E M 74:7A	Lewis E M 74.7A front	mcai740073		1290	1310	362 x 511 mm	Initial T | This initial begins an Introit for the Common of several Martyrs, 'Timete dominum omnes sancti eius ...' (Fear the Lord, all ye his saints). | This leaf can be dated to ca. 1300.	Parchment	Latin	Tuscany, Florence?, Italy	Rotunda				front	1	Lewis E M 74:07A		front	cd 6243 2112 6760	48-bit color	400 ppi	1	Gradual
Lewis E M 74:7A	Lewis E M 74.7A reverse	mcai740074		1290	1310	363 x 511 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains a fragment of the Introit, 'Laudate pueri dominum ...' (Praise the Lord, ye children). | This leaf can be dated to ca. 1300.	Parchment	Latin	Tuscany, Florence?, Italy	Rotunda				reverse	2	Lewis E M 74:07A		reverse	cd 6243 2112 6752	48-bit color	400 ppi	2	Gradual
Lewis E M 74:8	Lewis E M 74.8 front	mcai740081		1485	1499	392 x 578 mm	Initial P with King David in prayer | This initial begins the Introit for Ember Friday of Advent, 'Prope es tu domine et omnes vie tue ueritas ...' (Thou, Lord, art close at hand).	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 74:08		front	cd 6243 2112 6760	48-bit color	400 ppi	1	Gradual
Lewis E M 74:8	Lewis E M 74.8 reverse	mcai740082		1485	1499	392 x 578 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains end of the Secret and the Communion for Ember Wednesday of Advent.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 74:08		reverse	cd 6243 2112 6752	48-bit color	400 ppi	2	Gradual
Lewis E M 74:9	Lewis E M 74.9 front	mcai740091		1440	1460	287 x 400 mm	Initial S with David in the waters | This initial begins Psalm 68, 'Saluum me fac deus quoniam intraverunt aque usque ad animam meam ...' (Save me, O God: for the waters are come in even unto my soul).	Parchment	Latin	Italy (central)	Rotunda				front	1	Lewis E M 74:09		front	cd 6243 2112 6731	48-bit color	400 ppi	1	Choir psalter
Lewis E M 74:9	Lewis E M 74.9 reverse	mcai740092		1440	1460	287 x 400 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues Psalm 68, which begins on the front.	Parchment	Latin	Italy (central)	Rotunda				reverse	2	Lewis E M 74:09		reverse	cd 6243 2112 6732	48-bit color	400 ppi	2	Choir psalter
Lewis E M 74:10	Lewis E M 74.10 front	mcai740101		1450	1475	394 x 555 mm	Initial S with the Pentecost | This initial begins the Introit for Pentecost Sunday, 'Spiritus domini replevit orbem terrarum ...' (The Spirit of the Lord fills the whole world). Although executed by different artists, physical evidence indicates that Lewis E M 46:8-9 and E M 74:10 are from the same manuscript. This initial has been attributed to Ser Ricciardo di Nanni, a Florentine illuminator active from the 1450s to 1480. | This leaf can be dated to ca. 1460.	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 74:10		front	cd 6243 2112 6734	48-bit color	400 ppi	1	Gradual
Lewis E M 74:10	Lewis E M 74.10 reverse	mcai740102		1450	1475	394 x 555 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for Pentecost Sunday. | This leaf can be dated to ca. 1460.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 74:10		reverse	cd 6243 2112 6734	48-bit color	400 ppi	2	Gradual
Lewis E M 74:11	Lewis E M 74.11 front	mcai740111		1440	1460	414 x 616 mm	Initial D with a Male Saint | This initial begins the Introit for the first Tuesday in Lent, 'Dominus refugium factus es nobis ...' (Lord thou hast been our refuge).	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 74:11		front	cd 6243 2112 6731	48-bit color	400 ppi	1	Gradual
Lewis E M 74:11	Lewis E M 74.11 reverse	mcai740112		1440	1460	414 x 616 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the first Monday in Lent.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 74:11		reverse	cd 6243 2112 6732	48-bit color	400 ppi	2	Gradual
Lewis E M 74:12-13	Lewis E M 74.12 front	mcai740121		1400	1425	377 x 538 mm	This initial begins the first antiphon for first Vespers for the Vigil of St. Francis of Assisi (Oct. 4), Franciscus uir catholicus ... (Francis, a catholic man).
 The style of illumination in this initial suggests that it was painted by a follower of Attavante degli Attavanti (b. 1452-1520/25). Attavante was one of Florence's most sought after and influential illuminators of the late fifteenth and early sixteenth centuries. Among his many patrons, were Federigo da Montefeltro, the Duke of Urbino (1477-8), and Matthias Corvinus, King of Hungary (1458-1490). | Initial F with St. Francis of Assisi	Parchment	Latin	Florence, Italy	Rotunda	Attavante degli Attavanti, circle of	Artist		front 74:12	1	Lewis E M 74:12-13		front 74:12	cd 6243 2112 6735	48-bit color	400 ppi	1	Antiphonary
Lewis E M 74:12-13	Lewis E M 74.12 reverse	mcai740122		1400	1425	377 x 538 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains a chant that has yet to be identified.	Parchment	Latin	Florence, Italy	Rotunda				reverse 74:12	2	Lewis E M 74:12-13		reverse 74:12	cd 6243 2112 6735	48-bit color	400 ppi	2	Antiphonary
Lewis E M 74:12-13	Lewis E M 74.13 front	mcai740131		1400	1425	375 x 539 mm	Initial T with St. Peter the Apostle | This initial begins the Magnificat antiphon for Vespers for the Vigil of the Common of Apostles, 'Tradent enim vos in conciliis ...' (For they will deliver you up to councils). The style of illumination in this initial suggests that it was painted by a follower of Attavante degli Attavanti (b. 1452-1520/25). Attavante was one of Florence's most sought after and influential illuminators of the late fifteenth and early sixteenth centuries. Among his many patrons, were Federigo da Montefeltro, the Duke of Urbino (1477-8), and Matthias Corvinus, King of Hungary (1458-1490).	Parchment	Latin	Florence, Italy	Rotunda	Attavante degli Attavanti, circle of	Artist		front 74:13	3	Lewis E M 74:12-13		front 74:13	cd 6243 2112 6736	48-bit color	400 ppi	3	Antiphonary
Lewis E M 74:12-13	Lewis E M 74.13 reverse	mcai740132		1400	1425	375 x 539 mm	This image shows the reverse of a leaf with an historiated initial from an antiphonary. This side of the leaf, the true recto, contains an antiphon for Matins of the feast of St. Clement, 'Dedisti Domine habitaculum martyri Clementi in mari ...' (You have given a dwelling to your martyr Clement in the sea, O Lord).	Parchment	Latin	Florence, Italy	Rotunda				reverse 74:13	4	Lewis E M 74:12-13		reverse 74:13	cd 6243 2112 6736	48-bit color	400 ppi	4	Antiphonary
Lewis E M 74:14	Lewis E M 74.14 front	mcai740141		1400	1499	335 x 468 mm	Initial A with the Three Marys at the Tomb | This initial begins the first response of the first nocturn of Matins for Easter Sunday, 'Angelus domini descendit de celo ...' (An Angel of the Lord came down from heaven). The decoration on this leaf was left unfinished with the underdrawing of the initial and border lacking the paint and gold leaf. Yet, its incomplete state allows us to see the steps of illumination midway through the process. After a leaf was ruled to determine the number of lines of text and decoration, the scribe wrote in the text leaving the areas of decoration blank. The leaf was then handed over to an illuminator who would draw in the outlines of the decoration with a stylus or a lead stick, similar to a pencil. The gold leaf would have been added next before the initial was painted in with various colors. For an unknown reason, our illuminator abandoned his work after completing the underdrawing.	Parchment	Latin	Florence?, Italy	Rotunda				front	1	Lewis E M 74:14		front	cd 6243 2112 6737	48-bit color	400 ppi	1	Antiphonary
Lewis E M 74:14	Lewis E M 74.14 reverse	mcai740142		1400	1499	335 x 468 mm	This image shows the reverse of a leaf with an unfinished historiated initial from an antiphonary.	Parchment	Latin	Florence?, Italy	Rotunda				reverse	2	Lewis E M 74:14		reverse	cd 6243 2112 6738	48-bit color	400 ppi	2	Antiphonary
Lewis E M 74:15	Lewis E M 74.15 front	mcai740151		1440	1460	388 x 575 mm	Initial D with Christ calling Sts. Peter and Andrew | This initial begins the Introit for the Vigil of St. Andrew (Nov. 29), 'Dominus secus mare galilee vidit duos fratres Petri et Andream....' (The Lord, walking along the sea of Galilee, saw the two brothers Peter and Andrew). This initial has been attributed to the Florentine illuminator Bartolomeo d'Antonio Varnucci, who was active from ca. 1440 to his death in 1479.	Parchment	Latin	Florence, Italy	Rotunda	Bartolomeo d'Antonio Varnucci, attributed to	Artist		front	1	Lewis E M 74:15		front	cd 6243 2112 6739	48-bit color	400 ppi	1	Gradual
Lewis E M 74:15	Lewis E M 74.15 reverse	mcai740152		1440	1460	388 x 575 mm	This image shows the reverse of a leaf with an historiated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the feast of Sts. Peter and Andrew, which begins on the front.	Parchment	Latin	Florence, Italy	Rotunda				reverse	2	Lewis E M 74:15		reverse	cd 6243 2112 6739	48-bit color	400 ppi	2	Gradual
Lewis E M 74:16	Lewis E M 74.16 front	mcai740161		1490	1510	431 x 589 mm	Initial C with the Resurrection | This initial begins an antiphon that appears to be for Vespers of Easter Sunday, 'Crucifixus surrexit tertia die ...' (The crucified one rose on the third day). It is followed by the first words of Psalms 109-112, which were recited on Sundays at Vespers. The elaborate border contains several miniatures embedded within the frame. In the lower border, the central miniature contains the figures of St. Zenobius, the first bishop of Florence, and his two deacons, Sts. Eugenius and Crescentius. They are flanked by two unidentified martyr saints, who hold palm branches. A roundel in the right border contains four virgin martyr saints, also holding palm branches. A curious scene in the upper border depicts three ducks wading in a pond. The Classical decorative motifs throughout the border are commonly found in Renaissance illumination.	Parchment	Latin	Florence, Italy	Rotunda				front	1	Lewis E M 74:16		front	cd 6243 2112 6737	48-bit color	400 ppi	1	Antiphonary
Lewis E M 74:16	Lewis E M 74.16 reverse	mcai740162		1490	1510	431 x 589 mm	This image shows the reverse of leaf with an historiated initial from an antiphonary.	Parchment	Latin	Florence, Italy					reverse	2	Lewis E M 74:16		reverse	cd 6243 2112 6738	48-bit color	400 ppi	2	Antiphonary
Lewis E M 74:17	Lewis E M 74.17	mcai740171		1440	1460	295 x 440 mm	Initial P with Dominican monks receiving the Rule of St. Augustine of Hippo | The text that this initial begins cannot be identified since the cutting has been pasted to a mat. The scene shows St. Augustine giving his Rule to a group of Domincan friars. His Rule was intended for the Augustinian Order, but the Dominicans adopted it as well following the example of their founder St. Dominic who began his religious life as an Augustinian. This cutting has been attributed to the Sienese illuminator Pietro di Giovanni d'Ambrogio, active from 1428, when he entered the Sienese painter's guild, to his death in 1449.	Parchment	Latin	Siena, Italy	Rotunda	Pietro di Giovanni d'Ambrogio, follower of	Artist		front	1	Lewis E M 74:17		front	cd 6243 2112 6740	48-bit color	400 ppi	1	Undetermined
Lewis E M 74:18	Lewis E M 74.18 front	mcai740181		1440	1460	363 x 354 mm	Initial D with St. Clement I | This cutting can be dated to ca. 1470. | This initial begins the Introit for the feast of St. Clement (Nov. 23), 'Dicit dominus sermones mie ...' (Thus says the Lord: My words ...). This initial has been attributed to the Sienese illuminator Pellegrino di Mariano Rossini, who was active in the last half of the fifteenth century. Pellegrino was a younger contemporary of Sano di Pietro, whose influence can be seen in this initial. The border decoration is similar but inferior to several cuttings in the Free Library's collection attributed to Sano (see, for example, Lewis E M 22:2-4).	Parchment	Latin	Siena, Italy	Rotunda	Pellegrino di Mariano Rossini, attributed to	Artist		front	1	Lewis E M 74:18		front	cd 6243 2112 6741	48-bit color	400 ppi	1	Antiphonary
Lewis E M 74:18	Lewis E M 74.18 reverse	mcai740182		1440	1460	363 x 354 mm	This cutting can be dated to ca. 1470. | This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the feast of St. Nicholas (Dec. 6), though perhaps here used for a different saint as St. Nicholas falls after St. Clement in the calendar.	Parchment	Latin	Siena, Italy	Rotunda				reverse	2	Lewis E M 74:18		reverse	cd 6243 2112 6741	48-bit color	400 ppi	2	Antiphonary
Lewis E M 74:19	Lewis E M 74.19 front	mcai740191						Parchment		Unknown						1	Lewis E M 74:19			cd 6243 2112 6740				Illuminated Fragment
Lewis E M 74:19	Lewis E M 74.19 reverse	mcai740192						Parchment		Unknown						2	Lewis E M 74:19			cd 6243 2112 6740				Illuminated Music Leaf
Lewis E M 75:1	Lewis E M 75.1 front	mcai750011		1500	1599	410 x 600 mm		Parchment	Latin	Poland	Rotunda				front	1	Lewis E M 75:01		front	cd 6243 2112 6742				Leaf from an antiphonary with the Gloria Patri
Lewis E M 75:1	Lewis E M 75.1 reverse	mcai750012				410 x 600 mm		Parchment		Unknown					reverse	2	Lewis E M 75:01		reverse	cd 6243 2112 6743				Leaf from an antiphonary with the Gloria Patri
Lewis E M 75:2	Lewis E M 75.2 front	mcai750021		1400	1499	410 x 555 mm	Historiated initial B depicting David as musician, beginning Psalm I, Beatus vir.
 In the top border appears the Christ Logos. In the bottom border St. Augustine is depicted.	Parchment	Latin	Florence?, Italy	Rotunda				front	1	Lewis E M 75:02		front	cd 6243 2112 6744				Leaf from an antiphonary with historiated initial B depicting David as musician
Lewis E M 75:2	Lewis E M 75.2 reverse	mcai750022		1400	1499	410 x 555 mm		Parchment		Florence?, Italy					reverse	2	Lewis E M 75:02		reverse	cd 6243 2112 6744				Leaf from an antiphonary with historiated initial B depicting David as musician
Lewis E M 75:3	Lewis E M 75.3 front	mcai750031		1400	1499	395 x 560 mm	Historiated initial D: Dominus illuminatio mea, et salus mea, quem timebo (Psalm 27: 1-3, The Lord is my light and my Salvation: whom shall I fear)
 
 John the Evangelist is depicted in the right border.	Parchment	Latin	Florence?, Italy	Rotunda				front	1	Lewis E M 75:03		front	cd 6243 2112 6745				Antiphonal leaf with historiated initial leaf D depicting Christ healing the blind
Lewis E M 75:3	Lewis E M 75.3 reverse	mcai750032				395 x 560 mm		Parchment	Latin	Florence?, Italy	Rotunda				reverse	2	Lewis E M 75:03		reverse	cd 6243 2112 6745				Antiphonal leaf with historiated initial leaf D depicting Christ healing the blind
Lewis E M 75:4	Lewis E M 75.4 front	mcai750041		1400	1499	400 x 555 mm		Parchment	Latin	Florence?, Italy	Rotunda				front	1	Lewis E M 75:04		front	cd 6243 2112 6746				Antiphonary leaf with historiated D depicting St. John the Baptist
Lewis E M 75:4	Lewis E M 75.4 reverse	mcai750042		1400	1499	400 x 555 mm		Parchment	Latin	Florence?, Italy	Rotunda				reverse	2	Lewis E M 75:04		reverse	cd 6243 2112 6747				Antiphonary leaf with historiated D depicting St. John the Baptist
Lewis E M 75:5	Lewis E M 75.5 front	mcai750051		1400	1499	390 x 555 mm	Psalm 81, with Moses in the border.	Parchment	Latin	Florence?, Italy	Rotunda				front	1	Lewis E M 75:05		front	cd 6243 2112 6746				Leaf from an antiphonary with historiated initial E depicting John the Evangelist
Lewis E M 75:5	Lewis E M 75.5 reverse	mcai750052				390 x 555 mm		Parchment	Latin	Florence?, Italy	Rotunda				reverse	2	Lewis E M 75:05		reverse	cd 6243 2112 6747				Leaf from an antiphonary with historiated initial E depicting John the Evangelist
Lewis E M 75:6	Lewis E M 75.6 front	mcai750061	1786/07/01	1786		435 x 610 mm		Parchment	Latin	Seville, Spain	Roman				front	1	Lewis E M 75:06		front	cd 6243 2112 6762				Vow of stability taken by Maria Paula on entering the Cistercian convent of Santa Maria
Lewis E M 75:6	Lewis E M 75.6 reverse	mcai750062	1786/07/01	1786		435 x 600 mm		Parchment		Unknown					reverse	2	Lewis E M 75:06		reverse	cd 6243 2112 6762				Vow of stability taken by Maria Paula on entering the Cistercian convent of Santa Maria
Lewis E M 75:7	Lewis E M 75.7	mcai750071		1750	1799	450 x 625 mm		Parchment	Latin	Seville, Spain	Roman				front	1	Lewis E M 75:07		front	cd 6243 2112 6763				View of stability taken by Ana Maria de Rul y Romero on entering the Cistercian convent of Santa Maria
Lewis E M 75:8	Lewis E M 75.8	mcai750081		1833		435 x 650 mm		Parchment		Seville, Spain	Roman				front	1	Lewis E M 75:08		front	cd 6243 2112 6763				Vow of stability taken by Gertrudis Maria on entering the Cistercian convent of Santa Maria
Lewis E M 75:9	Lewis E M 75.9 front	mcai750091						Parchment		Unknown						1	Lewis E M 75:09			cd 6243 2112 6751				Illuminated Fragment
Lewis E M 75:9	Lewis E M 75.9 reverse	mcai750092						Parchment		Unknown						2	Lewis E M 75:09			cd 6243 2112 6751				Text Fragment
Lewis E M 75:10	Lewis E M 75.10 front	mcai750101						Parchment		Unknown						1	Lewis E M 75:10			cd 6243 2112 6750				Illuminated Fragment
Lewis E M 75:10	Lewis E M 75.10 reverse	mcai750102						Parchment		Unknown						2	Lewis E M 75:10			cd 6243 2112 6750				Illuminated Fragment, Verso
Lewis E M 75:11	Lewis E M 75.11 front	mcai750111					Voelkle, William, assisted by Roger S. Wieck. The Spanish Forger. New York: The Pierpont Morgan Library, 1978, p. 55.	Parchment		Unknown		Spanish Forger	Artist			1	Lewis E M 75:11			cd 6243 2112 6748				Triumphal Entry of a Princely Couple
Lewis E M 75:11	Lewis E M 75.11 reverse	mcai750112						Parchment		Unknown						2	Lewis E M 75:11			cd 6243 2112 6748				Triumphal Entry of a Princely Couple, verso
Lewis E M 75:12	Lewis E M 75.12 front	mcai750121		1890	1920			Parchment		Spain?		Spanish Forger	Artist			1	Lewis E M 75:12			cd 6243 2112 6676				Adoration of the Magi
Lewis E M 75:12	Lewis E M 75.12 reverse	mcai750122						Parchment		Unknown						2	Lewis E M 75:12			cd 6243 2112 6677				Illuminated Music Leaf
Lewis E M 75:13	Lewis E M 75.13 front	mcai750131						Parchment		Unknown		Spanish Forger	Artist			1	Lewis E M 75:13			cd 6243 2112 6678				Siege of a castle
Lewis E M 75:13	Lewis E M 75.13 reverse	mcai750132						Parchment		Unknown						2	Lewis E M 75:13			cd 6243 2112 6678				Siege of a castle, verso
Lewis E M 75:14	Lewis E M 75.14 front	mcai750141						Parchment		Unknown						1	Lewis E M 75:14			cd 6243 2112 6680				Illuminated Music Leaf
Lewis E M 75:14	Lewis E M 75.14 reverse	mcai750142						Parchment		Unknown						2	Lewis E M 75:14			cd 6243 2112 6680				Illuminated Music Leaf
Lewis E M 75:15	Lewis E M 75.15 front	mcai750151		1400	1499			Parchment	Latin	Spain	Rotunda				front	1	Lewis E M 75:15		front	cd 6243 2112 6681				Leaf with a decorated initial S beginning the gradual for a requiem mass
Lewis E M 75:15	Lewis E M 75.15 reverse	mcai750152		1400	1499			Parchment	Latin	Spain	Rotunda				reverse	2	Lewis E M 75:15		reverse	cd 6243 2112 6681				Leaf with a decorated initial S beginning the gradual for a requiem mass
Lewis E M 75:16	Lewis E M 75.16 front	mcai750161						Parchment		Unknown						1	Lewis E M 75:16			cd 6243 2112 6683				Illuminated Music Leaf
Lewis E M 75:16	Lewis E M 75.16 reverse	mcai750162						Parchment		Unknown						2	Lewis E M 75:16			cd 6243 2112 6683				Illuminated Music Leaf
Lewis E M 75:17	Lewis E M 75.17 front	mcai750171						Parchment		Unknown						1	Lewis E M 75:17			cd 6243 2112 6676				Illuminated Music Leaf
Lewis E M 75:17	Lewis E M 75.17 reverse	mcai750172						Parchment		Unknown						2	Lewis E M 75:17			cd 6243 2112 6677				Illuminated Music Leaf
Lewis E M 76:1-2	Lewis E M 76.1 front	mcai760011		1290	1310	296 x 583 mm	Initial S | This cutting can be dated to ca. 1300. | This initial begins the first response for the first nocturn of Matins of Holy Saturday, 'Sicut ovis ad occisionem ductus est ...' (Like a sheep he was led to the slaughter). Lewis E M 76:1-2 were produced in the same workshop and appear to be from the same manuscript although executed by different scribes.	Parchment	Latin	Italy	Rotunda				front 76:1	1	Lewis E M 76:01-02		front 76:1	cd 6243 2112 6694	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:1-2	Lewis E M 76.1 reverse	mcai760012		1290	1310	396 x 583 mm	This cutting can be dated to ca. 1300. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains most of the Magnificat antiphon for first Vespers of the first Sunday of September.	Parchment	Latin	Italy	Rotunda				reverse 76:1	2	Lewis E M 76:01-02		reverse 76:1	cd 6243 2112 6695	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:1-2	Lewis E M 76.2 front	mcai760021		1290	1310	397 x 581 mm	Initial S | This cutting can be dated to ca. 1300. | This initial begins the first response for the first nocturn of Matins for the first Sunday in September, 'Si bona suscepimus de manu domini ...' (We accept good things from the hand of God). Lewis E M 76:1-2 were produced in the same workshop and appear to be from the same manuscript although executed by different scribes.	Parchment	Latin	Italy	Rotunda				front 76:2	3	Lewis E M 76:01-02		front 76:2	cd 6243 2112 6696	48-bit color	400 ppi	3	Antiphonary
Lewis E M 76:1-2	Lewis E M 76.2 reverse	mcai760022		1290	1310	397 x 581 mm	This cutting can be dated to ca. 1300. | This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains most of the Magnificat antiphon for first Vespers of the first Sunday of September.	Parchment	Latin	Italy	Rotunda				reverse 76:2	4	Lewis E M 76:01-02		reverse 76:2	cd 6243 2112 6697	48-bit color	400 ppi	4	Antiphonary
Lewis E M 76:3-4	Lewis E M 76.3 front	mcai760031		1300	1350	320 x 482 mm	Initial L | This initial begins the Introit for the feast of the Conversion of St. Paul (Jan. 25), 'Letemur omnes in domino ...' (Let us all rejoice in the Lord). Lewis E M 76:3-4 are from the same manuscript.	Parchment	Latin	Italy (northern)	Rotunda				front 76:3	1	Lewis E M 76:03-04		front 76:3	cd 6243 2112 6694	48-bit color	400 ppi	1	Gradual
Lewis E M 76:3-4	Lewis E M 76.3 reverse	mcai760032		1300	1350	320 x 482 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Tract from a mass celebrating an unidentified confessor bishop.	Parchment	Latin	Italy (northern)	Rotunda				reverse 76:3	2	Lewis E M 76:03-04		reverse 76:3	cd 6243 2112 6695	48-bit color	400 ppi	2	Gradual
Lewis E M 76:3-4	Lewis E M 76.4 front	mcai760041		1300	1350	333 x 478 mm	Initial U | This initial begins an Introit for the Common of several Virgins, 'Vultum tuum deprecabuntur omnes divites plebis ...' (All that are rich among the citizens). Lewis E M 76:3-4 are from the same manuscript.	Parchment	Latin	Italy (northern)	Rotunda				front 76:4	3	Lewis E M 76:03-04		front 76:4	cd 6243 2112 6696	48-bit color	400 ppi	3	Gradual
Lewis E M 76:3-4	Lewis E M 76.4 reverse	mcai760042		1300	1350	333 x 478 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues an Introit for the Common of several Virgins, which begins on the reverse.	Parchment	Latin	Italy (northern)	Rotunda				reverse 76:4	4	Lewis E M 76:03-04		reverse 76:4	cd 6243 2112 6697	48-bit color	400 ppi	4	Gradual
Lewis E M 76:5	Lewis E M 76.5 front	mcai760051		1385	1399	318 x 473 mm	Initial P | This initial begins the first response of the second nocturn of Matins for the second Sunday after Pentecost, 'Preparate corda vestra domino ...' (Prepare your hearts for the Lord).	Parchment	Latin	Bologna, Italy	Rotunda				front	1	Lewis E M 76:05		front	cd 6243 2112 6698	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:5	Lewis E M 76.5 reverse	mcai760052		1385	1399	318 x 473 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the second nocturn of Matins for the second Sunday after Pentecost, which begins on the reverse.	Parchment	Latin	Bologna, Italy	Rotunda				reverse	2	Lewis E M 76:05		reverse	cd 6243 2112 6698	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:6	Lewis E M 76.6 front	mcai760061		1300	1350	380 x 548 mm	Initial P | This initial begins the first response of the first nocturn of Matins for Third Sunday of September, 'Peto domine ut de uinculo improperii huius absolvas me ...' (I beg, O Lord, that you absolve me from the bond of this reproach).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:06		front	cd 6243 2112 6699	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:6	Lewis E M 76.6 reverse	mcai760062		1300	1350	380 x 548 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for Third Sunday of September, which begins on the reverse.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:06		reverse	cd 6243 2112 6699	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.7 front	mcai760071		1300	1350	371 x 520 mm	Initial D | This initial begins the Introit for the first Sunday after Pentecost, 'Domine in tua misericordia speraui exultavit cor meum ...' (Lord, I have trusted in thy mercy). Lewis E M 76:7-12 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:7	1	Lewis E M 76:07-12		front 76:7	cd 6243 2112 6700	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.7 reverse	mcai760072		1300	1350	371 x 520 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for Friday within the Octave of Pentecost.	Parchment	Latin	Italy	Rotunda				reverse 76:7	2	Lewis E M 76:07-12		reverse 76:7	cd 6243 2112 6700	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.8 front	mcai760081		1300	1350	375 x 521 mm	Initial E | This initial begins the Introit for Easter Friday, 'Eduxit eos dominus in spe ...' (The Lord guided them in hope). Lewis E M 76:7-12 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:8	3	Lewis E M 76:07-12		front 76:8	cd 6243 2112 6701	48-bit color	400 ppi	3	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.8 reverse	mcai760082		1300	1350	375 x 521 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Offertory and Communion for Easter Thursday.	Parchment	Latin	Italy	Rotunda				reverse 76:8	4	Lewis E M 76:07-12		reverse 76:8	cd 6243 2112 6701	48-bit color	400 ppi	4	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.9 front	mcai760091		1300	1350	370 x 535 mm	Initial E | This initial begins the Introit for the Fourth Wednesday in Lent, 'Ego autem in domino sperabo ...' (I will hope in the Lord). Lewis E M 76:7-12 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:9	5	Lewis E M 76:07-12		front 76:9	cd 6243 2112 6702	48-bit color	400 ppi	5	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.9 reverse	mcai760092		1300	1350	370 x 535 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Gradual and Offertory for the Third Tuesday in Lent.	Parchment	Latin	Italy	Rotunda				reverse 76:9	6	Lewis E M 76:07-12		reverse 76:9	cd 6243 2112 6702	48-bit color	400 ppi	6	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.10 front	mcai760101		1300	1350	375 x 515 mm	Initial Q | This initial begins the Introit for the Sunday within the octave of Easter, 'Quasi modo geniti infantes ...' (As you are children newborn). Lewis E M 76:7-12 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:10	7	Lewis E M 76:07-12		front 76:10	cd 6243 2112 6703	48-bit color	400 ppi	7	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.10 reverse	mcai760102		1300	1350	375 x 515 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the Sunday within the octave of Easter.	Parchment	Latin	Italy	Rotunda				reverse 76:10	8	Lewis E M 76:07-12		reverse 76:10	cd 6243 2112 6703	48-bit color	400 ppi	8	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.11 front	mcai760111		1300	1350	363 x 515 mm	Initial S | This initial begins an Introit for the Common of Martyrs, 'Salus autem iustorum a domino ....' Lewis E M 76:7-12 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:11	9	Lewis E M 76:07-12		front 76:11	cd 6243 2112 6704	48-bit color	400 ppi	9	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.11 reverse	mcai760112		1300	1350	363 x 515 mm	Initial C | This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit begun on the front. The initial begins another Introit for the Common of Martyrs begins: 'Clamaverunt iusti et dominus exaudiuit eos...' (The just cried and the Lord heard them)	Parchment	Latin	Italy	Rotunda				reverse 76:11	10	Lewis E M 76:07-12		reverse 76:11	cd 6243 2112 6704	48-bit color	400 ppi	10	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.12 front	mcai760121		1300	1350	362 x 509 mm	Initial S | This initial begins the Introit for the first Monday in Lent, 'Sicut oculi servorum in manibus dominorum suorum ...' (As the eyes of servants are fixed on the hands of their masters ...). Lewis E M 76:7-12 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:12	11	Lewis E M 76:07-12		front 76:12	cd 6243 2112 6705	48-bit color	400 ppi	11	Antiphonary
Lewis E M 76:7-12	Lewis E M 76.12 reverse	mcai760122		1300	1350	362 x 509 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, continues the Introit for the first Monday in Lent, which begins on the front, and includes the following Psalm and Gradual.	Parchment	Latin	Italy	Rotunda				reverse 76:12	12	Lewis E M 76:07-12		reverse 76:12	cd 6243 2112 6705	48-bit color	400 ppi	12	Antiphonary
Lewis E M 76:13	Lewis E M 76.13 front	mcai760131		1300	1350	410 x 580 mm	Initial R | This initial begins the Introit to the fourteenth Sunday after Pentecost, 'Respice domine in testamentum tuum ...' (Remember your covenant, Lord).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:13		front	cd 6243 2112 6706	48-bit color	400 ppi	1	Gradual
Lewis E M 76:13	Lewis E M 76.13 reverse	mcai760132		1300	1350	410 x 580 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the thirteenth Sunday after Pentecost.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:13		reverse	cd 6243 2112 6707	48-bit color	400 ppi	2	Gradual
Lewis E M 76:14	Lewis E M 76.14 front	mcai760141		1300	1350	375 x 537 mm	Initial R | This initial begins the Introit for Wednesday in Ember Week of Lent, 'Reminiscere miserationum tuarum Domine...' (Remember your mercies Lord). This leaf is from the same manuscript as Lewis E M 76:7-12.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:14		front	cd 6243 2112 6706	48-bit color	400 ppi	1	Gradual
Lewis E M 76:14	Lewis E M 76.14 reverse	mcai760142		1300	1350	375 x 537 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Offertory for the first Tuesday in Lent.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:14		reverse	cd 6243 2112 6707	48-bit color	400 ppi	2	Gradual
Lewis E M 76:15	Lewis E M 76.15 front	mcai760151		1300	1350	364 x 537 mm	Initial I | This initial begins the first response of the first nocturn of Matins for the feast of St. John the Apostle and St. Paul (June 26), 'Isti sunt duo viri misercordie ...' (There are two men of mercy).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:15		front	cd 6243 2112 6260	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:15	Lewis E M 76.15 reverse	mcai760152		1300	1350	364 x 537 mm	This image shows the reverse of a leaf with a decorated initial from an Antiphonary. This side of the leaf, the true recto, contains the Magnificat antiphon for the feasts of St. John the Apostle and St. Paul (June 26).	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:15		reverse	cd 6243 2112 6260	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:16	Lewis E M 76.16 front	mcai760161		1300	1350	363 x 511 mm	Initial S | This initial begins the Introit for the Common of Several Martyrs for use between Easter and Pentecost, 'Sancti tui domine benedicent te...' (Let thy faithful servants bless you, Lord).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:16		front	cd 6243 2112 6261	48-bit color	400 ppi	1	Gradual
Lewis E M 76:16	Lewis E M 76.16 reverse	mcai760162		1300	1350	363 x 511 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues for the Common of Several Martyrs for use between Easter and Pentecost, which begins on the front.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:16		reverse	cd 6243 2112 6261	48-bit color	400 ppi	2	Gradual
Lewis E M 76:17	Lewis E M 76.17 front	mcai760171		1300	1350	361 x 525 mm	Initial I | This initial begins the first response of the first nocturn of Matins for the Thursday in Holy Week, 'In monte oliveti oravit ad patrem ...' (On the Mount of Olives, he prayed to his father).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:17		front	cd 6243 2112 6262	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:17	Lewis E M 76.17 reverse	mcai760172		1300	1350	361 x 525 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphon preceding the first response of the first nocturn of Matins for the Thursday in Holy Week, which begins on the front.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:17		reverse	cd 6243 2112 6262	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:18	Lewis E M 76.18 front	mcai760181		1300	1399	338 x 480 mm	Leaf from a gradual | This leaf contains end of the Communion, which begins on the reverse (or true recto) and the Post-Communion for Ember Friday within the octave of Pentecost.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:18		front	cd 6243 2112 6263	48-bit color	400 ppi	1	Gradual
Lewis E M 76:18	Lewis E M 76.18 reverse	mcai760182		1300	1399	338 x 480 mm	This image shows the reverse of a leaf from a gradual. This side of the leaf, the true recto, contains the versicle after the Lesson and the Communion for Ember Friday within the octave of Pentecost.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:18		reverse	cd 6243 2112 6263	48-bit color	400 ppi	2	Gradual
Lewis E M 76:19-21	Lewis E M 76.19 front	mcai760191		1400	1499	375 x 547 mm	Initial L | This initial begins the Introit for Wednesday during Passion Week, 'Liberator meus de gentibus iracundis ...' (My deliverer from my enemies). Lewis E M 76:19-21 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:19	1	Lewis E M 76:19-21		front 76:19	cd 6243 2112 6264	48-bit color	400 ppi	1	Gradual
Lewis E M 76:19-21	Lewis E M 76.19 reverse	mcai760192		1400	1499	375 x 547 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for Wednesday during Passion Week, which begins on the front.	Parchment	Latin	Italy	Rotunda				reverse 76:19	2	Lewis E M 76:19-21		reverse 76:19	cd 6243 2112 6264	48-bit color	400 ppi	2	Gradual
Lewis E M 76:19-21	Lewis E M 76.20 front	mcai760201		1400	1499	374 x 545 mm	Initial A | This initial begins the Introit for the first Friday in Lent, 'Audivit dominus et misertus est mihi ...' (With pity, the Lord heard me). Lewis E M 76:19-21 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:20	3	Lewis E M 76:19-21		front 76:20	cd 6243 2112 6267	48-bit color	400 ppi	3	Gradual
Lewis E M 76:19-21	Lewis E M 76.20 reverse	mcai760202		1400	1499	374 x 545 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Gradual for the first Thursday in Lent.	Parchment	Latin	Italy	Rotunda				reverse 76:20	4	Lewis E M 76:19-21		reverse 76:20	cd 6243 2112 6267	48-bit color	400 ppi	4	Gradual
Lewis E M 76:19-21	Lewis E M 76.21 front	mcai760211		1400	1499	375 x 546 mm	Initial I | This initial begins the Introit for Monday of Holy Week, 'Iudica domine nocentes me ...' (Lord, redress my wrongs). Lewis E M 76:19-21 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:21	5	Lewis E M 76:19-21		front 76:21	cd 6243 2112 6268	48-bit color	400 ppi	5	Gradual
Lewis E M 76:19-21	Lewis E M 76.21 reverse	mcai760212		1400	1499	375 x 546 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for Palm Sunday.	Parchment	Latin	Italy	Rotunda				reverse 76:21	6	Lewis E M 76:19-21		reverse 76:21	cd 6243 2112 6268	48-bit color	400 ppi	6	Gradual
Lewis E M 76:22	Lewis E M 76.22 front	mcai760221		1400	1499	427 x 598 mm	Initial E | This initial begins the Introit for Quinquagesima Sunday, 'Esto michi in deum protectorem ...' (Be thou my divine protector).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:22		front	cd 6243 2112 6269	48-bit color	400 ppi	1	Gradual
Lewis E M 76:22	Lewis E M 76.22 reverse	mcai760222		1400	1499	427 x 598 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for Quinquagesima Sunday, which begins on the front.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:22		reverse	cd 6243 2112 6270	48-bit color	400 ppi	2	Gradual
Lewis E M 76:23	Lewis E M 76.23 front	mcai760231		1400	1499	372 x 525 mm	Initial B | This initial begins the first response of the first nocturn of Matins for Trinity Sunday, 'Benedicat nos deus deus noster ...' (Bless us God, our God).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:23		front	cd 6243 2112 6271	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:23	Lewis E M 76.23 reverse	mcai760232		1400	1499	372 x 525 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the last antiphon preceding the first response of the first nocturn of Matins for Trinity Sunday, which begins on the front.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:23		reverse	cd 6243 2112 6271	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:24	Lewis E M 76.24 front	mcai760241		1500	1599	382 x 525 mm	Initial S | This initial begins the Introit for Pentecost Sunday, 'Spiritus domini repleuit orbem terrarum....' (The spirit of the Lord fills the whole world).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:24		front	cd 6243 2112 6273	48-bit color	400 ppi	1	Gradual
Lewis E M 76:24	Lewis E M 76.24 reverse	mcai760242		1500	1599	382 x 525 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the Saturday before Pentecost.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:24		reverse	cd 6243 2112 6273	48-bit color	400 ppi	2	Gradual
Lewis E M 76:25	Lewis E M 76.25 front	mcai760251		1400	1499	368 x 404 mm	Initial S | This initial begins the Introit for the Votive Mass for the Holy Spirit, 'Spiritus domini repleuit orbem terrarum ...' (The spirit of the Lord filled the whole world). Votive masses were sometimes performed in addition to the High Mass on certain days. In keeping with the celebration, the illuminator included a dove representing the Holy Spirit descending from clouds.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:25		front	cd 6243 2112 6269	48-bit color	400 ppi	1	Gradual
Lewis E M 76:25	Lewis E M 76.25 reverse	mcai760252		1400	1499	368 x 404 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the Votive Mass for the Holy Trinity.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:25		reverse	cd 6243 2112 6270	48-bit color	400 ppi	2	Gradual
Lewis E M 76:26	Lewis E M 76.26 front	mcai760261		1400	1499	359 x 501 mm	Initial I | The liturgy marked by this initial has yet to be determined, it may begin a variant response for the Common for Several Martyrs, 'Iusti epulentur et exultent in conspectu dei ...'	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:26		front	cd 6243 2112 6274	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:26	Lewis E M 76.26 reverse	mcai760262		1400	1499	359 x 501 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:26		reverse	cd 6243 2112 6274	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:27	Lewis E M 76.27 front	mcai760271		1400	1499	380 x 534 mm	Initial T | This initial begins the first response of the first nocturn of Matins for the second Sunday in Lent, 'Tolle arma tua pharetram et arcam ...' (Take your weapons, quiver, and bow).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:27		front	cd 6243 2112 6276	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:27	Lewis E M 76.27 reverse	mcai760272		1400	1499	380 x 534 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the invitatory of Matins for the second Sunday in Lent.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:27		reverse	cd 6243 2112 6276	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:28-29	Lewis E M 76.28, fol. 1r	mcai760281		1400	1499	382 x 530 mm	Initial M | This initial begins the Introit for the sixteenth Sunday after Pentecost, 'Miserere michi domine ...' (Have mercy, O Lord). Lewis E M 76:28-29 are two bifolia taken from the same manuscript.	Parchment	Latin	Italy	Rotunda				folio 1 recto 76:28	1	Lewis E M 76:28-29		folio 1 recto 76:28	cd 6243 2112 6277	48-bit color	400 ppi	1	Gradual
Lewis E M 76:28-29	Lewis E M 76.28, fol. 2v	mcai760282		1400	1499	382 x 530 mm	Initial D | This initial begins the Introit for the eleventh Sunday after Pentecost, 'Deus in loco sancto suo ...' (God, in his holy place). Lewis E M 76:28-29 are two bifolia taken from the same manuscript.	Parchment	Latin	Italy	Rotunda				folio 2 verso 76:28	4	Lewis E M 76:28-29		folio 2 verso 76:28	cd 6243 2112 6277	48-bit color	400 ppi	4	Gradual
Lewis E M 76:28-29	Lewis E M 76.28, fol. 1v	mcai760283		1400	1499	382 x 530 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the sixteenth Sunday after Pentecost, which begins on the reverse.	Parchment	Latin	Italy	Rotunda				folio 1 verso 76:28	2	Lewis E M 76:28-29		folio 1 verso 76:28	cd 6243 2112 6278	48-bit color	400 ppi	2	Gradual
Lewis E M 76:28-29	Lewis E M 76.28, fol. 2r	mcai760284		1400	1499	382 x 530 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the abbreviated Introit and Gradual for the tenth Sunday after Pentecost.	Parchment	Latin	Italy	Rotunda				folio 2 recto 76:28	3	Lewis E M 76:28-29		folio 2 recto 76:28	cd 6243 2112 6278	48-bit color	400 ppi	3	Gradual
Lewis E M 76:28-29	Lewis E M 76.29, fol. 1r	mcai760291		1400	1499	381 x 530 mm	Initial P | This initial begins the Introit for the fourteenth Sunday after Pentecost, 'Protector noster aspice deus ...' (God, our protector, look on us now). Lewis E M 76:28-29 are two bifolia taken from the same manuscript.	Parchment	Latin	Italy	Rotunda				folio 1 recto 76:29	5	Lewis E M 76:28-29		folio 1 recto 76:29	cd 6243 2112 6279	48-bit color	400 ppi	5	Gradual
Lewis E M 76:28-29	Lewis E M 76.29, fol. 2v	mcai760292		1400	1499	381 x 530 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, contains the Gradual for the twelfth Sunday after Pentecost.	Parchment	Latin	Italy	Rotunda				folio 2 verso 76:29	8	Lewis E M 76:28-29		folio 2 verso 76:29	cd 6243 2112 6279	48-bit color	400 ppi	8	Gradual
Lewis E M 76:28-29	Lewis E M 76.29, fol 1v	mcai760293		1400	1499	381 x 530 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the fourteenth Sunday after Pentecost, which begins on the front.	Parchment	Latin	Italy	Rotunda				folio 1 verso 76:29	6	Lewis E M 76:28-29		folio 1 verso 76:29	cd 6243 2112 6280	48-bit color	400 ppi	6	Gradual
Lewis E M 76:28-29	Lewis E M 76.29, fol. 2r	mcai760294		1400	1499	381 x 530 mm	This image shows the front of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the Communion for the eleventh Sunday after Pentecost and the Introit for the twelfth Sunday. Lewis E M 76:28-29 are two bifolia taken from the same manuscript.	Parchment	Latin	Italy	Rotunda				folio 2 recto 76:29	7	Lewis E M 76:28-29		folio 2 recto 76:29	cd 6243 2112 6280	48-bit color	400 ppi	7	Gradual
Lewis E M 76:29A	Lewis E M 76.29A	mcai760295		1450	1475	300 x 380 mm	Border decoration | Sano di Pietro (1405-1481), the illuminator of this inhabited border, was one of the most prolific artists working in Siena during the fifteenth century. Many of Sano's commissions came from religious communities, for whom he produced not only illuminated manuscripts but also a number of altarpieces. This cutting belongs to a group of other cuttings in the Free Library from the same choir book or at least the same set of choir books. These are: Lewis E M 22:7-16, E M 22:18-21, E M 23:1-6, E M 25:1-3, and E M 76:29a. Although there is scant textual evidence to determine the type of choir book from which these cuttings were taken, similarities in the style of decoration, the color palette, and dimensions in the height of the staves on the reverse allow them to be grouped together. | This cutting can be dated to ca. 1470.	Parchment	Latin	Siena, Italy		Sano di Pietro	Artist		front	1	Lewis E M 76:29A		front	cd 6243 2112 6282	48-bit color	400 ppi	1	Choir book
Lewis E M 76:30-35	Lewis E M 76.30 front	mcai760301		1400	1499	377 x 524 mm	Initial U | This initial begins an Introit for the Common of Many Virgins used from Christmas through the Purification of the Virgin, 'Vultum tuum deprecabuntur omnes divites plebis ...' (All that are rich among the citizens will be courting your favor). Lewis E M 76:30-35 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:30	1	Lewis E M 76:30-35		front 76:30	cd 6243 2112 6764	48-bit color	400 ppi	1	Gradual
Lewis E M 76:30-35	Lewis E M 76.30 reverse	mcai760302		1400	1499	377 x 524 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues an Introit for the Common of Several Virgins used from Christmas through the Purification of the Virgin, which begins on the front.	Parchment	Latin	Italy	Rotunda				reverse 76:30	2	Lewis E M 76:30-35		reverse 76:30	cd 6243 2112 6764	48-bit color	400 ppi	2	Gradual
Lewis E M 76:30-35	Lewis E M 76.31 front	mcai760311		1400	1499	379 x 526 mm	Initial U | This initial continues the Alleluia sequence for Pentecost Sunday with the versicle, 'Veni sancte spiritus replet tuorum corda fidelium ...' (Come, Holy Spirit, fill the hearts of your faithful). Lewis E M 76:30-35 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:31	3	Lewis E M 76:30-35		front 76:31	cd 6243 2112 6765	48-bit color	400 ppi	3	Gradual
Lewis E M 76:30-35	Lewis E M 76.31 reverse	mcai760312		1400	1499	379 x 526 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains part of the Alleluia sequence for Pentecost Sunday.	Parchment	Latin	Italy	Rotunda				reverse 76:31	4	Lewis E M 76:30-35		reverse 76:31	cd 6243 2112 6765	48-bit color	400 ppi	4	Gradual
Lewis E M 76:30-35	Lewis E M 76.32 front	mcai760321		1400	1499	377 x 526 mm	Initial M | This initial begins the Introit for the votive Mass for the remission of sins, 'Misereris omnium domine ...' (Thou art all merciful, Lord). Lewis E M 76:30-35 are from the same manuscript. This leaf is consecutive with Lewis E M 76:33.	Parchment	Latin	Italy	Rotunda				front 76:32	5	Lewis E M 76:30-35		front 76:32	cd 6243 2112 6766	48-bit color	400 ppi	5	Gradual
Lewis E M 76:30-35	Lewis E M 76.32 reverse	mcai760322		1400	1499	377 x 526 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the votive Mass for the remission of sins.	Parchment	Latin	Italy	Rotunda				reverse 76:32	6	Lewis E M 76:30-35		reverse 76:32	cd 6243 2112 6766	48-bit color	400 ppi	6	Gradual
Lewis E M 76:30-35	Lewis E M 76.33 front	mcai760331		1400	1499	380 x 525 mm	Initial M | This initial begins the psalm following the Introit for the votive Mass for the remission of sins, 'Miserere mei deus ...' (Have mercy on me, O God). Lewis E M 76:30-35 are from the same manuscript. This leaf is consecutive with Lewis E M 76:32.	Parchment	Latin	Italy	Rotunda				front 76:33	7	Lewis E M 76:30-35		front 76:33	cd 6243 2112 6767	48-bit color	400 ppi	7	Gradual
Lewis E M 76:30-35	Lewis E M 76.33 reverse	mcai760332		1400	1499	380 x 525 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, continues the Introit begun on Lewis E M 76:32 for the votive Mass for the remission of sins.	Parchment	Latin	Italy	Rotunda				reverse 76:33	8	Lewis E M 76:30-35		reverse 76:33	cd 6243 2112 6767	48-bit color	400 ppi	8	Gradual
Lewis E M 76:30-35	Lewis E M 76.34 front	mcai760341		1400	1499	377 x 527 mm	Initial P | This initial begins the choir's portion of the Apostles' Creed, 'Patrem omnipotentem factorem caeli et terre ...' (Father almighty, maker of heaven and earth). Lewis E M 76:30-35 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:34	9	Lewis E M 76:30-35		front 76:34	cd 6243 2112 6768	48-bit color	400 ppi	9	Gradual
Lewis E M 76:30-35	Lewis E M 76.34 reverse	mcai760342		1400	1499	377 x 527 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the conclusion of the Sequence for Pentecost Sunday, 'Veni, sancte spiritus.'	Parchment	Latin	Italy	Rotunda				reverse 76:34	10	Lewis E M 76:30-35		reverse 76:34	cd 6243 2112 6768	48-bit color	400 ppi	10	Gradual
Lewis E M 76:30-35	Lewis E M 76.35 front	mcai760351		1400	1499	379 x 525 mm	Initials D and Q | These initials on this side of the leaf, the true recto, mark verses in the Gloria in the Ordinary of the Mass. Lewis E M 76:30-35 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:35	11	Lewis E M 76:30-35		front 76:35	cd 6243 2112 6770	48-bit color	400 ppi	11	Gradual
Lewis E M 76:30-35	Lewis E M 76.35 reverse	mcai760352		1400	1499	379 x 525 mm	These initials on this side of the leaf, the true verso, mark verses in the Gloria in the Ordinary of the Mass. Lewis E M 76:30-35 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				reverse 76:35	12	Lewis E M 76:30-35		reverse 76:35	cd 6243 2112 6770	48-bit color	400 ppi	12	Gradual
Lewis E M 76:36	Lewis E M 76.36 front	mcai760361		1400	1499	376 x 531 mm	Initial D | This initial marks the beginning of Psalm 81, 'Deus stetit in synogoga deorum ...' (God has stood in the congregation of the gods).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:36		front	cd 6243 2112 6771	48-bit color	400 ppi	1	Psalter
Lewis E M 76:36	Lewis E M 76.36 reverse	mcai760362		1400	1499	376 x 531 mm	Initial D | This initial marks the beginning of Psalm 82, 'Deus quis similis erit tibis ...' (O God, who shall be like unto thee).	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:36		reverse	cd 6243 2112 6771	48-bit color	400 ppi	2	Psalter
Lewis E M 76:37-38	Lewis E M 76.37 front	mcai760371		1400	1499	408 x 570 mm	Initial U | This initial begins the response commonly used as the first response of the first nocturn of Matins for the Assumption of the Virgin (Aug. 15), 'Vidi speciosam sicut columbam ascendentem desuper rivos aquarium ...' (I saw her, fair as a dove taking flight over running water). Lewis E M 76:37-38 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:37	1	Lewis E M 76:37-38		front 76:37	cd 6243 2112 6772	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:37-38	Lewis E M 76.37 reverse	mcai760372		1400	1499	408 x 570 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the antiphons preceding the response commonly used as the first response of the first nocturn of Matins for the Assumption of the Virgin, which begins on the front.	Parchment	Latin	Italy	Rotunda				reverse 76:37	2	Lewis E M 76:37-38		reverse 76:37	cd 6243 2112 6772	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:37-38	Lewis E M 76.38 front	mcai760381		1400	1499	412 x 574 mm	Initial E | This initial begins the first response of the first nocturn of Matins for the Common of the Apostles, 'Ecce ego mitto uos sicut oues in medio luporum ...' (Behold, I am sending you forth like sheep in the midst of wolves).	Parchment	Latin	Italy	Rotunda				front 76:38	3	Lewis E M 76:37-38		front 76:38	cd 6243 2112 6774	48-bit color	400 ppi	3	Antiphonary
Lewis E M 76:37-38	Lewis E M 76.38 reverse	mcai760382		1400	1499	412 x 574 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, continues the first response of the first nocturn of Matins for the Common of the Apostles, which begins on the front.	Parchment	Latin	Italy	Rotunda				reverse 76:38	4	Lewis E M 76:37-38		reverse 76:38	cd 6243 2112 6774	48-bit color	400 ppi	4	Antiphonary
Lewis E M 76:39-40	Lewis E M 76.39 front	mcai760391		1500	1599	440 x 633 mm	Initial I | This initial begins the Introit for the feast of St. Anthony of Padua (June 13), 'In medio ecclesiae aperuit os eius...' (In the midst of the temple, he opened his mouth). Lewis E M 76:39-40 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:39	1	Lewis E M 76:39-40		front 76:39	cd 6243 2112 6775	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:39-40	Lewis E M 76.39 reverse	mcai760392		1500	1599	440 x 633 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true verso, continues the Introit for the feast of St. Anthony of Padua, which begins on the front.	Parchment	Latin	Italy	Rotunda				reverse 76:39	2	Lewis E M 76:39-40		reverse 76:39	cd 6243 2112 6778	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:39-40	Lewis E M 76.40 front	mcai760401		1500	1599	455 x 641 mm	Initial S | This initial begins an Introit for the Common of a Confessor Bishop, 'Sacerdotes eius induant salutare et sancti eius exultatione exultabunt ...' (Let his priests go in the vesture of triumph). Lewis E M 76:39-40 are from the same manuscript.	Parchment	Latin	Italy	Rotunda				front 76:40	3	Lewis E M 76:39-40		front 76:40	cd 6243 2112 6777	48-bit color	400 ppi	3	Antiphonary
Lewis E M 76:39-40	Lewis E M 76.40 reverse	mcai760402		1500	1599	455 x 641 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the end of an Introit for a Confessor bishop.	Parchment	Latin	Italy	Rotunda				reverse 76:40	4	Lewis E M 76:39-40		reverse 76:40	cd 6243 2112 6780	48-bit color	400 ppi	4	Antiphonary
Lewis E M 76:41	Lewis E M 76.41 front	mcai760411		1400	1499	405 x 580 mm	Initial S | This initial begins the Introit for the feast of the Purification of the Virgin (Feb. 2), 'Suscepimus deus misericordiam tuam in medio templi tui...' (Within thy temple, O God, we have received your mercy). The liturgy above is for the Blessing of the Candles.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:41		front	cd 6243 2112 6779	48-bit color	400 ppi	1	Missal
Lewis E M 76:41	Lewis E M 76.41 reverse	mcai760412		1400	1499	405 x 580 mm	This image shows the reverse of a leaf with a decorated initial from a gradual. This side of the leaf, the true recto, contains the antiphon 'Exsurge Domine adiuva nos ...' for the Blessing of the Candles.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:41		reverse	cd 6243 2112 6779	48-bit color	400 ppi	2	Missal
Lewis E M 76:42-44	Lewis E M 76.42, fol. 2v	mcai760421		1400	1499	400 x 557 mm	Initial P | Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:42 are continuous. This leaf, which was originally fol. LXXXXVIv (or 99v), begins an antiphon for Matins for the first Sunday after Pentecost, 'Preparate corda vestra domino...' (Prepare your heart for the Lord).	Parchment	Latin	Italy	Rotunda				folio 2 verso 76:42	4	Lewis E M 76:42-44		folio 2 verso 76:42	cd 6243 2112 6783	48-bit color	400 ppi	4	Antiphonary
Lewis E M 76:42-44	Lewis E M 76.42, fol. 1r	mcai760422		1400	1499	400 x 557 mm	Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:42 are continuous. This leaf, which was originally fol. LXXXXVr (or 95r), contains the end of the Benedictus antiphon and the beginning of the Magnificat antiphon for Ember Friday of Pentecost Week.	Parchment	Latin	Italy	Rotunda				folio 1 recto 76:42	1	Lewis E M 76:42-44		folio 1 recto 76:42	cd 6243 2112 6783	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:42-44	Lewis E M 76.42, fol. 2r	mcai760423		1400	1499	400 x 557 mm	Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:42 are continuous. This leaf, which was originally fol. LXXXXVIr (or 99r), continues the Bendictus antiphon for Ember Saturday of Pentecost week, and begins the liturgy for the first Sunday after Pentecost.	Parchment	Latin	Italy	Rotunda				folio 2 recto 76:42	3	Lewis E M 76:42-44		folio 2 recto 76:42	cd 6243 2112 6782	48-bit color	400 ppi	3	Antiphonary
Lewis E M 76:42-44	Lewis E M 76.42, fol. 1v	mcai760424		1400	1499	400 x 557 mm	Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:42 are continuous. This leaf, which was originally fol. LXXXXVv (or 95v), continues the Magnificat antiphon for Ember Friday of Pentecost Week, followed by the Bendictus antiphon for Ember Saturday of Pentecost week.	Parchment	Latin	Italy	Rotunda				folio 1 verso 76:42	2	Lewis E M 76:42-44		folio 1 verso 76:42	cd 6243 2112 6782	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:42-44	Lewis E M 76.43, fol. 1r	mcai760431		1400	1499	396 x 555 mm	Initial D | Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:43 are not continuous, and the foliation on the inner verso and recto of the bifolium in Roman numerals indicates the bifolium was either the outermost bifolium or placed in between the outer- and innermost bifolia of a gathering. This leaf was originally fol. XXXIIIr (33r).	Parchment	Latin	Italy	Rotunda				folio 1 recto 76:43	5	Lewis E M 76:42-44		folio 1 recto 76:43	cd 6243 2112 6785	48-bit color	400 ppi	5	Antiphonary
Lewis E M 76:42-44	Lewis E M 76.43, fol. 2v	mcai760432		1400	1499	396 x 555 mm	Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:43 are not continuous. The foliation on the inner verso and recto of the bifolium in Roman numerals indicates the bifolium or placed in between the outer- and innermost bifolia of a gathering. This leaf was originally fol. XXXVIIIv (38v). It continues an unidentified response from the liturgy for the second week after Octave of Easter.	Parchment	Latin	Italy	Rotunda				folio 2 verso 76:43	8	Lewis E M 76:42-44		folio 2 verso 76:43	cd 6243 2112 6785	48-bit color	400 ppi	8	Antiphonary
Lewis E M 76:42-44	Lewis E M 76.43, fol. 2r	mcai760433		1400	1499	396 x 555 mm	Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:43 are not continuous, and thefoliation on the inner verso and recto of the bifolium in Roman numerals indicates the bifolium was either the outermost bifolium or placed in between the outer- and innermost bifolia of a gathering. This leaf was originally fol. XXXVIIIr (38r). It contains the beginning of an unidentifed response from the liturgy for the second week after Octave of Easter.	Parchment	Latin	Italy	Rotunda				folio 2 recto 76:43	7	Lewis E M 76:42-44		folio 2 recto 76:43	cd 6243 2112 6788	48-bit color	400 ppi	7	Antiphonary
Lewis E M 76:42-44	Lewis E M 76.43, fol. 1v	mcai760434		1400	1499	396 x 555 mm	Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:43 are not continuous and the foliation on the inner verso and recto of the bifolium in Roman numerals indicates the bifolium was either the outermost bifolium or placed in between the outer- and innermost bifolia of a gathering. This leaf was originally fol. XXXIIIv (33v). It continues the first response and the beginning of the second response of the first nocturn of Matins for the second Sunday after Easter.	Parchment	Latin	Italy	Rotunda				folio 1 verso 76:43	6	Lewis E M 76:42-44		folio 1 verso 76:43	cd 6243 2112 6788	48-bit color	400 ppi	6	Antiphonary
Lewis E M 76:42-44	Lewis E M 76.44, fol. 2v	mcai760441		1400	1499	397 x 555 mm	Initial P | Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:44 are not continuous, and the foliation o on the inner verso and recto of the bifolium in Roman numerals indicates that the bifolium was probably the outermost one of the gathering. This leaf was originally fol. LXr (60r). The initial begins the first response of the first nocturn of Matins for Ascension Thursday, 'Post passionem suam per dies quadraginta ....' (After his Passion, for forty days).	Parchment	Latin	Italy	Rotunda				folio 2 verso 76:44	12	Lewis E M 76:42-44		folio 2 verso 76:44	cd 6243 2112 6787	48-bit color	400 ppi	12	Antiphonary
Lewis E M 76:42-44	Lewis E M 76.44, fol 1r	mcai760442		1400	1499	397 x 555 mm	Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:44 are not continuous, and the on the inner verso and recto of the bifolium in Roman numerals indicates that the bifolium was probably the outermost one of the gathering. This leaf was originally fol. LIr (51r). The leaf contains a response sometimes used for the third Sunday after Easter.	Parchment	Latin	Italy	Rotunda				folio 1 recto 76:44	9	Lewis E M 76:42-44		folio 1 recto 76:44	cd 6243 2112 6787	48-bit color	400 ppi	9	Antiphonary
Lewis E M 76:42-44	Lewis E M 76.44, fol. 2r	mcai760443		1400	1499	397 x 555 mm	Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:44 are not continuous, and the foliation on the inner verso and recto of the bifolium in Roman numerals indicates that the bifolium was probably the outermost one of the gathering. This leaf was originally fol. LXr (60r). It contains antiphons preceding the first response of the first nocturn of Matins for Ascension Thursday.	Parchment	Latin	Italy	Rotunda				folio 2 recto 76:44	11	Lewis E M 76:42-44		folio 2 recto 76:44	cd 6243 2112 6786	48-bit color	400 ppi	11	Antiphonary
Lewis E M 76:42-44	Lewis E M 76.44, fol. 1v	mcai760444		1400	1499	397 x 555 mm	Lewis E M 76: 42-44 are four bifolia taken from the same antiphonary. The chants inscribed on Lewis E M 76:43 are not continuous, and the foliation on the inner verso and recto of the bifolium in Roman numerals indicates that the bifolium was probably the outermost one of the gathering. This leaf was originally fol. LIv (51v). This leaf contains a response probably for the third Sunday after Easter.	Parchment	Latin	Italy	Rotunda				folio 1 verso 76:44	10	Lewis E M 76:42-44		folio 1 verso 76:44	cd 6243 2112 6786	48-bit color	400 ppi	10	Antiphonary
Lewis E M 76:45	Lewis E M 76.45 front	mcai760451		1400	1499	450 x 622 mm	Initial I | This initial begins the antiphon for Vespers for the Vigil of St. John the Baptist (June 24), 'Ipse preibit ante illum in spiritu et virtute helye ...' (He himself shall go before him in the spirit and power of Elias).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:45		front	cd 6243 2112 6218	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:45	Lewis E M 76.45 reverse	mcai760452		1400	1499	450 x 622 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, continues the antiphons for the Vigil of the feast of St. John the Baptist.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:45		reverse	cd 6243 2112 6218	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:46	Lewis E M 76.46 front	mcai760461		1500	1599	388 x 550 mm	Initial F | This initial begins an antiphon that appears to be for the first Sunday after Octave of Pentecost, 'Factum est autem ut moreretur mendicus...' (It came to pass that the beggar had died). The unidentified monogram, a C encircling an A and an R, in the lower margin is likely to be that of the original or an early owner.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:46		front	cd 6243 2112 4216	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:46	Lewis E M 76.46 reverse	mcai760462		1500	1599	388 x 550 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true verso, contains an antiphon that, according to a rubric on the front, appears to be for the first Sunday after Octave of Pentecost, 'Rogo te pater ut mittas Lazarus in domum patris mei ...' (I beg you, father, to send Lazarus to my father's house).	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:46		reverse	cd 6243 2112 4216	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:47	Lewis E M 76.47 front	mcai760471		1400	1499	382 x 534 mm	Initial L | This initial begins the first response of the first nocturn of Matins for the fourth Sunday in Lent, 'Locutus est dominus ad moysen ...' (The Lord spoke to Moses).	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:47		front	cd 6243 2112 6215	48-bit color	400 ppi	1	Antiphonary
Lewis E M 76:47	Lewis E M 76.47 reverse	mcai760472		1400	1499	382 x 534 mm	This image shows the reverse of a leaf with a decorated initial from an antiphonary. This side of the leaf, the true recto, contains the invitatory and antiphon preceding the first response of the first nocturn of Matins for the fourth Sunday in Lent, which begins on the reverse.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:47		reverse	cd 6243 2112 6215	48-bit color	400 ppi	2	Antiphonary
Lewis E M 76:48	Lewis E M 76.48 front	mcai760481		1400	1499	384 x 568 mm	Initial B | This initial begins Psalm 143, 'Benedictus dominus deus meus qui docet manus meas ad proelim ...' (Blessed by the Lord, my God, who trains my hand for battle), which was read at Vespers on Saturdays in the Divine Office.	Parchment	Latin	Italy	Rotunda				front	1	Lewis E M 76:48		front	cd 6243 2112 6214	48-bit color	400 ppi	1	Choir psalter
Lewis E M 76:48	Lewis E M 76.48 reverse	mcai760482		1400	1499	384 x 568 mm	This image shows the reverse of a leaf with a decorated initial from a ferial psalter. This side of the leaf, the true verso, continues from the front Psalm 143, which was read at Vespers on Saturdays in the Divine Office.	Parchment	Latin	Italy	Rotunda				reverse	2	Lewis E M 76:48		reverse	cd 6243 2112 6214	48-bit color	400 ppi	2	Choir psalter
Lewis E M 76:49-54	Lewis E M 76.49	mcai760491		1500	1550	430 x 335 mm	Decorated initials and an initial H with a cardinal | Lewis E M 76:49-54 are a group of illuminated initials possibly from the same choir book, although there is not enough evidence to be sure. The ornate character of these initials is typical of illumination in the late Renaissance in Lombardy. The initials have previously been attributed to the so-called Master B. F., after the initials are inscribed in another cutting by the same artist now in the Museo Diocesano in Lodi, Italy. Some scholars have argued that the initials, which can be found on Lewis E M 72:11b, stand for Francesco Binasco (also known as Francesco da Lonate), an illuminator who worked at the court of the Sforza, the ruling family of Milan in the fifteenth and sixteenth centuries. | This cuttings can be dated to ca. 1525.	Parchment	Latin	Italy		Master B.F. (Francesco Binasco)	Artist		front 76:49	1	Lewis E M 76:49-54		front 76:49	cd 6243 2112 6213	48-bit color	400 ppi	1	Choir book
Lewis E M 76:49-54	Lewis E M 76.50	mcai760501		1500	1550	430 x 335 mm	Decorated initials | Lewis E M 76:49-54 are a group of illuminated initials possibly from the same choir book, although there is not enough evidence to be sure. The ornate character of these initials is typical of illumination in the late Renaissance in Lombardy. The initials have previously been attributed to the so-called Master B. F., after the initials are inscribed in another cutting by the same artist now in the Museo Diocesano in Lodi, Italy. Some scholars have argued that the initials, which can be found on Lewis E M 72:11b, stand for Francesco Binasco (also known as Francesco da Lonate), an illuminator who worked at the court of the Sforza, the ruling family of Milan in the fifteenth and sixteenth centuries. | This cuttings can be dated to ca. 1525.	Parchment	Latin	Italy		Master B.F. (Francesco Binasco)	Artist		front 76:50	2	Lewis E M 76:49-54		front 76:50	cd 6243 2112 6213	48-bit color	400 ppi	2	Choir book
Lewis E M 76:49-54	Lewis E M 76.51	mcai760511		1500	1550	355 x 430 mm	Decorated initials and border ornament | Lewis E M 76:49-54 are a group of illuminated initials possibly from the same choir book, although there is not enough evidence to be sure. The ornate character of these initials is typical of illumination in the late Renaissance in Lombardy. The initials have previously been attributed to the so-called Master B. F., after the initials are inscribed in another cutting by the same artist now in the Museo Diocesano in Lodi, Italy. Some scholars have argued that the initials, which can be found on Lewis E M 72:11b, stand for Francesco Binasco (also known as Francesco da Lonate), an illuminator who worked at the court of the Sforza, the ruling family of Milan in the fifteenth and sixteenth centuries. | This cuttings can be dated to ca. 1525.	Parchment	Latin	Italy		Master B.F. (Francesco Binasco)	Artist		front 76:51	3	Lewis E M 76:49-54		front 76:51	cd 6243 2112 6773	48-bit color	400 ppi	3	Choir book
Lewis E M 76:49-54	Lewis E M 76.52	mcai760521		1500	1550	355 x 430 mm	Decorated initials and an initial N() with the Birth of John the Baptist | Lewis E M 76:49-54 are a group of illuminated initials possibly from the same choir book, although there is not enough evidence to be sure. The ornate character of these initials is typical of illumination in the late Renaissance in Lombardy. The initials have previously been attributed to the so-called Master B. F., after the initials are inscribed in another cutting by the same artist now in the Museo Diocesano in Lodi, Italy. Some scholars have argued that the initials, which can be found on Lewis E M 72:11b, stand for Francesco Binasco (also known as Francesco da Lonate), an illuminator who worked at the court of the Sforza, the ruling family of Milan in the fifteenth and sixteenth centuries. | This cuttings can be dated to ca. 1525.	Parchment	Latin	Italy		Master B.F. (Francesco Binasco)	Artist		front 76:52	4	Lewis E M 76:49-54		front 76:52	cd 6243 2112 6773	48-bit color	400 ppi	4	Choir book
Lewis E M 76:49-54	Lewis E M 76.53	mcai760531		1500	1550	355 x 430 mm	Decorated initials | Lewis E M 76:49-54 are a group of illuminated initials possibly from the same choir book, although there is not enough evidence to be sure. The ornate character of these initials is typical of illumination in the late Renaissance in Lombardy. The initials have previously been attributed to the so-called Master B. F., after the initials are inscribed in another cutting by the same artist now in the Museo Diocesano in Lodi, Italy. Some scholars have argued that the initials, which can be found on Lewis E M 72:11b, stand for Francesco Binasco (also known as Francesco da Lonate), an illuminator who worked at the court of the Sforza, the ruling family of Milan in the fifteenth and sixteenth centuries. | This cuttings can be dated to ca. 1525.	Parchment	Latin	Italy		Master B.F. (Francesco Binasco)	Artist		front 76:53	5	Lewis E M 76:49-54		front 76:53	cd 6243 2112 6212	48-bit color	400 ppi	5	Choir book
Lewis E M 76:49-54	Lewis E M 76.54	mcai760541		1500	1550	355 x 430 mm	Decorated initials | Lewis E M 76:49-54 are a group of illuminated initials possibly from the same choir book, although there is not enough evidence to be sure. The ornate character of these initials is typical of illumination in the late Renaissance in Lombardy. The initials have previously been attributed to the so-called Master B. F., after the initials are inscribed in another cutting by the same artist now in the Museo Diocesano in Lodi, Italy. Some scholars have argued that the initials, which can be found on Lewis E M 72:11b, stand for Francesco Binasco (also known as Francesco da Lonate), an illuminator who worked at the court of the Sforza, the ruling family of Milan in the fifteenth and sixteenth centuries. | This cuttings can be dated to ca. 1525.	Parchment	Latin	Italy		Master B.F. (Francesco Binasco)	Artist		front 76:54	6	Lewis E M 76:49-54		front 76:54	cd 6243 2112 6212	48-bit color	400 ppi	6	Choir book
Lewis E M 76:55	Lewis E M 76.55 front	mcai760551						Parchment		Unknown						1	Lewis E M 76:55			cd 6243 2112 6211				Illuminated Fragment
Lewis E M 76:55	Lewis E M 76.55 reverse	mcai760552						Parchment		Unknown						2	Lewis E M 76:55			cd 6243 2112 6211				Illuminated Fragment, Verso
Lewis E M 76:56	Lewis E M 76.56 front	mcai760561						Parchment		Unknown						1	Lewis E M 76:56			cd 6243 2112 6211				Illuminated Music Leaf
Lewis E M 76:56	Lewis E M 76.56 reverse	mcai760562						Parchment		Unknown						2	Lewis E M 76:56			cd 6243 2112 6209				Illuminated Music Leaf
Lewis E M 76:57	Lewis E M 76.57	mcai760571						Parchment		Unknown						1	Lewis E M 76:57			cd 6243 2112 6209				Illuminated Medieval Manuscript Fragment
Lewis E M 77:1	Lewis E M 77.1	mcai770011						Parchment		Unknown						1	Lewis E M 77:01			cd 6243 2112 6685				Illuminated Medieval Manuscript Fragment
Lewis E M 77:2	Lewis E M 77.2	mcai770021						Parchment		Unknown						1	Lewis E M 77:02			cd 6243 2112 6685				Illuminated Manuscript Leaf
Lewis E M 77:3	Lewis E M 77.3	mcai770031						Parchment		Unknown						1	Lewis E M 77:03			cd 6243 2112 6685				Illuminated Manuscript Leaf
Lewis E M 77:4	Lewis E M 77.4	mcai770041						Parchment		Unknown						1	Lewis E M 77:04			cd 6243 2112 6685				Illuminated Manuscript Leaf
Lewis E M 77:5	Lewis E M 77.5	mcai770051						Parchment		Unknown						1	Lewis E M 77:05			cd 6243 2112 6685				Illuminated Manuscript Leaf
Lewis E M 77:6	Lewis E M 77.6	mcai770061						Parchment		Unknown						1	Lewis E M 77:06			cd 6243 2112 6685				Illuminated Fragment
Lewis E M 77:7	Lewis E M 77.7	mcai770071						Parchment		Unknown						1	Lewis E M 77:07			cd 6243 2112 6685				Illuminated Fragment
Lewis E M 77:8	Lewis E M 77.8	mcai770081						Parchment		Unknown						1	Lewis E M 77:08			cd 6243 2112 6685				Illuminated Fragment
Lewis E M 77:9	Lewis E M 77.9	mcai770091						Parchment		Unknown						1	Lewis E M 77:09			cd 6243 2112 6685				Illuminated Manuscript Leaf
Lewis E M 77:10	Lewis E M 77.10	mcai770101						Parchment		Unknown						1	Lewis E M 77:10			cd 6243 2112 6686				Illuminated Fragment
Lewis E M 77:11	Lewis E M 77.11	mcai770111						Parchment		Unknown						1	Lewis E M 77:11			cd 6243 2112 6686				Illuminated Music Leaf
Lewis E M 77:12	Lewis E M 77.12	mcai770121						Parchment		Unknown						1	Lewis E M 77:12			cd 6243 2112 6686				Illuminated Fragment
Lewis E M 77:13	Lewis E M 77.13 front a	mcai770133						Parchment		Unknown						1	Lewis E M 77:13			cd 6243 2112 6686				Illuminated Music Leaf
Lewis E M 77:13	Lewis E M 77.13 reverse a	mcai770135						Parchment		Unknown						2	Lewis E M 77:13			cd 6243 2112 6686				Illuminated Fragment
Lewis E M 77:13	Lewis E M 77.13 front b	mcai770137						Parchment		Unknown						3	Lewis E M 77:13			cd 6243 2112 6686				Illuminated Fragment
Lewis E M 77:14	Lewis E M 77.14 front	mcai770143						Parchment		Unknown						1	Lewis E M 77:14			cd 6243 2112 6687				Illuminated Fragment
Lewis E M 77:14	Lewis E M 77.14 reverse	mcai770145						Parchment		Unknown						2	Lewis E M 77:14			cd 6243 2112 6687				Illuminated Fragment
Lewis E M 77:15	Lewis E M 77.15	mcai770151						Parchment		Unknown						1	Lewis E M 77:15			cd 6243 2112 6687				Illuminated Music Leaf
Lewis E M 77:16	Lewis E M 77.16	mcai770161						Parchment		Unknown						1	Lewis E M 77:16			cd 6243 2112 6687				Illuminated Fragment
Lewis E M 77:17	Lewis E M 77.17	mcai770171						Parchment		Unknown						1	Lewis E M 77:17			cd 6243 2112 6687				Illuminated Music Leaf
Lewis E M 77:18	Lewis E M 77.18 front	mcai770183						Parchment		Unknown						1	Lewis E M 77:18			cd 6243 2112 6688				Illuminated Music Leaf
Lewis E M 77:18	Lewis E M 77.18 reverse	mcai770185						Parchment		Unknown						2	Lewis E M 77:18			cd 6243 2112 6688				Illuminated Music Leaf
Lewis E M 77:19	Lewis E M 77.19	mcai770191						Parchment		Unknown						1	Lewis E M 77:19			cd 6243 2112 6688				Illuminated Music Leaf
Lewis E M 77:20	Lewis E M 77.20	mcai770201						Parchment		Unknown						1	Lewis E M 77:20			cd 6243 2112 6689				Illuminated Music Leaf
Lewis E M 77:21	Lewis E M 77.21	mcai770211						Parchment		Unknown						1	Lewis E M 77:21			cd 6243 2112 6689				Illuminated Music Leaf
Lewis E M 77:22	Lewis E M 77.22	mcai770221						Parchment		Unknown						1	Lewis E M 77:22			cd 6243 2112 6690				Illuminated Fragment
Lewis E M 77:23	Lewis E M 77.23	mcai770231						Parchment		Unknown						1	Lewis E M 77:23			cd 6243 2112 6690				Illuminated Music Leaf
Lewis E M 77:24	Lewis E M 77.24	mcai770241						Parchment		Unknown						1	Lewis E M 77:24			cd 6243 2112 6690				Illuminated Music Leaf
Lewis E M 77:25	Lewis E M 77.25	mcai770251						Parchment		Unknown						1	Lewis E M 77:25			cd 6243 2112 6692				Illuminated Music Leaf
Lewis E M 77:26	Lewis E M 77.26	mcai770261						Parchment		Unknown						1	Lewis E M 77:26			cd 6243 2112 6692				Illuminated Music Leaf
Lewis E M 77:27	Lewis E M 77.27	mcai770271						Parchment		Unknown						1	Lewis E M 77:27			cd 6243 2112 6207				Illuminated Music Leaf
Lewis E M 77:27	Lewis E M 77.27	mcai770271						Parchment		Unknown						1	Lewis E M 77:27			cd 6243 2112 6692				Illuminated Music Leaf
Lewis E M 77:28	Lewis E M 77.28	mcai770281						Parchment		Unknown						1	Lewis E M 77:28			cd 6243 2112 6207				Illuminated Music Leaf
Lewis E M 77:28	Lewis E M 77.28	mcai770281						Parchment		Unknown						1	Lewis E M 77:28			cd 6243 2112 6692				Illuminated Music Leaf
Lewis E M 77:29	Lewis E M 77.29	mcai770291						Parchment		Unknown						1	Lewis E M 77:29			cd 6243 2112 6207				Illuminated Music Leaf
Lewis E M 77:29	Lewis E M 77.29	mcai770291						Parchment		Unknown						1	Lewis E M 77:29			cd 6243 2112 6693				Illuminated Music Leaf
Lewis E M 77:30	Lewis E M 77.30 front	mcai770301						Parchment		Unknown						1	Lewis E M 77:30			cd 6243 2112 6207				Illuminated Music Leaf
Lewis E M 77:30	Lewis E M 77.30 reverse	mcai770301						Parchment		Unknown						1	Lewis E M 77:30			cd 6243 2112 6693				Illuminated Music Leaf
Lewis Add 1	Lewis Add 1 recto	mcaia00101						Parchment		Unknown					recto	1	Lewis Add 1		recto					Music Manuscript
Lewis Add 1	Lewis Add 1 verso	mcaia00102						Parchment		Unknown					verso	2	Lewis Add 1		verso					Music Manuscript
Lewis Add 2	Lewis Add 2 recto	mcaia00201						Parchment		Unknown					recto	1	Lewis Add 2		recto					Music Manuscript
Lewis Add 2	Lewis Add 2 verso	mcaia00202						Parchment		Unknown					verso	2	Lewis Add 2		verso					Music Manuscript
Lewis Add 3	Lewis Add 3 recto	mcaia00301						Parchment		Unknown					recto	1	Lewis Add 3		recto					Music Manuscript
Lewis Add 3	Lewis Add 3 verso	mcaia00302						Parchment		Unknown					verso	2	Lewis Add 3		verso					Music Manuscript
Lewis Add 4	Lewis Add 4 recto	mcaia00401		ca. 1475				Parchment		Verona?, Italy					recto	1	Lewis Add 4		recto					Missal
Lewis T1	Lewis T1 front	mcat010011						Parchment		Unknown					front	1	Lewis T001		front	MSS 0001				Genesis 1:20 - 5:4
Lewis T1	Lewis T1 reverse	mcat010012						Parchment		Unknown					reverse	2	Lewis T001		reverse	MSS 0001				Genesis 1:20 - 5:4
Lewis T2	Lewis T2 front	mcat010021						Parchment		Unknown					front	1	Lewis T002		front	MSS 0001				Glossary of Biblical Names, Ez - Fi
Lewis T2	Lewis T2 reverse	mcat010022						Parchment		Unknown					reverse	2	Lewis T002		reverse	MSS 0001				Glossary of Biblical Names, Ez - Fi
Lewis T3	Lewis T3 front	mcat010031						Parchment		Unknown					front	1	Lewis T003		front	MSS 0001				Genesis 9:27 - 15:4
Lewis T3	Lewis T3 reverse	mcat010032						Parchment		Unknown					reverse	2	Lewis T003		reverse	MSS 0001				Genesis 9:27 - 15:4
Lewis T4	Lewis T4 front	mcat010041						Parchment		Unknown					front	1	Lewis T004		front	MSS 0001				Numbers 33:13-35, with marginal commentary
Lewis T4	Lewis T4 reverse	mcat010042						Parchment		Unknown					reverse	2	Lewis T004		reverse	MSS 0001				Numbers 33:13-35, with marginal commentary
Lewis T5	Lewis T5 front a	mcat010051						Parchment		Unknown					front	1	Lewis T005		front	MSS 0001				Deuteronomy 4:14-18, 19-25, 27-33, 34-40, with marginal commentary of Saint Augustine
Lewis T5	Lewis T5 reverse a	mcat010052						Parchment		Unknown					reverse	2	Lewis T005		reverse	MSS 0001				Deuteronomy 4:14-18, 19-25, 27-33, 34-40, with marginal commentary of Saint Augustine
Lewis T5	Lewis T5 front b	mcat010053						Parchment		Unknown					front	3	Lewis T005		front	MSS 0001				Deuteronomy 4:14-18, 19-25, 27-33, 34-40, with marginal commentary of Saint Augustine
Lewis T5	Lewis T5 reverse b	mcat010054						Parchment		Unknown					reverse	4	Lewis T005		reverse	MSS 0001				Deuteronomy 4:14-18, 19-25, 27-33, 34-40, with marginal commentary of Saint Augustine
Lewis T6	Lewis T6 front	mcat010061						Parchment		Unknown					front	1	Lewis T006		front	MSS 0001				Psalms 10:7 - 12:6, with contemporary and later interlinear and marginal glosses
Lewis T6	Lewis T6 reverse	mcat010062						Parchment		Unknown					reverse	2	Lewis T006		reverse	MSS 0001				Psalms 10:7 - 12:6, with contemporary and later interlinear and marginal glosses
Lewis T7	Lewis T7 front a	mcat010071						Parchment		Unknown					front	1	Lewis T007		front	MSS 0001				Psalms 27:7 - 31:9
Lewis T7	Lewis T7 reverse a	mcat010072						Parchment		Unknown					reverse	2	Lewis T007		reverse	MSS 0001				Psalms 27:7 - 31:9
Lewis T7	Lewis T7 front b	mcat010073						Parchment		Unknown					front	3	Lewis T007		front	MSS 0001				Psalms 27:7 - 31:9
Lewis T7	Lewis T7 reverse b	mcat010074						Parchment		Unknown					reverse	4	Lewis T007		reverse	MSS 0001				Psalms 27:7 - 31:9
Lewis T8	Lewis T8 front	mcat010081						Parchment		Unknown					front	1	Lewis T008		front	MSS 0001				Psalms 31:10 - 33:14
Lewis T8	Lewis T8 reverse	mcat010082						Parchment		Unknown					reverse	2	Lewis T008		reverse	MSS 0001				Psalms 31:10 - 33:14
Lewis T9	Lewis T9 front a	mcat010091						Parchment		Unknown					front	1	Lewis T009		front	MSS 0001				Psalms
Lewis T9	Lewis T9 reverse a	mcat010092						Parchment		Unknown					reverse	2	Lewis T009		reverse	MSS 0001				Psalms
Lewis T9	Lewis T9 front b	mcat010093						Parchment		Unknown					front	3	Lewis T009		front	MSS 0001				Psalms
Lewis T9	Lewis T9 reverse b	mcat010094						Parchment		Unknown					reverse	4	Lewis T009		reverse	MSS 0001				Psalms
Lewis T9	Lewis T9 front c	mcat010095						Parchment		Unknown					front	5	Lewis T009		front	MSS 0001				Psalms
Lewis T9	Lewis T9 reverse c	mcat010096						Parchment		Unknown					reverse	6	Lewis T009		reverse	MSS 0001				Psalms
Lewis T10	Lewis T10 front	mcat010101						Parchment		Unknown					front	1	Lewis T010		front	MSS 0001				Psalm 73:2-23
Lewis T10	Lewis T10 reverse	mcat010102						Parchment		Unknown					reverse	2	Lewis T010		reverse	MSS 0001				Psalm 73:2-23
Lewis T11	Lewis T11 front	mcat010111						Parchment		Unknown					front	1	Lewis T011		front	MSS 0001				Psalms 76:9 - 77:1
Lewis T11	Lewis T11 reverse	mcat010112						Parchment		Unknown					reverse	2	Lewis T011		reverse	MSS 0001				Psalms 76:9 - 77:1
Lewis T12	Lewis T12 front	mcat010121						Parchment		Unknown					front	1	Lewis T012		front	MSS 0001				Psalm 117:16-28
Lewis T12	Lewis T12 reverse	mcat010122						Parchment		Unknown					reverse	2	Lewis T012		reverse	MSS 0001				Psalm 117:16-28
Lewis T13	Lewis T13 front	mcat010131						Parchment		Unknown					front	1	Lewis T013		front	MSS 0001				Psalms 90:7 - 91:3
Lewis T13	Lewis T13 reverse	mcat010132						Parchment		Unknown					reverse	2	Lewis T013		reverse	MSS 0001				Psalms 90:7 - 91:3
Lewis T14	Lewis T14 front	mcat010141						Parchment		Unknown					front	1	Lewis T014		front	MSS 0001				Psalms 102:14 - 103:4
Lewis T14	Lewis T14 reverse	mcat010142						Parchment		Unknown					reverse	2	Lewis T014		reverse	MSS 0001				Psalms 102:14 - 103:4
Lewis T15	Lewis T15 front	mcat010151						Parchment		Unknown					front	1	Lewis T015		front	MSS 0002				Psalms 103:33 - 104:15
Lewis T15	Lewis T15 reverse	mcat010152						Parchment		Unknown					reverse	2	Lewis T015		reverse	MSS 0002				Psalms 103:33 - 104:15
Lewis T16	Lewis T16 front	mcat010161						Parchment		Unknown					front	1	Lewis T016		front	MSS 0002				Psalms 118:5 - 130:3
Lewis T16	Lewis T16 reverse	mcat010162						Parchment		Unknown					reverse	2	Lewis T016		reverse	MSS 0002				Psalms 118:5 - 130:3
Lewis T17	Lewis T17 front	mcat010171						Parchment		Unknown					front	1	Lewis T017		front	MSS 0002				Psalm 143:9 - end, with canticles
Lewis T17	Lewis T17 reverse	mcat010172						Parchment		Unknown					reverse	2	Lewis T017		reverse	MSS 0002				Psalm 143:9 - end, with canticles
Lewis T18	Lewis T18 front	mcat010181						Parchment		Unknown					front	1	Lewis T018		front	MSS 0002				Proverbs 13:21 - 14:18, with marginal and interlinear commentary
Lewis T18	Lewis T18 reverse	mcat010182						Parchment		Unknown					reverse	2	Lewis T018		reverse	MSS 0002				Proverbs 13:21 - 14:18, with marginal and interlinear commentary
Lewis T19	Lewis T19 front	mcat010191						Parchment		Unknown					front	1	Lewis T019		front	MSS 0002				Isaiah 29:14 - 30.5
Lewis T19	Lewis T19 reverse	mcat010192						Parchment		Unknown					reverse	2	Lewis T019		reverse	MSS 0002				Isaiah 29:14 - 30.5
Lewis T20	Lewis T20 front	mcat010201						Parchment		Unknown					front	1	Lewis T020		front	MSS 0002				Daniel 13:1-29, with part of Jerome's rubric and marginal and interlinear commentaries
Lewis T20	Lewis T20 reverse	mcat010202						Parchment		Unknown					reverse	2	Lewis T020		reverse	MSS 0002				Daniel 13:1-29, with part of Jerome's rubric and marginal and interlinear commentaries
Lewis T21	Lewis T21 front	mcat010211						Parchment		Unknown					front	1	Lewis T021		front	MSS 0002				Zechariah 11:16 - 12:4
Lewis T21	Lewis T21 reverse	mcat010212						Parchment		Unknown					reverse	2	Lewis T021		reverse	MSS 0002				Zechariah 11:16 - 12:4
Lewis T22	Lewis T22 front	mcat010221						Parchment		Unknown					front	1	Lewis T022		front	MSS 0002				Matthew Prologue, Chapters 1:1 - 3:15
Lewis T22	Lewis T22 reverse	mcat010222						Parchment		Unknown					reverse	2	Lewis T022		reverse	MSS 0002				Matthew Prologue, Chapters 1:1 - 3:15
Lewis T23	Lewis T23 front	mcat010231						Parchment		Unknown					front	1	Lewis T023		front	MSS 0002				Matthew 15; John 4
Lewis T23	Lewis T23 reverse	mcat010232						Parchment		Unknown					reverse	2	Lewis T023		reverse	MSS 0002				Matthew 15; John 4
Lewis T24	Lewis T24 front	mcat010241						Parchment		Unknown					front	1	Lewis T024		front	MSS 0002				Mark 14:43 - 15:8
Lewis T24	Lewis T24 reverse	mcat010242						Parchment		Unknown					reverse	2	Lewis T024		reverse	MSS 0002				Mark 14:43 - 15:8
Lewis T25	Lewis T25 front	mcat010251						Parchment		Unknown					front	1	Lewis T025		front	MSS 0002				Luke 22:34 - 23:2
Lewis T25	Lewis T25 reverse	mcat010252						Parchment		Unknown					reverse	2	Lewis T025		reverse	MSS 0002				Luke 22:34 - 23:2
Lewis T26	Lewis T26 front	mcat010261						Parchment		Unknown					front	1	Lewis T026		front	MSS 0002				Mark 14:25-66
Lewis T26	Lewis T26 reverse	mcat010262						Parchment		Unknown					reverse	2	Lewis T026		reverse	MSS 0002				Mark 14:25-66
Lewis T27	Lewis T27 front a	mcat010271						Parchment		Unknown					front	1	Lewis T027		front	MSS 0002				Luke 17:10-24
Lewis T27	Lewis T27 reverse a	mcat010272						Parchment		Unknown					reverse	2	Lewis T027		reverse	MSS 0002				Luke 17:10-24
Lewis T27	Lewis T27 front b	mcat010273						Parchment		Unknown					front	3	Lewis T027		front	MSS 0002				Luke 17:10-24
Lewis T27	Lewis T27 reverse b	mcat010274						Parchment		Unknown					reverse	4	Lewis T027		reverse	MSS 0003				Luke 17:10-24
Lewis T28	Lewis T28 front	mcat010281						Parchment		Unknown					front	1	Lewis T028		front	MSS 0003				John 18:15 - 19:11
Lewis T28	Lewis T28 reverse	mcat010282						Parchment		Unknown					reverse	2	Lewis T028		reverse	MSS 0003				John 18:15 - 19:11
Lewis T29	Lewis T29 front	mcat010291						Parchment		Unknown					front	1	Lewis T029		front	MSS 0003				Revelation 1:20 - 2:17
Lewis T29	Lewis T29 reverse	mcat010292						Parchment		Unknown					reverse	2	Lewis T029		reverse	MSS 0003				Revelation 1:20 - 2:17
Lewis T30	Lewis T30 front	mcat010301						Parchment		Unknown					front	1	Lewis T030		front	MSS 0003				Natural Philosophy
Lewis T30	Lewis T30 reverse	mcat010302						Parchment		Unknown					reverse	2	Lewis T030		reverse	MSS 0003				Natural Philosophy
Lewis T31	Lewis T31 front	mcat010311						Parchment		Unknown					front	1	Lewis T031		front	MSS 0003				Gregory the Great, Commentary on Job
Lewis T31	Lewis T31 reverse	mcat010312						Parchment		Unknown					reverse	2	Lewis T031		reverse	MSS 0003				Gregory the Great, Commentary on Job
Lewis T32	Lewis T32 front	mcat010321						Parchment		Unknown					front	1	Lewis T032		front	MSS 0003				Origen, Homilies on the Book of Jesus Nave (Joshua)
Lewis T32	Lewis T32 reverse	mcat010322						Parchment		Unknown					reverse	2	Lewis T032		reverse	MSS 0003				Origen, Homilies on the Book of Jesus Nave (Joshua)
Lewis T33	Lewis T33 front a	mcat020331						Parchment		Unknown					front	1	Lewis T033		front	MSS 0003				Commentary, Psalms 136:7 - 137:4; Psalms 138:21 - 139:6
Lewis T33	Lewis T33 reverse a	mcat020332						Parchment		Unknown					reverse	2	Lewis T033		reverse	MSS 0003				Commentary, Psalms 136:7 - 137:4; Psalms 138:21 - 139:6
Lewis T33	Lewis T33 front b	mcat020333						Parchment		Unknown					front	3	Lewis T033		front	MSS 0003				Commentary, Psalms 136:7 - 137:4; Psalms 138:21 - 139:6
Lewis T33	Lewis T33 reverse b	mcat020334						Parchment		Unknown					reverse	4	Lewis T033		reverse	MSS 0003				Commentary, Psalms 136:7 - 137:4; Psalms 138:21 - 139:6
Lewis T34	Lewis T34 front a	mcat020341						Parchment		Unknown					front	1	Lewis T034		front	MSS 0003				Commentary, Daniel 2:12-31, sections 8-11
Lewis T34	Lewis T34 reverse a	mcat020342						Parchment		Unknown					reverse	2	Lewis T034		reverse	MSS 0003				Commentary, Daniel 2:12-31, sections 8-11
Lewis T34	Lewis T34 front b	mcat020343						Parchment		Unknown					front	3	Lewis T034		front	MSS 0003				Commentary, Daniel 2:12-31, sections 8-11
Lewis T34	Lewis T34 reverse b	mcat020344						Parchment		Unknown					reverse	4	Lewis T034		reverse	MSS 0003				Commentary, Daniel 2:12-31, sections 8-11
Lewis T35	Lewis T35 front	mcat020351						Parchment		Unknown					front	1	Lewis T035		front	MSS 0003				Commentary or Homilies, John 21
Lewis T35	Lewis T35 reverse	mcat020352						Parchment		Unknown					reverse	2	Lewis T035		reverse	MSS 0003				Commentary or Homilies, John 21
Lewis T36	Lewis T36 front	mcat020361						Parchment		Unknown					front	1	Lewis T036		front	MSS 0003				Commentary on the Lord's Prayer
Lewis T36	Lewis T36 reverse	mcat020362						Parchment		Unknown					reverse	2	Lewis T036		reverse	MSS 0003				Commentary on the Lord's Prayer
Lewis T37	Lewis T37 front	mcat020371						Parchment		Unknown					front	1	Lewis T037		front	MSS 0003				Commentary, Matthew 8:1-4
Lewis T37	Lewis T37 reverse	mcat020372						Parchment		Unknown					reverse	2	Lewis T037		reverse	MSS 0003				Commentary, Matthew 8:1-4
Lewis T38	Lewis T38 front	mcat020381						Parchment		Unknown					front	1	Lewis T038		front	MSS 0003				Commentary, Luke()
Lewis T38	Lewis T38 reverse	mcat020382						Parchment		Unknown					reverse	2	Lewis T038		reverse	MSS 0003				Commentary, Luke()
Lewis T39	Lewis T39, fol. 1r	mcat020391						Parchment		Unknown					f. 1r	1	Lewis T039		f. 1r	MSS 0003				Antiphonary() for Christmas
Lewis T39	Lewis T39, fol. 1v	mcat020392						Parchment		Unknown					f. 1v	2	Lewis T039		f. 1v	MSS 0003				Antiphonary() for Christmas
Lewis T39	Lewis T39, fol. 2r	mcat020393						Parchment		Unknown					f. 2r	3	Lewis T039		f. 2r	MSS 0004				Antiphonary() for Christmas
Lewis T39	Lewis T39, fol. 2v	mcat020394						Parchment		Unknown					f. 2v	4	Lewis T039		f. 2v	MSS 0004				Antiphonary() for Christmas
Lewis T40	Lewis T40 front a	mcat020401						Parchment		Unknown					front	1	Lewis T040		front	MSS 0004				Antiphonary - Pentecost, three days following
Lewis T40	Lewis T40 reverse a	mcat020402						Parchment		Unknown					reverse	2	Lewis T040		reverse	MSS 0004				Antiphonary - Pentecost, three days following
Lewis T40	Lewis T40 front b	mcat020403						Parchment		Unknown					front	3	Lewis T040		front	MSS 0004				Antiphonary - Pentecost, three days following
Lewis T40	Lewis T40 reverse b	mcat020404						Parchment		Unknown					reverse	4	Lewis T040		reverse	MSS 0004				Antiphonary - Pentecost, three days following
Lewis T42	Lewis T42 front a	mcat020421						Parchment		Unknown					front	1	Lewis T042		front	MSS 0004				Antiphonary
Lewis T42	Lewis T42 reverse a	mcat020422						Parchment		Unknown					reverse	2	Lewis T042		reverse	MSS 0004				Antiphonary
Lewis T42	Lewis T42 front b	mcat020423						Parchment		Unknown					front	3	Lewis T042		front	MSS 0004				Antiphonary
Lewis T42	Lewis T42 reverse b	mcat020424						Parchment		Unknown					reverse	4	Lewis T042		reverse	MSS 0004				Antiphonary
Lewis T43	Lewis T43 front	mcat020431						Parchment		Unknown					front	1	Lewis T043		front	MSS 0004				Antiphonary
Lewis T43	Lewis T43 reverse	mcat020432						Parchment		Unknown					reverse	2	Lewis T043		reverse	MSS 0004				Antiphonary
Lewis T44	Lewis T44 front	mcat020441						Parchment		Unknown					front	1	Lewis T044		front	MSS 0004				Antiphonary, Feast of Saint Bartholomew
Lewis T44	Lewis T44 reverse	mcat020442						Parchment		Unknown					reverse	2	Lewis T044		reverse	MSS 0004				Antiphonary, Feast of Saint Bartholomew
Lewis T45	Lewis T45 front	mcat020451						Parchment		Unknown					front	1	Lewis T045		front	MSS 0004				Antiphonary
Lewis T45	Lewis T45 reverse	mcat020452						Parchment		Unknown					reverse	2	Lewis T045		reverse	MSS 0004				Antiphonary
Lewis T46	Lewis T46 front	mcat020461						Parchment		Unknown					front	1	Lewis T046		front	MSS 0004				Antiphonary for the feast of a virgin
Lewis T46	Lewis T46 reverse	mcat020462						Parchment		Unknown					reverse	2	Lewis T046		reverse	MSS 0004				Antiphonary for the feast of a virgin
Lewis T47	Lewis T47 front a	mcat020471						Parchment		Unknown					front	1	Lewis T047		front	MSS 0004				Breviary
Lewis T47	Lewis T47 reverse a	mcat020472						Parchment		Unknown					reverse	2	Lewis T047		reverse	MSS 0004				Breviary
Lewis T47	Lewis T47 front b	mcat020473						Parchment		Unknown					front	3	Lewis T047		front	MSS 0004				Breviary
Lewis T47	Lewis T47 reverse b	mcat020474						Parchment		Unknown					reverse	4	Lewis T047		reverse	MSS 0004				Breviary
Lewis T48	Lewis T48 front a	mcat020481						Parchment		Unknown					front	1	Lewis T048		front	MSS 0004				Breviary, 1st-2nd Sunday of Advent
Lewis T48	Lewis T48 reverse a	mcat020482					Box 2	Parchment		Unknown					reverse	2	Lewis T048		reverse	MSS 0004				Breviary, 1st-2nd Sunday of Advent
Lewis T48	Lewis T48, fol. 2r	mcat020483						Parchment		Unknown					f. 2r	3	Lewis T048		f. 2r	MSS 0004				Breviary, 1st-2nd Sunday of Advent
Lewis T48	Lewis T48, fol. 2v	mcat020484						Parchment		Unknown					f. 2v	4	Lewis T048		f. 2v	MSS 0004				Breviary, 1st-2nd Sunday of Advent
Lewis T49	Lewis T49 front a	mcat020491						Parchment		Unknown					front	1	Lewis T049		front					Breviary, 2nd-4th Sunday after Pentecost
Lewis T49	Lewis T49 reverse a	mcat020492						Parchment		Unknown					reverse	2	Lewis T049		reverse					Breviary, 2nd-4th Sunday after Pentecost
Lewis T49	Lewis T49 front b	mcat020493						Parchment		Unknown					front	3	Lewis T049		front					Breviary, 2nd-4th Sunday after Pentecost
Lewis T49	Lewis T49 reverse b	mcat020494						Parchment		Unknown					reverse	4	Lewis T049		reverse					Breviary, 2nd-4th Sunday after Pentecost
Lewis T49	Lewis T49 front c	mcat020495						Parchment		Unknown					front	5	Lewis T049		front					Breviary, 2nd-4th Sunday after Pentecost
Lewis T49	Lewis T49 reverse c	mcat020496						Parchment		Unknown					reverse	6	Lewis T049		reverse					Breviary, 2nd-4th Sunday after Pentecost
Lewis T49	Lewis T49 front d	mcat020497						Parchment		Unknown					front	7	Lewis T049		front					Breviary, 2nd-4th Sunday after Pentecost
Lewis T49	Lewis T49 reverse d	mcat020498						Parchment		Unknown					reverse	8	Lewis T049		reverse					Breviary, 2nd-4th Sunday after Pentecost
Lewis T50	Lewis T50 front	mcat020501						Parchment		Unknown					front	1	Lewis T050		front	MSS 0004				Canon Law
Lewis T50	Lewis T50 reverse	mcat020502						Parchment		Unknown					reverse	2	Lewis T050		reverse	MSS 0005				Canon Law
Lewis T51	Lewis T51 front	mcat020511						Parchment		Unknown					front	1	Lewis T051		front	MSS 0005				Breviary
Lewis T51	Lewis T51 reverse	mcat020512						Parchment		Unknown					reverse	2	Lewis T051		reverse	MSS 0005				Breviary
Lewis T52	Lewis T52 front a	mcat020521						Parchment		Unknown					front	1	Lewis T052		front	MSS 0005				Breviary, Octave of the Epiphany (Jan. 13), with commemoration of Saints Remigius and Hilary
Lewis T52	Lewis T52 reverse a	mcat020522						Parchment		Unknown					reverse	2	Lewis T052		reverse	MSS 0005				Breviary, Octave of the Epiphany (Jan. 13), with commemoration of Saints Remigius and Hilary
Lewis T52	Lewis T52 front b	mcat020523						Parchment		Unknown					front	3	Lewis T052		front	MSS 0005				Breviary, Octave of the Epiphany (Jan. 13), with commemoration of Saints Remigius and Hilary
Lewis T52	Lewis T52 reverse b	mcat020524						Parchment		Unknown					reverse	4	Lewis T052		reverse	MSS 0005				Breviary, Octave of the Epiphany (Jan. 13), with commemoration of Saints Remigius and Hilary
Lewis T53	Lewis T53 front	mcat020531						Parchment		Unknown					front	1	Lewis T053		front	MSS 0005				Breviary, after the 1st Sunday in Lent and Ember Saturday, with neumes
Lewis T53	Lewis T53 reverse	mcat020532						Parchment		Unknown					reverse	2	Lewis T053		reverse	MSS 0005				Breviary, after the 1st Sunday in Lent and Ember Saturday, with neumes
Lewis T54	Lewis T54 front	mcat020541						Parchment		Unknown					front	1	Lewis T054		front	MSS 0005				Breviary, 17th Sunday after Pentecost and the following four days
Lewis T54	Lewis T54 reverse	mcat020542						Parchment		Unknown					reverse	2	Lewis T054		reverse	MSS 0005				Breviary, 17th Sunday after Pentecost and the following four days
Lewis T55	Lewis T55 front	mcat020551						Parchment		Unknown					front	1	Lewis T055		front	MSS 0005				Breviary, 3rd Sunday of November and 20th day after Pentecost
Lewis T55	Lewis T55 reverse	mcat020552						Parchment		Unknown					reverse	2	Lewis T055		reverse	MSS 0005				Breviary, 3rd Sunday of November and 20th day after Pentecost
Lewis T56	Lewis T56 front	mcat020561						Parchment		Unknown					front	1	Lewis T056		front	MSS 0005				Breviary, Visitation, July 2nd
Lewis T56	Lewis T56 reverse	mcat020562						Parchment		Unknown					reverse	2	Lewis T056		reverse	MSS 0005				Breviary, Visitation, July 2nd
Lewis T57	Lewis T57 front	mcat020571						Parchment		Unknown					front	1	Lewis T057		front	MSS 0005				Breviary, Aug. 6-7
Lewis T57	Lewis T57 reverse	mcat020572						Parchment		Unknown					reverse	2	Lewis T057		reverse	MSS 0005				Breviary, Aug. 6-7
Lewis T58	Lewis T58 front	mcat020581						Parchment		Unknown					front	1	Lewis T058		front	MSS 0005				Breviary, Feast of Saint Lawrence, Aug. 10
Lewis T58	Lewis T58 reverse	mcat020582						Parchment		Unknown					reverse	2	Lewis T058		reverse	MSS 0005				Breviary, Feast of Saint Lawrence, Aug. 10
Lewis T59	Lewis T59 front	mcat020591						Parchment		Unknown					front	1	Lewis T059		front	MSS 0005				Breviary, Susanna, Aug. 11
Lewis T59	Lewis T59 reverse	mcat020592						Parchment		Unknown					reverse	2	Lewis T059		reverse	MSS 0005				Breviary, Susanna, Aug. 11
Lewis T60	Lewis T60 front	mcat020601						Parchment		Unknown					front	1	Lewis T060		front	MSS 0005				Breviary (non-Roman), Saints Firminus, Cyprian and Justina, Cosmas and Damian, Sept. 26-27
Lewis T60	Lewis T60 reverse	mcat020602						Parchment		Unknown					reverse	2	Lewis T060		reverse	MSS 0005				Breviary (non-Roman), Saints Firminus, Cyprian and Justina, Cosmas and Damian, Sept. 26-27
Lewis T61	Lewis T61 front	mcat020611						Parchment		Unknown					front	1	Lewis T061		front	MSS 0005				Breviary, Saint Michael the Archangel, Sept. 29
Lewis T61	Lewis T61 reverse	mcat020612						Parchment		Unknown					reverse	2	Lewis T061		reverse	MSS 0005				Breviary, Saint Michael the Archangel, Sept. 29
Lewis T62	Lewis T62 front	mcat030621						Parchment		Unknown					front	1	Lewis T062		front	MSS 0005				Breviary, with neumes
Lewis T62	Lewis T62 reverse	mcat030622						Parchment		Unknown					reverse	2	Lewis T062		reverse	MSS 0005				Breviary, with neumes
Lewis T63	Lewis T63 front	mcat030631						Parchment		Unknown					front	1	Lewis T063		front	MSS 0005				Breviary, with neumes
Lewis T63	Lewis T63 reverse	mcat030632						Parchment		Unknown					reverse	2	Lewis T063		reverse	MSS 0006				Breviary, with neumes
Lewis T64	Lewis T64 front	mcat030641						Parchment		Unknown					front	1	Lewis T064		front	MSS 0006				Breviary
Lewis T64	Lewis T64 reverse	mcat030642						Parchment		Unknown					reverse	2	Lewis T064		reverse	MSS 0006				Breviary
Lewis T65	Lewis T65 front a	mcat030651						Parchment		Unknown					front	1	Lewis T065		front	MSS 0006				Breviary
Lewis T65	Lewis T65 reverse a	mcat030652						Parchment		Unknown					reverse	2	Lewis T065		reverse	MSS 0006				Breviary
Lewis T65	Lewis T65 front b	mcat030653						Parchment		Unknown					front	3	Lewis T065		front	MSS 0006				Breviary
Lewis T65	Lewis T65 reverse b	mcat030654						Parchment		Unknown					reverse	4	Lewis T065		reverse	MSS 0006				Breviary
Lewis T66	Lewis T66 front c	mcat030661						Parchment		Unknown					front	1	Lewis T066		front	MSS 0006				Breviary
Lewis T66	Lewis T66 reverse c	mcat030662					Binding	Parchment		Unknown					reverse	2	Lewis T066		reverse	MSS 0006				Breviary
Lewis T67	Lewis T67 front a	mcat030671						Parchment		Unknown					front	1	Lewis T067		front	MSS 0006				Breviary (not Roman), Saints Cornelius and Cyprian, Saint Ursula and Companions, Sept. 16 and Oct. 21
Lewis T67	Lewis T67 reverse a	mcat030672						Parchment		Unknown					reverse	2	Lewis T067		reverse	MSS 0006				Breviary (not Roman), Saints Cornelius and Cyprian, Saint Ursula and Companions, Sept. 16 and Oct. 21
Lewis T67	Lewis T67 front b	mcat030673						Parchment		Unknown					front	3	Lewis T067		front	MSS 0006				Breviary (not Roman), Saints Cornelius and Cyprian, Saint Ursula and Companions, Sept. 16 and Oct. 21
Lewis T67	Lewis T67 reverse b	mcat030674						Parchment		Unknown					reverse	4	Lewis T067		reverse	MSS 0006				Breviary (not Roman), Saints Cornelius and Cyprian, Saint Ursula and Companions, Sept. 16 and Oct. 21
Lewis T68	Lewis T68 front	mcat030681						Parchment		Unknown					front	1	Lewis T068		front	MSS 0006				Gradual, 4th Sunday of Lent, the day following
Lewis T68	Lewis T68 reverse	mcat030682						Parchment		Unknown					reverse	2	Lewis T068		reverse	MSS 0006				Gradual, 4th Sunday of Lent, the day following
Lewis T69	Lewis T69 front	mcat030691						Parchment		Unknown					front	1	Lewis T069		front	MSS 0006				Prayers in honor of virgins
Lewis T69	Lewis T69 reverse	mcat030692						Parchment		Unknown					reverse	2	Lewis T069		reverse					Prayers in honor of virgins
Lewis T70	Lewis T70 front	mcat030701						Parchment		Unknown					front	1	Lewis T070		front	MSS 0006				Gradual or Missal
Lewis T70	Lewis T70 reverse	mcat030702						Parchment		Unknown					reverse	2	Lewis T070		reverse	MSS 0006				Gradual or Missal
Lewis T71	Lewis T71 front a	mcat030711						Parchment		Unknown					front	1	Lewis T071		front	MSS 0006				Gradual, Holy Saturday until Rogation Days
Lewis T71	Lewis T71 reverse a	mcat030712						Parchment		Unknown					reverse	2	Lewis T071		reverse	MSS 0006				Gradual, Holy Saturday until Rogation Days
Lewis T71	Lewis T71 front b	mcat030713						Parchment		Unknown					front	3	Lewis T071		front	MSS 0006				Gradual, Holy Saturday until Rogation Days
Lewis T71	Lewis T71 reverse b	mcat030714						Parchment		Unknown					reverse	4	Lewis T071		reverse	MSS 0006				Gradual, Holy Saturday until Rogation Days
Lewis T71	Lewis T71 front c	mcat030715						Parchment		Unknown					front	5	Lewis T071		front	MSS 0006				Gradual, Holy Saturday until Rogation Days
Lewis T71	Lewis T71 reverse c	mcat030716						Parchment		Unknown					reverse	6	Lewis T071		reverse	MSS 0006				Gradual, Holy Saturday until Rogation Days
Lewis T71	Lewis T71 front d	mcat030717						Parchment		Unknown					front	7	Lewis T071		front	MSS 0006				Gradual, Holy Saturday until Rogation Days
Lewis T71	Lewis T71 reverse d	mcat030718						Parchment		Unknown					reverse	8	Lewis T071		reverse	MSS 0006				Gradual, Holy Saturday until Rogation Days
Lewis T72	Lewis T72 front	mcat030721						Parchment		Unknown					front	1	Lewis T072		front	MSS 0006				Gradual, May 1-3
Lewis T72	Lewis T72 reverse	mcat030722						Parchment		Unknown					reverse	2	Lewis T072		reverse	MSS 0006				Gradual, May 1-3
Lewis T72	Lewis T72 front	mcat030723						Parchment		Unknown					front	3	Lewis T072		front	MSS 0006				Gradual, May 1-3
Lewis T72	Lewis T72 reverse	mcat030724						Parchment		Unknown					reverse	4	Lewis T072		reverse	MSS 0006				Gradual, May 1-3
Lewis T73	Lewis T73 front	mcat030731						Parchment		Unknown					front	1	Lewis T073		front	MSS 0006				Lectionary, Feasts of Saint John the Evangelist and Holy Innocents
Lewis T73	Lewis T73 reverse	mcat030732						Parchment		Unknown					reverse	2	Lewis T073		reverse	MSS 0007				Lectionary, Feasts of Saint John the Evangelist and Holy Innocents
Lewis T74	Lewis T74 front	mcat030741						Parchment		Unknown					front	1	Lewis T074		front	MSS 0007				Missal, Gospels and Epistles for Circumcision and Epiphany
Lewis T74	Lewis T74 reverse	mcat030742						Parchment		Unknown					reverse	2	Lewis T074		reverse	MSS 0007				Missal, Gospels and Epistles for Circumcision and Epiphany
Lewis T75	Lewis T75 front	mcat030751						Parchment		Unknown					front	1	Lewis T075		front	MSS 0007				Lectionary, for 4-6 Feriae after Pentecost
Lewis T75	Lewis T75 reverse	mcat030752						Parchment		Unknown					reverse	2	Lewis T075		reverse	MSS 0007				Lectionary, for 4-6 Feriae after Pentecost
Lewis T76	Lewis T76 front	mcat030761						Parchment		Unknown					front	1	Lewis T076		front	MSS 0007				Lectionary: Epistles and Gospels, Annunciation, Visitation
Lewis T76	Lewis T76 reverse	mcat030762						Parchment		Unknown					reverse	2	Lewis T076		reverse	MSS 0007				Lectionary: Epistles and Gospels, Annunciation, Visitation
Lewis T77	Lewis T77 front	mcat030771						Parchment		Unknown					front	1	Lewis T077		front	MSS 0007				Lectionary, Sermons on the Assumption of the Blessed Virgin Mary
Lewis T77	Lewis T77 reverse	mcat030772						Parchment		Unknown					reverse	2	Lewis T077		reverse	MSS 0007				Lectionary, Sermons on the Assumption of the Blessed Virgin Mary
Lewis T78a	Lewis T78a front	mcat030781						Parchment		Unknown					front	1	Lewis T078a		front	MSS 0007				Lectionary, Homily on Matthew 2:19
Lewis T78a	Lewis T78a reverse	mcat030782						Parchment		Unknown					reverse	2	Lewis T078a		reverse	MSS 0007				Lectionary, Homily on Matthew 2:19
Lewis T78b	Lewis T78b front	mcat030783						Parchment		Unknown					front	1	Lewis T078b		front	MSS 0007				Lectionary, Homily on Matthew 2:19
Lewis T78b	Lewis T78b reverse	mcat030784						Parchment		Unknown					reverse	2	Lewis T078b		reverse	MSS 0007				Lectionary, Homily on Matthew 2:19
Lewis T79	Lewis T79 front	mcat030791						Parchment		Unknown					front	1	Lewis T079		front	MSS 0007				Lectionary, texts from Habakkuk and Zephaniah
Lewis T79	Lewis T79 reverse	mcat030792						Parchment		Unknown					reverse	2	Lewis T079		reverse	MSS 0007				Lectionary, texts from Habakkuk and Zephaniah
Lewis T80	Lewis T80 front	mcat030801						Parchment		Unknown					front	1	Lewis T080		front	MSS 0007				Evangelistary Fragment
Lewis T80	Lewis T80 reverse	mcat030802						Parchment		Unknown					reverse	2	Lewis T080		reverse	MSS 0007				Evangelistary Fragment
Lewis T81	Lewis T81 front a	mcat030811						Parchment		Unknown					front	1	Lewis T081		front	MSS 0007				Document
Lewis T81	Lewis T81 reverse a	mcat030812						Parchment		Unknown					reverse	2	Lewis T081		reverse	MSS 0007				Document
Lewis T81	Lewis T81, fol. 2r	mcat030813						Parchment		Unknown					f. 2r	3	Lewis T081		f. 2r	MSS 0007				Document
Lewis T81	Lewis T81, fol. 2v	mcat030814						Parchment		Unknown					f. 2v	4	Lewis T081		f. 2v	MSS 0007				Document
Lewis T82	Lewis T82 front	mcat030821						Parchment		Unknown					front	1	Lewis T082		front					Missal (Canon)
Lewis T82	Lewis T82 reverse	mcat030822						Parchment		Unknown					reverse	2	Lewis T082		reverse					Missal (Canon)
Lewis T83	Lewis T83 front	mcat030831						Parchment		Unknown					front	1	Lewis T083		front	MSS 0007				Missal (Pater noster), with neumes
Lewis T83	Lewis T83 reverse	mcat030832						Parchment		Unknown					reverse	2	Lewis T083		reverse	MSS 0007				Missal (Pater noster), with neumes
Lewis T84	Lewis T84 front a	mcat030841						Parchment		Unknown					front	1	Lewis T084		front	MSS 0007				Missal: Ash Wednesday, following Thursday, one other day in Lent
Lewis T84	Lewis T84 reverse a	mcat030842						Parchment		Unknown					reverse	2	Lewis T084		reverse	MSS 0007				Missal: Ash Wednesday, following Thursday, one other day in Lent
Lewis T84	Lewis T84 front b	mcat030843						Parchment		Unknown					front	3	Lewis T084		front	MSS 0008				Missal: Ash Wednesday, following Thursday, one other day in Lent
Lewis T84	Lewis T84 reverse b	mcat030844						Parchment		Unknown					reverse	4	Lewis T084		reverse	MSS 0008				Missal: Ash Wednesday, following Thursday, one other day in Lent
Lewis T86	Lewis T86 front	mcat030861						Parchment		Unknown					front	1	Lewis T086		front	MSS 0008				Missal: Ember Saturday, Second Sunday in Lent
Lewis T86	Lewis T86 reverse	mcat030862						Parchment		Unknown					reverse	2	Lewis T086		reverse	MSS 0008				Missal: Ember Saturday, Second Sunday in Lent
Lewis T87	Lewis T87 front	mcat030871						Parchment		Unknown					front	1	Lewis T087		front	MSS 0008				Missal: Ember Saturday, with neumes
Lewis T87	Lewis T87 reverse	mcat030872						Parchment		Unknown					reverse	2	Lewis T087		reverse	MSS 0008				Missal: Ember Saturday, with neumes
Lewis T88	Lewis T88 front	mcat030881						Parchment		Unknown					front	1	Lewis T088		front	MSS 0008				Missal: Second and Third Feriae after the Second Sunday in Lent, with neumes
Lewis T88	Lewis T88 reverse	mcat030882						Parchment		Unknown					reverse	2	Lewis T088		reverse	MSS 0008				Missal: Second and Third Feriae after the Second Sunday in Lent, with neumes
Lewis T89	Lewis T89 front a	mcat030891						Parchment		Unknown					front	1	Lewis T089		front	MSS 0008				Missal: Monday, Tuesday, & Saturday after the Fourth Sunday in Lent
Lewis T89	Lewis T89 reverse a	mcat030892						Parchment		Unknown					reverse	2	Lewis T089		reverse	MSS 0008				Missal: Monday, Tuesday, & Saturday after the Fourth Sunday in Lent
Lewis T89	Lewis T89 front b	mcat030893						Parchment		Unknown					front	3	Lewis T089		front	MSS 0008				Missal: Monday, Tuesday, & Saturday after the Fourth Sunday in Lent
Lewis T89	Lewis T89 reverse b	mcat030894						Parchment		Unknown					reverse	4	Lewis T089		reverse	MSS 0008				Missal: Monday, Tuesday, & Saturday after the Fourth Sunday in Lent
Lewis T90	Lewis T90 front	mcat030901						Parchment		Unknown					front	1	Lewis T090		front	MSS 0008				Missal: Saturday of Passion Week and Palm Sunday
Lewis T90	Lewis T90 reverse	mcat030902						Parchment		Unknown					reverse	2	Lewis T090		reverse	MSS 0008				Missal: Saturday of Passion Week and Palm Sunday
Lewis T91	Lewis T91 front	mcat030911						Parchment		Unknown					front	1	Lewis T091		front	MSS 0008				Missal: Holy Thursday, Good Friday
Lewis T91	Lewis T91 reverse	mcat030912						Parchment		Unknown					reverse	2	Lewis T091		reverse	MSS 0008				Missal: Holy Thursday, Good Friday
Lewis T92	Lewis T92 front	mcat040921						Parchment		Unknown					front	1	Lewis T092		front	MSS 0008				Missal: Good Friday, with neumes
Lewis T92	Lewis T92 reverse	mcat040922						Parchment		Unknown					reverse	2	Lewis T092		reverse	MSS 0008				Missal: Good Friday, with neumes
Lewis T93	Lewis T93 front	mcat040931						Parchment		Unknown					front	1	Lewis T093		front	MSS 0008				Missal: Holy Saturday, with neumes
Lewis T93	Lewis T93 reverse	mcat040932						Parchment		Unknown					reverse	2	Lewis T093		reverse	MSS 0008				Missal: Holy Saturday, with neumes
Lewis T94	Lewis T94 front	mcat040941						Parchment		Unknown					front	1	Lewis T094		front	MSS 0008				Missal: December 27-28, with neumes
Lewis T94	Lewis T94 reverse	mcat040942						Parchment		Unknown					reverse	2	Lewis T094		reverse	MSS 0008				Missal: December 27-28, with neumes
Lewis T95	Lewis T95 front a	mcat040951						Parchment		Unknown					front	1	Lewis T095		front	MSS 0008				Missal: January 18, St. Peter's Chair at Rome
Lewis T95	Lewis T95 reverse a	mcat040952						Parchment		Unknown					reverse	2	Lewis T095		reverse	MSS 0008				Missal: January 18, St. Peter's Chair at Rome
Lewis T96	Lewis T96 front b	mcat040961						Parchment		Unknown					front	1	Lewis T096		front					Missal: Friday, Saturday of the Ember Days after Pentecost, Second Sunday after Pentecost
Lewis T96	Lewis T96 reverse b	mcat040962						Parchment		Unknown					reverse	2	Lewis T096		reverse					Missal: Friday, Saturday of the Ember Days after Pentecost, Second Sunday after Pentecost
Lewis T96	Lewis T96 front c	mcat040963						Parchment		Unknown					front	3	Lewis T096		front					Missal: Friday, Saturday of the Ember Days after Pentecost, Second Sunday after Pentecost
Lewis T96	Lewis T96 reverse c	mcat040964						Parchment		Unknown					reverse	4	Lewis T096		reverse					Missal: Friday, Saturday of the Ember Days after Pentecost, Second Sunday after Pentecost
Lewis T97	Lewis T97 front	mcat040971						Parchment		Unknown					front	1	Lewis T097		front	MSS 0009				Missal: Feast of Corpus Christi
Lewis T97	Lewis T97 reverse	mcat040972						Parchment		Unknown					reverse	2	Lewis T097		reverse	MSS 0009				Missal: Feast of Corpus Christi
Lewis T98	Lewis T98 front	mcat040981						Parchment		Unknown					front	1	Lewis T098		front	MSS 0009				Missal with neumes
Lewis T98	Lewis T98 reverse	mcat040982						Parchment		Unknown					reverse	2	Lewis T098		reverse	MSS 0009				Missal with neumes
Lewis T99	Lewis T99 front	mcat040991						Parchment		Unknown					front	1	Lewis T099		front	MSS 0009				Missal: December 7, Vigil of the Immaculate Conception
Lewis T99	Lewis T99 reverse	mcat040992						Parchment		Unknown					reverse	2	Lewis T099		reverse	MSS 0009				Missal: December 7, Vigil of the Immaculate Conception
Lewis T100	Lewis T100 front	mcat041001						Parchment		Unknown					front	1	Lewis T100		front	MSS 0009				Scholastic Treatise on Baptism
Lewis T100	Lewis T100 reverse	mcat041002						Parchment		Unknown					reverse	2	Lewis T100		reverse	MSS 0009				Scholastic Treatise on Baptism
Lewis T101	Lewis T101 front	mcat041011						Parchment		Unknown					front	1	Lewis T101		front	MSS 0009				Missal: July 22-30
Lewis T101	Lewis T101 reverse	mcat041012						Parchment		Unknown					reverse	2	Lewis T101		reverse	MSS 0009				Missal: July 22-30
Lewis T102	Lewis T102 front	mcat041021						Parchment		Unknown					front	1	Lewis T102		front	MSS 0009				Missal: Sanctoral Cycle, July 30-August 14
Lewis T102	Lewis T102 reverse	mcat041022						Parchment		Unknown					reverse	2	Lewis T102		reverse	MSS 0009				Missal: Sanctoral Cycle, July 30-August 14
Lewis T103	Lewis T103 front	mcat041031						Parchment		Unknown					front	1	Lewis T103		front	MSS 0009				Missal: September 8-16
Lewis T103	Lewis T103 reverse	mcat041032						Parchment		Unknown					reverse	2	Lewis T103		reverse	MSS 0009				Missal: September 8-16
Lewis T104	Lewis T104 front	mcat041041						Parchment		Unknown					front	1	Lewis T104		front	MSS 0009				Missal
Lewis T104	Lewis T104 reverse	mcat041042						Parchment		Unknown					reverse	2	Lewis T104		reverse	MSS 0009				Missal
Lewis T105a	Lewis T105a front a	mcat041051						Parchment		Unknown					front	1	Lewis T105a		front	MSS 0009				Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T105a	Lewis T105a reverse a	mcat041052						Parchment		Unknown					reverse	2	Lewis T105a		reverse	MSS 0009				Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T105a	Lewis T105a front b	mcat041053						Parchment		Unknown					front	3	Lewis T105a		front	MSS 0009				Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T105a	Lewis T105a reverse b	mcat041054						Parchment		Unknown					reverse	4	Lewis T105a		reverse	MSS 0009				Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T105b	Lewis T105b front	mcat041055						Parchment		Unknown					front	1	Lewis T105b		front	MSS 0009				Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T105b	Lewis T105b reverse	mcat041056						Parchment		Unknown					reverse	2	Lewis T105b		reverse	MSS 0009				Missal: Feasts of St. Caesarius Martyr, All Saints, Dedication of a Church
Lewis T106	Lewis T106 front	mcat041061						Parchment		Unknown					front	1	Lewis T106		front	MSS 0009				Missal: Prayers for Votive Masses
Lewis T106	Lewis T106 reverse	mcat041062						Parchment		Unknown					reverse	2	Lewis T106		reverse	MSS 0009				Missal: Prayers for Votive Masses
Lewis T107	Lewis T107 front	mcat041071						Parchment		Unknown					front	1	Lewis T107		front	MSS 0009				Missal: Epistle from Jeremiah, Gospel from Luke 8:22-26
Lewis T107	Lewis T107 reverse	mcat041072						Parchment		Unknown					reverse	2	Lewis T107		reverse	MSS 0009				Missal: Epistle from Jeremiah, Gospel from Luke 8:22-26
Lewis T108	Lewis T108 front	mcat041081						Parchment		Unknown					front	1	Lewis T108		front	MSS 0010				Missal: Votive Masses for the Pope, King, Peace, an Abbot
Lewis T108	Lewis T108 reverse	mcat041082						Parchment		Unknown					reverse	2	Lewis T108		reverse	MSS 0010				Missal: Votive Masses for the Pope, King, Peace, an Abbot
Lewis T109	Lewis T109 front	mcat041091						Parchment		Unknown					front	1	Lewis T109		front	MSS 0010				Mass Rubrics in Verse
Lewis T109	Lewis T109 reverse	mcat041092						Parchment		Unknown					reverse	2	Lewis T109		reverse	MSS 0010				Mass Rubrics in Verse
Lewis T110	Lewis T110 front	mcat041101						Parchment		Unknown					front	1	Lewis T110		front	MSS 0010				Mass Rubrics in Verse
Lewis T110	Lewis T110 reverse	mcat041102						Parchment		Unknown					reverse	2	Lewis T110		reverse	MSS 0010				Mass Rubrics in Verse
Lewis T111	Lewis T111 front	mcat041111		800 AD	999		Inc. (fol. 1 recto): ad superni plenitudine
 (fol. 1. verso): implorans ut quod	Parchment		Unknown	Caroline Minuscule				front	1	Lewis T111		front	MSS 0010				Sacramentary
Lewis T111	Lewis T111 reverse	mcat041112						Parchment		Unknown					reverse	2	Lewis T111		reverse	MSS 0010				Sacramentary
Lewis T112	Lewis T112 front	mcat041121						Parchment		Unknown					front	1	Lewis T112		front	MSS 0010				Hymnary: Ave maris stella, gaude viscerbus mater, et al.
Lewis T112	Lewis T112 reverse	mcat041122						Parchment		Unknown					reverse	2	Lewis T112		reverse	MSS 0010				Hymnary: Ave maris stella, gaude viscerbus mater, et al.
Lewis T113	Lewis T113 front a	mcat041131						Parchment		Unknown					front	1	Lewis T113		front	MSS 0010				Processional or Gradual: Holy Saturday and Easter, with neumes
Lewis T113	Lewis T113 reverse a	mcat041132						Parchment		Unknown					reverse	2	Lewis T113		reverse	MSS 0010				Processional or Gradual: Holy Saturday and Easter, with neumes
Lewis T113	Lewis T113 front b	mcat041133						Parchment		Unknown					front	3	Lewis T113		front	MSS 0010				Processional or Gradual: Holy Saturday and Easter, with neumes
Lewis T113	Lewis T113 reverse b	mcat041134						Parchment		Unknown					reverse	4	Lewis T113		reverse	MSS 0010				Processional or Gradual: Holy Saturday and Easter, with neumes
Lewis T114	Lewis T114 front a	mcat041141						Parchment		Unknown					front	1	Lewis T114		front	MSS 0010				Calendar, July-October
Lewis T114	Lewis T114 reverse a	mcat041142						Parchment		Unknown					reverse	2	Lewis T114		reverse	MSS 0010				Calendar, July-October
Lewis T114	Lewis T114 front b	mcat041143						Parchment		Unknown					front	3	Lewis T114		front	MSS 0010				Calendar, July-October
Lewis T114	Lewis T114 reverse b	mcat041144						Parchment		Unknown					reverse	4	Lewis T114		reverse	MSS 0010				Calendar, July-October
Lewis T115	Lewis T115 front	mcat041151						Parchment		Unknown					front	1	Lewis T115		front	MSS 0010				Index of Biblical Readings for the Principal Feasts
Lewis T115	Lewis T115 reverse	mcat041152						Parchment		Unknown					reverse	2	Lewis T115		reverse	MSS 0010				Index of Biblical Readings for the Principal Feasts
Lewis T116	Lewis T116 front a	mcat041161						Parchment		Unknown					front	1	Lewis T116		front	MSS 0010				Book of Hours: Penitential Psalms 31, 50
Lewis T116	Lewis T116 reverse a	mcat041162						Parchment		Unknown					reverse	2	Lewis T116		reverse	MSS 0010				Book of Hours: Penitential Psalms 31, 50
Lewis T116	Lewis T116 front b	mcat041163						Parchment		Unknown					front	3	Lewis T116		front	MSS 0010				Book of Hours: Penitential Psalms 31, 50
Lewis T116	Lewis T116 reverse b	mcat041164						Parchment		Unknown					reverse	4	Lewis T116		reverse	MSS 0010				Book of Hours: Penitential Psalms 31, 50
Lewis T117	Lewis T117 front a	mcat041171						Parchment		Unknown					front	1	Lewis T117		front	MSS 0010				Book of Hours
Lewis T117	Lewis T117 reverse a	mcat041172						Parchment		Unknown					reverse	2	Lewis T117		reverse	MSS 0010				Book of Hours
Lewis T117	Lewis T117 front b	mcat041173						Parchment		Unknown					front	3	Lewis T117		front	MSS 0010				Book of Hours
Lewis T117	Lewis T117 reverse b	mcat041174						Parchment		Unknown					reverse	4	Lewis T117		reverse	MSS 0010				Book of Hours
Lewis T118	Lewis T118 front	mcat041181						Parchment		Unknown					front	1	Lewis T118		front	MSS 0010				Book of Hours
Lewis T118	Lewis T118 reverse	mcat041182						Parchment		Unknown					reverse	2	Lewis T118		reverse	MSS 0010				Book of Hours
Lewis T119	Lewis T119 front	mcat041191						Parchment		Unknown					front	1	Lewis T119		front	MSS 0010				Book of Hours
Lewis T119	Lewis T119 reverse	mcat041192						Parchment		Unknown					reverse	2	Lewis T119		reverse	MSS 0010				Book of Hours
Lewis T120	Lewis T120 front	mcat041201						Parchment		Unknown					front	1	Lewis T120		front	MSS 0010				Book of Hours
Lewis T120	Lewis T120 reverse	mcat041202						Parchment		Unknown					reverse	2	Lewis T120		reverse	MSS 0010				Book of Hours
Lewis T121	Lewis T121 front	mcat051211		800 AD	899		Inc recto: et contritis corde...consuleus.
 Expl. verso:...et aruspicibus uana falsitatis deleramenta
 De Ricci 358
 Other leaves of this ms. are scattered in several different libraries.
 Cf. E. A. Lowe in Levre
 Kraus catal. 88, also #3, cat. 95
 Gwen me by Mr. R. Contan Mar. 1855
 Acquired by J. F. Lewis in 1914
 See also Kraus Catalogue 88, Early Medieaeval and Renaissance Mss., p. 11 for desc. and photos of leaves from same ms. and his Catalogue 95, Item 3 (1962), pp. 12-15 for same leaves.
 See Letter of Francis Wormald, 4 Sept. 1957.
 capp. XLIII-XLIV R. Ehwald, Aldhelmi Opera [=Monumenta Germaniae Historica, Auctores Antiquissimi, XV]. pp. 296, line 9-297, line 9.	Parchment	Latin	England	Anglo-Saxon script	Aldhelm (c. 639-709)	Author		front	1	Lewis T121		front					De Virginitate (prose version)
Lewis T121	Lewis T121 reverse	mcat051212						Parchment		Unknown					reverse	2	Lewis T121		reverse					De Virginitate (prose version)
Lewis T126	Lewis T126 front a	mcat051261						Parchment		Unknown					front	1	Lewis T126		front	MSS 0010				Polemical Treatise or Letter on Liturgical and Monastic Matters
Lewis T126	Lewis T126 reverse a	mcat051262						Parchment		Unknown					reverse	2	Lewis T126		reverse	MSS 0010				Polemical Treatise or Letter on Liturgical and Monastic Matters
Lewis T126	Lewis T126 front b	mcat051263						Parchment		Unknown					front	3	Lewis T126		front	MSS 0010				Polemical Treatise or Letter on Liturgical and Monastic Matters
Lewis T126	Lewis T126 reverse b	mcat051264						Parchment		Unknown					reverse	4	Lewis T126		reverse	MSS 0010				Polemical Treatise or Letter on Liturgical and Monastic Matters
Lewis T127	Lewis T127 front	mcat051271						Parchment		Unknown					front	1	Lewis T127		front	MSS 0010				Liber V of a Treatise on the Decalogue
Lewis T127	Lewis T127 reverse	mcat051272						Parchment		Unknown					reverse	2	Lewis T127		reverse	MSS 0011				Liber V of a Treatise on the Decalogue
Lewis T128	Lewis T128 front a	mcat051281						Parchment		Unknown					front	1	Lewis T128		front	MSS 0011				Scholastic Theological Treatise on Creation and Grace
Lewis T128	Lewis T128 reverse a	mcat051282						Parchment		Unknown					reverse	2	Lewis T128		reverse	MSS 0011				Scholastic Theological Treatise on Creation and Grace
Lewis T128	Lewis T128 front b	mcat051283						Parchment		Unknown					front	3	Lewis T128		front	MSS 0011				Scholastic Theological Treatise on Creation and Grace
Lewis T128	Lewis T128 reverse b	mcat051284						Parchment		Unknown					reverse	4	Lewis T128		reverse	MSS 0011				Scholastic Theological Treatise on Creation and Grace
Lewis T129	Lewis T129 front a	mcat051291						Parchment		Unknown					front	1	Lewis T129		front	MSS 0011				Glossary of Words Applied to the Virgin Mary
Lewis T129	Lewis T129 reverse a	mcat051292						Parchment		Unknown					reverse	2	Lewis T129		reverse	MSS 0011				Glossary of Words Applied to the Virgin Mary
Lewis T129	Lewis T129 front b	mcat051293						Parchment		Unknown					front	3	Lewis T129		front	MSS 0011				Glossary of Words Applied to the Virgin Mary
Lewis T129	Lewis T129 reverse b	mcat051294						Parchment		Unknown					reverse	4	Lewis T129		reverse	MSS 0011				Glossary of Words Applied to the Virgin Mary
Lewis T130	Lewis T130 front a	mcat051301						Parchment		Unknown					front	1	Lewis T130		front	MSS 0011				Scholastic Theological Treatise
Lewis T130	Lewis T130 reverse a	mcat051302						Parchment		Unknown					reverse	2	Lewis T130		reverse	MSS 0011				Scholastic Theological Treatise
Lewis T130	Lewis T130 front b	mcat051303						Parchment		Unknown					front	3	Lewis T130		front	MSS 0011				Scholastic Theological Treatise
Lewis T130	Lewis T130 reverse b	mcat051304						Parchment		Unknown					reverse	4	Lewis T130		reverse	MSS 0011				Scholastic Theological Treatise
Lewis T131	Lewis T131 front a	mcat051311						Parchment		Unknown					front	1	Lewis T131		front	MSS 0011				Theological Treatise on Love as a Virtue
Lewis T131	Lewis T131 reverse a	mcat051312						Parchment		Unknown					reverse	2	Lewis T131		reverse	MSS 0011				Theological Treatise on Love as a Virtue
Lewis T131	Lewis T131 front b	mcat051313						Parchment		Unknown					front	3	Lewis T131		front	MSS 0011				Theological Treatise on Love as a Virtue
Lewis T131	Lewis T131 reverse b	mcat051314						Parchment		Unknown					reverse	4	Lewis T131		reverse	MSS 0011				Theological Treatise on Love as a Virtue
Lewis T131	Lewis T131 front c	mcat051315						Parchment		Unknown					front	5	Lewis T131		front	MSS 0011				Theological Treatise on Love as a Virtue
Lewis T131	Lewis T131 reverse c	mcat051316						Parchment		Unknown					reverse	6	Lewis T131		reverse	MSS 0011				Theological Treatise on Love as a Virtue
Lewis T131	Lewis T131 front d	mcat051317						Parchment		Unknown					front	7	Lewis T131		front	MSS 0011				Theological Treatise on Love as a Virtue
Lewis T131	Lewis T131 reverse d	mcat051318						Parchment		Unknown					reverse	8	Lewis T131		reverse	MSS 0011				Theological Treatise on Love as a Virtue
Lewis T132	Lewis T132 front a	mcat051321						Parchment		Unknown					front	1	Lewis T132		front	MSS 0011				Theological Treatise
Lewis T132	Lewis T132 reverse a	mcat051322						Parchment		Unknown					reverse	2	Lewis T132		reverse	MSS 0011				Theological Treatise
Lewis T132	Lewis T132 front b	mcat051323						Parchment		Unknown					front	3	Lewis T132		front	MSS 0011				Theological Treatise
Lewis T132	Lewis T132 reverse b	mcat051324						Parchment		Unknown					reverse	4	Lewis T132		reverse	MSS 0011				Theological Treatise
Lewis T132	Lewis T132 front c	mcat051325						Parchment		Unknown					front	5	Lewis T132		front					Theological Treatise
Lewis T132	Lewis T132 reverse c	mcat051326						Parchment		Unknown					reverse	6	Lewis T132		reverse					Theological Treatise
Lewis T132	Lewis T132 front d	mcat051327						Parchment		Unknown					front	7	Lewis T132		front					Theological Treatise
Lewis T132	Lewis T132 reverse d	mcat051328						Parchment		Unknown					reverse	8	Lewis T132		reverse					Theological Treatise
Lewis T133	Lewis T133 front	mcat051331						Parchment		Unknown					front	1	Lewis T133		front	MSS 0011				Grammatical Text with Commentary
Lewis T133	Lewis T133 reverse	mcat051332						Parchment		Unknown					reverse	2	Lewis T133		reverse	MSS 0011				Grammatical Text with Commentary
Lewis T134	Lewis T134 front	mcat051341						Parchment		Unknown					front	1	Lewis T134		front	MSS 0011				Treatise on Poverty
Lewis T134	Lewis T134 reverse	mcat051342						Parchment		Unknown					reverse	2	Lewis T134		reverse	MSS 0011				Treatise on Poverty
Lewis T135	Lewis T135 front a	mcat051351						Parchment		Unknown					front	1	Lewis T135		front	MSS 0011				Philosophical and Theological Notes
Lewis T135	Lewis T135 reverse a	mcat051352						Parchment		Unknown					reverse	2	Lewis T135		reverse	MSS 0011				Philosophical and Theological Notes
Lewis T135	Lewis T135 front b	mcat051353						Parchment		Unknown					front	3	Lewis T135		front	MSS 0011				Philosophical and Theological Notes
Lewis T135	Lewis T135 reverse b	mcat051354						Parchment		Unknown					reverse	4	Lewis T135		reverse	MSS 0011				Philosophical and Theological Notes
Lewis T136	Lewis T136 front a	mcat051361						Parchment		Unknown					front	1	Lewis T136		front	MSS 0011				Grammatical Logical Treatise
Lewis T136	Lewis T136 reverse a	mcat051362						Parchment		Unknown					reverse	2	Lewis T136		reverse	MSS 0011				Grammatical Logical Treatise
Lewis T136	Lewis T136 front b	mcat051363						Parchment		Unknown					front	3	Lewis T136		front	MSS 0011				Grammatical Logical Treatise
Lewis T136	Lewis T136 reverse b	mcat051364						Parchment		Unknown					reverse	4	Lewis T136		reverse	MSS 0011				Grammatical Logical Treatise
Lewis T137	Lewis T137 front	mcat051371						Parchment		Unknown					front	1	Lewis T137		front	MSS 0011				Theological Notes
Lewis T137	Lewis T137 reverse	mcat051372						Parchment		Unknown					reverse	2	Lewis T137		reverse	MSS 0011				Theological Notes
Lewis T138	Lewis T138 front a	mcat051381						Parchment		Unknown					front	1	Lewis T138		front	MSS 0011				Theological fragment
Lewis T138	Lewis T138 reverse a	mcat051382						Parchment		Unknown					reverse	2	Lewis T138		reverse	MSS 0011				Theological fragment
Lewis T138	Lewis T138 front b	mcat051383						Parchment		Unknown					front	3	Lewis T138		front	MSS 0011				Theological fragment
Lewis T138	Lewis T138 reverse b	mcat051384						Parchment		Unknown					reverse	4	Lewis T138		reverse	MSS 0011				Theological fragment
Lewis T139	Lewis T139 front a	mcat051391						Parchment		Unknown					front	1	Lewis T139		front	MSS 0011				Theological Tract
Lewis T139	Lewis T139 reverse a	mcat051392						Parchment		Unknown					reverse	2	Lewis T139		reverse	MSS 0012				Theological Tract
Lewis T139	Lewis T139 front b	mcat051393						Parchment		Unknown					front	3	Lewis T139		front	MSS 0012				Theological Tract
Lewis T139	Lewis T139 reverse b	mcat051394						Parchment		Unknown					reverse	4	Lewis T139		reverse	MSS 0012				Theological Tract
Lewis T140	Lewis T140 front	mcat051401						Parchment		Unknown					front	1	Lewis T140		front	MSS 0012				Theological Treatise on Virtues
Lewis T140	Lewis T140 reverse	mcat051402						Parchment		Unknown					reverse	2	Lewis T140		reverse	MSS 0012				Theological Treatise on Virtues
Lewis T141	Lewis T141 front	mcat051411						Parchment		Unknown					front	1	Lewis T141		front	MSS 0012				Sermons
Lewis T141	Lewis T141 reverse	mcat051412						Parchment		Unknown					reverse	2	Lewis T141		reverse	MSS 0012				Sermons
Lewis T142	Lewis T142 front	mcat051421						Parchment		Unknown					front	1	Lewis T142		front	MSS 0012				Sermon at the Dedication of a Church
Lewis T142	Lewis T142 reverse	mcat051422						Parchment		Unknown					reverse	2	Lewis T142		reverse	MSS 0012				Sermon at the Dedication of a Church
Lewis T143	Lewis T143 front	mcat051431						Parchment		Unknown					front	1	Lewis T143		front	MSS 0012				Sermon
Lewis T143	Lewis T143 reverse	mcat051432						Parchment		Unknown					reverse	2	Lewis T143		reverse	MSS 0012				Sermon
Lewis T144	Lewis T144 front	mcat051441						Parchment		Unknown					front	1	Lewis T144		front	MSS 0012				Passion of Saint Catherine of Alexandria
Lewis T144	Lewis T144 reverse	mcat051442						Parchment		Unknown					reverse	2	Lewis T144		reverse	MSS 0012				Passion of Saint Catherine of Alexandria
Lewis T145	Lewis T145 front	mcat051451						Parchment		Unknown					front	1	Lewis T145		front	MSS 0012				De Sancto Iacobo Minore, Chapter 2
Lewis T145	Lewis T145 reverse	mcat051452						Parchment		Unknown					reverse	2	Lewis T145		reverse	MSS 0012				De Sancto Iacobo Minore, Chapter 2
Lewis T146	Lewis T146 front	mcat051461						Parchment		Unknown					front	1	Lewis T146		front	MSS 0012				Vitae Sanctorum: Saints Remigius and Dionysius (Remy and Denis)
Lewis T146	Lewis T146 reverse	mcat051462						Parchment		Unknown					reverse	2	Lewis T146		reverse	MSS 0012				Vitae Sanctorum: Saints Remigius and Dionysius (Remy and Denis)
Lewis T147	Lewis T147 front	mcat051471						Parchment		Unknown					front	1	Lewis T147		front	MSS 0012				Vita Sancti Silvestri Papae
Lewis T147	Lewis T147 reverse	mcat051472						Parchment		Unknown					reverse	2	Lewis T147		reverse	MSS 0012				Vita Sancti Silvestri Papae
Lewis T148	Lewis T148 front	mcat051481						Parchment		Unknown					front	1	Lewis T148		front	MSS 0012				Decretales Gregorii IX
Lewis T148	Lewis T148 reverse	mcat051482						Parchment		Unknown					reverse	2	Lewis T148		reverse	MSS 0012				Decretales Gregorii IX
Lewis T148	Lewis T148, fol. 2r	mcat051483						Parchment		Unknown					2r	3	Lewis T148		2r	MSS 0012				Decretales Gregorii IX
Lewis T148	Lewis T148, fol. 2v	mcat051484						Parchment		Unknown					2v	4	Lewis T148		2v	MSS 0012				Decretales Gregorii IX
Lewis T149	Lewis T149 front	mcat051491						Parchment		Unknown					front	1	Lewis T149		front	MSS 0012				Canon Law: Treatise on Matrimony
Lewis T149	Lewis T149 reverse	mcat051492						Parchment		Unknown					reverse	2	Lewis T149		reverse	MSS 0012				Canon Law: Treatise on Matrimony
Lewis T150	Lewis T150 front	mcat051501						Parchment		Unknown					front	1	Lewis T150		front	MSS 0012				Canon Law: Excerpts from the Decretals
Lewis T150	Lewis T150 reverse	mcat051502						Parchment		Unknown					reverse	2	Lewis T150		reverse	MSS 0013				Canon Law: Excerpts from the Decretals
Lewis T122	Lewis T122 front	mcat051521		ca. 1100	1200		Neil Ker says not English	Parchment		England	Early Gothic				front	1	Lewis T122		front	MSS 0013				Gregory the Great, Liber Regulae Pastoralis
Lewis T122	Lewis T122 reverse	mcat051522						Parchment		Unknown	Early Gothic				reverse	2	Lewis T122		reverse	MSS 0013				Gregory the Great, Liber Regulae Pastoralis
Lewis T123	Lewis T123, fol.1r	mcat051531		ca. 1300	1400			Parchment		France or Lowlands	Gothic				f. 1r	1	Lewis T123		f. 1r	MSS 0013				Prosper of Aquitaine
Lewis T123	Lewis T123, fol. 1v	mcat051532		ca. 1300	1400			Parchment		France or Lowlands	Gothic				f. 1v	2	Lewis T123		f. 1v	MSS 0013				Prosper of Aquitaine
Lewis T123	Lewis T123, fol. 2r	mcat051533						Parchment		Unknown					f. 2r	3	Lewis T123		f. 2r	MSS 0013				Prosper of Aquitaine
Lewis T123	Lewis T123, fol. 2v	mcat051534						Parchment		Unknown					f. 2v	4	Lewis T123		f. 2v	MSS 0013				Prosper of Aquitaine
Lewis T124	Lewis T124 front	mcat051541		ca. 1100	1200		Probably not English, Neil Ker 9/March/1971	Parchment		Unknown	Early Gothic				front	1	Lewis T124		front	MSS 0013				Theological Treatise
Lewis T124	Lewis T124 reverse	mcat051542		ca. 1100	1200			Parchment		England?					reverse	2	Lewis T124		reverse	MSS 0013				Theological Treatise
Lewis T125	Lewis T125 front	mcat051551		ca. 1100	1200			Parchment		England	Early Gothic				front	1	Lewis T125		front	MSS 0013				Theological Treatise on the State of Man Before Sin
Lewis T125	Lewis T125 reverse	mcat051552		ca. 1100	1200			Parchment		Unknown	Early Gothic				reverse	2	Lewis T125		reverse	MSS 0013				Theological Treatise on the State of Man Before Sin
Lewis T151	Lewis T151 front	mcat061511						Parchment		Unknown					front	3	Lewis T151		front	MSS 0013				Commentary on Canon Law: Chapter V (De Libellis Famosis)
Lewis T151	Lewis T151 reverse	mcat061512						Parchment		Unknown					reverse	4	Lewis T151		reverse	MSS 0013				Commentary on Canon Law: Chapter V (De Libellis Famosis)
Lewis T152	Lewis T152 front a	mcat061521						Parchment		Unknown					front	3	Lewis T152		front	MSS 0013				Commentary on Canon Law (dealing with the Mendicants)
Lewis T152	Lewis T152 reverse a	mcat061522						Parchment		Unknown					reverse	4	Lewis T152		reverse	MSS 0013				Commentary on Canon Law (dealing with the Mendicants)
Lewis T152	Lewis T152, fol. 2r	mcat061523						Parchment		Unknown					f. 2r	5	Lewis T152		f. 2r	MSS 0013				Commentary on Canon Law (dealing with the Mendicants)
Lewis T152	Lewis T152, fol 2v	mcat061524						Parchment		Unknown					f. 2v	6	Lewis T152		f. 2v	MSS 0013				Commentary on Canon Law (dealing with the Mendicants)
Lewis T153	Lewis T153 front	mcat061531						Parchment		Unknown					front	5	Lewis T153		front					Canon Law Treatise
Lewis T153	Lewis T153 reverse	mcat061532						Parchment		Unknown					reverse	6	Lewis T153		reverse	MSS 0013				Canon Law Treatise
Lewis T154	Lewis T154 front	mcat061541						Parchment		Unknown					front	3	Lewis T154		front	MSS 0013				Treatise on Logic
Lewis T154	Lewis T154 reverse	mcat061542						Parchment		Unknown					reverse	4	Lewis T154		reverse	MSS 0013				Treatise on Logic
Lewis T155	Lewis T155 front a	mcat061551						Parchment		Unknown					front	3	Lewis T155		front	MSS 0013				Canon Law: "De Iure Iurando" and Concerning Emperor Henry by a Pope
Lewis T155	Lewis T155 reverse a	mcat061552						Parchment		Unknown					reverse	4	Lewis T155		reverse	MSS 0014				Canon Law: "De Iure Iurando" and Concerning Emperor Henry by a Pope
Lewis T155	Lewis T155 front b	mcat061553						Parchment		Unknown					front	5	Lewis T155		front	MSS 0014				Canon Law: "De Iure Iurando" and Concerning Emperor Henry by a Pope
Lewis T156	Lewis T156 front	mcat061561						Parchment		Unknown					front	1	Lewis T156		front	MSS 0014				School Text with Marginal Commentary
Lewis T156	Lewis T156 reverse	mcat061562						Parchment		Unknown					reverse	2	Lewis T156		reverse	MSS 0014				School Text with Marginal Commentary
Lewis T157	Lewis T157 front	mcat061571						Parchment		Unknown					front	1	Lewis T157		front	MSS 0014				Canon Law Commentary
Lewis T157	Lewis T157 reverse	mcat061572						Parchment		Unknown					reverse	2	Lewis T157		reverse	MSS 0014				Canon Law Commentary
Lewis T158	Lewis T158 front a	mcat061581						Parchment		Unknown					front	1	Lewis T158		front	MSS 0014				Canon Law: De Religiosis
Lewis T158	Lewis T158 reverse a	mcat061582						Parchment		Unknown					reverse	2	Lewis T158		reverse	MSS 0014				Canon Law: De Religiosis
Lewis T158	Lewis T158, fol. 2r	mcat061583						Parchment		Unknown					f. 2r	3	Lewis T158		f. 2r	MSS 0014				Canon Law: De Religiosis
Lewis T158	Lewis T158, fol. 2v	mcat061584						Parchment		Unknown					f. 2v	4	Lewis T158		f. 2v	MSS 0014				Canon Law: De Religiosis
Lewis T159	Lewis T159 front	mcat061591						Parchment		Unknown					front	1	Lewis T159		front	MSS 0014				Canon Law Commentary, Chapters 7-8 (examination of candidates for ordination)
Lewis T159	Lewis T159 reverse	mcat061592						Parchment		Unknown					reverse	2	Lewis T159		reverse	MSS 0014				Canon Law Commentary, Chapters 7-8 (examination of candidates for ordination)
Lewis T160	Lewis T160 front	mcat061601						Parchment		Unknown					front	1	Lewis T160		front	MSS 0014				Civil Law: Justinian, Digests, Liber XXVII
Lewis T160	Lewis T160 reverse	mcat061602						Parchment		Unknown					reverse	2	Lewis T160		reverse	MSS 0014				Civil Law: Justinian, Digests, Liber XXVII
Lewis T161	Lewis T161 front	mcat061611		800 AD	899		De Ricci 202
 According to Bischoff, 9th c, 1st half.
 Inc. recto: de his qui in pecudes uel in masculos aut olim polluti sunt
 Expl. verso: qui divinationes expetunt...causa sub regula quinquennii ia	Parchment		Italy?					front	1	Lewis T161		front	MSS 0014				Leges Langobardorum
Lewis T161	Lewis T161 reverse	mcat061612						Parchment		Unknown					reverse	2	Lewis T161		reverse	MSS 0014				Leges Langobardorum
Lewis T162	Lewis T162 front	mcat061621						Parchment		Unknown					front	1	Lewis T162		front	MSS 0014				Lex Salica, Chapters XLVII-XLIX
Lewis T162	Lewis T162 reverse	mcat061622						Parchment		Unknown					reverse	2	Lewis T162		reverse	MSS 0014				Lex Salica, Chapters XLVII-XLIX
Lewis T163	Lewis T163 front	mcat061631						Parchment		Unknown					front	1	Lewis T163		front	MSS 0014				Legal Text
Lewis T163	Lewis T163 reverse	mcat061632						Parchment		Unknown					reverse	2	Lewis T163		reverse	MSS 0014				Legal Text
Lewis T164	Lewis T164 front	mcat061641						Parchment		Unknown					front	1	Lewis T164		front	MSS 0014				Fragment attached to a paper fly-leaf: Medical text
Lewis T164	Lewis T164 reverse	mcat061642						Parchment		Unknown					reverse	2	Lewis T164		reverse	MSS 0014				Fragment attached to a paper fly-leaf: Medical text
Lewis T165	Lewis T165 front	mcat061651						Parchment		Unknown					front	1	Lewis T165		front	MSS 0014				Fragment in French, from a binding
Lewis T165	Lewis T165 reverse	mcat061652						Parchment		Unknown					reverse	2	Lewis T165		reverse	MSS 0014				Fragment in French, from a binding
Lewis T166	Lewis T166 front	mcat061661						Parchment		Unknown					front	1	Lewis T166		front	MSS 0014				Legal fragment with marginal commentary
Lewis T166	Lewis T166 reverse	mcat061662						Parchment		Unknown					reverse	2	Lewis T166		reverse	MSS 0014				Legal fragment with marginal commentary
Lewis T167	Lewis T167 front	mcat061671						Parchment		Unknown					front	1	Lewis T167		front	MSS 0014				Book mark
Lewis T167	Lewis T167 reverse	mcat061672						Parchment		Unknown					reverse	2	Lewis T167		reverse	MSS 0014				Book mark
Lewis T168	Lewis T168 front	mcat061681						Parchment		Unknown					front	1	Lewis T168		front	MSS 0014				Philosophical Text: Aristotle's Physics, or On Generation and Corruption
Lewis T168	Lewis T168 reverse	mcat061682						Parchment		Unknown					reverse	2	Lewis T168		reverse	MSS 0014				Philosophical Text: Aristotle's Physics, or On Generation and Corruption
Lewis T169	Lewis T169 front	mcat061691						Parchment		Unknown					front	1	Lewis T169		front	MSS 0014				Legal Treatise
Lewis T169	Lewis T169 reverse	mcat061692						Parchment		Unknown					reverse	2	Lewis T169		reverse	MSS 0014				Legal Treatise
Lewis T170	Lewis T170 front	mcat061701						Parchment		Unknown					front	1	Lewis T170		front	MSS 0014				Legal Commentary (on procurators)
Lewis T170	Lewis T170 reverse	mcat061702						Parchment		Unknown					reverse	2	Lewis T170		reverse	MSS 0014				Legal Commentary (on procurators)
Lewis T171	Lewis T171 front a	mcat061711						Parchment		Unknown					front	1	Lewis T171		front	MSS 0014				Commentary on Civil Law
Lewis T171	Lewis T171 front b	mcat061711						Parchment		Unknown					front	3	Lewis T171		front	MSS 0014				Commentary on Civil Law
Lewis T171	Lewis T171 reverse a	mcat061712						Parchment		Unknown					reverse	2	Lewis T171		reverse	MSS 0014				Commentary on Civil Law
Lewis T172	Lewis T172 front a	mcat061721						Parchment		Unknown					front	1	Lewis T172		front	MSS 0014				Legal Treatise (on citations, contracts, notaries, etc.)
Lewis T172	Lewis T172 reverse a	mcat061722						Parchment		Unknown					reverse	2	Lewis T172		reverse	MSS 0015				Legal Treatise (on citations, contracts, notaries, etc.)
Lewis T172	Lewis T172 front b	mcat061723						Parchment		Unknown					front	3	Lewis T172		front	MSS 0015				Legal Treatise (on citations, contracts, notaries, etc.)
Lewis T172	Lewis T172 reverse b	mcat061724						Parchment		Unknown					reverse	4	Lewis T172		reverse	MSS 0015				Legal Treatise (on citations, contracts, notaries, etc.)
Lewis T173	Lewis T173 front	mcat061731						Parchment		Unknown					front	1	Lewis T173		front	MSS 0015				Communal Constitution
Lewis T173	Lewis T173 reverse	mcat061732						Parchment		Unknown					reverse	2	Lewis T173		reverse	MSS 0015				Communal Constitution
Lewis T174	Lewis T174 front	mcat061741						Parchment		Unknown					front	1	Lewis T174		front	MSS 0015				Medical Treatise
Lewis T174	Lewis T174 reverse	mcat061742						Parchment		Unknown					reverse	2	Lewis T174		reverse	MSS 0015				Medical Treatise
Lewis T175	Lewis T175 front	mcat061751						Parchment		Unknown					front	1	Lewis T175		front	MSS 0015				Logic
Lewis T175	Lewis T175 reverse	mcat061752						Parchment		Unknown					reverse	2	Lewis T175		reverse	MSS 0015				Logic
Lewis T176	Lewis T176 front	mcat061761						Parchment		Unknown					front	1	Lewis T176		front	MSS 0015				Scholastic Treatise on Logic
Lewis T176	Lewis T176 reverse	mcat061762						Parchment		Unknown					reverse	2	Lewis T176		reverse	MSS 0015				Scholastic Treatise on Logic
Lewis T177	Lewis T177 front	mcat061771						Parchment		Unknown					front	1	Lewis T177		front	MSS 0015				Scholastic Philosophical Treatise
Lewis T177	Lewis T177 reverse	mcat061772					Part of the binding materials used for this book was a page from Orlando Lasso's Cantiones aliquot quinque vocum (printed by Adam Berg in Munich in 1569). A fragment can be seen in this image. A comparison with a facsimile in Peter Bergqusit's edition of the Berg print (in: Recent Researches in the Music of the Renaissance, 112 [Madison: AR Editions, 1998], plate 3, following p. xxxii) strengthens the argument for this book as the source for this isolated page, as does the fact that the work appears as no. 14 in Bergquist's edition of the Berg print--i.e., it's the same number that appears on this page.
 
 Many thanks to Lawrence F. Bernstein, Professor Emeritus of Music at the University of Pennsylvania for finding all this information within fifteen minutes of an image being sent to him.	Parchment		Unknown					reverse	2	Lewis T177		reverse	MSS 0015				Scholastic Philosophical Treatise
Lewis T178	Lewis T178 front	mcat061781						Parchment		Unknown					front	1	Lewis T178		front	MSS 0015				Treatise on Ethics
Lewis T178	Lewis T178 reverse	mcat061782						Parchment		Unknown					reverse	2	Lewis T178		reverse	MSS 0015				Treatise on Ethics
Lewis T179	Lewis T179 front a	mcat061791						Parchment		Unknown					front	1	Lewis T179		front	MSS 0015				Tractatus "De Causis"
Lewis T179	Lewis T179 reverse a	mcat061792						Parchment		Unknown					reverse	2	Lewis T179		reverse	MSS 0015				Tractatus "De Causis"
Lewis T179	Lewis T179 front b	mcat061793						Parchment		Unknown					front	3	Lewis T179		front	MSS 0015				Tractatus "De Causis"
Lewis T179	Lewis T179 reverse b	mcat061794						Parchment		Unknown					reverse	4	Lewis T179		reverse	MSS 0015				Tractatus "De Causis"
Lewis T180	Lewis T180 front	mcat061801						Parchment		Unknown					front	1	Lewis T180		front	MSS 0015				Scholastic Philsophical Treatise on the Senses
Lewis T180	Lewis T180 reverse	mcat061802						Parchment		Unknown					reverse	2	Lewis T180		reverse	MSS 0015				Scholastic Philsophical Treatise on the Senses
Lewis T181	Lewis T181 front	mcat061811						Parchment		Unknown		Macrobius, Ambrosius Aurelius Theodosius	Author		front	1	Lewis T181		front	MSS 0015				Macrobius, Saturnalia, Liber II.7-III.5-6
Lewis T181	Lewis T181 reverse	mcat061812						Parchment		Unknown		Macrobius, Ambrosius Aurelius Theodosius	Author		reverse	2	Lewis T181		reverse	MSS 0015				Macrobius, Saturnalia, Liber II.7-III.5-6
Lewis T182	Lewis T182 front	mcat061821						Parchment		Unknown		Ovid, 43 B.C.-17 or 18 A.D.	Author		front	1	Lewis T182		front	MSS 0015				Ovid, Tristia, Liber I, Elegiae I,II
Lewis T182	Lewis T182 reverse	mcat061822						Parchment		Unknown		Ovid, 43 B.C.-17 or 18 A.D.	Author		reverse	2	Lewis T182		reverse	MSS 0015				Ovid, Tristia, Liber I, Elegiae I,II
Lewis T183	Lewis T183 front	mcat061831						Parchment		Unknown		Ovid, 43 B.C.-17 or 18 A.D.	Author		front	1	Lewis T183		front	MSS 0015				Ovid, Tristia, Liber I, Elegiae IX,X
Lewis T183	Lewis T183 reverse	mcat061832						Parchment		Unknown		Ovid, 43 B.C.-17 or 18 A.D.	Author		reverse	2	Lewis T183		reverse	MSS 0015				Ovid, Tristia, Liber I, Elegiae IX,X
Lewis T184	Lewis T184 front	mcat071841						Parchment		Unknown		Virgil	Author		front	1	Lewis T184		front	MSS 0016				Leaf from the Aeneid
Lewis T184	Lewis T184 reverse	mcat071842						Parchment		Unknown		Virgil	Author		reverse	2	Lewis T184		reverse	MSS 0016				Leaf from the Aeneid
Lewis T185	Lewis T185 front	mcat071851						Parchment		Unknown		Virgil	Author		front	1	Lewis T185		front	MSS 0016				Leaf from the Aeneid
Lewis T185	Lewis T185 reverse	mcat071852						Parchment		Unknown		Virgil	Author		reverse	2	Lewis T185		reverse	MSS 0016				Leaf from the Aeneid
Lewis T186	Lewis T186 front	mcat071861						Parchment		Unknown		Virgil	Author		front	1	Lewis T186		front	MSS 0016				Leaf from the Aeneid
Lewis T186	Lewis T186 reverse	mcat071862						Parchment		Unknown		Virgil	Author		reverse	2	Lewis T186		reverse	MSS 0016				Leaf from the Aeneid
Lewis T187	Lewis T187 front	mcat071871						Parchment		Unknown		Bernard De Cluny	Author		front	1	Lewis T187		front	MSS 0016				Leaf from De Contemptu Mundi
Lewis T187	Lewis T187 reverse	mcat071872						Parchment		Unknown		Bernard De Cluny	Author		reverse	2	Lewis T187		reverse	MSS 0016				Leaf from De Contemptu Mundi
Lewis T188	Lewis T188 front	mcat071881						Parchment		Unknown		Petrarch, 1304-1374	Author		front	1	Lewis T188		front	MSS 0016				Leaf from De Remediis Utriusque Fortunae
Lewis T188	Lewis T188 reverse	mcat071882						Parchment		Unknown		Petrarch, 1304-1374	Author		reverse	2	Lewis T188		reverse	MSS 0016				Leaf from De Remediis Utriusque Fortunae
Lewis T189	Lewis T189 front	mcat071891						Parchment		Unknown		Petrarch, 1304-1374	Author		front	1	Lewis T189		front	MSS 0016				Leaf from De Remediis Utriusque Fortunae
Lewis T189	Lewis T189 reverse	mcat071892						Parchment		Unknown		Petrarch, 1304-1374	Author		reverse	2	Lewis T189		reverse	MSS 0016				Leaf from De Remediis Utriusque Fortunae
Lewis T190	Lewis T190 front	mcat071901						Parchment		Unknown					front	1	Lewis T190		front	MSS 0016				Verse from Exodus 25
Lewis T190	Lewis T190 reverse	mcat071902						Parchment		Unknown					reverse	2	Lewis T190		reverse	MSS 0016				Verse from Exodus 25
Lewis T191	Lewis T191, fol. 1r	mcat071911						Parchment		Unknown					f. 1r	1	Lewis T191		f. 1r	MSS 0016				Commentary, literary or historical
Lewis T191	Lewis T191, fol. 1v	mcat071912						Parchment		Unknown					f. 1v	2	Lewis T191		f. 1v	MSS 0016				Commentary, literary or historical
Lewis T191	Lewis T191, fol. 2r	mcat071913						Parchment		Unknown					f. 2r	3	Lewis T191		f. 2r	MSS 0016				Commentary, literary or historical
Lewis T191	Lewis T191, fol. 2v	mcat071914						Parchment		Unknown					f. 2v	4	Lewis T191		f. 2v	MSS 0016				Commentary, literary or historical
Lewis T192	Lewis T192 front	mcat071921						Parchment		Unknown					front	1	Lewis T192		front	MSS 0016				Didactic Verse
Lewis T192	Lewis T192 reverse	mcat071922						Parchment		Unknown					reverse	2	Lewis T192		reverse	MSS 0016				Didactic Verse
Lewis T193	Lewis T193, fol. 1r	mcat07193a						Parchment		Unknown					f. 1r	1	Lewis T193		f. 1r	MSS 0016				Didactic verse
Lewis T193	Lewis T193, fol. 1v	mcat07193b						Parchment		Unknown					f. 1v	2	Lewis T193		f. 1v	MSS 0016				Didactic verse
Lewis T193	Lewis T193, fol. 2r	mcat07193c						Parchment		Unknown					f. 2r	3	Lewis T193		f. 2r	MSS 0016				Didactic verse
Lewis T193	Lewis T193, fol. 2v	mcat07193d						Parchment		Unknown					f. 2v	4	Lewis T193		f. 2v	MSS 0016				Didactic verse
Lewis T193	Lewis T193, fol. 3r	mcat07193e						Parchment		Unknown					f. 3r	5	Lewis T193		f. 3r	MSS 0016				Didactic verse
Lewis T193	Lewis T193, fol. 3v	mcat07193f						Parchment		Unknown					f. 3v	6	Lewis T193		f. 3v	MSS 0016				Didactic verse
Lewis T193	Lewis T193, fol. 4r	mcat07193g						Parchment		Unknown					f. 4r	7	Lewis T193		f. 4r	MSS 0016				Didactic verse
Lewis T193	Lewis T193, fol. 4v	mcat07193h						Parchment		Unknown					f. 4v	8	Lewis T193		f. 4v	MSS 0016				Didactic verse
Lewis T193	Lewis T193, fol. 5r	mcat07193i						Parchment		Unknown					f. 5r	9	Lewis T193		f. 5r	MSS 0016				Didactic verse
Lewis T193	Lewis T193, fol. 5v	mcat07193j						Parchment		Unknown					f. 5v	10	Lewis T193		f. 5v	MSS 0016				Didactic verse
Lewis T193	Lewis T193, fol. 6r	mcat07193k						Parchment		Unknown					f. 6r	11	Lewis T193		f. 6r	MSS 0016				Didactic verse
Lewis T193	Lewis T193, fol. 6v	mcat07193l						Parchment		Unknown					f. 6v	12	Lewis T193		f. 6v	MSS 0017				Didactic verse
Lewis T194	Lewis T194, fol. 1r	mcat07194a						Parchment		Unknown					f. 1r	1	Lewis T194		f. 1r	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 1v	mcat07194b						Parchment		Unknown					f. 1v	2	Lewis T194		f. 1v	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 2r	mcat07194c						Parchment		Unknown					f. 2r	3	Lewis T194		f. 2r	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 2v	mcat07194d						Parchment		Unknown					f. 2v	4	Lewis T194		f. 2v	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 3r	mcat07194e						Parchment		Unknown					f. 3r	5	Lewis T194		f. 3r	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 3v	mcat07194f						Parchment		Unknown					f. 3v	6	Lewis T194		f. 3v	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 4r	mcat07194g						Parchment		Unknown					f. 4r	7	Lewis T194		f. 4r	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 4v	mcat07194h						Parchment		Unknown					f. 4v	8	Lewis T194		f. 4v	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 5r	mcat07194i						Parchment		Unknown					f. 5r	9	Lewis T194		f. 5r	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 5v	mcat07194j						Parchment		Unknown					f. 5v	10	Lewis T194		f. 5v	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 6r	mcat07194k						Parchment		Unknown					f. 6r	11	Lewis T194		f. 6r	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 6v	mcat07194l						Parchment		Unknown					f. 6v	12	Lewis T194		f. 6v	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 7r	mcat07194m						Parchment		Unknown					f. 7r	13	Lewis T194		f. 7r	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 7v	mcat07194n						Parchment		Unknown					f. 7v	14	Lewis T194		f. 7v	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 8r	mcat07194o						Parchment		Unknown					f. 8r	15	Lewis T194		f. 8r	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 8v	mcat07194p						Parchment		Unknown					f. 8v	16	Lewis T194		f. 8v	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 9r	mcat07194q						Parchment		Unknown					f. 9r	17	Lewis T194		f. 9r	MSS 0017				Religious verse
Lewis T194	Lewis T194, fol. 9v	mcat07194r						Parchment		Unknown					f. 9v	18	Lewis T194		f. 9v	MSS 0017				Religious verse
Lewis T195	Lewis T195	mcat071951		800 AD	999		De Ricci no. 201
 Bought from L. Rosenthal, catal. 120 (1910, no. 172.
 Inc. recto:...filiorum eius quos expolian[tes eorum capitatoruncaverun-]
 Expl. verso: ad locum quendam nomine matheu(m) pers...abner. Et eum sol occumberet caverunt ascendens
 
 Pecular in being written in two columns on recto and one on verso.	Parchment	Latin	France	Caroline Minuscule	Titus Flavius Josephus (37-c.100)	Author		front	1	Lewis T195		front	MSS 0017				Antiquitates Judaicae
Lewis T195	Lewis T195 reverse	mcat071952						Parchment		Unknown		Josephus, Flavius	Author		reverse	2	Lewis T195		reverse	MSS 0017				Leaf from Antiquitates Judaicae
Lewis T196	Lewis T196 front	mcat071961						Parchment		Unknown		Simeon, of Durham, d. ca. 1130	Author		front	1	Lewis T196		front	MSS 0017				Leaf from Historia Regum Anglorum
Lewis T196	Lewis T196 reverse	mcat071962						Parchment		Unknown		Simeon, of Durham, d. ca. 1130	Author		reverse	2	Lewis T196		reverse	MSS 0017				Leaf from Historia Regum Anglorum
Lewis T197	Lewis T197 front	mcat071971						Parchment		Unknown					front	1	Lewis T197		front	MSS 0017				Leaf from Computus
Lewis T197	Lewis T197 reverse	mcat071972						Parchment		Unknown					reverse	2	Lewis T197		reverse	MSS 0017				Leaf from Computus
Lewis T198	Lewis T198 front	mcat071981						Parchment		Unknown					front	1	Lewis T198		front	MSS 0017				Leaf from Computus
Lewis T198	Lewis T198 reverse	mcat071982						Parchment		Unknown					reverse	2	Lewis T198		reverse	MSS 0017				Leaf from Computus
Lewis T199	Lewis T199 front a	mcat071991						Parchment		Unknown					front	1	Lewis T199		front	MSS 0017				Leaf from Doctrinale
Lewis T199	Lewis T199 reverse a	mcat071992						Parchment		Unknown					reverse	2	Lewis T199		reverse	MSS 0018				Leaf from Doctrinale
Lewis T199	Lewis T199, fol. 2r	mcat071993						Parchment		Unknown					f. 2r	3	Lewis T199		f. 2r	MSS 0018				Leaf from Doctrinale
Lewis T199	Lewis T199, fol. 2v	mcat071994						Parchment		Unknown					f. 2v	4	Lewis T199		f. 2v	MSS 0018				Leaf from Doctrinale
Lewis T200	Lewis T200 front a	mcat072001						Parchment		Unknown					front	1	Lewis T200		front	MSS 0018				Leaf from a Priscian Grammar
Lewis T200	Lewis T200 reverse a	mcat072002						Parchment		Unknown					reverse	2	Lewis T200		reverse	MSS 0018				Leaf from a Priscian Grammar
Lewis T200	Lewis T200 front b	mcat072003						Parchment		Unknown					front	3	Lewis T200		front	MSS 0018				Leaf from a Priscian Grammar
Lewis T200	Lewis T200 reverse b	mcat072004						Parchment		Unknown					reverse	4	Lewis T200		reverse	MSS 0018				Leaf from a Priscian Grammar
Lewis T201	Lewis T201, fol. 1r	mcat072011						Parchment		Unknown					f. 1r	1	Lewis T201		f. 1r	MSS 0018				Grammatical Treatise
Lewis T201	Lewis T201, fol. 1v	mcat072012						Parchment		Unknown					f. 1v	2	Lewis T201		f. 1v	MSS 0018				Grammatical Treatise
Lewis T201	Lewis T201, fol. 2r	mcat072013						Parchment		Unknown					f. 2r	3	Lewis T201		f. 2r	MSS 0018				Grammatical Treatise
Lewis T201	Lewis T201, fol. 2v	mcat072014						Parchment		Unknown					f. 2v	4	Lewis T201		f. 2v	MSS 0018				Grammatical Treatise
Lewis T202	Lewis T202, fol. 1r	mcat072021						Parchment		Unknown					f. 1r	1	Lewis T202		f. 1r	MSS 0018				Grammatical Treatise
Lewis T202	Lewis T202, fol. 1v	mcat072022						Parchment		Unknown					f. 1v	2	Lewis T202		f. 1v	MSS 0018				Grammatical Treatise
Lewis T202	Lewis T202, fol. 2r	mcat072023						Parchment		Unknown					f. 2r	3	Lewis T202		f. 2r	MSS 0018				Grammatical Treatise
Lewis T202	Lewis T202, fol. 2v	mcat072024						Parchment		Unknown					f. 2v	4	Lewis T202		f. 2v	MSS 0018				Grammatical Treatise
Lewis T203	Lewis T203 front	mcat072031						Parchment		Unknown					front	1	Lewis T203		front	MSS 0018				Leaf from a treatise on words, with some etymologies, in verse
Lewis T203	Lewis T203 reverse	mcat072032						Parchment		Unknown					reverse	2	Lewis T203		reverse	MSS 0018				Treatise on words, with some etymologies, in verse
Lewis T204	Lewis T204 front	mcat072041		ca. 1300	1400		Manuscript on vellum | Possibly DeRicci 350, identified as written in west Germany	Parchment	Latin	Unknown	Gothic	Balbi, Giovanni, -1298	Author		front	1	Lewis T204		front	MSS 0018				Leaf from Catholicon
Lewis T204	Lewis T204 reverse	mcat072042						Parchment	Latin	Unknown					reverse	2	Lewis T204		reverse					Leaf from Catholicon
Lewis T205	Lewis T205 front	mcat072051		ca. 1200	1300	166 x 127 mm	Includes words ranging alphabetically from Li - Ma | Manuscript on vellum | Possibly DeRicci 213 | Script area is 14cm by 10cm, two columns of 46 lines each	Parchment		Unknown	Gothic				Front	1	Lewis T205		Front	MSS 0018				Leaf from a glossarium (Li-ma)
Lewis T205	Lewis T205 reverse	mcat072052		ca. 1200	1300	166 x 127 mm	Includes words ranging alphabetically from Li - Ma | Manuscripts on vellum | Possibly DeRicci 213 | Script area is 14cm by 10cm, two columns of 46 lines each	Parchment		Unknown	Gothic				reverse	2	Lewis T205		reverse	MSS 0018				Leaf from a glossarium (Li-ma)
Lewis T206	Lewis T206	mcat072061		ca. 1400	1500	152 x 210 mm	Leaf advertising the range of hands available from the scribe | Manuscript on paper | Width of capitals is 121 mm	Parchment		Germany	Gothic				front	1	Lewis T206		front	MSS 0018				Leaf from a scribe's advertising specimen
Lewis T207	Lewis T207	mcat072071		ca. 1100	1300	222 x 288 mm	21 lines of text | Charter is undated, unsigned and with seal removed | Charter on vellum | Subject of charter is a confirmation of a quitclaim deed	Parchment	Latin	England	Charter Hand				front	1	Lewis T207		front	MSS 0018				Charter
Lewis T208	Lewis T208	mcat072081		ca. 1100	1300	680 x 189 mm	9 lines of text | Charter concerns a quitclaim deed | Undated, unsigned, seal removed	Parchment	Latin	England	Gothic				front	1	Lewis T208		front	MSS 0018				Charter
Lewis T209	Lewis T209	mcat072091		ca. 1200	1300	109 x 166 mm	16 lines of text | Charter concerns a property grant | Undated, unsigned, with seal removed	Parchment	Latin	England	Gothic				front	1	Lewis T209		front	MSS 0018				Charter
Lewis T210	Lewis T210	mcat072101		ca. 1200				Parchment		England					front	1	Lewis T210		front	MSS 0018				Deed
Lewis T211	Lewis T211 front	mcat072111			1339			Parchment		England					front	1	Lewis T211		front	MSS 0018				Deed
Lewis T211	Lewis T211 reverse	mcat072112			1339			Parchment		England					reverse	2	Lewis T211		reverse	MSS 0018				Deed
Lewis T212	Lewis T212	mcat072121		ca. 1200	1300			Parchment		Unknown					front	1	Lewis T212		front	MSS 0018				Deed
Lewis T213	Lewis T213	mcat072131		ca. 1300	1400			Parchment		Unknown					front	1	Lewis T213		front	MSS 0018				Deed
Lewis T214	Lewis T214	mcat072141		ca. 1200	1300			Parchment		England					front	1	Lewis T214		front	MSS 0018				Charter
Lewis T215	Lewis T215	mcat072151		ca. 1200	1300			Parchment		England					front	1	Lewis T215		front	MSS 0018				Charter
Lewis T216	Lewis T216	mcat072161		ca. 1200	1300			Parchment		England					front	1	Lewis T216		front	MSS 0018				Charter
Lewis T217	Lewis T217	mcat072171						Parchment		Unknown					front	1	Lewis T217		front	MSS 0018				Charter
Lewis T218	Lewis T218	mcat072181		ca. 1200	1300			Parchment		England					front	1	Lewis T218		front	MSS 0018				Charter
Lewis T219	Lewis T219 front	mcat082191		ca. 1200	1400			Parchment		England					front	1	Lewis T219		front	MSS 0018				Charter
Lewis T219	Lewis T219 reverse	mcat082192		ca. 1200	1399			Parchment		England					reverse	2	Lewis T219		reverse	MSS 0018				Charter
Lewis T220	Lewis T220 front	mcat082201			1335			Parchment		England					front	1	Lewis T220		front	MSS 0018				Charter
Lewis T220	Lewis T220 reverse	mcat082202			1335			Parchment		England					reverse	2	Lewis T220		reverse	MSS 0019				Charter
Lewis T221	Lewis T221 front	mcat082211		ca. 1300	1400			Parchment		England					front	1	Lewis T221		front	MSS 0019				Charter
Lewis T221	Lewis T221 reverse	mcat082212		ca. 1300	1400			Parchment		England					reverse	2	Lewis T221		reverse	MSS 0019				Charter
Lewis T222	Lewis T222 front	mcat082221			1340			Parchment		England					front	1	Lewis T222		front	MSS 0019				Deed
Lewis T222	Lewis T222 reverse	mcat082222			1340			Parchment		England					reverse	2	Lewis T222		reverse	MSS 0019				Deed
Lewis T223	Lewis T223 front	mcat082231			1297			Parchment		England					front	1	Lewis T223		front	MSS 0019				Charter
Lewis T223	Lewis T223 reverse	mcat082232			1297			Parchment		England					reverse	2	Lewis T223		reverse	MSS 0019				Charter
Lewis T224	Lewis T224 front	mcat082241		1376			Indentured agreement between prior Galfridus and convent of Poughley on one side and John Atte Hyde on the other. De Ricci 229	Parchment	Latin	Berkshire, England	Charter Hand				front	1	Lewis T224		front	MSS 0019				Charter, Poughley Priory
Lewis T224	Lewis T224 reverse	mcat082242			1376			Parchment		England					reverse	2	Lewis T224		reverse	MSS 0019				Charter, Poughley Priory
Lewis T225	Lewis T225 front	mcat082251	March 25, 1376	1376			Indentured inventory of the property of Poughley priory. De Ricci 229.	Parchment		Berkshire, England					front	1	Lewis T225		front	MSS 0019				Charter, Poughley Priory
Lewis T225	Lewis T225 reverse	mcat082252						Parchment		England					reverse	2	Lewis T225		reverse	MSS 0019				Charter, Poughley Priory
Lewis T226	Lewis T226 front	mcat082261			1378			Parchment		England					front	1	Lewis T226		front	MSS 0019				Charter
Lewis T226	Lewis T226 reverse	mcat082262			1378			Parchment		England					reverse	2	Lewis T226		reverse	MSS 0019				Charter
Lewis T227	Lewis T227 front	mcat082271			1382			Parchment		England					front	1	Lewis T227		front	MSS 0019				Charter
Lewis T227	Lewis T227 reverse	mcat082272		1200	1382			Parchment		England					reverse	2	Lewis T227		reverse	MSS 0019				Charter
Lewis T228	Lewis T228 front	mcat082281		ca. 1200	1299			Parchment		Unknown					front	1	Lewis T228		front	MSS 0019				Charter
Lewis T228	Lewis T228 reverse	mcat082282		ca. 1200	1299			Parchment		England					reverse	2	Lewis T228		reverse	MSS 0019				Charter
Lewis T229	Lewis T229 front	mcat082291			1397			Parchment		England					front	1	Lewis T229		front	MSS 0019				Charter
Lewis T229	Lewis T229 reverse	mcat082292			1397			Parchment		England					reverse	2	Lewis T229		reverse	MSS 0019				Charter
Lewis T230	Lewis T230 front	mcat082301						Parchment		Somerset, England	Court hand				front	1	Lewis T230		front	MSS 0019				Charter
Lewis T230	Lewis T230 reverse	mcat082302						Parchment		England					reverse	2	Lewis T230		reverse	MSS 0019				Charter
Lewis T231	Lewis T231	mcat082311		ca. 1300	1400			Parchment		Unknown					front	1	Lewis T231		front	MSS 0019				Charter
Lewis T232	Lewis T232 front	mcat082321		ca. 1300	1400			Parchment		England					front	1	Lewis T232		front	MSS 0019				Charter
Lewis T232	Lewis T232 reverse	mcat082322		ca. 1300	1400			Parchment		England					reverse	2	Lewis T232		reverse	MSS 0019				Charter
Lewis T233	Lewis T233 front	mcat082331		ca. 1300	1400			Parchment		England					front	1	Lewis T233		front	MSS 0019				Charter
Lewis T233	Lewis T233 reverse	mcat082332		ca. 1300	1400			Parchment		England					reverse	2	Lewis T233		reverse	MSS 0019				Charter
Lewis T234	Lewis T234	mcat082341			1339			Parchment		England					front	1	Lewis T234		front	MSS 0019				Charter
Lewis T235	Lewis T235	mcat082351			1431			Parchment		England					front	1	Lewis T235		front	MSS 0019				Deed
Lewis T236	Lewis T236 front	mcat082361		ca. 1480	1481			Parchment		England					front	1	Lewis T236		front	MSS 0019				Charter
Lewis T236	Lewis T236 reverse	mcat082362		ca. 1480	1481			Parchment		England					reverse	2	Lewis T236		reverse	MSS 0019				Charter
Lewis T237	Lewis T237 front	mcat082371		ca. 1400	1500			Parchment		England					front	1	Lewis T237		front	MSS 0019				Charter
Lewis T237	Lewis T237 reverse	mcat082372		ca. 1400	1500			Parchment		England					reverse	2	Lewis T237		reverse	MSS 0019				Charter
Lewis T238	Lewis T238 front	mcat082381		1357				Parchment		England					front	1	Lewis T238		front	MSS 0019				Charter
Lewis T238	Lewis T238 reverse	mcat082382		1357				Parchment		England					reverse	2	Lewis T238		reverse	MSS 0019				Charter
Lewis T240	Lewis T240	mcat082401		ca. 1599				Parchment		England					front	1	Lewis T240		front	MSS 0019				Recognizance
Lewis T241	Lewis T241 front a	mcat082411		1614				Parchment		England					front	1	Lewis T241		front	MSS 0019				Recognizance
Lewis T241	Lewis T241 reverse a	mcat082412		1614				Parchment		England					reverse	2	Lewis T241		reverse	MSS 0019				Recognizance
Lewis T241	Lewis T241 front b	mcat082413		1614				Parchment		England					front	3	Lewis T241		front	MSS 0019				Recognizance
Lewis T242	Lewis T242 front	mcat082421	10/8/1600	1600		208 x 126 mm	Memorandum quod die Octavio anno Regni d(omi)nen(ost)re Elizabeth dei gra(tia) Anglie...Quadragessimo secundo.
 
 Stephane Bengemine of Letrorne in the country of Kent, tanner, William Vincle of the same place, butler and John Lonis of the same place, tanner, appeared before Edward Filmer, justice and put up money as a band, which will be forfeited if Stephan does not keep the peace, according the condition in English on the reverse side.	Parchment		Kent, England					front	1	Lewis T242		front	MSS 0019				Recognizance
Lewis T242	Lewis T242 reverse	mcat082422	10/8/1600					Parchment		Kent, England					reverse	2	Lewis T242		reverse	MSS 0019				Recognizance
Lewis T243	Lewis T243 front	mcat082431	4/6/1610			201 x 112 mm	Memorand(um) quod sexton die Aprilis Anno d(omi)ni n(ost)ri Jacobi Regis Regni sui Angliae etc. Octavo.
 Christopher Wallett of Orpington in Kent [] and George. I...appearedbefore Justice Timothy Lowe and pledged surety for Grace Scott, with the condition to be met.	Parchment		Kent, England					front	1	Lewis T243		front	MSS 0019				Recognizance
Lewis T243	Lewis T243 reverse	mcat082432	4/6/1610	1610				Parchment		Kent, England					reverse	2	Lewis T243		reverse	MSS 0019				Recognizance
Lewis T244	Lewis T244	mcat082441	12/7/1600			200 x 84 mm	Kent. M[emoran]d[um] q[uo]d septimo die decembres anno regni...Elisabeth...Anglie...R(egi]ne XLiii...
 
 Marcus Waters of Wrotham, Kent, a taylor, pledge 20 lbs. and Richard Hunter of Ightham, Kent, a taylor, and Thomas Burton of Wrotham, a chandler, pledged 10 lbs each before justice of the Peace George Byng to guarantee that Waters will appear before the next general session of the justices of Maidstone and in the meantime will keep the peace especially with Reginald Underdowne of Ightham taylor.
 Signed by Geo. Byng
 Dated Dec 7, 160o	Parchment	Latin	Kent, England					front	1	Lewis T244		front	MSS 0019				Recognizance
Lewis T245	Lewis T245 front	mcat082451	March 19, 1594			248 x 91 mm	Kant...M(emoran)d(u)m quod deci(m)o nouo die m(at)tii a(nn)o regne...Elizabethe...Ang(lie)...Reine...XXXV1
 William Best of Willmington, Kent, Husbandman, Henry Browne, Nicholas Browne Browne, Abraham Whithead, and John Haselwood, of the sameplace, also husbandman, recognized a debt to the crown of 10 lbs each before justice of the Peace Justinian Champeneis, if Best shall not appear before the next general session of the justices at Maidstone and in the meantime be of good behavior [this condition appended in English]	Parchment		Kent, England					front	1	Lewis T245		front	MSS 0019				Recognizance
Lewis T245	Lewis T245 reverse	mcat082452	3/19/1594					Parchment		Unknown					reverse	2	Lewis T245		reverse	MSS 0019				Recognizance
Lewis T246	Lewis T246 front	mcat082461	April 12, 1601	1601		160 x 127 mm	Kant. Memorand[um] quod duodecimo die Aprillis
 A recognizance in which Thomas Coveney of East Sutton in Kent, yeoman, and Francis La...of the same place, yeoman, appeared before Justice of the Peace Edward Fillmer and pledge money as surety that Coveney would fulfill the conditions of keeping the peace. [Written in English on the verso].	Parchment		Kent, England					front	1	Lewis T246		front	MSS 0019				Recognizance
Lewis T246	Lewis T246 reverse	mcat082462				160 x 127 mm		Parchment		Unknown					reverse	2	Lewis T246		reverse	MSS 0019				Recognizance
Lewis T247	Lewis T247	mcat082471	June 24, 1605	1605		199 x 101 mm		Parchment		Kent, England					front	1	Lewis T247		front	MSS 0020				Recognizance
Lewis T248	Lewis T248	mcat082481	5/10/1604	1604		177 x 95 mm	Kant. SS. Jur. p9ro) d(omi) no rege p(re)sent(e) q(uo)d
 Thomas Grene...de Westwell
 Complaint of John [banke]of Ashford, Kent that Thomas Greene of Westwell and Thomas Greene of Lenham stole a horse worth 8 lbs.	Parchment		Kent, England					front	1	Lewis T248		front	MSS 0020				Complaint
Lewis T249	Lewis T249 front	mcat082491	11/16/1609				Kant...M9emoran)d(um) q(uo) decimo septo die Novembris an(n)o regni...Jacobi...Anglie...reg(is)septimo et Scotie XLiii
 
 William Pearles of Hever, Kent, s savoyer, and William Douglas of Hever, husbandman,and Abraham Clover of Hever,Warriner, appeared before Justices of the Peace Ralph BoswyLe and Thomas Potter and to the condition in English on the back, that Pearles andwill appear at the next general session of the king's justices at Maidstone, Kent and will behave in the meantime.	Parchment		Kent, England					front	1	Lewis T249		front	MSS 0020				Recognizance
Lewis T249	Lewis T249 reverse	mcat082492				230 x 80 mm		Parchment		Kent, England					reverse	2	Lewis T249		reverse	MSS 0020				Recognizance
Lewis T250	Lewis T250 front	mcat082501						Parchment		England					front	1	Lewis T250		front	MSS 0020				Recognizance
Lewis T250	Lewis T250 reverse	mcat082502						Parchment		England					reverse	2	Lewis T250		reverse	MSS 0020				Recognizance
Lewis T251	Lewis T251	mcat082511						Parchment		England					front	1	Lewis T251		front	MSS 0020				Recognizance
Lewis T252	Lewis T252 front	mcat082521	September 11, 1604	1604				Parchment		Kent, England					front	1	Lewis T252		front	MSS 0020				Recognizance
Lewis T252	Lewis T252 reverse	mcat082522		1604				Parchment		England					reverse	2	Lewis T252		reverse	MSS 0020				Recognizance
Lewis T253	Lewis T253 front	mcat082531						Parchment		England					front	1	Lewis T253		front	MSS 0020				Recognizance
Lewis T253	Lewis T253 reverse	mcat082532						Parchment		England					reverse	2	Lewis T253		reverse	MSS 0020				Recognizance
Lewis T254	Lewis T254 front	mcat082541						Parchment		England					front	1	Lewis T254		front	MSS 0020				Recognizance
Lewis T254	Lewis T254 reverse	mcat082542						Parchment		England					reverse	2	Lewis T254		reverse	MSS 0020				Recognizance
Lewis T255	Lewis T255	mcat082551						Parchment		England					front	1	Lewis T255		front	MSS 0020				Recognizance
Lewis T256	Lewis T256	mcat082561						Parchment		England					front	1	Lewis T256		front	MSS 0020				Recognizance
Lewis T257	Lewis T257 front	mcat082571		1604		257 x 115 mm	Kant...memorand(um) q(uo)d undecimo die Februarrii an(n)o regni...Jacobi Anglie...Regio...Secundo et Scotie tricesimo septimo... Thomas Norris of Yecvell, a yeoman, appeared before justice of the Peace Edward Boys and promised to pay LB5 to the King and LBS 10 to Henry Stokes, of Yecvell, yeoman, if, according to the condition attached below in English he did not peronsally appear before the next general quarter session of the King's justices of the peace at Canterbury and did not keep the peace, especially with John Hodgeskin.	Parchment		Kent, England					front	1	Lewis T257		front	MSS 0020				Recognizance
Lewis T257	Lewis T257 reverse	mcat082572		1604			Kant...memorand(um) q(uo)d undecimo die Februarrii an(n)o regni...Jacobi Anglie...Regio...Secundo et Scotie tricesimo septimo...
 Thomas Norris of Yecvell, a yeoman, appeared before justice of the Peace Edward Boys and promised to pay LB5 to the King and LBS 10 to Henry Stokes, of Yecvell, yeoman, if, according to the condition attached below in English he did not peronsally appear before the next general quarter session of the King's justices of the peace at Canterbury and did not keep the peace, especially with John Hodgeskin.	Parchment		Kent, England					reverse	2	Lewis T257		reverse	MSS 0020				Recognizance
Lewis T258	Lewis T258	mcat082581						Parchment		England					front	1	Lewis T258		front	MSS 0020				Recognizance
Lewis T259	Lewis T259 front	mcat082591						Parchment		England					front	1	Lewis T259		front	MSS 0020				Recognizance
Lewis T259	Lewis T259 reverse	mcat082592						Parchment		England					reverse	2	Lewis T259		reverse	MSS 0020				Recognizance
Lewis T260	Lewis T260 front	mcat082601						Parchment		England					front	1	Lewis T260		front	MSS 0020				Recognizance
Lewis T260	Lewis T260 reverse	mcat082602						Parchment		England					reverse	2	Lewis T260		reverse	MSS 0020				Recognizance
Lewis T261	Lewis T261 front	mcat082611						Parchment		England					front	1	Lewis T261		front	MSS 0020				Recognizance
Lewis T261	Lewis T261 reverse	mcat082612						Parchment		England					reverse	2	Lewis T261		reverse	MSS 0020				Recognizance
Lewis T262	Lewis T262 front	mcat082621						Parchment		England					front	1	Lewis T262		front	MSS 0020				Condition of Obligation
Lewis T262	Lewis T262 reverse	mcat082622						Parchment		England					reverse	2	Lewis T262		reverse	MSS 0020				Condition of Obligation
Lewis T263	Lewis T263 front	mcat082631						Parchment		England					front	1	Lewis T263		front	MSS 0020				Recognizance
Lewis T263	Lewis T263 reverse	mcat082632						Parchment		England					reverse	2	Lewis T263		reverse	MSS 0020				Recognizance
Lewis T264	Lewis T264	mcat082641						Parchment		England					front	1	Lewis T264		front	MSS 0020				Recognizance
Lewis T265	Lewis T265	mcat082651	April 10, 1610	1610				Parchment		Kent, England					front	1	Lewis T265		front	MSS 0020				Memorandum
Lewis T266	Lewis T266	mcat082661	June 5, 1605	1605				Parchment	Latin	Kent, England					front	1	Lewis T266		front	MSS 0020				Recognizance
Lewis T267	Lewis T267	mcat082671						Parchment		England					front	1	Lewis T267		front	MSS 0020				Recognizance
Lewis T268	Lewis T268 front	mcat082681						Parchment		England					front	1	Lewis T268		front	MSS 0020				Recognizance
Lewis T268	Lewis T268 reverse	mcat082682						Parchment		England					reverse	2	Lewis T268		reverse	MSS 0020				Recognizance
Lewis T269	Lewis T269 front	mcat082691						Parchment		England					front	1	Lewis T269		front	MSS 0021				Power of Attorney
Lewis T269	Lewis T269 reverse	mcat082692						Parchment		England					reverse	2	Lewis T269		reverse	MSS 0021				Power of Attorney
Lewis T270	Lewis T270 front	mcat082701						Parchment		England					front	1	Lewis T270		front	MSS 0021				Probate of a Will
Lewis T270	Lewis T270 reverse	mcat082702						Parchment		England					reverse	2	Lewis T270		reverse	MSS 0021				Probate of a Will
Lewis T271	Lewis T271 front	mcat082711						Parchment		England					front	1	Lewis T271		front	MSS 0021				Note of Obligation and Condition
Lewis T271	Lewis T271 reverse	mcat082712						Parchment		England					reverse	2	Lewis T271		reverse	MSS 0021				Note of Obligation and Condition
Lewis T272	Lewis T272 front	mcat082721						Parchment		England					front	1	Lewis T272		front	MSS 0021				Promissory Note
Lewis T272	Lewis T272 reverse	mcat082722						Parchment		England					reverse	2	Lewis T272		reverse	MSS 0021				Promissory Note
Lewis T273	Lewis T273 front	mcat082731						Parchment		England					front	1	Lewis T273		front	MSS 0021				Note and Receipt
Lewis T273	Lewis T273 reverse	mcat082732						Parchment		England					reverse	2	Lewis T273		reverse	MSS 0021				Note and Receipt
Lewis T274	Lewis T274 front a	mcat092741						Parchment		England					front	1	Lewis T274		front	MSS 0021				Anna Peirce vs. John Stevens
Lewis T274	Lewis T274 reverse a	mcat092742						Parchment		England					reverse	2	Lewis T274		reverse	MSS 0021				Anna Peirce vs. John Stevens
Lewis T274	Lewis T274 front b	mcat092743						Parchment		England					front	3	Lewis T274		front	MSS 0021				Anna Peirce vs. John Stevens
Lewis T274	Lewis T274 reverse b	mcat092744						Parchment		England					reverse	4	Lewis T274		reverse	MSS 0021				Anna Peirce vs. John Stevens
Lewis T274	Lewis T274 front c	mcat092745						Parchment		England					front	5	Lewis T274		front	MSS 0021				Anna Peirce vs. John Stevens
Lewis T274	Lewis T274 reverse c	mcat092746						Parchment		England					reverse	6	Lewis T274		reverse	MSS 0021				Anna Peirce vs. John Stevens
Lewis T274	Lewis T274 front d	mcat092747						Parchment		England					front	7	Lewis T274		front	MSS 0021				Anna Peirce vs. John Stevens
Lewis T275	Lewis T275 front	mcat092751						Parchment		England					front	1	Lewis T275		front	MSS 0021				Document
Lewis T275	Lewis T275 reverse	mcat092752						Parchment		England					reverse	2	Lewis T275		reverse	MSS 0021				Document
Lewis T276	Lewis T276 front	mcat092761						Parchment		England					front	1	Lewis T276		front	MSS 0021				Document
Lewis T276	Lewis T276 reverse	mcat092762						Parchment		England					reverse	2	Lewis T276		reverse	MSS 0021				Document
Lewis T277	Lewis T277 front	mcat092771						Parchment		France					front	1	Lewis T277		front	MSS 0021				Grant
Lewis T277	Lewis T277 reverse	mcat092772						Parchment		France					reverse	2	Lewis T277		reverse	MSS 0021				Grant
Lewis T278	Lewis T278	mcat092781						Parchment		Germany					front	1	Lewis T278		front	MSS 0022				Latin text leaf
Lewis T449	Lewis T449 front	mcat094491						Parchment	Kufic	Unknown					front	1	Lewis T449		front	MSS 0022				Koran
Lewis T449	Lewis T449 reverse	mcat094492						Parchment	Kufic	Unknown					reverse	2	Lewis T449		reverse	MSS 0022				Koran
Lewis T450	Lewis T450	mcat094501						Parchment	Kufic	Unknown					front	1	Lewis T450		front	MSS 0022				Koran
Lewis T451	Lewis T451 front	mcat094511						Parchment	Armenian	Unknown					front	1	Lewis T451		front	MSS 0022				Armenian
Lewis T451	Lewis T451 reverse	mcat094512						Parchment		Unknown					reverse	2	Lewis T451		reverse	MSS 0022				Armenian
Lewis T452	Lewis T452 front	mcat094521						Parchment		Unknown					front	1	Lewis T452		front	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T452	Lewis T452 reverse	mcat094522						Parchment		Unknown					reverse	2	Lewis T452		reverse	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T453	Lewis T453 front	mcat094531						Parchment		Unknown					front	1	Lewis T453		front	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T453	Lewis T453 reverse	mcat094532						Parchment		Unknown					reverse	2	Lewis T453		reverse	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T454	Lewis T454 front	mcat094541						Parchment		Unknown					front	1	Lewis T454		front	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T454	Lewis T454 reverse	mcat094542						Parchment		Unknown					reverse	2	Lewis T454		reverse	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T455	Lewis T455 front	mcat094551						Parchment		Unknown					front	1	Lewis T455		front	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T455	Lewis T455 reverse	mcat094552						Parchment		Unknown					reverse	2	Lewis T455		reverse	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T456	Lewis T456 front	mcat094561						Parchment		Unknown					front	1	Lewis T456		front	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T456	Lewis T456 reverse	mcat094562						Parchment		Unknown					reverse	2	Lewis T456		reverse	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T457	Lewis T457 front	mcat094571						Parchment		Unknown					front	1	Lewis T457		front	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T457	Lewis T457 reverse	mcat094572						Parchment		Unknown					reverse	2	Lewis T457		reverse	MSS 0022				Coptic (from an Egyptian mummy case)
Lewis T458	Lewis T458	mcat094581	February 12, 1646	1646				Parchment	English	Lancashire, England					front	1	Lewis T458		front	MSS 0022				Charter (in English)
Lewis T459	Lewis T459 front	mcat094591	July 15, 1521	1521				Parchment	English	London, England					front	1	Lewis T459		front	MSS 0022				Charter (in English)
Lewis T459	Lewis T459 reverse	mcat094592		1521				Parchment		England					reverse	2	Lewis T459		reverse	MSS 0022				Charter (in English)
Lewis T460	Lewis T460 front	mcat094601	April 10, 1383	1383				Parchment	French	Warwick, England					front	1	Lewis T460		front	MSS 0022				Charter (in French)
Lewis T460	Lewis T460 reverse	mcat094602		1383				Parchment		Warwick, England					reverse	2	Lewis T460		reverse	MSS 0022				Charter (in French)
Lewis T461	Lewis T461 front	mcat094611						Parchment		Unknown					front	1	Lewis T461		front	MSS 0022				Book of Hours (in French)
Lewis T461	Lewis T461 reverse	mcat094612						Parchment		Unknown					reverse	2	Lewis T461		reverse	MSS 0022				Book of Hours (in French)
Lewis T462	Lewis T462 front	mcat094621		1234			DiRicci Number 225	Parchment	French	France					front	1	Lewis T462		front	MSS 0022				Deed Recording a Grant (in French)
Lewis T462	Lewis T462 reverse	mcat094622		1234				Parchment	French	France					reverse	2	Lewis T462		reverse	MSS 0022				Deed Recording a Grant (in French)
Lewis T463	Lewis T463 front	mcat094631		1265			DiRicci #227	Parchment		France					front	1	Lewis T463		front	MSS 0022				Indenture
Lewis T463	Lewis T463 reverse	mcat094632		1265				Parchment		France					reverse	2	Lewis T463		reverse	MSS 0022				Indenture
Lewis T464	Lewis T464 front	mcat094641		1271			De Ricci 226	Parchment	French	France					front	1	Lewis T464		front	MSS 0022				Deed Recording a Grant (in French)
Lewis T464	Lewis T464 reverse	mcat094642		1271				Parchment		France					reverse	2	Lewis T464		reverse	MSS 0022				Deed Recording a Grant (in French)
Lewis T465	Lewis T465 front	mcat094651		1295			DeRicci #228D	Parchment		France					front	1	Lewis T465		front	MSS 0022				Charter
Lewis T465	Lewis T465 reverse	mcat094652		1295			DeRicci #228D	Parchment		France					reverse	2	Lewis T465		reverse	MSS 0023				Charter
Lewis T469	Lewis T469 front a	mcat094691						Parchment	Greek	Unknown					front	1	Lewis T469		front	MSS 0023				Greek text
Lewis T469	Lewis T469 reverse a	mcat094692						Parchment	Greek	Unknown					reverse	2	Lewis T469		reverse	MSS 0023				Greek text
Lewis T469	Lewis T469 front b	mcat094693						Parchment	Greek	Unknown					front	3	Lewis T469		front	MSS 0023				Greek text
Lewis T469	Lewis T469 reverse b	mcat094694						Parchment	Greek	Unknown					reverse	4	Lewis T469		reverse	MSS 0023				Greek text
Lewis T470	Lewis T470 front	mcat094701						Parchment	Greek	Unknown					front	1	Lewis T470		front	MSS 0023				Greek text
Lewis T470	Lewis T470 reverse	mcat094702						Parchment	Greek	Unknown					reverse	2	Lewis T470		reverse	MSS 0023				Greek text
Lewis T471	Lewis T471 front	mcat094711						Parchment	Greek	Unknown					front	1	Lewis T471		front	MSS 0023				Greek text
Lewis T471	Lewis T471 reverse	mcat094712						Parchment	Greek	Unknown					reverse	2	Lewis T471		reverse	MSS 0023				Greek text
Lewis T472	Lewis T472 front	mcat094721						Parchment	Greek	Unknown					front	1	Lewis T472		front	MSS 0023				Greek text
Lewis T472	Lewis T472 reverse	mcat094722						Parchment	Greek	Unknown					reverse	2	Lewis T472		reverse	MSS 0023				Greek text
Lewis T473	Lewis T473 front	mcat094731						Parchment	Greek	Unknown					front	1	Lewis T473		front	MSS 0023				Greek text
Lewis T473	Lewis T473 reverse	mcat094732						Parchment	Greek	Unknown					reverse	2	Lewis T473		reverse	MSS 0023				Greek text
Lewis T474	Lewis T474 front	mcat094741						Parchment	Greek	Unknown					front	1	Lewis T474		front	MSS 0023				Greek text
Lewis T474	Lewis T474 reverse	mcat094742						Parchment	Greek	Unknown					reverse	2	Lewis T474		reverse	MSS 0023				Greek text
Lewis T475	Lewis T475 front	mcat094751					Goes with Lewis T470	Parchment	Greek	Unknown					front	1	Lewis T475		front	MSS 0023				Greek text
Lewis T475	Lewis T475 reverse	mcat094752						Parchment		Unknown					reverse	2	Lewis T475		reverse	MSS 0023				Greek text
Lewis T476	Lewis T476 front	mcat094761					Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves).	Parchment	Greek	Unknown					front	1	Lewis T476		front	MSS 0023				Greek text
Lewis T476	Lewis T476 reverse	mcat094762						Parchment		Unknown					reverse	2	Lewis T476		reverse	MSS 0023				Greek text
Lewis T477	Lewis T477 front	mcat094771					Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves).	Parchment	Greek	Unknown					front	1	Lewis T477		front	MSS 0023				Greek text
Lewis T477	Lewis T477 reverse	mcat094772						Parchment	Greek	Unknown					reverse	2	Lewis T477		reverse	MSS 0023				Greek text
Lewis T478	Lewis T478 front	mcat094781					Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves).	Parchment	Greek	Unknown					front	1	Lewis T478		front	MSS 0023				Greek text
Lewis T478	Lewis T478 reverse	mcat094782					Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves).	Parchment	Greek	Unknown					reverse	2	Lewis T478		reverse	MSS 0023				Greek text
Lewis T479	Lewis T479 front	mcat094791					Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves).	Parchment	Greek	Unknown					front	1	Lewis T479		front	MSS 0023				Greek text
Lewis T479	Lewis T479 reverse	mcat094792					Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves).	Parchment	Greek	Unknown					reverse	2	Lewis T479		reverse	MSS 0023				Greek text
Lewis T480	Lewis T480 front	mcat094801					Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves).	Parchment	Greek	Unknown					front	1	Lewis T480		front	MSS 0023				Greek text
Lewis T480	Lewis T480 reverse	mcat094802					Undated. Lewis T476-480 consist of 5 separate fragments from the same manuscript (2 bifolia and 3 single leaves).	Parchment	Greek	Unknown					reverse	2	Lewis T480		reverse	MSS 0023				Greek text
Lewis T481	Lewis T481 front	mcat094811				293 x 210 mm		Parchment	Hebrew	Unknown					front	1	Lewis T481		front	MSS 0024				Machsor (in Hebrew)
Lewis T481	Lewis T481 reverse	mcat094812						Parchment	Hebrew	Unknown					reverse	2	Lewis T481		reverse	MSS 0024				Machsor (in Hebrew)
Lewis T482	Lewis T482 front a	mcat094821					Undated. Lewis T482-484 consist of 3 separate leaves.	Parchment		Unknown					front	1	Lewis T482		front	MSS 0024				Persian manuscript
Lewis T482	Lewis T482 reverse a	mcat094822					3 separate leaves (Lewis T482-484).	Parchment		Unknown					reverse	2	Lewis T482		reverse	MSS 0024				Persian manuscript
Lewis T482	Lewis T482 front b	mcat094823					3 separate leaves (Lewis T482-484).	Parchment		Unknown					front	3	Lewis T482		front	MSS 0024				Persian manuscript
Lewis T482	Lewis T482 reverse b	mcat094824					3 separate leaves (Lewis T482-484).	Parchment		Unknown					reverse	4	Lewis T482		reverse	MSS 0024				Persian manuscript
Lewis T483	Lewis T483 front	mcat094831					Undated. Lewis T482-484 consist of 3 separate leaves.	Parchment		Persian					front	1	Lewis T483		front	MSS 0024				Persian manuscript
Lewis T483	Lewis T483 reverse	mcat094832					Undated. Lewis T482-484 consist of 3 separate leaves.	Parchment		Persian					reverse	2	Lewis T483		reverse	MSS 0024				Persian manuscript
Lewis T484	Lewis T484 front	mcat094841					Undated. Lewis T482-484 consist of 3 separate leaves.	Parchment		Persian					front	1	Lewis T484		front	MSS 0024				Persian manuscript
Lewis T484	Lewis T484 reverse	mcat094842					Undated. Lewis T482-484 consist of 3 separate leaves.	Parchment		Persian					reverse	2	Lewis T484		reverse	MSS 0024				Persian manuscript
Lewis T485	Lewis T485 front	mcat094851		ca. 1400	1550	158 x 216 mm		Parchment	Slavonic	Bohemia?	Gothic				front	1	Lewis T485		front	MSS 0024				Bible: Colossians 4 - Thessalonians 1
Lewis T485	Lewis T485 reverse	mcat094852		ca. 1400	1550			Parchment		Bohemia?	Gothic				reverse	2	Lewis T485		reverse	MSS 0024				Bible: Colossians 4 - Thessalonians 1
Lewis T496	Lewis T496 front a	mcat094961						Parchment		Unknown					front	1	Lewis T496		front	MSS 0024				Missal
Lewis T496	Lewis T496 reverse a	mcat094962						Parchment		Unknown					reverse	2	Lewis T496		reverse	MSS 0024				Missal
Lewis T496	Lewis T496 front b	mcat094963						Parchment		Unknown					front	3	Lewis T496		front	MSS 0024				Missal
Lewis T496	Lewis T496 reverse b	mcat094964						Parchment		Unknown					reverse	4	Lewis T496		reverse	MSS 0024				Missal
Lewis T497	Lewis T497 front a	mcat094971				186 x 249 mm		Parchment		Unknown					front	1	Lewis T497		front	MSS 0024				Missal
Lewis T497	Lewis T497 reverse a	mcat094972						Parchment		Unknown					reverse	2	Lewis T497		reverse	MSS 0024				Missal
Lewis T497	Lewis T497 front b	mcat094973						Parchment		Unknown					front	3	Lewis T497		front	MSS 0024				Missal
Lewis T497	Lewis T497 reverse b	mcat094974						Parchment		Unknown					reverse	4	Lewis T497		reverse	MSS 0025				Missal
Lewis T498	Lewis T498 front	mcat094981		ca. 1400	1600			Parchment		England	Gothic				front	1	Lewis T498		front	MSS 0025				Betrothal and Marriage Ritual (perhaps from a Missal)
Lewis T498	Lewis T498 reverse	mcat094982						Parchment		Unknown					reverse	2	Lewis T498		reverse	MSS 0025				Betrothal and Marriage Ritual (perhaps from a Missal)
Lewis T499	Lewis T499 front	mcat094991						Parchment		Unknown					front	1	Lewis T499		front	MSS 0025				Book of Hours, in Latin and French (printed)
Lewis T499	Lewis T499 reverse	mcat094992						Parchment		Unknown					reverse	2	Lewis T499		reverse	MSS 0025				Book of Hours, in Latin and French (printed)
Lewis T500	Lewis T500 front	mcat095001						Parchment		Unknown					front	1	Lewis T500		front	MSS 0025				Prayers, with rubrics in French
Lewis T500	Lewis T500 reverse	mcat095002						Parchment		Unknown					reverse	2	Lewis T500		reverse	MSS 0025				Prayers, with rubrics in French
Lewis T501	Lewis T501 front	mcat095011						Parchment		Unknown					front	1	Lewis T501		front	MSS 0025				Peter Comestor, "Historia Scholastica," Incunabulum printed at Basel by Amerbach, 1486
Lewis T501	Lewis T501 reverse	mcat095012						Parchment		Unknown					reverse	2	Lewis T501		reverse	MSS 0025				Peter Comestor, "Historia Scholastica," Incunabulum printed at Basel by Amerbach, 1486
Lewis T502	Lewis T502 front a	mcat095021						Parchment		Unknown					front	1	Lewis T502		front	MSS 0025				John Chrysostom, Sermon on the Patience of Job, Incunabulum printed at Lubeck by Koelhoff de koeln, 1487
Lewis T502	Lewis T502 reverse a	mcat095022						Parchment		Unknown					reverse	2	Lewis T502		reverse	MSS 0025				John Chrysostom, Sermon on the Patience of Job, Incunabulum printed at Lubeck by Koelhoff de koeln, 1487
Lewis T502	Lewis T502 front b	mcat095023						Parchment		Unknown					front	3	Lewis T502		front	MSS 0025				John Chrysostom, Sermon on the Patience of Job, Incunabulum printed at Lubeck by Koelhoff de koeln, 1487
Lewis T502	Lewis T502 reverse b	mcat095024						Parchment		Unknown					reverse	4	Lewis T502		reverse	MSS 0025				John Chrysostom, Sermon on the Patience of Job, Incunabulum printed at Lubeck by Koelhoff de koeln, 1487
Lewis T503	Lewis T503 front	mcat095031						Parchment		Unknown					front	1	Lewis T503		front	MSS 0025				John Gerson, Sermon of Saint Bernard, Incunabulum printed at Strasbourg by Flack, 1494
Lewis T503	Lewis T503 reverse	mcat095032						Parchment		Unknown					reverse	2	Lewis T503		reverse	MSS 0025				John Gerson, Sermon of Saint Bernard, Incunabulum printed at Strasbourg by Flack, 1494
Lewis T504	Lewis T504 front	mcat095041						Parchment		Unknown					front	1	Lewis T504		front	MSS 0025				Saint Vincent Ferrer, Sermons, Incunabulum printed at Cologne by Quentell (), 1485
Lewis T504	Lewis T504 reverse	mcat095042						Parchment		Unknown					reverse	2	Lewis T504		reverse	MSS 0025				Saint Vincent Ferrer, Sermons, Incunabulum printed at Cologne by Quentell (), 1485
Lewis T505	Lewis T505 front a	mcat095051						Parchment		Unknown					front	1	Lewis T505		front	MSS 0025				The Ordinary of Christian Men, printed by Wynkyn de Worde, 1502
Lewis T505	Lewis T505 reverse a	mcat095052						Parchment		Unknown					reverse	2	Lewis T505		reverse	MSS 0025				The Ordinary of Christian Men, printed by Wynkyn de Worde, 1502
Lewis T505	Lewis T505 front b	mcat095053						Parchment		Unknown					front	3	Lewis T505		front	MSS 0025				The Ordinary of Christian Men, printed by Wynkyn de Worde, 1502
Lewis T505	Lewis T505 reverse b	mcat095054						Parchment		Unknown					reverse	4	Lewis T505		reverse	MSS 0026				The Ordinary of Christian Men, printed by Wynkyn de Worde, 1502
Lewis T41	Lewis T41 front a	mcat100411		1100	1199		The initial M on the top fragment begins the antiphon benediction for Lauds on the 22nd Sunday after Pentecost, Magister, scimus quia verax es et viam dei in veritate doces (Master, we know that You speak the truth and teach the way of God in all sincerity).
 There are two staff lines used in this chant: the obvious one is red, the yellow one is barely visible. The red line is the F line and the yellow line is the A line. These two leaves are not sequential: the top leaf has several selections from the Book of Matthew that are usually used during the 21st to 24th Sunday after Pentecost; the bottom leaf quotes Jeremiah 31:12 and Psalm 4.
 The notation is very similar to Beneventan chant; however, Beneventan chant is accompanied by an entirely different script from the one seen in these leaves. Extant examples of Beneventan chant are also extremely rare, hence it is unlikely that these leaves are from a Beneventan monastery.
 De Ricci #223
 Free Library of Philadelphia Lewis Text Leaves 2:41	Parchment	Latin	Southern, Italy	Rotunda				front	1	Lewis T041		front	MSS 0026				Antiphonary
Lewis T41	Lewis T41 reverse a	mcat100412		1100	1199			Parchment		Southern, Italy					reverse	2	Lewis T041		reverse	MSS 0026				Antiphonary
Lewis T41	Lewis T41 front b	mcat100413						Parchment		Unknown					front	3	Lewis T041		front	MSS 0026				Antiphonary
Lewis T41	Lewis T41 reverse b	mcat100414						Parchment		Unknown					reverse	4	Lewis T041		reverse	MSS 0026				Antiphonary
Lewis T85	Lewis T85 front	mcat100851		950	1050		The ancient Greeks had developed a system of musical notation that differentiated between instrumental and sung music, and even indicated rhythmic value. The practice of writing music, as well as the practice of many arts, vanished after the fall of Rome.
 
 Charlemagne, the first Holy Roman emperor (742–814) restored learning and education to the Western world and the empire over which he reigned. He implemented a standardization of written text and music throughout his empire, which extended through much of modern-day Western and Central Europe. The emperor employed Alcuin, a scholar from England, to run a school and scriptorium in Aix-la-Chapelle, Charlemagnes favored residence. The resulting, highly legible script was Caroline minuscule. A musical notation was developed, too, in the form of the so-called St. Gall notation, named after the abbey in St. Gall, modern-day Switzerland.
 
 This leaf is written in Caroline minuscule, with unheightened or nondiastematic neumes. Neumes are the earliest notes used in plainchant, which is the monophonic unison chant of the Christian liturgies. Early on, they were squiggles and dots, like the ones displayed here. These neumes do not show the relative pitch between notes, and there is no indicated base pitch. None of these were necessary to the singer, however; the notation served as a reminder of the relative pitches to singers who would already have been familiar with the melody.
 
 The text is 2 Corinthians 6:1-10, Exhortamur (vos) ne in vacuum gratiam Dei recipiatis. . . (We exhort you that you receive not the grace of God in vain), which is the Epistle of the Mass for the First Sunday in Lent. It is followed by Psalm 90, which is sung as the Gradual of the Mass: Angelis suis mandavit de te ut custodiant te in omnibus viis tuis. . . (God has given His Angels charge over thee, to keep thee in all thy ways).
 Free Library of Philadelphia Lewis Text Leaf 3:85	Parchment	Latin	Germany	Caroline Minuscule				front	1	Lewis T085		front	MSS 0026				Missal: Saturday after Ash Wednesday, First Sunday in Lent
Lewis T85	Lewis T85 reverse	mcat100852		900	999		The ancient Greeks had developed a system of musical notation that differentiated between instrumental and sung music, and even indicated rhythmic value. The practice of writing music, as well as the practice of many arts, vanished after the fall of Rome.
 
 Charlemagne, the first Holy Roman emperor (742–814) restored learning and education to the Western world and the empire over which he reigned. He implemented a standardization of written text and music throughout his empire, which extended through much of modern-day Western and Central Europe. The emperor employed Alcuin, a scholar from England, to run a school and scriptorium in Aix-la-Chapelle, Charlemagnes favored residence. The resulting, highly legible script was Caroline minuscule. A musical notation was developed, too, in the form of the so-called St. Gall notation, named after the abbey in St. Gall, modern-day Switzerland.
 
 This leaf is written in Caroline minuscule, with unheightened or nondiastematic neumes. Neumes are the earliest notes used in plainchant, which is the monophonic unison chant of the Christian liturgies. Early on, they were squiggles and dots, like the ones displayed here. These neumes do not show the relative pitch between notes, and there is no indicated base pitch. None of these were necessary to the singer, however; the notation served as a reminder of the relative pitches to singers who would already have been familiar with the melody.
 
 The text is 2 Corinthians 6:1-10, Exhortamur (vos) ne in vacuum gratiam Dei recipiatis. . . (We exhort you that you receive not the grace of God in vain), which is the Epistle of the Mass for the First Sunday in Lent. It is followed by Psalm 90, which is sung as the Gradual of the Mass: Angelis suis mandavit de te ut custodiant te in omnibus viis tuis. . . (God has given His Angels charge over thee, to keep thee in all thy ways).	Parchment	Latin	Unknown	Caroline Minuscule				reverse	2	Lewis T085		reverse	MSS 0026				Missal: Saturday after Ash Wednesday, First Sunday in Lent
Lewis T239	Lewis T239 front	mcat102391		1572			Box 10	Parchment		England					front	1	Lewis T239		front	MSS 0026				Record of an Agreement made in the Queen's Court, Westminster, 1572
Lewis T239	Lewis T239 reverse	mcat102392			1572			Parchment		England					reverse	2	Lewis T239		reverse	MSS 0026				Record of an Agreement made in the Queen's Court, Westminster, 1572
Lewis T279	Lewis T279 front	mcat102791		ca. 1200	1300	235 x 325 mm		Parchment		Unknown	Early gothic minuscule				front	1	Lewis T279		front	MSS 0026				Bible: Exodus 22:28 - 23:3,11-15
Lewis T279	Lewis T279 reverse	mcat102792		ca. 1200	1300	235 x 325 mm		Parchment		Unknown	Early gothic minuscule				reverse	2	Lewis T279		reverse	MSS 0026				Bible: Exodus 22:28 - 23:3,11-15
Lewis T280	Lewis T280 front	mcat102801		ca. 1100	1200		Bought from Thomas F. Richardson of Boston.	Parchment		Unknown	Early Gothic				front	1	Lewis T280		front	MSS 0026				Bible: Kings III 22:54 - Kings IV 1:3
Lewis T280	Lewis T280 reverse	mcat102802					Bought from Thomas F. Richardson of Boston.	Parchment		Unknown					reverse	2	Lewis T280		reverse	MSS 0026				Bible: Kings III 22:54 - Kings IV 1:3
Lewis T281	Lewis T281 front a	mcat102811		ca. 1200	1400		Associated with LT282. The Esdras part seems to be in a non-vulgate translation	Parchment		France?	Gothic Script				front	1	Lewis T281		front	MSS 0026				Bible: Ezra 2() - 6:4; Tobias, Prologue 1:1-4, 23
Lewis T281	Lewis T281 reverse a	mcat102812		ca. 1200	1400		Associated with LT282. The Esdras part seems to be in a non-vulgate translation	Parchment		France?	Gothic Script				reverse	2	Lewis T281		reverse	MSS 0026				Bible: Ezra 2() - 6:4; Tobias, Prologue 1:1-4, 23
Lewis T281	Lewis T281 front b	mcat102813					Associated with LT282. The Esdras part seems to be in a non-vulgate translation	Parchment		France?	Gothic				front	3	Lewis T281		front	MSS 0026				Bible: Ezra 2() - 6:4; Tobias, Prologue 1:1-4, 23
Lewis T281	Lewis T281 reverse b	mcat102814		ca. 1200	1400		Associated with LT282. The Esdras part seems to be in a non-vulgate translation	Parchment		Unknown	Gothic				reverse	4	Lewis T281		reverse	MSS 0026				Bible: Ezra 2() - 6:4; Tobias, Prologue 1:1-4, 23
Lewis T282	Lewis T282 front a	mcat102821		ca. 1200	1400	223 x 230 mm	L281, 282, 283 go together.	Parchment		France?	Gothic				front	1	Lewis T282		front	MSS 0026				Bible: Judith 5:2 - 8:1; Job 1:15 - 6:29
Lewis T282	Lewis T282 reverse a	mcat102822		ca. 1200	1400			Parchment		France?					reverse	2	Lewis T282		reverse	MSS 0026				Bible: Judith 5:2 - 8:1; Job 1:15 - 6:29
Lewis T282	Lewis T282 front b	mcat102823		ca. 1200	1400			Parchment		Unknown					front	3	Lewis T282		front	MSS 0026				Bible: Judith 5:2 - 8:1; Job 1:15 - 6:29
Lewis T282	Lewis T282 reverse b	mcat102824		ca. 1200	1400		L281, 282, 283 go together.	Parchment		Unknown	Gothic				reverse	4	Lewis T282		reverse	MSS 0026				Bible: Judith 5:2 - 8:1; Job 1:15 - 6:29
Lewis T283	Lewis T283 front	mcat102831		ca. 1200	1400		L281, 282, 283 go together.	Parchment		France?	Gothic				front	1	Lewis T283		front	MSS 0027				Bible: Judith 8:1 - 11:10
Lewis T283	Lewis T283 reverse	mcat102832		ca. 1200	1400		L281, 282, 283 go together.	Parchment	Gothic	France?					reverse	2	Lewis T283		reverse	MSS 0027				Bible: Judith 8:1 - 11:10
Lewis T284	Lewis T284 front a	mcat102841		ca. 1200	1400			Parchment		France?	Gothic				front	1	Lewis T284		front	MSS 0027				Bible: Esther 16:10 - end; Jerome's Prologue to Esdra; excerpts from I Esdra and II Esdra
Lewis T284	Lewis T284 reverse a	mcat102842		ca. 1200	1400		2 folios forming a bifolium	Parchment		Unknown	Gothic				reverse	2	Lewis T284		reverse	MSS 0027				Bible: Esther 16:10 - end; Jerome's Prologue to Esdra; excerpts from I Esdra and II Esdra
Lewis T284	Lewis T284 front b	mcat102843		ca. 1200	1400		2 folios forming a bifolium	Parchment		France?	Gothic				front	3	Lewis T284		front	MSS 0027				Bible: Esther 16:10 - end; Jerome's Prologue to Esdra; excerpts from I Esdra and II Esdra
Lewis T284	Lewis T284 reverse b	mcat102844		ca. 1200	1400			Parchment		France?	Gothic				reverse	4	Lewis T284		reverse	MSS 0027				Bible: Esther 16:10 - end; Jerome's Prologue to Esdra; excerpts from I Esdra and II Esdra
Lewis T285	Lewis T285 front	mcat102851		ca. 1200	1300		Lewis T285 and 286, 2 contiguous folios mounted separately.	Parchment		France	Gothic				front	1	Lewis T285		front	MSS 0027				Bible: Ecclesiastes 16:18 - 25:2
Lewis T285	Lewis T285 reverse	mcat102852		ca. 1200	1300		Lewis T285 and 286, 2 contiguous folios mounted separately.	Parchment		Unknown	Gothic				reverse	2	Lewis T285		reverse	MSS 0027				Bible: Ecclesiastes 16:18 - 25:2
Lewis T286	Lewis T286 front	mcat102861		ca. 1200	1300		Lewis T285 and 286, 2 contiguous folios mounted separately.	Parchment		Unknown					front	1	Lewis T286		front	MSS 0027				Bible: Ecclesiastes 16:18 - 25:2
Lewis T286	Lewis T286 reverse	mcat102862		ca. 1200	1300		Lewis T285 and 286, 2 contiguous folios mounted separately.	Parchment		Unknown					reverse	2	Lewis T286		reverse	MSS 0027				Bible: Ecclesiastes 16:18 - 25:2
Lewis T287	Lewis T287 front	mcat102871		ca. 1000	1100	391 x 363 mm	Used to bind Duns Scotus' Commentary on the second book of Peter Lombard's Sentences, printed in Venice by N. Jenson 1481.	Parchment		Italy	Caroline Minuscule	Duns Scotus | Peter Lombard	Author		front	1	Lewis T287		front	MSS 0027				Bible: Jeremiah 5:27 - 6:27
Lewis T287	Lewis T287 reverse	mcat102872		ca. 1000	1100			Parchment		Unknown					reverse	2	Lewis T287		reverse	MSS 0027				Bible: Jeremiah 5:27 - 6:27
Lewis T288	Lewis T288 front a	mcat102881		ca. 1200	1300		De Ricci # 306
 2 folios forming a bifolium, the second from the center of a quire, vellum.	Parchment		Unknown	Gothic Minuscule				front	1	Lewis T288		front	MSS 0027				Bible: Luke 15:15-27; 16:19 - 17:2
Lewis T288	Lewis T288 reverse a	mcat102882						Parchment		Unknown	Gothic Minuscule				reverse	2	Lewis T288		reverse	MSS 0028				Bible: Luke 15:15-27; 16:19 - 17:2
Lewis T288	Lewis T288 front b	mcat102883					Show the modern chapter division introduced by the Dominican Hugh of St. Cher in the 1230s.	Parchment		Unknown	Gothic Minuscule				front	3	Lewis T288		front	MSS 0028				Bible: Luke 15:15-27; 16:19 - 17:2
Lewis T288	Lewis T288 reverse b	mcat102884						Parchment		Unknown	Gothic Minuscule				reverse	4	Lewis T288		reverse	MSS 0028				Bible: Luke 15:15-27; 16:19 - 17:2
Lewis T289	Lewis T289 front	mcat102891		ca. 1100	1300	190 x 285 mm	Acquired from Thomas F.Richardson, Boston	Parchment		Unknown	Early Gothic				front	1	Lewis T289		front	MSS 0028				Bible: Romans
Lewis T289	Lewis T289 reverse	mcat102892		ca. 1100	1300	190 x 285 mm		Parchment		Unknown	Early Gothic				reverse	2	Lewis T289		reverse	MSS 0028				Bible: Romans
Lewis T290	Lewis T290 front	mcat102901		ca. 1175	1200	197 x 288 mm	DeRicci 293 or 355. Apparently sold by Hiersemann of Leipizig in 1907. Obtained from Thomas F. Richardson Collection of Boston.	Parchment		Italy (northern)	Early Gothic				front	1	Lewis T290		front	MSS 0028				Bible: Hebrews 1:1-9
Lewis T290	Lewis T290 reverse	mcat102902		ca. 1175	1200			Parchment		Unknown					reverse	2	Lewis T290		reverse	MSS 0028				Bible: Hebrews 1:1-9
Lewis T291	Lewis T291 front	mcat102911		ca. 1200	1300	213 x 345 mm	Concordance to the Bible (Conrad of Halberstadt's). 
 The binding also has three small parchment strips with a Latin text, possibly of the 12th century, and two early printed leaves with a German text.	Parchment		Germany	Gothic				front	1	Lewis T291		front	MSS 0028				Bible Concordance, Conrad of Halberstadt's
Lewis T291	Lewis T291 reverse	mcat102912		ca. 1100	1200			Parchment	German	Unknown					reverse	2	Lewis T291		reverse	MSS 0028				Bible Concordance, Conrad of Halberstadt's
Lewis T292	Lewis T292 front	mcat102921		ca. 1300	1400		Possibly Conrad Halberstadt's	Parchment		Germany	Gothic Script				front	1	Lewis T292		front	MSS 0028				Bible Concordance: Luc - Lus
Lewis T292	Lewis T292 reverse	mcat102922						Parchment		Germany	Gothic Script				reverse	2	Lewis T292		reverse	MSS 0028				Bible Concordance: Luc - Lus
Lewis T293	Lewis T293 front	mcat102931		ca. 1100	1300	153 x 369 mm	De Ricci no. 356
 Formerly in the Thomas F. Richardson Collection in Boston	Parchment		Unknown	Gothic Script				front	1	Lewis T293		front	MSS 0028				Bible Commentary: Rabanus Maurus on Deuteronomy
Lewis T293	Lewis T293 reverse	mcat102932						Parchment		Unknown	Gothic Script				reverse	2	Lewis T293		reverse	MSS 0028				Bible Commentary: Rabanus Maurus on Deuteronomy
Lewis T294	Lewis T294 front	mcat102941		ca. 1300	1400	202 x 327 mm		Parchment		Unknown	Gothic				front	1	Lewis T294		front	MSS 0029				Bible Commentary on the Book of Job, Chapter 10
Lewis T294	Lewis T294 reverse	mcat102942						Parchment		Unknown					reverse	2	Lewis T294		reverse	MSS 0029				Bible Commentary on the Book of Job, Chapter 10
Lewis T295	Lewis T295 front	mcat102951		ca. 1300	1400		Nos. 1431-1433 placed opposite Psalm verses 11-13 seem to represent a continuous numbering of the verses from the beginning of the first Psalm.	Parchment		Unknown	Gothic				front	1	Lewis T295		front	MSS 0029				Commentary on Psalm 82:10-13
Lewis T295	Lewis T295 reverse	mcat102952		ca. 1300	1500			Parchment		Unknown					reverse	2	Lewis T295		reverse	MSS 0029				Commentary on Psalm 82:10-13
Lewis T296	Lewis T296 front	mcat102961		800 AD	899	230 x 294 mm	De Ricci no. 275
 Inc. recto: GRAVATI SOMNO ET EVIDILANTES VIDERUNT...
 Espl. verso: 
 
 The date given above is that of Bischoff, 1959.	Parchment		Unknown	Caroline Minuscule	Bede	Author		front	1	Lewis T296		front	MSS 0029				Commentary on Luke 9:32-38
Lewis T296	Lewis T296 reverse	mcat102962		800 AD	899		DeRicci no.275
 Date assigned by Professor B. Bisshoff of Munich, 1959.	Parchment		Unknown	Caroline Minuscule				reverse	2	Lewis T296		reverse	MSS 0029				Commentary on Luke 9:32-38
Lewis T297	Lewis T297 front	mcat102971		ca. 1100	1300			Parchment		Unknown	Early Gothic				front	1	Lewis T297		front	MSS 0029				Commentary on John 3:12-13
Lewis T297	Lewis T297 reverse	mcat102972		ca. 1100	1300			Parchment		Unknown					reverse	2	Lewis T297		reverse	MSS 0029				Commentary on John 3:12-13
Lewis T298	Lewis T298 front	mcat102981		ca. 1300	1500	293 x 413 mm		Parchment		Unknown	Gothic				front	1	Lewis T298		front	MSS 0029				Commentary on Romans 3-4
Lewis T298	Lewis T298 reverse	mcat102982		ca. 1300	1500			Parchment		Unknown	Gothic				reverse	2	Lewis T298		reverse	MSS 0029				Commentary on Romans 3-4
Lewis T299	Lewis T299 front	mcat102991		ca. 1100	1300	226 x 344 mm	Modern unoriginal entries in German.
 No DeRicci number	Parchment		Unknown	Early gothic minuscule				front	1	Lewis T299		front	MSS 0029				Commentary on the Apocalypse 16:1-3
Lewis T299	Lewis T299 reverse	mcat102992		ca. 1100	1300			Parchment		Unknown	Early gothic minuscule				reverse	2	Lewis T299		reverse	MSS 0029				Commentary on the Apocalypse 16:1-3
Lewis T300	Lewis T300, fol. 1r	mcat113001		ca. 1400	1500	247 x 321 mm	Used to bind accounts from Trinity Sunday 1687 to Trinity Sunday 1688 in the Kurfurst's Amt ertelburg.	Parchment		Germany	Gothic				f. 1r	1	Lewis T300		f. 1r	MSS 0030				Leaf from an antiphonary
Lewis T300	Lewis T300, fol. 1v	mcat113002						Parchment		Unknown	Gothic				f. 1v	2	Lewis T300		f. 1v	MSS 0030				Leaf from an antiphonary
Lewis T300	Lewis T300, fol. 2r	mcat113003						Parchment		Unknown					f. 2r	3	Lewis T300		f. 2r	MSS 0030				Leaf from an antiphonary
Lewis T300	Lewis T300, fol. 2v	mcat113004		ca. 1400	1500			Parchment		Unknown	Gothic				f. 2v	4	Lewis T300		f. 2v	MSS 0030				Leaf from an antiphonary
Lewis T301	Lewis T301 front	mcat113011						Parchment		Unknown					front	1	Lewis T301		front	MSS 0030				Leaf from an antiphonary
Lewis T301	Lewis T301 reverse	mcat113012		ca. 1300	1400			Parchment		Unknown	Gothic				reverse	2	Lewis T301		reverse	MSS 0030				Leaf from an antiphonary
Lewis T302	Lewis T302 front	mcat113021		ca. 1400	1500	294 x 446 mm	For Sunday at Prime.	Parchment		Unknown	Gothic				front	1	Lewis T302		front	MSS 0030				Leaf from an antiphonary
Lewis T302	Lewis T302 reverse	mcat113022						Parchment		Unknown					reverse	2	Lewis T302		reverse	MSS 0030				Leaf from an antiphonary
Lewis T303	Lewis T303 front	mcat113031		ca. 1100	1300			Parchment		Unknown	Early Gothic				front	1	Lewis T303		front	MSS 0030				Leaf from a breviary
Lewis T303	Lewis T303 reverse	mcat113032						Parchment		Unknown					reverse	2	Lewis T303		reverse	MSS 0030				Leaf from a breviary
Lewis T304	Lewis T304 front	mcat113041		ca. 1200	1300		Used to bind monastic accounts for the year 1658.	Parchment		Germany					front	1	Lewis T304		front	MSS 0030				Leaf from an antiphonary
Lewis T304	Lewis T304 reverse	mcat113042						Parchment		Unknown					reverse	2	Lewis T304		reverse	MSS 0030				Leaf from an antiphonary
Lewis T305	Lewis T305	mcat113051		ca. 1000	1100		Feast of Assumption, August 15.	Parchment		Unknown	Caroline Minuscule				front	1	Lewis T305		front	MSS 0030				Leaf from an antiphonary
Lewis T306	Lewis T306, fol. 1r	mcat113061		ca. 1100	1300	223 x 311 mm	From Rosenthal Catalogue 120, no.19
 September 1-14.	Parchment		Unknown	Early Gothic				f. 1r	1	Lewis T306		f. 1r	MSS 0031				Leaf from an antiphonary
Lewis T306	Lewis T306, fol. 1v	mcat113062						Parchment		Unknown					f. 1v	2	Lewis T306		f. 1v	MSS 0031				Leaf from an antiphonary
Lewis T306	Lewis T306, fol. 2r	mcat113063						Parchment		Unknown					f. 2r	3	Lewis T306		f. 2r	MSS 0031				Leaf from an antiphonary
Lewis T306	Lewis T306, fol. 2v	mcat113064						Parchment		Unknown					f. 2v	4	Lewis T306		f. 2v	MSS 0031				Leaf from an antiphonary
Lewis T307	Lewis T307 front	mcat113071		ca. 1300	1500	250 x 356 mm	Nativity of the B.V.M., September 8.	Parchment		Unknown	Gothic				front	1	Lewis T307		front	MSS 0031				Leaf from an antiphonary
Lewis T307	Lewis T307 reverse	mcat113072						Parchment		Unknown					reverse	2	Lewis T307		reverse	MSS 0031				Leaf from an antiphonary
Lewis T308	Lewis T308, fol. 1r	mcat113081		ca. 1400	1500	210 x 330 mm	Second bifolium from the center of a quire. Used for binding accounts for Duerode.	Parchment		Netherlands	Gothic				f. 1r	1	Lewis T308		f. 1r	MSS 0031				Leaf from an antiphonary
Lewis T308	Lewis T308, fol. 1v	mcat113082						Parchment		Unknown					f. 1v	2	Lewis T308		f. 1v	MSS 0031				Leaf from an antiphonary
Lewis T308	Lewis T308, fol. 2r	mcat113083						Parchment		Unknown					f. 2r	3	Lewis T308		f. 2r	MSS 0031				Leaf from an antiphonary
Lewis T308	Lewis T308, fol. 2v	mcat113084						Parchment		Unknown					f. 2v	4	Lewis T308		f. 2v	MSS 0031				Leaf from an antiphonary
Lewis T309	Lewis T309 front	mcat113091		ca. 1400	1500	179 x 337 mm		Parchment		Germany	Gothic				front	1	Lewis T309		front	MSS 0031				Leaf from a choir book
Lewis T309	Lewis T309 reverse	mcat113092						Parchment		Unknown					reverse	2	Lewis T309		reverse	MSS 0031				Leaf from a choir book
Lewis T310	Lewis T310 front	mcat113101		ca. 1400	1500	267 x 367 mm	Communion of a martyr	Parchment		Unknown	Gothic				front	1	Lewis T310		front	MSS 0031				Leaf from an antiphonary
Lewis T310	Lewis T310 reverse	mcat113102						Parchment		Unknown					reverse	2	Lewis T310		reverse	MSS 0031				Leaf from an antiphonary
Lewis T311	Lewis T311 front	mcat113111		ca. 1400	1550			Parchment		Unknown	Gothic				front	1	Lewis T311		front	MSS 0032				Leaf from an antiphonary
Lewis T311	Lewis T311 reverse	mcat113112						Parchment		Unknown					reverse	2	Lewis T311		reverse	MSS 0032				Leaf from an antiphonary
Lewis T312	Lewis T312 front a	mcat11312a		ca. 1400	1600		These may be the initials which DeRicci (p.2082) says Lewis bought at Sotheby's 16.XI, 1925 from John Lord Northwick.	Parchment		Italy	Round Gothic				front	1	Lewis T312		front	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 reverse a	mcat11312b						Parchment		Unknown					reverse	2	Lewis T312		reverse	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 front b	mcat11312c						Parchment		Unknown					front	3	Lewis T312		front	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 reverse b	mcat11312d						Parchment		Unknown					reverse	4	Lewis T312		reverse	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 front c	mcat11312e						Parchment		Unknown					front	5	Lewis T312		front	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 reverse c	mcat11312f						Parchment		Unknown					reverse	6	Lewis T312		reverse	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 front d	mcat11312g						Parchment		Unknown					front	7	Lewis T312		front	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 reverse d	mcat11312h						Parchment		Unknown					reverse	8	Lewis T312		reverse	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 front e	mcat11312i						Parchment		Unknown					front	9	Lewis T312		front	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 reverse e	mcat11312j						Parchment		Unknown					reverse	10	Lewis T312		reverse	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 front f	mcat11312k						Parchment		Unknown					front	11	Lewis T312		front	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 reverse f	mcat11312l						Parchment		Unknown					reverse	12	Lewis T312		reverse	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 front g	mcat11312m						Parchment		Unknown					front	13	Lewis T312		front	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 reverse g	mcat11312n						Parchment		Unknown					reverse	14	Lewis T312		reverse	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 front h	mcat11312o						Parchment		Unknown					front	15	Lewis T312		front	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 reverse h	mcat11312p						Parchment		Unknown					reverse	16	Lewis T312		reverse	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 front i	mcat11312q						Parchment		Unknown					front	17	Lewis T312		front	MSS 0032				Cutting from an antiphonary
Lewis T312	Lewis T312 reverse i	mcat11312r						Parchment		Unknown					reverse	18	Lewis T312		reverse	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 front a	mcat11313a		ca. 1400	1600		These may be the initials which DeRicci (p.2082) says Lewis bought at Sotheby's 16.XI, 1925 from John Lord Northwick.	Parchment		Italy	Round Gothic				front	1	Lewis T313		front	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 reverse a	mcat11313b						Parchment		Unknown					reverse	2	Lewis T313		reverse	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 front b	mcat11313c						Parchment		Unknown					front	3	Lewis T313		front	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 reverse b	mcat11313d						Parchment		Unknown					reverse	4	Lewis T313		reverse	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 front c	mcat11313e						Parchment		Unknown					front	5	Lewis T313		front	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 reverse c	mcat11313f						Parchment		Unknown					reverse	6	Lewis T313		reverse	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 front d	mcat11313g						Parchment		Unknown					front	7	Lewis T313		front	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 reverse d	mcat11313h						Parchment		Unknown					reverse	8	Lewis T313		reverse	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 front e	mcat11313i						Parchment		Unknown					front	9	Lewis T313		front	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 reverse e	mcat11313j						Parchment		Unknown					reverse	10	Lewis T313		reverse	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 front f	mcat11313k						Parchment		Unknown					reverse	11	Lewis T313		reverse	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 reverse f	mcat11313l						Parchment		Unknown					reverse	12	Lewis T313		reverse	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 front g	mcat11313m						Parchment		Unknown					front	13	Lewis T313		front	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 reverse g	mcat11313n						Parchment		Unknown					reverse	14	Lewis T313		reverse	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 front h	mcat11313o						Parchment		Unknown					front	15	Lewis T313		front	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 reverse h	mcat11313p						Parchment		Unknown					reverse	16	Lewis T313		reverse	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 front i	mcat11313q						Parchment		Unknown					front	17	Lewis T313		front	MSS 0032				Cutting from an antiphonary
Lewis T313	Lewis T313 reverse i	mcat11313r						Parchment		Unknown					reverse	18	Lewis T313		reverse	MSS 0032				Cutting from an antiphonary
Lewis T314	Lewis T314 front a	mcat113141		ca. 1400	1600	82 x 96 mm		Parchment		Italy					front	1	Lewis T314		front	MSS 0032				Cutting from an antiphonary
Lewis T314	Lewis T314 reverse a	mcat113142						Parchment		Unknown					reverse	2	Lewis T314		reverse	MSS 0032				Cutting from an antiphonary
Lewis T314	Lewis T314 front b	mcat113143						Parchment		Unknown					front	3	Lewis T314		front	MSS 0032				Cutting from an antiphonary
Lewis T314	Lewis T314 reverse b	mcat113144						Parchment		Unknown					reverse	4	Lewis T314		reverse	MSS 0032				Cutting from an antiphonary
Lewis T314	Lewis T314 front c	mcat113145						Parchment		Unknown					front	5	Lewis T314		front	MSS 0032				Cutting from an antiphonary
Lewis T314	Lewis T314 reverse c	mcat113146						Parchment		Unknown					reverse	6	Lewis T314		reverse	MSS 0032				Cutting from an antiphonary
Lewis T315	Lewis T315, fol. 1r	mcat11315a		ca. 1300	1500		Bought from Rosenthal (of fols. 5, 2).
 Goes with 316, 317	Parchment		Unknown	Round Gothic				f. 1r	1	Lewis T315		f. 1r	MSS 0032				Breviary
Lewis T315	Lewis T315, fol. 1v	mcat11315b						Parchment		Unknown					f. 1v	2	Lewis T315		f. 1v	MSS 0032				Breviary
Lewis T315	Lewis T315, fol. 2r	mcat11315c						Parchment		Unknown					f. 2r	3	Lewis T315		f. 2r	MSS 0032				Breviary
Lewis T315	Lewis T315, fol. 2v	mcat11315d						Parchment		Unknown					f. 2v	4	Lewis T315		f. 2v	MSS 0032				Breviary
Lewis T315	Lewis T315, fol. 3r	mcat11315e						Parchment		Unknown					f. 3r	5	Lewis T315		f. 3r	MSS 0032				Breviary
Lewis T315	Lewis T315, fol. 3v	mcat11315f						Parchment		Unknown					f. 3v	6	Lewis T315		f. 3v	MSS 0033				Breviary
Lewis T315	Lewis T315, fol. 4r	mcat11315g						Parchment		Unknown					f. 4r	7	Lewis T315		f. 4r	MSS 0033				Breviary
Lewis T315	Lewis T315, fol. 4v	mcat11315h						Parchment		Unknown					f. 4v	8	Lewis T315		f. 4v	MSS 0033				Breviary
Lewis T315	Lewis T315, fol. 5r	mcat11315i						Parchment		Unknown					f. 5r	9	Lewis T315		f. 5r	MSS 0033				Breviary
Lewis T315	Lewis T315, fol. 5v	mcat11315j						Parchment		Unknown					f. 5v	10	Lewis T315		f. 5v	MSS 0033				Breviary
Lewis T315	Lewis T315, fol. 6r	mcat11315k						Parchment		Unknown					f. 6r	11	Lewis T315		f. 6r	MSS 0033				Breviary
Lewis T315	Lewis T315, fol. 6v	mcat11315l						Parchment		Unknown					f. 6v	12	Lewis T315		f. 6v	MSS 0033				Breviary
Lewis T315	Lewis T315, fol. 7r	mcat11315m						Parchment		Unknown					f. 7r	13	Lewis T315		f. 7r	MSS 0033				Breviary
Lewis T315	Lewis T315, fol. 7v	mcat11315n						Parchment		Unknown					f. 7v	14	Lewis T315		f. 7v	MSS 0033				Breviary
Lewis T315	Lewis T315, fol. 8r	mcat11315o						Parchment		Unknown					f. 8r	15	Lewis T315		f. 8r	MSS 0033				Breviary
Lewis T315	Lewis T315, fol. 8v	mcat11315p						Parchment		Unknown					f. 8v	16	Lewis T315		f. 8v	MSS 0033				Breviary
Lewis T316	Lewis T316, fol. 1r	mcat11316a		ca. 1300	1400		8 folios forming one gathering. Belong with 315 and 317.	Parchment		Italy	Round Gothic				f. 1r	1	Lewis T316		f. 1r	MSS 0033				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 1v	mcat11316b						Parchment		Unknown					f. 1v	2	Lewis T316		f. 1v	MSS 0033				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 2r	mcat11316c						Parchment		Unknown					f. 2r	3	Lewis T316		f. 2r	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 2v	mcat11316d						Parchment		Unknown					f. 2v	4	Lewis T316		f. 2v	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 3r	mcat11316e						Parchment		Unknown					f. 3r	5	Lewis T316		f. 3r	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 3v	mcat11316f						Parchment		Unknown					f. 3v	6	Lewis T316		f. 3v	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 4r	mcat11316g						Parchment		Unknown					f. 4r	7	Lewis T316		f. 4r	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 4v	mcat11316h						Parchment		Unknown					f. 4v	8	Lewis T316		f. 4v	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 5r	mcat11316i						Parchment		Unknown					f. 5r	9	Lewis T316		f. 5r	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 5r	mcat11316j						Parchment		Unknown					f. 5r	10	Lewis T316		f. 5r	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 6r	mcat11316k						Parchment		Unknown					f. 6r	11	Lewis T316		f. 6r	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 6v	mcat11316l						Parchment		Unknown					f. 6v	12	Lewis T316		f. 6v	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 7r	mcat11316m						Parchment		Unknown					f. 7r	13	Lewis T316		f. 7r	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 7v	mcat11316n						Parchment		Unknown					f. 7v	14	Lewis T316		f. 7v	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 8r	mcat11316o						Parchment		Unknown					f. 8r	15	Lewis T316		f. 8r	MSS 0034				Psalter of the Breviary
Lewis T316	Lewis T316, fol. 8v	mcat11316p						Parchment		Unknown					f. 8v	16	Lewis T316		f. 8v	MSS 0034				Psalter of the Breviary
Lewis T317	Lewis T317 front	mcat113171		ca. 1300	1400	234 x 305 mm	Goes with 315, 316	Parchment		Italy	Round Gothic				front	1	Lewis T317		front	MSS 0035				Psalter of the Breviary
Lewis T317	Lewis T317 reverse	mcat113172						Parchment		Unknown					reverse	2	Lewis T317		reverse	MSS 0035				Psalter of the Breviary
Lewis T318	Lewis T318 front	mcat113181		ca. 1400	1500	128 x 362 mm	Excerpts from Advent, Christmas, and the Common of a Virgin)	Parchment		Unknown	Gothic				front	1	Lewis T318		front	MSS 0035				Breviary
Lewis T318	Lewis T318 reverse	mcat113182						Parchment		Unknown					reverse	2	Lewis T318		reverse	MSS 0035				Breviary
Lewis T319	Lewis T319 front a	mcat113191		ca. 1400	1500	265 x 338 mm	3rd and 4th Sundays after Easter. Used to bind a 'korn Register' of 1606-1607.	Parchment		Germany	Gothic				front	1	Lewis T319		front	MSS 0035				Breviary
Lewis T319	Lewis T319 reverse a	mcat113192						Parchment		Unknown					reverse	2	Lewis T319		reverse	MSS 0035				Breviary
Lewis T319	Lewis T319, fol. 2r	mcat113193						Parchment		Unknown					f. 2r	3	Lewis T319		f. 2r	MSS 0035				Breviary
Lewis T319	Lewis T319, fol. 2v	mcat113194						Parchment		Unknown					f. 2v	4	Lewis T319		f. 2v	MSS 0035				Breviary
Lewis T320	Lewis T320 front a	mcat113201		ca. 1300	1500	142 x 380 mm	Pentecost and the day after. Fragments not from the same leaf.	Parchment		Germany	Gothic				front	1	Lewis T320		front	MSS 0035				Breviary
Lewis T320	Lewis T320 reverse a	mcat113202						Parchment		Unknown					reverse	2	Lewis T320		reverse	MSS 0035				Breviary
Lewis T320	Lewis T320 front b	mcat113203						Parchment		Unknown					front	3	Lewis T320		front	MSS 0035				Breviary
Lewis T320	Lewis T320 reverse b	mcat113204						Parchment		Unknown					reverse	4	Lewis T320		reverse	MSS 0035				Breviary
Lewis T321	Lewis T321 front a	mcat113211		ca. 1200	1300	50 x 350 mm		Parchment		Unknown	Gothic Minuscule				front	1	Lewis T321		front	MSS 0035				Breviary
Lewis T321	Lewis T321 reverse a	mcat113212				72 x 330 mm	Goes with 322	Parchment		Unknown					reverse	2	Lewis T321		reverse	MSS 0035				Breviary
Lewis T321	Lewis T321 front b	mcat113213						Parchment		Unknown					front	3	Lewis T321		front	MSS 0035				Breviary
Lewis T321	Lewis T321 reverse b	mcat113214						Parchment		Unknown					reverse	4	Lewis T321		reverse	MSS 0035				Breviary
Lewis T322	Lewis T322 front	mcat113221					Goes with 321	Parchment		Unknown	Gothic				front	1	Lewis T322		front	MSS 0036				Breviary
Lewis T322	Lewis T322 reverse	mcat113222						Parchment		Unknown					reverse	2	Lewis T322		reverse	MSS 0036				Breviary
Lewis T323	Lewis T323 front	mcat113231		ca. 1300	1500	142 x 198 mm	2-25 February	Parchment		Unknown	Gothic				front	1	Lewis T323		front	MSS 0036				Breviary
Lewis T323	Lewis T323 reverse	mcat113232						Parchment		Unknown					reverse	2	Lewis T323		reverse	MSS 0036				Breviary
Lewis T324	Lewis T324 front	mcat123241				333 x 412 mm		Parchment		Unknown	Gothic				front	1	Lewis T324		front	MSS 0036				Nicene Creed
Lewis T324	Lewis T324 reverse	mcat123242		ca. 1500	1600			Parchment		Spain					reverse	2	Lewis T324		reverse	MSS 0036				Nicene Creed
Lewis T325	Lewis T325 front	mcat123251		ca. 1420			Te deum is the verso, ‘contratenor the recto.
 The pencil annotation should be corrected to: English origin, 1420s.
 Upper half leaf from an English choirbook probably of the 1420s. Overall height of the half-leaf is 23.4, width 32.2 cm. Red staves ruled with a 15mm rastrum. Stave length on verso 210mm, on recto 211mm. Text in a good liturgical gothic.
 Recto: Complete contratenor part of an Agnus dei on 7 staves. Red text for Agnus 2 probably indicates that it was set as a duet, the Contratenor here serving for that section as the tenor part. This side lacks a capital letter and also lacks the yellow wash used on the verso. Mensurations [O] C O, with void semiminims and red imperfection coloration. Stems of another part (either a tenor with significant minim movement or a different piece) are visible from the missing 8th stave.
 Verso: First seven staves of the top part of a setting of the Te deum, with red capital T (not indented). Plainsong intonation in red, and chant paraphrase continued in this part. Unsigned tempus perfectum with red imperfection coloration which, on this side of the leaf seems to be partly entered over black or back void notes.
 No concordances are so far identified. The script shows some variation, and in general appearance the fragment is not unlike the main hand of the lost royal choirbook partially reassembled by Margaret Bent (The Progeny of Old Hall: More Leaves from a Royal English Choirbook, Gordon Athol Anderson (1929-1981) in Memoriam. Musicological Studies 49, vol. 1, 1-54. 2 vols. Henryville, Ottawa, and Binningen: Institute of Mediaeval Music, 1984). However, there is not yet sufficiently strong reason to add this leaf to that collection.
 Our thanks to Dr. Margaret Bent of All Souls College, Oxford for the information on this leaf.	Parchment	Latin	England	Gothic bookhand				front	1	Lewis T325		front	MSS 0036				Gradual: Hymn, "Te deum laudamus, Agnus dei"
Lewis T325	Lewis T325 reverse	mcat123252						Parchment		Unknown	Gothic				reverse	2	Lewis T325		reverse	MSS 0036				Gradual: Hymn, "Te deum laudamus, Agnus dei"
Lewis T326	Lewis T326 front a	mcat123261		ca. 1300	1525	245 x 337 mm		Parchment		Unknown	Gothic				front	1	Lewis T326		front	MSS 0036				Gradual: Quinquagesima Sunday, Ash Wednesday, et al.
Lewis T326	Lewis T326 reverse a	mcat123262						Parchment		Unknown					reverse	2	Lewis T326		reverse	MSS 0036				Gradual: Quinquagesima Sunday, Ash Wednesday, et al.
Lewis T326	Lewis T326 front b	mcat123263						Parchment		Unknown					front	3	Lewis T326		front	MSS 0036				Gradual: Quinquagesima Sunday, Ash Wednesday, et al.
Lewis T326	Lewis T326 reverse b	mcat123264						Parchment		Unknown					reverse	4	Lewis T326		reverse	MSS 0037				Gradual: Quinquagesima Sunday, Ash Wednesday, et al.
Lewis T327	Lewis T327 front	mcat123271		ca. 1400	1600	340 x 470 mm		Parchment		Unknown	Gothic				front	1	Lewis T327		front	MSS 0037				Music and Text Leaf
Lewis T327	Lewis T327 reverse	mcat123272						Parchment		Unknown					reverse	2	Lewis T327		reverse	MSS 0037				Music and Text Leaf
Lewis T328	Lewis T328 front	mcat123281		ca. 1300	1600		Edward Anthonius Blincem listed.	Parchment		Unknown					front	1	Lewis T328		front	MSS 0037				Gradual: Second to Fourth Sundays after Easter, with neumes
Lewis T328	Lewis T328 reverse	mcat123282						Parchment		Unknown					reverse	2	Lewis T328		reverse	MSS 0037				Gradual: Second to Fourth Sundays after Easter, with neumes
Lewis T330	Lewis T330 front a	mcat123301		ca. 1000	1200			Parchment		Unknown	Caroline Minuscule				front	1	Lewis T330		front	MSS 0037				Lectionary: Feasts of Saint John the Apostle and Saint Stephen
Lewis T330	Lewis T330 reverse a	mcat123302						Parchment		Unknown					reverse	2	Lewis T330		reverse	MSS 0037				Lectionary: Feasts of Saint John the Apostle and Saint Stephen
Lewis T330	Lewis T330 front b	mcat123303						Parchment		Unknown					front	3	Lewis T330		front	MSS 0037				Lectionary: Feasts of Saint John the Apostle and Saint Stephen
Lewis T330	Lewis T330 reverse b	mcat123304						Parchment		Unknown					reverse	4	Lewis T330		reverse					Lectionary: Feasts of Saint John the Apostle and Saint Stephen
Lewis T331	Lewis T331 front a	mcat123311		ca. 1100	1200			Parchment		Unknown	Caroline Minuscule				front	1	Lewis T331		front	MSS 0037				Lectionary
Lewis T331	Lewis T331 reverse a	mcat123312						Parchment		Unknown					reverse	2	Lewis T331		reverse	MSS 0037				Lectionary
Lewis T331	Lewis T331 front b	mcat123313						Parchment		Unknown					front	3	Lewis T331		front	MSS 0037				Lectionary
Lewis T331	Lewis T331 reverse b	mcat123314						Parchment		Unknown					reverse	4	Lewis T331		reverse	MSS 0037				Lectionary
Lewis T332	Lewis T332 front a	mcat123321		ca. 1100	1200		Bought from L. Rosenthal, Catal. 120 (1910) no. 54.
 De Ricci no. 359	Parchment		Unknown	Early gothic minuscule				front	1	Lewis T332		front	MSS 0037				Lectionary
Lewis T332	Lewis T332 front b	mcat123321		ca. 1100	1200		Bought from L. Rosenthal, Catal. 120 (1910) no. 54.
 De Ricci no. 359	Parchment		Unknown	Early gothic minuscule				front	3	Lewis T332		front	MSS 0037				Lectionary
Lewis T332	Lewis T332 reverse a	mcat123322						Parchment		Unknown					reverse	2	Lewis T332		reverse	MSS 0038				Lectionary
Lewis T333	Lewis T333 front	mcat123331		ca. 1100	1200	215 x 326 mm	Goes with 333,334,335.	Parchment		Unknown	Early Gothic				front	1	Lewis T333		front	MSS 0038				Lectionary
Lewis T333	Lewis T333 reverse	mcat123332						Parchment		Unknown					reverse	2	Lewis T333		reverse	MSS 0038				Lectionary
Lewis T334	Lewis T334 front	mcat123341		ca. 1100	1200		Acquired in 1910.
 Goes with 333,334,335.	Parchment		Unknown	Early Gothic				front	1	Lewis T334		front	MSS 0038				Lectionary
Lewis T334	Lewis T334 reverse	mcat123342						Parchment		Unknown					reverse	2	Lewis T334		reverse	MSS 0038				Lectionary
Lewis T335	Lewis T335 front	mcat123351		ca. 1100	1200		Goes with T333,T334,T335.
 Acquired in 1910	Parchment		Unknown	Early Gothic				front	1	Lewis T335		front	MSS 0038				Lectionary
Lewis T335	Lewis T335 reverse	mcat123352						Parchment		Unknown					reverse	2	Lewis T335		reverse	MSS 0038				Lectionary
Lewis T336	Lewis T336 front	mcat123361		ca. 1300	1500			Parchment		Unknown	Gothic				front	1	Lewis T336		front	MSS 0038				Lectionary: Palm Sunday
Lewis T336	Lewis T336 reverse	mcat123362						Parchment		Unknown					reverse	2	Lewis T336		reverse	MSS 0038				Lectionary: Palm Sunday
Lewis T337	Lewis T337 front	mcat123371		ca. 1000	1100			Parchment		Unknown					front	1	Lewis T337		front	MSS 0038				Missal: Holy Saturday, with neumes and interlinear glosses
Lewis T337	Lewis T337 reverse	mcat123372						Parchment		Unknown					reverse	2	Lewis T337		reverse	MSS 0038				Missal: Holy Saturday, with neumes and interlinear glosses
Lewis T338	Lewis T338 front a	mcat123381				178 x 247 mm	De Ricci #325	Parchment		Unknown	Caroline Minuscule				front	1	Lewis T338		front	MSS 0038				Missal: May 1-3 and June 23-24
Lewis T338	Lewis T338 reverse a	mcat123382						Parchment		Unknown					reverse	2	Lewis T338		reverse	MSS 0038				Missal: May 1-3 and June 23-24
Lewis T338	Lewis T338 front b	mcat123383						Parchment		Unknown					front	3	Lewis T338		front	MSS 0038				Missal: May 1-3 and June 23-24
Lewis T338	Lewis T338 reverse b	mcat123384						Parchment		Unknown					reverse	4	Lewis T338		reverse	MSS 0039				Missal: May 1-3 and June 23-24
Lewis T339	Lewis T339 front	mcat123391		ca. 1100	1200			Parchment		Unknown	Early Gothic				front	1	Lewis T339		front	MSS 0039				Missal: July 3-4, July 29-August 1, with neumes
Lewis T339	Lewis T339 reverse	mcat123392						Parchment		Unknown					reverse	2	Lewis T339		reverse	MSS 0039				Missal: July 3-4, July 29-August 1, with neumes
Lewis T340	Lewis T340 front	mcat123401		ca. 1150	1200	211 x 323 mm	340 and 341 go together	Parchment		Unknown					front	1	Lewis T340		front	MSS 0039				Missal: Sunday within the Octave and the Octave of Ephiphany
Lewis T340	Lewis T340 reverse	mcat123402		ca. 1150	1200			Parchment		Unknown	Early Gothic				reverse	2	Lewis T340		reverse	MSS 0039				Missal: Sunday within the Octave and the Octave of Ephiphany
Lewis T341	Lewis T341 front	mcat123411		ca. 1150	1200		340 and 341 go together	Parchment		Unknown	Early Gothic				front	1	Lewis T341		front	MSS 0039				Missal: Sexagesima Sunday and part of an earlier Mass, not of Septuagesima
Lewis T341	Lewis T341 reverse	mcat123412						Parchment		Unknown					reverse	2	Lewis T341		reverse	MSS 0039				Missal: Sexagesima Sunday and part of an earlier Mass, not of Septuagesima
Lewis T342	Lewis T342 front	mcat123421		ca. 1200	1300	229 x 329 mm		Parchment		Unknown	Gothic				front	1	Lewis T342		front	MSS 0039				Missal: February 3-5, with neumes
Lewis T342	Lewis T342 reverse	mcat123422						Parchment		Unknown	Gothic				reverse	2	Lewis T342		reverse	MSS 0039				Missal: February 3-5, with neumes
Lewis T343	Lewis T343 front	mcat123431		ca. 1300	1400	222 x 310 mm		Parchment		Unknown	Gothic				front	1	Lewis T343		front	MSS 0039				Missal: Second to Third Sundays after Epiphany
Lewis T343	Lewis T343 reverse	mcat123432		ca. 1300	1500	240 x 372 mm	Used for Bookbinding	Parchment		Unknown	Gothic				reverse	2	Lewis T343		reverse	MSS 0039				Missal: Second to Third Sundays after Epiphany
Lewis T344	Lewis T344 front	mcat123441		ca. 1300	1500	208 x 333 mm	Used for binding a book.	Parchment		Germany	Gothic				front	1	Lewis T344		front	MSS 0039				Missal: First Sunday in Lent and Following Monday
Lewis T344	Lewis T344 reverse	mcat123442						Parchment		Germany	Gothic				reverse	2	Lewis T344		reverse	MSS 0039				Missal: First Sunday in Lent and Following Monday
Lewis T345	Lewis T345 front a	mcat123451		ca. 1300	1500		Used for binding a 'korn Register' from Ducrode.	Parchment		Unknown	Gothic				front	1	Lewis T345		front	MSS 0039				Missal: May 1-25
Lewis T345	Lewis T345 reverse a	mcat123452						Parchment		Unknown					reverse	2	Lewis T345		reverse	MSS 0040				Missal: May 1-25
Lewis T345	Lewis T345 front b	mcat123453						Parchment		Unknown					front	3	Lewis T345		front	MSS 0040				Missal: May 1-25
Lewis T345	Lewis T345 reverse b	mcat123454						Parchment		Unknown					reverse	4	Lewis T345		reverse	MSS 0040				Missal: May 1-25
Lewis T346	Lewis T346 front	mcat123461		ca. 1300	1500	242 x 351 mm		Parchment		Unknown	Gothic				front	1	Lewis T346		front	MSS 0040				Missal: Feast of the Assumption of the Virgin Mary, August 15
Lewis T346	Lewis T346 reverse	mcat123462						Parchment		Unknown					reverse	2	Lewis T346		reverse	MSS 0040				Missal: Feast of the Assumption of the Virgin Mary, August 15
Lewis T347	Lewis T347 front a	mcat123471		ca. 1300	1500	206 x 307 mm		Parchment		Unknown	Gothic				front	1	Lewis T347		front	MSS 0040				Missal: October 4-9 and September 21
Lewis T347	Lewis T347 reverse a	mcat123472						Parchment		Unknown					reverse	2	Lewis T347		reverse	MSS 0040				Missal: October 4-9 and September 21
Lewis T347	Lewis T347 front b	mcat123473						Parchment		Unknown					front	3	Lewis T347		front	MSS 0040				Missal: October 4-9 and September 21
Lewis T347	Lewis T347 reverse b	mcat123474						Parchment		Unknown					reverse	4	Lewis T347		reverse	MSS 0040				Missal: October 4-9 and September 21
Lewis T348	Lewis T348 front	mcat133481		ca. 1400	1500		Possibly Dominican Liturgy.	Parchment		Unknown	Gothic				front	1	Lewis T348		front	MSS 0040				Missal: Ordinary for the Mass, Offertory, Dominican Liturgy
Lewis T348	Lewis T348 reverse	mcat133482						Parchment		Unknown					reverse	2	Lewis T348		reverse	MSS 0040				Missal: Ordinary for the Mass, Offertory, Dominican Liturgy
Lewis T349	Lewis T349 front	mcat133491		ca. 1400	1500	161 x 322 mm		Parchment		Unknown	Gothic				front	1	Lewis T349		front	MSS 0040				Missal: Special Prefaces, Communicantes, and Hanc Igitur
Lewis T349	Lewis T349 reverse	mcat133492		ca. 1400	1500			Parchment		Unknown	Gothic				reverse	2	Lewis T349		reverse	MSS 0040				Missal: Special Prefaces, Communicantes, and Hanc Igitur
Lewis T350	Lewis T350 front	mcat133501				293 x 413 mm		Parchment		Unknown	Gothic				front	1	Lewis T350		front	MSS 0041				Missal: Good Friday and Holy Saturday
Lewis T350	Lewis T350 reverse	mcat133502						Parchment		Unknown					reverse	2	Lewis T350		reverse	MSS 0041				Missal: Good Friday and Holy Saturday
Lewis T351	Lewis T351 front a	mcat133511		ca. 1400	1500		351, 352, 353 and 354 go together.	Parchment		Unknown	Gothic				front	1	Lewis T351		front	MSS 0041				Missal: Good Friday and Ninth Sunday after Pentecost, with Gospel from the Eighth Sunday, with neumes
Lewis T351	Lewis T351 reverse a	mcat133512						Parchment		Unknown	Gothic				reverse	2	Lewis T351		reverse	MSS 0041				Missal: Good Friday and Ninth Sunday after Pentecost, with Gospel from the Eighth Sunday, with neumes
Lewis T351	Lewis T351 front b	mcat133513						Parchment		Unknown					front	3	Lewis T351		front	MSS 0041				Missal: Good Friday and Ninth Sunday after Pentecost, with Gospel from the Eighth Sunday, with neumes
Lewis T351	Lewis T351 reverse b	mcat133514		ca. 1400	1500			Parchment		Unknown	Gothic				reverse	4	Lewis T351		reverse	MSS 0041				Missal: Good Friday and Ninth Sunday after Pentecost, with Gospel from the Eighth Sunday, with neumes
Lewis T352	Lewis T352 front	mcat133521					351, 352, 353 and 354 go together.	Parchment		Unknown					front	1	Lewis T352		front	MSS 0041				Missal: Ninth Sunday after Pentecost, Gospel Lesson from Mark 9:37-47
Lewis T352	Lewis T352 reverse	mcat133522						Parchment		Unknown					reverse	2	Lewis T352		reverse	MSS 0041				Missal: Ninth Sunday after Pentecost, Gospel Lesson from Mark 9:37-47
Lewis T353	Lewis T353 front	mcat133531		ca. 1400	1500		351, 352, 353 and 354 go together.	Parchment		Unknown	Gothic				front	1	Lewis T353		front	MSS 0041				Missal: August 10-13
Lewis T353	Lewis T353 reverse	mcat133532					351, 352, 353 and 354 go together.	Parchment		Unknown					reverse	2	Lewis T353		reverse	MSS 0041				Missal: August 10-13
Lewis T354	Lewis T354 front	mcat133541		ca. 1400	1500		351, 352, 353 and 354 go together.	Parchment		Unknown	Gothic				front	1	Lewis T354		front	MSS 0041				Mass of Ordination with neumes for the Gradual
Lewis T354	Lewis T354 reverse	mcat133542						Parchment		Unknown					reverse	2	Lewis T354		reverse	MSS 0041				Mass of Ordination with neumes for the Gradual
Lewis T355	Lewis T355 front	mcat133551						Parchment		Unknown					front	1	Lewis T355		front	MSS 0042				Missal: July 2-4
Lewis T355	Lewis T355 reverse	mcat133552						Parchment		Unknown					reverse	2	Lewis T355		reverse	MSS 0042				Missal: July 2-4
Lewis T356	Lewis T356 front	mcat133561		ca. 1400	1500		Used for binding.	Parchment		Unknown	Gothic				front	1	Lewis T356		front	MSS 0042				Missal: May 1-3
Lewis T356	Lewis T356 reverse	mcat133562						Parchment		Unknown					reverse	2	Lewis T356		reverse	MSS 0042				Missal: May 1-3
Lewis T357	Lewis T357 front	mcat133571		ca. 1400	1500		Used to bind an Urbarium and taxbook in 1580, Herrschaft Windegg and Schiberperg.
 Accompanies	Parchment		Germany					front	1	Lewis T357		front	MSS 0042				Missal: August 15, November 10-11
Lewis T357	Lewis T357 reverse	mcat133572						Parchment		Unknown					reverse	2	Lewis T357		reverse	MSS 0042				Missal: August 15, November 10-11
Lewis T357	Lewis T357, fol. 2r	mcat133573						Parchment		Unknown					f. 2r	3	Lewis T357		f. 2r	MSS 0042				Missal: August 15, November 10-11
Lewis T357	Lewis T357, fol. 2v	mcat133574						Parchment		Unknown					f. 2v	4	Lewis T357		f. 2v	MSS 0042				Missal: August 15, November 10-11
Lewis T358	Lewis T358 front	mcat133581		1400	1500		Accompanies 357-362	Parchment		Germany	Gothic				front	1	Lewis T358		front	MSS 0042				Missal: Third Mass of Christmas
Lewis T358	Lewis T358 reverse	mcat133582					Accompanies 357-362	Parchment		Unknown					reverse	2	Lewis T358		reverse	MSS 0042				Missal: Third Mass of Christmas
Lewis T359	Lewis T359 front	mcat133591		1400	1500		Accompanies 358-362	Parchment		Unknown	Gothic				front	1	Lewis T359		front	MSS 0042				Missal: Sunday within the Octave of Christmas and the Epiphany
Lewis T359	Lewis T359 reverse	mcat133592					Accompanies 358-362	Parchment		Unknown					reverse	2	Lewis T359		reverse	MSS 0042				Missal: Sunday within the Octave of Christmas and the Epiphany
Lewis T360	Lewis T360 front	mcat133601		1400	1500		Accompanies 358-362	Parchment		Unknown	Gothic				front	1	Lewis T360		front	MSS 0043				Missal: Octave and the Second Sunday after Epiphany
Lewis T360	Lewis T360 reverse	mcat133602					Accompanies 358-362	Parchment		Unknown					reverse	2	Lewis T360		reverse	MSS 0043				Missal: Octave and the Second Sunday after Epiphany
Lewis T361	Lewis T361 front	mcat133611		1400	1500		Accompanies 357-362	Parchment		Unknown	Gothic				front	1	Lewis T361		front	MSS 0043				Missal: Third to Fourth Sundays after Epiphany
Lewis T361	Lewis T361 reverse	mcat133612		1400	1500		Accompanies 357-362	Parchment		Germany	Gothic				reverse	2	Lewis T361		reverse	MSS 0043				Missal: Third to Fourth Sundays after Epiphany
Lewis T362	Lewis T362 front	mcat133621		1400	1500		Accompanies 357-361	Parchment		Germany					front	1	Lewis T362		front	MSS 0043				Missal: Twentieth Sunday after Pentecost, with Gospel from the Nineteenth
Lewis T362	Lewis T362 reverse	mcat133622					Accompanies 357-361	Parchment		Unknown					reverse	2	Lewis T362		reverse	MSS 0043				Missal: Twentieth Sunday after Pentecost, with Gospel from the Nineteenth
Lewis T363	Lewis T363 front	mcat133631						Parchment		Unknown					front	1	Lewis T363		front	MSS 0043				Missal: Tuesday and Wednesday after the Second Sunday in Lent, with neumes
Lewis T363	Lewis T363 reverse	mcat133632						Parchment		Unknown					reverse	2	Lewis T363		reverse	MSS 0043				Missal: Tuesday and Wednesday after the Second Sunday in Lent, with neumes
Lewis T364	Lewis T364 front	mcat133641						Parchment		Unknown					front	1	Lewis T364		front	MSS 0043				Missal: Third Sunday in Lent and Second Feria of the Third Week in Lent
Lewis T364	Lewis T364 reverse	mcat133642						Parchment		Unknown					reverse	2	Lewis T364		reverse	MSS 0043				Missal: Third Sunday in Lent and Second Feria of the Third Week in Lent
Lewis T365	Lewis T365 front	mcat133651						Parchment		Unknown					front	1	Lewis T365		front	MSS 0043				Missal: Third and Fourth Feriae after the Third Sunday in Lent
Lewis T365	Lewis T365 reverse	mcat133652						Parchment		Unknown					reverse	2	Lewis T365		reverse	MSS 0043				Missal: Third and Fourth Feriae after the Third Sunday in Lent
Lewis T366	Lewis T366 front	mcat133661						Parchment		Unknown					front	1	Lewis T366		front	MSS 0044				Music manuscript
Lewis T366	Lewis T366 reverse	mcat133662						Parchment		Unknown					reverse	2	Lewis T366		reverse	MSS 0044				Music manuscript
Lewis T367	Lewis T367 front	mcat133671						Parchment		Unknown					front	1	Lewis T367		front	MSS 0044				Missal: Sixth Feria after the Third Sunday in Lent
Lewis T367	Lewis T367 reverse	mcat133672						Parchment		Unknown					reverse	2	Lewis T367		reverse	MSS 0044				Missal: Sixth Feria after the Third Sunday in Lent
Lewis T368	Lewis T368 front	mcat133681		1400	1500			Parchment		Unknown	Gothic				front	1	Lewis T368		front	MSS 0044				Missal: Monday and Tuesday after the Third Sunday in Lent
Lewis T368	Lewis T368 reverse	mcat133682						Parchment		Unknown					reverse	2	Lewis T368		reverse	MSS 0044				Missal: Monday and Tuesday after the Third Sunday in Lent
Lewis T369	Lewis T369 front	mcat133691		1400	1500		Later used for binding the Rudimenta of Moshe Run...() with the shelfmark RIII40. An index of breviary prayers for the feasts of Sts. Peter, Mary Magdalen and Anne were added on fol. 2 verso. Various marginal scribbles in Greek and Hebrew.	Parchment		Germany	Gothic				front	1	Lewis T369		front	MSS 0044				Masses, Summary Index of Prayers for the Proper of the Mass
Lewis T369	Lewis T369 reverse	mcat133692						Parchment		Unknown					reverse	2	Lewis T369		reverse	MSS 0044				Masses, Summary Index of Prayers for the Proper of the Mass
Lewis T370	Lewis T370 front	mcat133701		900	1000		De Ricci no. 295.	Parchment		Unknown	Caroline Minuscule				front	1	Lewis T370		front	MSS 0044				Pope Gregory the Great, Epistulae
Lewis T370	Lewis T370 reverse	mcat133702						Parchment		Unknown					reverse	2	Lewis T370		reverse	MSS 0044				Pope Gregory the Great, Epistulae
Lewis T371	Lewis T371 front	mcat133711		1200	1400		De Ricci no.354
 The incipit does not agree with that given by P.Glorieux in Repertoire des maîtres en theolgie de Paris au XIII siècle, vol. I, P.55.	Parchment		Unknown	Gothic				front	1	Lewis T371		front	MSS 0044				Guerric of Saint-Quentin, On the Epistles of Paul
Lewis T371	Lewis T371 reverse	mcat133712						Parchment		Unknown					reverse	2	Lewis T371		reverse	MSS 0044				Guerric of Saint-Quentin, On the Epistles of Paul
Lewis T372	Lewis T372 front	mcat133721		1100	1300			Parchment		Unknown					front	1	Lewis T372		front	MSS 0044				Petrus Comestor, Historia Scholastica, IV Regum, Tobias
Lewis T372	Lewis T372 reverse	mcat133722						Parchment		Unknown					reverse	2	Lewis T372		reverse	MSS 0044				Petrus Comestor, Historia Scholastica, IV Regum, Tobias
Lewis T373	Lewis T373 front a	mcat133731		1200	1400			Parchment		France	Gothic				front	1	Lewis T373		front	MSS 0045				Peter Lombard, Sentences, Liber II, with later marginal glosses
Lewis T373	Lewis T373 reverse a	mcat133732						Parchment		Unknown					reverse	2	Lewis T373		reverse	MSS 0045				Peter Lombard, Sentences, Liber II, with later marginal glosses
Lewis T373	Lewis T373 front b	mcat133733						Parchment		Unknown					front	3	Lewis T373		front	MSS 0045				Peter Lombard, Sentences, Liber II, with later marginal glosses
Lewis T373	Lewis T373 reverse b	mcat133734						Parchment		Unknown					reverse	4	Lewis T373		reverse	MSS 0045				Peter Lombard, Sentences, Liber II, with later marginal glosses
Lewis T374	Lewis T374 front	mcat133741		1200	1400			Parchment		France	Gothic				front	1	Lewis T374		front	MSS 0045				Peter Lombard, Sentences, Liber IV, with marginal glosses
Lewis T374	Lewis T374 reverse	mcat133742						Parchment		Unknown					reverse	2	Lewis T374		reverse	MSS 0045				Peter Lombard, Sentences, Liber IV, with marginal glosses
Lewis T375	Lewis T375 front	mcat133751		ca. 1300			The headband () of the binding has fragments of another manuscript attached text. Thomas Aquinas quoted in col2 line 10 from bottom. the insertion at the foot of col. 2 appears to be from Italy.	Parchment		Unknown	Gothic				front	1	Lewis T375		front	MSS 0045				Theological Notes and References
Lewis T375	Lewis T375 reverse	mcat133752						Parchment		Unknown					reverse	2	Lewis T375		reverse	MSS 0045				Theological Notes and References
Lewis T376	Lewis T376 front	mcat143761		1100	1300			Parchment		Unknown	Early Gothic				front	1	Lewis T376		front	MSS 0045				Bernard of Clairvaux, Sermons, Canticum Canticorum 61-63
Lewis T376	Lewis T376 reverse	mcat143762						Parchment		Unknown					reverse	2	Lewis T376		reverse	MSS 0045				Bernard of Clairvaux, Sermons, Canticum Canticorum 61-63
Lewis T377	Lewis T377 front a	mcat143771		1000	1100		Used to bind Ethica Aristotelia with I and 38. 604 and 30 acquired from Ludwing Rosenthal in 1908.
 De Ricci no.274	Parchment		Italy (northern)	Caroline Minuscule				front	1	Lewis T377		front	MSS 0045				Sermons
Lewis T377	Lewis T377 reverse a	mcat143772						Parchment		Unknown					reverse	2	Lewis T377		reverse	MSS 0045				Sermons
Lewis T377	Lewis T377 front b	mcat143773						Parchment		Unknown					front	3	Lewis T377		front	MSS 0045				Sermons
Lewis T377	Lewis T377 reverse b	mcat143774						Parchment		Unknown					reverse	4	Lewis T377		reverse	MSS 0045				Sermons
Lewis T378	Lewis T378 front	mcat143781		1000	1200			Parchment		France	Caroline Minuscule				front	1	Lewis T378		front	MSS 0046				Homilary: Beati Augustini Episcopi
Lewis T378	Lewis T378 reverse	mcat143782						Parchment		Unknown					reverse	2	Lewis T378		reverse	MSS 0046				Homilary: Beati Augustini Episcopi
Lewis T378	Lewis T378, fol. 2r	mcat143783						Parchment		Unknown					f. 2r	3	Lewis T378		f. 2r	MSS 0046				Homilary: Beati Augustini Episcopi
Lewis T378	Lewis T378, fol. 2v	mcat143784						Parchment		Unknown					f. 2v	4	Lewis T378		f. 2v	MSS 0046				Homilary: Beati Augustini Episcopi
Lewis T379	Lewis T379 front a	mcat143791		1000	1200			Parchment		Unknown	Caroline Minuscule				front	1	Lewis T379		front	MSS 0046				Homilary
Lewis T379	Lewis T379 reverse a	mcat143792						Parchment		Unknown					reverse	2	Lewis T379		reverse	MSS 0046				Homilary
Lewis T379	Lewis T379 front b	mcat143793						Parchment		Unknown					front	3	Lewis T379		front	MSS 0046				Homilary
Lewis T379	Lewis T379 reverse b	mcat143794						Parchment		Unknown					reverse	4	Lewis T379		reverse	MSS 0046				Homilary
Lewis T380	Lewis T380 front	mcat143801		1200	1300		De Ricci no. 282	Parchment		Unknown	Gothic				front	1	Lewis T380		front	MSS 0046				Sermon on the Trinity
Lewis T380	Lewis T380 reverse	mcat143802					Accompanies 381	Parchment		Unknown					reverse	2	Lewis T380		reverse	MSS 0046				Sermon on the Trinity
Lewis T381	Lewis T381 front	mcat143811		1200	1300		Accompanies 380	Parchment		Unknown	Gothic				front	1	Lewis T381		front	MSS 0046				Sermon on Patience
Lewis T381	Lewis T381 reverse	mcat143812						Parchment		Unknown					reverse	2	Lewis T381		reverse	MSS 0046				Sermon on Patience
Lewis T382	Lewis T382 front	mcat143821		1000	1100			Parchment		Unknown	Caroline Minuscule				front	1	Lewis T382		front	MSS 0046				John the Baptist
Lewis T382	Lewis T382 reverse	mcat143822						Parchment		Unknown					reverse	2	Lewis T382		reverse	MSS 0046				John the Baptist
Lewis T383	Lewis T383 front a	mcat143831		1200	1400			Parchment		Unknown	Gothic rotunda				front	1	Lewis T383		front	MSS 0046				Treatise on the Blessed Virgin Mary
Lewis T383	Lewis T383 reverse a	mcat143832						Parchment		Unknown					reverse	2	Lewis T383		reverse	MSS 0046				Treatise on the Blessed Virgin Mary
Lewis T383	Lewis T383 front b	mcat143833						Parchment		Unknown					front	3	Lewis T383		front	MSS 0046				Treatise on the Blessed Virgin Mary
Lewis T383	Lewis T383 reverse b	mcat143834						Parchment		Unknown					reverse	4	Lewis T383		reverse	MSS 0046				Treatise on the Blessed Virgin Mary
Lewis T384	Lewis T384 front	mcat143841		1200	1400		Perhaps a pharmaceutical treatise.	Parchment		Unknown	Gothic				front	1	Lewis T384		front	MSS 0047				Scientific Treatise, Pharmaceutical
Lewis T384	Lewis T384 reverse	mcat143842						Parchment		Unknown					reverse	2	Lewis T384		reverse	MSS 0047				Scientific Treatise, Pharmaceutical
Lewis T385	Lewis T385 front	mcat143851		1300	1500		Goes with 386.	Parchment		France	Gothic				front	1	Lewis T385		front	MSS 0047				Life of Saint Anthony
Lewis T385	Lewis T385 reverse	mcat143852						Parchment		Unknown					reverse	2	Lewis T385		reverse	MSS 0047				Life of Saint Anthony
Lewis T386	Lewis T386 front	mcat143861		1300	1500		Goes with 385.	Parchment		Unknown	Gothic				front	1	Lewis T386		front	MSS 0047				Life of Saint Anthony
Lewis T386	Lewis T386 reverse	mcat143862						Parchment		Unknown					reverse	2	Lewis T386		reverse	MSS 0047				Life of Saint Anthony
Lewis T387	Lewis T387 front	mcat143871		1489				Parchment		Germany	Gothic				front	1	Lewis T387		front	MSS 0047				Life of Saint Wendelin
Lewis T387	Lewis T387 reverse	mcat143872						Parchment		Unknown					reverse	2	Lewis T387		reverse	MSS 0047				Life of Saint Wendelin
Lewis T388	Lewis T388 front	mcat143881		1100	1300		Used as a wrapper for Phillipss MS 33395	Parchment		France					front	1	Lewis T388		front	MSS 0047				Gratian, Decretum, Causa XXIV, with later marginal glosses
Lewis T388	Lewis T388 reverse	mcat143882						Parchment		Unknown					reverse	2	Lewis T388		reverse	MSS 0047				Gratian, Decretum, Causa XXIV, with later marginal glosses
Lewis T389	Lewis T389 front	mcat143891		1300	1400			Parchment		Unknown	Gothic				front	1	Lewis T389		front	MSS 0047				Canon Law, Commentary
Lewis T389	Lewis T389 reverse	mcat143892						Parchment		Unknown					reverse	2	Lewis T389		reverse	MSS 0047				Canon Law, Commentary
Lewis T390	Lewis T390 front	mcat143901		1300	1500		Used later for binding a volume of Cicero's Tusculan Disputations.	Parchment		Unknown	Gothic				front	1	Lewis T390		front	MSS 0047				Monastic Rule of the Carthusians
Lewis T390	Lewis T390 reverse	mcat143902						Parchment		Unknown					reverse	2	Lewis T390		reverse	MSS 0048				Monastic Rule of the Carthusians
Lewis T391	Lewis T391 front	mcat143911		1200	1400		Goes with 392.	Parchment		Unknown	Gothic				front	1	Lewis T391		front	MSS 0059				Codex Justinianus, Book III, with marginal glosses
Lewis T391	Lewis T391 reverse	mcat143912					Goes with 392.	Parchment		Unknown					reverse	2	Lewis T391		reverse	MSS 0059				Codex Justinianus, Book III, with marginal glosses
Lewis T392	Lewis T392 front	mcat143921		1200	1400		Goes with 391.	Parchment		Unknown	Gothic				front	1	Lewis T392		front	MSS 0059				Codex Justinianus, Book III, with marginal glosses
Lewis T392	Lewis T392 reverse	mcat143922					Goes with 391.	Parchment		Unknown					reverse	2	Lewis T392		reverse	MSS 0059				Codex Justinianus, Book III, with marginal glosses
Lewis T393	Lewis T393 front	mcat143931		1300	1400			Parchment		Italy	Round Gothic				front	1	Lewis T393		front	MSS 0059				Civil Law, with marginal commentary
Lewis T393	Lewis T393 reverse	mcat143932		1200	1300			Parchment		Unknown					reverse	2	Lewis T393		reverse	MSS 0059				Civil Law, with marginal commentary
Lewis T394	Lewis T394 front a	mcat143941		1200	1300		DeRicci no.283	Parchment		Unknown	Gothic				front	1	Lewis T394		front	MSS 0048				Medical Treatise
Lewis T394	Lewis T394 reverse a	mcat143942						Parchment		Unknown					reverse	2	Lewis T394		reverse	MSS 0048				Medical Treatise
Lewis T394	Lewis T394 front b	mcat143943						Parchment		Unknown					front	3	Lewis T394		front	MSS 0048				Medical Treatise
Lewis T394	Lewis T394 reverse b	mcat143944						Parchment		Unknown					reverse	4	Lewis T394		reverse	MSS 0048				Medical Treatise
Lewis T395	Lewis T395 front	mcat143951		1200	1400			Parchment		France	Gothic Minuscule				front	1	Lewis T395		front	MSS 0048				Thomas Aquinas, Commentary on Aristotle's Ethics, Book X, Chapter 2
Lewis T395	Lewis T395 reverse	mcat143952						Parchment		Unknown					reverse	2	Lewis T395		reverse	MSS 0048				Thomas Aquinas, Commentary on Aristotle's Ethics, Book X, Chapter 2
Lewis T396	Lewis T396 front a	mcat143961		1100	1200			Parchment		England	Caroline Minuscule				front	1	Lewis T396		front	MSS 0048				Philosophical Text: De Definitione
Lewis T396	Lewis T396 reverse a	mcat143962						Parchment		Unknown					reverse	2	Lewis T396		reverse	MSS 0048				Philosophical Text: De Definitione
Lewis T396	Lewis T396 front b	mcat143963						Parchment		Unknown					front	3	Lewis T396		front	MSS 0048				Philosophical Text: De Definitione
Lewis T396	Lewis T396 reverse b	mcat143964		1200	1400			Parchment		Unknown					reverse	4	Lewis T396		reverse	MSS 0048				Philosophical Text: De Definitione
Lewis T397	Lewis T397 front	mcat143971		1200	1400			Parchment		Unknown	Script				front	1	Lewis T397		front	MSS 0048				Treatise on Greek Philosophy: On the Vaccuum, according to Leucippus, etc.
Lewis T397	Lewis T397 reverse	mcat143972						Parchment		Unknown					reverse	2	Lewis T397		reverse	MSS 0048				Treatise on Greek Philosophy: On the Vaccuum, according to Leucippus, etc.
Lewis T398	Lewis T398 front a	mcat143981						Parchment		Unknown					front	1	Lewis T398		front	MSS 0048				Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T398	Lewis T398 reverse a	mcat143982						Parchment		Unknown					reverse	2	Lewis T398		reverse	MSS 0048				Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T398	Lewis T398 front b	mcat143983						Parchment		Unknown					front	3	Lewis T398		front	MSS 0048				Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T398	Lewis T398 reverse b	mcat143984						Parchment		Unknown					reverse	4	Lewis T398		reverse	MSS 0048				Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T398	Lewis T398 front c	mcat143985						Parchment		Unknown					front	5	Lewis T398		front	MSS 0048				Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T398	Lewis T398 reverse c	mcat143986						Parchment		Unknown					reverse	6	Lewis T398		reverse	MSS 0048				Life of Terence, Introduction to his Plays, and Play Fragment
Lewis T399	Lewis T399	mcat153991		1423			Goes with 399a	Parchment		Unknown					front	1	Lewis T399		front	MSS 0048				Letter to the Church of Cologne
Lewis T399a	Lewis T399a	mcat153992					Goes with 399. 
 Letter addressed to archbishop and clergy of the cathedral of Cologne, by Peter, bishop of Alet concerning prebends and benefices in the Cologne church.	Parchment		Unknown					front	1	Lewis T399a		front	MSS 0049				Letter to the Church of Cologne
Lewis T400	Lewis T400	mcat154001	1523, May, 5.	1523			Indenture between Giles Bassett, esq., and John [Bournett] and his wife Edith and their daughter Agnes whereby Bassett leases them some property. Dated at Yewley, May 5, 1523 (15th year of Henry VIII.	Parchment		Yewley, England					front	1	Lewis T400		front	MSS 0049				Charter of Indenture, England
Lewis T401	Lewis T401	mcat154011	March 10, 1569	1569			Indenture of March 10, 1569 whereby Thomas Payne of Hutton, County of Somerset for a sum of money received, acknowledged that he has leased [and herewith confirms] a tenement in Weston super Mare to [John Cocher] of Wynscombe in the same county, his wife Alice, and their son Peter. Signed by Thomas Payne.	Parchment		Somerset, England					front	1	Lewis T401		front	MSS 0049				Charter of Indenture, England
Lewis T401	Lewis T401 reverse	mcat154012						Parchment		Unknown					reverse	2	Lewis T401		reverse	MSS 0049				Charter of Indenture, England
Lewis T402	Lewis T402 front	mcat154021	9/21/1576	1576			Record of court held Sept. 21 1576 at Pemsex (portreeve's) and Langney, with mention of those who paid homage to the Queen.	Parchment		England					front	1	Lewis T402		front	MSS 0049				Court Record, Pemsey and Langney, England
Lewis T402	Lewis T402 reverse	mcat154022						Parchment		Unknown					reverse	2	Lewis T402		reverse	MSS 0049				Court Record, Pemsey and Langney, England
Lewis T403	Lewis T403 front a	mcat154031	10/5/1577	1577			Notification of its having been probated by William Drury, master of the Canterbury prerogative court, January 29, 1577/78 in Latin.	Parchment		Middle Sex Country, England					front	1	Lewis T403		front	MSS 0049				Will of Richard Rigbye (in English) and Probate Notice of William Drury (in Latin)
Lewis T403	Lewis T403 reverse a	mcat154032	1/29/1577	1577	1578		Notification of its having been probated by William Drury, master of the Canterbury prerogative court, January 29, 1577/1578.	Parchment	English	England					reverse	2	Lewis T403		reverse	MSS 0049				Will of Richard Rigbye (in English) and Probate Notice of William Drury (in Latin)
Lewis T403	Lewis T403 front b	mcat154033						Parchment		Unknown					front	3	Lewis T403		front	MSS 0049				Will of Richard Rigbye (in English) and Probate Notice of William Drury (in Latin)
Lewis T404	Lewis T404 front	mcat154041	10/22/1600	1600			Recognizance in which John Ruffold of [Condham], Kent, promises before Justice of the Peace Samuel Lemard to pay 10 lbs and 5 lbs each to Stephan Allen of Chelsfeld and Thomas Cowper of Coudham()if Rufford does not appear at the next general session of the Justices of the Peace at Maidstone, or if he's not of good behavior according to the condition endorsed on the back.
 Signed by Justice Samuel Lenard.	Parchment		Kent, England					front	1	Lewis T404		front	MSS 0049				Recognizance, England
Lewis T404	Lewis T404 reverse	mcat154042	12/17/1600	1600				Parchment		Kent, England					reverse	2	Lewis T404		reverse	MSS 0049				Recognizance, England
Lewis T405	Lewis T405 front	mcat154051	12/17/1600	1600			Recognizance in which William Walkelin of Chiddingstone, Kent, acknowledges before Justice of the Peace George Ry..ers a debt to the crown of 10 lbs and his sureties Drewe Web of Witham and Robert Stretfyld of [] 5 lbs each if Walkelin does not keep the conditions endorsed in English viz. his appearance at the next general session of the Justices of the Peace in Maidstone and be of good behavior especially towards Katheren Beanes of Chiddingestone. Signed by Justice George [R.]	Parchment		Unknown					front	1	Lewis T405		front	MSS 0049				Recognizance, England
Lewis T405	Lewis T405 reverse	mcat154052						Parchment		Unknown					reverse	2	Lewis T405		reverse	MSS 0049				Recognizance, England
Lewis T406	Lewis T406	mcat154061					Recognizance of Thomas Beechinge, barber, of Cranbrook, Kent, before Justices Thomas Roberts and Samuel Boys with Thomas Smith and John Hollande, yeomen of Cranbrook, acting as sureties. Signed by Thomas Roberts and Samuel Boys.	Parchment		Unknown					front	1	Lewis T406		front	MSS 0049				Recognizance, England
Lewis T407	Lewis T407 front	mcat154071	2/3/1631	1631			Latin Charter recording an agreement made at Westminster Feb 3, 1631before Justices Thomas Richardson, Richard Hutton and Francis [Ha...] between Thomas Wyatt a noble and George, a noble,and [Judith] [] and John Grey over some land and other real estate in Mogeshanger.	Parchment		Westminster, England					front	1	Lewis T407		front	MSS 0049				Charter, England
Lewis T407	Lewis T407 reverse	mcat154072						Parchment		Unknown					reverse	2	Lewis T407		reverse	MSS 0049				Charter, England
Lewis T408	Lewis T408	mcat154081	9/29/1964	1964			Memorandum announcing that Judge Sir Thomas Rokeby will take care of the essoins at the court of the King's Bench at Westminster for 3 weeks beginning September 29, 1964. Signed by W. [Halk] clerk of essoins.	Parchment		Unknown					front	1	Lewis T408		front	MSS 0049				Memorandum, England
Lewis T409	Lewis T409	mcat154091	9/29/1580	1580			Recognizance of an agreement before Judges James Dyer, Thomas Meade, and Francis Wyndam whereby Giles Allen and his wife Anna have sold certain lands in Mogerhanger, Chalton, [Southwylle]and [Clouham] to William Spencer and has paid them 40 lbs sterling. Dated with octave of St. Michael [September, 29] 1580.	Parchment		Moggerhanger, England					front	1	Lewis T409		front	MSS 0050				Recognizance, England
Lewis T410	Lewis T410 front	mcat154101	7/4/1729				Admission tot he manor of Anthony Drute by the Court Baron of Baron John Monson and Thomas Bennett, with Richard Levermore as deputy, in Bradford, Wiltshire, July 4, 1729. Signed by Monson and Bennett.	Parchment		England					front	1	Lewis T410		front	MSS 0050				Charter, England
Lewis T410	Lewis T410 reverse	mcat154102						Parchment		Unknown					reverse	2	Lewis T410		reverse	MSS 0050				Charter, England
Lewis T486	Lewis T486 front	mcat154861						Parchment		Unknown					front	1	Lewis T486		front	MSS 0050				Coptic Gospel Lectionary
Lewis T486	Lewis T486 reverse	mcat154862						Parchment		Unknown					reverse	2	Lewis T486		reverse	MSS 0050				Coptic Gospel Lectionary
Lewis T487	Lewis T487 front	mcat154871		1430	1500		De Ricci no.314. This was folio 42 in the original manuscript.	Parchment		England	Bastarda				front	1	Lewis T487		front	MSS 0050				John Lydgate, Fall of Princes (in English)
Lewis T487	Lewis T487 reverse	mcat154872						Parchment		Unknown					reverse	2	Lewis T487		reverse	MSS 0050				John Lydgate, Fall of Princes (in English)
Lewis T488	Lewis T488 front a	mcat154881		1450	1500		Acquired from the Thomas F. Richardson Collection,Boston. 
 DeRicci no. 304	Parchment		England	Gothic				front	1	Lewis T488		front					John Lydgate, Secreta Secretorum (in English)
Lewis T488	Lewis T488 reverse a	mcat154882						Parchment		Unknown					reverse	2	Lewis T488		reverse					John Lydgate, Secreta Secretorum (in English)
Lewis T488	Lewis T488 front b	mcat154883						Parchment		Unknown					front	3	Lewis T488		front					John Lydgate, Secreta Secretorum (in English)
Lewis T488	Lewis T488 reverse b	mcat154884						Parchment		Unknown					reverse	4	Lewis T488		reverse					John Lydgate, Secreta Secretorum (in English)
Lewis T489	Lewis T489 front	mcat154891	5/24/1572	1572			Indenture of May 24, 1572 whereby John Payne of[] in Somerset in consideration of three pounds and a yearly rent of 12 pence leases an acre of meadow or pasture to Dorothye [Alse], and Elyzabethe Least, daughters of John Least, also of Somerset. Signed and sealed by John Payne, witnesses signed on the back.	Parchment		Somerset, England					front	1	Lewis T489		front					Charter of Indenture, England
Lewis T489	Lewis T489 reverse	mcat154892						Parchment		Unknown					reverse	2	Lewis T489		reverse					Charter of Indenture, England
Lewis T490	Lewis T490 front	mcat154901		1300	1500		De Ricci No. 290. The text is not from Boccaccio's Cas de Nobles as DeRicci suggests.	Parchment		France	Gothic				front	1	Lewis T490		front					Giovanni Boccaccio, Les Nobles et Cleres Dames (in French)
Lewis T490	Lewis T490 reverse	mcat154902						Parchment		Unknown					reverse	2	Lewis T490		reverse					Giovanni Boccaccio, Les Nobles et Cleres Dames (in French)
Lewis T491	Lewis T491 front	mcat154911	7/28/1426	1426			Guillame Breton, bailiff of Caen, concerning John [Demmuille] and English squire, and some land and revenue in Hermanville, dateat Bayeux, Normandy, July 28, 1426.	Parchment	French	Unknown					front	1	Lewis T491		front	MSS 0050				Charter, Normandy
Lewis T491	Lewis T491 reverse	mcat154912						Parchment		Unknown					reverse	2	Lewis T491		reverse	MSS 0050				Charter, Normandy
Lewis T492	Lewis T492 front	mcat154921	7/28/1426	1426				Parchment	English	Unknown					front	1	Lewis T492		front	MSS 0050				Deposition, Antwerp
Lewis T492	Lewis T492 reverse	mcat154922						Parchment		Unknown					reverse	2	Lewis T492		reverse	MSS 0050				Deposition, Antwerp
Lewis T493	Lewis T493 front	mcat154931		1500	1700			Parchment	French	France					front	1	Lewis T493		front	MSS 0050				Account Book (in French)
Lewis T493	Lewis T493 reverse	mcat154932						Parchment		Unknown					reverse	2	Lewis T493		reverse	MSS 0050				Account Book (in French)
Lewis T494	Lewis T494 front	mcat154941					From L. Rosenthal,Catalogue 120 (1910, no. 45	Parchment	Hebrew	Unknown					front	1	Lewis T494		front	MSS 0050				Bible: Jeremiah (in Hebrew)
Lewis T494	Lewis T494 reverse	mcat154942						Parchment		Unknown					reverse	2	Lewis T494		reverse	MSS 0051				Bible: Jeremiah (in Hebrew)
Lewis T506	Lewis T506 front a	mcat155061		1400	1600		Used to bind German account of the year 1706	Parchment		Unknown	Round Gothic				front	1	Lewis T506		front	MSS 0051				Breviary: July, Feasts of Saints Henry, Praxeda, Kilian, and the Visitation
Lewis T506	Lewis T506 reverse a	mcat155062						Parchment		Unknown					reverse	2	Lewis T506		reverse	MSS 0051				Breviary: July, Feasts of Saints Henry, Praxeda, Kilian, and the Visitation
Lewis T506	Lewis T506 front b	mcat155063						Parchment		Unknown					front	3	Lewis T506		front	MSS 0051				Breviary: July, Feasts of Saints Henry, Praxeda, Kilian, and the Visitation
Lewis T506	Lewis T506 reverse b	mcat155064						Parchment		Unknown					reverse	4	Lewis T506		reverse	MSS 0051				Breviary: July, Feasts of Saints Henry, Praxeda, Kilian, and the Visitation
Lewis T507	Lewis T507 front a	mcat155071		1400	1600			Parchment		Unknown					front	1	Lewis T507		front	MSS 0051				Missal: From the Canon, "Te Igitur..."
Lewis T507	Lewis T507 reverse a	mcat155072						Parchment		Unknown					reverse	2	Lewis T507		reverse	MSS 0051				Missal: From the Canon, "Te Igitur..."
Lewis T507	Lewis T507 front b	mcat155073						Parchment		Unknown					front	3	Lewis T507		front	MSS 0051				Missal: From the Canon, "Te Igitur..."
Lewis T507	Lewis T507 reverse b	mcat155074						Parchment		Unknown					reverse	4	Lewis T507		reverse	MSS 0051				Missal: From the Canon, "Te Igitur..."
Lewis T508	Lewis T508 front	mcat155081					Koberger edition, Nuremberg, 1491 or later. Hain no. 3540; Stillwellno. P442.
 Acquired from Thos.F.Richardson Collection,Boston.	Parchment		Unknown					front	1	Lewis T508		front	MSS 0051				Saint Bonaventure, Commentary on the Sentences of Peter Lombard
Lewis T508	Lewis T508 reverse	mcat155082		ca. 1491			Hain no. 3540, Stillwell no. P442.	Parchment		Unknown					reverse	2	Lewis T508		reverse	MSS 0051				Saint Bonaventure, Commentary on the Sentences of Peter Lombard
Lewis T509	Lewis T509 front	mcat155091		1470	1477			Parchment		Basel, Switzerland		Berthold Ruppel	Artist		front	1	Lewis T509		front	MSS 0051				Theological Treatise
Lewis T509	Lewis T509 reverse	mcat155092						Parchment		Unknown					reverse	2	Lewis T509		reverse	MSS 0051				Theological Treatise
Lewis T510	Lewis T510 front a	mcat155101		ca. 1480			Printed at Speyer. Hain no.7530	Parchment		Unknown					front	1	Lewis T510		front	MSS 0051				Dominicus de Sancto Geminiano, Lecturae
Lewis T510	Lewis T510 reverse a	mcat155102						Parchment		Unknown					reverse	2	Lewis T510		reverse	MSS 0052				Dominicus de Sancto Geminiano, Lecturae
Lewis T510	Lewis T510 front b	mcat155103						Parchment		Unknown					front	3	Lewis T510		front	MSS 0052				Dominicus de Sancto Geminiano, Lecturae
Lewis T510	Lewis T510 reverse b	mcat155104						Parchment		Unknown					reverse	4	Lewis T510		reverse	MSS 0052				Dominicus de Sancto Geminiano, Lecturae
Lewis T511	Lewis T511 front	mcat155111						Parchment		Unknown					front	1	Lewis T511		front	MSS 0052				Greek Text
Lewis T511	Lewis T511 reverse	mcat155112						Parchment		Unknown					reverse	2	Lewis T511		reverse	MSS 0052				Greek Text
Lewis T329	Lewis T329 front	mcat163291		ca. 1400	1600			Parchment		Italy or Spain	Gothic				front	1	Lewis T329		front	MSS 0052				Music Text
Lewis T329	Lewis T329 reverse	mcat163292						Parchment		Unknown					reverse	2	Lewis T329		reverse	MSS 0052				Music Text
Lewis T329a	Lewis T329a front	mcat163293						Parchment		Unknown					front	1	Lewis T329a		front	MSS 0052				Music Text
Lewis T329a	Lewis T329a reverse	mcat163294						Parchment		Unknown					reverse	2	Lewis T329a		reverse	MSS 0052				Music Text
Lewis T411	Lewis T411 front	mcat164111		1100	1200			Parchment		Italy (northern)	Caroline Minuscule, early rotunda				front	1	Lewis T411		front	MSS 0052				Bible: Jeremiah 30:7-36:32
Lewis T411	Lewis T411 reverse	mcat164112						Parchment		Unknown					reverse	2	Lewis T411		reverse	MSS 0052				Bible: Jeremiah 30:7-36:32
Lewis T412	Lewis T412 front	mcat164121						Parchment		Unknown					front	1	Lewis T412		front	MSS 0052				Bible: Baruch, Chapter 6
Lewis T412	Lewis T412 reverse	mcat164122						Parchment		Unknown					reverse	2	Lewis T412		reverse	MSS 0053				Bible: Baruch, Chapter 6
Lewis T413	Lewis T413 front a	mcat164131						Parchment		Unknown					front	1	Lewis T413		front	MSS 0053				Bible: Ezekiel
Lewis T413	Lewis T413 reverse a	mcat164132						Parchment		Unknown					reverse	2	Lewis T413		reverse	MSS 0053				Bible: Ezekiel
Lewis T413	Lewis T413 front b	mcat164133						Parchment		Unknown					front	3	Lewis T413		front	MSS 0053				Bible: Ezekiel
Lewis T413	Lewis T413 reverse b	mcat164134						Parchment		Unknown					reverse	4	Lewis T413		reverse	MSS 0053				Bible: Ezekiel
Lewis T414	Lewis T414 front	mcat164141		1300	1500		DeRicci No 361	Parchment		Unknown	Gothic				front	1	Lewis T414		front	MSS 0053				Bible: End of Ezekiel, Beginning of Jerome's Prologue
Lewis T414	Lewis T414 reverse	mcat164142						Parchment		Unknown					reverse	2	Lewis T414		reverse	MSS 0053				Bible: End of Ezekiel, Beginning of Jerome's Prologue
Lewis T415	Lewis T415 front	mcat164151		1100	1200			Parchment		Unknown					front	1	Lewis T415		front	MSS 0053				Bible: Haggai 1:9-end, Preface to Zechariah
Lewis T415	Lewis T415 reverse	mcat164152						Parchment		Unknown					reverse	2	Lewis T415		reverse	MSS 0053				Bible: Haggai 1:9-end, Preface to Zechariah
Lewis T416	Lewis T416 front	mcat164161		1100	1200			Parchment		Unknown					front	1	Lewis T416		front	MSS 0053				Bible: Romans
Lewis T416	Lewis T416 reverse	mcat164162						Parchment		Unknown					reverse	2	Lewis T416		reverse	MSS 0053				Bible: Romans
Lewis T417	Lewis T417 front	mcat164171		1100	1200			Parchment		Italy					front	1	Lewis T417		front	MSS 0053				Bible: Apocrypha
Lewis T417	Lewis T417 reverse	mcat164172						Parchment		Italy					reverse	2	Lewis T417		reverse	MSS 0053				Bible: Apocrypha
Lewis T418	Lewis T418 front	mcat164181		1100	1200			Parchment		Italy					front	1	Lewis T418		front	MSS 0053				Bede, Exposition on Luke
Lewis T418	Lewis T418 reverse	mcat164182		1100	1200			Parchment		Unknown					reverse	2	Lewis T418		reverse	MSS 0053				Bede, Exposition on Luke
Lewis T419	Lewis T419 front	mcat164191						Parchment		Italy					front	1	Lewis T419		front	MSS 0054				Jerome, Homily on Luke
Lewis T419	Lewis T419 reverse	mcat164192						Parchment		Unknown					reverse	2	Lewis T419		reverse	MSS 0054				Jerome, Homily on Luke
Lewis T420	Lewis T420 front	mcat164201		1100	1200			Parchment		Italy					front	1	Lewis T420		front					Sermons
Lewis T420	Lewis T420 reverse	mcat164202						Parchment		Unknown					reverse	2	Lewis T420		reverse					Sermons
Lewis T421	Lewis T421 front	mcat164211		1300	1400			Parchment		Italy	Gothic				front	1	Lewis T421		front					Antiphonary: Feast of the Epiphany
Lewis T421	Lewis T421 reverse	mcat164212		1300	1400			Parchment		Italy					reverse	2	Lewis T421		reverse					Antiphonary: Feast of the Epiphany
Lewis T422	Lewis T422 front	mcat164221		1300	1400			Parchment		Italy	Gothic				front	1	Lewis T422		front					Antiphonary: Feast of Saints John and Paul, June 26
Lewis T422	Lewis T422 reverse	mcat164222						Parchment		Unknown					reverse	2	Lewis T422		reverse					Antiphonary: Feast of Saints John and Paul, June 26
Lewis T423	Lewis T423 front	mcat164231		1300	1400		Seems to relate to 421	Parchment		Italy	Gothic				front	1	Lewis T423		front	MSS 0054				Antiphonary
Lewis T423	Lewis T423 reverse	mcat164232						Parchment		Unknown					reverse	2	Lewis T423		reverse	MSS 0054				Antiphonary
Lewis T424	Lewis T424 front	mcat164241		1300	1400		On original mat in the hand of J.F. Lewis.	Parchment		Unknown	Round Gothic				front	1	Lewis T424		front	MSS 0054				Breviary: Office of Saint Anthony of Padua, June 13
Lewis T424	Lewis T424 reverse	mcat164242						Parchment		Unknown					reverse	2	Lewis T424		reverse	MSS 0054				Breviary: Office of Saint Anthony of Padua, June 13
Lewis T425	Lewis T425 front	mcat164251		1300	1500		In original mat written in the hand of J.F. Lewis.	Parchment		France	Gothic				front	1	Lewis T425		front					Book of Hours: Little Office of the Virgin Mary
Lewis T425	Lewis T425 reverse	mcat164252						Parchment		Unknown					reverse	2	Lewis T425		reverse					Book of Hours: Little Office of the Virgin Mary
Lewis T426	Lewis T426 front	mcat164261		1300	1400		Goes with 427,428,429.	Parchment		Unknown	Gothic				front	1	Lewis T426		front	MSS 0054				Gradual
Lewis T426	Lewis T426 reverse	mcat164262						Parchment		Unknown					reverse	2	Lewis T426		reverse	MSS 0054				Gradual
Lewis T427	Lewis T427 front	mcat164271		1300	1400		Goes with 426,428,429	Parchment		Unknown	Gothic				front	1	Lewis T427		front	MSS 0054				Gradual
Lewis T427	Lewis T427 reverse	mcat164272		1300	1400			Parchment		Unknown					reverse	2	Lewis T427		reverse	MSS 0054				Gradual
Lewis T428	Lewis T428 front	mcat164281		1300	1400		4.26427429E8	Parchment		Unknown	Gothic				front	1	Lewis T428		front	MSS 0054				Gradual
Lewis T428	Lewis T428 reverse	mcat164282						Parchment		Unknown					reverse	2	Lewis T428		reverse	MSS 0054				Gradual
Lewis T429	Lewis T429 front	mcat164291		1300	1400		Goes with 426,427,428	Parchment		Unknown	Gothic				front	1	Lewis T429		front	MSS 0054				Gradual
Lewis T429	Lewis T429 reverse	mcat164292						Parchment		Unknown					reverse	2	Lewis T429		reverse	MSS 0055				Gradual
Lewis T430	Lewis T430 front	mcat164301		1300	1400		Related to 431.	Parchment		Unknown	Gothic				front	1	Lewis T430		front	MSS 0055				Gradual
Lewis T430	Lewis T430 reverse	mcat164302					Related to 430.	Parchment		Unknown					reverse	2	Lewis T430		reverse	MSS 0055				Gradual
Lewis T431	Lewis T431 front	mcat164311						Parchment		Unknown					front	1	Lewis T431		front	MSS 0055				Gradual
Lewis T431	Lewis T431 reverse	mcat164312						Parchment		Unknown					reverse	2	Lewis T431		reverse	MSS 0055				Gradual
Lewis T432	Lewis T432 front	mcat164321						Parchment		Unknown					front	1	Lewis T432		front	MSS 0055				Gradual: Tuesday after Pentecost
Lewis T432	Lewis T432 reverse	mcat164322						Parchment		Unknown					reverse	2	Lewis T432		reverse	MSS 0055				Gradual: Tuesday after Pentecost
Lewis T433	Lewis T433 front	mcat164331						Parchment		Unknown					front	1	Lewis T433		front	MSS 0055				Gradual: Friday and Saturday after Pentecost
Lewis T433	Lewis T433 reverse	mcat164332						Parchment		Unknown					reverse	2	Lewis T433		reverse	MSS 0055				Gradual: Friday and Saturday after Pentecost
Lewis T434	Lewis T434 front	mcat164341						Parchment		Unknown					front	1	Lewis T434		front	MSS 0055				Gradual: First and Second Sundays after Pentecost
Lewis T434	Lewis T434 reverse	mcat164342						Parchment		Unknown					reverse	2	Lewis T434		reverse	MSS 0055				Gradual: First and Second Sundays after Pentecost
Lewis T435	Lewis T435 front	mcat164351						Parchment		Unknown					front	1	Lewis T435		front	MSS 0055				Gradual: Second and Third Sundays after Pentecost
Lewis T435	Lewis T435 reverse	mcat164352						Parchment		Unknown					reverse	2	Lewis T435		reverse	MSS 0055				Gradual: Second and Third Sundays after Pentecost
Lewis T436	Lewis T436 front	mcat164361						Parchment		Unknown					front	1	Lewis T436		front	MSS 0055				Gradual: Fourth and Fifth Sundays after Pentecost
Lewis T436	Lewis T436 reverse	mcat164362						Parchment		Unknown					reverse	2	Lewis T436		reverse	MSS 0055				Gradual: Fourth and Fifth Sundays after Pentecost
Lewis T438	Lewis T438 front a	mcat164381						Parchment		Unknown					front	1	Lewis T438		front	MSS 0056				Sermons or Missal
Lewis T438	Lewis T438 reverse a	mcat164382						Parchment		Unknown					reverse	2	Lewis T438		reverse	MSS 0056				Sermons or Missal
Lewis T438	Lewis T438 front b	mcat164383						Parchment		Unknown					front	3	Lewis T438		front	MSS 0056				Sermons or Missal
Lewis T438	Lewis T438 reverse b	mcat164384						Parchment		Unknown					reverse	4	Lewis T438		reverse	MSS 0056				Sermons or Missal
Lewis T439	Lewis T439 front	mcat164391						Parchment		Unknown					front	1	Lewis T439		front	MSS 0056				Missal: Feasts of Saint Sylvester and the Circumcision, December 31 - January 1
Lewis T439	Lewis T439 reverse	mcat164392						Parchment		Unknown					reverse	2	Lewis T439		reverse	MSS 0056				Missal: Feasts of Saint Sylvester and the Circumcision, December 31 - January 1
Lewis T440	Lewis T440 front a	mcat164401						Parchment		Unknown					front	1	Lewis T440		front	MSS 0056				Missal: November 29, February 2, with most missing in between
Lewis T440	Lewis T440 reverse a	mcat164402						Parchment		Unknown					reverse	2	Lewis T440		reverse	MSS 0056				Missal: November 29, February 2, with most missing in between
Lewis T440	Lewis T440 front b	mcat164403						Parchment		Unknown					front	3	Lewis T440		front	MSS 0056				Missal: November 29, February 2, with most missing in between
Lewis T440	Lewis T440 reverse b	mcat164404						Parchment		Unknown					reverse	4	Lewis T440		reverse	MSS 0056				Missal: November 29, February 2, with most missing in between
Lewis T441	Lewis T441 front	mcat164411						Parchment		Unknown					front	1	Lewis T441		front	MSS 0056				Missal: First Sunday in Advent
Lewis T441	Lewis T441 reverse	mcat164412						Parchment		Unknown					reverse	2	Lewis T441		reverse	MSS 0056				Missal: First Sunday in Advent
Lewis T442	Lewis T442 front	mcat164421						Parchment		Unknown					front	1	Lewis T442		front	MSS 0056		400 ppi		Sermons
Lewis T442	Lewis T442 reverse	mcat164422						Parchment		Unknown					reverse	2	Lewis T442		reverse	MSS 0056		400 ppi		Sermons
Lewis T443	Lewis T443 front	mcat164431						Parchment		Unknown					front	1	Lewis T443		front	MSS 0057				Sermons
Lewis T443	Lewis T443 reverse	mcat164432						Parchment		Unknown					reverse	2	Lewis T443		reverse	MSS 0057				Sermons
Lewis T444	Lewis T444 front	mcat164441						Parchment		Unknown					front	1	Lewis T444		front	MSS 0057				Sermons
Lewis T444	Lewis T444 reverse	mcat164442						Parchment		Unknown					reverse	2	Lewis T444		reverse	MSS 0057				Sermons
Lewis T445	Lewis T445 front	mcat164451						Parchment		Unknown					front	1	Lewis T445		front	MSS 0057				Sermon (Maximus of Turin)
Lewis T445	Lewis T445 reverse	mcat164452						Parchment		Unknown					reverse	2	Lewis T445		reverse	MSS 0057				Sermon (Maximus of Turin)
Lewis T446	Lewis T446 front	mcat164461						Parchment		Unknown					front	1	Lewis T446		front	MSS 0057				Sermons
Lewis T446	Lewis T446 reverse	mcat164462						Parchment		Unknown					reverse	2	Lewis T446		reverse	MSS 0057				Sermons
Lewis T447	Lewis T447 front	mcat164471						Parchment		Unknown					front	1	Lewis T447		front	MSS 0057				Sermons
Lewis T447	Lewis T447 reverse	mcat164472						Parchment		Unknown					reverse	2	Lewis T447		reverse	MSS 0057				Sermons
Lewis T437	Lewis T437, fol. 1r	mcat164671		ca. 1300	1500		De Ricci no. 346 362
 Acquired from the Thomas F. Richardson Collection, Boston.
 On original mat in hand of J.F. Lewis: Initial 'D' from a gradual with musical notes. English, possibly Flemish.	Parchment	English	England					f. 1r	2	Lewis T437		f. 1r	MSS 0057				Gradual or Missal with Neumes
Lewis T437	Lewis T437, fol. 1v	mcat164672		ca. 1300	1500		De Ricci no. 346 362 Acquired from the Thomas F. Richardson Collection, Boston. On original mat in hand of J.F. Lewis: Initial 'D' from a gradual with musical notes. English, possibly Flemish.	Parchment		England					f. 1v	3	Lewis T437		f. 1v	MSS 0057				Gradual or Missal with Neumes
Lewis T618	Lewis T618 front	mcat174491						Parchment		Unknown					front	3	Lewis T618		front	MSS 0060				Music Manuscript
Lewis T618	Lewis T618 reverse	mcat174492						Parchment		Unknown					reverse	4	Lewis T618		reverse	MSS 0060				Music Manuscript
Lewis T619	Lewis T619 front	mcat174501					Box 17	Parchment		Unknown					front	3	Lewis T619		front	MSS 0060				Latin Text
Lewis T619	Lewis T619 reverse	mcat174502						Parchment		Unknown					reverse	4	Lewis T619		reverse	MSS 0061				Latin Text
Lewis T620	Lewis T620 front	mcat174511						Parchment		Unknown					front	3	Lewis T620		front	MSS 0061				King Ladislaus of Naples, regarding the Monastery of Saint Lucy at Bari
Lewis T620	Lewis T620 reverse	mcat174512						Parchment		Unknown					reverse	4	Lewis T620		reverse	MSS 0061				King Ladislaus of Naples, regarding the Monastery of Saint Lucy at Bari
Lewis T621	Lewis T621 front	mcat174521					Box 17	Parchment		Unknown					front	3	Lewis T621		front	MSS 0061				Music Manuscript
Lewis T621	Lewis T621 reverse	mcat174522						Parchment		Unknown					reverse	4	Lewis T621		reverse	MSS 0061				Music Manuscript
Lewis T622	Lewis T622 front	mcat174531						Parchment		Unknown					front	3	Lewis T622		front	MSS 0061				Music Manuscript
Lewis T622	Lewis T622 reverse	mcat174532						Parchment		Unknown					reverse	4	Lewis T622		reverse	MSS 0061				Music Manuscript
Lewis T623	Lewis T623 front	mcat174541						Parchment		Unknown					front	3	Lewis T623		front	MSS 0061				Music Manuscript
Lewis T623	Lewis T623 reverse	mcat174542						Parchment		Unknown					reverse	4	Lewis T623		reverse	MSS 0061				Music Manuscript
Lewis T624	Lewis T624 front	mcat174551						Parchment		Unknown					front	3	Lewis T624		front	MSS 0061				Bible: Ezra, Chapter 6
Lewis T624	Lewis T624 reverse	mcat174552						Parchment		Unknown					reverse	4	Lewis T624		reverse	MSS 0062				Bible: Ezra, Chapter 6
Lewis T625	Lewis T625 front	mcat174561						Parchment		Unknown					front	3	Lewis T625		front	MSS 0062				Music Manuscript
Lewis T625	Lewis T625 reverse	mcat174562						Parchment		Unknown					reverse	4	Lewis T625		reverse	MSS 0062				Music Manuscript
Lewis T626	Lewis T626 front	mcat174571						Parchment		Unknown					front	3	Lewis T626		front	MSS 0062				Music Manuscript
Lewis T626	Lewis T626 reverse	mcat174572						Parchment		Unknown					reverse	4	Lewis T626		reverse	MSS 0062				Music Manuscript
Lewis T627	Lewis T627 front	mcat174581						Parchment		Unknown					front	2	Lewis T627		front	MSS 0062				Music Manuscript
Lewis T627	Lewis T627 reverse	mcat174582						Parchment		Unknown					reverse	3	Lewis T627		reverse	MSS 0062				Music Manuscript
Lewis T628	Lewis T628 front	mcat174591						Parchment		Unknown					front	3	Lewis T628		front	MSS 0062				Music Manuscript
Lewis T628	Lewis T628 reverse	mcat174592						Parchment		Unknown					reverse	4	Lewis T628		reverse	MSS 0062				Music Manuscript
Lewis T629	Lewis T629 front	mcat174601						Parchment		Unknown					front	3	Lewis T629		front	MSS 0062				Music Manuscript
Lewis T629	Lewis T629 reverse	mcat174602						Parchment		Unknown					reverse	4	Lewis T629		reverse	MSS 0062				Music Manuscript
Lewis T630	Lewis T630 front	mcat174611						Parchment		Unknown					front	3	Lewis T630		front	MSS 0062				Music Manuscript
Lewis T630	Lewis T630 reverse	mcat174612						Parchment		Unknown					reverse	4	Lewis T630		reverse	MSS 0063				Music Manuscript
Lewis T631	Lewis T631 front	mcat174621						Parchment		Unknown					front	3	Lewis T631		front	MSS 0063				Music Manuscript
Lewis T631	Lewis T631 reverse	mcat174622						Parchment		Unknown					reverse	4	Lewis T631		reverse	MSS 0063				Music Manuscript
Lewis T632	Lewis T632 front	mcat174631						Parchment		Unknown					front	3	Lewis T632		front	MSS 0063				Catholicon of Johannes Balbus
Lewis T632	Lewis T632 reverse	mcat174632						Parchment		Unknown					reverse	4	Lewis T632		reverse	MSS 0063				Catholicon of Johannes Balbus
Lewis T633	Lewis T633 front	mcat174641						Parchment		Unknown					front	3	Lewis T633		front	MSS 0063				Music Manuscript
Lewis T633	Lewis T633 reverse	mcat174642						Parchment		Unknown					reverse	4	Lewis T633		reverse	MSS 0063				Music Manuscript
Lewis T634	Lewis T634 front	mcat174651						Parchment		Unknown					front	3	Lewis T634		front	MSS 0063				Missal
Lewis T634	Lewis T634 reverse	mcat174652						Parchment		Unknown					reverse	4	Lewis T634		reverse	MSS 0063				Missal
Lewis T635	Lewis T635 front	mcat174661						Parchment		Unknown					front	3	Lewis T635		front	MSS 0058				Latin Text
Lewis T635	Lewis T635 reverse	mcat174662						Parchment		Unknown					reverse	4	Lewis T635		reverse	MSS 0058				Latin Text
Lewis T636	Lewis T636 front	mcat174671						Parchment		Unknown					front	4	Lewis T636		front	MSS 0058				Glossary of Names, A-B
Lewis T636	Lewis T636 reverse	mcat174672						Parchment		Unknown					reverse	5	Lewis T636		reverse	MSS 0058				Glossary of Names, A-B
Lewis T637	Lewis T637 front	mcat174681		1400	1499		Leaf from a missal
 This leaf is an example of music from the Exultet or Easter Proclamation: Flammas eius Lucifer matutinus inveniat, ille inquam, lucifer, qui nescit occasum (May the morning-star find its flame alight, that Morning-Star which knows no setting...). The Proclamation would be intoned during the Easter Vigil, or the night before Easter Sunday.
 Missals were usually in two-column format: most missals did not contain music. This leaf has been simply rubricated (initials drawn in blue and red ink for delineation and ease of reading). Additionally, it is clear that there are many erasures and rewritings of the music in this leaf. Erasing parchment involved scraping the page (which is animal skin) with pumice or other scraping tools. It is possible or even probable that the leaf was meant to be decorated in the borders and that it was never completed. This leaf and the other leaf in this case are wonderful artifacts that allow us to see some of the stages of manuscript preparation from the Middle Ages.	Parchment	Latin	Flanders	Gothic bookhand				front	2	Lewis T637		front	MSS 0058				Exultet--music manuscript
Lewis T637	Lewis T637 reverse	mcat174682						Parchment		Unknown					reverse	3	Lewis T637		reverse	MSS 0058				Music Manuscript
Lewis T638	Lewis T638 front	mcat174691						Parchment		Unknown					front	5	Lewis T638		front	MSS 0058				Bible: Job 35:10-37:21
Lewis T638	Lewis T638 reverse	mcat174692						Parchment		Unknown					reverse	6	Lewis T638		reverse	MSS 0058				Bible: Job 35:10-37:21
Lewis T639	Lewis T639 front	mcat174701						Parchment		Unknown					front	3	Lewis T639		front	MSS 0058				Miscellaneous Text
Lewis T639	Lewis T639 reverse	mcat174702						Parchment		Unknown					reverse	4	Lewis T639		reverse	MSS 0058				Miscellaneous Text
Lewis T640	Lewis T640 front	mcat174711						Parchment		Unknown					front	3	Lewis T640		front	MSS 0058				Music Manuscript
Lewis T640	Lewis T640 reverse	mcat174712						Parchment		Unknown					reverse	4	Lewis T640		reverse	MSS 0058				Music Manuscript
Lewis T641	Lewis T641 front	mcat174721					Box 18	Parchment		Unknown					front	3	Lewis T641		front	MSS 0058				Music Manuscript
Lewis T641	Lewis T641 reverse	mcat174722					Box 18	Parchment		Unknown					reverse	4	Lewis T641		reverse	MSS 0058				Music Manuscript
Lewis T642	Lewis T642 front	mcat174731					Box 18	Parchment		Unknown					front	3	Lewis T642		front	MSS 0058				Music Manuscript
Lewis T642	Lewis T642 reverse	mcat174732					Box 18	Parchment		Unknown					reverse	4	Lewis T642		reverse	MSS 0059				Music Manuscript
Lewis T643	Lewis T643 front	mcat174741					Box 18	Parchment		Unknown					front	3	Lewis T643		front	MSS 0059				Music Manuscript
Lewis T643	Lewis T643 reverse	mcat174742					Box 18	Parchment		Unknown					reverse	4	Lewis T643		reverse	MSS 0059				Music Manuscript
Lewis T644	Lewis T644 front	mcat174751					Box 18	Parchment		Unknown					front	3	Lewis T644		front	MSS 0063				Music Manuscript
Lewis T644	Lewis T644 reverse	mcat174752					Box 18	Parchment		Unknown					reverse	4	Lewis T644		reverse	MSS 0064				Music Manuscript
Lewis T645	Lewis T645 front	mcat174761					Box 18	Parchment		Unknown					front	3	Lewis T645		front	MSS 0064				Music Manuscript
Lewis T645	Lewis T645 reverse	mcat174762					Box 18	Parchment		Unknown					reverse	4	Lewis T645		reverse	MSS 0064				Music Manuscript
Lewis T646	Lewis T646 front	mcat174771					Box 18	Parchment		Unknown					front	3	Lewis T646		front	MSS 0064				Music Manuscript
Lewis T646	Lewis T646 reverse	mcat174772					Box 18	Parchment		Unknown					reverse	4	Lewis T646		reverse	MSS 0064				Music Manuscript
Lewis T647	Lewis T647 front	mcat174781					Box 18	Parchment		Unknown					front	3	Lewis T647		front	MSS 0064				Music Manuscript
Lewis T647	Lewis T647 reverse	mcat174782					Box 18	Parchment		Unknown					reverse	4	Lewis T647		reverse	MSS 0064				Music Manuscript
Lewis T648	Lewis T648 front	mcat174791					Box 18	Parchment		Unknown					front	3	Lewis T648		front	MSS 0064				Music Manuscript
Lewis T648	Lewis T648 reverse	mcat174792					Box 18	Parchment		Unknown					reverse	4	Lewis T648		reverse	MSS 0064				Music Manuscript
Lewis T649	Lewis T649 front	mcat174801					Box 18	Parchment		Unknown					front	3	Lewis T649		front	MSS 0064				Music Manuscript
Lewis T649	Lewis T649 reverse	mcat174802					Box 18	Parchment		Unknown					reverse	4	Lewis T649		reverse	MSS 0064				Music Manuscript
Lewis T650	Lewis T650 front	mcat174811					Box 18	Parchment		Unknown					front	3	Lewis T650		front	MSS 0064				Music Manuscript
Lewis T650	Lewis T650 reverse	mcat174812					Box 18	Parchment		Unknown					reverse	4	Lewis T650		reverse	MSS 0065				Music Manuscript
Lewis T651	Lewis T651 front	mcat174821					Box 18	Parchment		Unknown					front	5	Lewis T651		front	MSS 0065				Music Manuscript
Lewis T651	Lewis T651 reverse	mcat174822					Box 18	Parchment		Unknown					reverse	6	Lewis T651		reverse	MSS 0065				Music Manuscript
Lewis T652	Lewis T652 front	mcat174831					Box 18	Parchment		Unknown					front	3	Lewis T652		front	MSS 0065				Music Manuscript
Lewis T652	Lewis T652 reverse	mcat174832					Box 18	Parchment		Unknown					reverse	4	Lewis T652		reverse	MSS 0065				Music Manuscript
Lewis T653	Lewis T653 front	mcat174841					Box 18	Parchment		Unknown					front	3	Lewis T653		front	MSS 0065				Music Manuscript
Lewis T653	Lewis T653 reverse	mcat174842					Box 18	Parchment		Unknown					reverse	4	Lewis T653		reverse	MSS 0065				Music Manuscript
Lewis T654	Lewis T654 front	mcat174851					Box 18	Parchment		Unknown					front	3	Lewis T654		front	MSS 0065				Music Manuscript
Lewis T654	Lewis T654 reverse	mcat174852					Box 18	Parchment		Unknown					reverse	4	Lewis T654		reverse	MSS 0065				Music Manuscript
Lewis T655	Lewis T655 front	mcat174861					Box 18	Parchment		Unknown					front	3	Lewis T655		front	MSS 0065				Music Manuscript
Lewis T655	Lewis T655 reverse	mcat174862					Box 18	Parchment		Unknown					reverse	4	Lewis T655		reverse	MSS 0065				Music Manuscript
Lewis T656	Lewis T656 front	mcat174871					Box 18	Parchment		Unknown					front	3	Lewis T656		front	MSS 0065				Music Manuscript
Lewis T656	Lewis T656 reverse	mcat174872					Box 18	Parchment		Unknown					reverse	4	Lewis T656		reverse	MSS 0066				Music Manuscript
Lewis T657	Lewis T657 front	mcat174881					Box 18	Parchment		Unknown					front	5	Lewis T657		front	MSS 0066				Music Manuscript
Lewis T657	Lewis T657 reverse	mcat174882						Parchment		Unknown					reverse	6	Lewis T657		reverse	MSS 0066				Music Manuscript
Lewis T658	Lewis T658 front a	mcat184891		1200	1300			Parchment		France					front	1	Lewis T658		front	MSS 0059				Illuminated Initial
Lewis T658	Lewis T658 reverse a	mcat184892					Box 19	Parchment		Unknown					reverse	2	Lewis T658		reverse	MSS 0059				Illuminated Initial
Lewis T658	Lewis T658 front b	mcat184893					Our thanks to Dr. Margaret Bent of All Souls College, Oxford for the information on this leaf. 
 
 Philadelphia Free Library, Lewis T658 (olim Lewis 489b)
 
 Incomplete parchment bifolio from the Credo section of a manuscript of English polyphonic music, probably from the 1420s. Each of the four pages presents, anonymously, part of a different Credo, which means that neither side of the bifolio was originally a centre gathering. Spacing suggests pages were ruled with 12 red staves (of which only the upper 7 survive), allowing each Credo to occupy a single opening, as in Old Hall (Lbl 57950). Two of the Credos have concordances with known compositions, supplying attributions: one to Dunstaple, the other to 'Anglicanus'. (These were identified by Peter Wright. See now EECM 55, nos 16, 45, 46). The numbering of the folios (A as the wider leaf and B the smaller) is provisional, as it is not entirely clear which way the bifolio was originally folded. All four pieces are in full black notation with red coloration.
 
 f. Ar Anglicanus, Credo Alma redemptoris mater (= Curtis & Wathey, Credo 70: Tr92-1, 113v-114). Second cantus part, starting at Et in spiritum (telescoped text in both sources), with 2-stave indentation for initial E, not provided. In imperfect time, major prolation, changing to minor prolation at Et unam.
 
 f. Av Dunstaple, Credo, upper part (= Curtis & Wathey, Credo 55, = Ao 15, 135v-138). Published in John Dunstable: Complete Works, ed. Manfred F. Bukofzer; 2nd, rev. ed. Margaret Bent, Ian Bent and Brian Trowell. Musica Britannica, vol. 8. (London, 1970), no. 5. Text differently distributed. First section to facta sunt, in imperfect time, minor prolation. From Et incarnatus, the English source notates in imperfect time, minor prolation, from Qui propter, Aosta notates in perfect time minor prolation, in augmented values with Ø. Identified by Peter Wright.
 
 f. Br Credo, hitherto unidentified. Second cantus part, texted, in imperfect time, major prolation, with 2-stave indentation for initial P, not provided.
 
 f. Bv Credo, hitherto unidentified. Upper part, in imperfect time, major prolation. 
 
 
	Parchment		Unknown					front	1	Lewis T658		front	MSS 0066				Music Manuscript
Lewis T658	Lewis T658 reverse b	mcat184894					Box 19	Parchment		Unknown					reverse	2	Lewis T658		reverse	MSS 0066				Music Manuscript
Lewis T659	Lewis T659 front	mcat184901		1200	1300		Box 19	Parchment		France					front	3	Lewis T659		front	MSS 0066				Illuminated Letter and Partial Border
Lewis T659	Lewis T659 reverse	mcat184902					Box 19	Parchment		Unknown					reverse	4	Lewis T659		reverse	MSS 0066				Illuminated Letter and Partial Border
Lewis T660	Lewis T660	mcat184911					Box 19	Parchment		Unknown					front	2	Lewis T660		front					Marginal Miniatures
Lewis T660	Lewis T660	mcat184912					Box 19	Parchment		Unknown					reverse	1	Lewis T660		reverse					Marginal Miniatures
Lewis T660	Lewis T660	mcat184913					Box 19	Parchment		Unknown					front	5	Lewis T660		front					Marginal Miniatures
Lewis T660	Lewis T660	mcat184914					Box 19	Parchment		Unknown					reverse	6	Lewis T660		reverse					Marginal Miniatures
Lewis T660	Lewis T660	mcat184915					Box 19	Parchment		Unknown					front	7	Lewis T660		front	MSS 0059				Marginal Miniatures
Lewis T660	Lewis T660	mcat184916					Box 19	Parchment		Unknown					reverse	8	Lewis T660		reverse	MSS 0059				Marginal Miniatures
Lewis T661	Lewis T661 front a	mcat184921					Box 19	Parchment		Unknown					front	3	Lewis T661		front	MSS 0066				Marginal Miniatures
Lewis T661	Lewis T661 reverse a	mcat184922					Box 19	Parchment		Unknown					reverse	4	Lewis T661		reverse	MSS 0066				Marginal Miniatures
Lewis T661	Lewis T661 front b	mcat184923					Box 19	Parchment		Unknown					front	5	Lewis T661		front	MSS 0066				Marginal Miniatures
Lewis T661	Lewis T661 reverse b	mcat184924					Box 19	Parchment		Unknown					reverse	6	Lewis T661		reverse	MSS 0066				Marginal Miniatures
Lewis T661	Lewis T661 front c	mcat184925					Box 19	Parchment		Unknown					front	7	Lewis T661		front	MSS 0066				Marginal Miniatures
Lewis T661	Lewis T661 reverse c	mcat184926					Box 19	Parchment		Unknown					reverse	8	Lewis T661		reverse	MSS 0066				Marginal Miniatures
Lewis T662	Lewis T662 front	mcat184931					Box 19	Parchment		Unknown					front	3	Lewis T662		front	MSS 0066				Music Manuscript
Lewis T662	Lewis T662 reverse	mcat184932					Box 19	Parchment		Unknown					reverse	4	Lewis T662		reverse	MSS 0067				Music Manuscript
Lewis T663	Lewis T663 front	mcat184941					Box 19	Parchment		Unknown					front	3	Lewis T663		front	MSS 0067				Illuminated Border
Lewis T663	Lewis T663 reverse	mcat184942					Box 19	Parchment		Unknown					reverse	4	Lewis T663		reverse	MSS 0067				Illuminated Border
Lewis T664	Lewis T664 front a	mcat184951					Box 19	Parchment		Unknown					front	1	Lewis T664		front	MSS 0067				Illuminated Initial
Lewis T664	Lewis T664 reverse a	mcat184952					Box 19	Parchment		Unknown					reverse	2	Lewis T664		reverse	MSS 0067				Illuminated Initial
Lewis T664	Lewis T664 front b	mcat184953					Box 19	Parchment		Unknown					front	3	Lewis T664		front	MSS 0067				Illuminated Initial
Lewis T664	Lewis T664 reverse b	mcat184954					Box 19	Parchment		Unknown					reverse	4	Lewis T664		reverse	MSS 0067				Illuminated Initial
Lewis T664	Lewis T664 front c	mcat184955					Box 19	Parchment		Unknown					front	5	Lewis T664		front	MSS 0067				Illuminated Initial
Lewis T664	Lewis T664 reverse c	mcat184956					Box 19	Parchment		Unknown					reverse	6	Lewis T664		reverse	MSS 0067				Illuminated Initial
Lewis T664	Lewis T664 front d	mcat184957					Box 19	Parchment		Unknown					front	7	Lewis T664		front	MSS 0067				Illuminated Initial
Lewis T664	Lewis T664 reverse d	mcat184958					Box 19	Parchment		Unknown					reverse	8	Lewis T664		reverse	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 front a	mcat18496a					Box 19	Parchment		Unknown					front	5	Lewis T665		front	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 reverse a	mcat18496b					Box 19	Parchment		Unknown					reverse	6	Lewis T665		reverse	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 front b	mcat18496c					Box 19	Parchment		Unknown					front	7	Lewis T665		front	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 reverse b	mcat18496d					Box 19	Parchment		Unknown					reverse	8	Lewis T665		reverse	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 front c	mcat18496e					Box 19	Parchment		Unknown					front	9	Lewis T665		front	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 reverse c	mcat18496f					Box 19	Parchment		Unknown					reverse	10	Lewis T665		reverse	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 front d	mcat18496g					Box 19	Parchment		Unknown					front	11	Lewis T665		front	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 reverse d	mcat18496h					Box 19	Parchment		Unknown					reverse	12	Lewis T665		reverse	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 front e	mcat18496i					Box 19	Parchment		Unknown					front	13	Lewis T665		front	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 reverse e	mcat18496j					Box 19	Parchment		Unknown					reverse	14	Lewis T665		reverse	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 front f	mcat18496k					Box 19	Parchment		Unknown					front	15	Lewis T665		front	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 reverse f	mcat18496l					Box 19	Parchment		Unknown					reverse	16	Lewis T665		reverse	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 front g	mcat18496m					Box 19	Parchment		Unknown					front	17	Lewis T665		front	MSS 0067				Illuminated Initial
Lewis T665	Lewis T665 reverse g	mcat18496n						Parchment		Unknown					reverse	18	Lewis T665		reverse	MSS 0067				Illuminated Initial
Lewis T666	Lewis T666 front a	mcat184971					Box 19	Parchment		Unknown					front	5	Lewis T666		front	MSS 0067				Illuminated Initial
Lewis T666	Lewis T666 reverse a	mcat184972					Box 19	Parchment		Unknown					reverse	6	Lewis T666		reverse	MSS 0067				Illuminated Initial
Lewis T666	Lewis T666 front b	mcat184973					Box 19	Parchment		Unknown					front	7	Lewis T666		front	MSS 0067				Illuminated Initial
Lewis T666	Lewis T666 reverse b	mcat184974					Box 19	Parchment		Unknown					reverse	8	Lewis T666		reverse	MSS 0067				Illuminated Initial
Lewis T666	Lewis T666 front c	mcat184975					Box 19	Parchment		Unknown					front	9	Lewis T666		front	MSS 0067				Illuminated Initial
Lewis T666	Lewis T666 reverse c	mcat184976					Box 19	Parchment		Unknown					reverse	10	Lewis T666		reverse	MSS 0067				Illuminated Initial
Lewis T666	Lewis T666 front d	mcat184977					Box 19	Parchment		Unknown					front	11	Lewis T666		front	MSS 0067				Illuminated Initial
Lewis T666	Lewis T666 reverse d	mcat184978					Box 19	Parchment		Unknown					reverse	12	Lewis T666		reverse	MSS 0067				Illuminated Initial
Lewis T667	Lewis T667 front a	mcat184981					Box 19	Parchment		Unknown					front	3	Lewis T667		front	MSS 0067				Pen Flourished Initial
Lewis T667	Lewis T667 reverse a	mcat184982					Box 19	Parchment		Unknown					reverse	4	Lewis T667		reverse	MSS 0067				Pen Flourished Initial
Lewis T667	Lewis T667 front b	mcat184983					Box 19	Parchment		Unknown					front	5	Lewis T667		front	MSS 0068				Pen Flourished Initial
Lewis T667	Lewis T667 reverse b	mcat184984					Box 19	Parchment		Unknown					reverse	6	Lewis T667		reverse	MSS 0068				Pen Flourished Initial
Lewis T667	Lewis T667 front c	mcat184985					Box 19	Parchment		Unknown					front	7	Lewis T667		front	MSS 0068				Pen Flourished Initial
Lewis T667	Lewis T667 reverse c	mcat184986					Box 19	Parchment		Unknown					reverse	8	Lewis T667		reverse	MSS 0068				Pen Flourished Initial
Lewis T667	Lewis T667 front d	mcat184987					Box 19	Parchment		Unknown					front	9	Lewis T667		front	MSS 0068				Pen Flourished Initial
Lewis T667	Lewis T667 reverse d	mcat184988					Box 19	Parchment		Unknown					reverse	10	Lewis T667		reverse	MSS 0068				Pen Flourished Initial
Lewis T668	Lewis T668 front a	mcat184991					Box 19	Parchment		Unknown					front	3	Lewis T668		front	MSS 0068				Pen Flourished Initial
Lewis T668	Lewis T668 reverse a	mcat184992					Box 19	Parchment		Unknown					reverse	4	Lewis T668		reverse	MSS 0068				Pen Flourished Initial
Lewis T668	Lewis T668 front b	mcat184993					Box 19	Parchment		Unknown					front	5	Lewis T668		front	MSS 0068				Pen Flourished Initial
Lewis T668	Lewis T668 reverse b	mcat184994					Box 19	Parchment		Unknown					reverse	6	Lewis T668		reverse	MSS 0068				Pen Flourished Initial
Lewis T669	Lewis T669 front a	mcat185001					Box 19	Parchment		Unknown					front	3	Lewis T669		front	MSS 0068				Pen Flourished Initial
Lewis T669	Lewis T669 reverse a	mcat185002					Box 19	Parchment		Unknown					reverse	4	Lewis T669		reverse	MSS 0068				Pen Flourished Initial
Lewis T669	Lewis T669 front b	mcat185003					Box 19	Parchment		Unknown					front	5	Lewis T669		front	MSS 0068				Pen Flourished Initial
Lewis T669	Lewis T669 reverse b	mcat185004					Box 19	Parchment		Unknown					reverse	6	Lewis T669		reverse	MSS 0068				Pen Flourished Initial
Lewis T670	Lewis T670 front	mcat185011					Box 19	Parchment		Unknown					front	3	Lewis T670		front	MSS 0068				Music Manuscript
Lewis T670	Lewis T670 reverse	mcat185012					Box 19	Parchment		Unknown					reverse	4	Lewis T670		reverse	MSS 0068				Music Manuscript
Lewis T671	Lewis T671 front a	mcat185021					Box 19	Parchment		Unknown					front	5	Lewis T671		front	MSS 0068				Illuminated Border
Lewis T671	Lewis T671 reverse a	mcat185022					Box 19	Parchment		Unknown					front	6	Lewis T671		front	MSS 0068				Illuminated Border
Lewis T671	Lewis T671 front b	mcat185023					Box 19	Parchment		Unknown					front	7	Lewis T671		front	MSS 0068				Illuminated Border
Lewis T672	Lewis T672 front	mcat185031					Box 19	Parchment		Unknown					front	3	Lewis T672		front	MSS 0068				Illuminated Initial from Music Manuscript
Lewis T672	Lewis T672 reverse	mcat185032					Box 19	Parchment		Unknown					reverse	4	Lewis T672		reverse	MSS 0068				Illuminated Initial from Music Manuscript
Lewis T673	Lewis T673 front	mcat185041		1200	1300		Box 19	Parchment		Austria					front	3	Lewis T673		front	MSS 0069				Music Manuscript
Lewis T673	Lewis T673 reverse	mcat185042					Box 19	Parchment		Unknown					reverse	4	Lewis T673		reverse	MSS 0069				Music Manuscript
Lewis T674	Lewis T674 front	mcat185051		1400	1500		Box 19	Parchment		Germany					front	5	Lewis T674		front	MSS 0069				Music Manuscript
Lewis T674	Lewis T674 reverse	mcat185052					Box 19	Parchment		Unknown					reverse	6	Lewis T674		reverse	MSS 0069				Music Manuscript
Lewis T675	Lewis T675 front	mcat185061		1400	1500		Box 19	Parchment		Austria					front	5	Lewis T675		front	MSS 0069				Music Manuscript
Lewis T675	Lewis T675 reverse	mcat185062					Box 19	Parchment		Unknown					reverse	6	Lewis T675		reverse	MSS 0069				Music Manuscript
Lewis T676	Lewis T676 front a	mcat185071					Box 19	Parchment		Unknown					front	1	Lewis T676		front	MSS 0069				Will, in English
Lewis T676	Lewis T676 front b	mcat185072					Box 19	Parchment		Unknown					front overleaf	2	Lewis T676		front overleaf	MSS 0069				Will, in English.
Lewis T676	Lewis T676 reverse b	mcat185073					Box 19	Parchment		Unknown					front overleaf reverse	3	Lewis T676		front overleaf reverse	MSS 0069				Will, in English.
Lewis T677	Lewis T677 front	mcat185081					Box 19	Parchment		Unknown					front	3	Lewis T677		front					Latin Text
Lewis T677	Lewis T677 reverse	mcat185082					Box 19	Parchment		Unknown					reverse	4	Lewis T677		reverse					Latin Text
Lewis T678	Lewis T678	mcat185091					Box 19	Parchment		Unknown					front	3	Lewis T678		front	MSS 0069				Papyrus Fragments with Hieroglyphs
Lewis T679	Lewis T679	mcat185101					Box 19	Parchment		Unknown					front	5	Lewis T679		front	MSS 0069				Papyrus Fragments with Hieroglyphs
Lewis T680	Lewis T680	mcat185111					Box 20	Parchment		Unknown					front	3	Lewis T680		front	MSS 0070				Papyrus Fragments with Hieroglyphs
Lewis T512	Lewis T512	mcat185121						Parchment		Unknown					front	1	Lewis T512		front	MSS 0070				Papyrus Fragments with Hieroglyphs
Lewis T513	Lewis T513	mcat185131						Parchment		Unknown					front	1	Lewis T513		front	MSS 0070				Papyrus Fragments with Hieroglyphs
Lewis T514	Lewis T514	mcat185141						Parchment		Unknown					front	1	Lewis T514		front	MSS 0070				Papyrus Fragments with Hieroglyphs
Lewis T515	Lewis T515	mcat185151						Parchment		Unknown					front	1	Lewis T515		front	MSS 0070				Papyrus Fragments with Hieroglyphs
Lewis T516	Lewis T516	mcat185161						Parchment		Unknown					front	1	Lewis T516		front	MSS 0070				Papyrus Fragments with Hieroglyphs
Lewis T517	Lewis T517	mcat185171						Parchment		Unknown					front	1	Lewis T517		front	MSS 0070				Papyrus Fragments with Hieroglyphs
Lewis T518	Lewis T518 front	mcat185181						Parchment		Unknown					front	1	Lewis T518		front	MSS 0070				Bible: Numbers
Lewis T518	Lewis T518 reverse	mcat185182						Parchment		Unknown					reverse	2	Lewis T518		reverse	MSS 0070				Bible: Numbers
Lewis T519	Lewis T519 front	mcat185191						Parchment		Unknown					front	1	Lewis T519		front	MSS 0070				Latin Religious Text
Lewis T519	Lewis T519 reverse	mcat185192						Parchment		Unknown					reverse	2	Lewis T519		reverse	MSS 0070				Latin Religious Text
Lewis T520	Lewis T520 front	mcat185201						Parchment		Unknown					front	1	Lewis T520		front	MSS 0070				Bible: Mark and Prologue to Luke
Lewis T520	Lewis T520 reverse	mcat185202						Parchment		Unknown					reverse	2	Lewis T520		reverse	MSS 0071				Bible: Mark and Prologue to Luke
Lewis T521	Lewis T521 front	mcat185211						Parchment		Unknown					front	1	Lewis T521		front	MSS 0071				Latin Religious Text
Lewis T521	Lewis T521 reverse	mcat185212						Parchment		Unknown					reverse	2	Lewis T521		reverse	MSS 0071				Latin Religious Text
Lewis T522	Lewis T522 front	mcat185221					Illuminated P marked Austria-15th century.	Parchment		Unknown					front	1	Lewis T522		front	MSS 0071				Historiated Initial
Lewis T522	Lewis T522 reverse	mcat185222						Parchment		Unknown					reverse	2	Lewis T522		reverse	MSS 0071				Historiated Initial
Lewis T523	Lewis T523 front	mcat185231						Parchment		Unknown					front	1	Lewis T523		front	MSS 0071				Bible: Ecclesiastes
Lewis T523	Lewis T523 reverse	mcat185232						Parchment		Unknown					reverse	2	Lewis T523		reverse	MSS 0071				Bible: Ecclesiastes
Lewis T524	Lewis T524 front	mcat185241						Parchment		Unknown					front	1	Lewis T524		front	MSS 0071				Music Manuscript
Lewis T524	Lewis T524 reverse	mcat185242						Parchment		Unknown					reverse	2	Lewis T524		reverse	MSS 0071				Music Manuscript
Lewis T525	Lewis T525 front	mcat185251						Parchment		Unknown					front	1	Lewis T525		front	MSS 0071				Music Manuscript
Lewis T525	Lewis T525 reverse	mcat185252						Parchment		Unknown					reverse	2	Lewis T525		reverse	MSS 0071				Music Manuscript
Lewis T466	Lewis T466 front	mcat194661					Box 9	Parchment		Unknown					front	5	Lewis T466		front	MSS 0059				Monastic account book
Lewis T466	Lewis T466 reverse	mcat194662		1430				Parchment		Germany					reverse	6	Lewis T466		reverse	MSS 0059				Monastic account book
Lewis T467	Lewis T467	mcat194671						Parchment	German	Unknown					front	6	Lewis T467		front	MSS 0059				Pastor's schedule in four German dialects
Lewis T468	Lewis T468	mcat194681						Parchment	Greek	Unknown					front	4	Lewis T468		front	MSS 0059				Greek or Coptic on papyrus
Lewis T526	Lewis T526 front	mcat195261						Parchment		Unknown					front	1	Lewis T526		front	MSS 0072				Antiphonal
Lewis T526	Lewis T526 reverse	mcat195262						Parchment		Unknown					reverse	2	Lewis T526		reverse	MSS 0072				Antiphonal
Lewis T527	Lewis T527 front	mcat195271						Parchment		Unknown					front	1	Lewis T527		front	MSS 0072				Illuminated Initial and Partial Border
Lewis T527	Lewis T527 reverse	mcat195272						Parchment		Unknown					reverse	2	Lewis T527		reverse	MSS 0072				Illuminated Initial and Partial Border
Lewis T528	Lewis T528 front	mcat195281						Parchment		Unknown					front	1	Lewis T528		front	MSS 0072				Music Manuscript
Lewis T528	Lewis T528 reverse	mcat195282						Parchment		Unknown					reverse	2	Lewis T528		reverse	MSS 0072				Music Manuscript
Lewis T529	Lewis T529 front	mcat195291						Parchment		Unknown					front	1	Lewis T529		front	MSS 0072				Music Manuscript
Lewis T529	Lewis T529 reverse	mcat195292						Parchment		Unknown					reverse	2	Lewis T529		reverse	MSS 0072				Music Manuscript
Lewis T530	Lewis T530 front	mcat195301						Parchment		Unknown					front	1	Lewis T530		front	MSS 0072				Music Manuscript
Lewis T530	Lewis T530 reverse	mcat195302						Parchment		Unknown					reverse	2	Lewis T530		reverse	MSS 0072				Music Manuscript
Lewis T531	Lewis T531 front	mcat195311						Parchment		Unknown					front	1	Lewis T531		front	MSS 0072				Music Manuscript
Lewis T531	Lewis T531 reverse	mcat195312						Parchment		Unknown					reverse	2	Lewis T531		reverse	MSS 0072				Music Manuscript
Lewis T532	Lewis T532 front	mcat195321						Parchment		Unknown					front	1	Lewis T532		front	MSS 0073				Music Manuscript
Lewis T532	Lewis T532 reverse	mcat195322						Parchment		Unknown					reverse	2	Lewis T532		reverse	MSS 0073				Music Manuscript
Lewis T533	Lewis T533 front	mcat195331						Parchment		Unknown					front	1	Lewis T533		front	MSS 0073				Music Manuscript
Lewis T533	Lewis T533 reverse	mcat195332						Parchment		Unknown					reverse	2	Lewis T533		reverse	MSS 0073				Music Manuscript
Lewis T534	Lewis T534 front	mcat195341						Parchment		Unknown					front	1	Lewis T534		front	MSS 0073				Music Manuscript
Lewis T534	Lewis T534 reverse	mcat195342						Parchment		Unknown					reverse	2	Lewis T534		reverse	MSS 0073				Music Manuscript
Lewis T535	Lewis T535 front	mcat195351						Parchment		Unknown					front	1	Lewis T535		front	MSS 0073				Music Manuscript
Lewis T535	Lewis T535 reverse	mcat195352						Parchment		Unknown					reverse	2	Lewis T535		reverse	MSS 0073				Music Manuscript
Lewis T536	Lewis T536 front	mcat195361						Parchment		Unknown					front	1	Lewis T536		front	MSS 0073				Music Manuscript
Lewis T536	Lewis T536 reverse	mcat195362						Parchment		Unknown					reverse	2	Lewis T536		reverse	MSS 0073				Music Manuscript
Lewis T537	Lewis T537 front	mcat195371						Parchment		Unknown					front	1	Lewis T537		front	MSS 0073				Music Manuscript
Lewis T537	Lewis T537 reverse	mcat195372						Parchment		Unknown					reverse	2	Lewis T537		reverse	MSS 0074				Music Manuscript
Lewis T538	Lewis T538 front	mcat195381						Parchment		Unknown					front	1	Lewis T538		front	MSS 0074				Music Manuscript
Lewis T538	Lewis T538 reverse	mcat195382						Parchment		Unknown					reverse	2	Lewis T538		reverse	MSS 0074				Music Manuscript
Lewis T539	Lewis T539 front	mcat195391						Parchment		Unknown					front	1	Lewis T539		front	MSS 0074				Music Manuscript
Lewis T539	Lewis T539 reverse	mcat195392						Parchment		Unknown					reverse	2	Lewis T539		reverse	MSS 0074				Music Manuscript
Lewis T540	Lewis T540 front	mcat195401						Parchment		Unknown					front	1	Lewis T540		front	MSS 0074				Music Manuscript
Lewis T540	Lewis T540 reverse	mcat195402						Parchment		Unknown					reverse	2	Lewis T540		reverse	MSS 0074				Music Manuscript
Lewis T541	Lewis T541 front	mcat195411						Parchment		Unknown					front	1	Lewis T541		front	MSS 0074				Music Manuscript
Lewis T541	Lewis T541 reverse	mcat195412						Parchment		Unknown					reverse	2	Lewis T541		reverse	MSS 0074				Music Manuscript
Lewis T542	Lewis T542 front	mcat195421						Parchment		Unknown					front	1	Lewis T542		front	MSS 0074				Music Manuscript
Lewis T542	Lewis T542 reverse	mcat195422						Parchment		Unknown					reverse	2	Lewis T542		reverse	MSS 0074				Music Manuscript
Lewis T543	Lewis T543 front	mcat195431						Parchment		Unknown					front	1	Lewis T543		front	MSS 0075				Music Manuscript
Lewis T543	Lewis T543 reverse	mcat195432						Parchment		Unknown					reverse	2	Lewis T543		reverse	MSS 0075				Music Manuscript
Lewis T544	Lewis T544 front	mcat195441						Parchment		Unknown					front	1	Lewis T544		front	MSS 0075				Music Manuscript
Lewis T544	Lewis T544 reverse	mcat195442						Parchment		Unknown					reverse	2	Lewis T544		reverse	MSS 0075				Music Manuscript
Lewis T545	Lewis T545 front	mcat195451						Parchment		Unknown					front	1	Lewis T545		front	MSS 0075				Music Manuscript
Lewis T545	Lewis T545 reverse	mcat195452						Parchment		Unknown					reverse	2	Lewis T545		reverse	MSS 0075				Music Manuscript
Lewis T546	Lewis T546 front	mcat195461						Parchment		Unknown					front	1	Lewis T546		front	MSS 0075				Music Manuscript
Lewis T546	Lewis T546 reverse	mcat195462						Parchment		Unknown					reverse	2	Lewis T546		reverse	MSS 0075				Music Manuscript
Lewis T547	Lewis T547 front	mcat195471						Parchment		Unknown					front	1	Lewis T547		front	MSS 0075				Music Manuscript
Lewis T547	Lewis T547 reverse	mcat195472						Parchment		Unknown					reverse	2	Lewis T547		reverse	MSS 0075				Music Manuscript
Lewis T548	Lewis T548 front	mcat195481						Parchment		Unknown					front	1	Lewis T548		front					Music Manuscript
Lewis T548	Lewis T548 reverse	mcat195482						Parchment		Unknown					reverse	2	Lewis T548		reverse					Music Manuscript
Lewis T549	Lewis T549 front	mcat195491						Parchment		Unknown					front	1	Lewis T549		front					Music Manuscript
Lewis T549	Lewis T549 reverse	mcat195492						Parchment		Unknown					reverse	2	Lewis T549		reverse					Music Manuscript
Lewis T550	Lewis T550 front	mcat195501						Parchment		Unknown					front	1	Lewis T550		front					Music Manuscript
Lewis T550	Lewis T550 reverse	mcat195502						Parchment		Unknown					reverse	2	Lewis T550		reverse					Music Manuscript
Lewis T551	Lewis T551 front	mcat195511						Parchment		Unknown					front	1	Lewis T551		front					Music Manuscript
Lewis T551	Lewis T551 reverse	mcat195512						Parchment		Unknown					reverse	2	Lewis T551		reverse					Music Manuscript
Lewis T552	Lewis T552 front	mcat195521						Parchment		Unknown					front	1	Lewis T552		front					Music Manuscript
Lewis T552	Lewis T552 reverse	mcat195522						Parchment		Unknown					reverse	2	Lewis T552		reverse					Music Manuscript
Lewis T553	Lewis T553 front	mcat195531						Parchment		Unknown					front	1	Lewis T553		front					Medieval Manuscript
Lewis T553	Lewis T553 reverse	mcat195532						Parchment		Unknown					reverse	2	Lewis T553		reverse					Medieval Manuscript
Lewis T554	Lewis T554 front	mcat195541						Parchment		Unknown					front	1	Lewis T554		front					Music Manuscript
Lewis T554	Lewis T554 reverse	mcat195542						Parchment		Unknown					reverse	2	Lewis T554		reverse					Music Manuscript
Lewis T555	Lewis T555 front	mcat205551						Parchment		Unknown					front	1	Lewis T555		front	MSS 0075				Office of the Dead
Lewis T555	Lewis T555 reverse	mcat205552						Parchment		Unknown					reverse	2	Lewis T555		reverse	MSS 0075				Office of the Dead
Lewis T556	Lewis T556 front	mcat205561						Parchment		Unknown					front	1	Lewis T556		front	MSS 0076				Music Manuscript
Lewis T556	Lewis T556 reverse	mcat205562						Parchment		Unknown					reverse	2	Lewis T556		reverse	MSS 0076				Music Manuscript
Lewis T557	Lewis T557 front	mcat205571					Box 22	Parchment		Unknown					front	1	Lewis T557		front	MSS 0076				Music Manuscript
Lewis T557	Lewis T557 reverse	mcat205572						Parchment		Unknown					reverse	2	Lewis T557		reverse	MSS 0076				Music Manuscript
Lewis T558	Lewis T558 front	mcat205581						Parchment		Unknown					front	1	Lewis T558		front	MSS 0076				Music Manuscript
Lewis T558	Lewis T558 reverse	mcat205582						Parchment		Unknown					reverse	2	Lewis T558		reverse	MSS 0076				Music Manuscript
Lewis T559	Lewis T559 front a	mcat205591						Parchment		Unknown					front	1	Lewis T559		front	MSS 0076				Bible: Book of Tobit
Lewis T559	Lewis T559 reverse a	mcat205592						Parchment		Unknown					reverse	2	Lewis T559		reverse	MSS 0076				Bible: Book of Tobit
Lewis T559	Lewis T559 front b	mcat205593						Parchment		Unknown					front	3	Lewis T559		front	MSS 0076				Bible: Book of Tobit
Lewis T559	Lewis T559 reverse b	mcat205594						Parchment		Unknown					reverse	4	Lewis T559		reverse	MSS 0076				Bible: Book of Tobit
Lewis T560	Lewis T560 front a	mcat205601						Parchment		Unknown					front	1	Lewis T560		front	MSS 0076				Music Manuscript
Lewis T560	Lewis T560 reverse a	mcat205602						Parchment		Unknown					reverse	2	Lewis T560		reverse	MSS 0076				Music Manuscript
Lewis T560	Lewis T560 front b	mcat205603						Parchment		Unknown					front	3	Lewis T560		front	MSS 0077				Music Manuscript
Lewis T560	Lewis T560 reverse b	mcat205604						Parchment		Unknown					reverse	4	Lewis T560		reverse	MSS 0077				Music Manuscript
Lewis T561	Lewis T561 front a	mcat205611						Parchment		Unknown					front	1	Lewis T561		front	MSS 0077				Music Manuscript
Lewis T561	Lewis T561 reverse a	mcat205612						Parchment		Unknown					reverse	2	Lewis T561		reverse	MSS 0077				Music Manuscript
Lewis T561	Lewis T561 front b	mcat205613						Parchment		Unknown					front	3	Lewis T561		front	MSS 0077				Music Manuscript
Lewis T561	Lewis T561 reverse b	mcat205614						Parchment		Unknown					reverse	4	Lewis T561		reverse	MSS 0077				Music Manuscript
Lewis T562	Lewis T562 front	mcat205621						Parchment		Unknown					front	1	Lewis T562		front	MSS 0077				Music Manuscript
Lewis T562	Lewis T562 reverse	mcat205622						Parchment		Unknown					reverse	2	Lewis T562		reverse	MSS 0077				Music Manuscript
Lewis T562	Lewis T562 front	mcat205623						Parchment		Unknown					front	3	Lewis T562		front	MSS 0077				Music Manuscript
Lewis T562	Lewis T562 reverse	mcat205624						Parchment		Unknown					reverse	4	Lewis T562		reverse	MSS 0077				Music Manuscript
Lewis T563	Lewis T563 front	mcat205631						Parchment		Unknown					front	1	Lewis T563		front	MSS 0077				Music Manuscript
Lewis T563	Lewis T563 reverse	mcat205632						Parchment		Unknown					reverse	2	Lewis T563		reverse	MSS 0078				Music Manuscript
Lewis T564	Lewis T564 front	mcat205641						Parchment		Unknown					front	1	Lewis T564		front	MSS 0078				Music Manuscript
Lewis T564	Lewis T564 reverse	mcat205642						Parchment		Unknown					reverse	2	Lewis T564		reverse	MSS 0078				Music Manuscript
Lewis T565	Lewis T565 front	mcat205651						Parchment		Unknown					front	1	Lewis T565		front	MSS 0078				Music Manuscript
Lewis T565	Lewis T565 reverse	mcat205652						Parchment		Unknown					reverse	2	Lewis T565		reverse	MSS 0078				Music Manuscript
Lewis T566	Lewis T566 front	mcat205661						Parchment		Unknown					front	1	Lewis T566		front	MSS 0078				Text Fragment
Lewis T566	Lewis T566 reverse	mcat205662						Parchment		Unknown					reverse	2	Lewis T566		reverse	MSS 0078				Text Fragment
Lewis T567	Lewis T567 front	mcat205671						Parchment		Unknown					front	1	Lewis T567		front	MSS 0078				Music Manuscript
Lewis T567	Lewis T567 reverse	mcat205672						Parchment		Unknown					reverse	2	Lewis T567		reverse	MSS 0078				Music Manuscript
Lewis T572	Lewis T572 front	mcat205721						Parchment		Unknown					front	1	Lewis T572		front	MSS 0079				Music Manuscript
Lewis T572	Lewis T572 reverse	mcat205722						Parchment		Unknown					reverse	2	Lewis T572		reverse	MSS 0079				Music Manuscript
Lewis T568	Lewis T568 front	mcat215681						Parchment		Unknown					front	1	Lewis T568		front					Text Fragment
Lewis T568	Lewis T568 reverse	mcat215682						Parchment		Unknown					reverse	2	Lewis T568		reverse					Text Fragment
Lewis T569	Lewis T569 front	mcat215691						Parchment		Unknown					front	1	Lewis T569		front					Music Manuscript Fragment
Lewis T569	Lewis T569 reverse	mcat215692						Parchment		Unknown					reverse	2	Lewis T569		reverse					Music Manuscript Fragment
Lewis T570	Lewis T570 front a	mcat215701						Parchment		Unknown					front	1	Lewis T570		front					Book of Hours by the Master of the Dark Eyes
Lewis T570	Lewis T570 reverse a	mcat215702						Parchment		Holland, Netherlands					reverse	2	Lewis T570		reverse					Book of Hours by the Master of the Dark Eyes
Lewis T570	Lewis T570 front b	mcat215703						Parchment		Unknown					recto	3	Lewis T570		recto					Book of Hours by the Master of the Dark Eyes
Lewis T570	Lewis T570 reverse b	mcat215704						Parchment		Unknown					Verso	4	Lewis T570		Verso					Book of Hours by the Master of the Dark Eyes
Lewis T571	Lewis T571 front	mcat215711						Parchment		Unknown					front	1	Lewis T571		front					Illuminated Initial
Lewis T571	Lewis T571 reverse	mcat215712						Parchment		Unknown					reverse	2	Lewis T571		reverse					Illuminated Initial
Lewis T573	Lewis T573 front	mcat215731						Parchment		Unknown					front	1	Lewis T573		front					Illuminated Initial
Lewis T573	Lewis T573 reverse	mcat215732						Parchment		Unknown					reverse	2	Lewis T573		reverse					Illuminated Initial
Lewis T574	Lewis T574 front	mcat215741						Parchment		Unknown					front	1	Lewis T574		front					Border Fragment
Lewis T574	Lewis T574 reverse	mcat215742						Parchment		Unknown					reverse	2	Lewis T574		reverse					Border Fragment
Lewis T575	Lewis T575 front a	mcat215751						Parchment		Unknown					front	1	Lewis T575		front					Antiphonal
Lewis T575	Lewis T575 reverse a	mcat215752						Parchment		Unknown					reverse	2	Lewis T575		reverse					Antiphonal
Lewis T575	Lewis T575 front b	mcat215753						Parchment		Unknown					front	3	Lewis T575		front					Antiphonal
Lewis T575	Lewis T575 reverse b	mcat215754						Parchment		Unknown					reverse	4	Lewis T575		reverse					Antiphonal
Lewis T576	Lewis T576	mcat215761					Misc. Mss. V.B. 12 
 #12
	Parchment		Flanders, Belgium					folio 1	16	Lewis T576		folio 1					Illuminated Initials Recto
Lewis T576	Lewis T576	mcat215762						Parchment		Unknown					Folio 1	17	Lewis T576		Folio 1					Illuminated Initials Verso
Lewis T576	Lewis T576	mcat215763						Parchment		Unknown					Folio 1	18	Lewis T576		Folio 1					Illuminated Initial D
Lewis T576	Lewis T576	mcat215764						Parchment		Unknown					Folio 1	19	Lewis T576		Folio 1					Illuminated Initial D, Verso
Lewis T576	Lewis T576	mcat215765						Parchment		Unknown					Lewis T576	20	Lewis T576		Lewis T576					Illuminated Initial E
Lewis T576	Lewis T576	mcat215766						Parchment		Unknown					Folio 1	21	Lewis T576		Folio 1					Illuminated Initial E, Verso
Lewis T576	Lewis T576 front a	mcat21576a						Parchment		Unknown					front	1	Lewis T576		front					Illuminated Initial A
Lewis T576	Lewis T576 reverse a	mcat21576b						Parchment		Unknown					front	2	Lewis T576		front					Illuminated Initial A,Verso
Lewis T576	Lewis T576 front b	mcat21576c						Parchment		Unknown					front	3	Lewis T576		front					Illuminated Initial A
Lewis T576	Lewis T576 reverse b	mcat21576d						Parchment		Unknown					front	4	Lewis T576		front					Illuminated Initial A, Verso
Lewis T576	Lewis T576 front c	mcat21576e						Parchment		Unknown					front	5	Lewis T576		front					Illuminated Initial A
Lewis T576	Lewis T576 reverse c	mcat21576f						Parchment		Unknown					front	6	Lewis T576		front					Illuminated Initial A, Verso
Lewis T576	Lewis T576 front d	mcat21576g						Parchment		Unknown					front	7	Lewis T576		front					Illuminated Initial A
Lewis T576	Lewis T576 reverse d	mcat21576h						Parchment		Unknown					front	8	Lewis T576		front					Illuminated Initial A, Verso
Lewis T576	Lewis T576 front e	mcat21576i						Parchment		Unknown					front	9	Lewis T576		front					Illuminated Initial C
Lewis T576	Lewis T576 reverse e	mcat21576j						Parchment		Unknown					front	10	Lewis T576		front					Illuminated Initial C, Verso
Lewis T576	Lewis T576 front f	mcat21576k						Parchment		Unknown					front	11	Lewis T576		front					Illuminated Initial C
Lewis T576	Lewis T576 reverse f	mcat21576l						Parchment		Unknown					front	12	Lewis T576		front					Illuminated Initial C, Verso
Lewis T576	Lewis T576 front g	mcat21576m						Parchment		Unknown					front	13	Lewis T576		front					Illuminated Initial D
Lewis T576	Lewis T576 reverse g	mcat21576n						Parchment		Unknown					front	14	Lewis T576		front					Illuminated Initial D, Verso
Lewis T576	Lewis T576 front h	mcat21576o						Parchment		Unknown					front	15	Lewis T576		front					Illuminated Initial D
Lewis T576	Lewis T576 reverse h	mcat21576p						Parchment		Unknown					Folio 1	22	Lewis T576		Folio 1					Illuminated Initial D, Verso
Lewis T576	Lewis T576 front i	mcat21576q						Parchment		Unknown					Folio	23	Lewis T576		Folio					Illuminated Initial D
Lewis T576	Lewis T576 reverse i	mcat21576r						Parchment		Unknown					Folio 1	24	Lewis T576		Folio 1					Illuminated Initial D, Verso
Lewis T576	Lewis T576 front j	mcat21576s						Parchment		Unknown					Folio 1	25	Lewis T576		Folio 1					Illuminated Initial D
Lewis T576	Lewis T576 reverse j	mcat21576t						Parchment		Unknown					Folio 1	26	Lewis T576		Folio 1					Illuminated Initial D, Verso
Lewis T576	Lewis T576 front k	mcat21576u						Parchment		Unknown					Folio 1	27	Lewis T576		Folio 1					Illuminated Initial D
Lewis T576	Lewis T576 reverse k	mcat21576v						Parchment		Unknown					Folio 1	28	Lewis T576		Folio 1					Illuminated Initial D, Verso
Lewis T576	Lewis T576 front l	mcat21576w						Parchment		Unknown					Folio 1	29	Lewis T576		Folio 1					Illuminated Initial D
Lewis T576	Lewis T576 reverse l	mcat21576x						Parchment		Unknown					Folio 1	30	Lewis T576		Folio 1					Illuminated Initial D, Verso
Lewis T576	Lewis T576 front m	mcat21576y						Parchment		Unknown					Folio 1	31	Lewis T576		Folio 1					Illuminated Initial D
Lewis T576	Lewis T576 reverse m	mcat21576z						Parchment		Unknown					Folio 1	32	Lewis T576		Folio 1					Illuminated Initial D, Verso
Lewis T577	Lewis T577 front	mcat215771						Parchment		Unknown					front	1	Lewis T577		front					Music Manuscript
Lewis T577	Lewis T577 reverse	mcat215772						Parchment		Unknown					reverse	2	Lewis T577		reverse					Music Manuscript
Lewis T578	Lewis T578 front	mcat215781						Parchment		Unknown					front	1	Lewis T578		front					Antiphonal with Historiated Initial 'D'
Lewis T578	Lewis T578 reverse	mcat215782						Parchment		Unknown					reverse	2	Lewis T578		reverse					Antiphonal with Historiated Initial 'D'